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Marco "Shikoba" Riccetti

@shikoba_86 • 6,912 subscribers

Shikoba | AI Filmmaker Adobe & Dreamina Ambassador Pioneer of AI in Italian national TV Pro workflows for fast cinematic results

Shorts

Seedance 2.0 Test text to video Prompt: [Shot 1: Frontal Menacing Shot] A medium shot of a SWAT officer in full tactical gear, gas mask, and helmet. He is pointing his assault rifle directly at the camera lens (breaking the fourth wall). He is shouting with visible intensity: "LET THE HOSTAGE GO! DROP THE WEAPON NOW!" [Shot 2: The Threat] Cut to a medium shot of the killer in a dirty tank top, holding a woman in a chokehold. He has a pistol pressed to her head. He is sweating and manic, screaming at the off-screen officer: "STAY BACK! I'LL KILL HER! I SWEAR I'LL DO IT!" [Shot 3: Over-the-Shoulder Resolution] The camera is positioned directly behind the SWAT officer's right shoulder. We see the back of his helmet and his rifle in the foreground. In the distance (mid-ground), the killer is still visible holding the girl. The killer screams one last time: "I'M GONNA DO IT!" after The officer's rifle kicks back with a single sho and hit head enemy. The killer falls instantly. The girl is left standing, shocked but safe. Technical Style: High-shutter speed action, realistic muzzle flashes, handheld camera shake, 24fps, English dialogue.

Seedance 2.0 Test text to video Prompt: [Shot 1: Frontal Menacing Shot] A medium shot of a SWAT officer in full tactical gear, gas mask, and helmet. He is pointing his assault rifle directly at the camera lens (breaking the fourth wall). He is shouting with visible intensity: "LET THE HOSTAGE GO! DROP THE WEAPON NOW!" [Shot 2: The Threat] Cut to a medium shot of the killer in a dirty tank top, holding a woman in a chokehold. He has a pistol pressed to her head. He is sweating and manic, screaming at the off-screen officer: "STAY BACK! I'LL KILL HER! I SWEAR I'LL DO IT!" [Shot 3: Over-the-Shoulder Resolution] The camera is positioned directly behind the SWAT officer's right shoulder. We see the back of his helmet and his rifle in the foreground. In the distance (mid-ground), the killer is still visible holding the girl. The killer screams one last time: "I'M GONNA DO IT!" after The officer's rifle kicks back with a single sho and hit head enemy. The killer falls instantly. The girl is left standing, shocked but safe. Technical Style: High-shutter speed action, realistic muzzle flashes, handheld camera shake, 24fps, English dialogue.

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Kling Tip: Beyond "Smile": How to Control Any Character Expression in Kling AI Want to control every micro-expression of your AI characters in Kling? The real magic isn't just what they do, but how they feel! The "Sequential Emotional Prompting" technique is perfect for this. Instead of just telling Kling to "make them laugh," you describe the physical sequence of the emotion, frame by frame, starting from a neutral expression. This gives you incredible control and avoids those "jumpy," unnatural AI expressions. Here are 4 ways to control a character's expressions, from simple joy to emotional hysteria, complete with detailed prompts and templates! ⬇️

Kling Tip: Beyond "Smile": How to Control Any Character Expression in Kling AI Want to control every micro-expression of your AI characters in Kling? The real magic isn't just what they do, but how they feel! The "Sequential Emotional Prompting" technique is perfect for this. Instead of just telling Kling to "make them laugh," you describe the physical sequence of the emotion, frame by frame, starting from a neutral expression. This gives you incredible control and avoids those "jumpy," unnatural AI expressions. Here are 4 ways to control a character's expressions, from simple joy to emotional hysteria, complete with detailed prompts and templates! ⬇️

27,495 просмотров

Kling 3.0 Tip — CINEMATIC MULTISHOT (Narrative Scenes) With Kling AI 3.0's Multishot feature. We are making Short Films. These templates allow you to direct a continuous scene with 3-4 camera angles, dialogue, and emotional shifts. THE TECHNIQUE: "The 4-Shot Arc" Don't just describe a scene. Describe the cuts. Use Shot 1, Shot 2, Shot 3 labels to tell the AI exactly when to switch angles while keeping the characters consistent. N.B. ENABLE MULTISHOT OPTION ⚠️

Kling 3.0 Tip — CINEMATIC MULTISHOT (Narrative Scenes) With Kling AI 3.0's Multishot feature. We are making Short Films. These templates allow you to direct a continuous scene with 3-4 camera angles, dialogue, and emotional shifts. THE TECHNIQUE: "The 4-Shot Arc" Don't just describe a scene. Describe the cuts. Use Shot 1, Shot 2, Shot 3 labels to tell the AI exactly when to switch angles while keeping the characters consistent. N.B. ENABLE MULTISHOT OPTION ⚠️

13,516 просмотров

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LOVE was made entirely inside invideo. Not with one agent. I built a multi-agent system — a director, and around it casting, locations, storyboard, then one agent per main scene, all working at the same time. In the breakdown I go through the things that struck me most: — Expert agents talking to each other — Infinite memory — Slate editor — And a Project Analyst at the end, interviewing every other agent on what to change next time There's a lot more to say. I'll take it one thing at a time in the next posts. Invideo Agent Two isn't just an agent. It's a collaborator you shape into what you need. Full breakdown ↓

LOVE was made entirely inside invideo. Not with one agent. I built a multi-agent system — a director, and around it casting, locations, storyboard, then one agent per main scene, all working at the same time. In the breakdown I go through the things that struck me most: — Expert agents talking to each other — Infinite memory — Slate editor — And a Project Analyst at the end, interviewing every other agent on what to change next time There's a lot more to say. I'll take it one thing at a time in the next posts. Invideo Agent Two isn't just an agent. It's a collaborator you shape into what you need. Full breakdown ↓

Marco "Shikoba" Riccetti

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