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@sweethoneybckin โข 15,087 subscribers
i donโt care about much if it ainโt about mi
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โItโs so noticeable she got her lips done.โ ๐ญ๐ญ๐ญ Mind you, here is a literal video of this woman contour around her lips, blend it out, overline them with lip liner, add the LIP-PLUMPING gloss, and FINISH with Say Dewy blush for more pigment . ๐ญ You watched the illusion get built STEP BY STEP in 4K and somehow your final diagnosis was filler. Didnโt even try, babe. ๐คฃ
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Wait a damn minute when did Rollie and Lex start beefing? ๐ฅด
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This isnโt the early 2000s anymore, and a lot of this discourse refuses to accept that reality. Back then, artists could survive and even thrive mainly off music because physical sales, radio spins, and touring actually paid real money. That model is gone. Weโre in a streaming era where music often earns the least once revenue is split between labels, distributors, publishers, managers, and taxes. Even artists with millions of listeners can still make modest income from music alone unless they own their masters, publishing, and distribution outright, and even then streaming payouts remain low. Thatโs why music today often functions as promotion rather than the main paycheck. The real money comes from what that visibility unlocks, like brand deals, endorsements, campaigns, commercials, liquor partnerships, fashion, and licensing. Laughing at artists for selling tequila, donuts, or chicken just reveals a misunderstanding of how the modern industry actually works. The industry changed, the money moved, and artists who understand that evolve while others stay stuck arguing with a business model that no longer exists. Best i.e. Chloฬe sat down with TERRELL in 2023 and revealed some of the real reasons that artists donโt always make a lot of money from music.
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The Teflon Don in courtroom has arrived with a new color ๐๐๐๐๐๐
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Some of yโall see a giant font and instantly lose critical thinking skills. Like your brain just says, โOoooh big lettersโฆ must be true.โPlease, Iโm begging you: enroll in Reading Comprehension 101 before discussing federal litigation.
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Meganโs artistic back and forth with Nicki wasnโt the cause of her distress though. That exchange ended with HISS debuting at number one, which shows Megan clearly came out on top. Nicki even admitted she had multiple diss tracks ready, so she was fully invested in the feud on her end. And letโs be honest, Big Foot wasnโt a strong diss, so itโs hard to imagine the other six being much better. The point is, Megan wasnโt pressed. She went live and openly mocked Nicki after all of it. Yall remember when Nicki was on Instagram for seven days straight ranting about being dissed. Megan kept dropping indirect bars across several songs after HISS, and Nicki never responded because she canโt match Megan lyrically. If weโre talking about who was actually upset in that situation, it definitely wasnโt Megan.
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This whole clip shows the difference between BOYS who perform masculinity online and MEN who actually live it. A grown man apologizing to his woman isnโt soft. Itโs healthy. Itโs emotionally intelligent. Itโs what functional relationships look like. Via: (@)Motivation_Jason on TikTok!
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& while we are at it ๐ TINA SNOW Chloฬe
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spicebae LMFAO sorry Nas use to stay getting the best of Nia.
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