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Discover how actors, directors and writers bring screenplays to life. Podcast: ‘Screenplayed Breakdown’ 🎧

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Bradley Cooper shared his concerns about filming the scene featuring Leonard Bernstein conducting the London Symphony Orchestra. He mentioned, "That scene I was so worried about because we did it live... I was recorded live. I had to conduct them. And I spent six years learning how to conduct six minutes and 21 seconds of music. I was able to get the raw take where I just watched Leonard Bernstein [conduct] at Ely Cathedral... And so I had that to study." 🎼

Bradley Cooper shared his concerns about filming the scene featuring Leonard Bernstein conducting the London Symphony Orchestra. He mentioned, "That scene I was so worried about because we did it live... I was recorded live. I had to conduct them. And I spent six years learning how to conduct six minutes and 21 seconds of music. I was able to get the raw take where I just watched Leonard Bernstein [conduct] at Ely Cathedral... And so I had that to study." 🎼

13,866,305 次观看 • 2 年前

Matthew Rhys in Widow’s Bay blends deadpan comedic timing and chilling horror flawlessly. #AppleTVPartner Episode 110, “We Hope You Enjoyed Your Time!” Written by Katie Dippold Directed by Hiro Murai

Matthew Rhys in Widow’s Bay blends deadpan comedic timing and chilling horror flawlessly. #AppleTVPartner Episode 110, “We Hope You Enjoyed Your Time!” Written by Katie Dippold Directed by Hiro Murai

233,210 次观看 • 29 天前

Margot Robbie explains how the line “What are you, a f*cking owl?” originated on the set of The Wolf of Wall Street 🎥

Margot Robbie explains how the line “What are you, a f*cking owl?” originated on the set of The Wolf of Wall Street 🎥

2,512,526 次观看 • 1 年前

Cheap isn't sustainable. In this clip, director Adam Wingard, discusses Obsession, the low-budget film that isn't the business model it looks like. Obsession was made for around $750,000 and earned over $500 million at the box office, but that success didn't reach the below-the-line crew's wages. The cheap movie is a way in the door. It's not how you make a living. In the full episode, Adam, the filmmaker behind Onslaught, Godzilla vs. Kong, and The Guest, talks about pitching Onslaught to A24 with nothing but a photo of The Fog on his phone, and why passion projects and sustainable careers aren't always the same thing. Watch or listen to the full conversation on YouTube, Spotify, and Apple Podcasts.

Cheap isn't sustainable. In this clip, director Adam Wingard, discusses Obsession, the low-budget film that isn't the business model it looks like. Obsession was made for around $750,000 and earned over $500 million at the box office, but that success didn't reach the below-the-line crew's wages. The cheap movie is a way in the door. It's not how you make a living. In the full episode, Adam, the filmmaker behind Onslaught, Godzilla vs. Kong, and The Guest, talks about pitching Onslaught to A24 with nothing but a photo of The Fog on his phone, and why passion projects and sustainable careers aren't always the same thing. Watch or listen to the full conversation on YouTube, Spotify, and Apple Podcasts.

44,473 次观看 • 9 天前

Paul Thomas Anderson revealed that he pushed himself to complete the script for There Will Be Blood once Daniel Day-Lewis expressed interest. After wrapping the first week of filming, Day-Lewis confessed he was disappointed with his performance, describing it as “radically off course.” However, after reviewing the footage with Anderson, he made crucial adjustments that ultimately delivered one of cinema’s most iconic performances and earned him his second Academy Award.

Paul Thomas Anderson revealed that he pushed himself to complete the script for There Will Be Blood once Daniel Day-Lewis expressed interest. After wrapping the first week of filming, Day-Lewis confessed he was disappointed with his performance, describing it as “radically off course.” However, after reviewing the footage with Anderson, he made crucial adjustments that ultimately delivered one of cinema’s most iconic performances and earned him his second Academy Award.

1,476,190 次观看 • 11 个月前

OBSESSION’s ending was scripted differently until two last-minute changes reshaped the final scene. In the original script, Bear swallows the pills, accepts his fate, and walks out to Nikki. Actor Michael Johnston suggested adding a moment where Bear panics and tries to throw the pills back up. Writer/Director Curry Barker kept it, and that single change turns Bear's death from a sacrifice into a final act of cowardice. Barker also revealed the film was originally written to end with Nikki taking her own life, but his father and a few collaborators pushed him to try a version where she survives. He shot a single take of it, sure he'd never use it, then realized the bleaker image of Nikki left alive and screaming in the aftermath was the stronger ending and kept it. Which ending would you have chosen?

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OBSESSION’s ending was scripted differently until two last-minute changes reshaped the final scene. In the original script, Bear swallows the pills, accepts his fate, and walks out to Nikki. Actor Michael Johnston suggested adding a moment where Bear panics and tries to throw the pills back up. Writer/Director Curry Barker kept it, and that single change turns Bear's death from a sacrifice into a final act of cowardice. Barker also revealed the film was originally written to end with Nikki taking her own life, but his father and a few collaborators pushed him to try a version where she survives. He shot a single take of it, sure he'd never use it, then realized the bleaker image of Nikki left alive and screaming in the aftermath was the stronger ending and kept it. Which ending would you have chosen?

245,841 次观看 • 2 个月前

The scene that won Sean Penn an Oscar 🏆 According to director Clint Eastwood, it took six cops to hold Sean Penn back—but after the first take, Clint had to add two more because Penn was fighting so hard.

The scene that won Sean Penn an Oscar 🏆 According to director Clint Eastwood, it took six cops to hold Sean Penn back—but after the first take, Clint had to add two more because Penn was fighting so hard.

1,591,412 次观看 • 1 年前

Storytelling is more than just dialogue. #AppleTVPartner Pluribus, episode 101: “We is Us” Written and directed by: Vince Gilligan

Storytelling is more than just dialogue. #AppleTVPartner Pluribus, episode 101: “We is Us” Written and directed by: Vince Gilligan

67,711 次观看 • 1 个月前

This scene in Pretty Woman wasn’t scripted. Julia Roberts was feeling tired on set, so director Garry Marshall told Richard Gere to snap the box shut as a playful surprise. Her reaction was completely real—and it ended up becoming one of the film’s most iconic moments.

This scene in Pretty Woman wasn’t scripted. Julia Roberts was feeling tired on set, so director Garry Marshall told Richard Gere to snap the box shut as a playful surprise. Her reaction was completely real—and it ended up becoming one of the film’s most iconic moments.

969,451 次观看 • 1 年前

Emma Stone’s Oscar-nominated performance in ‘Bugonia’ 🎥

Emma Stone’s Oscar-nominated performance in ‘Bugonia’ 🎥

365,826 次观看 • 6 个月前

This scene sealed Jessie Buckley’s Oscar win for ‘Hamnet’ 🏆 Jessie Buckley revealed the scream in this moment wasn’t in the script. It came over her during the take and was kept in the final film.

This scene sealed Jessie Buckley’s Oscar win for ‘Hamnet’ 🏆 Jessie Buckley revealed the scream in this moment wasn’t in the script. It came over her during the take and was kept in the final film.

202,487 次观看 • 6 个月前

“Just be a rock.” 🪨 Everything Everywhere All at Once (2022), written and directed by @DunKwun & Daniel Scheinert (DANIELS) 🎥

“Just be a rock.” 🪨 Everything Everywhere All at Once (2022), written and directed by @DunKwun & Daniel Scheinert (DANIELS) 🎥

774,494 次观看 • 3 年前

This one-take from ‘Three Billboards Outside Ebbing, Missouri’ (2017) is perfect 👌

This one-take from ‘Three Billboards Outside Ebbing, Missouri’ (2017) is perfect 👌

328,879 次观看 • 1 年前

‘Project Hail Mary’ screenwriter Drew Goddard shares advice every writer and filmmaker needs to hear. Watch or listen to the full episode:

‘Project Hail Mary’ screenwriter Drew Goddard shares advice every writer and filmmaker needs to hear. Watch or listen to the full episode:

105,309 次观看 • 5 个月前

Jason Segel and Harrison Ford in Shrinking remind us what happens when powerful writing and unforgettable performances meet. #AppleTVPartner Episode 311 — “And That’s Our Time” • Written by: Bill Lawrence (Bill Lawrence), Brett Goldstein (Brett Goldstein) & Neil Goldman • Directed by: Randall Keenan Winston • Story Editor: Sasha Garron • Created by: Bill Lawrence, Jason Segel & Brett Goldstein

Jason Segel and Harrison Ford in Shrinking remind us what happens when powerful writing and unforgettable performances meet. #AppleTVPartner Episode 311 — “And That’s Our Time” • Written by: Bill Lawrence (Bill Lawrence), Brett Goldstein (Brett Goldstein) & Neil Goldman • Directed by: Randall Keenan Winston • Story Editor: Sasha Garron • Created by: Bill Lawrence, Jason Segel & Brett Goldstein

64,564 次观看 • 3 个月前

Michelle Pfeiffer brings an honest, relatable vulnerability to her Emmy nominated performance in Margo’s Got Money Troubles that captures the unfiltered reality of motherhood. #AppleTVPartner Episode 101, “The Hungry Ghost” Written by David E. Kelley Directed by Dearbla Walsh

Michelle Pfeiffer brings an honest, relatable vulnerability to her Emmy nominated performance in Margo’s Got Money Troubles that captures the unfiltered reality of motherhood. #AppleTVPartner Episode 101, “The Hungry Ghost” Written by David E. Kelley Directed by Dearbla Walsh

23,866 次观看 • 1 个月前

Kate O’Flynn shines as a relatable fan favorite and an unforgettable party host. #AppleTVPartner #WidowsBay Widow’s Bay, Episode 104 - “Beach Reads” Written by Mackenzie Dohr Directed by Sam Donovan

Kate O’Flynn shines as a relatable fan favorite and an unforgettable party host. #AppleTVPartner #WidowsBay Widow’s Bay, Episode 104 - “Beach Reads” Written by Mackenzie Dohr Directed by Sam Donovan

24,018 次观看 • 1 个月前