Primary Colors

🥜 Deedz's PRIMARY COLORS part for BERMUDA is playing... on the Thrasher site 📡show more

Color scale generator The tool helps build a color... palette. It generates tints and shades based on the primary color you provide. You can play with darkness and lightness, as well as angle and saturation of colors.show more

BREAKING: Florida GOP gubernatorial candidate James Fishback plots Democrat... PLANT strategy — ask Dems to INFILTRATE the closed Republican primary and vote for him This DILUTES *real* GOP voters and is one big opportunistic ploy Fishback shows his true colorsshow more

Rewatching films like 1951 Alice, that uses color as... a primary storytelling language, you realize how much we’ve lost to the 'gritty, desaturated' trend. Modern films seem allergic to colors & treat them as something that needs to be 'corrected' or subdued to achieve 'realism.'show more

NOA 2nd ALBUM 『Primary Colors』 早期予約キャンペーン実施決定❗️ 🎂NOAバースデーイベントは 1st show：NOANA限定盤（アスマート）... 2nd show：UNIVERSAL MUSIC STOREからのご予約(全形態) でご応募いただけます❗️ 🔽詳細はこちらshow more

David Papunashvili discussed the workflow behind the Punk Knight... project, explaining how he projected the 2D concept directly onto the sculpt for reference and color matching, and detailing how he used PolyPaint to paint the character. “Before sculpting, I usually gather a variety of references. In this case, however, my goal was to match the concept as closely as possible, so the concept itself became my primary reference. I imported it into ZBrush's Spotlight, which gave me much more flexibility than using PureRef alone. Being able to move, scale, and adjust its opacity directly in the viewport made it much easier to compare my sculpt with the original artwork. Spotlight also lets you sample colors or even project them onto the model, making the painting process much faster.”show more

Create a paper collage Mountain Travel Poster using GPT... image 2 on Pollo AI Prompt: FILL-IN VARIABLES [MOUNTAIN NAME] = YOSEMITE [LOCAL NAME] = Yosemite National Park [COUNTRY / REGION] = CALIFORNIA, USA [SERIES TITLE] = American Sacred Peaks Series [FEATURE 1] = Rock climber silhouette on El Capitan wall [FEATURE 2] = Bridalveil Fall cascading paper waterfall [FEATURE 3] = Wooden Yosemite Valley lodge with smoking chimney [PRIMARY LANDMARK] = Half Dome (iconic rounded granite summit) [SECONDARY LANDMARKS] = El Capitan vertical cliff, Yosemite Falls, Cathedral Rocks, Sentinel Dome ridge [LOCAL OBJECTS] = climbing rope and carabiners, park ranger hat, wooden trail signpost, campfire with logs, black bear paw silhouette, sequoia pinecones, canvas tent, binoculars [ACCENT COLORS] = granite silver gray, sequoia rust red, forest pine green, golden meadow, waterfall mist white [DOODLE LINES] = "Hello Yosemite!", "Climb On!", "Granite Giants!", "Valley Vibes!", "Wild & Free!", "Falls Mist!", "Bear Country!" ========================================================= CORE CONCEPT A premium handcrafted pastel paper-collage travel poster of [MOUNTAIN NAME], reimagined as a serene, collectible mountain destination. Museum-quality souvenir poster · luxury editorial illustration · handcrafted postcard feel. STYLE minimal pastel paper-collage · layered paper-cut · paper diorama flat geometric shapes · clean silhouettes · subtle 3D paper relief visible paper grain · matte gouache finish · gentle cut-paper shadows storybook travel-poster mood · refined editorial illustration NO photorealism · NO CGI · NO glossy rendering · NO realistic rock/snow/ice textures COMPOSITION Wide landscape format. Pastel sky = 35–45% of frame. Clear foreground / midground / background layers. Generous negative space · never overcrowded · relaxed elegant balance. FOREGROUND (35–40% of composition) Three primary subjects, all rendered as layered handcrafted paper sculptures: • [FEATURE 1] • [FEATURE 2] • [FEATURE 3] Scatter small paper-crafted props from [LOCAL OBJECTS]. MIDGROUND Simplified region-appropriate environment: trees & flora native to the area · tiny paper hikers/visitors · families on trails curved pathways · small wooden structures · streams or stepping stones Keep everything minimal, graphic, clean, paper-crafted. BACKGROUND Simplified paper-cut versions of: • [PRIMARY LANDMARK] (hero silhouette, instantly recognizable) • [SECONDARY LANDMARKS] Landmarks support — not dominate — the composition. SKY Large pastel sky · 2–5 simple paper clouds · tiny paper birds. Optional floating element fitting the locale (petals, prayer flags, paraglider, mist). Calm · airy · cheerful. COLOR PALETTE Base (always): soft sky blue · warm cream · light beige · off-white · powder mint sage green · dusty coral · soft peach · pale stone gray · butter yellow Plus regional accents: [ACCENT COLORS] Rule: refined · nostalgic · editorial · NEVER hyper-saturated. TYPOGRAPHY (upper-left, white geometric sans-serif, wide letter spacing) Line 1: [MOUNTAIN NAME] Line 2: [LOCAL NAME] · [COUNTRY / REGION] Line 3: [SERIES TITLE] DOODLE TEXT 3–5 small handwritten white doodle captions, airy and charming, floating naturally near rides/sky/paths. Pull from [DOODLE LINES]. Do not overcrowd. LIGHTING Soft golden morning daylight · warm ambient illumination clean atmosphere · soft cut-paper shadows · gentle depth. MOOD dreamy · collectible · travel-inspired · cultured · optimistic refined · premium · editorial · nostalgic · serene/adventurous (locale-appropriate) AVOID photorealism · realistic mountain photography · crowded tourist scenes heavy outlines · brand logos · watermarks · neon colors dark or stormy lighting · glossy CGI · messy mechanical textures FINAL RESULT A museum-quality pastel paper-collage travel poster of [MOUNTAIN NAME] with handcrafted paper textures, elegant typography, cute white doodle captions, soft pastel palette, generous negative space, and a refined collectible mountain-series illustration aesthetic.show more

One thing that’s been helping my image generations a... lot lately is using environment distribution prompts, kinda like the color distribution ones I shared a couple days ago. Instead of only describing objects, I structure scenes almost like cinematic set design. Basic structure: Foreground → what exists close to camera to create depth Midground → the main focal area / primary environment Background → distant scenery or atmospheric storytelling Lighting → where light comes from + warm/cool contrast Color distribution → where accent colors are concentrated Camera placement → how the viewer sees the environment Visual hierarchy → what the eye notices first Simple formula you can follow: Foreground contains [close-up framing elements]. Midground contains [main environment and focal area]. Background reveals [distant scenery or atmosphere]. Main light source comes from [direction/source]. Accent colors concentrated around [important areas]. Camera positioned [angle/composition]. Environment should feel [mood/emotion]. Example: Ultra-detailed realistic cozy room interior captured from the high upper corner of the room during daytime heavy rain, clean but lived-in aesthetic, cinematic architectural photography with strong environmental storytelling and calming atmosphere. Foreground contains softly blurred hanging plants, warm lamp glow, subtle reflections on glass, ceramic cups, and leafy greenery partially framing the edges of the image to create natural depth without clutter. Midground focuses on a clean realistic workspace and sleeping area with light wood furniture, soft neutral bedding, ergonomic desk chair, dual monitors, subtle ambient lighting, carefully placed décor, small plants, candles, and minimal cozy accessories. A sleeping cat curled up comfortably on the bed adds warmth and life to the scene. Background dominated by massive floor-to-ceiling windows revealing dense green trees outside during a windy rainstorm. Lighting should feel realistic and cinematic with cool diffused storm daylight entering through the windows while warm practical lights softly illuminate the interior. Dominant palette consists of soft beige, warm cream, pale oak wood, muted forest greens, foggy gray-blue shadows, and restrained warm amber lighting accents. Environment should feel peaceful, immersive, cozy during bad weather, and emotionally comforting.show more

How to 10x your design with Figma Make ⭐️... I spent 40+ hours testing Figma Make prompts. Most designers waste time with vague prompts and get garbage outputs. Here are the exact prompts and proven workflow that actually work: 1️⃣. Prompt formula: Bad: "Create a dashboard" Good: "Create a SaaS analytics dashboard with: → Left sidebar navigation (240px wide) → Top bar with user profile → 4 metric cards in a grid → Line chart showing revenue trend → Use blue (#2563EB) as primary color" The more you specify = higher quality. 2️⃣ Workflow: Import Your Design System First Before your first prompt: → Go to your main Figma file → Export your component library → Import it into Make → Add this to every prompt: "Use components from [Your Library Name]" Now everything matches your brand automatically. 3️⃣. Prompt for Interactive States: "Create a login form with: → Email and password inputs → Show error state when fields are empty → Disabled button state when form is incomplete → Success message after submission → Add smooth transitions between states" Gets you working prototypes, not static screens. 4️⃣. Advanced Prompts: Data States "Create a user list screen with three states: → Loading (skeleton screens) → Success (populated table with 10 users) → Empty (illustration + 'No users yet' message + 'Add User' CTA)" One prompt = complete UX coverage. 5️⃣. The "Design System Drift” Fix: Notice Make using wrong colors? → Try this Prompt: "Analyze my imported library and list all color tokens, then regenerate using only those exact values" It'll self-correct and stick to your system. 6️⃣. Responsive Design Prompt: "Create a pricing page with 3 tiers. Make it responsive: → Desktop: 3 columns side-by-side → Tablet: 2 columns with 3rd below → Mobile: Stacked vertically → Use Auto Layout for fluid scaling" This gets you mobile + desktop in one shot. 7️⃣. Magic Troubleshoot Prompts: Output looks off? → Try: "Redesign this following Material Design principles" → Or: "Make this follow iOS Human Interface Guidelines" → Or: "Apply Gestalt principles for better visual hierarchy" Give it design frameworks to follow. It works magic. Designers who master prompt engineering in 2026 will ship 10x more than everyone else. P.s. I made a Gameboy for Pokémon. (bookmark this for later)show more

Prompt: Create a premium 15-second vertical 9:16 Sambal Ekstra... Pedas commercial, featuring 8 cinematic scenes, ultra-photorealistic 8K quality, action-thriller energy × premium food TVC aesthetics, and high-speed macro food cinematography. PRODUCT LOCK — CRITICAL Use the exact Sambal Ekstra Pedas product from the provided reference image/video throughout the entire commercial. Preserve the exact: - Bottle/jar shape and proportions - Cap/lid design - Label design and placement - Brand logo - Product name and typography - Colors and packaging details - Sambal color and realistic consistency Do NOT redesign, modify, distort, replace, duplicate, mirror, or invent the packaging. Do NOT generate incorrect text, logos, labels, or branding. Only one primary product package in the final hero shot. VISUAL STYLE Ultra-photorealistic • cinematic 8K • premium global FMCG food advertising • action-thriller cinematography • dramatic controlled lighting • rich red chili tones • realistic food physics • glossy appetizing sambal texture • high-speed photography • macro detail • dynamic camera movement • realistic particles and liquid simulation • sharp product focus • shallow depth of field • premium commercial color grading. CONCEPT CHILI ATTACK → CRUSH → BECOME SAMBAL → VORTEX → PRODUCT REVEAL → TEXTURE → FOOD → HERO --- 01 | 0–1.5s — CHILI ATTACK Extreme macro shot of a fresh red chili pepper launching rapidly toward the camera like a cinematic projectile. At the closest point, the chili enters bullet-time slow motion and freezes momentarily. Multiple fresh red chilies suddenly converge from different directions toward the center. Camera: 24mm lens, aggressive backward tracking + 120° orbit, dynamic perspective, controlled motion blur. Lighting: dramatic red highlights with deep shadows. Mood: explosive, intense, unexpected. --- 02 | 1.5–3s — CHILI CRUSH The converging chilies collide and smash together in a powerful cinematic impact. Fresh chili pieces, seeds, droplets, and tiny red particles explode outward in ultra-realistic high-speed macro slow motion. The crushed chili mixture begins transforming into a rich, glossy sambal texture. Camera: rapid push-in → impact freeze → macro orbit. Physics: realistic crushing, splashing, seeds and particles; no artificial CGI appearance. --- 03 | 3–5s — BECOME SAMBAL The crushed chili mixture morphs seamlessly into thick, vibrant red sambal. The texture becomes rich, chunky, glossy and intensely appetizing, with visible chili pieces and seeds. The sambal forms a dramatic wave that curls through the frame. Camera: macro 85mm lens, ultra-shallow depth of field, slow-motion texture reveal. Focus: realistic viscosity, chili fibers, seeds, oil highlights and rich red color. --- 04 | 5–6.5s — VORTEX The sambal wave spirals into a powerful red vortex. The vortex rotates rapidly while tiny chili particles and droplets orbit around it. The center of the vortex opens, creating a dramatic reveal space. Camera: 360° macro orbit + controlled pull-back. Lighting: premium studio lighting with glossy specular highlights. Transition: vortex naturally forms the silhouette of the product. --- 05 | 6.5–8.5s — PRODUCT REVEAL The exact Sambal Ekstra Pedas product reference emerges from the center of the red vortex. The product lands perfectly upright on a premium dark surface while tiny chili particles and subtle sambal droplets settle around it. The camera performs a smooth cinematic push-in. Product must remain perfectly sharp and undistorted. Preserve the exact packaging, label, logo, typography, colors and proportions from the reference. --- 06 | 8.5–10.5s — TEXTURE Cut to an extreme macro close-up of the sambal. A glossy spoon slowly moves through the thick sambal, revealing its rich texture. Visible: - Real chili pieces - Chili seeds - Natural fibers - Glossy oil highlights - Thick, chunky consistency - Fresh red colorshow more

لأنشاء قصص كرسوم كرتونية فنحتاج الى اداتين وهي :... الاولي لرسم الصور الكرتونية وكتابة النصوص عليها نحتاج الى تطبيق Gemini للذكاء الاصطناعي ومرفق لكم ثلاث اوامر يمكنكم نسخها وتعديل النصوص عليها ثم لاصقها في تطبيق Gemini 👇👇👇 ولكي تحصل على أفضل نتيجة من أدوات الذكاء الاصطناعي (مثل Midjourney أو أو Canva)، يفضل كتابة "الأمر" باللغة الإنجليزية لوصف التفاصيل بدقة. إليك **3 نماذج** لأوامر (Prompts) يمكنك نسخها واستخدامها، حسب طبيعة القصة التي تريد إنشاءها: ### 1. لإنشاء صورة "المعلمة والطلاب" (نفس نمط صورتك) هذا الوصف يركز على شخصيات بملامح عربية وأسلوب ديزني اللطيف: > **Prompt:** 3D Pixar and Disney animation style, a friendly Arabic female teacher wearing a modest modern hijab, sitting in a colorful classroom with cute primary school students, warm studio lighting, cheerful atmosphere, cinematic 8k render, soft pastel colors. > ### 2. لإنشاء قصة "طالب مجتهد" (تركيز على الشخصية) إذا أردت التركيز على طالب واحد في بيئة تعليمية: > **Prompt:** A cute 8-year-old Arabic boy with dark hair, wearing a neat school uniform, sitting at a wooden desk with books, looking inspired and happy, 3D cartoon style, high detail textures, bright classroom background, 4k, Unreal Engine 5 render. > ### 3. لإنشاء "قصة مصورة" (Comic Strip) إذا أردت أن يقوم الموقع بتقسيم الصفحة لك (تعمل بشكل جيد في Midjourney): > **Prompt:** A storyboard comic strip with 4 panels, 3D animation style, showing a teacher explaining a lesson to students, themes of kindness and respect, consistent character design, bright and vibrant colors, white gutters between panels. > ### نصائح تقنية للحصول على قصة متكاملة: * **ثبات الشخصية:** إذا كنت تستخدم مواقع مثل ** ابحث عن ميزة **"Character Reference"**؛ حيث ترفع صورة الشخصية الأولى ليقوم الموقع بإنشاء بقية الصور بنفس الملامح. * **إضافة النصوص:** المواقع نادراً ما تكتب العربية بشكل صحيح داخل الصورة. الأفضل هو توليد الصور "خالية من الكلام"، ثم استخدام تطبيق **Canva** أو **Phonto** لإضافة فقاعات النص والكلام باللغة العربية. أي موضوع تعليمي تود أن نبدأ به؟ يمكنني صياغة سيناريو كامل لك إذا أردت. ثانياً لجعل الصورة تتحدث: 1. HeyGen •يحول صورتك لفيديو يتكلم بصوت حقيقي •يدعم لغات كثيرة (حتى العربية) •تكتب الكلام وهو ينطقه 👉 مناسب لو تبغى فيديو احترافي ⸻ 2. Puppetry •ترفع الصورة + تكتب النص •يطلع لك فيديو بشخص يتكلم •فيه أصوات كثيرة جاهزة 👉 سهل جدًا للمبتدئين ⸻ 3. Fotor AI Face Animator •موقع مجاني •يحرك الوجه + يخليه يتكلم •فيه مزامنة شفاه مع الصوت 👉 خيار سريع بدون تعقيد ⸻ 4. Vidnoz / Vidpex AI •ترفع صورة + تضيف صوت •يعطيك فيديو واقعي جدًا •مناسب لمحتوى السوشيال ⸻ 5. Pixelcut •تحرك الصورة وتخليها تنطق •تكتب الحركة أو الكلام وهو يسويه ⸻ 📱 لو تبغى تطبيق بالجوال •Avatarify (للآيفون) •يخلي الصورة تتكلم أو تغني •تقدر تستخدم صوتك أو تسجيل ⸻ 👍 الخلاصة (أبسط اختيار لك): •تبغى سهل وسريع → Fotor أو Puppetry •تبغى احترافي → HeyGen •تبغى بالجوال → Avatarify ⸻show more

Jade Panic is here to brighten your timeline. Minimax... H3 on Fish Creative Prompt 15s / 16:9 / high-energy 2D anime pop-punk MV — character-locked Create a 15-second horizontal 16:9 high-energy 2D anime pop-punk music video featuring the exact heroine from the provided character reference. The entire sequence must feel like one continuous, tightly choreographed MV passage; each movement must motivate the next transition. CHARACTER LOCK (absolute authority = the reference still) Twin high black space-buns with messy volume and warm brown inner strands. Green jade disc clusters pinned into both buns. Straight blunt bangs with a small center split. Huge sharp green eyes, thick black outlines, strong lashes. Small mouth, warm cheek blush, pale skin. Green circular dangling jade earrings. Sleeveless lime-to-jade floral qipao with black piping, black frog-button placket, high collar, and black line-art lotuses on the fabric. Bare shoulders and arms. Stylized proportions: oversized head, compact torso, long simplified limbs, chunky hands. Bold black outlines, flat saturated colors, minimal cel shading, early-2000s TV-anime / handmade cartoon finish. Personality: loud, cheeky, rebellious, playful, hyperactive — the still’s fierce stare becomes motion, not a different face. Do not change hair color, bun structure, eye color, earrings, qipao cut, floral linework, or outline weight. No pink hair, no red plaid uniform, no extra characters, no 3D, no photorealism, no glossy modern anime redesign. GRAPHIC LANGUAGE (from the still) Primary palette: lemon yellow, jade / lime green, ink black, paper white. Motifs: spinning jade discs, qipao lotus line-art, frog-button glyphs, circular earrings as motion graphics, torn yellow paper, black brush X’s, photocopy grain, tape strips, hand-drawn stars and crosses, rough ink splatters. Kinetic type must look stamped, ripped, or screen-printed — never clean corporate sans. 0.0–2.5s Start in motion. She slides in from frame-left, one foot skidding across a clean yellow graphic floor. Body leans forward; both buns, earrings, and qipao hem trail behind. She stomps the second foot down, snaps her chin up, and flashes a mischievous grin over the reference’s fierce eye shape. Impact instantly tiles the yellow field into huge jade-and-black floral blocks. Bold kinetic type “JADE PANIC!” slams in, letters made from ripped yellow paper + green lotus outlines. 2.5–5.0s No pause. Rebound into a small hop and sharp half-turn. Camera swings from front ¾ into a fast side-track as she takes two exaggerated cartoon steps. Feet hit on alternating beats, leaving jade discs, lotus scribbles, tape, crosses, and comic impact marks. Buns and earrings bounce hard; qipao hem flares. 5.0–7.5s Side kick on the beat. Kick momentum spins her. The floral pattern on the qipao stretches into a giant rotating graphic plane and pulls the frame into an abstract 2D punk world: black brush strokes, green lotus line-art, yellow paper shards, jade lightning (mint/cyan accents only as small bolts, never as hair), photocopy texture. She flows straight into a bouncy phrase: head whip → shoulder hit → side step → small kick → fast turn. Poses stay cartoon-exaggerated. 7.5–10.0s Turn accelerates; camera orbits close. Environment recomposes to the choreography: checker yellow/green slides, hand-drawn crosses rotate, torn-paper strips snap, oversized comic type hits on drums (BAM, 叩, 炸). She lands hard, feet apart. A huge hand-drawn “BAM!” bursts under her feet and shakes every graphic layer. She rebounds upward immediately with a cocky smile — no held fashion pose. 10.0–12.3s Same continuous body motion, camera racing along it: whip of the head → bright green eye → jade bun ornament → swinging black bun → bouncing earring → frog-button collar → floral qipao panel → stomping foot. Not a beauty-cut montage; one traveling shot. The footfall fires a jade-floral shockwave across the frame. 12.3–15.0s Ride the shockwave back to full body. Two confident bouncing steps, abrupt pivot, finish facing camera: weight on one leg, shoulders slightly forward, cheeky rebellious grin. Buns and earrings still swinging. Background erupts into layered yellow paper, black brush X’s, white stars, green lotus line-art, spinning jade discs, rough ink. Elements snap into a 2000s punk magazine-cover lockup. Large “JADE PANIC!” type stacks behind her silhouette on the final beat. Hold her recognizable twin-bun / qipao silhouette. No design drift. MOTION Fast, bouncy, limited-animation timing: strong keys, overshoot, smear frames, anticipation, cartoon impacts. Hair buns, earrings, and qipao hem are the secondary rhythm; feet are the downbeat. Transitions grow only from action: skid → pattern flood → kick → rotating floral plane → spin → orbit → stomp → shockwave. No random cuts, no palm-to-lens, no pointing at camera, no outfit/hair morph. AUDIO Tight sync to fast Japanese pop-punk vocals, punchy electronic drums, distorted guitar. SFX: boot/foot skids, stomps, paper snaps, cartoon hits, guitar chops, short graphic whooshes. Type slams on snare/crash. NEGATIVES No hand reaching toward camera, no palm covering the lens, no pointing into the lens, no outfit transformation, no hairstyle transformation, no extra characters, no realistic rooms, no photorealism, no 3D CGI, no modern glossy anime, no cyberpunk holograms, no slow fashion posing, no facial drift, no random accessories, no excessive jump cuts, no disconnected moves, no uncontrolled morphing, no unreadable type, no pink hair, no red plaid school uniform.show more

nijiJourneyV6 & seedance2.0でkawaii系MV🎵 みんなで踊るプロンプトを共有。15秒で5枚のリファレンスを使用💕 ✳️seedance2.0プロンプト Use the uploaded images... as the primary visual references for character design, facial style, color palette, graphic motifs, and overall kawaii-chaotic tone. 15-second music-video style animation, ultra cute and hyper pop, fast-paced, candy-colored, chaotic but readable, anime-inspired graphic motion. Main direction: The characters dance in a cute, playful, slightly chaotic “mob dance” / “idol crowd dance” feeling. The motion should feel inferred naturally from the reference images, not rigid choreography. Emphasize fast switching expressions, group-like energy, rapid cut transitions, and a dense pop visual atmosphere. Visual style: Pastel neon palette, pink, cyan, lemon yellow, mint, lavender. Bold clean outlines, flat shading, sticker-like icons, bows, flowers, sparkles, spirals, abstract shapes, pop symbols, glitchy accents, halftone dots, split panels, manga-like framing, layered collage feeling. Cute and stylish chaos, not horror, not grotesque. Character motion: Generate adorable dance movement with small bouncy steps, side-to-side body sway, quick hand poses, synchronized hops, idol-style gestures, playful pointing, little spins, shoulder pops, head tilts, wink poses, cheerful bouncing, cute rhythmic stepping.The dance should feel like a spontaneous cute flash-mob or idol crowd routine, with repeated shared gestures, group energy, and playful synchronized timing. Include moments that feel like a crowd dance or mob dance, even if only one or a few characters are visible at a time. The dance should feel energetic, spontaneous, and rhythm-driven. Expression direction: Rapid expression changes: smile, wink, surprised face, excited open-mouth face, mischievous grin, hypnotic stare, sparkling eyes, dizzy spiral-eye mood, overjoyed face, playful chaos. Expressions should switch quickly with the cuts, giving a hyperactive kawaii feeling. Editing / camera: Very fast-cut visual rhythm. Use rapid cut-ins, jump cuts, smash zooms, push-ins, pull-backs, diagonal framing, split-screen panels, close-ups of faces, occasional medium shots for dance, and layered pop composition. Cuts can change every 0.2 to 0.8 seconds. Alternate between close-up face shots, upper-body dancing, and brief group/crowd-energy compositions. The camera should feel lively and music-synced. Scene flow: 0–3s: Introduce the character(s) with fast close-ups, blinking, cute smile, eye highlights, bows/flowers/icons popping in, fast panel cuts. 3–6s: Start the dance with small synchronized idol-like motions, side steps, hand poses, bouncing shoulders, quick expression switches. 6–9s: Increase the chaos. More split panels, more characters or crowd-energy feeling, fast alternating expressions, quick hops, spins, and rhythmic pose changes. 9–12s: Peak energy. Cute mob-dance vibe, dense visual layering, multiple rapid cut-ins, close-up reaction faces, synchronized bounce and gesture-heavy movement. 12–15s: Final climax. Maximum kawaii chaos with energetic dancing, smiling faces, wink, big pose finish, layered pop symbols exploding around the frame, ending on a strong cute final pose. Important priorities: Keep the characters cute and appealing at all times. Preserve readability of faces and silhouette. Let the dance and expressions feel naturally inferred from the references. The chaos should come from editing, framing, layered motifs, and rapid expression changes, not from broken anatomy or visual confusion. Negative prompt: horror, dark tone, realistic style, grotesque face, body deformation, extra limbs, broken hands, scary expressions, dull colors, muddy palette, slow motion, empty background, overly realistic physics, unreadable face, low energy, depressing mood.Make the choreography feel partially AI-inferred from the visual mood of the references: cute, chaotic, rhythmic, slightly unpredictable, but always charming and musically coherent.show more

Seedance 2.0 on Higgsfield AI delivers some of the... best camera motion, consistency, and creative control I've seen in AI video generation. Full Open-sourced prompts & assets below: SCENE CONTEXT A bright summer afternoon on the coastal road: the young man drives the mint scooter down toward the sea with the young woman riding behind him, arms around his waist — an easy, happy ride past the railway crossing along the water. ACTIVE REFERENCES >> — young woman, 20 years old, 165 cm tall, slender, straight dark brown hair with side-swept bangs pinned by a small black clip, freckles across her cheeks and nose. 100% matches the reference. >> — young man, 22 years old, 178 cm tall, lean, sun-tanned, messy dark hair under a tan baseball cap worn backwards. 100% matches the reference. >> — vehicle: vintage mint-green scooter with a brown leather saddle, chrome mirrors and silver wheels. 100% matches the reference. >> — location: coastal road curving downhill past a railway crossing with yellow-and-black crossbuck signs, utility poles and wires, stone embankment walls, an orange convex traffic mirror on a pole, the open sea with white-capped waves behind. LOCATION MAP The road from >> curves downhill through the midground toward the railway crossing, the sea filling the background beyond it. Stone embankments rise on both sides, the orange convex mirror stands on the right shoulder in the near foreground, utility poles line the curve. Their path: down the curve, past the crossing, along the water toward screen-left. Primary light: bright seaside daylight, sun high, wind off the sea. FIRST FRAME AND SPATIAL BLOCKING The first visible frame already contains >> rolling down the curve with both riders aboard — >> driving, hands on the grips, >> seated close behind him, arms wrapped around his waist, her head just above his shoulder, a full head shorter than him. No empty establishing frame, no delayed reveal. He drives in every segment; she is always the passenger. FORMAT MODE Controlled four-segment multi-shot sequence: one INSERT CUT and two HARD CUTS. Real-time motion at an easy unhurried scooter pace. Every segment is shot handheld — no static shot anywhere in the sequence. OPTICS LENS LOCK SEGMENT 1 = 47° diagonal field of view, standard normal lens character, camera 12 to 15 meters at the roadside, the scooter and both riders full in frame with the crossing and sea behind, straight lines rectilinear, no fisheye. Soft vintage lens rendering: gentle edge softness, mild halation in the bright sky and sea glare, even brightness across the whole frame — no vignette, corners stay as bright as the center. This rendering applies to every segment. LENS LOCK SEGMENT 2 = 29° diagonal field of view, short telephoto character, camera 3 to 4 meters tracking alongside from a following vehicle, close two-shot of their faces and shoulders, the sea streaming soft behind them. LENS LOCK SEGMENT 3 = 29°, camera 1.5 to 2 meters, tight insert on her hands clasped at his stomach, the mint body and brown saddle below, road surface blurring past. LENS LOCK SEGMENT 4 = 47°, camera 10 to 12 meters behind the orange convex mirror on the right shoulder, the mirror large in the near foreground reflecting the road, the real scooter passing through the frame and receding along the sea. No drift mid-segment. CAMERA Handheld in every segment with no exceptions — a real operator at the roadside and in a following vehicle: the frame breathes with shoulder sway and soft micro-tremor visible in every second, small late reframes chasing the scooter and easing back; the tracking shot carries gentle road vibration on top of the hand movement; the insert trembles slightly more; the mirror wide breathes slower but never freezes. No tripod stillness, no gimbal smoothness, no stabilization anywhere. On top, the footage behaves like an old film print running through a projector: constant subtle gate weave, faint exposure flicker, occasional tiny dust specks and hairline scratches, image soft and slightly diffused like an aged 16mm print — never sharp, never digitally clean, no vignette or darkened corners at any moment. ACTION TIMING 0.0s to 3.5s — Roadside wide: the mint scooter putters down the curve at an easy pace, leaning gently with the bend; >> relaxed at the grips, >> pressed close behind him, her hair and skirt hem streaming in the sea wind; they pass the yellow-and-black crossing signs with the white-capped sea glittering beyond. 3.5s HARD CUT 3.5s to 6.5s — Tracking close two-shot: she rests her chin almost on his shoulder and says something teasing into his ear — lips moving without audible words; he barks a laugh, shaking his head, cap holding snug; she grins wide against the wind, bangs whipping, eyes squinting happily. 6.5s INSERT CUT 6.5s to 8.5s — Tight insert: her hands clasped over his stomach, fingers laced, giving a little squeeze as the scooter sways through a bend; the mint body flexes light reflections, the road surface streams underneath in soft blur. 8.5s HARD CUT 8.5s to 12.0s — Wide past the orange convex mirror: the tiny reflection of the scooter slides across the round mirror in the foreground a beat before the real scooter enters and crosses the frame, unhurried, the two of them small against the vast bright sea; she tips her head back and laughs into the wind as they recede along the coast; the engine putter fades. PHYSICS The scooter carries real combined weight: soft suspension compression over road seams, a gentle lean into each bend with both bodies tilting as one, slight throttle sway she counterbalances by gripping tighter; engine vibration trembles through their sleeves; wind at riding speed streams her hair, his tee and her skirt hem backward continuously with fabric flutter; the sea wind adds gusts; the convex mirror reflection tracks their motion with true optics. LIGHTING Bright seaside daylight only — no artificial light. Aged film print look: the sky and the glittering sea bloom into a soft white-gold haze with visible halation rings, gentle glow hanging in the air, creamy highlights rolling off softly. Faded pastel grade of an old print: lifted milky blacks, warm ivory and honey tones over softened sea blues, the mint scooter body reading as a gentle washed pastel green, the orange mirror and yellow-black signs as warm muted accents — never oversaturated; slightly yellowed whites, low contrast, colors gently washed as if the print has aged for twenty years, heavy visible film grain crawling in every frame, delicate haze. Exposure stays natural across the frame — no added vignette, no darkened edges or corners. The whole image reads as an old 2000s Japanese film discovered on a dusty reel. No crisp modern digital look, no cool color cast. AUDIO SFX only, with the worn texture of an old optical soundtrack — slightly muffled, faint constant hiss: the soft putter of the small scooter engine rising and fading with the throttle, wind buffeting past, waves breaking below the road, gull cries, her bright laugh snatched by the wind, the faint tick of the engine at the far end. No music, no intelligible spoken words, no captions, no score. POSITIVE LOCKS Identities lock 100% to >> and >> in every segment — same outfits as their references throughout, her natural 165 cm and his 178 cm with true relative proportions, his cap staying backwards and snug at riding speed in every shot. >> drives in every segment; >> rides pillion with her arms around his waist from first frame to last, hands unclasping never. The scooter stays 100% >> — mint-green body, brown saddle, chrome mirrors — in every shot. Road geography stays consistent with >> across all cuts: downhill curve, crossing signs, embankments, orange mirror on the right shoulder, sea always beyond the road; travel direction constant toward screen-left. Handheld breathing holds in every single segment, and the aged-film texture holds identically throughout: grain, gate weave, flicker, dust, halation and faded grade never weaken, frame stays vignette-free with even corner brightness; no segment turns rigid, stabilized, sharp or digitally clean. Only these two people appear; the road stays otherwise empty, no cars, no train.show more