𝐇𝐈𝐏 𝐇𝐎𝐏 𝐒𝐓✩𝐑 🦋
@sweethoneybckin • 15,087 subscribers
i don’t care about much if it ain’t about mi
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“It’s so noticeable she got her lips done.” 😭😭😭 Mind you, here is a literal video of this woman contour around her lips, blend it out, overline them with lip liner, add the LIP-PLUMPING gloss, and FINISH with Say Dewy blush for more pigment . 😭 You watched the illusion get built STEP BY STEP in 4K and somehow your final diagnosis was filler. Didn’t even try, babe. 🤣
𝐇𝐈𝐏 𝐇𝐎𝐏 𝐒𝐓✩𝐑 🦋228,065 görüntüleme • 4 gün önce
Wait a damn minute when did Rollie and Lex start beefing? 🥴
𝐇𝐈𝐏 𝐇𝐎𝐏 𝐒𝐓✩𝐑 🦋279,612 görüntüleme • 3 ay önce
This isn’t the early 2000s anymore, and a lot of this discourse refuses to accept that reality. Back then, artists could survive and even thrive mainly off music because physical sales, radio spins, and touring actually paid real money. That model is gone. We’re in a streaming era where music often earns the least once revenue is split between labels, distributors, publishers, managers, and taxes. Even artists with millions of listeners can still make modest income from music alone unless they own their masters, publishing, and distribution outright, and even then streaming payouts remain low. That’s why music today often functions as promotion rather than the main paycheck. The real money comes from what that visibility unlocks, like brand deals, endorsements, campaigns, commercials, liquor partnerships, fashion, and licensing. Laughing at artists for selling tequila, donuts, or chicken just reveals a misunderstanding of how the modern industry actually works. The industry changed, the money moved, and artists who understand that evolve while others stay stuck arguing with a business model that no longer exists. Best i.e. Chlöe sat down with TERRELL in 2023 and revealed some of the real reasons that artists don’t always make a lot of money from music.
𝐇𝐈𝐏 𝐇𝐎𝐏 𝐒𝐓✩𝐑 🦋518,558 görüntüleme • 7 ay önce
The Teflon Don in courtroom has arrived with a new color 🍐🍐🍐🍐🍐🍐
𝐇𝐈𝐏 𝐇𝐎𝐏 𝐒𝐓✩𝐑 🦋429,277 görüntüleme • 9 ay önce
Megan’s artistic back and forth with Nicki wasn’t the cause of her distress though. That exchange ended with HISS debuting at number one, which shows Megan clearly came out on top. Nicki even admitted she had multiple diss tracks ready, so she was fully invested in the feud on her end. And let’s be honest, Big Foot wasn’t a strong diss, so it’s hard to imagine the other six being much better. The point is, Megan wasn’t pressed. She went live and openly mocked Nicki after all of it. Yall remember when Nicki was on Instagram for seven days straight ranting about being dissed. Megan kept dropping indirect bars across several songs after HISS, and Nicki never responded because she can’t match Megan lyrically. If we’re talking about who was actually upset in that situation, it definitely wasn’t Megan.
𝐇𝐈𝐏 𝐇𝐎𝐏 𝐒𝐓✩𝐑 🦋312,508 görüntüleme • 9 ay önce
This whole clip shows the difference between BOYS who perform masculinity online and MEN who actually live it. A grown man apologizing to his woman isn’t soft. It’s healthy. It’s emotionally intelligent. It’s what functional relationships look like. Via: (@)Motivation_Jason on TikTok!
𝐇𝐈𝐏 𝐇𝐎𝐏 𝐒𝐓✩𝐑 🦋156,166 görüntüleme • 9 ay önce
moonchild 🌒 Yall say it wasn’t live but this was right after she got off the stage
𝐇𝐈𝐏 𝐇𝐎𝐏 𝐒𝐓✩𝐑 🦋168,273 görüntüleme • 1 yıl önce
spicebae LMFAO sorry Nas use to stay getting the best of Nia.
𝐇𝐈𝐏 𝐇𝐎𝐏 𝐒𝐓✩𝐑 🦋11,356 görüntüleme • 7 ay önce
Daha fazla içerik yok.