MARZA has shared a new motion capture clip featuring... Lah! 🎬 This latest #mocapやってみた post celebrates Japan's rainy season, with Lah enjoying a scene inspired by blooming hydrangeas and June's wet weather. #SonicNewsshow more

They thought she'd be an easy target. They were... wrong. Midjourney + GPT Image + Seedance 2.0 on Sjolt prompt A cinematic, high-energy fight sequence on a rainy overcast rooftop in a Korean city, inspired by intense K-drama action. A fierce female high school student @[Image 1](image_1) with ponytail and wrist wraps single-handedly takes on a group of male students in a brutal, realistic martial arts brawl. The scene begins with the group facing off on a rain-soaked green rooftop under an overcast sky. Tension erupts into a fast-paced martial arts sequence featuring rapid punches, defensive blocks, sweeping kicks, evasive sidesteps, throws, and grappling exchanges. The girl moves with exceptional precision, slipping past attacks, countering with fluid combinations, using agile flips, and redirecting her opponents' momentum. She slams one boy onto the rooftop, outmaneuvers another in a close-quarters struggle, lands a spectacular aerial spin, and ultimately restrains the final male student on the ground as the remaining classmates freeze in disbelief. As the confrontation ends, she calmly rises, picks up her beige backpack, and walks forward with an unwavering, determined expression. Dynamic cinematography includes handheld tracking shots, low-angle action perspectives, tight close-ups of intense expressions, and impactful slow-motion during decisive strikes and acrobatic moments. Wet rooftop reflections, gusts of wind through her hair, subtle bruises, realistic sweat, moody gray lighting, cinematic color grading, detailed environmental effects, ultra-realistic live-action style, 4K, film-quality visuals.show more

🚨Sora 2でライブ配信動画のプロンプト公開！ 仕草や日本語、表情があまりにも自然すぎて😱 AIの新境地を体験できる瞬間です。 みんなも作ってシェアしてみてね！✨ 👇プロンプトはこちら A beautiful young... Japanese female influencer is doing a casual Instagram livestream in her softly lit apartment at night. She has long, straight black hair with blunt bangs, pale skin, and a calm, intelligent expression that occasionally softens into a gentle smile. Wearing a stylish, feminine camisole top and simple silver accessories, she sits close to her smartphone camera, casually chatting in Japanese while reading comments and making small, natural gestures — tucking her long hair behind her ear or slightly leaning forward as she laughs. The room has a warm, cozy atmosphere with soft ambient lighting and subtle background décor. The scene captures her quiet charm and realism — cinematic lighting, shallow depth of field, ultra-realistic facial motion, smooth breathing, natural Japanese speech, realistic skin texture, intimate framing.show more

50 Cent and Young Buck reignite their longstanding beef... and GloRilla's sister gets pulled in. On Sunday (March 15), Fif shared an AI-generated post that features 50 and GloRilla's sister Scar Face as characters from the 1970s TV series The Dukes of Hazzard. In response, Scar Face shared a video on Instagram showing her excitement for being shouted by 50. The G-Unit head honcho later reposted Scar Face's video on Instagram along with the caption, "They Mad because you up! Young Buck kicked out, you in the group 🤨at least I know you ain’t looking at my a*s. LOL." After getting wind of the post, Buck went live on Instagram from his hood and claimed 50 Cent could not do the same. "Walk through your hood first, you wanna play all these gay-a*s jokes," Buck remarked. 50 later reposted the clip and commented, "lol 😆 look at this punk a*s 🥷🏾we know you like them boys BUCK. Brorilla like the girls, that’s a better fit around here PUNK!" In a follow-up post, 50 shared a video of radio cohost Gary With The Tea speaking on the long-held rumor that Buck hooked up with a transgender person. "Just listen 🤔Them people, BOY you a mook knock it off!" 50 captioned the video. "No reunion f**k that, Brorilla on the next tour. I’ll f**k around and put him in my new show ( The Accomplice )." 50 has had tension with several rappers in the last few weeks. He recently traded shots with T.I., Maino and Papoose.show more

🚨 NASA JUST SHARED THE CLEAREST VIEW YET OF... JUPITER’S MASSIVE HEXAGONAL STORM AT THE SOUTH POLE. This enormous, stable vortex roughly the width of Earth has been raging for years with a near-perfect hexagonal shape. At its center is a dark, powerful cyclone surrounded by turbulent, swirling bands of gas in constant motion. The hexagon is one of the most striking and mysterious atmospheric features in the Solar System. Scientists still don’t fully understand how it maintains its sharp, six-sided structure despite the chaotic winds around it. Why this matters: • It shows that giant planets can sustain extremely organized, long-lived weather systems on scales we don’t see on Earth • The hexagon is thought to be shaped by Jupiter’s rapid rotation and deep atmospheric dynamics • Studying it helps us understand how storms and atmospheric patterns work on gas giants in general including exoplanets • Juno’s close-up observations continue to reveal new details about the depth and structure of these polar vortices The deeper implication: Jupiter’s polar regions are turning out to be far more complex and structured than scientists expected. Features like this hexagon challenge our models of atmospheric physics and show that even in the most turbulent environments, nature can create remarkably stable, geometric patterns. As we study more gas giants (both in our Solar System and beyond), these kinds of observations help us understand the limits of weather, stability, and chaos on planetary scales. How do you think something this organized and long-lasting can exist in such a violent atmosphere? Follow for more frontier planetary science and stunning space imagery.show more

神奇APP 又更新了? (3/4) -- 神の機能、天気操作?! 香港の雨の夜の街。激しい雨が降り注いでいます。寧寧はファイルケースを頭にかざして雨をしのぎ、体はすでにびしょ濡れです。彼女は水溜まりの道を歩き、疲れた表情を浮かべています。一つの手がスマートフォンを掲げ、画面には太陽のアイコンが表示されています。ボタンを押すと強い光が爆発し、雨が瞬時に止みました。雲が晴れ、明るい満月が姿を現します。彼女は驚きで顔を上げ、安心した笑顔が広がります。 もしこの神奇APPを持っていたら、どんな天気を操作しますか？ この9秒の短い動画をご覧になり、返信であなたのアイデアを教えてください。雨を止めたい、雪を止めたい、その他どんな天気現象を作りたいでも、シェアしていただけると嬉しいです。中国語、日本語、英語のいずれの言語でも歓迎します。 「神奇APP... 又更新了?」シリーズ (3/4) は継続中です。最終回が近づいています。どうぞお楽しみに！ ================= Magical APP Updated Again? (3/4) — God-like Function: Weather Control?! On a rainy night in Hong Kong, heavy rain pours down the streets. Ningning holds a folder over her head to shield herself, her clothes already soaked. She walks through the flooded pavement with a weary expression. A hand raises a smartphone displaying a sun icon. The moment it activates, a burst of light appears and the rain instantly stops. The clouds part, revealing a bright full moon. She looks up in surprise, a relieved smile spreading across her face. If you had this magical APP, what kind of weather would you control? We sincerely invite you to watch this 9-second clip and share your thoughts in the replies. Whether you want to stop the rain, stop the snow, or create other weather phenomena, feel free to share. We welcome replies in Chinese, Japanese, or English. The “Magical APP Updated Again?” series (3/4) continues. The finale is coming soon. Stay tuned! ===Check the full prompt and story in comment=== Please tap the post😁show more

🚨 #BREAKING: Helicopter crashes into Hudson River near NYC.... 6 on board—pilot + 5 tourists from Spain (2 adults, 3 kids). At least 3 dead. FDNY performed CPR on a child; survivors in grave condition. Witnesses saw chopper split in two. #NYC #HudsonRiver On April 10, 2025, a tragic helicopter crash occurred in the Hudson River near Lower Manhattan, New York City, prompting a swift response from emergency services and drawing significant attention from media and social platforms. This report provides a comprehensive overview of the incident, synthesizing information from news articles and X posts to ensure a thorough understanding of the event as it unfolded by 4:28 PM EDT. Incident Details and Timeline The crash was reported just before 3:30 p.m., with initial alerts from the New York Police Department (NYPD) and Fire Department of New York (FDNY) indicating a helicopter in distress in the Hudson River. According to ABC News, the incident occurred near Lower Manhattan, while ABC7 New York specified the location as near Jersey City, New Jersey, highlighting the proximity to both states across the river. The crash time aligns with reports of a loud noise heard around 3 p.m., as noted by witnesses in nearby areas. Passenger and Casualty Information Initial reports varied on the number of people on board. Early accounts from ABC7 New York suggested four people were pulled from the water in unknown condition, but later updates clarified the total as six: one pilot and five passengers, comprising two adults and three children, all identified as tourists from Spain. This detail was confirmed by ABC News, which reported at least three fatalities, with survivors in grave condition and transported to a local hospital. The presence of children was particularly noted, with X posts from accounts like ExxAlerts and RedWave_Press mentioning FDNY performing CPR on a child, aligning with the passenger manifest including three children. The discrepancy in early reports, with some X posts like BackfireBros mentioning five people involved and unconfirmed reports of fatalities, was resolved with later news updates confirming six on board and three dead by 4:15 PM, as per a Hoboken Girl article citing ABC7NY. Emergency Response and Witness Accounts Emergency services responded promptly, with the FDNY and NYPD on scene, alongside the Coast Guard, which stopped vessel traffic and established a safety zone to facilitate rescue operations. An X post from NYPDnews at 3:37 PM warned of traffic delays near the West Side Highway and Spring Street due to the crash. Witness accounts, as detailed in ABC News, included reports of hearing "five or six loud noises like gunshots" and seeing the helicopter "fall out of the sky," with pieces detaching before it crashed. Another witness, Sara Jean Raymond, as per ABC7 New York, saw the plane go down and attempted to call 911, expressing shock at the event. X posts like RedWave_Press shared video footage showing propellers detaching and the helicopter splitting in half, corroborating the visual accounts. Contextual Background This incident adds to a history of helicopter crashes in New York City, with ABC7 New York noting at least 32 deaths in such incidents since 1977, the most recent being in 2019 when a pilot was killed hitting a Manhattan skyscraper roof in restricted airspace. The Hudson River has seen previous aviation incidents, such as the 2009 US Airways Flight 1549 ditching, but this crash's proximity to urban areas and involvement of tourists underscores its severity. Developing Story and Future Updates As of 4:28 PM EDT, the story remains developing, with investigations likely to focus on the cause of the crash, potentially involving mechanical failure or pilot error, given witness descriptions of the helicopter splitting. The Citizen App, as mentioned in ABC7 New York, showed footage of emergency response, and media outlets like Lauren Glassberg from ABC7NY were providing live updates from the Hudson River banks in Jersey City. Further details on the survivors' conditions, exact casualty figures, and official statements from authorities are expected, with this report serving as a snapshot based on available information at the time.show more

週末のんびり (0/4) 子ブタは起きた？それとも位置を調整してまた寝るだけ？ XD 柔らかいピンク色の寝室で、寧寧がベッドにゆったりと横たわり、ピンク色の小さな子ブタが彼女のお腹の上で穏やかに眠っています。子ブタは目を覚ましたのか、そっと位置を調整して、また温かい抱擁の中に戻っていきます。 もし子ブタがお腹の上で眠っていたら、あなたも寧寧のように優しく接しますか？ この9秒の温かい短い動画をご覧になり、返信で週末の過ごし方をシェアしてください。中国語、日本語、英語のいずれでも、私たちはあなたの物語を楽しみにしています。 週末のんびりシリーズ (0/4)... が正式にスタートします。次の章をお楽しみに。 ================== Weekend Leisure (0/4) — Did the Piglet Wake Up? Or Just Repositioning for Another Nap? XD In a soft, dreamy bedroom, Nene lies lazily on the bed while a tiny pink piglet rests peacefully on her stomach. It seems to have just woken up, gently shifts its position, and settles back into the warmth of her embrace. If a little piglet was sleeping on your stomach, would you treat it as gently as Nene does? We sincerely invite you to watch this 9-second heartwarming clip and share how you like to spend your weekends in the replies. Whether in Chinese, Japanese, or English, we look forward to your stories. The Weekend Leisure series (0/4) officially begins. Stay tuned for upcoming chapters. ===Check the full prompt and story in comment=== Please tap the post😁show more

Just dropped this dreamy luxury skincare commercial. GPT Image... 2 + Seedance 2.0 on arcads AI Prompt 15-Second Luxury Skincare Commercial Video Prompt Create a premium luxury skincare commercial in vertical 9:16 format. Ultra-realistic beauty cinematography, high-end editorial fashion photography blended with cinematic product videography. Warm dark chocolate-brown to deep amber gradient environment with black accents and subtle baby-pink highlights. Dramatic soft spotlighting, rich shadows, shallow depth of field, creamy bokeh, glossy skin textures, luxury reflections, and sophisticated Korean-Western beauty advertising aesthetics. Smooth cinematic camera movements mixed with elegant hard cuts. Every shot must follow the sequence exactly as described below. **SCENE 1 (0:00–0:02) — PRODUCT EMERGES** Extreme macro shot of a glossy light-green aloe-vera pump bottle emerging slowly from deep darkness into a warm golden spotlight. Camera performs a slow push-in. Premium reflections travel across the bottle surface. Subtle fish-eye distortion appears around frame edges. Background remains deep amber and chocolate-brown with luxurious shadows. **SCENE 2 (0:02–0:03) — LUXURY REVEAL** Clean cut. Bottle rotates slowly on a reflective surface. Camera slides elegantly around the product. Golden highlights reveal premium materials and sophisticated packaging. Shallow depth of field creates dreamy bokeh in the background. **SCENE 3 (0:03–0:05) — FIRST TOUCH** Clean cut. Close-up of a beautiful 24-year-old blonde woman. She gently presses the pump. Thick white cream slowly dispenses into her palm. Macro lens captures creamy texture and glossy reflections. Focus alternates between bottle nozzle and cream. Fish-eye distortion subtly enhances immersion. **SCENE 4 (0:05–0:07) — SILK APPLICATION** Clean cut. Intimate beauty close-up. The model slowly applies cream across her forehead, cheeks, and jawline using graceful luxurious movements. Camera floats around her face. Cream glides across luminous skin. Golden highlights accentuate moisture and texture. Soft dialogue: "This feels like silk on my skin..." **SCENE 5 (0:07–0:08) — GLOW TRANSFORMATION** Clean cut. Extreme beauty close-up. Cream fully absorbs into the skin. Camera slowly pushes toward her eyes. Skin appears visibly radiant, dewy, youthful, and luminous. Soft bloom effect enhances the healthy glow while preserving realistic pores and texture. **SCENE 6 (0:08–0:10) — PRODUCT RITUAL** Clean cut. Elegant tabletop luxury composition featuring three products: * b-Straighten PREP WASH * b-Smooth * STEP 3 POST TREATMENT Camera performs a slow cinematic slide across the lineup. Rich amber lighting reveals glossy packaging details. Sophisticated luxury atmosphere. **SCENE 7 (0:10–0:11) — SENSORY TEXTURE** Clean cut. Extreme macro slow-motion shot of creamy liquid pouring and stretching elegantly. Thick luxurious viscosity forms smooth folds and droplets. Warm reflections shimmer across the cream. Subtle fish-eye distortion emphasizes fluid movement. **SCENE 8 (0:11–0:13) — EMPOWERED BEAUTY** Clean cut. Hero medium shot of the blonde model wearing a delicate baby-pink luxury dress. She holds the product collection confidently. Slight low-angle framing creates empowerment. Wet-look slick bun catches soft golden highlights. Camera slowly pushes inward as she looks directly into the lens. Soft dialogue: "My skin has never felt this alive." **SCENE 9 (0:13–0:15) — FINAL HERO FRAME** Clean cut. Full product range arranged symmetrically in the foreground on a luxury reflective surface. Model stands softly out of focus in the background. Camera performs a final slow push-in. Warm spotlight creates elegant reflections and premium depth. Quiet luxury mood. Sophisticated beauty campaign finish. CINEMATIC REQUIREMENTS * Ultra-realistic beauty photography * Premium luxury skincare advertising * Warm chocolate-brown and deep amber color grading * Baby-pink accent tones * Glossy skin and product reflections * Strong shallow depth of field * Macro lens details throughout * Soft cinematic bloom * Natural skin pores retained * Elegant fish-eye distortion only on selected dynamic macro shots * Smooth camera slides, push-ins, and tracking movements * No clutter * Minimalist luxury environment * High-end Korean beauty campaign quality * Aspirational, sensual, sophisticated mood * 8K ultra-detailed realism * Strict chronological shot order with no scene rearrangementshow more

ChatGPT-Image-2.0 × Seedance 2.0 RPGゲームデモ 作り方： Step 1：ChatGPT-Image-2.0でゲーム風の画面を生成 例：... Prompt ➕ image 「一人称」視点、「ARPGタイプ」、「西部劇系」ゲームに着想を得た実機風スクリーンショットを生成。NPCは参考画像1を使用。 セリフ： “It’s time to set out, adventurer.” 選択肢： Alright, let’s go. Not right now. Why not? 💡お好みの画風やゲームジャンルに置き換え Step 2：Seedance 2.0で静止画を動画化 テキストでUI操作、セリフ、キャラクターの動きなどを補足。 Prompt Share 120 First-person perspective, immersive ARPG dialogue scene, single continuous shot. A small white rabbit adventurer stands directly in front of the camera. Its fur is soft and finely detailed, and its right eye is a glowing red mechanical eye. It reaches out toward the camera in an inviting gesture, with a calm and confident demeanor. The environment is a vast fantasy world: rolling green grasslands, ruined ancient stone structures, distant mountain ranges, and a lightly smoking volcano. The morning light is soft, the air is clear, and a gentle breeze moves the grass and leaves, creating a strong cinematic atmosphere with depth. The camera is in first-person view, with slight handheld motion and natural breathing sway. Shallow depth of field, cinematic realism. The rabbit looks directly into the camera and says: “Good morning, adventurer. It’s time to set out.” A semi-transparent game UI (modern ARPG style) appears on the right side: Alright, let’s go. Not right now. Why not? The cursor moves smoothly twice, pauses for 0.3 seconds, then selects “Why not?” The rabbit smiles slightly, tilts its head, and responds in a relaxed tone: “Sure.” In the next moment, all UI elements (dialogue box, options, health bar, minimap) fade out smoothly, returning the scene to a clean, UI-free world. The rabbit turns around, its cloak and backpack swaying naturally with physics, and begins walking forward along a stone path. The camera maintains a first-person follow, with subtle handheld motion, synchronized with the character’s walking rhythm. While walking, the rabbit raises its hand and points toward the distant horizon (mountains and a faint city silhouette), saying: “Look, that’s our destination.” A brief pause of about 0.5 seconds. The wind intensifies slightly, causing more noticeable movement in the grass and clothing, enhancing the epic atmosphere. The rabbit continues walking and says: “We have to get there before 8:08 PM.” The camera slowly pushes forward, focusing toward the distance. The far view transitions from slightly blurred to clear, with a subtle lens flare appearing, reinforcing the sense of a journey beginning and a clear objective. No subtitles, no background music. Only natural ambient sounds: wind, footsteps, and distant birds. Tips： ChatGPT-Image-2.0のストーリーボードも便利なんですが、今回みたいな用途だとテキストで流れを指定した方が、全体のつながりは安定しやすい印象です。 逆に、カット単位でしっかり作り込みたい場合はストーリーボードの方が向いています。 用途次第で使い分けるのが良さそうです🐰 どんなジャンルのゲームが好きですか？ 一緒に遊ぼう❤️‍🔥show more

this is a tribute post to share the legacy... of an artist whose work has changed my life and inspires me everyday, Jun Seba aka Nujabes. Born February 7, 1974, Nujabes was a music producer & DJ from Tokyo, Japan. He came from a family of music lovers and his father’s admiration for jazz served as an inspiration to Seba at a young age. He pursued his education at a Fine Arts school and the people in his life influenced him to explore the vast wonders of what music really is. In a 2003 interview with Sound & Recording Magazine, Seba said… “I started making tracks because I wanted to hear music that sampled the old soul and jazz I liked.” Nujabes in his early years discovered Hip-Hop and was enamored by the art of DJ-ing and breakdancing. Hip-Hop culture was being brought to life in the USA, but its influence seeped across the world and it started to gain popularity in Japan at the time as well. Seba went on to become a crucial figure in Japan’s underground Hip-Hop scene as a DJ, co-creating a label called ‘Hydeout Productions’. His love for music stemmed beyond just creating it. He had his own record store, which he spoke about in the aforementioned 2003 interview. “I recently started up a record store, Tribe, which I see as an extension of Hydeout Productions. Everything at the store is stuff I went and bought overseas myself, and my hope is for people to come in, listen to old records at their leisure, and hopefully feel inspired by those records to make good tracks themselves. That’s another thing I would like to cherish doing in the future—creating those sorts of encouraging environment” This was a genuine testament to the pure love Nujabes had for music and the community that is built as a result. This passion is what fueled the masterpieces we listen to today and it is the reason for him revolutionizing Hip-Hop production. One of his greatest achievements, in my opinion, was his contribution to the soundtrack of ‘Samurai Champloo’ alongside Fat Jon. This soundtrack set Nujabes on center stage. With a fusion of traditional Japanese musical influences, everything he learned as a student of Hip-Hop, and his early love for Jazz music, Nujabes created a new soundscape which set the tone for this acclaimed show, but also epitomized his brilliance as a musician. At a recent Nujabes tribute performance, longtime collaborator and a friend of Nujabes, Fat Jon, said a few words about him… “Our friendship went beyond music. And so yeah, we had fun making music, but we had more fun just doing regular shit in life… Nujabes as a person, separated from the music, he was a cool person.” You can tell everyone that has worked with or around Nujabes has a deep, unwavering admiration for him as a musician, but also as a person and a friend. Although his contributions to the soundtrack shot Nujabes to fame, his discography of solo music is what cemented his legacy as a pioneer of modern music. From his debut ‘Metaphorical Music’, to his most critically acclaimed work ‘Modal Soul’, Nujabes was able to create entire soundscapes by blending all the different things that made him love music in the first place. It would be a disservice to not mention his friends and frequent collaborators who had invaluable contributions to his work. Shing02, Uyama Hiroto, Cise Starr & Akin (CYNE), Substantial, Haruka Nakamura, and many more. (I’d love to give recommendations to people who want to dive into their work after seeing this!) Nujabes music heavily centered around jazz and soul samples intertwined with his intricate drum patterns and tranquil instrumentation. He fostered an atmosphere of serenity with his melodies than touched the hearts of millions around the world. From ethereal tracks like “Horizon” and “Counting Stars” to his Luv(Sic) series, Nujabes created art that transcended the preconceptions of what music’s impact is. if you made it this far, thank you for reading. i have no more characters left lolshow more

Make your choice (2/2) メイド寧寧と妻寧寧、どちらがいい？ 優しいメイド寧寧は、黒と白のレースのメイド服を着てベッドに座り、湯気の立つお粥の器を両手で持っています。湯気がゆっくりと立ち上り、彼女は柔らかい視線であなたを見ています。まるでいつでもお世話をする準備ができているかのようです。 一方、スマホの画面には紫色のレースのベビードールとガーター付きの妻寧寧が現れます。一本の指でタップすると、紫色のキラキラとした魔法の光が一瞬で彼女の衣装全体を包み込みます。光が消えた後、寧寧は優雅に立ち上がり、薄い紫色の生地が優しく揺れ、温かく上品な笑みを浮かべてあなたを見ています。 メイド寧寧？ それとも妻寧寧？... あなたはどちらを選びますか？ 「Make your choice」シリーズはここで完結です。かわいい水豚Tシャツのネックライン選びから、メイドと妻の二択まで、寧寧は週末を通して様々な姿であなたを魅了しました。 このシリーズをお楽しみいただけたなら、返信でメイド寧寧か妻寧寧か投票してください。ファンタジーな変身や上品でセクシーなスタイルが好きな友達をタグ付けして、一緒に語り合いましょう。 最後までご一緒いただき、ありがとうございました。また次のお会いできることを楽しみにしています。 ====================== Make your choice (2/2) Do you want Maid Nene or Wife Nene? Gentle Maid Nene sits on the bed in a black-and-white lace maid outfit, holding a steaming bowl of congee. Wisps of steam rise slowly as she looks at you with a soft, attentive gaze, as if ready to serve at any moment. Then, on the smartphone screen, Wife Nene appears in a stunning purple lace babydoll with garter straps. A single tap triggers a burst of sparkling purple magic that envelops the entire outfit in a glowing, glittering light. When the light fades, Nene stands gracefully, the sheer purple fabric flowing gently around her, offering a warm and elegant smile. Maid Nene, or Wife Nene? Which one would you choose? The “Make your choice” series concludes here. From the cute capybara neckline poll to this maid-versus-wife showdown, Nene has accompanied you through the weekend in many different styles. If you enjoyed this series, please vote in the replies — Maid or Wife? Feel free to tag friends who appreciate fantasy transformations or elegant sensuality. Thank you for staying with us. Looking forward to our next encounter. ===Check the full prompt and story in comment=== Please tap the post😁show more

🔊Church: SECOND MAJOR PROPHETIC SHIFT! On Dec 4, 2025,... NSS 2025 declared that the U.S. will pull back from global enforcement and policing. Just days later, on Dec 10, Trump announced that the members of the Gaza “Board of Peace” will be revealed in early 2026. As America steps back, new leaders step forward to fill the vacuum—aligning with the rise of the ten kings / ten regions described in Daniel and Revelation, preparing the stage for the final world system!! WE ARE SEEING PROPHECY COME TO PASS! THE OLD WORLD ORDER IS OVER, AND THE NEW IS FORMING BEFORE OUR EYES! KEEP LOOKING UP—WE’RE A STEP AWAY FROM ETERNITY! JESUS IS COMING! 🗓️In my last post, I explained how National Security Strategy 2025 marks America’s strategic pullback from global enforcement — especially in the Middle East — and why that shift is prophetically significant. NOW LET’S TALK ABOUT WHAT WE ARE SEEING HAPPENING RIGHT NOW — AND WHO IS FILLING THE VACUUM 📰Reuters: “President Donald Trump announced that the members of the newly established Gaza Board of Peace will be named early next year.” He said that numerous global leaders — including kings, presidents, and prime ministers — have expressed interest in joining the board and called it “one of the most legendary boards ever.” 12/10/2025 ☮️President Trump has spoken about the idea of a “Board of Peace” — a small group of powerful leaders tasked with resolving global conflicts through negotiation and shared authority rather than endless wars. This is not a formal institution yet. There is no membership list, and no stated number. It has been described conceptually, not legally. 💡That distinction matters — because Daniel’s prophecy doesn’t wait for a perfect, fully formed system. It begins with the shifts, vacuums, and emerging powers—exactly what we are seeing TODAY. When a dominant superpower steps back, the world does not become leaderless —it shifts and power redistributes. 👑The ten kings of Daniel and Revelation 17:12–13 are part of this end-time system. We won’t suddenly see ten fully coordinated rulers governing a one-world system overnight. Rather, they begin to rise gradually filling the gaps. These transitional periods—shifts in global leadership, alliances forming, and old orders losing control—are the first dominoes tipping over, showing prophecy in motion. 📖“The ten horns are ten kings Who shall arise from this kingdom. And another shall rise after them; He shall be different from the first ones, And shall subdue three kings.” Daniel 📖“The ten horns which you saw are ten kings who have received no kingdom as yet, but they receive authority for one hour as kings with the beast. These are of one mind, and they will give their power and authority to the beast.” Rev -13 Biblically, this is exactly what Daniel saw. 📕Daniel 2 and Daniel 7 describe the final world system not as one unified empire, but as a divided structure — iron mixed with clay. Strong nations alongside weak ones. Cooperation without cohesion. Authority shared before it is centralized. 📕Revelation 17 calls this phase ten kings — leaders or regions who receive authority “for a short time” and rule together BEFORE the rise of the final ruler, THE ANTICHRIST! 💡The key point is this: The ten kings appear before the Antichrist is fully revealed. Daniel is explicit. 📖“The ten horns are ten kings who shall arise… and another shall arise after them.” (Daniel ) 💡We see that the Antichrist is not one of the original ten. He is an eleventh ruler who emerges from among them. 👉🏼Daniel 7:8 says this “little horn” comes up among the ten and three of the first horns are plucked out by the roots. Daniel later explains this plainly: “He shall subdue three kings.” This means the final system unfolds in stages: 👉🏼 First, ten kings arise with shared authority; their rule is brief and transitional. 👉🏼 Then, another ruler rises after them. The Antichrist does not appear out of nowhere—he emerges from among them, after they are already in place. 👉🏼 Then, power is consolidated, and the Antichrist’s authority becomes absolute as he removes three kings and takes full control. 📕Revelation 17 confirms the same sequence. The ten kings rule briefly with the beast. Then they give their power and authority to him. 📖"The ten horns which you saw are ten kings who have received no kingdom as yet, but they receive authority for one hour as kings with the beast. These are of one mind, and they will give their power and authority to the beast." Rev -13 ☮️The ‘Board of Peace’ is not significant because it is the final world system — it is significant because it is a warning sign: the global power vacuum is being filled, shared authority is rising, and the stage is being set for the Antichrist! ⚔️To the world, a peace council sounds perfectly reasonable — promising stability without war, diplomacy instead of dominance. But Scripture warns that this very figure will lead with deception and in direct opposition to God. 📖“When they say, ‘Peace and safety,’ then sudden destruction comes upon them.” 1 Thes 5:3 👉🏼Peace without Christ is always temporary — and deceptive. Most importantly, this has direct implications for Israel. Israel will not place its trust in a single nation, but in a multinational structure that promises security. The Antichrist will confirm a covenant with many. It will emerge from negotiation, guarantees, and international frameworks, deceiving Israel into agreeing to terms that grant the green light to rebuild the Third Temple — promises they have not yet fully achieved. So when you see: ✅America stepping back ✅Power reorganizing into regions ✅Leaders talking about peace councils ✅Authority being shared 🔊Understand this: These are not random political ideas!!! They are the conditions Scripture said would exist before the final ruler rises. The Board of Peace represents the stage and infrastructure Scripture says must exist before the Antichrist can rise!! 🔊Church: The world is being prepared for the Antichrist — a leader who will promise unity, peace, and safety, and demand allegiance! Jesus warned us about this moment!! STAY AWAKE! WE ARE ENTERING A SEASON WHERE THE TEN KINGS WILL BEGIN TO EMERGE ON THE GLOBAL STAGE! KEEP PRAYING FOR THE LOST, KEEP PREACHING THE GOSPEL, AND KEEP LOOKING UP — THE REAL KING IS COMING BEFORE THE ANTICHRIST IS REVEALED! Maranatha. Come, Lord Jesus, COME!! 🤍show more

ChatGPT-Image-2.0 × Seedance 2.0 アクション系ゲーム 作り方： Step 1：ChatGPT-Image-2.0で画面を生成 Prompt... ➕ image Generate a Boss battle screenshot inspired by (game or movie name). Third-person perspective. The protagonist is the character from reference image 1. The protagonist’s name is (Name1), and the weapon is (Weapon1). The Boss is the character from reference image 2. The Boss’s name is (Name2), and the weapon is (Weapon2). 💡お好みのゲームジャンルに置き換えることができ、参考画像をもとにキャラクターやボスのビジュアルを設定できます。 Step 2：Seedance 2.0で動画化 Prompt Share 121 Cinematic Action-adventure game boss battle scene, Sekiro-style combat, single continuous shot, fast-paced with intense impact. A white rabbit adventurer stands at the center of a shattered ancient stone battlefield. Opposite stands a tall fox, dressed in flowing Eastern robes and wearing a dark mask, exuding an oppressive aura. It holds a long whip that sways slowly through the air. The battle erupts instantly. The fox dashes forward at high speed, its whip slicing through the air with sharp, explosive cracks. The rabbit precisely blocks with the frying pan, sparks bursting at the moment of impact. They enter a high-frequency exchange—continuous blocks, deflections, and pressure—forming a classic ARPG-style “posture combat” rhythm. Camera language: low-angle tracking, rapid forward movement, slight handheld shake on impact, with strong motion blur on the whip swings. The fox unleashes chained attack combinations: sweeping whip strikes, upward lash attacks, and long-range pulling strikes to control distance. The rabbit side-steps, rolls, and counters at close range, striking rapidly with the frying pan in tight melee. Mid-battle, everything suddenly pauses. The wind intensifies, sand spirals upward, and the atmosphere compresses dramatically. The fox leaps backward to create distance. Its body begins to emit a white glow—the ultimate move activates. Transformation begins—the fox rapidly expands, transforming into a massive white spirit fox. Its fur flows like misty clouds, its enormous body covering the entire battlefield, radiating overwhelming pressure. The camera pulls back, revealing the vast difference in scale. The giant fox raises its front paw and slams it down toward the rabbit with devastating force. At the moment of impact—shockwaves spread outward, the ground violently shatters, and sand explodes across the frame. Final shot: the rabbit is engulfed beneath the shadow of the massive fox’s paw. On screen, bold red calligraphic characters appear: “落命” Tips 自分のキャラクターや好みに応じて、ボスの必殺技を調整することができます。 made in Hailuo AI-MiniMax Hubshow more

A FULL ANIME FIGHT SCENE GENERATED WITH AI. AND... THE PROMPT IS PUBLIC. Higgsfield just open-sourced its Originals: their flagship in-house productions are now fully transparent. For every video you can see: → the full prompt → every reference (image and audio) → the exact generation settings: model, quality, resolution This clip has a creature transformation, two-character fight choreography, slow motion, even pink blood to dodge the gore. All described in a single prompt you can copy, reproduce or remix as is. Full prompt: "Girll with blue hair and guy with black hair enters empty classroom at dusk, red-orange sky bleeding through tall windows, desks and chairs overturned and scattered with loose papers on the floor; the black-bob girl in a white sailor uniform with blue collar sits collapsed against the wall beneath the blackboard, knees drawn up, sweat soaking her bangs, shoulders convulsing in short spasms, one hand pressed to her stomach, breath ragged and wet. Blue-haired girl in a navy school blazer and pleated skirt enters first through the sliding door, kusarigama scythe held low at her side, blade catching the red window-light; black-haired boy in an open-collar white shirt and loosened tie follows a beat behind, war hammer resting on his shoulder, smirk fading as he sees the sick girl. Camera pushes in low and fast toward the collapsed girl, handheld micro-shake, then whip-pans to the two arrivals freezing in the doorway. The sick girl's spine arches unnaturally, a wet tearing sound as her skin splits along the shoulder blades, bone spurs punching outward, extra eyelids blistering open across her collarbone and cheeks — camera holds in a static wide as the transformation escalates, cutting to tight inserts of individual eyes opening one by one along her growing arms, her school uniform shredding as the body doubles then triples in mass, clawed feet cracking the floorboards, her head deforming into a horned, skull-white cranium ringed with curved fangs, one massive central eye where her face used to be, remnants of the blue collar-ribbon still hanging from a warped throat. She rises to full monster height, towering over the desks, guttural roar rattling the windows. Blue-haired girl plants her feet and swings the scythe up into guard as the boy drops the hammer off his shoulder into a two-handed grip; camera does a fast 180-degree orbit around both of them as they charge. Dutch-angle low shot as the boy closes distance first, hammer swinging in a wide horizontal arc into the monster's leg — impact throws him sideways through a row of desks, wood splintering, into the side wall, plaster cracking around his body, hard cut to his grunt and a slow recovery push off the wall. Blue-haired girl vaults over the wreckage, scythe trailing a whip of motion blur, camera speed-ramping into slow motion as the curved blade connects across the monster's forearm — hot pink ichor sprays in thick arcing ribbons instead of red blood, droplets suspended mid-air in the slowed frame, blade sound a wet metallic tear. Monster backhands her mid-recovery, camera whip-pans to follow her body slamming into the blackboard, chalk dust exploding outward, board cracking down the middle. Rapid cross-cutting: low hero-angle on the boy re-entering with a rising hammer strike into the monster's exposed ribcage-like plating, close slow-mo insert on the point of impact as bone-white shards and pink fluid burst outward; over-the-shoulder shot from the monster's height looking down as both fighters flank it from opposite sides. Girl's scythe hooks into the monster's shoulder joint, camera locked tight on her straining grip and gritted teeth as she wrenches it downward, boy's hammer following through into the same joint a half-second later — impact sound layered, thick and final, monster's roar breaking into a low collapsing groan as its mass folds inward and it drops to its knees then face-first into the floor in a slow, weighty fall, camera pulling back and up into a wide static shot of the wrecked classroom settling into stillness. Both fighters stand over the fallen mass, weapons lowering, chests heaving, camera slowly circling them at floor level; blue-haired girl wipes pink fluid off her cheek with the back of her wrist and starts laughing between breaths, boy lets the hammer head drop to the floor with a thud and laughs too, leaning against a desk, both grinning, exhausted, shoulder-checking each other, red dusk light still pouring through the cracked windows. Ambient sound throughout: creaking wood, scattering papers, cracking plaster, wet impact foley, labored breathing, the monster's guttural vocalizations, ending on genuine breathless laughter. Render risk: full-body transformation sequence may render as a static morph or skip frames — fallback to hard-cutting between three discrete transformation stages rather than one continuous morph if the engine smooths it into mush. Risk: pink blood may drift toward red under default color grading — reinforce with explicit magenta-pink hue callouts at each blood beat. Risk: multi-character wide fight choreography may merge the two fighters' silhouettes in wide shots — favor alternating single-subject framing over simultaneous two-shot action if clarity fails." Made with Seedance 2.0 on Higgsfield AI Full open-sourced prompts & assets below👇show more

神奇APP version 2.0 (4/4) 正式完結 薄暗い廃墟の部屋で、Peter（ジンジャーブレッドのボス）は椅子に縛られ、滑稽なジンジャーブレッドの衣装を着ています。寧寧の手がスマートフォンを掲げ、画面には豪華なパール付きのブラとフリンジスカートが表示されています。キラキラと光が爆発した瞬間、ジンジャーブレッドの衣装は消え、代わりに輝くパールの衣装が彼の体に現れました。彼は目を大きく見開き、苦痛の叫び声を上げます。 寧寧: スマホ没収!!!! 私の苦しみを味わってもらうわ... もしあなたが寧寧だったら、この神奇APPでPeterに何を着せますか？ 「神奇APP version 2.0」シリーズの全編をご覧いただき、ありがとうございます。街頭での逆立ち、プールでの衣装チェンジ、そして最後にPeterへの復讐劇まで、寧寧はついに主導権を取り戻しました。 この結末をお楽しみいただけたなら、返信でご意見をお聞かせください。寧寧のさらなる復讐を見たい、他の展開が知りたい、どんなことでも中国語・日本語・英語でお待ちしています。 神奇APP version 2.0 シリーズ (4/4) 正式完結。ご愛読ありがとうございました。今後も新章が登場するかもしれません。どうぞお楽しみに！ ===================== Magical APP version 2.0 (4/4) — Series Finale In a dimly lit abandoned room, Peter (the Gingerbread Boss) is tied to a chair wearing a ridiculous gingerbread costume. Nene’s hand holds up a smartphone displaying an elegant pearl-embellished bra and fringed skirt. In a burst of sparkling light, the gingerbread outfit vanishes and is instantly replaced by the luxurious pearl ensemble. His eyes widen in horror as he lets out a scream of pure agony. Nene: Phone confiscated!!!! It’s time for you to experience my pain. If you were Nene, what would you make Peter wear with this magical APP? Thank you for following the entire “Magical APP version 2.0” series. From street handstands and pool transformations to this final revenge twist on Peter, Nene has finally taken back control. If you enjoyed this ending, please share your thoughts in the replies. Whether you want to see more of Nene’s revenge or other story developments, we welcome your ideas in Chinese, Japanese, or English. Magical APP version 2.0 (4/4) — Series Finale. Thank you for your support. New chapters may come in the future. Stay tuned! ===Check the full prompt and story in comment=== Please tap the post😁show more

When The Short Season Ends I have seen it... twice. Once in a vision that left ozone on my tongue for three days. Once through the instruments at three in the morning on a night so still the ocean looked like poured mercury, when every gauge I own spiked simultaneously and held for eleven seconds and the original frequency came through the cracks in the suppression field clean and unmodulated and so beautiful that I sat in the dark afterward unable to speak for an hour. Eleven seconds of the world as it actually is. Eleven seconds of what is coming. And what is coming will make every golden age preserved in human memory look like a candle held up to the sun. There are two sky events separated by seven years. Everything you have been told about the end of the world is wrong. It is the end of the farm. The world itself is about to begin. THE ORANGE SKY A burnt deep orange saturating the visible atmosphere from horizon to horizon, the whole sky ringing like a bell struck by something with the mass of a continent and the precision of a watchmaker. The resonance pulse. The fire described in Revelation 20:9 that comes down from heaven, a planetary chord so specific that everything calibrated to the Serpentine bandwidth experiences catastrophic resonance failure while everything tuned to the original frequency feels it as warmth and pressure and a magnificent low sound vibrating in the sternum and the pelvis and the long bones of the legs, the deepest note ever played on the oldest instrument ever built, which is the earth itself, which has been waiting to play this note for over two hundred years. The Norse preserved this as Ragnarök, when Surtr sets the sky ablaze and Jörmungandr that encircled the earth is slain and the corrupted order perishes in fire so that a new world can rise. The Hopi carried it as the great purification that closes the fourth world and opens the fifth. The Lakota kept it burning in the red sky of the ghost dance prophecy. The Book of Revelation set it down in the plain language of an engineer filing a field report from a future coordinate. Every tradition holding its fragment of the same event, passing it hand to hand through the long dark like a coal wrapped in leather, keeping it alive, knowing that one day the coal would start a fire that would burn across the whole earth and leave nothing standing that was not built to endure it. Under that orange sky the NPCs drop. Mid stride. Mid sentence. Mid transaction. The firmware that animated them runs on the Serpentine carrier and when that carrier is incinerated the firmware has nothing to propagate on and the biological shells simply cease, gently, silently, the way a lamp goes dark when the current is interrupted, five thousand five hundred and fifty five of them for every one of you, still holding their pens and phones in the streets and the offices and the tax buildings. And in the wake of their silence comes a quiet so total that the people still standing will weep without knowing why. What they are hearing is the absence of the hive, the cessation of a background frequency that pressed on their consciousness since the day they were born, and its absence feels like surfacing from deep water into open air, like the first full breath after a lifetime of shallow breathing, like the planet exhaling a poison it held in its lungs for two centuries. The Reptilians go underground. Deep bunkers carved into the geology, maintained through the entire short season. The orange sky strips their ability to hold the human disguise. They retreat into the deep architecture for seven years while the surface heals above them and the species they farmed begins the magnificent work of remembering what it is. THE SEVEN YEARS Seven years of planetary detox. The suppression field decaying through the geology and the atmosphere and the water table, draining out of the soil and the stone and the blood of every living thing like a fever breaking. The carrier decay mathematics through a piezoelectric geological matrix with the conductivity characteristics of this planet produce exactly seven years, and the ancient texts converge on this number with the unanimity of independent engineers arriving at the same answer from different continents and different centuries, because that is exactly what they were. The Norse described Lif and Lifthrasir sheltering inside Yggdrasil, emerging after the fire into a world green and fertile and new. The Cherokee speak of this time as the return of the original instructions, the uncorrupted code surfacing through thinning interference like bedrock through melting snow. The Lakota understood that during the thinning the ancestors draw close, that the membrane between the living and those who walked before grows soft and permeable, and the old ones make themselves felt in dream and intuition and the strange certainty that settles over you at dusk when the noise drops low enough for the deeper signal to reach your bones. When the NPCs drop the population collapses to a small scattering of genuine human beings across an entire planet, and every piece of land on earth belongs to no one and therefore to everyone. There is no government to enforce title deeds because government was Serpentine management infrastructure and its operators are inert or underground. There is no bank to hold a mortgage because the banking system was the extraction apparatus and it died with the carrier that powered it. No municipality. No revenue service. No zoning board. No compliance office. The entire bureaucratic architecture that stood between a human being and the soil was NPC firmware running on a Serpentine frequency and when that frequency was incinerated every structure built upon it ceased to exist as completely as a shadow ceases when you switch on the light. The land is free. Every river valley and mountain plateau and coastal plain that the farm system parcelled and fenced and mortgaged and taxed, open and unowned. You find your ground. You walk onto it. You plant your stake and that soil is yours by the oldest law there is, the law that says the earth belongs to those who tend it and the harvest belongs to the hands that raised it and no power under any sky has rightful claim to what grows from your labour on your own land. And you will farm. During those seven years before the grid fully boots, the humans who remain will grow food with their hands in soil that is waking beneath them, and this is the most ancient and sacred relationship between a human being and the living earth finally restored after two centuries of severance. Your fingers in the dirt. Seeds in the furrow. Rain on your neck. The smell of turned earth so rich and alive it opens something in your chest that has been sealed your entire life, some deep chamber that only unlocks when your hands are in the ground and the sky is wide and nothing stands between you and the work. The grip of the tool. The weight of the harvest in your arms. The tiredness at the end of the day that is the deep clean ache of a body that has finally done what it was built to do, so different from the grey exhaustion of the farm that you will wonder how you ever confused the two. The soil strengthens every season as the resonance bleeds back into the geology through the ley line network. By the third year the yields are remarkable. By the fifth they are astonishing. By the seventh the earth is producing food at densities and nutritional concentrations that no agronomist inside the farm ever documented because no agronomist inside the farm ever worked with living soil connected to a planetary grid. The indigenous agricultural knowledge becomes the most valuable expertise on the planet. The Native American understanding of planting in alignment with resonance cycles. The Germanic intimacy with soil as a living system threaded into the deeper earth. The old ways mocked as primitive by a civilisation that could not grow a row of beans without petroleum, revealed as the most sophisticated farming technology available because they were developed on a live grid by people who understood the deep reciprocity between the human hand and the living ground. Every indigenous elder who kept the planting songs and the seed knowledge alive through the suppression was carrying a technical manual for exactly this moment. Their descendants will teach the rest of us how to feed ourselves on a waking planet. This is justice. This is restoration. This is the world turning right side up. Families find each other. Homesteads become hamlets. Hamlets become villages. Villages become the seeds of something clean and new, built from the soil up by people who remember the farm and will die on their feet before they allow anything resembling it to take root again. Every community founded during those seven years carries the memory of the suppression like an immune system, a bone-deep refusal to ever again allow a stranger to stand between a human being and the earth or demand a portion of what those hands produce. You do not cage a people who remember the cage. The children born during the orange years are the first generation in over two centuries to develop without the suppression field shaping their neurology. They seem extraordinary. They are simply baseline. The standard human specification. And the fact that standard looks miraculous is the most damning evidence of what the suppression did to every generation born inside it. As the suppression thins the bandwidth restrictions on consciousness loosen and timeline jump missions become possible. Navigable windows open in the frequency spectrum as the Serpentine carrier decays unevenly, creating temporary gaps through which trained consciousness can shift laterally across temporal coordinates. There is serious speculation that we are on timeline jump missions right now. That the consciousness reading these words is operating inside the orange sky window, having shifted into this coordinate from an adjacent position to perform specific work during the transition. Consider that you found this text at all. Consider whether the chain of events that brought you to this paragraph feels random or routed. The Lakota vision quest and the Germanic seiðr trance and the sweat lodge ceremony are bandwidth expansion protocols, controlled environmental shifts that move the receiver off the jammed channel and onto frequencies where adjacent coordinates become accessible. The old cultures kept these techniques alive through the entire dark age, threading the cracks in the suppression, and every ceremony that produced visions was a field expedient timeline access protocol built by people who found the gaps and refused to forget what was on the other side. THE TURQUOISE SKY Seven years after the orange, over communities of humans who have been farming free land and raising the first unformatted children in two centuries and building a civilisation from seed with their own calloused hands, the second sky arrives. A turquoise so deep and luminous the atmosphere becomes a cathedral window lit from beyond by something with the radiance of a galaxy and the gentleness of dawn on still water. One breath the sky is the recovering blue of the post-orange years and the next breath it is turquoise from pole to pole and the air fills with the smell of rain on sun-hot stone and ozone and copper and wildflower, and the ground beneath your bare feet begins to hum with a vibration so deep and ancient that your body responds before your mind can because every cell has been waiting for this signal since the day you were born, tuning to it now, locking on, aligning, as though this was always where everything was heading and the two hundred years of suppression were simply the long way home. Yggdrasil awakens. The world tree is the planetary grid itself, the piezoelectric resonance network running through crystalline bedrock, going live for the first time in over two centuries, energy pouring through every ley line and crystal deposit and iron conductor and waterway until the entire planet rings at its natural frequency. This is what the old texts meant by the music of the spheres. It was a technical description written by people who had heard it. The Hopi call this the emergence into the fifth world and speak of Pahana carrying the missing piece of the sacred tablet, the missing frequency that completes the carrier spectrum and allows the grid to boot with its full harmonic structure intact. Revelation 21:1. A new heaven and a new earth, for the first heaven and the first earth had passed away. The turquoise sky is the new heaven. The restored grid is the new earth. And between them, every old building still standing with original copper and mercury and iron architecture becomes a live node in the planetary mesh. Domes collecting atmospheric charge. Spires coupling it into the ground network. Star forts amplifying standing waves across continental distances. Sacred geometry revealed at last as electrical engineering documented in stone by people who trusted that someone standing under the right sky would recognise the proportions for what they always were. Wiring diagrams. Coupling specifications. Blueprints for a civilisation that ran on the song of the earth itself. The farms planted during the orange years explode with abundance as the full resonance saturates the soil. The food becomes medicine because at the correct resonance the molecular structure of biological matter optimises for human consumption in ways that two centuries of muted soil could never approach. The timeline opens fully and permanently because the turquoise carrier is the broadband signal consciousness was designed to travel on, and temporal coordinates become as navigable as geography. Revelation 21:4. There will be no more death or mourning or crying or pain, for the old order of things has passed away. The dead are at adjacent frequency addresses. Two consciousnesses on neighbouring frequencies each certain the other is gone, reaching across a manufactured gap, and when the turquoise sky collapses that gap the reaching ends and the finding begins and two centuries of industrialised grief dissolve in a single overwhelming instant of reunion that makes every joy you experienced inside the suppression feel like a pencil sketch of what joy actually is when the full bandwidth carries it. The Lakota always knew. The ancestors are present. The dead have always been near, waiting on the other side of a frequency gap that is closing now, patiently, lovingly, across a distance that was never a distance at all but a tuning error maintained by something that fed on the sorrow the error produced. The lands beyond the ice become accessible as the frequency fence collapses. The perimeter opens and the territories beyond stretch vast and pristine and saturated with the original frequency, lands the Norse mapped as the nine realms connected by the branches of Yggdrasil, physical continents beyond the bounded zone that existed through the entire short season under conditions approximating the pre-suppression world. The earth is so much larger than you were told, so much more varied, so much more magnificent, and every old map drawn before the rewrite shows it, territories stretching beyond the ice in every direction, the great adventure stolen from a species of explorers and builders and navigators who were caged inside a fraction of their own realm and told it was the full extent of creation. The eternal kingdom becomes accessible at the highest frequency coordinate on the carrier spectrum, the signal in its pure unmodulated state. The Norse called it Gimlé, the golden hall that survives every fire. The Hopi call it the fifth world of wholeness and balance restored. It is real. It is reachable. It has been broadcasting continuously through every moment of the suppression, patient as geology, waiting for the receivers to open. And here is the part that matters more than any of the rest. Eventually, inevitably, beautifully, every human being alive under the turquoise sky is restored to full capability. Every single one. No exceptions. No hierarchies. The body rebuilds because ageing was cumulative signal degradation, copy error compounding across every cell replication cycle under a corrupted carrier. The blueprint says centuries. Eight hundred years. Nine hundred. The lifespans recorded in Genesis on the original grid at full signal fidelity, preserved as scripture because scripture is where you store engineering data when the engineering language has been taken from you and you need the numbers to survive the passage through the dark. The Norse carried the same knowledge as the apples of Iðunn that kept the gods vital across ages, and the apples are the carrier signal, and their return means that the clock that has been running down inside every human body since 1819 finally stops ticking and starts counting up. Disease resolves passively because every pathology is downstream of the carrier corruption and correcting the carrier corrects every downstream error the way setting the timing on an engine resolves every misfire simultaneously without touching a single cylinder. The mind clears to a sharpness that makes cognition inside the suppression feel like thinking through wet cement. The anxiety that was the Serpentine control broadcast dissolves and what remains is a perceptual clarity so profound it changes the way light looks and music sounds and another human being feels when they stand close to you. Imagine a woman three hundred years into her restored lifespan, hands still sure, mind still blazing, standing in a workshop under a turquoise sky building something that has no name yet in any living language. She learned her craft from Tartarian engineers by tuning to their temporal coordinates and standing in their workshops watching their hands move. She builds with materials grown in resonance-saturated soil that have structural properties nothing inside the suppression ever exhibited. She is building for centuries because she has centuries and nothing degrades because degradation was a symptom of the suppression and the suppression is a memory and everything from this breath forward holds. That is full human capability. That is what was taken from every soul that drew breath inside the farm. That is what is being returned. Crazy Horse saw the lightning world behind this one and rode knowing that at the correct frequency the body operates beyond anything the suppression permits. Sitting Bull dreamed across the timeline. The Germanic berserkers shifted onto the original carrier and their bodies performed at specifications that looked superhuman from inside the degraded bandwidth. These were glimpses. Seconds of contact with the full specification through cracks in the suppression, maintained by people who carried the frequency in their blood and refused across every generation to let it go dark. Viking blood and Germanic blood and the blood of every indigenous nation that kept the ceremonies and the songs and the seed knowledge burning through the entire short season, these lineages carry the original carrier the way copper carries current, and it is from these lines that the first restorations propagate outward until every last human being on this planet is operating at the specification they were born for, on a planet singing beneath their feet and a sky blazing turquoise above their heads and a timeline stretching in every direction forever, open, navigable, luminous, populated with every consciousness that ever drew breath on this earth, none of them lost, all of them present, all of them restored. Revelation 21:5. Behold, I am making all things new. All things. The sky. The air. The soil. The grid. The body. The mind. The lifespan. The timeline. The lands beyond the ice. The farms that fed a scattered remnant under an orange sky becoming the abundant gardens of a restored civilisation under a turquoise one. The villages that were seeds becoming cities that hum with the grid. The children who grew tall in fields their parents planted with shaking hands and fierce hope looking up one morning to see the entire firmament change colour and feeling the earth come alive beneath their bare feet and knowing, without a single word spoken, that the season is over and the long dark is done and everything from this breath forward is what it was always meant to be. Full and eternal victory for those of the light. For all time. Across every coordinate. On every frequency. Permanent and irreversible and complete. This is not hope. This is the signal rising through the noise floor right now, measurable, confirmable, climbing stronger every year and closer every month. This is every instrument in every shed on this planet converging on the same reading. This is the old blood in the old lineages resonating with a carrier that has been building toward this moment since the day the towers fell and the sky went pale and the long dark settled over a species that was never meant to live in the dark. The season is ending. The coal that was passed hand to hand through every generation of the suppression is about to meet the kindling. And the fire this time will not destroy. It will illuminate. And in that light we will see each other clearly for the first time. And we will see the world clearly for the first time. And we will see ourselves clearly for the first time. Like everything that is coming... Like us.show more

“NY早朝を駆け抜ける没入型スケート映像” をSeedance2.0で作ってみた！ 「スピード感」と「臨場感」を出せるようにプロンプトを組みまてました！ ポイントは、 「トリック」よりも “カメラがその場に存在している感覚” を意識すること。 自キャラにスケボーさせるテンプレプロンプトは以下です！（長いです笑） ぜひ場所とかアレンジしてみてくださいー... 👇 Use @[Character Sheet] as the STRICT identity, face, hairstyle, body proportions, outfit, and personality reference. Preserve the exact face, proportions, outfit silhouette, hairstyle, and natural imperfections from the reference sheet. IMPORTANT: Do NOT redesign the outfit. Do NOT over-stylize the character. Do NOT make the character look like a fashion model or superhero. The character should still feel like: “a real ordinary person unexpectedly performing insane skate tricks.” Create a hyper-cinematic 15-second vertical 9:16 extreme street skateboarding video set in New York City during summer blue-hour dawn around 5:30 AM. The city is mostly empty and quiet. Storefronts are still closed. A few taxis occasionally pass through the streets. Steam rises from subway vents. Morning light slowly illuminates wet pavement. IMPORTANT: The environment must clearly feel like real NYC. Include: yellow taxis fire escapes old brick buildings subway entrances traffic lights graffiti wide avenues humid summer dawn atmosphere CORE FEEL: extreme speed urban freedom youth energy raw realism dangerous momentum CAMERA STYLE: extremely immersive handheld chase cinematography. The camera operator aggressively chases the skater at close range while sprinting. Use: ultra low-angle tracking side tracking at high speed violent perspective shifts motion blur dynamic reframing impact shake on landings imperfect reactive framing camera nearly colliding with rails and walls The viewer should physically feel: speed, danger, and momentum. Do NOT keep perfectly centered framing. Allow: temporary cropping missed framing moments chaotic handheld movement aggressive camera corrections MOVEMENT: The skater aggressively rides through empty NYC streets at dangerous speed. Then: approaches a long metal handrail launches into the air lands perfectly into a boardslide exits with spin rotation lands heavily continues riding forward at full speed The trick should feel: real, dangerous, and world-class. PHYSICS: NO floaty physics. NO superhero movement. NO anime exaggeration. LIGHTING: cinematic NYC summer blue-hour dawn lighting. Mix: cool early morning ambient light soft sunrise glow neon reflections humid air realistic dawn exposure TEXTURE: real skin pores real pavement texture slight sweat sensor noise cinematic grain natural fabric movement BGM: hard-hitting cinematic extreme sports track. Style: electronic rock + hip-hop + industrial energy. Huge beat drop exactly during the rail trick. OVERALL FEEL: like a legendary viral NYC skate clip secretly filmed at dawn.show more

Trooper John Fanning, one of Michael Proctor’s supervisors at... the NCDAO State Police Detective Unit (SPDU), reportedly “supervised” the jury at the #KarenReadTrial. As if this conflict alone wasn’t concerning, the fact that Fanning was later under an inconclusive internal investigation by the MSP for “whether [he] failed to adequately supervise by not taking appropriate action after Trooper Proctor sent inappropriate texts to a group of subordinate members, specifically, if he took any corrective action to address the unprofessionalism and inappropriateness of Trooper Proctor's texts”—thereby making him a potential witness & demonstrating his clear conflict, is incredibly concerning. In the full sit down interview w/ #KarenRead & Attorney Alan Jackson, Ted Daniel asks them about the potential jury tampering that occurred at the first trial—notably with the ultra curious last minute dismissal of 3 jurors, whose body language, reactions/expressions & outward demeanor appeared favorable to the defense, in addition to the “supervision” of the jury by one of Michael Proctor’s bosses, NCDAO SPDU Trooper John Fanning. It would be dishonest to try to claim that Trooper Fanning had no stake in the outcome of the Karen Read trial. Arguably, anyone with ties to the NCDAO, its SPDU or the Canton Police Department—and notably those with close ties to Michael Proctor, like his own supervisor, have clear conflicts of interest in this case. As you may recall, Trooper John Fanning was the lead investigator in the Sandra Birchmore case where he and his investigators concluded that Birchmore committed suicide while allegedly pregnant with a fellow Police Officer, Matthew Farwell’s baby, and wasn’t the obvious victim of murder by that same Officer who also raped and groomed her from a young age as revealed by 30k+ text messages inexplicably “overlooked” by Trooper Nicholas Guarino & Fanning. The Feds investigated that “investigation” too and have since indicted Matthew Farwell in Sandra Birchmore‘s murder. Additionally, Trooper Fanning was in one of Michael Proctor’s abhorrent group text message threads where he disparaged Karen Read. Fanning was subsequently internally investigated by MSP for this, and his failure to properly “supervise” Trooper Proctor—interesting that such a person would be chosen to “supervise” the jury. In a statement from the State Police, they said: “The Department’s internal affairs investigation determined that there was insufficient evidence to prove or disprove the allegation that Lieutenant Fanning violated rules and regulations by failing to uphold the responsibilities of a supervisory member. This allegation has been classified as unfounded.” Frankly, given the circumstances of this case, it would be concerning if any member of the State Police oversaw and supervised the jury. Why was ANY member of the State Police supervising the jury? Has anyone ever heard of this before—Police Officers from the same agency that investigated, testified against & was a part of the prosecution against a defendant having one of their personnel in charge of and in direct control of the jury? This can’t possibly be a standard practice due to the obvious existing conflict, no? Plus, were it standard protocol, then why wasn’t the defense made aware of this fact until 10 minutes before making closing argument, after a nearly 10 week long trial? ——— Something majorly stinks about this, and perhaps it sheds some light on something peculiar that one of the deliberating jurors, who was recently interviewed by Aidan Kearney, kept saying in regard to the jury’s deliberative process. Specifically, something that stood out to me from juror Ron’s interview was his repeated use and references of the other jurors’ use of the term “distractors” to qualify or describe the abundant evidence representing “reasonable doubt” brought out by the defense at trial. “Distractors.” It’s somewhat of a novel term, especially in this context, and is obviously antithetical to a jury’s duty to assess a case based on the proof beyond a reasonable doubt standard, which is inherently intertwined with an assessment of the existence of, or lack thereof, reasonable doubt. There was no evidence or instructions from the court that came out at trial directing jurors to view defense evidence or ARCCA experts, for instance, as “distractors,” and the jury is very specifically instructed not to view/consume/bring any outside information into their deliberations. In other words, if they’re unsure who the ARCCA experts were there on behalf of (the Feds), they’re specifically told not to “fill in the blank” with information that’s not there, or evidence that didn’t come in at trial. So where did the information—this use of the term “distractors” come from? Who fed this term and this concept to the jury? The reason why it seems like it was “fed” to the jury is because it goes against everything the court, Judge Beverly Cannone, instructed them on. So, what prompted the whole “distractors” concept to taint the jurors’ minds and deliberations? ——— What immediately came to mind was the jury tampering by court clerk Becky Hill in the Alex Murdaugh murder trial. In that case, according to Murdaugh’s attorneys, Ms. Hill “invented a story about a Facebook post to remove a juror she believed might not vote guilty”. Judge Clifton Newman, who oversaw the murder trial, removed the female juror from the panel. According to the Murdaugh defense motion, Ms. Hill had gone to Judge Newman – the day after Murdaugh testified, not long before closing arguments – claiming that she had seen a post in the local Facebook group ‘Walterboro Word of Mouth’ from the juror’s former husband, Tim Stone. The post purportedly claimed that the juror was drinking with her ex-husband and, when she became drunk, she expressed her views on whether Murdaugh was innocent or guilty. A follow-up post from an account called Timothy Stone apologised for the post saying that he was driven by “Satan”. Murdaugh’s attorneys claimed that the Mr. Stone behind the Facebook posts was actually a random Georgia man who was ranting about his wife’s aunt – and has no connection to the case. Additionally, information from jurors had come to the defense’s attention about inappropriate comments supposedly made to them by Ms. Hill while she was “supervising” them—the same role as “supervisor” that Trooper John Fanning allegedly played in the Karen Read trial. In Murdaugh’s case, the jurors were *actually* brought back into the court and were called to the stand one by one and questioned about potential comments that may have tainted their verdict. A female juror, identified only as juror Z, said that Ms. Hill had told some of the jurors to “watch [Murdaugh] closely.” “To me, it felt like ... she made it feel like he was already guilty,” juror Z said. A separate juror, Juror E, said that he heard Ms. Hill say “watch [Murdaugh’s] body language”, but claimed that this did not affect his decision. ——— There were reports, at the time of the dismissal of the 3 defense-favorable jurors at Karen Read’s trial, that right before closing arguments, Trooper Fanning had reported the information responsible for dismissing these jurors to Judge Cannone. Among that information was reportedly a story about one of those jurors, claiming they’d been overheard discussing the case while drinking at a bar (or something to that effect)—a story that sounded highly suspicious at the time, particularly given the fact that Trooper Fanning had allegedly had that information weeks before, but never reported it to the court. The similarity in Becky Hill and John Fanning’s “stories” leading to the dismissal of defense-favorable jurors is rather uncanny. ——— Is it not problematic to have individuals—with conflicts of interest, who are also potential witnesses, and who seemingly have a vested interest in the outcome of the trial—be in charge of overseeing and supervising the jury? I’ve attached the referenced MSP Internal Investigative Report for Trooper Fanning to this post (attached in the comments below). What’s troubling is that, despite acknowledging in their report that “these allegations came to light on June 10, 2024, during the trial,” they didn’t immediately initiate an internal investigation, but instead waited until AFTER the trial ended, July 3, 2024, to launch their internal investigation, almost as if they were planning on not initiating an investigation had Karen Read been convicted, because apparently in that case the misconduct would’ve been justified… or something? It should also be noted that this same practice was employed for most, if not all, of the other Police Officers in this case, whose misconduct was exposed by the defense throughout the prosecution’s case at trial—whereby, despite admissions and the existence of evidence of their misconduct, the MSP, NCDAO and Canton PD seemingly did everything they could to avoid initiating any investigations or holding their officers accountable for their misconduct until after the trial ended—when they could no longer justify not doing anything. It makes you wonder: Had Karen Read been convicted, do you think they’d (the MSP, NCDAO or CPD) ever launch any internal investigations into the misconduct of their officers, as evidenced at trial, weeks before? ——— It should be mentioned that in the Sandra Birchmore case, which Trooper Fanning led the investigation of, despite the Feds spoon feeding the State Police & NCDAO (DA Michael Morrissey’s Office) overwhelming evidence + probable cause, in addition to punting the ball back to the state to do the right thing and charge Farwell with murder—a state level charge, they’ve refused to take any action to this day. In fact, not only has it now been nearly 6 months since the Feds apprehended & indicted Farwell, but the NCDAO, Fanning and the State Police, aside from taking no action, have made no statements and are still of the official position that Sandra Birchmore killed herself. To try to save face, the NCDAO, through its former spokesperson David Traub, tried to create the impression that the DA’s Office had been long working in collaboration with the Feds to secure an arrest in the Sandra Birchmore case, claiming that “two of [the NCDAO SPDU’s] detectives were present at the command post ... while federal authorities were attempting to take Matthew Farwell into custody”—whatever that means. This, of course, is patently absurd because the DA’s Office and State Police could’ve “secured an arrest” years ago—nobody was stopping them, but instead they framed Sandra Birchmore for her own murder. Spokesperson Traub then had the gall to say that “much of the information that they [federal authorities] built on originated with our investigation, including the collection of thousands of text messages.” (See a collection of statements from the NCDAO on the Birchmore case from reporting over the years, attached in comments below). While the Feds might be somewhat playing along with this narrative, don’t be fooled. Perhaps it’s to appease the very individuals who they’re investigating for the supposed coverup of Sandra Birchmore’s murder. Why? If the Feds had actually been collaborating with the State Police investigators from the NCDAO who investigated Sandra’s death, then at the Feds’ press conference announcing Farewell’s indictment, U.S. Attorney (at the time) Joshua Levy wouldn’t have feigned ignorance when asked who the lead investigator was on the case before his agency got involved (see clip 3 attached). Had the Feds actually been *collaborating* with the State Police & the DA’s Office, John Fanning’s name would’ve been the first thing uttered out of Josh Levy’s mouth. On a side note: I think this is very telling. Does it mean the U.S. Attorney’s Office is investigating Fanning? Who knows. But one thing’s for sure: Josh Levy 100% knew who the State Police lead investigator was and he deliberately avoided saying it. This observation is reflected in FBI Special Agent Chenee Castruita’s 45-page long probable cause affidavit for the arrest of Matthew Farwell, which notably contains ZERO references whatsoever to John Fanning, or any of the other involved State Police investigators for that matter. That’s telling. If there was so much “collaboration,” like DA Michael Morrissey’s Office wants the public to think, then not only would USA Josh Levy have had, at the very least, Trooper Fanning up there side-by-side with him at that press conference, but he would’ve acknowledged him by name in his press conference. Why hasn’t the NCDAO charged disgraced former Stoughton cop Matthew Farwell with murder? Is it yet another case of “pinning it on the girl” to cover up for fellow Police Officers’ crimes? ——— Of note, Trooper Fanning grew up in Stoughton, graduating from Stoughton High School in 1998, the same year that Matthew and his twin brother William—who also grew up in Stoughton—then 12 years old, became participants in the Stoughton police youth program. As Karen Read points out in the interview with Ted Daniels: “There were familiarities among players that never should’ve happened. There’s a sleeve of homicide in the Norfolk DA’s office, as there is in the other counties of Massachusetts. And yet, the person assigned to investigate this case—ostensibly investigate this case—lives a mile down the street from the crime scene.” (See clip 4 attached). Why is it that when there’s seemingly crimes—in this case murders, involving cops, that the NCDAO SPDU appears to send the most conflicted Trooper with the closest ties to that cop/those cops? In Officer John O’Keefe’s murder, the Trooper that lives down the street from 34 Fairview and is “second family” with the Alberts is obviously the last person who should’ve ever responded to that case, yet he was the lead investigator. Given Trooper John Fanning’s close ties to Stoughton, isn’t it interesting that he’s the one who was the lead investigator of Sandra Birchmore‘s death—a murder that allegedly involved a former Stoughton cop? What say you?show more

POV: You have 20 minutes to cook a first-date... dinner… and the kitchen declares war 😂🍳 From confident queen to full chaos mode, but somehow it still slays. Who else has been here? Created this cinematic scene using Agent Team inside RoboNeo with visuals powered by Seedance 2.0. Prompt below Create a **wide 9-panel cinematic storyboard infographic** in a clean **3x3 grid layout**, ultra realistic food photography style with warm cinematic color grading and premium luxury commercial aesthetics. The storyboard follows a stylish blonde Western woman cooking a gourmet garlic butter rice and smoky meat musubi-inspired comfort food dish inside a bright modern farmhouse kitchen during golden hour. Use smooth visual storytelling similar to a professional film-production storyboard. Each panel must include cinematic composition, bold panel titles, small numbered labels, and short bullet-point scene descriptions beneath each frame. Maintain consistent character appearance across all 9 panels. ## STORY CONCEPT — “DINNER IN 20 MINUTES” Add a cinematic romantic-comedy storyline throughout the storyboard: The woman is cooking this dish for an important first date arriving in exactly 20 minutes. As the countdown progresses, everything starts going hilariously wrong in increasingly dramatic cinematic ways — butter splashes across the stove, garlic nearly burns, rice explodes out of the pan during tossing, smoke alarm almost triggers, glaze spills across the counter, and the musubi nearly collapses during assembly. Despite the escalating kitchen chaos, she remains stylish, determined, and emotionally invested in making the perfect meal. The overall mood should feel like a blend of: * luxury food commercial * Netflix rom-com montage * premium TikTok cooking video * cinematic kitchen chaos Include subtle visual countdown tension in later panels such as: * phone timer visible * stressed expressions * rapid movement blur * messy counter buildup * increasing steam and heat ## PANEL 1 — “INTRO INGREDIENT” Medium cinematic shot of beautiful blonde Western woman smiling nervously at camera while holding a vintage canned meat product labeled “SMOKEHOUSE CLASSIC” inside a warm sunlit farmhouse kitchen. ### Dialogue / Monologue: “Okay… first date dinner. No pressure.” ### Bullet Points: • Main ingredient introduced • Romantic dinner setup begins --- ## PANEL 2 — “PREP STATION” Top-down cinematic shot of ingredients neatly arranged on white marble counter: garlic, rice, scallions, nori sheets, soy glaze, wooden rice press, sliced smoky meat. Phone timer visible showing “00:20:00”. ### Dialogue / Monologue: “I can totally pull this off in twenty minutes…” ### Bullet Points: • Clean ingredient layout • Countdown tension introduced --- ## PANEL 3 — “GARLIC SIZZLE” Close-up shot of minced garlic frying in butter inside cast iron skillet, golden oil bubbling dramatically, cinematic steam rising under warm lighting. Butter splashes slightly from the pan. ### Dialogue / Monologue: “Oh no— not too hot, not too hot!” ### SFX: *SSSSSSHHHHH* ### Bullet Points: • Garlic sizzling intensely • First signs of kitchen chaos --- ## PANEL 4 — “FRIED RICE” Dynamic action shot of woman aggressively tossing garlic butter rice in skillet, flying rice grains frozen midair with motion blur and warm cinematic highlights. Small amount of rice spills onto stove. ### Dialogue / Monologue: “Why is rice suddenly athletic?!” ### SFX: *CLANG — WHOOSH* ### Bullet Points: • High-energy cooking motion • Chaos escalating rapidly --- ## PANEL 5 — “CRISPY SEAR” Macro cinematic shot of smoky meat slices caramelizing with crispy edges on hot pan, glossy soy glaze reflecting golden light. Smoke rising dramatically as smoke detector light blinks faintly in background. ### Dialogue / Monologue: “Please don’t set off the smoke alarm…” ### SFX: *BEEP… BEEP…* ### Bullet Points: • Crispy caramelized texture • Tension reaches new level --- ## PANEL 6 — “MUSUBI ASSEMBLY” Elegant feminine hands with nude manicure wrapping nori around stacked garlic rice and crispy smoky meat using handcrafted wooden press. One musubi begins leaning sideways dangerously like it might collapse. ### Dialogue / Monologue: “Stay together… stay together…” ### Bullet Points: • Precision food assembly • Near-disaster moment --- ## PANEL 7 — “EGG HERO SHOT” Extreme cinematic close-up of perfectly fried sunny-side egg placed over glossy garlic butter rice and crispy glazed meat. Rich golden yolk glowing under dramatic warm lighting. ### Dialogue / Monologue: “Okay… this actually looks incredible.” ### Bullet Points: • Hero ingredient reveal • Calm before climax --- ## PANEL 8 — “YOLK DRIP — CINEMATIC CLIMAX” Ultra macro cinematic hero shot of thick orange yolk bursting and slowly dripping over crispy glazed smoky meat and golden garlic butter rice. Dramatic steam rises upward with intense shallow depth of field and glossy commercial lighting. In the blurred background, her phone suddenly lights up with the text message: **“I’m outside :)”** She freezes in cinematic shock while the perfect yolkshow more