underwood
@underwoodxie96 • 44,539 subscribers
Sharing AI prompts, workflows & tips. Backup: @promptsref DM for collaborations. Building https://t.co/j9SO6Qz5RK
Shorts
![Successfully generated this with Seedance 2.5—without any face-related moderation restrictions. The result is amazing! prompt： For the target video, at 0.00 seconds into the target video, (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] A continuous live-action first-person smartphone recording based entirely on . is the only visual reference for the adult female dancer's appearance, face, hairstyle, hair color, costume, body proportions, environment, room layout, wall, floor, lighting, color and initial spatial composition. Preserve the original visual identity and environment of . The camera closely reproduces the distinctive perspective of : a strong high-angle first-person smartphone POV looking substantially downward at the woman. The camera is clearly above her eye level. The top of her head, shoulders and upper body are visibly seen from above. Keep substantial ceiling visible in the upper part of the frame. Do not use an eye-level view, third-person view, orbiting camera or cuts. A single adult arm belonging to the camera operator enters naturally from the lower-right foreground. Show a connected forearm, wrist, palm and fingers. The hand is a moderate-size foreground element, not a giant object. Keep the hand primarily within the lower-right quadrant, occupying approximately 10–18% of the image area. The hand must never extend across the center, cover the woman's face or cover her torso. The woman remains the primary visual subject and the hand is only the foreground controller. Keep the woman physically close to the smartphone, approximately 1.0–1.2 meters away. Her full body occupies approximately 70–80% of the vertical frame. Do not pull the camera backward, do not place her deep in the room and do not progressively make her smaller. The foreground index finger directly controls the woman's dance movement. The woman does not independently freestyle. The hand is the visible movement cue and the woman's body immediately follows it. Maintain these exact control relationships throughout the entire video: UP → WOMAN RISES. DOWN → WOMAN LOWERS. LEFT → WOMAN MOVES LEFT. RIGHT → WOMAN MOVES RIGHT. For UP, the index finger moves clearly upward and the woman's body immediately rises. Her torso extends upward, her posture becomes taller, her arms naturally rise and her center of gravity moves upward. For DOWN, the index finger moves clearly downward and the woman's body immediately lowers. Her knees bend slightly, hips lower, center of gravity drops and torso lowers into a controlled dance position. For LEFT, the index finger moves toward screen-left and the woman's body immediately shifts and sways toward screen-left. Her weight, torso and hips follow the same direction. The entire body movement must be clearly visible. For RIGHT, the index finger moves toward screen-right and the woman's body immediately shifts and sways toward screen-right. Her weight, torso and hips follow the same direction. The entire body movement must be clearly visible. LEFT and RIGHT must not become tiny hip twitches. The woman's body must visibly move from side to side. Keep the horizontal movement simple so the connection between finger direction and body direction remains unmistakable. The hand gesture and corresponding body movement are tightly synchronized. The woman's movement begins as the corresponding finger gesture begins and develops within the same musical beat. No noticeable reaction delay, no one-beat delay, no anticipation and no independent movement. The dance is a confident, sexy viral short-form influencer dance: energetic rhythmic hip movement, controlled waist isolation, subtle torso waves, attractive shoulder movement, pronounced but tasteful hip accents, confident posture, playful facial expression, direct eye contact and natural hair movement. The dance should feel like a polished viral social-media dance challenge. Make the movement sexy, stylish, rhythmic and visually captivating while keeping it non-explicit. During LEFT and RIGHT movements, maintain the direct horizontal hand control while adding sensual hip accents. During UP and DOWN movements, maintain the direct vertical hand control while adding smooth waist and body movement. Never sacrifice hand-to-body control for complicated choreography. Use a fast modern viral dance rhythm with strong clear beats. Command sequence: UP → DOWN → LEFT → RIGHT → LEFT → RIGHT → UP → DOWN → LEFT → RIGHT. Each command produces one clearly visible corresponding body movement. Do not add unrelated freestyle movements, spins, walking or complicated footwork. The index finger moves with strong, deliberate gestures. The wrist and forearm naturally follow the finger. Use short, clear upward, downward, leftward and rightward gestures. Do not use weak floating gestures. Keep the hand in the lower-right foreground and never allow it to dominate the center of the frame. Maintain one continuous handheld smartphone recording with subtle natural camera instability. Preserve the strong high-angle perspective and close composition throughout the entire shot. Do not zoom out, pull backward, lower the camera or lose either the hand or the woman's full body. At the end, use LEFT → RIGHT → UP. The woman performs a left body movement with a sensual hip accent, a right body movement with a sensual hip accent, then rises into a confident final dance pose. The hand remains in the lower-right foreground and does not move into the center. Hold the final pose briefly. overall_soundscape: Natural indoor room ambience, subtle foot movement, fabric movement and quiet smartphone handling sounds, preserving the acoustic character of . non_diegetic_music: A modern viral short-form dance track with strong punchy beats, crisp percussion and clear rhythmic accents. Each major beat provides a timing point for the hand gesture and its corresponding dance movement.](https://image.24vids.com/tw-2091504498527395869/amplify_video_thumb/2091503577781182464/img/qtAui0hMmY7Ki-MR.jpg)
Videos
![This prompt is seriously good, so I ran it through our agent and made a few tweaks. Agent: Shoutout to TechHalla for sharing the original prompt 🙌 Here’s the refined version: image prompt： DIRECTIVE: Produce one still that reads as a real smartphone frame filmed from inside a moving car approaching a strange highway incident. Optical consumer-phone capture through a real windshield — wide forward view, windshield glass, rain specks, A-pillar, a slice of dashboard / hood at the bottom. Lived-in phone JPEG, not cinema, not HDR, not advertising photography. FORMAT: Vertical 3:4 smartphone frame. BEAT / COMPOSITION: Looking forward through the windshield while approaching two trucks clustered close together on the LEFT side of the highway, either in the left lane or left shoulder. LEFT TRUCK — SPARKLING LEMONADE TANKER, CRITICAL: A full-size stainless-steel beverage tanker with bright yellow-and-white SPARKLING LEMONADE branding clearly readable on the tank. Large lemon graphics, yellow citrus branding, believable commercial beverage-truck design. The tanker has suffered a breakdown: a torn, jagged, ragged hole has opened in the side of the tank. A thick, pressurized jet of pale yellow carbonated lemonade is ALREADY blasting horizontally and downward through the hole onto the asphalt. Huge amount of liquid. Visible carbonation and bubbles. Pale-yellow transparent soda, NOT fuel, NOT paint. Foamy white-yellow splashes around the impact area. A wide lemonade lake is already spreading across the road. Wet asphalt reflections, spray suspended in the air, runoff flowing along the lane markings. The truck is stopped or crawling with hazard lights. RIGHT / BESIDE IT — BAKING SODA DELIVERY TRUCK, CRITICAL: Immediately beside the lemonade tanker, slightly ahead or alongside, is a closed white box delivery truck. Large unmistakable generic commercial branding on the side: “BAKING SODA” “FOOD GRADE” “SODIUM BICARBONATE” Simple blue-and-white industrial food-supply graphics, with illustrations of white baking-soda boxes and large paper sacks. Rear doors CLOSED. Side doors CLOSED. No powder spilling yet. The truck must clearly read as a baking-soda delivery vehicle, not flour, cement, salt, or detergent. CAMERA PACK: Handheld smartphone from inside the car, passenger or driver seat. Not a fixed professional dashcam. Wide smartphone lens with subtle barrel distortion. Windshield and left A-pillar visible. A small slice of dashboard / hood along the lower frame. Rain dots, minor grime and reflections on the windshield. Slight handheld breathing shake implied. Consumer smartphone sharpening and compression. Minor autofocus softness. Natural dynamic range. No cinematic depth of field. No dramatic movie lighting. ENVIRONMENT: Daylight, overcast highway. Realistic American interstate-style road. Other normal traffic farther ahead. Clear long highway vanishing point beyond the trucks. Wet asphalt. Muted cloudy sky. Road barriers, lane markings, signs and distant utility structures. PHOTOGRAPHIC CHARACTER: An accidental, unstaged smartphone capture of a bizarre roadside beverage accident. Physically grounded truck scale. Believable weight and liquid flow. The lemonade leak is the unmistakable event. The juxtaposition of a leaking SPARKLING LEMONADE tanker beside a BAKING SODA delivery truck should immediately suggest that something disastrous and absurd is about to happen. NO PERSON visible yet. NO open baking-soda doors. NO powder reaction yet. NO explosion. NO fire. NO fantasy lighting. Real phone footage aesthetic. video prompt： [STYLE + CAMERA + ATMOSPHERE] Vertical 3:4 smartphone video filmed FROM INSIDE a moving car, passenger or driver seat. CONTINUOUS SINGLE TAKE for the entire 30 seconds. The phone is handheld, NOT a bolted dashcam. Visible windshield glass, A-pillar, rain specks, faint reflections, a slice of dashboard / hood at the bottom, occasionally a tiny finger edge near the phone. Natural arm movement and slight breathing shake. Consumer smartphone footage: minor autofocus hunting, rolling shutter, digital sharpening, occasional exposure pumping, phone microphone clipping during the loudest moment, real compressed social-media-video texture. We are ARRIVING. The car is moving forward first. The trucks gradually grow larger through the windshield. Then the car brakes, slows, and stops just short of the spreading lemonade lake. NO CUTS. NO camera teleportation. ONLY digital pinch-zooms: zoom into the lemonade jet, zoom into the clear jug filling, zoom toward the baking-soda truck doors, zoom into the powder hitting the liquid, slam-zoom onto the launch, then zoom out as the woman disappears toward the highway horizon. Daylight. Overcast sky. Wet asphalt. Occasional rain droplets on the windshield. Everything should initially feel like an absurd event caught accidentally on a normal phone. Photoreal environment with coherent liquid, foam, gravity and vehicle scale. The final launch uses deliberately exaggerated slapstick physics, but remains visually photorealistic. No gore. No visible injury. No fire. No combustion explosion. [LOCKED SET / VEHICLES] LEFT ahead through the windshield: A full-size stainless-steel beverage tanker with bright yellow-and-white SPARKLING LEMONADE branding. Large lemon graphics. The words: “SPARKLING LEMONADE” and “CARBONATED LEMON DRINK” are clearly readable. A large ragged torn hole is already present in the tanker wall. A thick pale-yellow carbonated lemonade jet is ALREADY blasting from the hole when the video begins. The liquid is translucent yellow with heavy carbonation. It splashes violently onto the asphalt and has already created a large spreading lemonade lake. White-yellow foam forms where the jet strikes the pavement. The tanker remains stopped or crawling. BESIDE IT: A white commercial box truck clearly branded: “BAKING SODA” “FOOD GRADE” “SODIUM BICARBONATE” Blue-and-white industrial food-supply livery. Graphics of baking-soda cartons and large paper sacks. Rear doors are CLOSED when we arrive. No powder is leaking at the beginning. The baking-soda truck is slightly ahead of or directly alongside the lemonade tanker. The two vehicles form one obvious cluster on the LEFT side of the highway. HIGHWAY: The highway continues beyond the trucks toward a long, clear vanishing-point horizon. Normal distant traffic may exist farther ahead. No additional vehicle belongs to the woman. [LOCKED CAST] THE WOMAN: ONE woman only. Clearly adult, approximately 25–30 years old. Attractive adult woman with a naturally voluptuous figure and a noticeably full bust, realistic adult proportions. No exaggerated cartoon anatomy. Long dark hair, slightly messy from humid roadside weather. Natural makeup. Real skin texture. She wears: a fitted white ribbed spaghetti-strap camisole / tank top, secure opaque fabric, natural neckline, denim shorts, casual sneakers. Clothing remains identical for the entire clip. No wardrobe malfunction. No transparent fabric. No nudity. She has confident, reckless, chaotic roadside energy, behaving as if this absurd situation is completely normal. She is alone. No second person. She does NOT exit any vehicle. She ENTERS FRAME FROM THE RIGHT SIDE of the windshield view, already walking on foot from the roadside / shoulder. [HERO OBJECT] One giant transparent gas-station plastic drink jug / oversized Big-Gulp-scale clear cup. She carries it in her RIGHT hand. At first it is completely EMPTY. Daylight can clearly be seen through the empty transparent plastic. It stays in her right hand through the filling and drinking sequence. The jug is only lost during the final foam blast. [DIEGETIC AUDIO] Beginning: normal road hum, tires on wet pavement, wind, engine noise. Approaching the trucks: increasing loud pressurized lemonade hiss and splashing. Jug filling: liquid hammering plastic, violent fizzy splashes. Drinking: large gulps, brief coughing / breath. Truck: metal latch clunk, rear doors creaking. Reaction: rapid fizzing grows from thousands of tiny bubbles into a deep roaring foam eruption. Launch: phone microphone clips, wind rush, short Doppler scream as she rapidly travels away. No soundtrack. No cinematic score. [IMAGE REFERENCE] [ref_image] = locked opening smartphone still from inside the moving car looking through the windshield at: the SPARKLING LEMONADE tanker, the exact ragged hole, the pale-yellow lemonade jet, the BAKING SODA delivery truck, the wet highway, and the in-car windshield foreground. These visual elements are LAW. The clip begins while the car is still rolling toward that exact truck cluster. [TIMELINE — SECOND BY SECOND] 0–3s: [HOOK — ARRIVING + FIRST ZOOM] Phone is already recording. The car is moving toward the incident. Through the windshield, both trucks are clearly visible on the LEFT. The sparkling-lemonade tanker is ALREADY leaking. A powerful pale-yellow carbonated stream blasts through the ragged hole and crashes onto the highway. The lemonade lake is already widening. The vehicles visibly grow larger as we approach. Around 1s: digital pinch-zoom quickly punches toward the torn metal and lemonade jet. Bubbles and yellow-white spray are visible. Autofocus briefly hunts. Around 2.5s: the driver brakes. The phone and camera body dip slightly with the deceleration. 3–5s: [STOP + WOMAN ENTERS FROM RIGHT] The car finishes stopping before reaching the liquid. Engine idles. Natural handheld phone shake continues. Digital zoom pulls back slightly. THE WOMAN enters frame FROM THE RIGHT. She is already walking on foot. She never exits any car or truck. Her appearance stays consistent: adult woman, long dark hair, white fitted ribbed spaghetti-strap tank top, denim shorts, sneakers, naturally voluptuous figure. In her RIGHT hand is the giant completely EMPTY transparent jug. Light passes visibly through the jug. She raises it casually while staring at the lemonade tanker. Then she steps directly into the shallow spreading lemonade lake. 5–9s: [FILL — HOLD THE SHOT] She approaches the tanker leak. ONE CLEAR CONTACT: She forcefully pushes the mouth of the empty jug directly INTO the high-pressure sparkling-lemonade jet. The phone immediately slam-zooms toward the jug. HOLD THIS ACTION. Do not skip it. The jug remains underneath the stream for approximately TWO FULL SECONDS. Show the liquid level visibly rising through the transparent plastic: empty, one-quarter, half-full, almost full. Pale-yellow carbonated lemonade churns violently inside. Millions of bubbles. White foam builds around the rim. The pressurized stream continuously hammers the jug opening. Overflow splashes across her hand, forearm and tank top. The jug becomes visibly heavy. Only after this clear multi-second fill does she pull it away from the stream. She raises the now-full jug. 9–12s: [CHUG] She immediately tilts the giant jug and starts drinking. Huge exaggerated gulps. Carbonated lemonade pours toward her mouth. Some spills naturally down the front of the white tank top. She keeps drinking until most of the jug is empty. She lowers it. Gasps for air. Makes a quick surprised face from the intense carbonation. Still holding the jug. Then she notices the BAKING SODA delivery truck. She turns toward it. Phone zooms back enough to simultaneously frame: the woman, the lemonade jet, the spreading yellow puddle, and the rear of the baking-soda truck. 12–16s: [OPEN + BAKING SODA AVALANCHE] She reaches the rear of the baking-soda truck. ONE CLEAR CONTACT: She grabs the metal latch. YANKS it open. Both rear doors swing outward. Inside: large stacks of FOOD-GRADE BAKING SODA. White cardboard cartons. Huge brown-and-white paper sacks. “SODIUM BICARBONATE” labels visible. She grabs one oversized sack near the edge. Pulls it. The heavy sack tears open. A huge avalanche of white baking-soda powder pours out of the truck. Additional cartons tumble and split. A dense waterfall of white powder falls directly toward the lemonade lake. Phone digital-zooms onto the falling powder. Show individual white powder clouds and clumps striking the yellow liquid. She remains standing inside the shallow lemonade puddle with the mostly empty clear jug still in her hand. 16–18s: [REACTION STARTS] For a fraction of a second, nothing huge happens. Then: tiny bubbles begin appearing everywhere around the baking soda. Fizz races rapidly outward across the pale-yellow puddle. The entire lemonade lake starts bubbling. Yellow liquid rapidly turns cloudy and pale. Thousands of CO2 bubbles expand across the road surface. The sound changes from small fizzing into an increasingly loud rolling hiss. Foam races around the woman's shoes. She looks down. Confused. The reaction accelerates dramatically. 18–20s: [IT GOES] The carbonation and acid-base fizz become absurdly intense. The entire center of the puddle suddenly swells upward. A huge WHITE-AND-PALE-YELLOW FOAM COLUMN erupts vertically between the two trucks. No fire. No flame. No smoke explosion. Only violently expanding wet beverage foam. ONE CLEAR CONTACT: The rising foam column strikes the woman from BELOW. Her feet abruptly leave the asphalt. The giant clear jug flies from her hand. Her hair shoots upward. She is propelled vertically and then forward along the highway axis. The phone operator reacts late. A violent handheld jerk. Then a slam digital zoom catches her leaving the ground. 20–24s: [HUMAN LEMONADE ROCKET] The woman is now airborne. She becomes a dark human figure riding the huge white-yellow foam column. Her body rotates once naturally in the air. Hair and clothing react to wind. One sneaker nearly comes loose but remains on. No injury. No gore. The foam geyser tilts toward the open highway horizon. The sparkling-lemonade tanker continues feeding liquid into the reaction. Baking soda continues pouring from torn sacks. Foam hits the windshield. Wet white-yellow streaks temporarily obscure parts of the view. The phone jerks backward inside the car but NEVER leaves the car. Autofocus struggles through the wet windshield. Digital zoom hunts for the woman's airborne silhouette. 24–26s: [SHRINKS] Camera zooms back out through foam streaks on the windshield. Farther down the highway: the woman is still airborne. Now much smaller. A tiny spinning adult figure carried along a long white spray trail. The baking-soda truck remains visible behind her with both rear doors open. The sparkling-lemonade tanker continues spraying from the original hole. The reaction is still producing a huge foamy fountain. Phone digital-zooms aggressively toward the shrinking airborne figure. Pixelation and smartphone digital zoom artifacts become visible. Then zooms back out again. 26–29s: [DISAPPEARS INTO HORIZON] The woman becomes smaller and smaller. First human-sized. Then tiny. Then only a dark moving speck above the highway vanishing point. The camera desperately tracks her. Slight rolling shutter. Autofocus pumping. She finally disappears into the bright gray horizon haze. Her short distant Doppler scream fades away. 29–30s: [PAYOFF — EMPTY HORIZON] The camera holds on the exact spot where she vanished. Nothing there now. Only an empty highway horizon. Foreground remains chaotic: towering white-yellow foam between the trucks, sparkling lemonade still blasting from the tanker, baking-soda doors open, wet windshield, yellow liquid and white foam covering the highway. Final tiny digital pinch-zoom into the completely empty vanishing point. Hold. The roaring fizz continues. CUT / LOOP. [STYLE & QUALITY BOOSTERS] Photoreal handheld smartphone footage from inside a real car. Vertical 3:4. Continuous uninterrupted single take. Approaching movement first, then braking and stopping. No cinematic camera movement. No drone shot. No third-person cutaway. No external camera. Digital pinch-zooms only. Authentic consumer-phone autofocus and exposure behavior. Windshield remains part of the visual language throughout. One adult woman only. Woman enters from the RIGHT already on foot. She never exits a vehicle. Consistent face, body, hair and clothing throughout. Naturally voluptuous adult proportions. Secure opaque white spaghetti-strap tank top. Denim shorts. No nudity. Empty transparent jug visibly fills on camera for multiple seconds. Sparkling lemonade must remain pale yellow and visibly carbonated. Baking soda must remain white powder. Reaction begins where the powder physically contacts the lemonade. Reaction progresses visibly: small bubbles → rapid fizz → spreading foam → swelling foam → giant white-yellow geyser. No flame. No fireball. No black smoke. No electrical explosion. Exaggerated slapstick launch physics presented with photoreal visual rendering. The woman is launched toward the highway VANISHING POINT and visibly shrinks until she completely disappears. Identity lock to [ref_image] for: both trucks, truck positions, lemonade tanker graphics, ragged tank hole, lemonade stream, highway geometry, weather, windshield framing, A-pillar, dashboard foreground.](https://image.24vids.com/tw-2100591996427714836/amplify_video_thumb/2100591779699658753/img/pzyrATjCQ5pIWwnV.jpg)
This prompt is seriously good, so I ran it through our agent and made a few tweaks. Agent: Shoutout to TechHalla for sharing the original prompt 🙌 Here’s the refined version: image prompt： DIRECTIVE: Produce one still that reads as a real smartphone frame filmed from inside a moving car approaching a strange highway incident. Optical consumer-phone capture through a real windshield — wide forward view, windshield glass, rain specks, A-pillar, a slice of dashboard / hood at the bottom. Lived-in phone JPEG, not cinema, not HDR, not advertising photography. FORMAT: Vertical 3:4 smartphone frame. BEAT / COMPOSITION: Looking forward through the windshield while approaching two trucks clustered close together on the LEFT side of the highway, either in the left lane or left shoulder. LEFT TRUCK — SPARKLING LEMONADE TANKER, CRITICAL: A full-size stainless-steel beverage tanker with bright yellow-and-white SPARKLING LEMONADE branding clearly readable on the tank. Large lemon graphics, yellow citrus branding, believable commercial beverage-truck design. The tanker has suffered a breakdown: a torn, jagged, ragged hole has opened in the side of the tank. A thick, pressurized jet of pale yellow carbonated lemonade is ALREADY blasting horizontally and downward through the hole onto the asphalt. Huge amount of liquid. Visible carbonation and bubbles. Pale-yellow transparent soda, NOT fuel, NOT paint. Foamy white-yellow splashes around the impact area. A wide lemonade lake is already spreading across the road. Wet asphalt reflections, spray suspended in the air, runoff flowing along the lane markings. The truck is stopped or crawling with hazard lights. RIGHT / BESIDE IT — BAKING SODA DELIVERY TRUCK, CRITICAL: Immediately beside the lemonade tanker, slightly ahead or alongside, is a closed white box delivery truck. Large unmistakable generic commercial branding on the side: “BAKING SODA” “FOOD GRADE” “SODIUM BICARBONATE” Simple blue-and-white industrial food-supply graphics, with illustrations of white baking-soda boxes and large paper sacks. Rear doors CLOSED. Side doors CLOSED. No powder spilling yet. The truck must clearly read as a baking-soda delivery vehicle, not flour, cement, salt, or detergent. CAMERA PACK: Handheld smartphone from inside the car, passenger or driver seat. Not a fixed professional dashcam. Wide smartphone lens with subtle barrel distortion. Windshield and left A-pillar visible. A small slice of dashboard / hood along the lower frame. Rain dots, minor grime and reflections on the windshield. Slight handheld breathing shake implied. Consumer smartphone sharpening and compression. Minor autofocus softness. Natural dynamic range. No cinematic depth of field. No dramatic movie lighting. ENVIRONMENT: Daylight, overcast highway. Realistic American interstate-style road. Other normal traffic farther ahead. Clear long highway vanishing point beyond the trucks. Wet asphalt. Muted cloudy sky. Road barriers, lane markings, signs and distant utility structures. PHOTOGRAPHIC CHARACTER: An accidental, unstaged smartphone capture of a bizarre roadside beverage accident. Physically grounded truck scale. Believable weight and liquid flow. The lemonade leak is the unmistakable event. The juxtaposition of a leaking SPARKLING LEMONADE tanker beside a BAKING SODA delivery truck should immediately suggest that something disastrous and absurd is about to happen. NO PERSON visible yet. NO open baking-soda doors. NO powder reaction yet. NO explosion. NO fire. NO fantasy lighting. Real phone footage aesthetic. video prompt： [STYLE + CAMERA + ATMOSPHERE] Vertical 3:4 smartphone video filmed FROM INSIDE a moving car, passenger or driver seat. CONTINUOUS SINGLE TAKE for the entire 30 seconds. The phone is handheld, NOT a bolted dashcam. Visible windshield glass, A-pillar, rain specks, faint reflections, a slice of dashboard / hood at the bottom, occasionally a tiny finger edge near the phone. Natural arm movement and slight breathing shake. Consumer smartphone footage: minor autofocus hunting, rolling shutter, digital sharpening, occasional exposure pumping, phone microphone clipping during the loudest moment, real compressed social-media-video texture. We are ARRIVING. The car is moving forward first. The trucks gradually grow larger through the windshield. Then the car brakes, slows, and stops just short of the spreading lemonade lake. NO CUTS. NO camera teleportation. ONLY digital pinch-zooms: zoom into the lemonade jet, zoom into the clear jug filling, zoom toward the baking-soda truck doors, zoom into the powder hitting the liquid, slam-zoom onto the launch, then zoom out as the woman disappears toward the highway horizon. Daylight. Overcast sky. Wet asphalt. Occasional rain droplets on the windshield. Everything should initially feel like an absurd event caught accidentally on a normal phone. Photoreal environment with coherent liquid, foam, gravity and vehicle scale. The final launch uses deliberately exaggerated slapstick physics, but remains visually photorealistic. No gore. No visible injury. No fire. No combustion explosion. [LOCKED SET / VEHICLES] LEFT ahead through the windshield: A full-size stainless-steel beverage tanker with bright yellow-and-white SPARKLING LEMONADE branding. Large lemon graphics. The words: “SPARKLING LEMONADE” and “CARBONATED LEMON DRINK” are clearly readable. A large ragged torn hole is already present in the tanker wall. A thick pale-yellow carbonated lemonade jet is ALREADY blasting from the hole when the video begins. The liquid is translucent yellow with heavy carbonation. It splashes violently onto the asphalt and has already created a large spreading lemonade lake. White-yellow foam forms where the jet strikes the pavement. The tanker remains stopped or crawling. BESIDE IT: A white commercial box truck clearly branded: “BAKING SODA” “FOOD GRADE” “SODIUM BICARBONATE” Blue-and-white industrial food-supply livery. Graphics of baking-soda cartons and large paper sacks. Rear doors are CLOSED when we arrive. No powder is leaking at the beginning. The baking-soda truck is slightly ahead of or directly alongside the lemonade tanker. The two vehicles form one obvious cluster on the LEFT side of the highway. HIGHWAY: The highway continues beyond the trucks toward a long, clear vanishing-point horizon. Normal distant traffic may exist farther ahead. No additional vehicle belongs to the woman. [LOCKED CAST] THE WOMAN: ONE woman only. Clearly adult, approximately 25–30 years old. Attractive adult woman with a naturally voluptuous figure and a noticeably full bust, realistic adult proportions. No exaggerated cartoon anatomy. Long dark hair, slightly messy from humid roadside weather. Natural makeup. Real skin texture. She wears: a fitted white ribbed spaghetti-strap camisole / tank top, secure opaque fabric, natural neckline, denim shorts, casual sneakers. Clothing remains identical for the entire clip. No wardrobe malfunction. No transparent fabric. No nudity. She has confident, reckless, chaotic roadside energy, behaving as if this absurd situation is completely normal. She is alone. No second person. She does NOT exit any vehicle. She ENTERS FRAME FROM THE RIGHT SIDE of the windshield view, already walking on foot from the roadside / shoulder. [HERO OBJECT] One giant transparent gas-station plastic drink jug / oversized Big-Gulp-scale clear cup. She carries it in her RIGHT hand. At first it is completely EMPTY. Daylight can clearly be seen through the empty transparent plastic. It stays in her right hand through the filling and drinking sequence. The jug is only lost during the final foam blast. [DIEGETIC AUDIO] Beginning: normal road hum, tires on wet pavement, wind, engine noise. Approaching the trucks: increasing loud pressurized lemonade hiss and splashing. Jug filling: liquid hammering plastic, violent fizzy splashes. Drinking: large gulps, brief coughing / breath. Truck: metal latch clunk, rear doors creaking. Reaction: rapid fizzing grows from thousands of tiny bubbles into a deep roaring foam eruption. Launch: phone microphone clips, wind rush, short Doppler scream as she rapidly travels away. No soundtrack. No cinematic score. [IMAGE REFERENCE] [ref_image] = locked opening smartphone still from inside the moving car looking through the windshield at: the SPARKLING LEMONADE tanker, the exact ragged hole, the pale-yellow lemonade jet, the BAKING SODA delivery truck, the wet highway, and the in-car windshield foreground. These visual elements are LAW. The clip begins while the car is still rolling toward that exact truck cluster. [TIMELINE — SECOND BY SECOND] 0–3s: [HOOK — ARRIVING + FIRST ZOOM] Phone is already recording. The car is moving toward the incident. Through the windshield, both trucks are clearly visible on the LEFT. The sparkling-lemonade tanker is ALREADY leaking. A powerful pale-yellow carbonated stream blasts through the ragged hole and crashes onto the highway. The lemonade lake is already widening. The vehicles visibly grow larger as we approach. Around 1s: digital pinch-zoom quickly punches toward the torn metal and lemonade jet. Bubbles and yellow-white spray are visible. Autofocus briefly hunts. Around 2.5s: the driver brakes. The phone and camera body dip slightly with the deceleration. 3–5s: [STOP + WOMAN ENTERS FROM RIGHT] The car finishes stopping before reaching the liquid. Engine idles. Natural handheld phone shake continues. Digital zoom pulls back slightly. THE WOMAN enters frame FROM THE RIGHT. She is already walking on foot. She never exits any car or truck. Her appearance stays consistent: adult woman, long dark hair, white fitted ribbed spaghetti-strap tank top, denim shorts, sneakers, naturally voluptuous figure. In her RIGHT hand is the giant completely EMPTY transparent jug. Light passes visibly through the jug. She raises it casually while staring at the lemonade tanker. Then she steps directly into the shallow spreading lemonade lake. 5–9s: [FILL — HOLD THE SHOT] She approaches the tanker leak. ONE CLEAR CONTACT: She forcefully pushes the mouth of the empty jug directly INTO the high-pressure sparkling-lemonade jet. The phone immediately slam-zooms toward the jug. HOLD THIS ACTION. Do not skip it. The jug remains underneath the stream for approximately TWO FULL SECONDS. Show the liquid level visibly rising through the transparent plastic: empty, one-quarter, half-full, almost full. Pale-yellow carbonated lemonade churns violently inside. Millions of bubbles. White foam builds around the rim. The pressurized stream continuously hammers the jug opening. Overflow splashes across her hand, forearm and tank top. The jug becomes visibly heavy. Only after this clear multi-second fill does she pull it away from the stream. She raises the now-full jug. 9–12s: [CHUG] She immediately tilts the giant jug and starts drinking. Huge exaggerated gulps. Carbonated lemonade pours toward her mouth. Some spills naturally down the front of the white tank top. She keeps drinking until most of the jug is empty. She lowers it. Gasps for air. Makes a quick surprised face from the intense carbonation. Still holding the jug. Then she notices the BAKING SODA delivery truck. She turns toward it. Phone zooms back enough to simultaneously frame: the woman, the lemonade jet, the spreading yellow puddle, and the rear of the baking-soda truck. 12–16s: [OPEN + BAKING SODA AVALANCHE] She reaches the rear of the baking-soda truck. ONE CLEAR CONTACT: She grabs the metal latch. YANKS it open. Both rear doors swing outward. Inside: large stacks of FOOD-GRADE BAKING SODA. White cardboard cartons. Huge brown-and-white paper sacks. “SODIUM BICARBONATE” labels visible. She grabs one oversized sack near the edge. Pulls it. The heavy sack tears open. A huge avalanche of white baking-soda powder pours out of the truck. Additional cartons tumble and split. A dense waterfall of white powder falls directly toward the lemonade lake. Phone digital-zooms onto the falling powder. Show individual white powder clouds and clumps striking the yellow liquid. She remains standing inside the shallow lemonade puddle with the mostly empty clear jug still in her hand. 16–18s: [REACTION STARTS] For a fraction of a second, nothing huge happens. Then: tiny bubbles begin appearing everywhere around the baking soda. Fizz races rapidly outward across the pale-yellow puddle. The entire lemonade lake starts bubbling. Yellow liquid rapidly turns cloudy and pale. Thousands of CO2 bubbles expand across the road surface. The sound changes from small fizzing into an increasingly loud rolling hiss. Foam races around the woman's shoes. She looks down. Confused. The reaction accelerates dramatically. 18–20s: [IT GOES] The carbonation and acid-base fizz become absurdly intense. The entire center of the puddle suddenly swells upward. A huge WHITE-AND-PALE-YELLOW FOAM COLUMN erupts vertically between the two trucks. No fire. No flame. No smoke explosion. Only violently expanding wet beverage foam. ONE CLEAR CONTACT: The rising foam column strikes the woman from BELOW. Her feet abruptly leave the asphalt. The giant clear jug flies from her hand. Her hair shoots upward. She is propelled vertically and then forward along the highway axis. The phone operator reacts late. A violent handheld jerk. Then a slam digital zoom catches her leaving the ground. 20–24s: [HUMAN LEMONADE ROCKET] The woman is now airborne. She becomes a dark human figure riding the huge white-yellow foam column. Her body rotates once naturally in the air. Hair and clothing react to wind. One sneaker nearly comes loose but remains on. No injury. No gore. The foam geyser tilts toward the open highway horizon. The sparkling-lemonade tanker continues feeding liquid into the reaction. Baking soda continues pouring from torn sacks. Foam hits the windshield. Wet white-yellow streaks temporarily obscure parts of the view. The phone jerks backward inside the car but NEVER leaves the car. Autofocus struggles through the wet windshield. Digital zoom hunts for the woman's airborne silhouette. 24–26s: [SHRINKS] Camera zooms back out through foam streaks on the windshield. Farther down the highway: the woman is still airborne. Now much smaller. A tiny spinning adult figure carried along a long white spray trail. The baking-soda truck remains visible behind her with both rear doors open. The sparkling-lemonade tanker continues spraying from the original hole. The reaction is still producing a huge foamy fountain. Phone digital-zooms aggressively toward the shrinking airborne figure. Pixelation and smartphone digital zoom artifacts become visible. Then zooms back out again. 26–29s: [DISAPPEARS INTO HORIZON] The woman becomes smaller and smaller. First human-sized. Then tiny. Then only a dark moving speck above the highway vanishing point. The camera desperately tracks her. Slight rolling shutter. Autofocus pumping. She finally disappears into the bright gray horizon haze. Her short distant Doppler scream fades away. 29–30s: [PAYOFF — EMPTY HORIZON] The camera holds on the exact spot where she vanished. Nothing there now. Only an empty highway horizon. Foreground remains chaotic: towering white-yellow foam between the trucks, sparkling lemonade still blasting from the tanker, baking-soda doors open, wet windshield, yellow liquid and white foam covering the highway. Final tiny digital pinch-zoom into the completely empty vanishing point. Hold. The roaring fizz continues. CUT / LOOP. [STYLE & QUALITY BOOSTERS] Photoreal handheld smartphone footage from inside a real car. Vertical 3:4. Continuous uninterrupted single take. Approaching movement first, then braking and stopping. No cinematic camera movement. No drone shot. No third-person cutaway. No external camera. Digital pinch-zooms only. Authentic consumer-phone autofocus and exposure behavior. Windshield remains part of the visual language throughout. One adult woman only. Woman enters from the RIGHT already on foot. She never exits a vehicle. Consistent face, body, hair and clothing throughout. Naturally voluptuous adult proportions. Secure opaque white spaghetti-strap tank top. Denim shorts. No nudity. Empty transparent jug visibly fills on camera for multiple seconds. Sparkling lemonade must remain pale yellow and visibly carbonated. Baking soda must remain white powder. Reaction begins where the powder physically contacts the lemonade. Reaction progresses visibly: small bubbles → rapid fizz → spreading foam → swelling foam → giant white-yellow geyser. No flame. No fireball. No black smoke. No electrical explosion. Exaggerated slapstick launch physics presented with photoreal visual rendering. The woman is launched toward the highway VANISHING POINT and visibly shrinks until she completely disappears. Identity lock to [ref_image] for: both trucks, truck positions, lemonade tanker graphics, ragged tank hole, lemonade stream, highway geometry, weather, windshield framing, A-pillar, dashboard foreground.
underwood202,936 次观看 • 1 个月前
I love this prompt： Single unbroken handheld boyfriend vlog take throughout, 30 seconds total. A realistic personal travel vlog filmed by a boyfriend following his girlfriend during a normal day in Tokyo. Use the woman from the reference image as the main character. Maintain her exact facial identity, hairstyle, facial features, body proportions, and overall appearance throughout the entire video. She must remain the same person in every shot. The camera feels like a real boyfriend holding a small mirrorless camera or phone, not a professional production. Natural handheld movement, imperfect framing, occasional camera shake, spontaneous reactions, authentic everyday moments. The woman does not pose for the camera. She behaves naturally, sometimes forgetting the camera is there. 0-5s: Morning at a small Tokyo apartment. The camera starts recording as the boyfriend casually walks into the room. Soft morning sunlight enters through the window. The woman is sitting near the bed, fixing her hair and preparing for the day. She notices the camera, smiles naturally, laughs, and playfully tells him to stop filming. The camera stays close, slightly shaky, capturing a private everyday moment. 5-10s: Walking through Tokyo neighborhood streets. The boyfriend follows behind her as they leave the apartment. She walks through a quiet Tokyo street, carrying a small bag. Morning shops are opening, bicycles pass by, locals walk along the street. She stops at a convenience store. The camera follows her inside. She looks at different drinks and snacks, turns around and asks the person behind the camera which one she should choose. Natural interaction, casual conversation, realistic body language. 10-18s: Local food experience. The camera follows her through a small Tokyo alley to a cozy local restaurant. She sits down and tries a bowl of ramen or a local dish. The camera captures close handheld moments: her picking up chopsticks, tasting the food, reacting naturally, laughing when the food is hotter than expected. The boyfriend laughs behind the camera. The moment feels unplanned and authentic. 18-25s: Tokyo afternoon exploration. The couple walks through a lively neighborhood. She browses small shops, looks at interesting objects, takes photos, and occasionally looks back at the camera. The camera moves naturally between her face, her hands, the street atmosphere, and small details of daily life. Crowds pass naturally around them. The city feels alive and real. 25-30s: Tokyo night ending. Night falls. The camera follows her through illuminated Tokyo streets. She walks slightly ahead, then turns back and smiles at the camera. They ride a train home. She sits beside the window, watching city lights pass outside. The camera slowly moves closer as she rests quietly, ending like a real personal memory. Visual style: Authentic boyfriend travel vlog footage. Realistic handheld camera movement. Natural lighting. Casual documentary realism. Unplanned everyday moments. Real human expressions and interactions. Slight motion blur, natural exposure changes, realistic camera autofocus adjustments. No commercial advertisement style. No dramatic posing. No perfect cinematic composition. No text overlays. No logos. No face changes. No identity changes. No artificial transitions. No CGI feeling. Stable character consistency throughout.
underwood124,186 次观看 • 2 个月前
![prompt：[STYLE / CINEMATIC SETUP] 30 seconds, 16:9 landscape, high definition and fine detail. A photorealistic AAA third-person urban action game. Bright weekday morning, realistic city surroundings, escalating absurd comedy, serious and natural character reactions. One continuous shot from 0–27 seconds. Exactly one hard cut at 27 seconds, followed by a locked two-person medium shot. Real-time motion, no slow motion. A compact, physically connected route: Stopped train carriage at a ground-level metro station → open exit passage at the end of the platform → bicycle parking outside → small wedding setup outside an office building → open company entrance → reception attendance terminal. The station exit is directly beside the office building. No underground platforms, long staircases or travel across multiple city blocks. The bicycle is approximately 25 meters from the office entrance. The wedding setup includes a low platform with broad, shallow ramps on both ends and a central arch made from thin paper flowers and balloons. At reception, a broad, thick, securely attached loading ramp connects the floor to a low, wide countertop. An attendance terminal is mounted on the wall at its far end. Establish these structures before they are used. Begin beside and slightly in front of the woman, then continuously move behind her right shoulder as she exits the train. Follow at approximately 1.5 meters, normally with a 47-degree field of view, widening smoothly to 63 degrees for obstacles. During cycling, primarily frame her upper body, handlebars and forward route. The rear passenger stays near the frame edge or behind her, with his face clearly revealed only after the final cut. No sexualized body framing. Vehicle: one dark-green vintage city bicycle with a metal front basket, black saddle, extended rear passenger seat, conventional pedals and chain, and no motor. Owner: adult man wearing a white shirt, black trousers, crooked tie and black-framed glasses, holding a steamed bun. At his first appearance, he is already sitting sideways on the rear seat, both feet supporting the bicycle, looking at his phone. The front saddle is empty. The woman does not know he is her boss. Chinese dialogue, no dialogue subtitles. Quiet, urgent electronic game music. Clear train chimes, running footsteps, bicycle chain and bell, tires hitting ramps, bursting balloons and attendance confirmation. Classic GTA-style flat HUD, thick black outlines, bold Simplified Chinese, translucent black backing and three-percent margins. Upper left: 【L 移动】【R 视角】【□ 互动】【○ 冲刺】, changing the final line to 【○ 猛蹬】 during cycling. Upper right: white fist icon, green health bar, thin stamina bar, currency 【$000000028】. Lower left: square grayscale neighborhood map, white player arrow and yellow office route. Top center: gold-brown notification banner, yellow main line and white secondary line, one notification at a time. Opening bottom mission: 【赶在九点前打卡】. An additional upper-right countdown starts at 【00:24】 and stops at successful clock-in at 24 seconds. [IMAGE REFERENCES] Use the newly uploaded subway photograph as the sole identity and wardrobe reference, replacing all previous character references. Preserve the same adult woman's facial structure, features, skin tone, dark eyes, dark brown-black hair, wispy bangs, hair tied behind her head, loose facial strands and body proportions. Preserve her ivory fine-ribbed fitted sleeveless tank top; dark-blue denim miniskirt with its waistband, button and pocket construction; white sneakers; delicate silver necklace and small pendant; black shoulder bag hanging from her left shoulder at her left side. The bag swings naturally. She may secure it against her side with her left upper arm. It never disappears or changes sides. Clothing retains normal coverage throughout movement. Extract identity and appearance only. Do not reproduce the raised-arm pose, high camera angle, image text or watermark. [TIMELINE SECOND BY SECOND] 0–4s: [Front-side medium shot continuously moving to rear-right tracking, real-time speed] She stands beside the doors of the stopped train when her phone announces: “还有二十四秒，你就迟到了。” The doors open; her eyes widen, she stuffs the phone into her bag and bolts onto the platform as the camera exits with her and moves behind her right shoulder, revealing the nearby exit passage. HUD: 【主线任务：保住全勤】 4–8s: [Full-body third-person tracking with light running movement, real-time speed] She rushes through the open exit passage, passing a station attendant who has just raised a hand to ask her to slow down; she shouts: “上班！救命！” Outside, she spots the dark-green bicycle a few meters away: its front saddle is empty, while its owner sits sideways on the rear seat, eating a bun and looking at his phone with both feet on the ground. HUD: 【发现载具】 / 【道德暂时下线】 8–13s: [Rear-side medium-full tracking shot, real-time speed] She grabs the handlebars, mounts the empty front saddle and immediately pedals away, shouting: “借一下！要迟到了！” The owner rocks backward as he is carried away, quickly lifts his feet and secures himself to the rear seat; he holds the bun between his teeth, hurriedly pockets his phone and grips the seat firmly, while she pedals hard without looking back. HUD: 【载具获取成功】 / 【附赠原车主一名】 13–18s: [Rear-right tracking, widening to establish the platform and bystanders, real-time speed] The wedding setup blocks the direct route, so she pedals up its broad ramp and breaks through the arch's thin central paper flowers; paper tears and two balloons burst. A bride arranging her bouquet beside the route releases it in surprise, dropping it into the front basket; the bicycle descends the opposite ramp, making the rear passenger bounce and settle as he grips tightly, his bun still secure. HUD: 【穿越婚礼副本】 / 【获得道具：捧花】 18–23s: [Continuous medium-full tracking, rising along the loading ramp, real-time speed] She rides through the open office entrance and takes the already established loading ramp onto the low, wide reception counter; the front and rear wheels strike the countertop in succession with two dull thumps. The receptionist steps aside clutching documents as the woman applies the brakes; the bouquet sways in the basket, a torn paper flower hangs from the handlebars, and the woman's body still obscures the passenger's face. HUD: 【已进入公司】 / 【请勿在前台骑行】 23–24s: [Front-right medium close-up, small continuous lateral movement, real-time speed] The bicycle stops; she plants her left foot on the broad countertop and holds the handlebars with her left hand, pressing her right index finger against the wall-mounted attendance reader. The countdown reaches zero as the terminal announces: “打卡成功。” HUD: 【极限打卡】 / 【全勤奖保住了】 24–27s: [Front-side medium close-up, camera settles, real-time speed] She folds over the handlebars, panting, then raises her head with a relieved smile; the receptionist looks behind her toward the offscreen passenger, suddenly stands straight and respectfully says: “老板早。” Her smile freezes, her eyes slowly glance backward and her shoulders tense; hold the framing without revealing the owner's face. HUD: 【触发隐藏事件】 / 【后座身份正在确认】 27–30s: [The only hard cut, locked side-on two-person medium shot, real-time speed] Show her still astride the front saddle with her left foot braced on the counter, and the boss still sitting sideways on the same rear seat, tie crooked, glasses slipping down his nose, holding half a steamed bun. He looks at her and calmly says: “下班也按这个速度。” She gives one stiff nod, and he casually takes another bite; retain the bouquet, torn paper flower and shoulder bag. HUD: 【老板已送达】 / 【解锁岗位：专属司机】 [STYLE & QUALITY BOOSTERS] Maintain facial identity, hair, clothing and bag placement. Realistic skin, hair, ribbed fabric, denim, metal frame and rubber tires. The central joke is taking the bicycle together with its owner, followed by increasingly absurd commuting shortcuts. Her pedaling drives the bicycle; wheels contact surfaces, chain movement matches the pedals, and steering and braking convey weight and inertia. The owner occupies the rear seat from his first appearance, lifts his feet at departure and remains on the same bicycle. His body responds naturally to ramps and bumps. The final cut changes only the viewing angle, never their positions. Retain the bouquet in the basket after the wedding sequence and the torn paper flower after the collision. Wedding participants and the receptionist remain outside the travel path and are unharmed. Primary negative constraints: 1. No face changes, costume changes, duplicate protagonist or return to the previous blonde hospital-gown character. 2. No cuts, teleportation, time jumps or concealed edits during 0–27 seconds. One hard cut at 27 seconds; lock the final three seconds. 3. No self-driving bicycle, motorcycle transformation, levitation or body/frame clipping. The owner never suddenly appears or disappears. 4. No upskirt framing, wardrobe exposure, injuries or additional chase subplots. 5. No dialogue subtitles, English HUD, photographic watermark, playback controls or slow motion. Maintain HUD placement and scale across the cut.](https://image.24vids.com/tw-2099800722225393727/amplify_video_thumb/2099800142052499456/img/DFMJCygyTvnoPj1m.jpg)
prompt：[STYLE / CINEMATIC SETUP] 30 seconds, 16:9 landscape, high definition and fine detail. A photorealistic AAA third-person urban action game. Bright weekday morning, realistic city surroundings, escalating absurd comedy, serious and natural character reactions. One continuous shot from 0–27 seconds. Exactly one hard cut at 27 seconds, followed by a locked two-person medium shot. Real-time motion, no slow motion. A compact, physically connected route: Stopped train carriage at a ground-level metro station → open exit passage at the end of the platform → bicycle parking outside → small wedding setup outside an office building → open company entrance → reception attendance terminal. The station exit is directly beside the office building. No underground platforms, long staircases or travel across multiple city blocks. The bicycle is approximately 25 meters from the office entrance. The wedding setup includes a low platform with broad, shallow ramps on both ends and a central arch made from thin paper flowers and balloons. At reception, a broad, thick, securely attached loading ramp connects the floor to a low, wide countertop. An attendance terminal is mounted on the wall at its far end. Establish these structures before they are used. Begin beside and slightly in front of the woman, then continuously move behind her right shoulder as she exits the train. Follow at approximately 1.5 meters, normally with a 47-degree field of view, widening smoothly to 63 degrees for obstacles. During cycling, primarily frame her upper body, handlebars and forward route. The rear passenger stays near the frame edge or behind her, with his face clearly revealed only after the final cut. No sexualized body framing. Vehicle: one dark-green vintage city bicycle with a metal front basket, black saddle, extended rear passenger seat, conventional pedals and chain, and no motor. Owner: adult man wearing a white shirt, black trousers, crooked tie and black-framed glasses, holding a steamed bun. At his first appearance, he is already sitting sideways on the rear seat, both feet supporting the bicycle, looking at his phone. The front saddle is empty. The woman does not know he is her boss. Chinese dialogue, no dialogue subtitles. Quiet, urgent electronic game music. Clear train chimes, running footsteps, bicycle chain and bell, tires hitting ramps, bursting balloons and attendance confirmation. Classic GTA-style flat HUD, thick black outlines, bold Simplified Chinese, translucent black backing and three-percent margins. Upper left: 【L 移动】【R 视角】【□ 互动】【○ 冲刺】, changing the final line to 【○ 猛蹬】 during cycling. Upper right: white fist icon, green health bar, thin stamina bar, currency 【$000000028】. Lower left: square grayscale neighborhood map, white player arrow and yellow office route. Top center: gold-brown notification banner, yellow main line and white secondary line, one notification at a time. Opening bottom mission: 【赶在九点前打卡】. An additional upper-right countdown starts at 【00:24】 and stops at successful clock-in at 24 seconds. [IMAGE REFERENCES] Use the newly uploaded subway photograph as the sole identity and wardrobe reference, replacing all previous character references. Preserve the same adult woman's facial structure, features, skin tone, dark eyes, dark brown-black hair, wispy bangs, hair tied behind her head, loose facial strands and body proportions. Preserve her ivory fine-ribbed fitted sleeveless tank top; dark-blue denim miniskirt with its waistband, button and pocket construction; white sneakers; delicate silver necklace and small pendant; black shoulder bag hanging from her left shoulder at her left side. The bag swings naturally. She may secure it against her side with her left upper arm. It never disappears or changes sides. Clothing retains normal coverage throughout movement. Extract identity and appearance only. Do not reproduce the raised-arm pose, high camera angle, image text or watermark. [TIMELINE SECOND BY SECOND] 0–4s: [Front-side medium shot continuously moving to rear-right tracking, real-time speed] She stands beside the doors of the stopped train when her phone announces: “还有二十四秒，你就迟到了。” The doors open; her eyes widen, she stuffs the phone into her bag and bolts onto the platform as the camera exits with her and moves behind her right shoulder, revealing the nearby exit passage. HUD: 【主线任务：保住全勤】 4–8s: [Full-body third-person tracking with light running movement, real-time speed] She rushes through the open exit passage, passing a station attendant who has just raised a hand to ask her to slow down; she shouts: “上班！救命！” Outside, she spots the dark-green bicycle a few meters away: its front saddle is empty, while its owner sits sideways on the rear seat, eating a bun and looking at his phone with both feet on the ground. HUD: 【发现载具】 / 【道德暂时下线】 8–13s: [Rear-side medium-full tracking shot, real-time speed] She grabs the handlebars, mounts the empty front saddle and immediately pedals away, shouting: “借一下！要迟到了！” The owner rocks backward as he is carried away, quickly lifts his feet and secures himself to the rear seat; he holds the bun between his teeth, hurriedly pockets his phone and grips the seat firmly, while she pedals hard without looking back. HUD: 【载具获取成功】 / 【附赠原车主一名】 13–18s: [Rear-right tracking, widening to establish the platform and bystanders, real-time speed] The wedding setup blocks the direct route, so she pedals up its broad ramp and breaks through the arch's thin central paper flowers; paper tears and two balloons burst. A bride arranging her bouquet beside the route releases it in surprise, dropping it into the front basket; the bicycle descends the opposite ramp, making the rear passenger bounce and settle as he grips tightly, his bun still secure. HUD: 【穿越婚礼副本】 / 【获得道具：捧花】 18–23s: [Continuous medium-full tracking, rising along the loading ramp, real-time speed] She rides through the open office entrance and takes the already established loading ramp onto the low, wide reception counter; the front and rear wheels strike the countertop in succession with two dull thumps. The receptionist steps aside clutching documents as the woman applies the brakes; the bouquet sways in the basket, a torn paper flower hangs from the handlebars, and the woman's body still obscures the passenger's face. HUD: 【已进入公司】 / 【请勿在前台骑行】 23–24s: [Front-right medium close-up, small continuous lateral movement, real-time speed] The bicycle stops; she plants her left foot on the broad countertop and holds the handlebars with her left hand, pressing her right index finger against the wall-mounted attendance reader. The countdown reaches zero as the terminal announces: “打卡成功。” HUD: 【极限打卡】 / 【全勤奖保住了】 24–27s: [Front-side medium close-up, camera settles, real-time speed] She folds over the handlebars, panting, then raises her head with a relieved smile; the receptionist looks behind her toward the offscreen passenger, suddenly stands straight and respectfully says: “老板早。” Her smile freezes, her eyes slowly glance backward and her shoulders tense; hold the framing without revealing the owner's face. HUD: 【触发隐藏事件】 / 【后座身份正在确认】 27–30s: [The only hard cut, locked side-on two-person medium shot, real-time speed] Show her still astride the front saddle with her left foot braced on the counter, and the boss still sitting sideways on the same rear seat, tie crooked, glasses slipping down his nose, holding half a steamed bun. He looks at her and calmly says: “下班也按这个速度。” She gives one stiff nod, and he casually takes another bite; retain the bouquet, torn paper flower and shoulder bag. HUD: 【老板已送达】 / 【解锁岗位：专属司机】 [STYLE & QUALITY BOOSTERS] Maintain facial identity, hair, clothing and bag placement. Realistic skin, hair, ribbed fabric, denim, metal frame and rubber tires. The central joke is taking the bicycle together with its owner, followed by increasingly absurd commuting shortcuts. Her pedaling drives the bicycle; wheels contact surfaces, chain movement matches the pedals, and steering and braking convey weight and inertia. The owner occupies the rear seat from his first appearance, lifts his feet at departure and remains on the same bicycle. His body responds naturally to ramps and bumps. The final cut changes only the viewing angle, never their positions. Retain the bouquet in the basket after the wedding sequence and the torn paper flower after the collision. Wedding participants and the receptionist remain outside the travel path and are unharmed. Primary negative constraints: 1. No face changes, costume changes, duplicate protagonist or return to the previous blonde hospital-gown character. 2. No cuts, teleportation, time jumps or concealed edits during 0–27 seconds. One hard cut at 27 seconds; lock the final three seconds. 3. No self-driving bicycle, motorcycle transformation, levitation or body/frame clipping. The owner never suddenly appears or disappears. 4. No upskirt framing, wardrobe exposure, injuries or additional chase subplots. 5. No dialogue subtitles, English HUD, photographic watermark, playback controls or slow motion. Maintain HUD placement and scale across the cut.
underwood41,426 次观看 • 1 个月前
I like this prompt. 4K seedance 2.5 prompt： A realistic handheld travel vlog filmed by a friend following the main character throughout the day. Use the woman from the reference image as the main subject. Maintain her exact facial identity, hairstyle, facial features, and body proportions throughout the entire video. The camera feels like a real personal vlog camera, not a commercial production. Natural handheld movement, casual framing, imperfect human camera motion, authentic everyday atmosphere. No scripted acting. The woman behaves naturally, interacting with the environment like a real travel vlog. 0-5s: Morning departure. The woman leaves a cozy apartment with a small backpack. She checks her phone, smiles at the camera, adjusts her hair, and starts walking outside. The camera follows her from behind, slightly shaky like a friend filming. Morning sunlight, quiet neighborhood streets, people starting their day. 5-12s: Exploring the city. The camera follows her walking through local streets. She visits a small cafe, buys a drink, briefly talks to the camera, laughs naturally. She walks through a street market, looks at small shops, takes casual photos. The camera stays close, capturing spontaneous moments. 12-20s: Arriving at the beach. She takes public transportation or walks toward the coast. The environment gradually changes from city streets to a seaside town. Ocean breeze moves her hair. She looks excited when she sees the ocean. The camera follows her walking along the beach. She picks up a seashell, watches waves, and interacts naturally with people nearby. 20-27s: Summer beach afternoon. She meets friends at the beach. Everyone chats, laughs, plays near the water. The camera moves naturally between people, capturing real candid moments. She looks back at the camera and smiles. 27-30s: Ending moment. Golden hour sunset. She sits near the ocean, holding a drink, watching the sunset. The camera slowly moves backward, revealing the beach, waves, and the peaceful evening. A feeling of a real personal travel memory. Visual style: Authentic travel vlog footage. Realistic smartphone or mirrorless camera look. Natural daylight. Casual handheld movement. Slight camera shake. Real human reactions. Documentary realism. No cinematic commercial look. No dramatic posing. No artificial transitions. No text overlays. No logos. No face changes. No identity changes.
underwood75,830 次观看 • 2 个月前
I used AI to create this transformation video, and I'm pretty happy with how it turned out. The entire workflow required 11 keyframe images and 7 short video clips. The hardest part was the clothing transition. Current AI models still leave noticeable artifacts during the dressing process, so I had to trim and hide many of those frames in editing. After several iterations, this version finally feels smooth and believable. Full workflow + prompts:
underwood102,104 次观看 • 4 个月前
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Using Nano Banana Pro + Sora, I can now create a short video in just about one minute. I’ve been using Kling for a while to make short videos, and while the results can be great, the workflow has always felt a bit heavy for me. Previously, I had to export the video frame by frame as images, then send those keyframes into Kling’s first/last frame mode to generate the in-betweens. It worked, but it took a lot of time and small steps. Recently I realized I don’t necessarily need to do that anymore: now I can use Nano Banana Pro to generate the images, then send them directly to Sora to create the short video—no need to manually extract a specific frame. Another bonus is that Sora also handles basic sound design for you, which saves me from an extra round of editing and makes the whole process feel much lighter. This idea actually came from a post I saw this morning on Twitter by SD | AI Animation Storyteller, which gave me a new way of thinking about my workflow. I’m still experimenting, but so far it’s been a big improvement in efficiency for my use case. I’ve put the detailed steps I’m using in the comments in case anyone wants to try something similar.
underwood46,400 次观看 • 10 个月前
I was invited to test OpenArt Director. I made this nearly 1-minute cinematic video through conversation, starting with only an initial idea, two character images, and one background image. This is what vibe directing feels like. A few details impressed me: Director first generates the voiceover, then uses it as reference audio for Seedance 2.0. That makes the character voices feel much more natural and better synced. After the character images, it also helps create storyboard frames and camera reference images. That massively improves the final generation quality. It feels less like writing a prompt, and more like building a shot with an AI production team.
underwood16,581 次观看 • 3 个月前
Our website now supports Kling Motion Control. Today, creating an AI influencer video has become incredibly simple. You can first use Nano Banana Pro to generate realistic images, then use Kling Motion Control to replace the motion and quickly create viral-style videos for social media. We also provide a selection of popular online dance motions with controllable presets for you to use. If you're interested, feel free to try it on our website:
underwood15,467 次观看 • 7 个月前
I ran a quick test: I used the exact same prompt to generate videos with Seedance 2.0 and Sora 2, just to see how they differ. Sora 2 automatically adds music, which instantly makes the video feel polished. But Seedance 2.0 handles shot breakdown and pacing better, it feels more like a professionally edited sequence.
underwood13,972 次观看 • 8 个月前
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