Motion graphics created by using Seedance 2.0 on Nsketch... AI Prompt ⤵️ Ultra-sleek motion design sequence. Pure black background throughout. White-on-black minimal aesthetic. No cuts — one single continuous unbroken visual evolution. Locked-off static center frame, no camera movement. All motion occurs within the subject. Self-luminous white forms on absolute black, no grain, no shadows. 0–1s [ORIGIN]: A single white point materializes at center frame. It pulses once — three concentric rings ripple outward like a heartbeat and dissolve into black. 1–2s [LINE]: The point stretches into a razor-thin white horizontal line extending edge to edge with elastic ease-out motion. 2–4s [GRID → CIRCLE]: The line multiplies into a precise grid of nine parallel horizontal and vertical lines appearing in staggered succession. The grid warps — outer lines curve inward, the structure rotates, straight lines bend into arcs, converging into a perfect geometric circle outline. 4–6s [WIREFRAME → SOLID SPHERE]: The circle extrudes into a 3D wireframe sphere, every latitude and longitude line crisp, slowly rotating on its vertical axis. The wireframe fills in smoothly — dissolving into a solid white surface with a soft specular highlight in the upper-left quadrant. 6–8s [INTERFACE]: The sphere flattens and unfolds into a clean rectangular plane — a minimal phone interface with rounded corners. Abstract UI elements appear inside: status bar, a grid of rounded app icons, home indicator bar. White line art on black. 8–10s [CUBE → BLOOM]: The interface folds inward, collapsing into an isometric wireframe cube that tumbles once. The cube's six faces peel outward simultaneously, each becoming a smooth white elliptical petal — blooming open like a flower in zero gravity. 10–12s [VORTEX]: The flower dissolves into hundreds of tiny white particles orbiting the center in a controlled elliptical vortex, some clockwise, some counterclockwise, each following a precise mathematical path, flickering softly. 12–13s [WATCH]: The particles decelerate and self-organize — converging and snapping into position to assemble the silhouette of a wristwatch: a clean rectangular case outline with lugs, built entirely from particles. 13–14s [COLLAPSE]: The watch dissolves into fluid white ribbons that compress into a single dense white sphere. It pulses once — brighter than before — then collapses rapidly inward to a single brilliant point. 14–15s [LOGO]: The point holds for one silent beat. Then it expands into a clean minimal brand logo — white sans-serif letterforms on black. A single pulse of warm amber light blooms from center behind the logo, fades to black. White text remains. Style: luxury tech brand motion identity, Bauhaus-minimalist, mathematical precision. Mood: calm, inevitable, intelligent, premium.show more

Turn your imagination into motion on Grok. How? Prompt:... A mysterious beautiful woman sits calmly on a throne made of stars floating in deep space. Galaxies slowly swirl around her like a crown and her dress is made of nebula fabric that gently moves like cosmic smoke. Soft glowing cosmic rim light illuminates her face and detailed realistic skin texture is visible. After a moment she slowly rises from the throne and begins a graceful slow ballet movement in zero gravity. As she stands, the star throne dissolves into thousands of glowing particles and orbiting lights. She performs a soft elegant spin and extends her arms, and her motion causes surrounding galaxies and stardust to follow her movement as if she controls gravity. Her hair flows naturally in weightlessness. No fast dancing — slow, serene ballet, quiet power. The background is deep black space with colorful nebulae and distant suns. Cinematic camera with a slow floating push-in at the beginning, then a gentle orbit around her during the ballet spin, shallow depth of field, smooth motion, no shaking. Scene timing: 0-3 seconds she sits on the star throne with galaxies slowly moving, 3-6 seconds she stands and the throne dissolves into particles, 6-10 seconds she performs a slow ballet spin in zero gravity while galaxies react to her motion. Her movements subtly bend space around her as gravity responds to her presence. Realistic physics, volumetric particles, detailed fabric simulation, no distortion, no extra limbs, no flickering. 4K cinematic quality, 24fps film look, slow motion, calm graceful movement like underwater.show more

Made this exploded object structure animation using Nano Banana... Pro + first & last frame — all done inside one single website. From image generation to video motion, the whole process was surprisingly smooth. Motion Prompt: The pizza slice rotates slowly in place, then smoothly separates into vertical layers. Each ingredient lifts upward in sequence while maintaining natural proportions and alignment. Motion is steady and realistic, with gentle floating and no extra visual effects. Image 1 :- A high-quality, professional food photograph of a single slice of Domino’s-style pepperoni pizza. Golden melted cheese with visible stretch, glossy pepperoni slices on top, thick crust with baked texture. Shot against a clean white background with soft shadows, studio food photography, sharp focus, ultra-realistic textures, 8K resolution. Image 2 :- Create a hyper-realistic exploded vertical infographic composition of a Domino’s pizza slice. At the top, slightly curled pepperoni slices with oil sheen. Below, a thick layer of melted mozzarella cheese stretching naturally. Underneath, a smooth red tomato sauce layer with visible herbs. Below that, a baked pizza dough base showing airy crumb texture and crust edge. Pure white background, soft studio lighting, subtle shadows beneath each floating layer, ultra-sharp focus, clean infographic text labels with thin pointer lines, premium fast-food commercial aesthetic, DSLR macro food photography, 8K quality.show more

A little kite, a little adventure, and lots of... happy moments. Sometimes the simplest days make the sweetest memories. Created on seedance 2.0 Prompt: Create a cute cinematic 14-second 2D anime-style video featuring two completely new child characters in a sunny park: a girl with long dark-brown hair, expressive brown eyes, a pink dress, white socks and pink shoes, and a boy with messy black hair, dark eyes, a blue hoodie, black shorts and white sneakers. Keep their new faces, hairstyles, outfits and proportions consistent. They happily fly a bright orange-red kite through the colorful park until a strong breeze sends it into a tall tree. The boy uses a fallen branch to free the kite while the girl helps, and they catch it together with happy smiles before running through the park and flying it again in warm golden sunlight. Use beautiful Japanese anime-inspired 2D animation, clean line art, expressive eyes, soft cel shading, vibrant colors, detailed backgrounds, smooth movement, cinematic lighting and natural wind effects. No face changes, character redesign, extra characters, duplicates, distorted faces or hands, flickering, photorealism, 3D style, text, logo or watermark. smooth cinematic anime animation.show more

This guy built a visual scanner that reads 468... points on his face and 42 points on his hands from a regular webcam and turns them into a cloud of thousands of particles right between his palms. Inside, MediaPipe and TouchDesigner are linked: the first captures hands and face from the webcam with high accuracy, the second turns those coordinates into a live plane and feeds it into a POP system that instantly generates a swarm of particles in the shape of a head. No studio, no render farmer, no VR headset. Just a laptop, a webcam, and 1 TouchDesigner session. And traditional VJ studios keep teams of 5 people on a setup with lighting, custom hardware, and commercial plugins, while his expenses are only a TouchDesigner subscription and a regular USB camera. One laptop runs MediaPipe and TouchDesigner simultaneously, holds the camera stream at 60 FPS without drops, and in parallel processes 468 face points + 21 points on each hand. The camera captures frame after frame, MediaPipe in real time sends TouchDesigner the finger coordinates and face geometry, and the POP operator inside the engine translates those numbers into thousands of particle points with colors from bright pink to gold. This setup immediately defines the role of the tool and the limits of its autonomy. It knows where the fingertips are at every moment of the frame. It knows how to read the face geometry at any angle to the camera. It knows how to draw a swarm of particles between them with the right color and contour. → MediaPipe pulls 468 points from the face and 21 points from each hand, 60 times per second → TouchDesigner receives those coordinates, builds a virtual rectangle between the fingertips, and feeds it into the POP system → POP generates thousands of particle points in the shape of a head, coloring them in a gradient from bright pink to gold → The HUD layer adds green corners and a blue neon frame, styling the image like an AR interface → All layers assemble into 1 real-time frame that projects back onto the video in the camera window → The final image is recorded to a file or broadcast to a projector for a live installation And only when the guy spreads his hands wider does the plane between the palms stretch; brings them together, it narrows. Otherwise the system runs on its own. And when he moves from his home room to a concert hall, the same laptop with the same webcam launches the same TouchDesigner session in just 5 minutes, without reconfiguration, without a new team, and without a single line of new code. In his work setup there is no studio of his own and no team for assembly. On the desk sits a laptop with a webcam, on top run MediaPipe and TouchDesigner with POP operators, and the same setup through a USB camera moves to any concert without a new configuration. Out of everything I have seen this year, this is the cleanest Creative Coding setup on 1 laptop: 0 render farms, 0 studio lighting, and between them 3 libraries, thousands of particle points, and 1 webcam.show more

Seedance2.0 × パルクール Prompt ↓ A hyper-realistic, 8K resolution,... adrenaline-fueled single-take POV action sequence. The camera is chest-mounted on a man wearing camouflage joggers and worn-out black-and-white sneakers. He stands on the dizzying edge of a rusted skyscraper, 1000 feet above a crystalline turquoise ocean. No clouds, no haze—just a sheer, terrifying vertical drop into the deep blue. [The Initial Freefall] The sequence begins with a sudden, heart-stopping leap into a 20-meter vertical freefall. The camera points directly at his feet as the sea surface rushes toward the lens. A deafening, high-pitched whistling 'Hyuo' wind screams past the microphone. Just before the impact, he catches a lower rusted horizontal bar with both hands—white wristband visible—and swings his body forward to land on a tiny vertical pole. [The Rhythmic Jumps & The Near-Death Slip] He immediately begins a rhythmic series of high-speed jumps: Jump 1: A clean, agile spring to a second vertical pole 2 meters away. Jump 2: A rapid leap to a thin, rusted horizontal pipe. Jump 3 (The Slip): As he jumps toward the third vertical pole, his right sneaker completely misses the mark and slides off the rusted metal. The camera tilts violently over the edge, staring straight down at the 1000-foot abyss. He lets out a sharp, panicked gasp. For a terrifying second, his body leans into the void, but he desperately claws at the pole with his fingers, his boots scrambling against the side until he manages to hook his leg and haul himself back up. Jump 4: Still trembling, he forces a frantic, heavy-breathing leap to the next bar to keep the momentum. Jump 5: A final, explosive long-distance jump to a swaying metal platform. He lands with a heavy, jarring metallic 'Clang', his body hunching low, gripping the vibrating metal for dear life. [The Ending] The camera remains in a low, fetal position on the final bar, shaking from the adrenaline. No dialogue. The audio is a visceral layer of the aggressive 'Hyuo' wind, his intense, ragged, and rapid gasping for air, and a loud, thumping heartbeat that resonates as if inside his chest. The harsh midday sun glints off the ocean waves far below, creating a blinding, beautiful, yet lethal glare. Cinematic materials, fluid 120fps motion, hyper-detailed rust and skin textures.show more

We have released Seedance 2.0. Due to the 2500-character... limit, please translate the following prompts into Chinese before use. [Technical Specs] Generate a 10-second, 16:9, 720p cinematic video. Smooth continuous camera motion with no cuts. The overall pacing is fast and tightly compressed, with rapid escalation from start to finish. Audio evolves quickly from a high-performance engine idle into intricate mechanical shifting and clicks, culminating in a soft electronic chime and the distinct sound of a "mwah" blowing kiss. [Global Constraints] Only the evolving mechanical character appears; no other humans or characters. All transformations must follow physical logic and maintain structural continuity. No object should pass through or intersect with other solid objects. Every robotic component must originate from visible parts of the Porsche 911 (doors, hood, wheels, chassis) through unfolding, splitting, or reconfiguration. [Scene Setup — 0:00–0:01] A sleek, metallic silver Porsche 911 sits on a rain-slicked futuristic city street at night, neon lights reflecting off its polished surface. The camera starts at a low-angle front-quarter view and begins a fast, smooth tracking-arc towards the side. [Rapid Transformation Initiation — 0:01–0:03] Transformation triggers instantly. The car’s suspension drops, and the frame begins to fracture into a complex grid of panels. The doors swing open and begin to segment into articulated arm structures. The front hood splits down the center, folding inward to reveal a glowing internal core. The headlights flicker and start to reorient as the "eyes." [Accelerated Feminine Reconfiguration — 0:03–0:07] The mechanical action is dense, overlapping, and fluid, emphasizing graceful but powerful motion. Lower Body: The rear wheels and wheel arches split and rotate downward, reassembling into slender, high-heeled mechanical legs. Torso: The roof and rear engine cover slide and compress, forming a sleek, curvaceous hourglass torso that retains the car’s aerodynamic lines. Arms & Hands: The side mirrors and door panels unfold into delicate but strong hands and fingers. Head: The front bumper and emblem area segment and rise, folding into a feminine-shaped head with a sleek metallic "helmet" visor. [Logical Transformation Constraints — No Spontaneous Appearance] The robot’s "skin" is composed of the car's outer silver panels. The internal frame and wiring emerge from the engine and undercarriage. No parts appear out of thin air; every joint is a reconfigured automotive component. [Transformation Completion — 0:07–0:08.5] The robot stands tall and elegant. The silver panels lock into place with a satisfying "click," revealing glowing blue LED accents in the seams. The silhouette is clearly feminine, humanoid, and sophisticated, reflecting the premium design of the original vehicle. [Final Hero Ending — 0:08.5–0:10] As the robot stabilizes, the camera performs a rapid, smooth zoom-in (Dolly-In) directly to her face. The robot tilts its head slightly, and the optic sensors (eyes) brighten. It brings its mechanical hand to its metallic lips and performs a graceful blowing kiss (fly-kiss) gesture toward the camera. The video ends with a close-up of the face, capturing the reflection of neon lights in its visor just as the kiss is released. [Cinematography Notes] Continuous Motion: No cuts or fades; the camera must transition from the car-tracking shot to the face-zoom seamlessly. Material Consistency: The robot must maintain the exact metallic silver paint, texture, and reflections of the Porsche. Energy: The transformation should feel high-energy and "force-driven," while the final gesture is soft and charismatic.show more

GRWM now Seedance 2.0 on Higgsfield AI 🧩 Prompt... : Create a realistic GRWM (Get Ready With Me) lifestyle video featuring a beautiful Korean woman with long silky black hair, natural glowing skin, and a fresh, effortless look. Modern minimalist apartment, warm morning sunlight streaming through large windows, cozy neutral-toned bedroom and vanity, premium fashion vlog aesthetic, cinematic handheld camera, ultra-realistic lifestyle photography. The video opens with her stepping out of the bathroom wrapped in a clean white bath towel, her damp hair falling naturally over her shoulders. She smiles softly toward the mirror, gently towel-dries her hair, and enjoys the quiet morning atmosphere. She walks to her vanity and begins her skincare routine, applying moisturizer, serum, and lip balm while looking into the mirror. Warm sunlight highlights her fresh complexion as she finishes with a relaxed smile. Next, she blow-dries her hair, styles it into soft waves, and smooths the final strands with her fingers. Cinematic close-ups capture the movement and shine of her hair. She applies light everyday makeup—foundation, blush, mascara, soft eyeliner, and a natural lip tint. Macro beauty shots showcase each step while maintaining a clean, minimal aesthetic. She walks to her wardrobe, slides open the closet, and browses several outfits before choosing a fitted white crop top and high-waisted blue jeans. She changes into the outfit, adjusts the fit, and smiles confidently. She completes the look with small gold hoop earrings, a delicate necklace, a bracelet, and a light spray of perfume. She picks up a small handbag and slips on white sneakers. Standing in front of a full-length mirror, she checks her outfit from different angles, tucks a strand of hair behind her ear, smiles naturally, and takes a quick mirror selfie. The video ends with her opening the apartment door, walking out into the bright morning sunlight with confidence as the camera follows her from behind before slowly pulling back. Style: premium GRWM fashion vlog, realistic lifestyle content, cinematic handheld and gimbal shots, soft natural lighting, cozy apartment aesthetic, photorealistic, elegant camera transitions, warm neutral color grading, luxury social media content, 4K HDR, 16:9 widescreen, no subtitles, no text overlays.show more

A FULL ANIME FIGHT SCENE GENERATED WITH AI. AND... THE PROMPT IS PUBLIC. Higgsfield just open-sourced its Originals: their flagship in-house productions are now fully transparent. For every video you can see: → the full prompt → every reference (image and audio) → the exact generation settings: model, quality, resolution This clip has a creature transformation, two-character fight choreography, slow motion, even pink blood to dodge the gore. All described in a single prompt you can copy, reproduce or remix as is. Full prompt: "Girll with blue hair and guy with black hair enters empty classroom at dusk, red-orange sky bleeding through tall windows, desks and chairs overturned and scattered with loose papers on the floor; the black-bob girl in a white sailor uniform with blue collar sits collapsed against the wall beneath the blackboard, knees drawn up, sweat soaking her bangs, shoulders convulsing in short spasms, one hand pressed to her stomach, breath ragged and wet. Blue-haired girl in a navy school blazer and pleated skirt enters first through the sliding door, kusarigama scythe held low at her side, blade catching the red window-light; black-haired boy in an open-collar white shirt and loosened tie follows a beat behind, war hammer resting on his shoulder, smirk fading as he sees the sick girl. Camera pushes in low and fast toward the collapsed girl, handheld micro-shake, then whip-pans to the two arrivals freezing in the doorway. The sick girl's spine arches unnaturally, a wet tearing sound as her skin splits along the shoulder blades, bone spurs punching outward, extra eyelids blistering open across her collarbone and cheeks — camera holds in a static wide as the transformation escalates, cutting to tight inserts of individual eyes opening one by one along her growing arms, her school uniform shredding as the body doubles then triples in mass, clawed feet cracking the floorboards, her head deforming into a horned, skull-white cranium ringed with curved fangs, one massive central eye where her face used to be, remnants of the blue collar-ribbon still hanging from a warped throat. She rises to full monster height, towering over the desks, guttural roar rattling the windows. Blue-haired girl plants her feet and swings the scythe up into guard as the boy drops the hammer off his shoulder into a two-handed grip; camera does a fast 180-degree orbit around both of them as they charge. Dutch-angle low shot as the boy closes distance first, hammer swinging in a wide horizontal arc into the monster's leg — impact throws him sideways through a row of desks, wood splintering, into the side wall, plaster cracking around his body, hard cut to his grunt and a slow recovery push off the wall. Blue-haired girl vaults over the wreckage, scythe trailing a whip of motion blur, camera speed-ramping into slow motion as the curved blade connects across the monster's forearm — hot pink ichor sprays in thick arcing ribbons instead of red blood, droplets suspended mid-air in the slowed frame, blade sound a wet metallic tear. Monster backhands her mid-recovery, camera whip-pans to follow her body slamming into the blackboard, chalk dust exploding outward, board cracking down the middle. Rapid cross-cutting: low hero-angle on the boy re-entering with a rising hammer strike into the monster's exposed ribcage-like plating, close slow-mo insert on the point of impact as bone-white shards and pink fluid burst outward; over-the-shoulder shot from the monster's height looking down as both fighters flank it from opposite sides. Girl's scythe hooks into the monster's shoulder joint, camera locked tight on her straining grip and gritted teeth as she wrenches it downward, boy's hammer following through into the same joint a half-second later — impact sound layered, thick and final, monster's roar breaking into a low collapsing groan as its mass folds inward and it drops to its knees then face-first into the floor in a slow, weighty fall, camera pulling back and up into a wide static shot of the wrecked classroom settling into stillness. Both fighters stand over the fallen mass, weapons lowering, chests heaving, camera slowly circling them at floor level; blue-haired girl wipes pink fluid off her cheek with the back of her wrist and starts laughing between breaths, boy lets the hammer head drop to the floor with a thud and laughs too, leaning against a desk, both grinning, exhausted, shoulder-checking each other, red dusk light still pouring through the cracked windows. Ambient sound throughout: creaking wood, scattering papers, cracking plaster, wet impact foley, labored breathing, the monster's guttural vocalizations, ending on genuine breathless laughter. Render risk: full-body transformation sequence may render as a static morph or skip frames — fallback to hard-cutting between three discrete transformation stages rather than one continuous morph if the engine smooths it into mush. Risk: pink blood may drift toward red under default color grading — reinforce with explicit magenta-pink hue callouts at each blood beat. Risk: multi-character wide fight choreography may merge the two fighters' silhouettes in wide shots — favor alternating single-subject framing over simultaneous two-shot action if clarity fails." Made with Seedance 2.0 on Higgsfield AI Full open-sourced prompts & assets below👇show more

Megan Fox really knows how to draw everyone's attention,... don't you think?🤩😏 VIdeo by Kling 3.0 via Higgsfield AI (More videos for my subscribers!) Video & Image prompts below👇🏻 🔴 Video Prompt: Subject slowly rises from kneeling position on fluffy white rug — movement begins with a natural, fluid push upward from knees to standing. As she rises, hips sway gently and playfully, body moves naturally with soft feminine energy, not exaggerated. Hair still mid-ponytail, hands finish tying it as she stands. Camera rises simultaneously with her, tracking from chest level up to face level as she reaches full standing height. Full body visible throughout the rise. At 8 seconds: she leans slightly forward toward camera, eyes locked, and softly tongue out to the camera lens. At 9-10 seconds: she pulls back, gives one final direct look into camera, then flashes a peace sign with a slight smirk. Style: Cinematic, smooth camera movement, natural bedroom lighting with soft daylight from window, warm neon glow from "Keor" sign in background. Realistic, no sudden cuts, fluid motion throughout. 10 seconds total. 🔴 Image Prompt: A Megan Fox with fair skin, freckles across her face and shoulders, and striking blue eyes is kneeling on a thick, fluffy white rug in a messy bedroom. She has long, black hair that she is actively gathering with both hands to tie into a high ponytail; her right hand holds the base of the ponytail near the crown of her head while her left hand pulls the length of her hair through. She is wearing a fitted light green lime ribbed tank top with V neckline and fuchsia gym shorts bottoms. Her expression is direct and slightly serious as she looks straight at the camera from a high angle. The bedroom background features an unmade pink bed with rumpled light-colored sheets and pillows, scattered clothes on the floor and bed, a white nightstand with a modern lamp, a stack of books, a big poster of Inuyasha manga characters, a little neon written 'Keor' on wall, and a window with sheer curtains letting in natural daylight. The overall scene has a casual, lived-in atmosphere with soft natural lighting."show more

Hope this smile makes your day a little brighter.... 👉 SUBSCRIBE FOR MORE EXCLUSIVE VIDEOS (You won’t see on the main feed)🤤 Videos Made With AI My own Idea, Style & Design Prompted & Edited By Me Prompt I used: A beautiful young woman with fair skin, bright blue eyes, and soft makeup including glossy pink lips and subtle blush, her long wavy blonde hair pulled up into a high ponytail with loose strands framing her face. She stands in front of a large round gold-framed mirror taking a selfie with a gold smartphone held in her left hand. At the start of the video she smiling softly at her reflection. She then brings her hand up to blow a gentle kiss toward the camera, her expression shifting from a playful smile to a soft pout and then to a warm, affectionate look as she mouths the words “I love you so much.” Her posture remains relaxed and natural throughout, with slight head tilts and natural body movement. She wears a mustard-yellow off-shoulder crop top with black polka dots, short puffed sleeves, and a thin drawstring at the center, paired with a matching mustard-yellow wrap-style skirt also patterned with black polka dots and tied in a knot at the hip. She has small gold hoop earrings, a delicate gold chain bracelet on her left wrist, and neatly manicured light-pink nails. The setting is a bright, modern indoor living space with soft neutral walls, a white upright piano visible in the background, potted green plants, a white sofa, and a wooden side table with a lamp. Soft natural daylight fills the room, creating gentle highlights on her skin and clothing with a warm, flattering glow and no harsh shadows. Shot as a continuous mirror-selfie style video on an 85mm lens, realistic skin texture, high detail, soft natural window light, subtle cinematic color grade with warm tones, smooth natural motion, and shallow depth of field focusing on her face.show more

Created on seedance 2.0 Prompt: Create a luxurious, hyper-realistic... 9-second cinematic food video in vertical 9:16 format, warm golden lighting, shallow depth of field, and mouthwatering detail. Show the satisfying step-by-step process of making perfect cinnamon rolls. Scene-by-scene breakdown: 0-1s: Close-up of hands using a wooden rolling pin to roll out soft dough on a floured wooden countertop, flour gently flying in the air. 1-2s: A metal spatula smoothly spreads rich, glossy butter in elegant swirls across the flattened dough. 2-3s: Dramatic slow-motion shot of fragrant brown cinnamon sugar pouring and cascading from above, forming a beautiful mound on the buttered dough. 3-4s: Hands gently roll the dough into a tight spiral log, revealing the perfect cinnamon swirl inside. 4-5s: A thin thread slices cleanly through the rolled dough, cutting it into even cinnamon roll portions on the wooden board. 5-6s: Golden baked cinnamon rolls rising in a warm oven with soft steam rising around them. 6-7s: Thick, creamy white icing poured slowly from above, dripping luxuriously down the sides of a fresh, warm cinnamon roll on a plate. 7-8s: Extreme close-up of the glossy icing slowly dripping over the golden, flaky layers. 8-9s: A pair of hands pulls apart a warm cinnamon roll, revealing a perfect heart-shaped cinnamon swirl in the soft, fluffy interior, with steam gently rising. Final shot of a beautifully glazed cinnamon roll on a wooden plate with more rolls softly blurred in the background. Style: Professional food cinematography, ultra-detailed textures, cozy bakery atmosphere, appetizing colors, smooth camera movements, high-end 4K quality, satisfying and ASMR-style visual storytelling."show more

What if modern medicine felt like a work of... art? Today SONATA is live in NYC, SF, and LA, and we couldn't be prouder to have helped bring it into the world. Sonata maps your whole genome, hundreds of biomarkers, your cellular age, and then puts a real care team on top of the whole picture. Healthcare built for your biology, actually yours. When the founder, Sagan Schultz first walked us through his vision of concierge medicine, genomics, biomarkers, and contextual intelligence woven into one experience, we knew right away we wanted to make something harmonious, artful, and calm; a brand you'd trust with your body. A ‘sonata’ is a musical form built on structure: distinct movements, precise notation, played with feeling. That felt like everything care should be; mathematical underneath, human on the surface. We knew this name was perfect. Visually, we rendered a calla lily 🌷in cross-processed colors of petal blues, sunset corals, and an iridescent wash to give the data-heavy brand room to breathe in airy, open spaces. Then we built the counterpoints of exacting copy, fine atomic details of UI, data charts, and user flows. The elegant wordmark paired against against a living flower felt like the right balance. We carried that discipline into motion and the product itself. The flower breathes rather than spins. Interfaces settle with an unhurried weight. The user flows follow the same logic: one step at a time, plain language, your results building into a picture as you go, a doctor visible at the end of every decision. We treated movement and flow as clinical trust signals: a system this confident doesn't need to shout. All of it is tuned to one job, helping you be present with your body's information. We aimed to make a new medicine brand that felt modern and timeless at once. ~ Little Plains helped create the naming, brand strategy, positioning, verbal system, visual identity, motion design, and product surfaces where the science becomes care. Grateful to Sagan, David, Hiya, Dev, and the SONATA team for the trust. Your health story begins today. 🌸show more

From chaos to confidence, one spark changed everything. Sometimes... your greatest power is the courage to transform. Created this 13-second on using Seedance 2.0 on WaveSpeedAI Prompt: A cinematic action sequence featuring a confident young woman with auburn hair tied in a ponytail, wearing a black leather jacket, dark pants, and combat boots. She runs through a ruined city street filled with smoke, debris, abandoned vehicles, and attacking zombie-like creatures. The camera follows with dynamic handheld tracking shots and dramatic slow motion. As enemies surround her, she stops, raises her arms, and a brilliant golden energy erupts from her body, forming glowing rings and powerful light waves that blast the monsters away. The destruction instantly transforms into a luxurious modern shopping boulevard with elegant boutiques, warm golden-hour sunlight, clean streets, and fashionable pedestrians. The woman's outfit seamlessly changes into a stylish beige blazer, white blouse, pleated skirt, and high heels while she confidently walks forward carrying a brown leather handbag. Cinematic lighting, ultra-realistic details, smooth transition, Hollywood VFX, volumetric lighting, shallow depth of field, 35mm anamorphic lens, dramatic camera movement, high-end fashion commercial meets superhero transformation, 4K, 16:9show more

From an ordinary man to a celestial warrior, this... cinematic transformation. Created with Seedance 2.0 on Lart AI . Unreal visuals, smooth motion, and movie-quality storytelling. Try yours here 👇 Prompt: Duration: 10 seconds Style: Ultra-cinematic, photorealistic IMAX realism, continuous single shot, no cuts. --- Character & Setup Use Image as the identity reference. Preserve the exact facial identity, facial structure, hairstyle, skin tone, and proportions throughout the entire sequence. His face is bruised with a small streak of blood at the corner of his mouth. He looks exhausted after battle. During the transformation, he shows restrained pain with only a slight frown—no exaggerated screaming. Armor design is inspired by image2. His clothing is battle-damaged, torn, dusty, and partially burned. In his right hand he tightly grips a glowing Holy Ring Crystal Core radiating intense white-blue divine energy. Environment Apocalyptic Jakarta under a dark overcast sky. Ruined skyscrapers, burning buildings, drifting ash, smoke, flying debris, distant fires, and flaming meteors crossing the sky. Cold grey-blue cinematic color palette with dramatic atmosphere. Visual Style Photorealistic cinematic realism, IMAX-quality visuals, 35mm Panavision lens, handheld camera with subtle breathing movement, compressed shadows, highly detailed textures, slight edge softness, natural film grain, grounded realism. Thousands of glowing feathers physically assemble the armor with a powerful divine aura, combining biological pain with advanced alien technology. --- 0–2.5s — Fall The hero crashes violently into broken concrete and rubble, creating a powerful dust explosion. The handheld camera shakes from the impact. He slowly rises to one knee, breathing heavily while staring at the glowing Holy Ring Crystal Core in his right hand. 2.5–5s — Awakening He quietly whispers, "Berubah!", then crushes the crystal. A blinding white-blue beam erupts into the sky. Thousands of glowing feathers materialize and spiral around him. They wrap around his arm, chest, and entire body. His eyes become pure white as a faint golden halo symbol briefly appears behind him. 5–7.5s — Transformation Sacred energy explodes outward. White smoke, golden sparks, and streams of blue energy surround him. Feather light solidifies into mechanical armor components that rapidly lock onto his torso, arms, legs, and shoulders with satisfying metallic clicks. The camera circles smoothly around him during the transformation. 7.5–10s — Completion The transformation completes into magnificent white-platinum armor with pearl-like metallic surfaces, elegant golden engravings, and glowing blue energy flowing through every armor seam. Massive mechanical angel wings unfold dramatically, scattering thousands of glowing feathers. A radiant halo appears behind him while a transparent energy helmet forms over his face. Two blazing holy energy blades materialize in his hands. The camera pulls back to a low-angle full-body shot as divine energy lifts rocks and debris into the air. In the final second, the armored angel launches straight upward at incredible speed, blasting out of frame as the camera violently shakes from the shockwave.show more

Seedance 2.0 via higgsfield Prompt: A photorealistic badminton vlog... filmed like a real home video with a DV 16mm handheld camcorder. Natural handheld camera shake, soft autofocus, slightly imperfect framing, subtle tape grain, muted colors, realistic indoor lighting, and authentic early-2000s camcorder quality. CHASE, a Korean woman in her 20s with long black hair tied in a ponytail, wearing a modest long-sleeve athletic top, loose black joggers, and white sneakers, walks into a quiet indoor badminton court carrying a racket and sports bag. She smiles naturally at the camera, props it on a bench, performs a few warm-up swings, then plays a short, realistic rally with one partner, making smooth and physically accurate badminton movements. After winning the final point with a clean shot, she laughs, wipes sweat from her forehead with a towel, picks up the camera, gives a thumbs-up, waves warmly, and says, "That was fun! See you next time. Bye!" The video should look completely real, with consistent facial features, natural body movement, accurate racket and shuttlecock physics, no visual glitches, no extra fingers, no duplicated objects, and smooth cinematic realism throughout.show more

john wick seedance text to video prompt： [STYLE /... CINEMATIC SETUP] A 10.5-second, 16:9 photorealistic AAA action-game cinematic rendered at real-time speed with no slow motion. The setting is a cramped, cluttered late-night Asian restaurant connected to a rain-soaked street. Cyan-green fluorescent light, red neon and warm practical lamps create a high-contrast mixed-light environment, with reflections across wet floors and pavement. Shoot with a 35mm spherical lens, shallow-to-moderate depth of field and cinematic motion blur appropriate to the actual speed of movement. Use close shoulder-mounted and handheld coverage, connecting seven short close-combat shots with fast hard cuts. The camera instinctively pans, retreats or drops with each block, takedown and collision while keeping the action and contact points readable. No dialogue, no subtitles and no BGM. Generate only synchronized rain, appliance hum, urgent footsteps, fabric movement, body impacts, gunshots, metal contact and breaking glass. [IMAGE REFERENCES] No external still-image reference. Follow the written character and environment descriptions consistently. If the platform supports reference video, use the supplied video only as a reference for editing rhythm, camera distance, action direction and lighting atmosphere, not for copying a specific actor’s identity. The protagonist remains the same lean, agile man in his early forties throughout the sequence: neck-length black hair swept back, a short beard, a tired but focused face, a slightly wrinkled black suit, white shirt and narrow black tie, all carrying faint rain and wear marks. Preserve his face, hairstyle, body proportions, clothing and screen direction across all seven shots. Keep every opponent visually distinct: a man in a blue work uniform, a bald man in a navy jacket, a heavy man in a black jacket, a bald counter attacker, a red-headband attacker, a red-jacketed armed attacker and a heavy man in a dark green coat outside. [TIMELINE SECOND BY SECOND] 0–1.9s: [Shoulder-height medium close-up, tight lateral handheld tracking, real-time speed] The protagonist stands on screen left, pinning the blue-uniformed attacker against a glass refrigerator with his left forearm and palm. He delivers two compact, weighted elbow and palm-heel strikes. Each impact drives the attacker’s head into the refrigerator door, loosening his white headband and leaving a small blood trace on the glass; the attacker finishes sliding down the door while the protagonist remains standing. 1.9–4.3s: [Medium shot transitioning into a high-angle overhead, shoulder-mounted drop, real-time speed] Hard cut near the restaurant’s rear entrance. The bald attacker in a navy jacket locks the protagonist from behind. The protagonist lowers his center of gravity, traps the attacker’s arm and rotates his hips, throwing him heavily over the shoulder onto the wet floor. The camera drops with them into an overhead view. Kneeling across the attacker’s torso, the protagonist draws a compact black pistol and fires one downward shot; recoil travels through his wrist and the attacker jolts once before becoming still. 4.3–5.9s: [Tight medium shot, lateral handheld follow, real-time speed] Hard cut with both men already upright. A heavy attacker in a black jacket swings from screen right. The protagonist slips outside the punch, allowing it to pass close to his face, circles behind the attacker and locks his shoulder and neck off balance. He presses the pistol close to the side of the attacker’s head and fires. The muzzle flash briefly illuminates both faces; the attacker’s head and shoulders snap backward and his body begins to collapse. 5.9–7.9s: [Counter-height medium close-up, subtle handheld push-in, real-time speed] Hard cut to the restaurant counter. Another bald attacker bends forward and clamps around the protagonist’s waist. The protagonist pins the attacker’s head and neck under his left arm while grabbing a short, rigid pointed utensil from the counter. He drives two compact downward thrusts into the upper shoulder and side of the neck. Each contact bends the attacker’s knees further; a restrained amount of blood marks the shirt and counter edge before the attacker hangs helplessly beneath the protagonist’s controlling arm. 7.9–9.0s: [Two-person medium close-up, fast pan with a short retreat, real-time speed] Hard cut as the red-headband attacker rushes into close range. He throws a wide hook from screen right. The protagonist raises his forearm to block, catches the wrist and pulls it outward, then drives a palm heel and forearm into the attacker’s face. The camera retreats with the impact as the attacker loses his balance and staggers toward the rear right of the frame. 9.0–9.9s: [Low-angle wide shot, slight arc around the action, real-time speed] Hard cut to a wider section of the restaurant. The red-jacketed armed attacker advances from screen left. Holding a long black firearm with both hands, the protagonist uses it as a blunt weapon and swings horizontally from right to left. The weapon strikes the attacker’s upper chest and shoulder, rotating his torso, crossing his feet and sending him off balance toward screen left. 9.9–10.5s: [Exterior rainy-street medium shot, fast parallel tracking, real-time speed] Hard cut outside the restaurant. The protagonist already controls a heavy attacker in a dark green coat and uses his forward momentum to drive the man’s head and upper body into the side window of a parked black station wagon. The glass bursts inward at the contact point, scattering both large and fine fragments. The attacker folds through the broken window while the protagonist regains stable footing beside the car, ending with glass fragments still falling. [STYLE & QUALITY BOOSTERS] Maintain the protagonist’s face, black suit, white shirt, tie, hairstyle and body proportions through every hard cut. The pistol, pointed utensil, injuries and blood marks must appear only in their designated shots and must never morph or change ownership. Throws, recoil, strike reactions, loss of balance and window breakage must show believable weight, inertia and precise contact. Apply motion blur only to rapidly moving arms, weapons, glass fragments and camera-relative backgrounds. No sudden face or costume changes; no extra fingers, fused limbs or inverted joints; no morphing weapons, utensils or vehicles; no foot sliding or rubber-like collision reactions; no blood, bullet damage or glass fragments appearing before physical contact.show more

Sadie Sink. Nano Banana Pro → Grok Imagine Prompt:... { "aspect_ratio": "4:5", "prompt": { "subject": { "description": "An adult woman Sadie Sink. Fair skin with a warm glow and visible light freckles across the cheeks and chest. Soft glam makeup with defined brows, subtle eyeliner/mascara, and a natural rosy-nude lip. Strawberry-auburn hair pulled into a high ponytail with a few loose face-framing strands. She wears large silver hoop earrings and oversized black rectangular eyeglasses. Expression is playful and confident, giving a flirty side-eye toward the camera.", "clothing": "A fitted deep-green short-sleeve cropped top with a front zipper that’s partially unzipped, ribbed knit texture. A red/orange plaid mini skirt with a structured fit and visible plaid pattern. Layered silver necklaces (one sits like a choker chain). Long pale manicure. She’s holding a large white starbucks coffee cup.", "pose": "She is reclined across the passenger seat of a car, leaning back into the seat with one arm raised behind her head, elbow bent. Her torso angles toward the camera, hips slightly turned. The other hand holds the coffee cup near her lap. Medium shot framed from head to mid-thigh, camera positioned close from the driver-side angle for an intimate in-car perspective." }, "environment": { "location": "Inside a car parked in an indoor parking garage.", "details": "Black leather car seats and door panel, visible stitching, dark interior trim. Through the window, a parking garage corridor is visible with brightly colored wall panels (yellow, teal, and red) and a white door in the background.", "background": "Clean indoor garage setting with geometric color blocks and soft depth; background slightly out of focus to keep attention on the subject." }, "lighting_and_quality": { "lighting": "Direct on-camera flash creating crisp highlights on skin, hair, and the ribbed green fabric; strong subject separation from the darker car interior with mild shadow falloff.", "resolution": "4K HD quality, highly detailed textures on freckles, hair strands, ribbed knit fabric, plaid skirt weave, leather seat grain, eyeglass reflections, and cup surface.", "style": "Realistic candid smartphone photo taken by someone else (not a selfie), reference-faithful composition and pose, sharp subject focus with slightly softer background depth, no text, no watermark, no extra people." } } }show more

There is a room in Málaga that was built... to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.show more

TIMED DIALOGUE IN A NIGHTCLUB. THREE WALLS FALL AT... ONCE. Nightclub sketch, cut in two halves. Black-and-white first - a couple making out on a couch, someone laughing off-camera. Then color reveals the setup: guy walks up with a drink, delivers a line, she gives him a one-sentence answer that changes the picture, he pauses, then kisses her anyway. None of them exist. It's fully generated, both halves. - What used to be four problems is now one clip Character consistency across a cut - same two faces in B&W and in color. Two-person dialogue with alternating lip sync - three separate English lines, all on time, all matching mouth shapes. Nightclub lighting - low light, saturated color wash, moving sources - was the last hard lighting environment for AI video to render without collapsing into noise. And a kiss - two faces contacting without merging into each other, which has been one of the persistent tells. Any one of these has been solvable for maybe six months. All four in one sketch was still a demo-reel problem in early 2026. - The B&W cut is doing two jobs The editing choice isn't style. It's engineering. Splitting a 15-second sketch into two 5-7 second clips means the model only has to hold consistency inside each segment, not across the whole thing. Monochrome also hides small differences between the two generations - if the girl's face is 3% off between the halves, B&W flattens the delta. Color grading in the second half does the reverse job. Two seams, both hidden by the aesthetic. - The comic beat is the actual craft Generating a kiss is one problem. Generating a kiss that lands as a punchline is a different one. The half-second where he pauses, processes, and decides not to care - that timing has to be prompted specifically. The default output of every current model is a rushed sequence with no beats. Deadpan comic delivery out of AI video means the operator wrote the prompt the way a screenwriter would - pauses, reactions, holds, all specified frame by frame. - What it costs Two 5-7 second clips at $3-5 each with in-model audio. Locked character references for both actors so the faces match across the cut. Prompt structured as a mini-script with beat notation. Realistically 40-60 rerolls to land the timing on all three spoken lines and the kiss. Under $200 in compute. A weekend from concept to publish-ready. - What this actually opens Short-form comedy has been the one segment of content nobody was making with AI video yet, because you can't fake comic timing when your output has drift and glitches. That barrier just came down. Which means every sketch account, every meme page, every stand-up clip factory now has a pipeline that doesn't require booking actors, renting a location, or getting a laugh out of a live crew. That's a real shift in a market that produces billions of views a month.show more

From International Space Station, we have a unique vantage... point to observe lightning storms from directly above them. Much like from the ground, they appear as rapid, intense flashes that are over as quickly as they started. But, with the help of handheld cameras and a bit of practice (and, admittedly, some luck), we can capture these intense flashes with a very high frame rate then slow them down to see how the lightning propagates. It's lightning, in slow motion. This is one that occurred over Indonesia on 6/28. I shot it for a half second at 1/120 frame rate, so, 60 separate frames. I then compiled those frames into two videos: the first, in real-time, and the second, slowed down so that each frame is a half second to highlight the progression of the flash. Note the incredible burst of light in one frame, which includes what is likely a TLE on the upper left. A TLE, or Transient Luminous Event, is an electrical discharge that happens in the upper atmosphere above lightning storms (if you haven’t seen Ferry Farhan TLE photo from last week, head over to her page). As their name implies, these are transient, or short lived, phenomena – it appeared in only one frame of the sequence, lasting for no more than 1/120th of a second. The last photo is that single frame. Absolutely incredible.show more