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underwood

@underwoodxie96 • 16,074 subscribers

Sharing AI image & video prompts and tips. Running https://t.co/j9SO6Qz5RK Backup @promptsref DM for Collaborations.

Shorts

I made a second version! This time, I improved the opening to make it more eye-catching, added extra padding to the character shots so the video won’t get cropped across different social platforms, and updated the prompt into English. I also improved the canvas workflow. Previously, I had to generate multiple images and videos one by one, then pick the best results. Now the canvas supports generating multiple results in a single run, which has greatly improved my workflow efficiency. Now you only need to swap the image, and the same video prompt can still produce great results. Which anime cosplay should I make next? Full workflow and prompts:

I made a second version! This time, I improved the opening to make it more eye-catching, added extra padding to the character shots so the video won’t get cropped across different social platforms, and updated the prompt into English. I also improved the canvas workflow. Previously, I had to generate multiple images and videos one by one, then pick the best results. Now the canvas supports generating multiple results in a single run, which has greatly improved my workflow efficiency. Now you only need to swap the image, and the same video prompt can still produce great results. Which anime cosplay should I make next? Full workflow and prompts:

147,049 views

I combined several recent trending video elements to create the video below, and the result turned out to be surprisingly fun. I think Seedance 2.0 is especially good for creating this kind of “only-exists-in-your-imagination” style video. I also shared another version of the video along with the full production workflow in the comments.

I combined several recent trending video elements to create the video below, and the result turned out to be surprisingly fun. I think Seedance 2.0 is especially good for creating this kind of “only-exists-in-your-imagination” style video. I also shared another version of the video along with the full production workflow in the comments.

45,915 views

Thanks to seedance 2.0, They were relieved of their suffering.

Thanks to seedance 2.0, They were relieved of their suffering.

621,738 views

test GPT 2.0 + Grok I don't even need to type a prompt.

test GPT 2.0 + Grok I don't even need to type a prompt.

95,128 views

I think you'll like this dance.

I think you'll like this dance.

415,373 views

One trick we discovered for avoiding realistic face moderation issues in Seedance 2.0 is using character turnaround sheets (front / side / back views). The first video is one of our experiment results — and it runs successfully. We’ve now integrated character turnarounds directly into our workflow + canvas system: 1. If your artwork was generated on our site, you can drag the image into the canvas directly from the Assets tab 2. Click the “Character Turnaround” button above the image to automatically generate a 3-view turnaround sheet 3. Create a new video node and use the turnaround sheet directly with Seedance 2.0 inside the workflow I’ve shared the workflow link in the comments if you want to explore the exact prompts, setup, and workflow details.

One trick we discovered for avoiding realistic face moderation issues in Seedance 2.0 is using character turnaround sheets (front / side / back views). The first video is one of our experiment results — and it runs successfully. We’ve now integrated character turnarounds directly into our workflow + canvas system: 1. If your artwork was generated on our site, you can drag the image into the canvas directly from the Assets tab 2. Click the “Character Turnaround” button above the image to automatically generate a 3-view turnaround sheet 3. Create a new video node and use the turnaround sheet directly with Seedance 2.0 inside the workflow I’ve shared the workflow link in the comments if you want to explore the exact prompts, setup, and workflow details.

30,029 views

It would be better if the voice sounded a little better.

It would be better if the voice sounded a little better.

46,676 views

How I made the video below (17s): 1. Use Nano Banana to generate keyframes (a consistent world + full environment) 2. Use Kling with first/last frame reference to generate the in-between shots (bring the keyframes to life) 3. Use CapCut for revisions and editing (pacing, transitions, SFX, subtitles) There are three main challenges: 1. Getting AI to produce story-driven visuals: you need to bake relationships and narrative intent into the prompt 2. Writing prompts in cinematic language: specify shot types, camera movement, and framing changes to make transitions smoother 3. Editing is the real “ceiling”: assembling shots, controlling rhythm, building emotion, and syncing sound with visuals all come down to editing Making AI shorts is basically a hybrid job: writer-director + editor. If you understand storytelling and camera grammar—and then cut it with the right rhythm—the results get dramatically better.

How I made the video below (17s): 1. Use Nano Banana to generate keyframes (a consistent world + full environment) 2. Use Kling with first/last frame reference to generate the in-between shots (bring the keyframes to life) 3. Use CapCut for revisions and editing (pacing, transitions, SFX, subtitles) There are three main challenges: 1. Getting AI to produce story-driven visuals: you need to bake relationships and narrative intent into the prompt 2. Writing prompts in cinematic language: specify shot types, camera movement, and framing changes to make transitions smoother 3. Editing is the real “ceiling”: assembling shots, controlling rhythm, building emotion, and syncing sound with visuals all come down to editing Making AI shorts is basically a hybrid job: writer-director + editor. If you understand storytelling and camera grammar—and then cut it with the right rhythm—the results get dramatically better.

303,820 views

Rita AI now supports Seedance 2.0. If you're looking for a platform that combines AI image generation, AI video generation, and workflow orchestration, this one is worth checking out. In addition to Seedance 2.0, it also supports Kling 3.0 and Motion Control, making dynamic camera moves, controllable motion, and video generation much easier. Link: I tested it with the following prompt, and the result felt very cinematic: A fearless young woman rides a skateboard at high speed through the crowded streets of New York City, weaving through pedestrians, darting past street vendors, yellow taxis, and cyclists with breathtaking agility. She rockets through intersections, skims past towering skyscrapers and iconic storefronts, and launches over curbs, street cracks, and scattered obstacles with stylish precision. Every movement feels bold, controlled, and exhilarating. Shot like a cinematic action sequence, the scene features fast-paced tracking shots, dramatic low-angle close-ups of the skateboard wheels scraping the asphalt, sweeping side-follow shots, and occasional slow-motion hero moments as she lands tricks and cuts through traffic. Dynamic motion blur heightens the sensation of speed, while golden hour sunlight bathes the city in a warm glow, reflecting off glass facades, metal surfaces, and the street below. Steam drifts from subway vents, traffic lights flicker, and the soundless visual energy of New York creates a pulsing urban backdrop. Ultra-realistic, intense, stylish, and immersive, with the visual tone of a high-end action film, capturing speed, confidence, danger, and freedom in the heart of the city.

Rita AI now supports Seedance 2.0. If you're looking for a platform that combines AI image generation, AI video generation, and workflow orchestration, this one is worth checking out. In addition to Seedance 2.0, it also supports Kling 3.0 and Motion Control, making dynamic camera moves, controllable motion, and video generation much easier. Link: I tested it with the following prompt, and the result felt very cinematic: A fearless young woman rides a skateboard at high speed through the crowded streets of New York City, weaving through pedestrians, darting past street vendors, yellow taxis, and cyclists with breathtaking agility. She rockets through intersections, skims past towering skyscrapers and iconic storefronts, and launches over curbs, street cracks, and scattered obstacles with stylish precision. Every movement feels bold, controlled, and exhilarating. Shot like a cinematic action sequence, the scene features fast-paced tracking shots, dramatic low-angle close-ups of the skateboard wheels scraping the asphalt, sweeping side-follow shots, and occasional slow-motion hero moments as she lands tricks and cuts through traffic. Dynamic motion blur heightens the sensation of speed, while golden hour sunlight bathes the city in a warm glow, reflecting off glass facades, metal surfaces, and the street below. Steam drifts from subway vents, traffic lights flicker, and the soundless visual energy of New York creates a pulsing urban backdrop. Ultra-realistic, intense, stylish, and immersive, with the visual tone of a high-end action film, capturing speed, confidence, danger, and freedom in the heart of the city.

61,800 views

seedance 2.0 Crazy McDonalds

seedance 2.0 Crazy McDonalds

80,846 views

seedance 2.0 Our website is now live. prompt： Theme: The final play in the atmosphere of the NBA Finals, a superstar's step-back three-pointer for the game-winning shot. Duration: 15 seconds. Frame: 9:16. Vertical screen. Style: Ultra-realistic sports live broadcast + cinematic bullet time replay of key moments. Core principle: Like a live broadcast, not a game, not a commercial studio shoot. 15-second storyboard: 0.0s - 2.5s Close-up sideline shot, the protagonist dribbles the ball at a 45-degree angle on the right side. The arena is packed, with a real score bar and countdown at the top. The camera shakes slightly, like a handheld stabilizer used with a telephoto lens for broadcasting. The rubbing of shoes and the suppressed cheers of the crowd can be heard. 2.5s - 5.0s The defender closes in, the protagonist dribbles and changes direction repeatedly, probing with his shoulder, the physical contact is obvious. The camera zooms in on the dribbling area above the chest and waist, sweat, breathing, and jersey movements are clearly visible. The basket remains visible in the upper part of the frame. 5.0s - 7.0s The protagonist suddenly stops and steps back, creating half a step of space. The timer has only 2 to 3 seconds left. The commentator's volume rises, and the audience begins to stand. This is a build-up of emotion, no slow motion. 7.0s - 8.5s: Jump and release, entering bullet time. The camera circles in a semi-circle from the protagonist's side and front, moving at an extremely slow speed. Focused close-ups: fingers flicking the ball, beads of sweat hanging in the air, jersey fibers, shoe soles leaving the ground, audience flashes, the backboard and lights creating a strong sense of spatial depth. 8.5s - 10.5s: Instantly returning to normal speed, the basketball arcs high towards the basket. The camera zooms in slightly, the net, rim, and scoreboard all in focus. The sound effects tighten, briefly lowering the ambient noise to make the basket more impactful. 10.5s - 12.0s: Swish through the net, the "swish" of the net is very clear, the buzzer sounds almost simultaneously. The score changes, the commentator explodes, the audience erupts. 12.0s - 15.0s: The protagonist lands, turns around, and roars or spreads his arms in celebration; teammates rush over, the audience erupts in cheers, and cell phone flashes fill the screen. The camera then switches back to a live broadcast style, retaining a slight sense of compression and the chaotic atmosphere of the scene, like capturing the actual moment after the match.

seedance 2.0 Our website is now live. prompt： Theme: The final play in the atmosphere of the NBA Finals, a superstar's step-back three-pointer for the game-winning shot. Duration: 15 seconds. Frame: 9:16. Vertical screen. Style: Ultra-realistic sports live broadcast + cinematic bullet time replay of key moments. Core principle: Like a live broadcast, not a game, not a commercial studio shoot. 15-second storyboard: 0.0s - 2.5s Close-up sideline shot, the protagonist dribbles the ball at a 45-degree angle on the right side. The arena is packed, with a real score bar and countdown at the top. The camera shakes slightly, like a handheld stabilizer used with a telephoto lens for broadcasting. The rubbing of shoes and the suppressed cheers of the crowd can be heard. 2.5s - 5.0s The defender closes in, the protagonist dribbles and changes direction repeatedly, probing with his shoulder, the physical contact is obvious. The camera zooms in on the dribbling area above the chest and waist, sweat, breathing, and jersey movements are clearly visible. The basket remains visible in the upper part of the frame. 5.0s - 7.0s The protagonist suddenly stops and steps back, creating half a step of space. The timer has only 2 to 3 seconds left. The commentator's volume rises, and the audience begins to stand. This is a build-up of emotion, no slow motion. 7.0s - 8.5s: Jump and release, entering bullet time. The camera circles in a semi-circle from the protagonist's side and front, moving at an extremely slow speed. Focused close-ups: fingers flicking the ball, beads of sweat hanging in the air, jersey fibers, shoe soles leaving the ground, audience flashes, the backboard and lights creating a strong sense of spatial depth. 8.5s - 10.5s: Instantly returning to normal speed, the basketball arcs high towards the basket. The camera zooms in slightly, the net, rim, and scoreboard all in focus. The sound effects tighten, briefly lowering the ambient noise to make the basket more impactful. 10.5s - 12.0s: Swish through the net, the "swish" of the net is very clear, the buzzer sounds almost simultaneously. The score changes, the commentator explodes, the audience erupts. 12.0s - 15.0s: The protagonist lands, turns around, and roars or spreads his arms in celebration; teammates rush over, the audience erupts in cheers, and cell phone flashes fill the screen. The camera then switches back to a live broadcast style, retaining a slight sense of compression and the chaotic atmosphere of the scene, like capturing the actual moment after the match.

33,358 views

I didn’t expect Grok’s video model to improve this much. Today, when I was generating a video with Seedance 2.0, I found the results weren’t very good. So I tried using the exact same source material and prompt in Grok instead. To my surprise, Grok actually produced better results than Seedance 2.0. I’ve put the prompt and source material in the comments, so if you’re interested, you can give it a try too. The left side shows the video generated by Grok, and the right side shows the video generated by Seedance 2.0.

I didn’t expect Grok’s video model to improve this much. Today, when I was generating a video with Seedance 2.0, I found the results weren’t very good. So I tried using the exact same source material and prompt in Grok instead. To my surprise, Grok actually produced better results than Seedance 2.0. I’ve put the prompt and source material in the comments, so if you’re interested, you can give it a try too. The left side shows the video generated by Grok, and the right side shows the video generated by Seedance 2.0.

33,245 views

Seedance 2.0 is now live on our website. ⚠️ Warning: The following video is extremely unsettling. If you’re sensitive to horror content, consider watching without sound or skipping it. prompt： one-take cinematic horror scene, old apartment hallway at night, one young woman holding a phone light, slow tracking shot, tense silence. first step: ceiling light suddenly goes out, brief blackout, light returns, hallway seems normal. second step: light goes out again, slightly longer blackout, faint strange sound, light returns, bathroom door is now more open, her breathing becomes faster. third step: she hesitates in fear, then takes one more step, longest blackout, eerie low laugh in darkness, light snaps back on, a pale inhuman figure is suddenly standing motionless directly in front of her face, intense dread, cut to black. realistic, oppressive, restrained, psychological horror, cold green and dirty yellow lighting, shallow depth of field, film grain, high-end horror movie quality.

Seedance 2.0 is now live on our website. ⚠️ Warning: The following video is extremely unsettling. If you’re sensitive to horror content, consider watching without sound or skipping it. prompt： one-take cinematic horror scene, old apartment hallway at night, one young woman holding a phone light, slow tracking shot, tense silence. first step: ceiling light suddenly goes out, brief blackout, light returns, hallway seems normal. second step: light goes out again, slightly longer blackout, faint strange sound, light returns, bathroom door is now more open, her breathing becomes faster. third step: she hesitates in fear, then takes one more step, longest blackout, eerie low laugh in darkness, light snaps back on, a pale inhuman figure is suddenly standing motionless directly in front of her face, intense dread, cut to black. realistic, oppressive, restrained, psychological horror, cold green and dirty yellow lighting, shallow depth of field, film grain, high-end horror movie quality.

19,341 views

We have released Seedance 2.0. Due to the 2500-character limit, please translate the following prompts into Chinese before use. [Technical Specs] Generate a 10-second, 16:9, 720p cinematic video. Smooth continuous camera motion with no cuts. The overall pacing is fast and tightly compressed, with rapid escalation from start to finish. Audio evolves quickly from a high-performance engine idle into intricate mechanical shifting and clicks, culminating in a soft electronic chime and the distinct sound of a "mwah" blowing kiss. [Global Constraints] Only the evolving mechanical character appears; no other humans or characters. All transformations must follow physical logic and maintain structural continuity. No object should pass through or intersect with other solid objects. Every robotic component must originate from visible parts of the Porsche 911 (doors, hood, wheels, chassis) through unfolding, splitting, or reconfiguration. [Scene Setup — 0:00–0:01] A sleek, metallic silver Porsche 911 sits on a rain-slicked futuristic city street at night, neon lights reflecting off its polished surface. The camera starts at a low-angle front-quarter view and begins a fast, smooth tracking-arc towards the side. [Rapid Transformation Initiation — 0:01–0:03] Transformation triggers instantly. The car’s suspension drops, and the frame begins to fracture into a complex grid of panels. The doors swing open and begin to segment into articulated arm structures. The front hood splits down the center, folding inward to reveal a glowing internal core. The headlights flicker and start to reorient as the "eyes." [Accelerated Feminine Reconfiguration — 0:03–0:07] The mechanical action is dense, overlapping, and fluid, emphasizing graceful but powerful motion. Lower Body: The rear wheels and wheel arches split and rotate downward, reassembling into slender, high-heeled mechanical legs. Torso: The roof and rear engine cover slide and compress, forming a sleek, curvaceous hourglass torso that retains the car’s aerodynamic lines. Arms & Hands: The side mirrors and door panels unfold into delicate but strong hands and fingers. Head: The front bumper and emblem area segment and rise, folding into a feminine-shaped head with a sleek metallic "helmet" visor. [Logical Transformation Constraints — No Spontaneous Appearance] The robot’s "skin" is composed of the car's outer silver panels. The internal frame and wiring emerge from the engine and undercarriage. No parts appear out of thin air; every joint is a reconfigured automotive component. [Transformation Completion — 0:07–0:08.5] The robot stands tall and elegant. The silver panels lock into place with a satisfying "click," revealing glowing blue LED accents in the seams. The silhouette is clearly feminine, humanoid, and sophisticated, reflecting the premium design of the original vehicle. [Final Hero Ending — 0:08.5–0:10] As the robot stabilizes, the camera performs a rapid, smooth zoom-in (Dolly-In) directly to her face. The robot tilts its head slightly, and the optic sensors (eyes) brighten. It brings its mechanical hand to its metallic lips and performs a graceful blowing kiss (fly-kiss) gesture toward the camera. The video ends with a close-up of the face, capturing the reflection of neon lights in its visor just as the kiss is released. [Cinematography Notes] Continuous Motion: No cuts or fades; the camera must transition from the car-tracking shot to the face-zoom seamlessly. Material Consistency: The robot must maintain the exact metallic silver paint, texture, and reflections of the Porsche. Energy: The transformation should feel high-energy and "force-driven," while the final gesture is soft and charismatic.

We have released Seedance 2.0. Due to the 2500-character limit, please translate the following prompts into Chinese before use. [Technical Specs] Generate a 10-second, 16:9, 720p cinematic video. Smooth continuous camera motion with no cuts. The overall pacing is fast and tightly compressed, with rapid escalation from start to finish. Audio evolves quickly from a high-performance engine idle into intricate mechanical shifting and clicks, culminating in a soft electronic chime and the distinct sound of a "mwah" blowing kiss. [Global Constraints] Only the evolving mechanical character appears; no other humans or characters. All transformations must follow physical logic and maintain structural continuity. No object should pass through or intersect with other solid objects. Every robotic component must originate from visible parts of the Porsche 911 (doors, hood, wheels, chassis) through unfolding, splitting, or reconfiguration. [Scene Setup — 0:00–0:01] A sleek, metallic silver Porsche 911 sits on a rain-slicked futuristic city street at night, neon lights reflecting off its polished surface. The camera starts at a low-angle front-quarter view and begins a fast, smooth tracking-arc towards the side. [Rapid Transformation Initiation — 0:01–0:03] Transformation triggers instantly. The car’s suspension drops, and the frame begins to fracture into a complex grid of panels. The doors swing open and begin to segment into articulated arm structures. The front hood splits down the center, folding inward to reveal a glowing internal core. The headlights flicker and start to reorient as the "eyes." [Accelerated Feminine Reconfiguration — 0:03–0:07] The mechanical action is dense, overlapping, and fluid, emphasizing graceful but powerful motion. Lower Body: The rear wheels and wheel arches split and rotate downward, reassembling into slender, high-heeled mechanical legs. Torso: The roof and rear engine cover slide and compress, forming a sleek, curvaceous hourglass torso that retains the car’s aerodynamic lines. Arms & Hands: The side mirrors and door panels unfold into delicate but strong hands and fingers. Head: The front bumper and emblem area segment and rise, folding into a feminine-shaped head with a sleek metallic "helmet" visor. [Logical Transformation Constraints — No Spontaneous Appearance] The robot’s "skin" is composed of the car's outer silver panels. The internal frame and wiring emerge from the engine and undercarriage. No parts appear out of thin air; every joint is a reconfigured automotive component. [Transformation Completion — 0:07–0:08.5] The robot stands tall and elegant. The silver panels lock into place with a satisfying "click," revealing glowing blue LED accents in the seams. The silhouette is clearly feminine, humanoid, and sophisticated, reflecting the premium design of the original vehicle. [Final Hero Ending — 0:08.5–0:10] As the robot stabilizes, the camera performs a rapid, smooth zoom-in (Dolly-In) directly to her face. The robot tilts its head slightly, and the optic sensors (eyes) brighten. It brings its mechanical hand to its metallic lips and performs a graceful blowing kiss (fly-kiss) gesture toward the camera. The video ends with a close-up of the face, capturing the reflection of neon lights in its visor just as the kiss is released. [Cinematography Notes] Continuous Motion: No cuts or fades; the camera must transition from the car-tracking shot to the face-zoom seamlessly. Material Consistency: The robot must maintain the exact metallic silver paint, texture, and reflections of the Porsche. Energy: The transformation should feel high-energy and "force-driven," while the final gesture is soft and charismatic.

19,462 views

This workflow is perfect for creating short fashion-style cinematic videos. I simplified the original prompts based on willie’s method, and the whole process is now much faster and more stable: 1. Generate a 3×3 keyframe grid (Nano Banana Pro only) Use this simple prompt: “In a 3x3 grid, show this character in different angles, keep the scene the same, random poses. This is far simpler and more efficient than my old prompts. You can generate multiple times and just pick the keyframes you like most. 2. Extract a high-res keyframe (Super stable trick) Take a screenshot of the keyframe you want from the 3×3 grid, send it back to Nano Banana Pro, and simply say: “Give me a high-resolution version.” This method is much more stable than relying on complex upscaling prompts. 3. Generate the video with Kling 2.5 Turbo Upload the first and last frames to Kling 2.5 Turbo and use this prompt: “The camera very slowly and smoothly lowers on a boom.” From my testing, Kling 2.5 Turbo offers the best balance of stability and cost — other models are either less consistent or noticeably more expensive. 4. Final speed adjustment with willie’s tool (Critical step) Use the tool built by willie to fine-tune the playback speed of each clip. This step is essential for getting that premium cinematic feel. I’ll drop the tool link in the comments.

This workflow is perfect for creating short fashion-style cinematic videos. I simplified the original prompts based on willie’s method, and the whole process is now much faster and more stable: 1. Generate a 3×3 keyframe grid (Nano Banana Pro only) Use this simple prompt: “In a 3x3 grid, show this character in different angles, keep the scene the same, random poses. This is far simpler and more efficient than my old prompts. You can generate multiple times and just pick the keyframes you like most. 2. Extract a high-res keyframe (Super stable trick) Take a screenshot of the keyframe you want from the 3×3 grid, send it back to Nano Banana Pro, and simply say: “Give me a high-resolution version.” This method is much more stable than relying on complex upscaling prompts. 3. Generate the video with Kling 2.5 Turbo Upload the first and last frames to Kling 2.5 Turbo and use this prompt: “The camera very slowly and smoothly lowers on a boom.” From my testing, Kling 2.5 Turbo offers the best balance of stability and cost — other models are either less consistent or noticeably more expensive. 4. Final speed adjustment with willie’s tool (Critical step) Use the tool built by willie to fine-tune the playback speed of each clip. This step is essential for getting that premium cinematic feel. I’ll drop the tool link in the comments.

21,996 views

Over the past few weeks, I’ve been looking for different ways to access Seedance 2.0. Then TopviewAI told me that their platform supports Seedance 2.0 — and it can also seamlessly combine multiple clips together. I used the prompt below to create this video, and the result is absolutely amazing! Use 🩵Image 1 as the first frame, referencing the character design, outfit color palette, and overall visual style of 🩵Image 1. The girl is performing a high-speed downhill skateboard ride on a winding suburban mountain road. The shot uses a Steadicam follow perspective, with an intense sense of speed throughout. The powerful wind generated by the fast ride makes her hair and clothing whip violently in the air. At the beginning, the girl pushes off with one foot to gain speed, then lowers her body to reduce wind resistance and continues accelerating. The scene features heavy motion blur to emphasize the extreme speed of the skateboard. While riding, she repeatedly shifts her center of gravity downward and leans left and right through multiple turns on the road. As she carves into the corners, the arm on the inside of the turn lowers as if lightly trying to touch the ground. On straight sections, she bends forward, keeps her knees low, and places both hands behind her back to minimize drag. In the distance, fireworks are going off above a seaside town, while a passenger airplane flies across the sky. The overall visual style should be ultra-realistic, with highly lifelike image quality and realistic photographic cinematography. No background music, only environmental sound design.

Over the past few weeks, I’ve been looking for different ways to access Seedance 2.0. Then TopviewAI told me that their platform supports Seedance 2.0 — and it can also seamlessly combine multiple clips together. I used the prompt below to create this video, and the result is absolutely amazing! Use 🩵Image 1 as the first frame, referencing the character design, outfit color palette, and overall visual style of 🩵Image 1. The girl is performing a high-speed downhill skateboard ride on a winding suburban mountain road. The shot uses a Steadicam follow perspective, with an intense sense of speed throughout. The powerful wind generated by the fast ride makes her hair and clothing whip violently in the air. At the beginning, the girl pushes off with one foot to gain speed, then lowers her body to reduce wind resistance and continues accelerating. The scene features heavy motion blur to emphasize the extreme speed of the skateboard. While riding, she repeatedly shifts her center of gravity downward and leans left and right through multiple turns on the road. As she carves into the corners, the arm on the inside of the turn lowers as if lightly trying to touch the ground. On straight sections, she bends forward, keeps her knees low, and places both hands behind her back to minimize drag. In the distance, fireworks are going off above a seaside town, while a passenger airplane flies across the sky. The overall visual style should be ultra-realistic, with highly lifelike image quality and realistic photographic cinematography. No background music, only environmental sound design.

11,174 views

Motion control

Motion control

17,267 views

This is insane! This video was generated using reference videos and images from Seedance 2.0. I generated it all at once; no gacha required.

This is insane! This video was generated using reference videos and images from Seedance 2.0. I generated it all at once; no gacha required.

11,195 views

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This is insane! What AI model made this?🤪
6:49
underwoodxie96's profile picture

This is insane! What AI model made this?🤪

underwood

109,516 views • 5 months ago

Using Nano Banana Pro + Sora, I can now create a short video in just about one minute. I’ve been using Kling for a while to make short videos, and while the results can be great, the workflow has always felt a bit heavy for me. Previously, I had to export the video frame by frame as images, then send those keyframes into Kling’s first/last frame mode to generate the in-betweens. It worked, but it took a lot of time and small steps. Recently I realized I don’t necessarily need to do that anymore: now I can use Nano Banana Pro to generate the images, then send them directly to Sora to create the short video—no need to manually extract a specific frame. Another bonus is that Sora also handles basic sound design for you, which saves me from an extra round of editing and makes the whole process feel much lighter. This idea actually came from a post I saw this morning on Twitter by SD | AI Animation Storyteller, which gave me a new way of thinking about my workflow. I’m still experimenting, but so far it’s been a big improvement in efficiency for my use case. I’ve put the detailed steps I’m using in the comments in case anyone wants to try something similar.
0:24
underwoodxie96's profile picture

Using Nano Banana Pro + Sora, I can now create a short video in just about one minute. I’ve been using Kling for a while to make short videos, and while the results can be great, the workflow has always felt a bit heavy for me. Previously, I had to export the video frame by frame as images, then send those keyframes into Kling’s first/last frame mode to generate the in-betweens. It worked, but it took a lot of time and small steps. Recently I realized I don’t necessarily need to do that anymore: now I can use Nano Banana Pro to generate the images, then send them directly to Sora to create the short video—no need to manually extract a specific frame. Another bonus is that Sora also handles basic sound design for you, which saves me from an extra round of editing and makes the whole process feel much lighter. This idea actually came from a post I saw this morning on Twitter by SD | AI Animation Storyteller, which gave me a new way of thinking about my workflow. I’m still experimenting, but so far it’s been a big improvement in efficiency for my use case. I’ve put the detailed steps I’m using in the comments in case anyone wants to try something similar.

underwood

46,400 views • 6 months ago

Our website now supports Kling Motion Control. Today, creating an AI influencer video has become incredibly simple. You can first use Nano Banana Pro to generate realistic images, then use Kling Motion Control to replace the motion and quickly create viral-style videos for social media. We also provide a selection of popular online dance motions with controllable presets for you to use. If you're interested, feel free to try it on our website:
0:23
underwoodxie96's profile picture

Our website now supports Kling Motion Control. Today, creating an AI influencer video has become incredibly simple. You can first use Nano Banana Pro to generate realistic images, then use Kling Motion Control to replace the motion and quickly create viral-style videos for social media. We also provide a selection of popular online dance motions with controllable presets for you to use. If you're interested, feel free to try it on our website:

underwood

15,467 views • 2 months ago

I ran a quick test: I used the exact same prompt to generate videos with Seedance 2.0 and Sora 2, just to see how they differ. Sora 2 automatically adds music, which instantly makes the video feel polished. But Seedance 2.0 handles shot breakdown and pacing better, it feels more like a professionally edited sequence.
0:30
underwoodxie96's profile picture

I ran a quick test: I used the exact same prompt to generate videos with Seedance 2.0 and Sora 2, just to see how they differ. Sora 2 automatically adds music, which instantly makes the video feel polished. But Seedance 2.0 handles shot breakdown and pacing better, it feels more like a professionally edited sequence.

underwood

13,972 views • 3 months ago

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