M7［mi7］AI
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AI映像研究所【AIFilmLabs】 /Co-Founder AIツール研究＆検証 CPP→TopView/TapNow/PixVers/Hailuo/CapCut/Yapper/他 ECP→Kling AI情報ウォッチ&発信/AI関連PJのバックアッパー多数。 ♡Web/システム/デザイン等数社経営。
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デブ・バズ企画(*'▽')... （累計1000万インプ越え） この2人最高に魅力的だよね！ 全デブ好きが震えた...( ;∀;) PixVerse #pixversecpp でMiniMaxH3＋Seedance2.0
M7［mi7］AI559,259 просмотров • 18 дней назад
破竹の勢いデブ＆バズ( ;∀;)...今回もファイヤー!! ヤバい！やばい...( ﾟДﾟ) あなたの視線は、あの動きに釘付け！ どうぞ拡散してあげてください♪ （ PixVerse PixVerse CPP ）
M7［mi7］AI52,900 просмотров • 2 дней назад
![祝20万インプ越え...(^^♪...【プロンプト公開】 引用元のデブ・バズ企画が盛り上がってます♪ 今公開promptはソロversion：FF7ティファ・コス！ ぜひ、オリキャラやコスプレで使ってみてね... 登場させたいキャラ画像1枚用意するだけ！ ＜ソロ・スカイダイビングチャレンジ＞ Seedance2.5（30秒）プロンプト The English dialogue version is in the comments section. →リプ欄に、ハンコック・コス版（必見） ↓日本語セリフ版 ★セリフは変更して使ってみてね！ ===プロンプト開始=== Seedance 2.5 30 seconds / 4:3 / photorealistic live-action High-energy overseas LIVE TV sports feature All spoken dialogue and commentary must be audibly spoken in Japanese. @ Image1 = Challenger Faithfully preserve the Challenger’s face, hairstyle, hair color, makeup, body proportions, outfit, and overall identity from the reference image throughout the entire video. Do not reinterpret her appearance or redesign her body. Keep the reference outfit and add realistic solo-skydiving equipment over it. Use bold, colorful international LIVE-TV broadcast graphics throughout the video. Top-left: “SOLO SKYDIVE SPECIAL” Make it moderately large and highly visible. Bold modern lettering with bright yellow, cyan, red and white accents, layered broadcast design, strong outline, subtle glow and drop shadow. Top-right: “LIVE” Use a large bright-red LIVE badge with bold white lettering, yellow/cyan accent details, strong outline, subtle glow and drop shadow. The upper graphics should look flashy, energetic and exciting like an international TV special. Keep them away from the Challenger’s face and important action. Do not add large subtitles across the center or bottom. The Challenger is highly energetic, confident, stylish and glamorous from beginning to end. She has the controlled movements of an experienced solo skydiver but performs for the cameras with bright, bold, playful energy. No fear. No hesitation. No panic. She is visibly excited and enjoying the entire challenge. Use big confident smiles, lively eye contact, enthusiastic waves, thumbs-up, fist pumps, peace signs and a quick wink. The mood is cool, sporty, exciting, glamorous and slightly sexy, not comedic. Add realistic solo-skydiving equipment: main and reserve parachute container, correctly fitted harness with shoulder, chest, waist and leg straps, wrist altimeter. No goggles. A compact action camera is securely fixed to the back of one hand. It is not handheld and does not interfere with normal skydiving control. Use a believable small single-engine turboprop high-wing skydiving aircraft with a large rectangular side jump door, narrow practical cabin and simple side benches. Inside the aircraft, use a fixed wide TV camera. Keep natural engine vibration, small camera vibration and strong wind when the door opens. A professional aerial cameraman jumps before the Challenger. He wears a navy skydiving suit, his own parachute system, a head-mounted action camera and carries a compact handheld TV camera. He descends rapidly below the aircraft, turns upward toward the jump door and captures the Challenger’s exit from below. During freefall he dynamically moves around her and actively searches for visually attractive LIVE-TV moments. Use authentic LIVE-TV camerawork: quick punch-in zooms, fast reframing, rapid cut-backs, brief close-ups, wind vibration, slight tracking delay, small overshoots, quick corrective pans, minor framing imperfections. The Challenger exits cleanly and rapidly separates downward from the aircraft. She never floats beside the aircraft. After exit: rapid downward acceleration, aircraft quickly receding above, strong relative airflow, smooth stabilization into a natural belly-to-earth freefall position. Belly toward ground. Back toward sky. Chest open. Hips naturally arched. Knees bent. Legs trailing behind. Arms naturally open. No upright falling. No seated falling. No swimming motion. No zero-gravity drifting. The aerial cameraman falls at a similar speed, so the Challenger appears relatively stable and floating inside the frame while the distant ground, clouds, aircraft movement, wind and body reactions clearly communicate high-speed descent. Strong realistic airflow continuously affects her face, hair and body. Hair streams violently backward. Cheeks are pushed and pulled by the airflow. Lips and mouth area tremble. Soft skin around the jaw and neck vibrates subtly. Even under strong airflow she keeps a bright confident smile and high-energy camera presence. Her chest, belly, sides, waist, hips, butt and thighs react naturally to turbulent airflow. The chest keeps realistic soft weight and shows clearly visible irregular multi-directional jiggling rather than repetitive bouncing. The belly, waist, hips, butt and thighs each show their own natural irregular soft-body movement. Use these as attractive LIVE-TV visual moments. Include a brief quick zoom toward the upper body to capture the chest movement. Include a brief rear three-quarter zoom framing the waist, hips, butt and upper thighs. Immediately return to her face or full-body action after each close-up. Do not hold isolated body close-ups too long. Keep the style dynamic, sporty, glamorous and broadcast-like. During freefall, cut between: aerial cameraman handheld TV camera, aerial cameraman head camera, Challenger hand-mounted self camera. Use: diagonal-front tracking, side tracking, low upward angle, frontal pass, rear three-quarter tracking, wide shots with open sky and distant ground. Audio: aircraft engine, cabin vibration, violent wind at the open door, powerful freefall wind, microphone turbulence, close breathing from the self camera, high-energy international sports-TV music. Lower the music during freefall so the live wind and voices dominate. All written Challenger dialogue MUST be actually spoken aloud in Japanese by the Challenger. Use a bright, energetic, excited young adult Japanese female voice. Her mouth movement must naturally synchronize with her Japanese speech. All written Commentator dialogue MUST be actually spoken aloud in Japanese by an energetic Japanese male TV commentator. Do not convert spoken lines into subtitles. Do not mute, omit or skip any written line. During freefall, wind noise may partially affect her voice, but every spoken line must remain audible and recognizable. Audio priority: 1. Challenger Japanese voice 2. Japanese Commentator 3. live environmental sound 4. background music [0:00–0:05] Fixed aircraft camera. The Challenger stands near the jump door with a big confident smile and high energy. She quickly adjusts her hair, enthusiastically waves at the camera, gives a thumbs-up and finishes with a strong short fist pump. Use a quick TV punch-in toward her smiling face. Challenger audibly says in Japanese: 「みんな、みてるー！？」 「今日は、かっこよくきめるよー！」 Japanese male Commentator audibly says: 「今回のチャレンジャー、実はスカイダイビングのライセンス保持者！ しかも今回は、なんとひとりで飛びます！」 [0:05–0:08] The jump door opens. Violent wind rushes into the cabin. Her hair immediately whips backward. The fixed TV camera quickly zooms toward her face and upper body. Instead of hesitating, she becomes even more excited. She laughs, looks directly into camera and raises a fist. Challenger audibly says in Japanese: 「きたきたー！！」 「テンションあがるー！」 「いってきまーす！！」 Japanese male Commentator audibly says: 「そして今回は、顔の表情をはっきり撮影するため、あえてゴーグルなし！ 強い風を受ける表情まで、しっかり捉えます！」 [0:08–0:11] Fixed aircraft camera. The aerial cameraman jumps first and rapidly disappears below the door. Immediately cut to his head camera. He accelerates downward, turns his body and points the camera upward toward the aircraft and open jump door. Natural wind vibration and rapid framing adjustment. Japanese male Commentator audibly says: 「まず空中カメラマンが先行！ 下から狙います！」 [0:11–0:14] Fixed aircraft camera. The Challenger confidently moves to the jump door with no hesitation. She looks back at the fixed camera with a big smile and gives a strong thumbs-up. Challenger audibly says in Japanese: 「いくよー！！」 She launches into a clean, stylish solo jump. Cut immediately to the aerial cameraman below the aircraft. She rapidly drops toward the camera while the aircraft becomes smaller above. The cameraman quickly corrects his framing to follow her. Japanese male Commentator audibly says: 「いったーーー！ 迷いなし！ きれいなソロジャンプ！」 [0:14–0:18] Aerial handheld TV camera. The Challenger smoothly stabilizes into a clean belly-to-earth posture. Begin with a dynamic diagonal-front full-body tracking shot. She immediately notices the aerial cameraman. Without breaking her posture, she enthusiastically waves with the free hand and gives a thumbs-up. Challenger audibly says in Japanese: 「みえてるー！？」 「さいこー！！」 Make a fast LIVE-TV punch-in toward her upper body for approximately 0.7 seconds. Clearly capture the strong airflow through her hair, face, chest and belly. Her chest shows soft irregular multi-directional jiggling. Immediately pull back to full-body. Japanese male Commentator audibly says: 「きれいに安定したーー！ さすがライセンス保持者、この余裕！ おおっと、カメラが寄った！ 胸元まで、風を受けてぷるぷる揺れています！」 [0:18–0:21] Challenger hand-mounted self camera. Close, energetic, slightly unstable shot of her face and upper body. Strong wind pushes her cheeks and lips. Her hair streams backward. Her chest and belly naturally move in the airflow. She looks directly into the camera with a huge smile and gives a playful quick wink. Challenger audibly says in Japanese: 「どう！？」 「かっこいいでしょー！！」 Japanese male Commentator audibly says: 「この風でも笑ってるーー！ 完全に楽しんでます！」 [0:21–0:25] Cut rapidly back to the aerial handheld TV camera. The cameraman tracks alongside her, then drops lower for a dramatic full-body upward angle against the blue sky. Move briefly toward a rear three-quarter position. Make a fast approximately 0.7-second LIVE-TV punch-in framing her lower back, waist, hips, butt and upper thighs. Show natural irregular airflow movement through the fitted outfit and soft body. Immediately widen back to full body and move toward diagonal front. The Challenger notices the camera again, gives a big smile and a playful peace sign. Challenger audibly says in Japanese: 「もっと、とってー！！」 Japanese male Commentator audibly says: 「後ろからも来たーー！ 腰まわりも、お尻も、風をまともに受けています！ それでもこの余裕！ カメラにピースです！！」 [0:25–0:28] Wide aerial TV shot. The Challenger quickly checks her wrist altimeter. With confident controlled movement, she deploys her own parachute. The canopy opens correctly. Her body rises naturally into the harness and freefall speed drops sharply. The cameraman performs a quick upward pan to follow the opening canopy. Wind noise suddenly becomes much quieter. Challenger audibly says in Japanese: 「よしっ！！」 Japanese male Commentator audibly says: 「ここで自分でパラシュート展開！ 開いたーー！ きれいです！」 [0:28–0:30] Challenger hand-mounted self camera during stable parachute descent. The atmosphere becomes calmer. The Challenger is still extremely energetic and excited. She gives a huge satisfied smile, waves enthusiastically at the camera, then makes a strong celebratory fist pump. Challenger audibly says in Japanese: 「せいこうー！！」 「みんな、みてたー！？」 Japanese male Commentator audibly says: 「ソロ・スカイダイブ、見事成功ーー！ 最後まで余裕たっぷり！ かっこよく決めましたーー！」 End with the Challenger smiling brightly against the open blue sky while the colorful “SOLO SKYDIVE SPECIAL” and “LIVE” broadcast graphics remain clearly visible. ===プロンプト終了===](https://image.24vids.com/tw-2094610037549477977/amplify_video_thumb/2094583166556352512/img/Y-UYcZnxCcn5xEK0.jpg)
祝20万インプ越え...(^^♪...【プロンプト公開】 引用元のデブ・バズ企画が盛り上がってます♪ 今公開promptはソロversion：FF7ティファ・コス！ ぜひ、オリキャラやコスプレで使ってみてね... 登場させたいキャラ画像1枚用意するだけ！ ＜ソロ・スカイダイビングチャレンジ＞ Seedance2.5（30秒）プロンプト The English dialogue version is in the comments section. →リプ欄に、ハンコック・コス版（必見） ↓日本語セリフ版 ★セリフは変更して使ってみてね！ ===プロンプト開始=== Seedance 2.5 30 seconds / 4:3 / photorealistic live-action High-energy overseas LIVE TV sports feature All spoken dialogue and commentary must be audibly spoken in Japanese. @ Image1 = Challenger Faithfully preserve the Challenger’s face, hairstyle, hair color, makeup, body proportions, outfit, and overall identity from the reference image throughout the entire video. Do not reinterpret her appearance or redesign her body. Keep the reference outfit and add realistic solo-skydiving equipment over it. Use bold, colorful international LIVE-TV broadcast graphics throughout the video. Top-left: “SOLO SKYDIVE SPECIAL” Make it moderately large and highly visible. Bold modern lettering with bright yellow, cyan, red and white accents, layered broadcast design, strong outline, subtle glow and drop shadow. Top-right: “LIVE” Use a large bright-red LIVE badge with bold white lettering, yellow/cyan accent details, strong outline, subtle glow and drop shadow. The upper graphics should look flashy, energetic and exciting like an international TV special. Keep them away from the Challenger’s face and important action. Do not add large subtitles across the center or bottom. The Challenger is highly energetic, confident, stylish and glamorous from beginning to end. She has the controlled movements of an experienced solo skydiver but performs for the cameras with bright, bold, playful energy. No fear. No hesitation. No panic. She is visibly excited and enjoying the entire challenge. Use big confident smiles, lively eye contact, enthusiastic waves, thumbs-up, fist pumps, peace signs and a quick wink. The mood is cool, sporty, exciting, glamorous and slightly sexy, not comedic. Add realistic solo-skydiving equipment: main and reserve parachute container, correctly fitted harness with shoulder, chest, waist and leg straps, wrist altimeter. No goggles. A compact action camera is securely fixed to the back of one hand. It is not handheld and does not interfere with normal skydiving control. Use a believable small single-engine turboprop high-wing skydiving aircraft with a large rectangular side jump door, narrow practical cabin and simple side benches. Inside the aircraft, use a fixed wide TV camera. Keep natural engine vibration, small camera vibration and strong wind when the door opens. A professional aerial cameraman jumps before the Challenger. He wears a navy skydiving suit, his own parachute system, a head-mounted action camera and carries a compact handheld TV camera. He descends rapidly below the aircraft, turns upward toward the jump door and captures the Challenger’s exit from below. During freefall he dynamically moves around her and actively searches for visually attractive LIVE-TV moments. Use authentic LIVE-TV camerawork: quick punch-in zooms, fast reframing, rapid cut-backs, brief close-ups, wind vibration, slight tracking delay, small overshoots, quick corrective pans, minor framing imperfections. The Challenger exits cleanly and rapidly separates downward from the aircraft. She never floats beside the aircraft. After exit: rapid downward acceleration, aircraft quickly receding above, strong relative airflow, smooth stabilization into a natural belly-to-earth freefall position. Belly toward ground. Back toward sky. Chest open. Hips naturally arched. Knees bent. Legs trailing behind. Arms naturally open. No upright falling. No seated falling. No swimming motion. No zero-gravity drifting. The aerial cameraman falls at a similar speed, so the Challenger appears relatively stable and floating inside the frame while the distant ground, clouds, aircraft movement, wind and body reactions clearly communicate high-speed descent. Strong realistic airflow continuously affects her face, hair and body. Hair streams violently backward. Cheeks are pushed and pulled by the airflow. Lips and mouth area tremble. Soft skin around the jaw and neck vibrates subtly. Even under strong airflow she keeps a bright confident smile and high-energy camera presence. Her chest, belly, sides, waist, hips, butt and thighs react naturally to turbulent airflow. The chest keeps realistic soft weight and shows clearly visible irregular multi-directional jiggling rather than repetitive bouncing. The belly, waist, hips, butt and thighs each show their own natural irregular soft-body movement. Use these as attractive LIVE-TV visual moments. Include a brief quick zoom toward the upper body to capture the chest movement. Include a brief rear three-quarter zoom framing the waist, hips, butt and upper thighs. Immediately return to her face or full-body action after each close-up. Do not hold isolated body close-ups too long. Keep the style dynamic, sporty, glamorous and broadcast-like. During freefall, cut between: aerial cameraman handheld TV camera, aerial cameraman head camera, Challenger hand-mounted self camera. Use: diagonal-front tracking, side tracking, low upward angle, frontal pass, rear three-quarter tracking, wide shots with open sky and distant ground. Audio: aircraft engine, cabin vibration, violent wind at the open door, powerful freefall wind, microphone turbulence, close breathing from the self camera, high-energy international sports-TV music. Lower the music during freefall so the live wind and voices dominate. All written Challenger dialogue MUST be actually spoken aloud in Japanese by the Challenger. Use a bright, energetic, excited young adult Japanese female voice. Her mouth movement must naturally synchronize with her Japanese speech. All written Commentator dialogue MUST be actually spoken aloud in Japanese by an energetic Japanese male TV commentator. Do not convert spoken lines into subtitles. Do not mute, omit or skip any written line. During freefall, wind noise may partially affect her voice, but every spoken line must remain audible and recognizable. Audio priority: 1. Challenger Japanese voice 2. Japanese Commentator 3. live environmental sound 4. background music [0:00–0:05] Fixed aircraft camera. The Challenger stands near the jump door with a big confident smile and high energy. She quickly adjusts her hair, enthusiastically waves at the camera, gives a thumbs-up and finishes with a strong short fist pump. Use a quick TV punch-in toward her smiling face. Challenger audibly says in Japanese: 「みんな、みてるー！？」 「今日は、かっこよくきめるよー！」 Japanese male Commentator audibly says: 「今回のチャレンジャー、実はスカイダイビングのライセンス保持者！ しかも今回は、なんとひとりで飛びます！」 [0:05–0:08] The jump door opens. Violent wind rushes into the cabin. Her hair immediately whips backward. The fixed TV camera quickly zooms toward her face and upper body. Instead of hesitating, she becomes even more excited. She laughs, looks directly into camera and raises a fist. Challenger audibly says in Japanese: 「きたきたー！！」 「テンションあがるー！」 「いってきまーす！！」 Japanese male Commentator audibly says: 「そして今回は、顔の表情をはっきり撮影するため、あえてゴーグルなし！ 強い風を受ける表情まで、しっかり捉えます！」 [0:08–0:11] Fixed aircraft camera. The aerial cameraman jumps first and rapidly disappears below the door. Immediately cut to his head camera. He accelerates downward, turns his body and points the camera upward toward the aircraft and open jump door. Natural wind vibration and rapid framing adjustment. Japanese male Commentator audibly says: 「まず空中カメラマンが先行！ 下から狙います！」 [0:11–0:14] Fixed aircraft camera. The Challenger confidently moves to the jump door with no hesitation. She looks back at the fixed camera with a big smile and gives a strong thumbs-up. Challenger audibly says in Japanese: 「いくよー！！」 She launches into a clean, stylish solo jump. Cut immediately to the aerial cameraman below the aircraft. She rapidly drops toward the camera while the aircraft becomes smaller above. The cameraman quickly corrects his framing to follow her. Japanese male Commentator audibly says: 「いったーーー！ 迷いなし！ きれいなソロジャンプ！」 [0:14–0:18] Aerial handheld TV camera. The Challenger smoothly stabilizes into a clean belly-to-earth posture. Begin with a dynamic diagonal-front full-body tracking shot. She immediately notices the aerial cameraman. Without breaking her posture, she enthusiastically waves with the free hand and gives a thumbs-up. Challenger audibly says in Japanese: 「みえてるー！？」 「さいこー！！」 Make a fast LIVE-TV punch-in toward her upper body for approximately 0.7 seconds. Clearly capture the strong airflow through her hair, face, chest and belly. Her chest shows soft irregular multi-directional jiggling. Immediately pull back to full-body. Japanese male Commentator audibly says: 「きれいに安定したーー！ さすがライセンス保持者、この余裕！ おおっと、カメラが寄った！ 胸元まで、風を受けてぷるぷる揺れています！」 [0:18–0:21] Challenger hand-mounted self camera. Close, energetic, slightly unstable shot of her face and upper body. Strong wind pushes her cheeks and lips. Her hair streams backward. Her chest and belly naturally move in the airflow. She looks directly into the camera with a huge smile and gives a playful quick wink. Challenger audibly says in Japanese: 「どう！？」 「かっこいいでしょー！！」 Japanese male Commentator audibly says: 「この風でも笑ってるーー！ 完全に楽しんでます！」 [0:21–0:25] Cut rapidly back to the aerial handheld TV camera. The cameraman tracks alongside her, then drops lower for a dramatic full-body upward angle against the blue sky. Move briefly toward a rear three-quarter position. Make a fast approximately 0.7-second LIVE-TV punch-in framing her lower back, waist, hips, butt and upper thighs. Show natural irregular airflow movement through the fitted outfit and soft body. Immediately widen back to full body and move toward diagonal front. The Challenger notices the camera again, gives a big smile and a playful peace sign. Challenger audibly says in Japanese: 「もっと、とってー！！」 Japanese male Commentator audibly says: 「後ろからも来たーー！ 腰まわりも、お尻も、風をまともに受けています！ それでもこの余裕！ カメラにピースです！！」 [0:25–0:28] Wide aerial TV shot. The Challenger quickly checks her wrist altimeter. With confident controlled movement, she deploys her own parachute. The canopy opens correctly. Her body rises naturally into the harness and freefall speed drops sharply. The cameraman performs a quick upward pan to follow the opening canopy. Wind noise suddenly becomes much quieter. Challenger audibly says in Japanese: 「よしっ！！」 Japanese male Commentator audibly says: 「ここで自分でパラシュート展開！ 開いたーー！ きれいです！」 [0:28–0:30] Challenger hand-mounted self camera during stable parachute descent. The atmosphere becomes calmer. The Challenger is still extremely energetic and excited. She gives a huge satisfied smile, waves enthusiastically at the camera, then makes a strong celebratory fist pump. Challenger audibly says in Japanese: 「せいこうー！！」 「みんな、みてたー！？」 Japanese male Commentator audibly says: 「ソロ・スカイダイブ、見事成功ーー！ 最後まで余裕たっぷり！ かっこよく決めましたーー！」 End with the Challenger smiling brightly against the open blue sky while the colorful “SOLO SKYDIVE SPECIAL” and “LIVE” broadcast graphics remain clearly visible. ===プロンプト終了===
M7［mi7］AI52,288 просмотров • 17 дней назад
驚きの事実＆業界が震えあがる !!!!!!!!!! AIモーションで脱After Effects...(''ω'')ノ？【PR】 むっちゃ気になってたTOPVIEW AI（ Topview AI (トップビュー) 日本公式 ）の「Topview Motion Studio」試したぞ( ;∀;)... 添付動画のモーションを見てくれΣ（・□・；） クオリティ高くね！？ Seedance2.5が搭載されてて、AE（After Effects）風モーショングラフィックス動画が制作できる機能がTopview Motion Studio！ テストも兼ねて、この機能自体の宣伝動画をモーション グラフィックスとして作ってみたよ... 【検証結果】 （Q1）AEが要らなくなる？→（A1）ならない！ （Q2）外注費抑えれる？→（A2）使いようで可能！ （Q3）使いやすい？→（A3）改良を求む！ ＜ガチレビュー＞ まあ、色々あるんですが、今はα版という前提でお話しします。 むちゃ簡単にできるようにテンプレートが用意されてるんだけど、今は、これがまだ少ないし、まあ、シンプルなエフェクトやモーションのものが多いのであまり見映えがしないものになってしまう。 （今のままだと社内使い程度かな） 今後追加されるらしいけど.... それと商品やサービスのPRや説明だと結構凝ったものを要求されるから今のままだとなんちゃって程度。 またそれがやりたいモーションとなるとテンプレートでは対応しきれないのですよ。 （今はテンプレートを選ぶ方法しかなくて困った） 生成には、Seedance2.5やMiniMaxH3、Wan3.0と最新で 参照（リファレンス）も多く指定できるけど、結局元デザインが肝心であったり、それとテンプレのモーションがかち合うのでこれも結局テンプレではだめって話になるんです。 どちらかというと、AEのプラグイン的な細かいモーションが一つずつ指示できるようなSkill群機能にした方が本当に使えると思う。プロンプトに組み込んでくれるようなもの。 この機能まだ使ってない人にはわかりづらいんだけど、結局CanvasでAIと対話して最終動画生成するですよ。 私の場合1回目の生成では、テンプレをもとにやって大失敗...そして2回目で素材をきっちり用意してテンプレ要素をどんどん置き換える指示を出して今回のようなものを完成させた感じ。でもこのクオリティだすなら、絵コンテや参照画像の工夫、プロンプトまで綿密に設計しとかないといけないんです。 そうなれば、普通にSeedance2.5やMiniMaxH3を扱う方が早いって感じですね。 まあ、それができない人やテンプレで簡単にって人向けかな。デザイン系のプロユースではないです。 今回は、TOPVIEW AIさんのアップデートに期待！って感じで検証結果報告しておきます。 最後まで観てくれた方は、是非質問やコメントくださいね！
M7［mi7］AI22,395 просмотров • 20 дней назад
ノリノリ夏の撮影！どう思う？ CapCut AIでSeedance2.5で簡単に生成できるよ！ capcutseedance25 capcutcpp CapCut
M7［mi7］AI34,985 просмотров • 1 месяц назад
『格闘少女010 鳴海セラ編』 ―― 祈る者、裁く者 今回の主人公は、鳴海セラ。 雨の函館を舞台に、怪異と陰謀に銃で立ち向かう、戦闘修道女です。 表の顔は、静かに日常を生きる女子高生。 しかしその裏では、北辰バイオ財団が密かに進める怪異研究と、その研究によって生み出された異常存在を追う、特務エージェントとして行動しています。 セラの過去には、幼い頃に両親を飛行機事故で亡くしたという大きな傷があります。 その事故は、単なる事故だったのか。 それとも、北辰バイオ財団の研究、怪異反応、そして黒瀬斎臣の計画と関係していたのか。 物語は、その疑念を抱えたまま、雨の函館港湾地帯から始まります。 雷鳴、工業地帯、濡れた金属、赤い警報灯。 セラは修道女の衣装をまとい、狙撃銃を構え、北辰バイオ財団の施設外周を制圧していきます。 前半は、鳴海セラの“銃を扱う戦闘修道女”としての強さを見せるパートです。 遠距離狙撃、弾丸の超スロー、巨大実験体の弱点コアへの命中、外周警備の掃討。 セラは祈りの言葉ではなく、銃火によって道を切り開きます。 しかし、この物語は単なるガンアクションではありません。 施設内部へ潜入したセラを待っていたのは、北辰バイオ財団の異常研究。 割れた培養槽、停止した監視ドローン、濡れた通路、そして監視モニター越しに彼女を見つめる黒瀬斎臣。 黒瀬は、怪異を恐怖や災厄として見ていません。 彼にとって怪異は、管理可能な資源であり、利用すべき研究対象です。 「怪異は、資源だ。」 その一言が、鳴海セラ編における敵側の思想を象徴しています。 中盤では、響骸体ラクリマが起動します。 ラクリマは、単に肉体で襲いかかる怪物ではありません。 白い医療仮面、黒い膜状の翼、赤黒いコア、医療チューブのような管を持ち、霧の中に沈んだ記憶、恐怖、罪悪感に共鳴する怪異です。 ラクリマの反応により、セラの視界は歪みます。 研究施設の通路に、航空機事故の断片、赤い警告灯、両親の声のような幻聴が重なっていく。 現実と過去が混線し、セラの記憶が侵食されていきます。 それでも、セラは拳銃を下ろしません。 彼女は祈る者でありながら、裁く者でもあります。 救えなかった過去を抱えながら、それでも目の前の怪異と財団の闇に銃口を向ける。 後半では、ラクリマが培養槽を破って完全出現します。 赤黒い霧、黒い粒子、白い仮面、脈動するコア。 セラは至近距離でラクリマと対峙し、銃撃、回避、精神干渉、そして反撃へと進んでいきます。 ラクリマは、セラの記憶を揺さぶります。 しかし、セラはその声を拒みます。 「……その声を、使うな。」 これは、ただの戦闘中のセリフではありません。 彼女の過去を利用しようとする怪異への拒絶であり、両親の記憶を汚されることへの怒りであり、鳴海セラというキャラクターの芯を表す言葉です。 最後にセラは、ラクリマのコアへ銃口を向けます。 祈りでは届かない場所へ、裁きの弾丸を撃ち込む。 ラクリマは崩壊します。 けれど、それで全てが終わるわけではありません。 壊れた研究施設の奥、モニターにはまだ黒瀬斎臣の姿が残っています。 ラクリマを倒しても、北辰バイオ財団の計画は終わっていない。 黒瀬の冷たい視線は、次の実験、次の段階を示唆しています。 『格闘少女010 鳴海セラ編』は、 戦闘修道女、銃火器、怪異サスペンス、函館ノワールを組み合わせた、シリーズの中でもかなりハードボイルド寄りの一本です。 狙撃。 制圧。 潜入。 記憶干渉。 怪異殲滅。 鳴海セラは、祈りだけでは救えなかった過去を抱えながら、銃を手に進みます。 祈る者であり、裁く者。 その矛盾こそが、彼女の強さであり、危うさです。
M7［mi7］AI17,863 просмотров • 3 месяцев назад
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