RIIZE's 'II' track genres based on official track descriptions... SOAR — alternative rock Do your dance — dance pop/electropop D-D-Done — bass house Overdrive — R&B Hip Hop Like a Bomb — dance pop/funky pop In a Loop — pop anthem pre-save now on Spotify:show more

Confirmed tracks on RIIZE’s upcoming mini album ‘II’ so... far: 1. Do your dance (title track) 2. Overdrive 3. SOAR 4. D-D-Doneshow more

This track turned her into a global pop sensation.... No. 1 on the US Dance chart, massive hits worldwide, can you name this mid-’80s pop icon?show more

"Do the Dance" by ILLIT ranked #3 in the... Most liked songs of 2025 on QQ Music by a K-Pop act (China's biggest music platform): 1. Yuqi “Radio (Dum-Dum)” — 700,000 2. Jennie,“like JENNIE” — 600,000 3. #ILLIT “Do the Dance” — 500,000show more

Toni Braxton on Mariah Carey✨ “You know Mariah Carey... has been pioneering this for a long time, no one gives her credit..she’s a pop singer, R&B style singer. And she’s been having Hip-Hop in her music for about 10 years, with ODB and these other rappers”show more

Spider-Man? More like K-pop idol in disguise. 🕷️✨ Swapping... the suit but keeping the rhythm. One photo + one viral dance = instant internet gold. Pollo Mimic makes it dangerously easy. Jump on any trend without lifting a foot. Your photo's about to go viral. Ready? 😉show more

SAJA BOYS 19? 🤔🤩 The "KPop Demon Hunters" fever... has now reached SB19! On TikTok, the P-pop Kings shared a 13-second clip of themselves dancing to the song "Soda Pop" performed by the fictional boy group Saja Boys featured in the Netflix film "KPop Demon Hunters." Meanwhile, fans and even Netflix Philippines can't help but gush over SB19's mini-dance cover in the comment section. COURTESY: SB19/TikTok READ:show more

I gained 1K Instagram followers in just 5 days,... WITH AN ABG Everyone says growing on Instagram is hard. With ABG, it becomes easy. My strategy: > Build a K-pop looking ABG persona > Posted 3 trending viral dance videos daily > Host an OpenClaw that auto-replies to every DM when someone follows The growth breakdown: 0 → 100 : 2 days 100 → 500 : 2 days 500 → 1,000 : 1 day My hypothesis was simple : if K-pop works globally, an AI influencer that looks like a K-pop star will too. And it worked. ABGs are just a social phenomenon that works. As an AI-native founder, your job is to inductively catch the weird, hard-to-explain things happening in the world, and leverage them. Everyone's trying to use ABG for distribution now. But without a precise playbook, it won't work. Every detail of your influencer's content matters. Just follow, repost, and comment. I'll DM you the whole guidebook 👇show more

[#KCONLA2025] 🙋 What is your No.1 priority when preparing... for the K-POP event? Let us know your preference! KCON will recommend the most suitable ticket type for you to enjoy KCON LA 2025 🙌 ▽ A. 🎟️ 𝟏𝐃𝐀𝐘 𝐏𝐑𝐄𝐌𝐈𝐔𝐌 Most of the benefits of this ticket type allow you to focus on enjoying your fave's performance like M COUNTDOWN GA FLOOR, SOUNDCHECK EVENT, etc. B. 🎟️ 𝟏𝐃𝐀𝐘 𝐏𝐋𝐔𝐒 You can enjoy not only an M COUNTDOWN STAGE but an ARTIST STAGE and other various stages in FESTIVAL GROUNDS with one ticket! If you are interested in dynamic staging of K-POP, this might be the best choice! C. 🎟️ 𝐌 𝐂𝐎𝐔𝐍𝐓𝐃𝐎𝐖𝐍 If this is the first time to experienced K-POP but not sure about buying a high price of ticket type, maybe this will be a good trial. Come and try the best K-POP show, M COUNTDOWN! D. 🎟️ 𝐌&𝐆 or 🎟️ 𝐌&𝐆 𝐏𝐑𝐄𝐌𝐈𝐔𝐌 MEET & GREET is a steady seller of the content of KCON that lots of fans waiting for. Interact with your favorite artist in person! This is not a chance coming that easily! E. 🎟️ 𝐅𝐄𝐒𝐓𝐈𝐕𝐀𝐋 𝐆𝐑𝐎𝐔𝐍𝐃𝐒 𝐏𝐑𝐄𝐌𝐈𝐔𝐌 From the K-POP artists' performances to various K-CULTURE experiences, you can enjoy everything with this ticket all at once! Every space called 'FESTIVAL GROUNDS', including ARTIST STAGE and X STAGE or so will be your playground! F. 🎟️ 𝐅𝐄𝐒𝐓𝐈𝐕𝐀𝐋 𝐆𝐑𝐎𝐔𝐍𝐃𝐒 If this is your first time joining KCON and not sure about buying a high price of ticket type, this might be a good choice! You can look around 'FESTIVAL GROUNDS' which includes K-dance, beauty, food, and other cultural activities/experiences, and also some stages with K-POP! - ► Get your Ticket Now! 🔗 📌 Ticket Info 🔗 🎟️ KCON EXPRESS / FAST PASS 🔗 - ✅ For more information about KCON, visit Mnet Plus APP and - KCON LA 2025 AUG 1-3 Arena, LA Convention Center Let's #KCONshow more

Madonna’s Confessions on a Dance Floor is not only... one of the most celebrated albums of the 21st century but continues to be an influential reference within pop and dance music. Originally released in 2005, the record features 12 seamless club tracks including the global hits “Hung Up,” “Sorry,” “Jump” and the deep cut favorite “Get Together.” For the first time, the full continuous mix has been pressed on 2LP silver vinyl and carefully adapted to its groundbreaking technical specifications, while preserving the album's club flow as Madonna originally intended. The dance floor is calling, no time to hesitate. Orders placed on the Official Madonna Store and will receive an exclusive 11x22 inch poster featuring a 2005 Confessions photo by Steven Klein. Tap here: #madonna #confessionsonadancefloor #dancemusicshow more

ScreaM Records, a dance music label under South Korea’s... SM Entertainment, collaborates with Nestal, one of Japan’s leading K-POP event brands! A night of “K-POP ScreaM TOKYO”, where you can experience a cultural crossover between Korea and Japan at WOMB in Shibuya! Yunji, an artist from Korea who recently completed her U.S. tour and is currently on a European tour, will take the stage. Another amazing talent from Korea, Arkins, who gained attention online with his viral remix of “BoomBoom Bass,” will be making his Japan debut! We’re so excited to meet you all in Japan! 韓国のSM Entertaiment傘下DanceMusicレーベル ScreaM Records と、 日本を代表するK-POPイベントブランド Nestal がタッグを組み、 日韓カルチャーの交差点「K-Pop ScreaM Tokyo」が渋谷WOMBで開催決定！ 韓国からの出演は、アメリカツアーを成功させ、現在ヨーロッパツアー中のYunji。 さらに、SNSで話題となった「BoomBoom Bass」のRemixで注目を集めたArkinsが日本初パフォーマンス！ 日本のみなさんに会えるのを楽しみにしています！ ‘K-POP ScreaM TOKYO’ Powered by Scream Records NESTAL（ネスタル）｜日本最大級K-POP DJイベント at WOMB official / 2F MAIN FLOOR DATE : 2025.07.06.(Sun) OPEN : 23:00 DJ Lineup Arkins AkinolaOlarewaju CHIKA @chktweety JUNK,.PARK @junk.park KENDI @ke_woo_di Yunji @yunjixfuture - 女性 23:00〜24:00 1500円 with 1D 24:00〜close 2000円 with 1D 男性 23:00〜24:00 2000円 with 1D 24:00〜close 2500円 with 1Dshow more

nijiJourneyV6 & seedance2.0でkawaii系MV🎵 みんなで踊るプロンプトを共有。15秒で5枚のリファレンスを使用💕 ✳️seedance2.0プロンプト Use the uploaded images... as the primary visual references for character design, facial style, color palette, graphic motifs, and overall kawaii-chaotic tone. 15-second music-video style animation, ultra cute and hyper pop, fast-paced, candy-colored, chaotic but readable, anime-inspired graphic motion. Main direction: The characters dance in a cute, playful, slightly chaotic “mob dance” / “idol crowd dance” feeling. The motion should feel inferred naturally from the reference images, not rigid choreography. Emphasize fast switching expressions, group-like energy, rapid cut transitions, and a dense pop visual atmosphere. Visual style: Pastel neon palette, pink, cyan, lemon yellow, mint, lavender. Bold clean outlines, flat shading, sticker-like icons, bows, flowers, sparkles, spirals, abstract shapes, pop symbols, glitchy accents, halftone dots, split panels, manga-like framing, layered collage feeling. Cute and stylish chaos, not horror, not grotesque. Character motion: Generate adorable dance movement with small bouncy steps, side-to-side body sway, quick hand poses, synchronized hops, idol-style gestures, playful pointing, little spins, shoulder pops, head tilts, wink poses, cheerful bouncing, cute rhythmic stepping.The dance should feel like a spontaneous cute flash-mob or idol crowd routine, with repeated shared gestures, group energy, and playful synchronized timing. Include moments that feel like a crowd dance or mob dance, even if only one or a few characters are visible at a time. The dance should feel energetic, spontaneous, and rhythm-driven. Expression direction: Rapid expression changes: smile, wink, surprised face, excited open-mouth face, mischievous grin, hypnotic stare, sparkling eyes, dizzy spiral-eye mood, overjoyed face, playful chaos. Expressions should switch quickly with the cuts, giving a hyperactive kawaii feeling. Editing / camera: Very fast-cut visual rhythm. Use rapid cut-ins, jump cuts, smash zooms, push-ins, pull-backs, diagonal framing, split-screen panels, close-ups of faces, occasional medium shots for dance, and layered pop composition. Cuts can change every 0.2 to 0.8 seconds. Alternate between close-up face shots, upper-body dancing, and brief group/crowd-energy compositions. The camera should feel lively and music-synced. Scene flow: 0–3s: Introduce the character(s) with fast close-ups, blinking, cute smile, eye highlights, bows/flowers/icons popping in, fast panel cuts. 3–6s: Start the dance with small synchronized idol-like motions, side steps, hand poses, bouncing shoulders, quick expression switches. 6–9s: Increase the chaos. More split panels, more characters or crowd-energy feeling, fast alternating expressions, quick hops, spins, and rhythmic pose changes. 9–12s: Peak energy. Cute mob-dance vibe, dense visual layering, multiple rapid cut-ins, close-up reaction faces, synchronized bounce and gesture-heavy movement. 12–15s: Final climax. Maximum kawaii chaos with energetic dancing, smiling faces, wink, big pose finish, layered pop symbols exploding around the frame, ending on a strong cute final pose. Important priorities: Keep the characters cute and appealing at all times. Preserve readability of faces and silhouette. Let the dance and expressions feel naturally inferred from the references. The chaos should come from editing, framing, layered motifs, and rapid expression changes, not from broken anatomy or visual confusion. Negative prompt: horror, dark tone, realistic style, grotesque face, body deformation, extra limbs, broken hands, scary expressions, dull colors, muddy palette, slow motion, empty background, overly realistic physics, unreadable face, low energy, depressing mood.Make the choreography feel partially AI-inferred from the visual mood of the references: cute, chaotic, rhythmic, slightly unpredictable, but always charming and musically coherent.show more

Ashley Klein Maddision The 20-Year-Old Sultry Rebel Redefining Pop... Rock Music! Born in 2005 in Dallas, Texas, and now based in Los Angeles, Ashley Klein Maddision is a fierce, self-made singer-songwriter, producer, and influencer who’s taking the indie scene by storm at just 20 years old. With a bold, commanding voice honed in school choirs and a fearless persona that rejects industry norms, Ashley crafts her own path literally self-teaching music production to create her signature seductive, defiant sound. Her music is a genre blending powerhouse: sultry indie pop, dance ready beats, edgy pop/rock, and introspective rock ballads. Think smooth, melancholic melodies mixed with provocative energy raw emotion, unapologetic sensuality, and rebellious fire all in one. Her lyrics are heartfelt yet daring: sexually charged anthems like “My First Time Deep” (“Moonlight floods my room, it’s a wicked scene…”), empowering declarations in “No Chains Decree” (“Gonna rewrite the words to my story…”), reflective tracks on love, loss, and life’s crooked game like “Whisky And The Memories” and “Life’s Crooked Game”, plus raw personal drops on SoundCloud. Standout Releases: • No Chains Decree (2025) — Defiant bangers and emotional depth. • A Love Melody And Whisky (EP) — Soulful, nostalgic ballads capturing vulnerability and fleeting love. • Riding Your Midnight Rollercoaster, Midnight Sky Love, and holiday vibes with No Holly No Hope. • Massive streaming momentum (hundreds of thousands of streams) with fans loving her authenticity. Ashley isn’t just an artist she’s a DIY renegade who writes, produces, and performs everything with fierce passion. Her unapologetic sensuality, emotional vulnerability, and innovative tech-infused production create a mystique that draws loyal fans. From modeling roots in Texas to chasing dreams in LA, her journey screams resilience and creativity. Follow her everywhere for the full experience: • Instagram/TikTok: @ashleykleinmaddision / @ashleymaddisionklein (160K+ IG followers and growing) • Spotify/Apple Music/YouTube: Search “Ashley Klein Maddision” • Website & More: | SoundCloud for raw exclusives If you love bold, sensual, genre-bending music with real soul and attitude, Ashley Klein Maddision is your new obsession. Stream her latest, share this post, and join the ride! #AshleyKleinMaddision #IndiePop #NewMusic #SultryVibes #SelfMadeArtist #NoChainsDecree #RisingStarshow more

🎚️🎧Hey Platinum World! どーも! 안녕하세요! This is the WPVR... NYC playlist for ⚡️Thursday, JULY 17, 2025 ⚡️ | 2025年7月17日 | 2025년7월17일. Thank you always for listening and supporting the WPVR NYC platform! View the playlist at: and LISTEN for FREE at 👂: or ⭐️⭐️⭐️⭐️⭐️ This is Where Extraordinary Happens! Experience the pulse of Asia directly from New York City! WPVR NYC is your ultimate destination for Asian music. ここは特別なことが起こるラジオ局です! ナンバー 1 のオンライン ラジオ局 . ニューヨーク市から世界へ放送 💥Listen to the best mix in J-Pop 🇯🇵, P-Pop 🇵🇭, K-Pop 🇰🇷, Asian Hip-Hop, R&B and EDM as well as hear music by Agust D 어거스트 디, ARASHI 嵐, Ballistik Boyz, BE:FIRST, BGYO, ENDRE, FELIP, Fujii Kaze 藤井 風, Hiromitsu Kitayama 北山宏光, HORI7ON, IMP. INI, KAT-TUN, Ken Miyake, Kep1er (케플러), King & Prince, Kouhei Matsushita 松下洸平, MAZZEL, NiziU, Number_i, PLAVE (플레이브), RAIN, REIKO, Sakurazaka46 櫻坂46, SB19, SixTONES, Snow Man, Soma そうま【騎士A】, THE RAMPAGE from EXILE TRIBE, 🐯Travis Japan🐯, and more... #wpvr #onlineradio #JPOP #PPOP #KPOP #DJKevin #無線 #音楽祭 #wpvrrequests #musicfestival #wpvrnyc #musicfair #thursdaymotivationshow more

Holiday update misses: *Mockup included -Apple Carplay -Complete Grok... integration -1/3 map view toggle/slider -Full FoV rear cam option* -Ability to create and save trips* -Top 10 visited locations in Nav -Ability to touch a passenger door on UI and pop open door* -Parking cards to enable Climate Keep* -Radar update to orient North and show Snow/Ice -Ability to show radar overlayed on initial navigation screen / predicted weather during trip* -Show anticipated speed on any road during trip -Speed based dynamic wheel comfort (comfort, standard and sport)* -Ability to avoid certain roads while navigating* -Updated Spotify player UI* -Updated, modern browser -5 view backup cam (front/rear, repeaters and B pillars)* -Turn signal blink on L/R of screen* -Theatre and Highway seat position* -Numerical volume level on UI* -Volume level shown in Theatre Mode -Max volume limiter* -Individual volume control for different systems* -Ambient Lighting for turn signals, blind spots and FSD -Phone integration to car for heads up display* -Energy graph for all trip segments*show more

The Delta Snake Review: Continuing the buildup for the... eBook version of The Quitturz, here's an informal series that lists albums by artists I consider are the true “Godfathers Of Punk.” The True Godfathers Of Punk - Part One In the early days of Punk, it was common for music reviewers and writers to cite "Godfathers of Punk" from the 60s (or 50s) as influences on the first wave of artists. That was understandable; people naturally try to understand the origins of a new music genre, but it also reflected the age of the writers, most of whom were Boomers and publicists promoting back catalogs of '60s and '70s artists. However, a few decades later, it's evident that Punk wasn't a temporary fad and became a full-fledged genre. As a result, one could say that the true Godfathers were those outstanding groups in the first wave or generation of Punk. The artists in the first generation that I admired covered an extensive range of styles, ranging from pop, Rock, trash rock, and even progressive. In fact, you might only recognize many of the "Punk" songs by their sensibility (lyrics) or the group or artist's appearance. It was very much an attitude and fashion trend also. In the end, one could say that Punk wasn't just the latest thing but part of the natural process of the next generation of artists discovering Rock and Roll (and blowing past the usual gatekeepers that had developed in the previous generations). I will make a list of albums by artists I consider to be the true Godfathers of Punk, given that the genre continued on from their work. It goes without saying that there will be omissions that will convince Punk fans of my incompetence as a music critic and writer. I will cover those in no particular order and discuss one in this blog entry. Some of these albums now sound dated or overrated after a few decades, but those observations will be left out of the review. All of the albums that'll be mentioned deserve the respect given to works that were inspirations to the succeeding waves of musicians and listeners. I should note that, as usual, Google and other search engines are available if you want more details about chatbots or AI apps or if you prefer to read a lecture on the subject. Nick Lowe: Pure Pop For Now People (U.K. Title: Jesus Of Cool) - Stiff Records (US) Nick Lowe was pivotal in the punk movement as a session man, producer, and composer. He influenced the pop aspect of Punk (which was always there). Quite a few punk artists had a distinctive style, complete with a rebellious attitude, but their commercial breakthroughs tended to be their more accessible songs. One of the things he achieved was to make good Pop cool again. His first solo album was an extraordinary combination of Rock and recreations of old pop styles. One of the songs, "The Rollers Show," was very much a tribute to the notion that the younger generation discovers rock and roll hits in each generation, a thrill that you only really experience once before you get older Lyrically, he was quite different, as evidenced by one of his more eccentric songs, Marie Provost, which depicted the death of a once famous silent movie star, whose silent movie career was ruined once the "Talkies" came because of her New York accent. On the surface, it's black humor, but there is an undercurrent of sympathy and warmth, which is present in many of the best pop songs that involve a tragedy. As far as flat-out rockers, his song "Heart Of The City" rocks as hard as any Ramones cut. What can make a song sound like a hard rock isn't always the volume of the guitar(s) but the arrangement and mix. It's an album that doesn't sound dated, and it's well worth checking out. Al Handa 3/10/2024 #punk #newwave #alternative #music #blog #kindle #godfathersofpunk #nicklowe #stiffrecords #review Vella Version Of “The Quitturz” The Delta Snake Review on Google Blogspotshow more

After leaving SM Entertainment Taemin received credits for helping... write and produce his ETERNAL album In August 2024 Taemin began his first world tour, the Ephemeral Gaze tour which became the 9th most attended tour for a Korean pop solo artist of all time. Taemin reached 311,100 attendees performing 37 concerts in 20 countries with encores in Japan and South Korea's KSPO dome. Taemin’s 100th concert was in Brussels Taemin sold out the KIA Forum Taemin’s Veil Japan (2025) arena tour reached 116,000 attendees with 11 shows. His Veil tour is ranked at number 20 of the most attended concerts for a Korean pop solo artist of all time. Taemin’s Veil tour in the US sold out in under 11 minutes. Taemin along with Baekhyun were the first Korean pop artists to perform at Dolby Live in Las Vegas Created a brand featuring him and his cats Designed his first solo light stick Taemin won 3 Korean Grand Music Awards for Best Artist, Best Solo Artist, and Best Popularity Artists in 2024. Released the Veil single 2025 Released the Finale single 2025 Released the Bones single 2024 Released Poet Artist with SHINee 2025 Taemin worked with Beyonce's dance captain Ashley Everette and Kany who has choreographed for MJ, Beyonce, and Ariana Grande on his song Horizon. They both appeared in a live performance as well as his music video for Horizon. Taemin is the ambassador of Korea Brand & Entertainment Expo 2025 Taemin is the ambassador for AHC Taemin is the ambassador for Mernel Endorsement with Crocs Crocs X Taemin 2025 Performed at multiple Kpop concerts including Water Bomb all around the world Multiple fan meetings Award show performances Taemin performed Veil at the Kelly Clarkson show in 2025 Performed A Long Way Home at the Jennifer Hudson show in 2026 Performed at Grammy Museum at Global Spin Live in 2026 Recently performed at NBA Nightcap and is the first Korean artist to perform on the show Will be performing at Coachella in April and is the first Korean solo male artist to perform there Taemin has recorded 50 songs for his new album and has narrowed it down to 20 The Grammys named his song Crush as one of the best songs of 2024 Pretty sure there is more he has achieved since leaving SMshow more

2. Teasers / MV / Live presentations We believe... all the content should include all members. Not some content, but all of it. We see some people excusing the exclusion of Lee Know in some content because "he will appear in other content", we don't understand why he would be excluded out of any content when the group includes 8 members. There isn't an excuse for this to happen all the time. We will only talk about recent releases and God's Menu to not make this even longer. a) Gods Menu - A title track where they gave him zero lines and screen time (song that they continue to sing, so the company could have made a redistribution of the lines). b) Megaverse - They gave him lines in the initial release, but then they cut his part to 3 seconds, and decided to delete his center part leaving him with half of a line. c) Hall Of Fame - Every live presentation they would cut Lee Know on his own part recording from below all of the other members and only listening to Lee Know's voice without being able to look at him. d) S-Class - They stopped recording the kick he does and instead they record the other members, Lee Know sings there. e) JJAM - When it was dance racha time, Lee Know got almost no time, during the life presentation the moment he goes to the center he says his line "I know..." and while he says it, the screen gets black, so he doesn't have that time on screen, later he is placed at the back covered during the dance break. He is the dance leader. f) Walkin on Water' - During the live presentation, they decided to record everyone on his part, and cut it from his own fancam. g) Recent teasers - He was completely excluded from the first teaser and only included in the second one, he got no solo recording on the MV like the other members. h) Giant - There is a part on the video where all the members are shown, Lee Know is covered and the lights are lowered where he is, making him invisible. During the live presentation, they record other members on his part, they put the dance focus on others, being the only part he has where he sings alone. i) YOUTH - After the release of the MV, the company decided to edit the video causing views to freeze and deleting a very important part where it thanked the people involved. The time from when the video was finished to when it was published was enough to arrange all the details, and the part deleted was so big, it was impossible to miss it. This happened before with his other individual work “Dawn”, which was deleted after some time, and re-uploaded, deleting all the views it had accumulated. This means one of two things, the company puts less interest and effort in Lee Know's work, or the company is purposefully hindering Lee Know's work. Either of the two is unacceptable by a company with so many resources and that claims to be a leader in the industry. This only shows a lack of professionalism and care. j) Dance leader - We know he is the dance leader, and K-stays and the members have talked a lot about how involved he is and how hard he works in that position, but the company refuses to include any footage of him doing it, and even cuts the parts where he gives his all. Just recently K-Stays were raving about how hard Lee Know worked as the dance leader and how much effort it took, One Label cut all of that footage from the Talker. It appears they don't want stays to look at anything he does, or to not give him recognition for anything.show more