Ganbare Ganbareee! Seedance 2.0 in Dreamina Prompt: Create one... continuous locked-off wide shot inside a cluttered high-rise gaming apartment at night. Keep the camera completely stationary for the entire scene: no cuts, zooms, pans, tilts, shake, reframing, or angle changes. The seated adult man remains focused on playing a computer game. He makes natural mouse movements, taps the keyboard, leans slightly toward the monitor, and reacts subtly to tense gameplay. He stays fully clothed, never speaks, and does not turn around. Behind him stands a clearly adult anime woman, age 22 or older, wearing modest casual gaming-themed clothing. She has a bright, friendly expression and a clean 2D cel-shaded anime appearance. Her behavior is supportive and playful, with no flirting, romance, physical contact, or suggestive movement. [00:00–00:03] The man begins clicking the mouse and tapping the keyboard. The anime woman bounces lightly in place and makes two small fist pumps near shoulder height. She cheers in a cheerful adult Japanese anime voice: 「がんばれ！ がんばれー！」 “Ganbare! Ganbareee!” [00:03–00:06] The man leans closer to the monitor as the game becomes more intense. She performs two simple side steps, claps twice, and says: 「その調子！ もう少し！」 “Sono choushi! Mou sukoshi!” [00:06–00:09] The man makes a quick mouse movement and presses several keys. She raises both arms in a harmless victory pose, waves once, and cheers: 「がんばって！ 負けないで！」 “Ganbatte! Makenaide!” [00:09–00:12] The man remains concentrated while the monitor glow flickers naturally across the desk. She alternates two small fist pumps, gives a thumbs-up, and says: 「いけるよ！ いける！」 “Ikeru yo! Ikeru!” [00:12–00:15] The man completes a final rapid series of clicks and relaxes slightly, suggesting success. She makes one small celebratory hop, lands naturally, claps, and finishes with both thumbs up while saying: 「やったー！ よくできました！」 “Yattaa! Yoku dekimashita!” AUDIO: Clear adult feminine Japanese voice with accurate lip sync. Add realistic keyboard tapping, mouse clicks, computer-fan hum, faint game sounds, quiet room tone, and distant city ambience. No music and no additional voices. STYLE: Photorealistic apartment combined with a crisp 2D adult anime character. Warm room lighting, cool monitor glow, red computer lighting, natural shadows, light cinematic grain, wholesome gaming-comedy atmosphere. AVOID: No minors, childlike appearance, romance, flirting, physical contact, sexualized clothing, suggestive dancing, camera movement, subtitles, captions, speech bubbles, watermarks, extra characters, duplicated limbs, distorted hands, facial changes, clothing changes, room changes, character flicker, or transformation into a realistic person.show more

Kiss Cam! Image: GPT Image 2 Video: Seedance in... Dreamina Prompt: Style: Hyper-realistic live NBA broadcast footage, authentic televised sports coverage, realistic arena lighting, telephoto broadcast lens compression, shallow depth of field, imperfect live-camera framing, natural crowd reactions, realistic skin textures, subtle compression artifacts, slight interlacing grain, live TV color grading. Duration: 14 seconds Aspect Ratio: 16:9 Camera: Fixed live broadcast camera only, no cinematic cuts, no camera movement. IMPORTANT: The scene must feel EXACTLY like a real NBA live TV Kiss Cam broadcast. The woman: — unbelievably attractive Korean woman in her 20s — long black hair — flawless skin — elegant glamorous makeup — luxurious aura — sophisticated red low-cut summer outfit — subtle jewelry — natural smile and realistic reactions The man: — overweight unattractive man — casual black jacket — glasses — awkward but wholesome energy IMPORTANT AUDIO RULE: ABSOLUTELY NO SOUND OR DIALOGUE FROM THE COUPLE. The couple never speaks. Only arena crowd cheering and distant stadium ambience. Broadcast details: — realistic NBA scoreboard overlay — sports network watermark — live broadcast graphics — crowd in background — realistic arena LEDs — slight motion blur — realistic televised image quality [00:00-00:03] Fixed Kiss Cam shot appears on the arena jumbotron. The woman notices the camera and immediately laughs shyly while casually waving her hand “no” toward the screen. The overweight man beside her looks shocked and confused, then smiles nervously. Crowd begins cheering loudly. No talking from either person. [00:03-00:06] The crowd cheers louder encouraging them. The woman smiles warmly while glancing at the man. He looks overwhelmed and frozen in disbelief. The broadcast camera slightly struggles to keep framing centered realistically like a real live operator. [00:06-00:09] The woman suddenly grabs the man’s cheeks gently and kisses him. The man becomes completely shocked and overjoyed, eyes wide, almost emotionally frozen. Arena crowd erupts cheering and laughing loudly. Realistic shallow depth of field isolates them from crowd. [00:09-00:12] The woman pulls away laughing silently and gives a playful thumbs up directly toward the Kiss Cam. The man still looks stunned and unbelievably happy. Crowd continues cheering loudly while broadcast overlays remain visible. End exactly like a real televised NBA Kiss Cam moment. [00:12-00:14] The man looks in awe and surprise to the camera , the woman smiles with shyness. Audio: ONLY loud NBA arena ambience, crowd cheering, distant announcer echo, stadium reactions, sneaker squeaks, arena music muffled in background. ABSOLUTELY NO dialogue, whispering, laughing audio, or vocal sounds from the couple. Negative prompts: No cinematic movie look, no dialogue, no talking, no subtitles, no unrealistic beauty filter, no anime style, no perfect framing, no dramatic camera movement, no unrealistic reactions, no extra people interacting directly with camera.show more

Gemini Omni Flash on Pollo AI. Prompt: Main Subject:... The same young Korean woman appears throughout the entire video. Early 20s, natural everyday appearance, faded charcoal-gray sleeveless crop top, loose high-waisted light-wash jeans, black canvas sneakers, black cord necklace, black wavy hair styled in a messy side ponytail with wispy bangs. Realistic skin texture, minimal makeup, warm and approachable personality. Maintain identical facial features, hairstyle, body type, clothing, accessories, and overall appearance in every shot. Do not change identity, outfit, age, or styling between scenes. Location: An authentic Korean residential neighborhood during a peaceful late morning. Narrow concrete alleys, low-rise homes, potted plants, laundry lines, bicycles, utility poles, overhead wires, mature trees casting moving shadows, and quiet residential surroundings. No shops, cafés, advertisements, crowds, or commercial activity. Visual Style: Ultra-realistic documentary realism. Authentic slice-of-life moments captured naturally rather than staged. Genuine body language, believable human motion, strong environmental authenticity, and rich everyday details. Prioritize realism over beauty and natural behavior over performance. Camera Style: Early-2000s consumer DV camcorder footage. Feels like a friend casually recording everyday moments. Heavy handheld shake, imperfect framing, autofocus hunting, lens breathing, occasional motion blur, rolling shutter artifacts, mild digital compression, faded colors, soft contrast, subtle sensor noise, exposure fluctuations between sunlight and shade, and delayed camera reactions. No stabilization, no cinematic camera movement, no modern color grading, no commercial polish. Continuity Requirements: All scenes occur during the same late morning in the same neighborhood. Maintain consistent lighting, weather, clothing, hairstyle, and environmental continuity throughout the entire video. 00:00–00:02 Outside a modest house entrance. She sits on a low concrete wall adjusting her ponytail with both hands. A gentle breeze moves loose strands of hair. She smiles naturally while the camcorder struggles to maintain focus. 00:02–00:04 Walking through a narrow residential alley lined with potted plants and concrete walls. A stray cat approaches. She crouches down and gently pets it while the camera framing drifts slightly off-center as the operator tries to keep up. 00:04–00:06 In a small front yard beside her house, she hangs laundry on a clothesline. Fabrics sway softly in the breeze. Exposure subtly changes as clouds briefly pass overhead. 00:06–00:08 Seated comfortably on a quiet terrace holding a ceramic coffee cup. She watches the neighborhood and casually brushes hair behind her ear. Loose handheld side-angle framing with natural camera drift. 00:08–00:10 She walks slowly down a tree-lined residential lane holding her coffee cup. She notices the camera, gives a small genuine smile, then looks away and continues walking. The recording abruptly cuts to black mid-motion as if the camcorder was switched off. Audio: Natural ambient sound only. Morning birds, distant motorcycles, light wind, rustling leaves, faint neighborhood chatter, occasional cat sounds, footsteps on concrete, laundry moving on clotheslines, and subtle residential ambience. No music, narration, voice-over, or cinematic sound design. Goal: Create a highly believable early-2000s Korean home-video recording captured casually by a friend during an ordinary late morning. The footage should feel warm, candid, imperfect, and deeply authentic. Emphasize genuine human behavior, environmental realism, imperfect camera operation, and strong continuity. Avoid cinematic aesthetics, influencer-style content, commercial production value, dramatic storytelling, or modern social-media visuals.show more

Tejo pulang dari kota, nakal ke surti **VIDEO PROMPT... — 10 SECONDS** **Main Subject** Young Indonesian woman, clearly adult, early 20s, natural everyday appearance. She is relaxing casually on her bed in a modest early-2000s Indonesian bedroom, partially covered comfortably by a thick everyday blanket. Her appearance remains exactly consistent throughout the video: same face, hairstyle, body proportions, clothing, and identity. She wears simple authentic early-2000s kemben/ jarik, with no lingerie styling, no glamour styling, and no contemporary fashion elements. Her dark naturally wavy hair is loosely tied in a messy low ponytail, with several wispy strands framing her face. **Concept** A playful, completely candid moment captured by a close friend on an old consumer MiniDV / Digital8 camcorder inside an ordinary Indonesian bedroom around 2002–2005. The woman is lying comfortably on her bed under the blanket, laughing and joking with a male friend who is filming from the side of the bed. The camera feels like a genuine personal home video rather than a staged production. A man's hand briefly enters the edge of the frame and playfully tugs the blanket toward himself. The woman immediately reacts with surprised amusement, laughs, grabs the blanket with both hands, pulls it back toward herself, and says: **“iihhhh, Tejo nakal!”** She laughs naturally afterward. The interaction should feel innocent, spontaneous, playful, and comedic, like friends joking around while recording a private home-video memory. **Location** Authentic modest Indonesian bedroom from approximately 2001–2005. Simple wooden bed frame, slightly worn mattress, patterned bedsheet, old floral blanket, mosquito net or simple curtain, wooden wardrobe, small bedside table, old alarm clock, plastic storage containers, folded clothes, faded painted walls, small window with thin curtains, an old fan, and a few ordinary household objects. No smartphones, LED lighting, modern furniture, contemporary decorations, luxury bedroom design, or modern electronics. **Camera Style** Early-2000s consumer MiniDV / Digital8 camcorder operated by a friend. Strong handheld movement, slightly shaky framing, imperfect composition, occasional accidental cropping, autofocus hunting, focus breathing, exposure pumping, mild motion blur, soft digital detail, subtle compression artifacts, tiny sensor noise, warm faded colors, slightly yellowish highlights, muted blacks, low-to-medium contrast. The camera operator does not behave like a professional cinematographer. The framing is spontaneous and occasionally awkward. No gimbal. No stabilization. No cinematic dolly movement. No modern digital sharpness. No HDR. No polished commercial look. No artificial film grain. No cinematic color grading. ### 00:00–00:02 — Quiet Candid Moment Camera is already recording from the side of the bed. The woman is comfortably lying under the blanket, looking toward the camera with a relaxed expression. She notices the camera and smiles, slightly embarrassed as if she knows her friend is recording her. The camera shakes subtly as the operator adjusts position. ### 00:02–00:05 — Blanket Tug A male hand suddenly enters from the side of the frame and playfully grabs the edge of the blanket. The man gently pulls the blanket toward himself. The woman reacts immediately with a surprised laugh, grabs the blanket firmly with both hands, and pulls it back toward herself. She looks toward the man with an exaggerated playful expression. She says naturally: **“Iihhhh, Tejo nakal!”** Her delivery should sound spontaneous and conversational, not like an actor reading dialogue. ### 00:05–00:08 — Laughing Reaction She successfully pulls the blanket back She laughs, shakes her head, and gives Tejo a playful annoyed look. She briefly looks directly into the camcorder lens as if complaining to the person filming. Her expression is mischievous and amused rather than angry. The camera operator laughs softly behind the camera, causing a tiny shake. Autofocus briefly shifts toward the blanket before returning to her face. ### 00:08–00:10 — Final Candid Moment She pulls the blanket slightly higher around herself, smiles toward the camera, and gives a playful expression as if saying *“seriously, Tejo?”* without additional dialogue. She lets out a short natural laugh. The camera suddenly moves slightly closer, exposure briefly changes, and the recording abruptly cuts to black mid-motion like an old MiniDV recording being stopped. **Audio — Authentic Early-2000s Indonesian Bedroom** Realistic consumer camcorder microphone recording. Natural room ambience, soft blanket movement, mattress creaking slightly, fabric rubbing against the bedsheet, distant neighborhood sounds through the window, faint motorcycle engine outside, birds in the distance, an old electric fan humming softly, subtle household noises, and natural laughter. Include the woman's spoken dialogue clearly: **“Iihhhh, Tejo nakal!”** The male friend should not have a clearly audible full sentence. His presence is communicated mainly through the playful blanket tug and a brief natural laugh from behind the camera. Audio should have the characteristic slightly compressed sound of an early-2000s consumer camcorder microphone, imperfect stereo separation, mild room echo, realistic environmental noise, and occasional handling noise. **Overall Goal** Make the footage feel like a genuinely forgotten Indonesian family/friend MiniDV recording from around **2002–2005**. The humor should come from the spontaneous blanket tug, the woman's surprised reaction, her playful complaint **“Iihhhh, Tejo nakal!”**, and the imperfect handheld camera. The scene must feel like an ordinary candid home-video moment: natural, awkward, nostalgic, spontaneous, and unscripted — **not a fashion shoot, music video, commercial, or erotic scene.** video 9 : 16show more

Seedance 2.5 vs. FLUX 3 The arguments about AI... being slop are DONE! Prompt: SEOUL SUMMER DAY — VIDEO PROMPT A 30-second, 1080p ultra-realistic documentary-style personal home video showing an ordinary summer day in the life of a young Korean man. The footage should feel spontaneous, intimate, imperfect, and genuinely observed rather than performed. ═══════════════════════════════════ MAIN SUBJECT ═══════════════════════════════════ - The same young Korean man in his early 20s throughout the entire video. - Naturally handsome, realistic skin texture, minimal styling, relaxed expression, slightly tired but peaceful eyes. - Naturally messy medium-length dark hair with a few strands falling over his forehead; very subtle stubble. - Wears: loose washed-black T-shirt, relaxed olive-beige trousers, worn white sneakers, simple silver wristwatch. - CONSISTENCY LOCK: face, identity, body proportions, hairstyle, clothing, watch, and overall appearance remain completely consistent from beginning to end. ═══════════════════════════════════ LOCATION ═══════════════════════════════════ - A quiet older residential neighborhood in Seoul, warm summer afternoon. - Narrow concrete alleys, low-rise homes, rooftop terraces, external staircases, potted plants, laundry lines, parked bicycles, utility poles, overhead wires, mature trees, concrete walls, small residential courtyards, distant city sounds. - Authentic and lived-in. - NO crowds, tourist attractions, advertisements, recognizable brands, or commercial activity. ═══════════════════════════════════ CAMERA / VISUAL STYLE ═══════════════════════════════════ - Authentic casual personal-video footage captured with an older consumer digital camera. - Handheld, operated by a friend walking nearby. - Natural camera shake, imperfect framing, occasional autofocus changes, slight exposure adjustments moving between sunlight and shade, soft image detail, mild motion blur, subtle digital noise, slightly muted colors, imperfect white balance, natural compression. - The camera operator occasionally reacts a little late, cuts off part of the subject, or briefly loses focus. - NO stabilization, gimbal movement, drone shots, cinematic choreography, dramatic lighting, slow motion, modern commercial color grading, or polished cinematography. - Feels like someone simply decided to record his friend during an ordinary day. ═══════════════════════════════════ TIMELINE ═══════════════════════════════════ [00:00–00:05] MORNING ROOFTOP - He sits casually on a small rooftop beside an old plastic chair; a cold bottled drink rests beside him. - He looks quietly across the neighborhood while the wind moves his hair and T-shirt. - He takes a sip, notices something in the distance, and smiles faintly. - He briefly notices the camera and gives a subtle nod before looking away. - The camera takes a moment to find focus on his face. [00:05–00:10] WALKING THROUGH THE ALLEY - He gets up and walks downstairs into the neighborhood. - He walks casually through a narrow concrete alley, hands in pockets. - He passes parked bicycles, potted plants, laundry hanging from balconies, old residential walls. - The camera follows several steps behind him. - He occasionally looks back toward the camera but never deliberately poses. - Footsteps stay naturally synchronized with his movement. [00:10–00:14] SMALL EVERYDAY MOMENT - He notices an old basketball resting near a wall. - He picks it up, casually bounces it twice, then takes a simple shot toward a nearby hoop. The shot misses. - He laughs quietly, shakes his head, and leaves the ball where he found it. - The camera briefly loses focus during the movement and recovers naturally. - No exaggerated athletic movement. [00:14–00:19] LOCAL SHOP - He walks to a tiny neighborhood shop and buys a cold drink. - He exchanges a few natural words with the shopkeeper; the conversation is not clearly audible. - He steps outside, opens the bottle, takes a drink, and leans casually against the wall. - He watches bicycles and pedestrians passing in the distance. - The camera remains handheld and slightly imperfect. [00:19–00:23] SUMMER RAIN - A sudden summer shower begins. He looks toward the sky with mild surprise. - Instead of running for shelter, he smiles and slowly walks into the rain. - The rain becomes heavier. His hair becomes wet and falls naturally across his forehead. - He eventually starts running down the alley, laughing genuinely. - He briefly spins around while running, then continues toward a covered walkway. - His clothes become visibly damp. - Maintain realistic rain interaction: wet fabric, wet hair, reflections, foot contact with the ground. [00:23–00:27] QUIET MOMENT - He reaches the covered walkway and catches his breath. Rain falls heavily behind him. - He wipes water from his forehead and looks quietly toward the street. - For a moment, everything becomes still. - He notices the camera again and gives a small genuine smile — not a posed expression. [00:27–00:30] WALKING AWAY - The rain becomes lighter. He walks away down the wet residential lane. - The camera follows from behind. Reflections shimmer across the concrete. - He turns his head once, gives a tiny wave toward the camera, smiles, and continues walking. - The camera remains pointed toward the empty street for a brief moment. - At approximately 00:29, the recording abruptly cuts to black mid-motion. No fade-out. ════════════════════════════════════ PHYSICAL REALISM ════════════════════════════════════ - Believable real-world physics throughout: hands, fingers, feet, clothing, hair, rain, bottle, basketball, and background objects behave naturally. - NO extra fingers, fused hands, duplicated limbs, distorted anatomy, floating objects, teleportation, disappearing objects, or sudden transformations. - The bottle remains a separate physical object and never intersects with his face. - The basketball behaves naturally and remains where it lands. - Parked bicycles and background objects remain stationary unless physically moved. - His feet remain properly connected to the ground while walking and running. - Environment and subject stay consistent between shots. ═══════════════════════════════════ AUDIO ═══════════════════════════════════ - Natural environmental audio only: footsteps on concrete, distant traffic, birds, leaves in the wind, bicycles, faint neighborhood conversations, shop sounds, bottle opening, basketball bouncing, rain hitting concrete, water dripping from rooftops, subtle camera-handling noise. - NO music, narration, soundtrack, or artificial sound effects. - No spoken dialogue is necessary. ═══════════════════════════════════ FINAL FEEL ═══════════════════════════════════ - A forgotten personal recording of an ordinary summer day. - NOT a commercial, fashion film, music video, or professional cinematic production. - Emotional appeal comes from small human moments: sitting alone, wandering familiar streets, missing a basketball shot, drinking something cold, getting caught in the rain, laughing, walking home. - Tone: quiet, masculine, youthful, nostalgic, slightly melancholic, warm, spontaneous, deeply human. - Prioritize natural behavior, consistent identity, believable physics, imperfect handheld framing, authentic environmental details, and the feeling that the camera happened to be there.show more

Early-2000s Indonesian Neighborhood Walk — Playful Candid Camcorder the... prompt : Main Subject — Outfit: Young Indonesian woman, early 20s, natural everyday appearance. She wears a simple plain cotton kemben / strapless inner top in a faded earthy tone, paired directly with a traditional jarik wrapped around her waist and extending below the knees, with no skirt, no pants, and no additional lower garment visible. The jarik is an inexpensive traditional Indonesian batik-patterned cotton cloth, slightly faded from repeated washing, naturally wrinkled, loosely wrapped, and tied realistically at the waist. Simple worn brown leather flip-flops, tiny gold stud earrings, and dark naturally wavy hair tied loosely in a messy low ponytail with several wispy strands framing her face. The clothing should feel authentically early-2000s Indonesian: inexpensive cotton, slightly faded, natural wrinkles, imperfect fit, practical everyday homewear. The kemben is a modest everyday inner garment, not lingerie or a fashion top. No glossy fabric, no modern crop-top styling, no contemporary fashion branding. Maintain exactly the same identity, outfit, hairstyle, body proportions, facial features, and appearance throughout the entire video. Concept: An ordinary Indonesian morning captured by a friend on an old consumer camcorder. Instead of going shopping, she casually walks through a narrow kampung alley. She knows her friend is filming and occasionally turns toward the camera with a playful, teasing smile, briefly making eye contact, then continues walking naturally. She sometimes looks away as if pretending not to notice the camera, then suddenly looks back again with another mischievous smile. No dialogue. No lip-sync. No spoken words. Her personality is communicated entirely through natural facial expressions, eye contact, small gestures, and body language. Location: Authentic Indonesian residential kampung in approximately 2001–2005, around 8–9 AM. Narrow concrete alleyways, modest one-story houses, tiled roofs, faded walls, open terraces, potted plants in recycled containers, hanging laundry, bamboo drying racks, old motorcycles, plastic chairs, banana trees, coconut trees, overhead electrical wires, children playing in the distance, neighbors sweeping their terraces, and old metal gates. No modern cafés, smartphones, convenience stores, LED signage, contemporary architecture, luxury vehicles, billboards, or obviously modern objects. Visual Style: Ultra-realistic documentary realism. Genuine early-2000s Indonesian home-video aesthetic. Authentic candid behavior, imperfect timing, spontaneous gestures, realistic walking motion and natural facial expressions. Camera Style: Early-2000s consumer MiniDV / Digital8 camcorder operated by a friend. Heavy handheld movement, slight nervous camera shake, imperfect framing, occasional accidental cropping, autofocus hunting, focus breathing, exposure pumping, mild motion blur, slight rolling-shutter distortion, soft image detail, subtle digital compression, tiny sensor noise, warm faded colors, slightly yellowish highlights, muted blacks, low-to-medium contrast. No gimbal. No stabilization. No cinematic dolly movement. No drone. No modern camera sharpness. No HDR. No cinematic color grading. No artificial film grain. No polished commercial look. 00:00–00:02 — Walking Toward the Camera The woman walks slowly through a narrow kampung alley toward the camera. The camcorder operator walks backward while filming her. She notices the camera and gives a small amused smile. She briefly looks directly into the lens, then looks down and continues walking as if pretending she was not paying attention. Her jarik moves naturally with each step, and the loose cotton kemben shows realistic fabric wrinkles. Her flip-flops make soft sounds against the concrete. The autofocus briefly loses her face before snapping back. 00:02–00:05 — Playful Eye Contact She continues walking past a modest house with laundry hanging outside. After several steps, she suddenly turns her head toward the camera and gives a playful, slightly mischievous smile, holding eye contact for a moment. She raises one eyebrow subtly, then looks away while smiling to herself. She continues walking without speaking. The camera operator follows her unevenly, causing the frame to drift slightly. Sunlight flickers through banana leaves across the alley. A neighbor sweeping the pavement briefly glances toward the camera. 00:05–00:08 — Looking Back The camera moves behind her as she continues farther down the alley. She notices the camera following her and slowly turns her head over her shoulder. She smiles directly at the lens again, this time with a slightly more teasing, playful expression. She briefly raises one hand in a tiny casual wave, then immediately lowers it and keeps walking. The gesture feels spontaneous rather than performed. A motorcycle passes slowly at the end of the alley. A child walks past carrying a small plastic toy. 00:08–00:10 — Final Candid Moment She reaches a small corner where the alley turns. Before disappearing around the corner, she stops for half a second and looks back at the camera. She gives one final warm, playful smile, then turns away and continues walking. The camcorder operator accidentally zooms in slightly as she gets farther away. Autofocus hunts briefly. The image becomes slightly soft. She disappears around the corner. The recording abruptly cuts to black mid-motion, exactly like an old MiniDV recording being stopped. Audio — Hyper-Detailed Early-2000s Indonesian Neighborhood ASMR: Authentic environmental audio only. No music, no narration, no dialogue, no spoken words. Soft flip-flops slapping against textured concrete, cotton fabric moving with each step, subtle jarik fabric movement, distant motorcycle engines, broom bristles scraping pavement, leaves moving in the tropical breeze, neighborhood birds chirping, distant rooster crowing, a metal gate opening, faint children's footsteps, an occasional bicycle chain clicking, plastic chairs scraping concrete, distant neighbors doing morning chores, and subtle ambient kampung sounds. The woman's playful expressions are completely silent. No laughter or spoken teasing. Audio should sound like a real early-2000s consumer camcorder microphone: slightly compressed, imperfect stereo separation, natural environmental noise, distant sounds occasionally becoming louder as the camera moves, subtle microphone handling noise, and realistic outdoor ambience. Overall Goal: Make the footage feel like a forgotten personal Indonesian MiniDV tape from 2002–2005. The woman is simply walking through her neighborhood, but she occasionally notices her friend filming and responds with playful eye contact and a mischievous smile. Nothing should feel like a modern fashion shoot, music video, or staged performance. The charm comes from the imperfect handheld camera, ordinary kampung environment, authentic clothing, natural walking, spontaneous expressions, and nostalgic early-2000s Indonesian home-video atmosphere.show more

VLOG for Paris is here! Video: Seedance 2.0 in... Dreamina Prompt: Style: High-energy cinematic Paris travel vlog, ultra-vivid colors, fast-paced editing, dynamic handheld camera work, authentic influencer aesthetic, energetic motion, natural human movement, trendy TikTok/Reel editing, cinematic realism, bright summer atmosphere. Duration: 15 seconds Aspect Ratio: 9:16 [00:00-00:02] EXTREME CLOSE-UP selfie shot. The cute Japanese woman rushes toward the camera laughing breathlessly with the Eiffel Tower behind her. Fast handheld motion, hair blowing wildly in the wind. She whispers directly into the mic in playful ASMR Japanese: 「ねぇ、15秒でパリ全部見せるね。」 ("Hey, I’ll show you all of Paris in 15 seconds.") Suddenly the rock music DROPS HARD with explosive transition cuts. [00:02-00:03] FAST MULTI-SHOT MONTAGE: — Whip-pan selfie at Eiffel Tower — Quick laugh close-up — Fast spin transition beside the Seine — Sunglasses flip toward camera Heavy rock beat syncs perfectly with cuts. [00:03-00:05] Louvre Pyramid sequence. Hyper-dynamic moving camera circles around her as she grabs the camera and runs toward the glass pyramid. Rapid cuts between: — Looking back smiling — Close-up grin — Tourists rushing past — Low-angle fashion shot — Fast handheld vlog movement Electric guitar intensifies. [00:05-00:06] Notre-Dame Cathedral. She suddenly turns toward camera while crowds blur behind her in motion blur timelapse. She laughs loudly in Japanese: 「ヤバい、映画みたい！！」 ("This is insane, it feels like a movie!!") [00:06-00:08] Arc de Triomphe rapid montage: — Wide cinematic shot beneath the monument — Jump spin transition — Camera tilted upward dramatically — Walking directly toward lens — Quick smile close-up — Speed-ramped city traffic around her Fast energetic editing synced to drum hits. [00:08-00:10] Inside the Louvre beside the Mona Lisa. Chaotic fun vlog energy: — Selfie grin with Mona Lisa behind — Tourists moving rapidly — Camera flash effect — Close-up eye contact with camera — Fast snap zoom transition Rock music briefly cuts for crowd ambience and camera shutter sounds. [00:10-00:12] Versailles Gardens cinematic sequence. Golden sunlight floods the scene. Massive drone pullback while she runs through the gardens laughing. Dress and hair flow naturally in the wind. Rapid intercuts: — Sunglasses on — Twirl — Looking over shoulder — Running toward camera Music reaches emotional uplifting chorus. [00:12-00:13] Massive clock tower interior shot. Fast cinematic orbit around her face as sunlight beams through the giant clock glass. She whispers softly in Japanese: 「パリ、大好き。」 ("I love Paris.") Brief ASMR pause before music explodes back in. [00:13-00:15] FINAL ULTRA-FAST PARIS MONTAGE: — Champs-Élysées walking shot — Arc de Triomphe at sunset — Eiffel Tower sparkle — Louvre smile — Notre-Dame turn-back shot — Fast spinning selfie transition — Final freeze-frame smile directly into camera Camera flash freeze ending. Audio: High-energy female-fronted pop rock soundtrack with explosive drums, electric guitar riffs, fast transitions synced to beat drops, authentic city ambience, camera clicks, crowd energy, soft ASMR whispers, cinematic travel energy. Negative prompts: No slow pacing, no empty locations, no stiff movement, no robotic facial expressions, no blurry face, no low-energy scenes, no static camera, no dark moody lighting, no unrealistic physics, no awkward crowd behavior.show more

EVERYONE PROMPTS THE ACTION. ALMOST NOBODY LOCKS THE IDENTITY... — WHICH IS WHY TWO-CHARACTER SCENES FALL APART. Two freerunners racing across Tokyo rooftops, eight cuts, corkscrews over a rooftop gap at the end. The parkour is the easy part. Keeping them two separate people who never blend into each other is the part that actually breaks. Here's the full prompt built that way. Attach two reference photos as image_1 and image_2, and the same structure works for any multi-character action piece: FORMAT: 15 seconds, 16:9, 1080p, 8-cut cinematic ultra-advanced parkour footage. CHARACTERS: Two realistic individuals from image_1 and image_2. Use the attached images as absolute character references, and fully maintain the facial features, hairstyles, hair colors, skin textures, body types, height differences, outfits, color schemes, and age appearances of each person across all cuts. No altering into different people, face swaps, outfit changes, hairstyle changes, or mixing of the two individuals' features. SETTING: A sunny modern Japanese city reminiscent of Tokyo, Shibuya, and Yokohama — rooftops, alleys, staircases, railings, pipes, concrete walls. The two protagonists, as equals, race through at high speed running side by side, following, crossing paths, and coordinating. CUTS: 1. (00:00–00:01.60) Low-angle rear tracking. Both accelerate side by side and simultaneously kong vault over separate obstacles. 2. (00:01.60–00:03.40) Front low-angle. One wall runs the left wall, the other the right, then tic-tac to cross in midair and land on opposite rooftops. 3. (00:03.40–00:05.20) Lateral tracking. Consecutive precision jumps, then cat leaps to grab and climb a high wall. 4. (00:05.20–00:07.20) Rooftop tracking. The leader dash vaults, the trailer websters over the gap, then they swap front and back positions. 5. (00:07.20–00:09.20) Overhead moving camera. Both dive roll, then run side by side to speed vault a long railing. 6. (00:09.20–00:11.30) Handheld retreating from the front. One underbars, the other side flips, conquering the obstacle simultaneously. 7. (00:11.30–00:13.20) Drone from diagonal rear above. Both palm spin off left and right walls, kong vault, accelerate into the final jump. 8. (00:13.20–00:15.00) Climax. Both leap a large rooftop gap, each doing a corkscrew, camera circling them in midair as they land on separate rooftop edges — then run side by side into the distance. QUALITY: Live-action film quality. World-championship-level smooth freerunning. Realistic center-of-gravity shifts, muscle movement, natural landing impacts, swaying hair and clothing. Sharp background, natural motion blur only during high-speed movement. PROHIBITED: Facial distortion, altering into different people, face or body swaps, outfit changes, hairstyle changes, body type changes, limb multiplication, duplicates, body fusion, penetration, warping, floating, unnatural landings, anime style, CG style. A few things worth noticing about why it's built this way: The character block does identity work three separate times — the reference images, the "fully maintain" list, and the prohibited list at the end. That redundancy isn't padding; each one closes a different door the model tends to walk through. The prohibited list names the exact failure modes — face swaps, body fusion, limb multiplication. Telling the model what not to do is more effective here than describing what you want, because these are the specific ways two-character scenes collapse. Every cut assigns each person a distinct action — one wall runs left, the other right; one underbars, the other side flips. Giving them separate roles keeps them functionally two people, so the model can't average them into one. And the cuts are individually timed and framed. Long continuous motion is where identity drift creeps in — breaking it into eight discrete shots gives the model less room to blend them. Made in Seedance 2.0.show more

Rainy morning, unexpected rescue. Sometimes kindness finds you. Created... with Seedance 2.5. Prompt: Create a 15-second ultra-realistic cinematic emotional video set on a rainy morning. Maintain the same young woman and the same small kitten consistently throughout every scene. Natural acting, realistic physics, detailed rain, cinematic lighting, smooth camera movement, shallow depth of field, realistic facial expressions, and seamless scene transitions. Scene 1 — Breakfast on a Rainy Morning (0–3s) Inside a cozy modern home during early morning. A young woman with long straight dark hair is sitting at a dining table, peacefully eating breakfast. Warm natural morning light enters through the large window. Her breakfast, a cup of tea/coffee, and simple tableware are visible. Outside the window, the sky is dark and rain is beginning to fall. The atmosphere feels calm and cozy. Camera: Medium cinematic shot, slowly pushing toward the woman. Scene 2 — She Notices the Rain (3–5s) The woman suddenly hears the sound of heavy rain. She pauses while eating and looks toward the window. The camera moves closer to her face as she notices the rain falling heavily outside. Raindrops cover the glass, with a realistic rainy neighborhood visible in the background. Camera: Close-up on her face, then rack focus from her face to the rain-covered window. Scene 3 — The Kitten Is Trapped (5–7s) Cut to outside. A tiny fluffy kitten is stranded in a corner beside a wall and some plants. The kitten is completely soaked by the rain, shivering and looking frightened. Water is flowing across the ground and rain is falling heavily around it. The kitten tries to move but is trapped in the narrow sheltered corner. Camera: Low-angle close-up of the wet kitten, with cinematic rain droplets and realistic fur detail. Scene 4 — The Rescue (7–10s) The woman quickly grabs an umbrella and runs outside. She kneels beside the frightened kitten, carefully reaches toward it, and gently picks it up. She protects the kitten from the rain with the umbrella and wraps it in a soft cloth or her jacket. Camera: Dynamic handheld cinematic movement following her outside, then a close-up as she gently lifts the kitten. Scene 5 — Bringing the Kitten Home (10–13s) She carries the kitten back inside her warm home. The scene transitions from the cold blue rainy exterior to a warm, cozy interior. She places the kitten gently on a soft towel and carefully dries its wet fur. The kitten begins to relax and feel safe. Camera: Smooth tracking shot following her through the doorway, followed by a warm close-up of the woman drying the kitten. Scene 6 — Happy Ending (13–15s) The kitten is now warm, dry, and safe. The woman gently holds it against her chest and smiles with relief. The kitten looks comfortable and calm in her arms. Warm morning light fills the room while rain continues softly outside the window. Camera: Emotional close-up, slow cinematic push-in, ending on the woman and kitten together. Visual Style Ultra-realistic cinematic photography, emotional storytelling, realistic human movement, realistic kitten behavior, detailed wet fur, natural skin texture, physically accurate rain and water reflections, soft morning light, realistic interior lighting, shallow depth of field, subtle film grain, high dynamic range, smooth camera transitions, premium cinematic color grading. Audio Soft realistic rain ambience, gentle breakfast sounds, distant thunder, footsteps on wet ground, umbrella opening, subtle emotional background music, soft kitten meows, and warm peaceful music during the final scene. Negative Prompt No cartoon style, no animation, no distorted faces, no changing character appearance, no extra fingers, no deformed hands, no duplicate kitten, no duplicate people, no unnatural movements, no floating objects, no unrealistic rain, no exaggerated expressions, no sudden camera jumps, no text, no subtitles, no watermark, no logos.show more

Wait? Is this Seedance 2 Mini? The mystery Seedance... 2 model IS HERE! No wait this time. About 55% of the cost of the 2.0 Fast is about 75% Quality wise they say to expect Fast level output and that seems fair? Thoughts? Left is Seedance 2 Mini Right is Seedance 2.0 Full Prompt Image To Video Use the uploaded images as identity, costume, and lighting reference. Same naturally confident charismatic age 25 woman throughout performing a sold-out arena concert. Real concert documentary feel, handheld camera energy, practical stage lighting only. gritty, real, fun, clean editing, english language high energy modern concert performance 0: 00–0:01 — Open tight on her face mid-performance, eyes bright, genuine laugh breaking through a lyric, hair catching stage light. Crowd noise swells under faint mic hum. 0: 01–0:06 — She steps forward to the edge of the stage, singing into the mic with playful energy, she frowns, sad "Wait! Is this Seedance 2 Mini?" and then smiles and laughs free hand reaching out toward the crowd, fingers brushing toward raised phones and hands. The crowd repeats the lyric back to her as she laughs. Warm stage lights and lens flares in the background, slight handheld camera sway following her movement. 0: 06–0:09 — Wide shot from a low angle near the crowd barrier — she's framed against haze and colored stage lights, band visible in soft focus behind her (guitarist stage left, keyboard player stage right). She throws her free arm out wide, laughing between lines, hair whipping slightly as she turns. 0: 10–0:12 — Cut to a closer three-quarter shot — she playfully points the mic toward the crowd for a sing-along moment, grinning, eyes scanning the audience with real warmth and connection. Visible sweat sheen, natural skin texture, slight camera shake as if shot from the pit. — Final beat: close-up, she looks directly into the lens with a bright, genuine smile Camera: handheld documentary-style movement throughout, natural focus pulls, no perfectly smooth gimbal shots, slight shake and imperfection consistent with a real concert film crew. Practical stage lighting only — no CGI glow, no artificial bloom, no glossy skin, visible natural texture and sweat under hot lights. Audio: live arena ambience — crowd roar, cheering, phone-camera flash pops, her voice carrying clearly over a full live band mix (electric guitar, keys, drums, bass). No studio polish — natural live-mix dynamics, slight room reverb. No on-screen text, no logos, no subtitles, no watermarks, no identity drift, no extra performers beyond the band already in frame, no slideshow stillness, no overly smooth or glossy rendering, no jarring cuts, no akward moments, no jerky moves, no duplicates, no clonesshow more

寄せて迫るメカ娘（14秒） 0:00 寄せる 0:10 迫る プロンプトをYAML形式にしてみました。 細かい演出意図が伝わりやすいような？ イーロンさんは例として「JSON」を 挙げていたのをYAMLと間違えました💦... プロンプト： still_prompt: > sfw, An anime-style girl with long flowing twin-tail hair and soft blue eyes leans slightly forward with her hands gently placed on her thighs, arms pressing inward to subtly accentuate her chest; a light breeze sways her hair as she gazes up with a blushing, flirtatious smile. sequence: - > The handheld camera begins a gentle zoom-in from a slightly elevated angle as she slowly leans forward, twin-tails fluttering lightly in the wind. - > Her fingers slide delicately down her thighs as her arms press inward, emphasizing her chest naturally while her head tilts up toward the camera. - > The breeze lifts strands of her hair across her cheek as she makes eye contact, lips curving into a playful, bashful smile. - > She shifts her weight subtly and softly lowers her gaze for a moment, then looks back up with growing confidence, cheeks still tinted with blush. - > Final close-up captures her expression glowing with gentle allure, hair flowing around her face as the camera finishes its slow zoom-in. tags: - anime-style - sfw - long twin-tail hair - flowing hair - chest press pose - blushing cheeks - soft smile - eye contact - handheld camera - slow zoom-in - shallow depth of field - realistic VFXshow more

Jajan dulu di warung gesss, the prompt : Main... Subject — Outfit: Young Indonesian woman, early 20s, natural everyday appearance. She wears a simple plain cotton kemben / strapless inner top, slightly fitted but modest, in a faded earthy tone, paired with a high-waisted loose cotton midi skirt reaching below the knees. The kemben looks like a practical everyday inner garment commonly worn at home, not lingerie or a fashion top. Simple worn brown leather flip-flops, tiny gold stud earrings, and dark naturally wavy hair tied loosely in a messy low ponytail with several wispy strands framing her face. The clothing should feel authentically early-2000s Indonesian: inexpensive cotton fabric, slightly faded from repeated washing, natural wrinkles, imperfect fit, no modern fashion branding, no contemporary styling. Maintain exactly the same identity, outfit, hairstyle, body proportions, and appearance throughout the entire video. Alternative outfit variation: A simple sleeveless cotton kemben-style inner top layered with a very loose thin button-up shirt left open, combined with a high-waisted knee-length or midi skirt. The outer shirt moves naturally in the tropical breeze and gives the outfit a casual nostalgic 2000s Indonesian home-video feeling. Important: Keep the outfit modest, ordinary, and believable for an Indonesian residential setting. Avoid lingerie aesthetics, glossy fabrics, exaggerated cleavage, modern crop-top styling, or contemporary fashion photography. Concept: An ordinary Indonesian morning captured by a friend on an old consumer camcorder. She casually walks through her neighborhood to buy breakfast, stops at a tiny traditional warung, interacts naturally with an elderly vendor, carries a small plastic bag of food, and returns home. Nothing feels staged or performed for the camera. The charm comes from ordinary everyday moments, imperfect framing, and authentic early-2000s Indonesian neighborhood details. Location: Authentic Indonesian residential neighborhood in the early 2000s, around 8–9 AM. Narrow concrete and asphalt alleys, modest one-story houses with tiled roofs, open terraces, faded painted walls, potted plants in recycled plastic containers, hanging laundry, bamboo drying racks, old parked motorcycles, plastic chairs outside houses, small traditional warung with glass display jars, colorful snack packets, bottled drinks, handwritten price signs, banana trees, coconut trees, overhead electrical wires, and neighbors casually doing morning chores. No modern cafés, convenience stores, smartphones, LED signage, contemporary architecture, luxury vehicles, billboards, crowds, or obviously modern objects. Visual Style: Ultra-realistic documentary realism. Forgotten Indonesian home-video aesthetic from approximately 2001–2005. Genuine candid behavior, imperfect timing, natural facial expressions, spontaneous gestures, realistic walking and body movement, authentic environmental details. She occasionally forgets the camera is there and behaves naturally. Camera Style: Early-2000s consumer MiniDV / Digital8 camcorder footage recorded by a friend. Heavy handheld movement, slight nervous camera shake, imperfect framing, occasional accidental cropping, autofocus hunting, focus breathing, exposure pumping when moving from sunlight into shade, slight overexposure around bright windows, occasional motion blur, subtle rolling-shutter distortion, mild digital compression, tiny sensor noise, soft image detail, warm faded colors, slightly yellowish highlights, muted blacks, low-to-medium contrast. No gimbal. No stabilization. No cinematic dolly shots. No drone shots. No modern camera sharpness. No modern HDR. No cinematic color grading. No artificial film grain. No polished commercial look. 00:00–00:02 — Leaving Home The woman steps out from a modest Indonesian house carrying a small reusable plastic shopping bag. She pauses on the terrace to put on her brown flip-flops properly. She notices the camera and gives a quick amused smile before looking away. Her loose hair moves gently in the morning breeze. The camcorder autofocus briefly loses her face before snapping back into focus. 00:02–00:05 — Walking Through the Alley She walks casually through the narrow residential alley. The camera follows several steps behind her, sometimes drifting too far to one side. She passes an old parked motorcycle, hanging laundry, and a neighbor sweeping the pavement with a traditional lidi broom. She briefly turns around to look at the camera, laughs silently, then continues walking. Sunlight flickers naturally through banana and coconut leaves, creating moving patches of light across her clothes and the concrete pavement. 00:05–00:08 — Small Neighborhood Warung She arrives at a tiny traditional warung. She leans casually against the counter while choosing breakfast from jars and trays of local snacks. She points at a few items and smiles at the elderly female shopkeeper. The camera moves closer but autofocus struggles between her face and colorful snack packages in the foreground. She receives a small plastic bag containing traditional snacks and a cold bottled drink. 00:08–00:10 — Unexpected Candid Moment Walking home, she opens the plastic bag and playfully checks whether the snack is still warm. A neighborhood child riding an old small bicycle passes behind her. She steps aside and laughs naturally. She looks directly into the camera for a brief moment, gives a tiny playful wave, then turns away. The camera operator accidentally zooms slightly while she walks farther down the alley. The footage abruptly cuts to black mid-step, like an old camcorder recording being stopped. Audio — Hyper-Detailed Early-2000s Indonesian Neighborhood ASMR: Authentic environmental binaural audio only. No music, no narration, no dialogue, no studio effects. Detailed sounds include soft flip-flops slapping against textured concrete, cotton fabric moving with each step, faint plastic bag crinkling, glass jars lightly rattling inside the warung, plastic snack packaging rustling, refrigerator compressor humming inside the tiny shop, distant motorcycle engine passing through the alley, rhythmic broom bristles scraping concrete, leaves moving in the tropical breeze, faint bicycle chain clicking, neighborhood birds chirping, distant rooster crowing, a metal gate opening somewhere nearby, occasional water dripping from a terrace, subtle footsteps from neighbors, and the gentle plastic bottle shifting inside her shopping bag. Audio should feel like a real consumer camcorder microphone from the early 2000s: slightly compressed, imperfect stereo separation, natural environmental noise, occasional distant sounds, close-up micro-details when the camera gets near her. Overall Goal: Make the footage feel like a forgotten personal home video discovered from an old Indonesian MiniDV tape from 2002–2005. The woman is not posing, acting, dancing, or performing. She simply goes out to buy breakfast on an ordinary morning. The camera operator is her friend casually documenting the moment without directing her. The result should feel nostalgic, intimate, imperfect, warm, spontaneous, and deeply believable — a genuine slice of Indonesian everyday life from the early 2000s, not a modern recreation of the 2000s.show more

Would you dare chase justice while swinging thousands of... feet above traffic below? Seedance 2 prompt on BudgetPixel AI Create a 15-second ultra-realistic cinematic high-altitude tether-swinging action sequence in strict 16:9 landscape, native 4K, 24fps. Use one seamless continuous drone follow shot with no cuts, no teleporting, and no time skips. The motion must feel physically continuous, dynamic, thrilling, and always readable. REFERENCE: image1 = main heroine reference. Use image1 as the strict identity reference for the heroine’s face, facial proportions, hairstyle, hair color, body proportions, age impression, outfit, shoes, accessories, styling, and overall recognizable appearance. Preserve her identity consistently throughout the whole video. Keep her as an original urban tether-swinging action heroine. Do not redesign her into a branded superhero character. Do not add franchise logos, copyrighted chest emblems, or recognizable third-party superhero symbols. CORE CONCEPT: This is an original urban tether-swinging action short. The heroine moves through the city using thin wrist-launched fiber lines, momentum, wall-running, rooftop movement, and real parkour body mechanics. She travels at high altitude between tall buildings, then lands on a rooftop, defeats one villain, and ends with a powerful shout. HOOK: The first second must be an instant scroll-stopping hook. Start with the heroine already falling backward off the edge of a very tall skyscraper. For a brief moment, it looks like she may actually fall. Then she instantly fires one thin tether line upward, it catches, and her body snaps into a huge high-altitude swing between buildings. STYLE: Photorealistic live-action realism. Premium cinematic action quality. Bright daytime Los Angeles atmosphere with realistic haze, realistic motion blur, realistic fabric movement, realistic body weight, real inertia, and practical environmental interaction. The sequence should feel like a premium action movie shot, not animation, not a game cutscene, and not a cartoon. CAMERA: One uninterrupted drone follow shot only. No cuts. No resets. No jumpy edits. No impossible viewpoint teleporting. The drone camera must stay wide enough to show both the heroine and the environment together. It may tilt, roll, arc, climb, and dive with the motion, but it must always feel like one real flying camera tracking her. Keep the framing intense and fast, but always readable. ENVIRONMENT: Bright daytime in a dense modern city inspired by Los Angeles and Hollywood. Show: - tall glass and concrete high-rises - rooftop edges - billboards and signage - palm trees far below where visible - busy roads and traffic far beneath - bright haze and sunny atmosphere - believable large-scale urban depth The action must happen mainly high above the street between tall buildings, not low near the ground for most of the video. VILLAIN RULE: Only one villain appears in the entire video. The villain is one adult male enemy only. He wears a fitted black suit, black shirt, and black shoes. No mask, no armor, no fantasy costume. He appears only in the rooftop combat section. Do not generate multiple enemies. Do not generate background enemies. Do not clone or duplicate the villain. ACTION RULES: The heroine’s movement must feel hand-and-foot driven, not magical floating. She must visibly: - fire thin tether lines from her hands - swing with real tension and momentum - push off building surfaces - run along walls with clear foot placement - absorb landings with bent knees - sprint briefly on a rooftop - fight one villain using fast practical action - finish in control Her body mechanics must stay realistic: - core engaged during swings - arms extended or flexed according to line tension - knees bend on landing and push-off - visible transfer of momentum between swing, wall-run, leap, landing, and combat Do not make her hover weightlessly. Do not make the tether line act like magic. Do not make her float in place unnaturally. EMOTIONAL ARC: - opening: shock and immediate control - mid-swing: intense focus - rooftop approach: rising confidence - rooftop fight: sharp aggression and urgency - ending: victorious adrenaline and fearless release AUDIO: No music. Effects and ambience only: - rushing wind - tether firing and tension snaps - air pass-by - foot impacts on walls and rooftop surfaces - city ambience far below - distant traffic and horns - fabric movement - breathing - one short rooftop fight impact sequence - one powerful final shout from the heroine TIMELINE: 0:00–0:01 Start from black into a shocking rooftop-edge fall. The heroine is already dropping backward off a skyscraper. For a fraction of a second it feels dangerous and uncontrolled. She immediately flicks her wrist and fires one thin tether line upward. It catches instantly. The drone yanks back and reveals the start of a huge swing. 0:01–0:04 The heroine swings at high altitude between tall buildings. The city is far below. Her body forms a long aerodynamic arc, one arm holding tension through the line, legs trailing cleanly behind. The drone follows wide and slightly rolled, emphasizing height, speed, and scale. 0:04–0:06 At the swing’s forward rise, she releases the line and redirects toward a nearby glass-and-concrete building. She plants onto the wall and runs across it diagonally with 4 to 5 clear steps. Her feet hit the wall with visible force. Her jaw is set and focused. The drone stays close but wide enough to keep the city depth visible. 0:06–0:08 She pushes explosively off the wall, fires a new tether line, and swings again through a narrower corridor between tall buildings. The movement should feel faster and more controlled now. She threads cleanly through the urban gap and angles toward a rooftop landing zone ahead. 0:08–0:09.5 She releases the line and lands hard but controlled on a rooftop. Knees bend deeply to absorb impact. She rolls into a short forward recovery step, then rises immediately into a sprint across the rooftop surface. 0:09.5–0:12 One villain in a black suit steps in to stop her. Keep only this single enemy. The heroine engages him in a short, sharp rooftop fight. She avoids his first attack with a quick slip, grabs or redirects his arm, drives one fast body shot or elbow, then uses his off-balance momentum to throw or slam him down onto the rooftop. The fight must feel quick, practical, and decisive. Real impact reactions. No slow choreography. No extra enemies. 0:12–0:13.5 The villain is down and no longer a threat. The heroine steps past him and moves to the rooftop edge. Wind moves her hair and outfit. She looks outward over the city with intense adrenaline and triumph. 0:13.5–0:15 At the rooftop edge, she turns slightly toward the open skyline, lifts her chest, and shouts one powerful final line: “가자!” She immediately launches forward off the rooftop edge into another leap just as the clip ends. End on the feeling that the action is continuing beyond the cut. IMPORTANT RULES: - one continuous drone follow shot only - no cuts - no teleporting - no cloning - no multiple villains - only one black-suited villain - no giant web canopy - use only thin functional tether lines - no franchise logos - no copyrighted chest symbols - preserve the uploaded identity consistently - action must stay realistic and momentum-driven - rooftop fight must be short, sharp, and readable - final shout must be “가자!” NEGATIVE: no cartoon, no anime, no game-engine look, no fake CGI stiffness, no floating, no weightless hovering, no random disconnected acrobatics, no city-wide web canopy, no superhero logo, no copyrighted spider emblem, no extra enemies, no masked villain, no armored villain, no cloned villain, no empty city, no dark night setting, no rain, no slow motion, no blurred identity, no outfit drift, no face drift, no extra limbs, no broken anatomy, no unrealistic hand deformation, no collision with buildings during swings, no messy unreadable fight.show more

Seedance 2.0 on MiniMax Design (H3) ===================== Prompt: Style:... Photorealistic behind-the-scenes smartphone vlog footage. Faux vertical smartphone footage naturally cropped into 16:9. Authentic handheld phone aesthetic. No cinematic color grading, no HDR look, no 3D render, no game engine, no beauty filters. Feels like genuine behind-the-scenes content uploaded by a Korean idol. Lighting: Bright summer afternoon sunlight through large apartment windows gradually transitions into warm evening apartment lighting. Natural exposure fluctuations and auto white balance typical of smartphone cameras. Color: Neutral consumer smartphone color science with slightly soft contrast, mild highlight clipping near windows and natural indoor color shifts. Camera: Simulated smartphone camera filmed by another female idol member. Gentle handheld movement, natural walking motion, subtle autofocus breathing, slight rolling shutter during quick pans, occasional imperfect framing, brief focus hunting and realistic phone compression. Camera behaves like a friend casually filming, never professionally stabilized. Skin: Extremely realistic skin texture with visible pores and natural imperfections. Light everyday makeup. No skin smoothing. Acting: Gentle, elegant and soft-spoken. She smiles modestly, speaks calmly, occasionally becomes slightly shy after noticing the camera, and naturally thanks the person filming. Her personality is graceful, feminine, polite and slightly reserved. She rarely laughs loudly, instead showing warm smiles, subtle amusement and delicate facial expressions. Every movement feels refined, relaxed and effortless. Physics: Hair, clothing, towels, food, steam, water droplets and household objects all move naturally with realistic weight and momentum. Composition: Casual smartphone framing with occasional imperfect composition and spontaneous reframing. Feels like authentic dorm footage rather than planned content. Continuity: Maintain the exact same face, platinum blonde long straight hair with bangs, body proportions and identity from the reference image throughout every scene. No identity drift. Technical: Authentic 24–30fps smartphone video look with subtle compression artifacts. Final output 16:9. Audio: Natural apartment ambience only. Air conditioner humming, distant Seoul traffic, birds outside the window, cooking sounds, boiling water, frying food, dishes, footsteps, running water, toothbrush brushing, hair dryer, refrigerator hum and soft room ambience. No background music. No subtitles. Overall Mood: Warm, peaceful, elegant and comforting. Similar to a quiet behind-the-scenes dorm vlog uploaded by a Korean idol. Everything feels sincere, calming and intimate without trying to be entertaining. Character: A fictional Korean female idol in her early 20s. Long platinum blonde hair with straight bangs. Fair skin. Soft cat-like eyes. Slim figure. Graceful and feminine. She is known for her gentle personality, polite manners and calm speaking voice. She has just returned to the dorm after school and a schedule and quietly spends the rest of her summer evening. Wardrobe Continuity: CUT 1 She arrives wearing the exact sailor-style school uniform from the reference image, including the cream knit vest, blue sailor collar, blue pleated skirt, white socks and black loafers. CUT 2 She changes into an oversized white graphic T-shirt and loose black athletic shorts while cooking. CUT 3 She now wears a soft pastel blue sleeveless lounge top with white lounge shorts while eating dinner. CUT 4 The same lounge outfit while brushing her teeth. CUT 5 After washing her face she changes into luxurious white silk short pajamas featuring elegant gold piping along the collar, cuffs, chest pocket and shorts hem. The pajama set consists of a relaxed short-sleeve button-up shirt with matching silk shorts. Her hair is loosely tied back while doing skincare. CUT 6 Fresh after showering, still wearing the same white silk pajamas with gold piping. Her hair is slightly damp with a white towel resting around her neck while drying it. CUT 7 Relaxing on the sofa wearing the elegant white silk pajamas while hugging a plush toy and drinking iced tea. CUT 8 Before bed she lets her hair down naturally, waves softly toward the camera while wearing the elegant white silk pajamas, turns off the bedroom light and closes the door. Scene: A beautiful modern luxury Korean idol dorm apartment during a peaceful summer afternoon and evening. Cozy, bright and elegant interior with tasteful furniture, skincare products, plush toys, snacks, fresh flowers, books and neatly organized living spaces. CUT 1 — Coming Home Continuous handheld shot. She unlocks the front door, quietly enters the dorm wearing the school uniform from the reference image, removes her loafers neatly, places her school bag beside the entrance, smiles softly toward the camera and bows her head slightly. Dialogue: "다녀왔어요." CUT 2 — Cooking The camera follows her into the kitchen. She washes vegetables, prepares simple Korean home cooking, fries eggs, boils ramen, tastes the soup with a spoon and smiles gently. Dialogue: "오늘 많이 배고프네요." A female member is heard faintly from another room. Female Voice: "언니~" She smiles softly. "왜?" CUT 3 — Dinner She sits quietly at the dining table. Before eating, she gently places her hands together. Dialogue: "잘 먹겠습니다." She enjoys the meal peacefully while occasionally smiling toward the camera. CUT 4 — Brushing Teeth Bathroom mirror shot. She brushes her teeth slowly before smiling shyly after making accidental eye contact with the camera. Dialogue: "이제 양치해야지." CUT 5 — Skincare Now wearing elegant white silk pajamas with gold piping. She carefully applies toner, serum and moisturizer while calmly speaking to the camera. Dialogue: "오늘 피부가 조금 좋아 보이는 것 같아요." CUT 6 — After Shower She walks out of the bathroom with slightly damp hair and a towel resting around her neck. She quietly dries her hair while looking out the apartment window at the summer sunset. Dialogue: "샤워하니까 정말 개운해." CUT 7 — Relaxing She sits comfortably on the sofa hugging a plush toy while sipping iced tea and slowly scrolling through her phone. A female member speaks softly from another room. Female Voice: "영화 볼래?" She smiles warmly. "좋아요." CUT 8 — Good Night Late evening. She walks into her bedroom carrying her phone charger and plush toy. She turns around one last time, smiles gently at the camera and gives a small wave. Dialogue: "오늘도 함께해줘서 정말 고마워요. 좋은 꿈 꾸세요." She switches off the bedroom light. The bedroom door slowly closes while the handheld camera quietly remains outside for another second before the recording naturally ends.show more

john wick seedance text to video prompt： [STYLE /... CINEMATIC SETUP] A 10.5-second, 16:9 photorealistic AAA action-game cinematic rendered at real-time speed with no slow motion. The setting is a cramped, cluttered late-night Asian restaurant connected to a rain-soaked street. Cyan-green fluorescent light, red neon and warm practical lamps create a high-contrast mixed-light environment, with reflections across wet floors and pavement. Shoot with a 35mm spherical lens, shallow-to-moderate depth of field and cinematic motion blur appropriate to the actual speed of movement. Use close shoulder-mounted and handheld coverage, connecting seven short close-combat shots with fast hard cuts. The camera instinctively pans, retreats or drops with each block, takedown and collision while keeping the action and contact points readable. No dialogue, no subtitles and no BGM. Generate only synchronized rain, appliance hum, urgent footsteps, fabric movement, body impacts, gunshots, metal contact and breaking glass. [IMAGE REFERENCES] No external still-image reference. Follow the written character and environment descriptions consistently. If the platform supports reference video, use the supplied video only as a reference for editing rhythm, camera distance, action direction and lighting atmosphere, not for copying a specific actor’s identity. The protagonist remains the same lean, agile man in his early forties throughout the sequence: neck-length black hair swept back, a short beard, a tired but focused face, a slightly wrinkled black suit, white shirt and narrow black tie, all carrying faint rain and wear marks. Preserve his face, hairstyle, body proportions, clothing and screen direction across all seven shots. Keep every opponent visually distinct: a man in a blue work uniform, a bald man in a navy jacket, a heavy man in a black jacket, a bald counter attacker, a red-headband attacker, a red-jacketed armed attacker and a heavy man in a dark green coat outside. [TIMELINE SECOND BY SECOND] 0–1.9s: [Shoulder-height medium close-up, tight lateral handheld tracking, real-time speed] The protagonist stands on screen left, pinning the blue-uniformed attacker against a glass refrigerator with his left forearm and palm. He delivers two compact, weighted elbow and palm-heel strikes. Each impact drives the attacker’s head into the refrigerator door, loosening his white headband and leaving a small blood trace on the glass; the attacker finishes sliding down the door while the protagonist remains standing. 1.9–4.3s: [Medium shot transitioning into a high-angle overhead, shoulder-mounted drop, real-time speed] Hard cut near the restaurant’s rear entrance. The bald attacker in a navy jacket locks the protagonist from behind. The protagonist lowers his center of gravity, traps the attacker’s arm and rotates his hips, throwing him heavily over the shoulder onto the wet floor. The camera drops with them into an overhead view. Kneeling across the attacker’s torso, the protagonist draws a compact black pistol and fires one downward shot; recoil travels through his wrist and the attacker jolts once before becoming still. 4.3–5.9s: [Tight medium shot, lateral handheld follow, real-time speed] Hard cut with both men already upright. A heavy attacker in a black jacket swings from screen right. The protagonist slips outside the punch, allowing it to pass close to his face, circles behind the attacker and locks his shoulder and neck off balance. He presses the pistol close to the side of the attacker’s head and fires. The muzzle flash briefly illuminates both faces; the attacker’s head and shoulders snap backward and his body begins to collapse. 5.9–7.9s: [Counter-height medium close-up, subtle handheld push-in, real-time speed] Hard cut to the restaurant counter. Another bald attacker bends forward and clamps around the protagonist’s waist. The protagonist pins the attacker’s head and neck under his left arm while grabbing a short, rigid pointed utensil from the counter. He drives two compact downward thrusts into the upper shoulder and side of the neck. Each contact bends the attacker’s knees further; a restrained amount of blood marks the shirt and counter edge before the attacker hangs helplessly beneath the protagonist’s controlling arm. 7.9–9.0s: [Two-person medium close-up, fast pan with a short retreat, real-time speed] Hard cut as the red-headband attacker rushes into close range. He throws a wide hook from screen right. The protagonist raises his forearm to block, catches the wrist and pulls it outward, then drives a palm heel and forearm into the attacker’s face. The camera retreats with the impact as the attacker loses his balance and staggers toward the rear right of the frame. 9.0–9.9s: [Low-angle wide shot, slight arc around the action, real-time speed] Hard cut to a wider section of the restaurant. The red-jacketed armed attacker advances from screen left. Holding a long black firearm with both hands, the protagonist uses it as a blunt weapon and swings horizontally from right to left. The weapon strikes the attacker’s upper chest and shoulder, rotating his torso, crossing his feet and sending him off balance toward screen left. 9.9–10.5s: [Exterior rainy-street medium shot, fast parallel tracking, real-time speed] Hard cut outside the restaurant. The protagonist already controls a heavy attacker in a dark green coat and uses his forward momentum to drive the man’s head and upper body into the side window of a parked black station wagon. The glass bursts inward at the contact point, scattering both large and fine fragments. The attacker folds through the broken window while the protagonist regains stable footing beside the car, ending with glass fragments still falling. [STYLE & QUALITY BOOSTERS] Maintain the protagonist’s face, black suit, white shirt, tie, hairstyle and body proportions through every hard cut. The pistol, pointed utensil, injuries and blood marks must appear only in their designated shots and must never morph or change ownership. Throws, recoil, strike reactions, loss of balance and window breakage must show believable weight, inertia and precise contact. Apply motion blur only to rapidly moving arms, weapons, glass fragments and camera-relative backgrounds. No sudden face or costume changes; no extra fingers, fused limbs or inverted joints; no morphing weapons, utensils or vehicles; no foot sliding or rubber-like collision reactions; no blood, bullet damage or glass fragments appearing before physical contact.show more

She said nothing… until everything came out 😌 Generated... with Seedance 2.0 on BudgetPixel AI Prompt : Main Character: A beautiful Korean high school girl wearing a realistic Korean summer school uniform (하복). Natural skin texture with no beauty retouching. Hair becomes messy during combat, with expressive emotional acting. Facial proportions remain fully consistent throughout all shots. She begins timid and shocked, then gradually becomes determined and defiant. 0–1.5 seconds: The female lead quietly studies at her desk. Four delinquent schoolgirls surround her and begin bullying her. They mock her for studying, aggressively sweep her books off the desk, and shove her shoulders. Wide-angle handheld camera movement. Books fly in slow motion. Tense classroom atmosphere. Realistic school bullying energy, shaky camera motion, cinematic realism. 1.5–3 seconds: Close-up of the protagonist’s face. She slowly stands up. Her expression shifts from fear to cold determination. The bullies remain blurred in shallow depth of field behind her. A 0.5-second moment of silence. Slow cinematic push-in shot. Silence except for ambient classroom sound and tense breathing. 3–5 seconds: First confrontation. One bully throws a punch; the protagonist blocks and counters with a strike to the stomach. Another attacker rushes from the side; she dodges and retaliates with a spinning elbow strike. Handheld tracking shots follow the motion closely. Dynamic motion blur, impact camera shake, realistic fight choreography. No supernatural effects. 5–8 seconds: The remaining two bullies attack simultaneously with punches and kicks. The protagonist uses quick footwork and evasive movement to avoid hits. Dynamic 360-degree rotating camera movement. Rapid chained kicks and elbow attacks knock the attackers down. Classroom desks and objects shift from the impacts. Intense cinematic action pacing. 8–10 seconds: The final attacker charges toward the protagonist. The female lead leaps high into the air. Low-angle shot from the ground. 30% slow motion. Hair and skirt flow naturally. Dramatic cinematic lighting. Floating dust and airborne particles drift slowly through the air. 10–12 seconds: Midair 360-degree spinning kick. Slow-motion impact directly hits the final bully’s chest. Extreme close-up of the collision. The bully is launched backward into the classroom wall. Debris and dust explode outward. All bullies collapse onto the floor. Immediately after landing, the camera speed snaps back to normal for dramatic impact. 12–14 seconds: Victory moment. The protagonist stands alone in the center of the classroom, breathing heavily. The four bullies lie defeated around the room. The camera slowly and dramatically pushes toward her face. Soft cinematic bokeh background. Her expression is determined yet emotional. 14–15 seconds: Freeze-frame close-up. The protagonist stares directly into the camera and calmly says in Korean: (“I need to get into college.”) Delivery is realistic and emotionally restrained. After the line ends, she returns to looking like an ordinary student. Calm, emotional ending. The film emphasizes the intense academic pressure faced by Korean students. Style References: Korean action cinema, ultra-realistic cinematography, cinematic handheld action, emotional realism, grounded fight choreography, realistic Korean classroom atmosphere, high-budget Netflix K-drama aesthetics, cinematic lighting, dramatic silence beats, powerful female protagonist, grounded emotional tone. Negative Prompt: Cartoon, anime, CGI-looking textures, fake skin, extra limbs, distorted faces, exaggerated fantasy armor, unrealistic physics, low quality, blurry faces, overexposed lighting, comedic tone, childish style, fantasy classroom, male protagonist, bad anatomy, unrealistic body proportions, supernatural effects, glowing eyes, energy auras, magic.show more

Successfully generated this with Seedance 2.5—without any face-related moderation... restrictions. The result is amazing! prompt： For the target video, at 0.00 seconds into the target video, (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] A continuous live-action first-person smartphone recording based entirely on . is the only visual reference for the adult female dancer's appearance, face, hairstyle, hair color, costume, body proportions, environment, room layout, wall, floor, lighting, color and initial spatial composition. Preserve the original visual identity and environment of . The camera closely reproduces the distinctive perspective of : a strong high-angle first-person smartphone POV looking substantially downward at the woman. The camera is clearly above her eye level. The top of her head, shoulders and upper body are visibly seen from above. Keep substantial ceiling visible in the upper part of the frame. Do not use an eye-level view, third-person view, orbiting camera or cuts. A single adult arm belonging to the camera operator enters naturally from the lower-right foreground. Show a connected forearm, wrist, palm and fingers. The hand is a moderate-size foreground element, not a giant object. Keep the hand primarily within the lower-right quadrant, occupying approximately 10–18% of the image area. The hand must never extend across the center, cover the woman's face or cover her torso. The woman remains the primary visual subject and the hand is only the foreground controller. Keep the woman physically close to the smartphone, approximately 1.0–1.2 meters away. Her full body occupies approximately 70–80% of the vertical frame. Do not pull the camera backward, do not place her deep in the room and do not progressively make her smaller. The foreground index finger directly controls the woman's dance movement. The woman does not independently freestyle. The hand is the visible movement cue and the woman's body immediately follows it. Maintain these exact control relationships throughout the entire video: UP → WOMAN RISES. DOWN → WOMAN LOWERS. LEFT → WOMAN MOVES LEFT. RIGHT → WOMAN MOVES RIGHT. For UP, the index finger moves clearly upward and the woman's body immediately rises. Her torso extends upward, her posture becomes taller, her arms naturally rise and her center of gravity moves upward. For DOWN, the index finger moves clearly downward and the woman's body immediately lowers. Her knees bend slightly, hips lower, center of gravity drops and torso lowers into a controlled dance position. For LEFT, the index finger moves toward screen-left and the woman's body immediately shifts and sways toward screen-left. Her weight, torso and hips follow the same direction. The entire body movement must be clearly visible. For RIGHT, the index finger moves toward screen-right and the woman's body immediately shifts and sways toward screen-right. Her weight, torso and hips follow the same direction. The entire body movement must be clearly visible. LEFT and RIGHT must not become tiny hip twitches. The woman's body must visibly move from side to side. Keep the horizontal movement simple so the connection between finger direction and body direction remains unmistakable. The hand gesture and corresponding body movement are tightly synchronized. The woman's movement begins as the corresponding finger gesture begins and develops within the same musical beat. No noticeable reaction delay, no one-beat delay, no anticipation and no independent movement. The dance is a confident, sexy viral short-form influencer dance: energetic rhythmic hip movement, controlled waist isolation, subtle torso waves, attractive shoulder movement, pronounced but tasteful hip accents, confident posture, playful facial expression, direct eye contact and natural hair movement. The dance should feel like a polished viral social-media dance challenge. Make the movement sexy, stylish, rhythmic and visually captivating while keeping it non-explicit. During LEFT and RIGHT movements, maintain the direct horizontal hand control while adding sensual hip accents. During UP and DOWN movements, maintain the direct vertical hand control while adding smooth waist and body movement. Never sacrifice hand-to-body control for complicated choreography. Use a fast modern viral dance rhythm with strong clear beats. Command sequence: UP → DOWN → LEFT → RIGHT → LEFT → RIGHT → UP → DOWN → LEFT → RIGHT. Each command produces one clearly visible corresponding body movement. Do not add unrelated freestyle movements, spins, walking or complicated footwork. The index finger moves with strong, deliberate gestures. The wrist and forearm naturally follow the finger. Use short, clear upward, downward, leftward and rightward gestures. Do not use weak floating gestures. Keep the hand in the lower-right foreground and never allow it to dominate the center of the frame. Maintain one continuous handheld smartphone recording with subtle natural camera instability. Preserve the strong high-angle perspective and close composition throughout the entire shot. Do not zoom out, pull backward, lower the camera or lose either the hand or the woman's full body. At the end, use LEFT → RIGHT → UP. The woman performs a left body movement with a sensual hip accent, a right body movement with a sensual hip accent, then rises into a confident final dance pose. The hand remains in the lower-right foreground and does not move into the center. Hold the final pose briefly. overall_soundscape: Natural indoor room ambience, subtle foot movement, fabric movement and quiet smartphone handling sounds, preserving the acoustic character of . non_diegetic_music: A modern viral short-form dance track with strong punchy beats, crisp percussion and clear rhythmic accents. Each major beat provides a timing point for the hand gesture and its corresponding dance movement.show more

Made in Grok Imagine Good evening. My dear friends😊... Let us #connect. "哥哥，来嘛，#交个朋友 又不用钱。” "Hey handsome, come on—making friends doesn't cost a thing." #GrokImagine prompt: 1. Concept / Theme A single continuous 10-second shot of elegant, bewitching seduction. Photoreal luxury erotica: a tall mixed-race woman lazily invites the viewer with an overly sweet, breathy, almost cloying voice, then seals it with a one-eye wink. The body must read instantly as an extreme hourglass. 2. Subject One woman, 20–25, Japanese-European mixed, 178 cm tall. Extremely narrow waist, full heavy G-cup breasts, fair tender realistic skin. No other people. 3. Appearance Natural blue eyes, wet and sharp. Delicate bone structure, fashion-level makeup that still looks like real skin: visible pores, peach fuzz, faint chest flush. Glossy, slightly wet lips. Fashionable hair (sleek cool-toned, one strand loose). Breasts look full, soft, and weighty; waist looks cinched and narrow enough that both hands could almost span it. 4. Expression & Emotion Elegant and fox-like, not cute. Half-lidded, knowing, unhurried. While speaking she is syrupy and shamelessly flirtatious. After the line she waits, watching you. Final expression: one-eye wink, the other eye stays open and locked on camera, tiny wicked lift of the mouth. 5. Clothing & Styling Much sexier than editorial minimalism. Dark wet-look silk or tight satin dress / tiny tailored vest-dress, deep neckline, fabric stretched over the G-cup so cleavage and side-breast curve are obvious, waist belt or cut that crushes the midsection into an extreme cinch, high slit showing the long line of the hip. One strap may slip a few millimeters. No modest coverage, no bulky coat hiding the figure, no cheap plastic lingerie. High-fashion slutty elegance. 6. Pose & Body Movement One continuous physical action: slight approach or lean-in, weight on one hip, one hand on a glossy table or railing, chest pushed forward by posture so volume is undeniable, waist shown in profile-three-quarter. Minimal motion after she starts speaking. No dancing, no hair whip. 7. Environment / Setting Dark expensive interior, penthouse or hotel suite, one reflective surface, empty and private. 8. Time / Weather / Lighting Night interior. Soft but directional side-rim light that carves the breast volume, the shadow of the cleavage, and the hollow of the waist. Realistic skin highlights, not beauty-filter glow. 9. Action & Motion 0–2s: living close-up of blue eyes and real breath. 2–5s: slow reveal of full bust and extreme waist as she leans in. 5–7.4s: she says, extremely breathy, clingy, seductive, almost cheesy: “哥哥，来嘛，交个朋友又不用钱.” 7.4–8.6s: freeze and watch the lens. 8.6–10s: wink with only one eye; other eye open; tiny smirk. End. 10. Camera Movement One shot only. No cuts. Start on the eyes, very slow tilt down across cleavage and waist, then a gentle push-in back to the face. Low camera so her height and bust dominate. Tiny natural handheld drift only. 11. Composition & Framing Vertical. Eyes sharp in the open. Mid-frame must display the contrast: huge bust against a violently small waist. Finish tight on the winking eye. 12. Lens / Focus / Depth of Field 85–105mm look, shallow DOF, eyes always sharp, no wide-angle distortion of the face or chest. 13. Visual Style / Quality Photoreal, 4K, real skin texture, real fabric stretch, cinematic grain. Elegant, vampy, humid. Not plastic CGI, not influencer selfie, not hardcore porn set. 14. Negative Prompt / Constraints No cuts. No both-eyes wink. No cute idol face, no peace sign, no cartoon body. No flat chest, no thick waist, no hiding the bust under loose clothes. No cold detached tone; the voice must be cloying and breathy. No extra people, no text, no watermark, no underage look, no explicit sex acts required. Do not change the Chinese line.show more

grok imagine prompt: (text-to-image) Create a full-body portrait of... a burned-out cyberpunk anime netrunner, captured from a slightly low-angle shot positioned at his eleven o'clock, using a subtle wide-angle lens for an immersive perspective that frames his entire seated figure at 70% of the composition, with tangled cables and defunct monitors filling the remaining space to create a throne-like silhouette of technological decay. His body is slumped asymmetrically in a salvaged high-backed chair, spine curved, head tilted back and slightly to his left, weight collapsed onto his right hip, left leg extended loosely forward with foot barely touching the ground, right leg bent with knee falling outward, left arm draped limply over the chair's arm with fingers trailing toward the floor, right hand resting palm-up on his thigh in quiet surrender, shoulders uneven and rolled forward, conveying complete physical and emotional exhaustion, a body that has simply stopped. His face is angled in a three-quarter view tilted upward-left, and his large, expressive anime-style eyes, 25% larger than realistic, are half-lidded and unfocused, gazing toward a point somewhere beyond the cracked ceiling, pupils directed to the upper-right corner but seeing nothing, conveying a hollow, dissociated thousand-yard stare of profound depletion, quiet grief, and the ghost of former brilliance, lips parted approximately 3 millimeters in an exhale that forgot to finish, corners pulled slightly downward in unconscious sorrow rather than active frowning, brow soft but with a subtle furrow of lingering pain between the eyes. His eyes feature pale grey-green irises with an almost washed-out quality, subtle gradient from silvery outer rings to dim seafoam centers, embedded with flickering glitched data streams, fragmented code characters, and corrupted geometric patterns suggesting damaged or overused cybernetic implants, some iris segments appearing to stutter or display dead pixels, along with dim diffused catchlights reflecting distant monitor glow, extremely long black eyelashes, thick eyelash lines slightly smudged as though he has rubbed his eyes repeatedly, and subtle bruise-purple shadows beneath indicating sleeplessness. His smooth, flawless anime skin has a pale porcelain undertone with unhealthy translucence, illuminated by cool blue-white monitor light from behind and to the right casting an ethereal backlit glow along his jaw, neck, and shoulder edges, contrasted by a single warm amber shaft of light falling diagonally from a crack in the ceiling above-left, creating dramatic chiaroscuro with deep shadows pooling in his eye sockets, beneath his cheekbones, and in the hollow of his throat, plus highlights on his left cheekbone, the bridge of his nose, and his cupid's bow, with visible subsurface scattering on his ears and the thin skin of his eyelids showing faint vein traces. Pale, slightly dry lips with a muted rose-grey tone are parted, showing a glimpse of shadowed upper teeth, with minimal shine suggesting dehydration. His nose is elegant and slightly sharp, with a defined bridge and delicate nostrils, subtle shadows beneath. Medium-length disheveled black hair falls in uneven layers past his ears and into his eyes, originally styled but now unwashed and tangled, some strands plastered to his forehead and temples with dried sweat, others sticking up at odd angles from running hands through it repeatedly, with subtle blue-violet rim lighting on the right side creating a ghostly luminous outline, a few strands appearing to float slightly from residual static charge in the air. Along his temples and trailing down the sides of his neck are seven visible neural jack ports consisting of circular metallic implants approximately 2 centimeters in diameter with matte gunmetal-chrome housings, three on the right temple in a triangular cluster, two on the left temple, two on the right side of his neck below the jaw, several showing visible damage including hairline cracks in the housing, one with a small chunk missing exposing internal components, and two or three leaking faint wisps of pale blue-white light like luminous smoke, with irritated reddish skin around the edges suggesting overuse or infection, small status indicator lights on each port either dim, flickering erratically, or completely dark. He wears an elegant but threadbare black suit jacket over a wrinkled white dress shirt, jacket shoulders slightly too wide suggesting recent weight loss, fabric worn shiny at the elbows and cuffs, subtle iridescent threading in the lapels that once displayed data patterns now showing only static, collar open with top three buttons undone revealing sharp collarbones and the neural ports on his neck, thin black tie loosened and pulled askew, shirt untucked on one side. Slim black trousers are rumpled at the knees and ankles, one pant leg slightly hitched up revealing a sliver of pale ankle above scuffed black leather shoes, one shoe half off his trailing foot. His hands are elegant with long fingers, visible veins, subtle interface scarring across the knuckles, and faint calluses from keyboard use. The throne-chair is constructed from salvaged materials including a high-backed executive chair base wrapped and nearly consumed by masses of tangled cables in black, grey, and faded colors, some cables plugged into ports along his spine through gaps in the jacket, others hanging loose with exposed copper wiring, defunct monitors of various sizes stacked and leaning behind and around him creating a halo of dead screens, a few displaying static, one showing a frozen error message, most completely dark, their combined shapes suggesting decayed wings or a corrupted halo. Scattered around the base are empty nutrient containers, a fallen glass, loose hardcopy printouts with illegible data. The environment suggests an abandoned server room or personal sanctuary fallen into neglect, concrete walls visible in the periphery, dust motes floating in the amber light shaft, cool blue ambient glow from the monitors creating a melancholy atmosphere of faded genius, beautiful tragedy, and quiet dissolution in a cyberpunk world that consumed one of its brightest minds.show more

Made in Grok Imagine 晚上好😊 我亲爱的𝕏战友们。 我们来一起连接美好，享受周末的愉快吧。🤟 “哥哥，来嘛，#交个朋友 吧，不要钱的那种。”... #GrokImagine 提示词: 1. Concept / Theme A single continuous 10-second gala-night seduction. A tall Japanese woman in a thin-strap haute-couture evening gown has slipped away from a banquet. She delivers a cloying, breathy invitation, waits, then seals it with a one-eye wink. The new line is longer and more teasing; pacing must stay lazy and expensive, never rushed. 2. Subject One Japanese woman, 20–25, 178 cm. Extreme narrow waist, full heavy G-cup breasts, fair realistic skin. No other people. 3. Appearance Refined Japanese features, natural blue eyes, long lashes. Banquet 艳妆: visible pores under porcelain glam, smoky or wine-red eyes, wet berry-gloss lips, flushed cheeks. Sleek evening hair, glossy black, one loose strand. Collarbones, deep cleavage, razor waist all readable. 4. Expression & Emotion Elegant, foxlike, slightly spoiled. Voice is shamelessly 肉麻: syrupy, nasal-breathy, intimate, almost sticky between words. She knows the line is vulgar and enjoys saying it in a ballgown. After speaking she waits as if you might answer. Final: wink with only one eye; the other stays open on camera; tiny wicked smirk. 5. Clothing & Styling Haute-couture thin spaghetti-strap evening gown. Bias silk satin, deep neckline, fabric stretched over G-cup volume, waist engineered extremely small, high slit. Gala jewelry only. No jacket, no modest coverage, no thick straps. 6. Pose & Body Movement Banquet posture, weight on one hip, one hand on a glass, rail, or lacquered table. Lean-in so bust gains weight and waist hollows. After speech, freeze except breath. Optional tiny head tilt on the last words. No dance, no hair whip. 7. Environment / Setting Luxury banquet edge at night: ballroom corridor, terrace door, chandelier bokeh, private corner. 8. Time / Weather / Lighting Night interior. Warm chandelier spill plus side-rim light carving cleavage, breast underside, and the cut-in waist. Moist skin highlights, specular silk. 9. Action & Motion 0.0–2.0s: living eye close-up, breath, thin strap visible. 2.0–4.6s: slow reveal of full bust and extreme waist as she leans. 4.6–7.6s: she says, extremely breathy and cloyingly seductive, with sticky pauses: “哥哥，来嘛，交个朋友吧，不要钱的那种。” Break as: 哥哥 / 来嘛 / 交个朋友吧 / 不要钱的那种. Chest moves with the breath on the final clause. 7.6–8.8s: hold and watch the lens. 8.8–10.0s: one-eye wink, other eye open, tiny smirk. End on the catchlight. 10. Camera Movement One shot, no cuts. Slow tilt from eyes down the neckline to the waist, gentle push-in back to the face. Low camera. Micro handheld drift only. 11. Composition & Framing Vertical. Mid-frame must show huge bust against a violently small waist and thread-thin straps. Close on the single winking eye. 12. Lens / Focus / Depth of Field 85–135mm look, shallow DOF, eyes sharp the whole time, no wide-angle distortion. 13. Visual Style / Quality Photoreal 4K fashion-erotic cinema. Real pores, real silk tension and breast weight. Elegant, vampy, humid, expensive. 14. Negative Prompt / Constraints No cuts. No both-eyes wink. No cute idol face. No rushed line-reading. No modest dress, no hidden bust or thick waist, no plastic skin. No cold detached tone. No extra people, text, watermark, or underage look. Do not use the old line. Do not skip the pause before the wink.show more

I would like to explain the latest batch of... viral videos I'm working on to the bemused brainrot-curious reader who is not familiar with "the culture". Why are these characters, mixed with this song, going viral? It's all about connecting infinite referential mirrors. What makes this video interesting are not its individual parts but the signifier links it draws. Let's look at the individual parts: ONE: The song is a Brazilian funk or "pancadão" song called MC Lan e MC WM - Sua Amiga Vou Pegar, these days part of what's broadly referred as Brazilian phonk or just phonk (not to be confused with the original phonk, a Memphis-derived genre from the early 2010s built around chopped Three 6 Mafia samples, cowbells and lo-fi tape hiss and etc. The Brazilian version comes an entirely different lineage and got its name adapted from “funk” to “phonk” exclusively because the names sounded similar. It has a similarly menacing posture but swaps the rap cadence for funk's 4/4 with kicks on 1 and 3 rhythm and a much heavier, distorted 808 synth sound). Phonk is often used for its exaggerated reverb feeling bass lines to signify power, style or simply "aura", which you can take as a shorthand for poise, coolness, being de-bon-air and a general detached positive feeling of high status. Aura. Because most users cannot understand the Portuguese lyrics (which are often quite vulgar and sexual), the singing takes the characteristic of a chant, something to be appreciated entirely for its sound, texture and gravitas. The vocals are just another instrument where you can appreciate the menace and swagger of the delivery directly without the cognitive friction of meaning. Non-Portuguese-speaking audiences are not missing anything they were supposed to get, they get “the vibe” that matters, which is not lyrical. These songs are often paired with (male) characters that are taken to display these traits like American Psycho's Patrick Bateman (yes, yes I know that’s the opposite of what you should feel about the character), Peaky Blinder's Thomas Shelby and a menagerie of anime characters like Satoru Gojo (Jujutsu Kaisen), Yujiro Hanma (Baki) and Goku and, really, any male character that is just a little bit cool. TWO: The man in the suit is a minor Family Guy character called Tom Tucker. The reference comes from a scene where Meg sees him walking through her school and says "It's Tom Tucker from the news!” We then cut to her POV, where he is walking in slow motion with soft romantic music swelling and birds chirping, the whole love-at-first-sight trope. Then a camera crew member off-screen yells "hurry up Mr. Tucker," and we get to see he is not walking in slow motion because Meg is infatuated, he is just walking that slowly in real life. Only the music and the birds were in her head. The gag is built on the viewer recognizing the romantic-slow-motion trope, briefly accepting it as the scene's reality, and then being shown that we (and Meg) projected the trope onto what is actually just a man walking very slowly. HA! The original gag is already about projection: a neutral image (slow walk) being assigned an external meaning (romance) by a viewer's pattern-recognition. This is what makes the edit-culture appropriation work so well. The clip got stripped of its context, paired with phonk and text overlays (AURA or “Me and the boys going to detention”), and retroactively assigned a new meaning, only this time it’s the cinematic nonchalant walk, the slow deliberate gait that signifies a man who knows he's the most important thing in the frame (ta la any 1980s Schwazerneggerian action movie hero walking away from an explosion without looking back, every yakuza boss entering a room, every western gunslinger approaching the duel). The edit is ostensibly projecting a trope onto a neutral image. The first projection was romance; the second projection is aura. Family Guy clips and gifs are easy to access and repost, which makes it a readily available and easy to use building block. The show has, through sheer volume of output and over two decades of YouTube and cable TV saturation, become a kind of public-domain visual library, a default vocabulary that any editor can pull from knowing the audience will recognize the source without having to be told, and we can just keep loading meaning onto it. THREE: The character in the background is Tom, from Tom and Jerry, doing a pose made famous by an iShowSpeed fan who encountered him during a livestream. By quickly and correctly identifying Speed by his full legal name ("Darren Jason Watkins Jr"), she showcased herself to be a true fan, which he responded to with his characteristic exaggerated reactions. The pose the girl hit, with the knowing look to the camera, produced a perfect “aura moment” complete commitment, zero irony, the unshakeable conviction that what she was doing was the coolest possible thing to do. As a result, the clip then got endlessly edited with "aura 🥶🥶🥶" captions to canonize it. Aura, in this lexicon, is not granted by the universe; it is summoned by the person's own belief that they have it and by displaying the correct attitude. Tom is also dressed as the previously mentioned Thomas Shelby from Peaky Blinders, which is itself a double signifier. The name match (“Thomas”, get it?) and the suit-and-flat-cap costume turn the cartoon cat into a stand-in for the perhaps most used "high-aura" male character of the past decade, the brooding gangster patriarch whose every cigarette drag has been set to phonk, cinematic scores and electronic music a thousand times over. On top of that, he is made entirely out of chrome, a popular trope of asking ChatGPT (one of the few AI tools people have easy and broad access to) to render things out of very high quality materials to indicate "rarity" or "status" like diamonds, platinum and etc. A sign that itself descends from a longer lineage of in-game cosmetic rarity tiers (League of Legends, MMOs, various skin economy freemium game, the Fortnite battle pass, the Pokémon shiny, dacha games and etc) where material finish is the visual shorthand of value. So "chrome" or "platinum" Tom on top of all previous signifiers signals a “maximized” or “maxxd” version. The image is suppose to invoke the superlative highest possible tier, rarest-drop, legendary-rarity version of aura, the way a kid in a playground would describe their dad as not just strong but the strongest in the world. FOUR: Finally, the background black hole calls back to the original Tom image, where he is surrounded by the universe itself, having ascended. The character has transcended the diegetic frame of his own cartoon and now exists at a cosmological scale, with the black hole standing in for the kind of unmotivated, vibes-based "cosmic" imagery that has become the default background for any video trying to signify that something Big is happening (the same visual motif that has powered comic book characters, anime transformations, video game power ups and anything wants to feel grandiose or “epic” without specifying what about). The black hole means significance in the abstract. At this point I think you understand the mechanism at play here. None of these references resolve to a stable meaning on their own. Tom Tucker is “cool” only in the very short context in which his image served as a substrate; he was convenient footage to pair with a song, and the absurdity of doing an "aura edit" on such a minor, strange character scene makes it all funnier and easier to share. Tom-the-cat is doing the aura pose > the aura pose comes from the iShowSpeed girl > the iShowSpeed girl was cool because she correctly played her part in an established bit of a large streamer with the correct timing and theatrical flair > the bit was cool because it was a shared convention unified by a popular central streamer figure > the convention existed because phonk edits had already trained this exact scenario to be read as confidence-plus-detachment as aura > the chrome finish points to AI image generation quirks > the AI image generation style can be mapped to gaming visual rarity shorthands; the gaming rarity tiers point to a much older logic of precious-metal-as-status. Each step on the referential chain is propped by the one behind it, and the one behind it is propped up by the one behind that, so on and so forth. There is no natural endpoint, the entire structure functions more akin to a network than a linked list. If you stop at any single point and ask "but why is particular signifier cool or funny or interesting”, the answer is always "because of the thing behind it.” It’s hyper-citation, Here, what matters is the structure of the whole rather than the content. This is structure is what I mean by infinite referential mirrors. The rate at which a concept is referencing, remixing and calling back to another is what’s interesting. In other words, It’s the velocity that matters. The chain of recognitions, each "I get that reference," and the cumulative effect of getting six references stacked on top of each other a short span of time gives you the feeling that you are participating in something dense and alive, because it allows you to recognize the shared meme ecosystem of the platform that you are participating in, even if only a glimpse of it. You are inside the culture rather than outside it. The brainrot-curious reader who watches this video and feels nothing, has “failed” to understand the joke because they are outside the hall of mirrors I am describing. You can only get the magic if you step in and start counting the reflections: the song, the suit, the cat, the chrome, the black hole, the transitions the video uses. You are looking at connected parts of this network of symbols and at the speed at which one image hands you off to the next. The entire thirteen-second clip is functioning as a single compressed referential payload that decompresses in the viewer's head into a small private essay exactly like this one. The video allows you to recognize yourself as someone capable of decoding it, and that recognition is the reward. That’s why media like this goes viral.show more