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maxim zhestkov

@maximzhestkov • 15,944 subscribers

artist, creative director and founder. games, spatial computing & art.

Shorts

The future of work. Sitting together in one physical room, reaching into overlapped expanded realities.

The future of work. Sitting together in one physical room, reaching into overlapped expanded realities.

20,525 views

One of my studies on electromagnetic sculpting from a couple of years ago. Exploring magnetic fields and the emergent interaction between matter and electricity.

One of my studies on electromagnetic sculpting from a couple of years ago. Exploring magnetic fields and the emergent interaction between matter and electricity.

75,823 views

Artificial Organisms. 2021. An algorithmic study of behavioral patterns. By translating fauna into digital environments, I discovered a lot of similarities between simulated motion and organic life. Working with complex simulations feels like deciphering the source code of nature.

Artificial Organisms. 2021. An algorithmic study of behavioral patterns. By translating fauna into digital environments, I discovered a lot of similarities between simulated motion and organic life. Working with complex simulations feels like deciphering the source code of nature.

57,740 views

Exploring how algorithms and physics simulations create matter that adopts the patterns of organic life capturing the moment when digital calculation transforms into something we perceive as living motion.

Exploring how algorithms and physics simulations create matter that adopts the patterns of organic life capturing the moment when digital calculation transforms into something we perceive as living motion.

42,729 views

Computations. 2019. Spatial dreams of fluid intelligence. Exploring a future where the environment itself is the computer, rebuilding on demand. This vision of adaptive space was later expanded in my work for the PlayStation 5 launch campaign.

Computations. 2019. Spatial dreams of fluid intelligence. Exploring a future where the environment itself is the computer, rebuilding on demand. This vision of adaptive space was later expanded in my work for the PlayStation 5 launch campaign.

39,022 views

The self-sculpting force of a magnetic storm. A piece from my explorations of energy and its electromagnetic beauty.

The self-sculpting force of a magnetic storm. A piece from my explorations of energy and its electromagnetic beauty.

35,659 views

Algorithms of living matter.

Algorithms of living matter.

104,233 views

The ethereal beauty of the living sculptures, moving gracefully to the silent music of artificial magnetic forces. Digital realms in their boundless variety of magnificence.

The ethereal beauty of the living sculptures, moving gracefully to the silent music of artificial magnetic forces. Digital realms in their boundless variety of magnificence.

34,760 views

Synthetic life forms in their digital domains. Artificial Organisms, 2021.

Synthetic life forms in their digital domains. Artificial Organisms, 2021.

30,570 views

My first gallery exhibition in London is almost here – the Simulation Hypothesis show launches at Unit tomorrow and will be on view until July 22nd. Are the foundations of the universe, chaos, order, and human creative power just a product of a simulation? I explore this idea and invite you to a dialogue about the limits of our own world-building.

My first gallery exhibition in London is almost here – the Simulation Hypothesis show launches at Unit tomorrow and will be on view until July 22nd. Are the foundations of the universe, chaos, order, and human creative power just a product of a simulation? I explore this idea and invite you to a dialogue about the limits of our own world-building.

16,813 views

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I believe that the interfaces of the future will disappear. Instead of buttons and menus, we will interact with objects. The process itself becomes the feedback. Building software is always a complex craft, but spatial computing is a different beast entirely. It demands a fusion of visual art, logic, and spatial UI where every interaction happens in the air around you. With OPERATOR, built for Apple Vision Pro, we explored this by turning music into a sculpture. The music track isn't a timeline anymore; it’s a 3D object you can walk around, touch, and modify from any angle.

I believe that the interfaces of the future will disappear. Instead of buttons and menus, we will interact with objects. The process itself becomes the feedback. Building software is always a complex craft, but spatial computing is a different beast entirely. It demands a fusion of visual art, logic, and spatial UI where every interaction happens in the air around you. With OPERATOR, built for Apple Vision Pro, we explored this by turning music into a sculpture. The music track isn't a timeline anymore; it’s a 3D object you can walk around, touch, and modify from any angle.

102,698 views • 5 months ago

The digital art's future is around the corner. To unlock the boundless possibilities of digital art, we must bring it into the realm of immersive digital spaces. Exploring the potential of this frontier with my project — Metaphysics.

The digital art's future is around the corner. To unlock the boundless possibilities of digital art, we must bring it into the realm of immersive digital spaces. Exploring the potential of this frontier with my project — Metaphysics.

70,057 views • 3 years ago

I am excited to make a leap forward into digital spaces with an immersive VR/FP experience. By pushing the boundaries of technology and the perception of digital art, Modules is a life-long project that will constantly evolve, expanding my universe with new experiential spaces.

I am excited to make a leap forward into digital spaces with an immersive VR/FP experience. By pushing the boundaries of technology and the perception of digital art, Modules is a life-long project that will constantly evolve, expanding my universe with new experiential spaces.

65,871 views • 3 years ago

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