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The final sequence of Ghost in the Shell was created from this artwork painted by art director Hiromasa Ogura

The final sequence of Ghost in the Shell was created from this artwork painted by art director Hiromasa Ogura

41,139 Aufrufe

Denis Villeneuve celebrating the final shot of ‘DUNE: PART 1’ in Norway.

Denis Villeneuve celebrating the final shot of ‘DUNE: PART 1’ in Norway.

21,181 Aufrufe

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Ewan McGregor picking out his Lightsaber hilt for “The Phantom Menace”

Ewan McGregor picking out his Lightsaber hilt for “The Phantom Menace”

Sci-Fi Archives

2,110,914 Aufrufe • vor 3 Monaten

One of the craziest long takes in cinema history. It took months of preparation for Alfonso Cuarón to pull it off. Every extra, explosion, sound effect, and camera movement had to be perfectly synchronized. A single mistake meant starting all over again.

One of the craziest long takes in cinema history. It took months of preparation for Alfonso Cuarón to pull it off. Every extra, explosion, sound effect, and camera movement had to be perfectly synchronized. A single mistake meant starting all over again.

Sci-Fi Archives

1,794,564 Aufrufe • vor 9 Monaten

In this scene from Blade Runner 2049, Ryan Gosling had a general guideline for expressing anger, but he improvised several gestures and shouts. Denis Villeneuve chose the take where his outburst remains contained, as if K were still trying to maintain control. Roger Deakins filmed with a handheld camera very close to Gosling’s face to capture every micro-reaction.

In this scene from Blade Runner 2049, Ryan Gosling had a general guideline for expressing anger, but he improvised several gestures and shouts. Denis Villeneuve chose the take where his outburst remains contained, as if K were still trying to maintain control. Roger Deakins filmed with a handheld camera very close to Gosling’s face to capture every micro-reaction.

Sci-Fi Archives

1,585,965 Aufrufe • vor 10 Monaten

In Star Wars: The Last Jedi, Rian Johnson wanted to surprise the audience by killing off the main villain, Snoke, halfway through the film. It was a deliberate choice to subvert expectations and give Kylo Ren true dramatic autonomy.

In Star Wars: The Last Jedi, Rian Johnson wanted to surprise the audience by killing off the main villain, Snoke, halfway through the film. It was a deliberate choice to subvert expectations and give Kylo Ren true dramatic autonomy.

Sci-Fi Archives

1,449,216 Aufrufe • vor 10 Monaten

To create the city in Her, director Spike Jonze shot in both Los Angeles and Shanghai. The two environments were digitally blended to form a soft, luminous, and futuristic metropolis without flying cars or sci-fi clichés.

To create the city in Her, director Spike Jonze shot in both Los Angeles and Shanghai. The two environments were digitally blended to form a soft, luminous, and futuristic metropolis without flying cars or sci-fi clichés.

Sci-Fi Archives

1,322,069 Aufrufe • vor 9 Monaten

THE CREATOR is one of the best science fiction films in recent years. That moment with the Radiohead track is absolutely stunning.

THE CREATOR is one of the best science fiction films in recent years. That moment with the Radiohead track is absolutely stunning.

Sci-Fi Archives

659,233 Aufrufe • vor 5 Monaten

The opening of Blade Runner 2049 is among the most visually stunning in the history of science fiction.

The opening of Blade Runner 2049 is among the most visually stunning in the history of science fiction.

Sci-Fi Archives

469,594 Aufrufe • vor 6 Monaten

The exo-suits in Edge of Tomorrow weighed between 30 and 40 kilos each. Emily Blunt nearly fainted the first time she wore one and broke down in tears, but Tom Cruise reassured her, saying it would look more natural on screen if she embraced the real difficulty. Ever the perfectionist, Cruise insisted the actors wear the actual suits instead of relying on CGI to enhance the realism.

The exo-suits in Edge of Tomorrow weighed between 30 and 40 kilos each. Emily Blunt nearly fainted the first time she wore one and broke down in tears, but Tom Cruise reassured her, saying it would look more natural on screen if she embraced the real difficulty. Ever the perfectionist, Cruise insisted the actors wear the actual suits instead of relying on CGI to enhance the realism.

Sci-Fi Archives

681,748 Aufrufe • vor 10 Monaten

Dune (2021) was shot digitally then transferred to 35mm film and scanned back. Greig Fraser used this process to give the image a texture blending digital precision and organic grain.

Dune (2021) was shot digitally then transferred to 35mm film and scanned back. Greig Fraser used this process to give the image a texture blending digital precision and organic grain.

Sci-Fi Archives

446,257 Aufrufe • vor 7 Monaten

Denis Villeneuve auditioned numerous actresses and dancers to play the “companion replicants” in Blade Runner 2049. He was looking for a variety of faces and a strange kind of body language. During some takes, Villeneuve let the performers improvise lines or gestures around Gosling to capture spontaneous reactions.

Denis Villeneuve auditioned numerous actresses and dancers to play the “companion replicants” in Blade Runner 2049. He was looking for a variety of faces and a strange kind of body language. During some takes, Villeneuve let the performers improvise lines or gestures around Gosling to capture spontaneous reactions.

Sci-Fi Archives

537,392 Aufrufe • vor 9 Monaten

Chills every time

Chills every time

Sci-Fi Archives

38,995 Aufrufe • vor 19 Tagen

The eyes of Jabba the Hutt.

The eyes of Jabba the Hutt.

Sci-Fi Archives

279,960 Aufrufe • vor 6 Monaten

One of the best scenes of the year.

One of the best scenes of the year.

Sci-Fi Archives

278,995 Aufrufe • vor 9 Monaten

A Denis Villeneuve Masterpiece

A Denis Villeneuve Masterpiece

Sci-Fi Archives

204,558 Aufrufe • vor 7 Monaten

Filming for Dune: Part Two (2024) in the Abu Dhabi desert reached temperatures of 110 degrees. The heat was so intense that the camera equipment began melting and the crew had to work in short bursts to avoid heatstroke.

Filming for Dune: Part Two (2024) in the Abu Dhabi desert reached temperatures of 110 degrees. The heat was so intense that the camera equipment began melting and the crew had to work in short bursts to avoid heatstroke.

Sci-Fi Archives

147,020 Aufrufe • vor 5 Monaten

The beauty of Rocky’s ship in Project Hail Mary

The beauty of Rocky’s ship in Project Hail Mary

Sci-Fi Archives

83,144 Aufrufe • vor 3 Monaten

Hans Zimmer in concert last night in Prague performing ‘A TIME OF QUIET BETWEEN THE STORMS’

Hans Zimmer in concert last night in Prague performing ‘A TIME OF QUIET BETWEEN THE STORMS’

Sci-Fi Archives

522,211 Aufrufe • vor 2 Jahren

Denis Villeneuve explained that this moment in Dune was essential to ground the film emotionally. He wanted to show that behind the political and epic aspects of Dune, there was also an intimate story of transmission between a father and his son.

Denis Villeneuve explained that this moment in Dune was essential to ground the film emotionally. He wanted to show that behind the political and epic aspects of Dune, there was also an intimate story of transmission between a father and his son.

Sci-Fi Archives

204,780 Aufrufe • vor 9 Monaten

Paul riding the sandworm was the scene everyone was waiting for before Dune 2. Denis Villeneuve delivered beyond expectations.

Paul riding the sandworm was the scene everyone was waiting for before Dune 2. Denis Villeneuve delivered beyond expectations.

Sci-Fi Archives

143,157 Aufrufe • vor 6 Monaten

In this scene from Blade Runner 2049, Denis Villeneuve wanted the action to remain clear and believable. The explosions seen on screen were therefore done for real, using small controlled charges, and later enhanced with digital effects.

In this scene from Blade Runner 2049, Denis Villeneuve wanted the action to remain clear and believable. The explosions seen on screen were therefore done for real, using small controlled charges, and later enhanced with digital effects.

Sci-Fi Archives

196,954 Aufrufe • vor 10 Monaten