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@yesitisprecious4,475 subscribers

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Content creator Red Carpet King has featured SB19's VISA and we have a certified A'tin show him how it's done on his red carpet! Engage here: TIKTOK THREADS INSTAGRAM SB19 Official #SB19

Content creator Red Carpet King has featured SB19's VISA and we have a certified A'tin show him how it's done on his red carpet! Engage here: TIKTOK THREADS INSTAGRAM SB19 Official #SB19

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(VERSION 2 because I feel I didn't do justice the other post 😅) _________ Hey, SEAblings! Did you know that during the time of the second Hallyu Wave, Southeast Asian artists were already thriving? Here's a massive throwback featuring Malaysia's Vince Chong Vince Chong and Jaclyn Victor Jaclyn Victor and the Philippines' Nikki Gil Nikki Gil-Albert 😍 They were tapped by Disney Channel Asia (before Disney+ was ever a thing) to sing the Asian versions of High School Musical 2's "You Are The Music In Me" and "Gotta Go My Own Way". Now this is NOT meant to belittle Korean artists. I remain a big, big fan of Hyun Bin and Son Ye-jin and I wouldn't say no to seeing BTS and Blackpink. I also appreciate Dara of 2NE1 for never forgetting the Philippines. This post is just meant to educate some Knetz who said K-pop doesn't need Southeast Asians (and South Americans in another tweet) to thrive and that SEA folks should just stick with stanning SEApop artists. Go figure. 😮‍💨🤷🏻‍♀️ Sadly, the posts have gone racist for both sides. But as a Southeast Asian, myself, who has a great appreciation for Korean artistry and who is extremely proud of my Filipino heritage, this video is just a reminder of what Southeast Asian artists have always, always been capable. 🙂 ___________ It should be noted that the main female lead of HSM2, Vanessa Hudgens, is half Southeast Asian, herself. 😉 ___________ I am attaching in the comments the full music videos of the songs, above. Sadly, I am unable to find any original Disney Channel Asia uploads of these videos. #SoutheastAsia #Disney #SEApop

CallMeByMyRealName

102,006 Aufrufe • vor 4 Monaten

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So it's only now that I got a full cohesive view of what started the Koreans vs Southeast Asians feud, online. I did know the part about the Koreans bringing professional cameras into the Malaysian concert venue, and though I did see the post featuring the photos/videos of said Koreans, I didn't connect that until I saw the attached TikTok video. And my thoughts given that I know, too, that there were some Koreans who explicitly said K-pop doesn't need Southeast Asians AND South Americans? Imagine if the violation of the concert rules happened, here, in the US. Here, it's common for law/rule violators or Karens/male Karens to be recorded or photographed and shamed, online. Faces of minors are typically blurred but erring adults aren't spared. If that happened, would this same specific bunch of defensive Koreans say that K-pop doesn't need the US considering expansion to the country was one of the major targets of the Hallyu/Korean Wave? And even now, many K-pop acts consider success in the US as their goal. Now I know the counterattack would focus on MAGA + US politics, but I agree with Deanna Aaliyah for saying this (see 2nd image): lt's not about "respecting culture" it's about being respectful in someone else's home. This is the most fair comment about the entire Southeast Asia vs Korea issue that I've ever seen. Had things been reversed, tourists would have had no choice but to follow rules or laws in Korea or any country they visit or risk getting fined, deported, or jailed. Bottomline, no one should defend the violators and things shouldn't have devolved to displays of arrogance about K-pop and both sides throwing racial slurs at each other. Full video here:

CallMeByMyRealName

90,415 Aufrufe • vor 3 Monaten

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Booking SMDC Festival Grounds for their Trilogy Concert Finale can only mean one thing: They want to do what has never been done by a P-pop group before. It's as if they know that their being good as artists is, unfortunately, not enough to really go global nowadays; that when it comes to talent, there are many, many talented individuals from all over and that they just have to be the standout. It's as if they've come to the realization that the world's largest indoor arena bursting at the seams on two consecutive days in 2025 is not enough to get the world to pay attention. It's as if they don't want to leave any stone unturned. With no disrespect for their fellow musicians, they know they simply need to disallow critics the thought that the outdoor music festivals in their portfolio (Aurora, ACON 2025, etc.) only had record-breaking attendance because other artists were also there. They also know that the producers of the world's largest music festivals, ➡️most of which are held outdoors (Lollapalooza, Coachella, Glastonbury, Summer Sonic, etc.)⬅️, invite talented artists based on their ability to bring in the numbers. If they can pull this off, if they can show the world that they can hold their own in their grandest challenge to date, then maybe, no, POSSIBLY, the world will run out of reasons to look away. SB19 Official #SB19 __________ P.S. My guess is SB19 will pattern their concert based on Ed Sheeran's Mathematics Tour stop in Manila in March 2024. Also held at the SMDC Festival Grounds, his team took advantage of the venue's capability to have a 360° stage (see attached video). Sounds familiar? Let me refer you to the 360° stage at their Fast Zone anniversary concert and the same set-up in ACON 2025. ☺️

CallMeByMyRealName

116,747 Aufrufe • vor 5 Monaten

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At least for my own wall, and also because I feel we're losing context over what has been happening, I'll be discussing, for the last time, the ticket issue with this summary: 1. As one of the A'tin who gave money to ask tickets be bought for her fellow fans (just not as many as the impressive number djsherahz ティマン asked to be bought on her behalf), let me reiterate that there's a MASSIVE DIFFERENCE between fans mass buying tickets for giveaways and politicians/brands/organizers distributing complimentary tickets. The former involves money that goes straight to the gross income of the artists. The latter may be from an x-deal. The artists don't earn any income from it. 2. Why would SB19 wish to cancel, on a whim, their 2023 Pagtatag Asia shows when one of them was already sold out a few weeks before the original concert date? Why would they risk the anger and trust of concert goers for needing to cancel at the last minute? Why would they put their reputation at risk, deliberately put themselves in a financial mess, and let go of income that's already theirs to keep just because of a "palusot"? For all these, I wonder — kulang ba ang ilan sa inyo sa critical thinking skills for not asking these question first? At kapag tinapatan ng factual na mga sagot regarding SB19 getting legally barred from using their own name during the time of their show cancellations, kulang na lang maka-score kayo ng perfect 10 maiusad lang ang mental gymnastics nyo. 3. Wala naman sana kaming problema kung tutuusin what you do with your faves' concerts and how you praise them for their achievements, because we do the same. Kung yung sinimulan at sinimulan ang pag-uusapan, as far back as the last two quarters of 2023, wala namang ganito kalaking conflict between the two PPop fandoms. In fact, at the comments section of the two October 2023 TikTok videos, below, fans of both fandoms were actually celebrating the collaboration. And when SB19's trademark issue surfaced in November 2023, bashers mostly came from folks outside of the PPop community and not from the fans of the girl group. But the moment some of you started discrediting SB19 and dismissing their contributions to OPM and the PPop community in April/May 2024 during the Nylon polls, can you honestly blame the A'tin fandom for responding to defend the boys? Ganun din naman ginagawa nyo when an errant A'tin does the same. And no, we don't claim to be perfect. No fandom is. We have different values, sets of beliefs, and backgrounds and those dictate why there are good fans and bad. At the end of the day, isa lang ang tandaan nyo, and para na rin sa amin so we can be reminded: No one gets to invalidate any artist's achievements and malign their hard work and legacy and not expect their supporters to respond.

CallMeByMyRealName

57,321 Aufrufe • vor 1 Jahr

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