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Layer @House S4

@LayerAfterDusk • 11,311 subscribers

Freelance Illustrator and Animator /// 24 /// Multifandom /// 💌 For freelance work inquiries: [email protected] or DM

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Anya Rossi

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Timelapse; just focused on staying zoomed out for speed and establishing colour shifts early with big brushstrokes

Timelapse; just focused on staying zoomed out for speed and establishing colour shifts early with big brushstrokes

Layer @House S4

185,591 просмотров • 1 месяц назад

Here the timelapse; realism to me is primarily about patience, since you don't have to think about stylizing a reference or any other sort of shape design. I try to build a good foundation to paint, and then chip away at the rest

Here the timelapse; realism to me is primarily about patience, since you don't have to think about stylizing a reference or any other sort of shape design. I try to build a good foundation to paint, and then chip away at the rest

Layer @House S4

51,166 просмотров • 10 дней назад

Here the "trust the process" timelapse, basically, sketch -> brush in colour variety -> big to small loose strokes for texturing. Then pray it starts to look good eventually

Here the "trust the process" timelapse, basically, sketch -> brush in colour variety -> big to small loose strokes for texturing. Then pray it starts to look good eventually

Layer @House S4

150,718 просмотров • 5 месяцев назад

Timelapse; what really brought this one together is when I started to look for more bold colours in the reference and emphasised them, as well as adding some of that variation to the shadow edges

Timelapse; what really brought this one together is when I started to look for more bold colours in the reference and emphasised them, as well as adding some of that variation to the shadow edges

Layer @House S4

38,359 просмотров • 1 месяц назад

Here one of the timelapses, for speed, I tend to use the lasso tool to block in shapes. Seperate layers for fore/mid/background, or whatever else I think is important. Then I also individually lock them, so I can do colour shifts/accents without painting over the entire image.

Here one of the timelapses, for speed, I tend to use the lasso tool to block in shapes. Seperate layers for fore/mid/background, or whatever else I think is important. Then I also individually lock them, so I can do colour shifts/accents without painting over the entire image.

Layer @House S4

90,364 просмотров • 3 месяцев назад

This timelapse had a similiar process with painting in colour shifts to start with, though my main focus here was to preserve the lighting mood, so, I didn't go in to detail and mess with colours too much.

This timelapse had a similiar process with painting in colour shifts to start with, though my main focus here was to preserve the lighting mood, so, I didn't go in to detail and mess with colours too much.

Layer @House S4

104,307 просмотров • 5 месяцев назад

I really wanted to push the reference's (in comments) lighting mood, by planning out a more pronounced colour contrast. Pushing for saturated tones around the terminator line (the bright orange strip) and keeping the rest of the values on the left side more closely together

I really wanted to push the reference's (in comments) lighting mood, by planning out a more pronounced colour contrast. Pushing for saturated tones around the terminator line (the bright orange strip) and keeping the rest of the values on the left side more closely together

Layer @House S4

59,734 просмотров • 4 месяцев назад

Main difference between this one and the other timelapses I've shared is mostly using a much smaller brush size and spending more time. Also clip studio's Lens Blur to mimic camera blur on the edges

Main difference between this one and the other timelapses I've shared is mostly using a much smaller brush size and spending more time. Also clip studio's Lens Blur to mimic camera blur on the edges

Layer @House S4

52,418 просмотров • 4 месяцев назад

Here the timelapse! Not included is just that I colour shifted everything a bit at the end + the oil accents, because I do those in Rebelle, not Clip Studio

Here the timelapse! Not included is just that I colour shifted everything a bit at the end + the oil accents, because I do those in Rebelle, not Clip Studio

Layer @House S4

18,830 просмотров • 2 месяцев назад

Here the timelapse - I like practising with the square brush because it has no pressure or opacity variety, aka I'm forced to just focus on shapes/light/shadow. I also always work big - medium - small, both for efficiency and structure

Here the timelapse - I like practising with the square brush because it has no pressure or opacity variety, aka I'm forced to just focus on shapes/light/shadow. I also always work big - medium - small, both for efficiency and structure

Layer @House S4

19,384 просмотров • 3 месяцев назад

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