"r's run cycle 🏃✨" 15 frames. 13 artists. 14... art styles. 1 endless loop animation. each frame drawn in a completely different art style, compiled together into one run cycle.show more

🛹TIME FOR REVEAL For Infinite Skate Ep2 I want... to bring together my 3 passions: animation, art,and outdoor sports.The Ep2 animated loop is a skate ride in pools.These 10 infinite rides will take place in 10 different pools, each painted with a different original artwork.🧵⬇️ 1/4show more

This guy built something that changes your face in... real time using hand gestures. And it looks insane. 🤯 Viet Nguyen, a Senior AI engineer, built a personal project that transforms your face into 16 different visual styles. Van Gogh. Neon. Anime. Pop art. Graffiti. All triggered by just moving your hand. Open your hand. AI reads the gesture. Your face transforms into a completely different art style. Almost instantly. 16 styles. One hand movement. Zero clicks. The wild part: he built this as a side project. Not a product. Not a startup. Just one engineer combining two existing tools in a way nobody had thought to before. This is what personal projects look like in 2026.show more

My FIRST metal card is OUT! 🥰 Gold finish... stainless steel, doublesided with my art & signature 💌 It's a limited print run & each one is engraved with a number 1-200 ✨ Gveaway here & on Patreon soon! 🎁 Playmats will be available with Turn 'em Sideways! 🌹show more

'Am I Dreaming?' This self-portrait visualizes how I spend... most of my time. Alone in the dark, constantly thinking about ideas and striving to bring them to life. It's a mix of struggle, enjoyment, tranquility, and sleepiness. I run into a wall and doubt myself many times, but then I take a short nap and regain my confidence back many times. It's an endless cycle that leads to becoming a slightly better artist than I was yesterday. This 1/1 artwork will be auctioned through AOTM on Monday at 11am EST.show more

When the C219 CLS launched in 2004, it invented... a body style that every other manufacturer spent the next decade trying to copy. Four doors, a fastback roofline, no B-pillar, and frameless windows, none of which existed together in one car before this. The CLS 500 came with the 5.0L M113 V8, 306 HP and 460 Nm, fitted with two spark plugs per cylinder for a more even burn across the combustion cycle. It was built on the W211 E-Class platform but with completely different proportions and a lower, more aggressive seating position with 4 seats, not 5. That made it feel like a different car entirely. Most buyers chose the diesel because it was cheaper to run. The ones who chose the V8 got the engine the car was always meant to have.show more

Art on Tezos Friday Recap 🔔 → @RiverXArt announced... MASCULINITY exhibition for April 30 at Quantum Galerie, Berlin — 17 artists including ann hirsch, Bernardo Martins, ClownVamp, jiwa, OONA & more explored masculine energy across identity, culture & sexuality. Accompanied by digital works via @cyberformsart on objkt, supported by Tezos Foundation. → 3 Monogrids by KiM ASENDORF secondary sales for a total of 24,000 tez — what a week for one of the most iconic generative art series on Tezos. → ACTZ - Art Commissions: April Curators made their selections for the monthly artist curation cycle — congratulations to all selected artists! 🙌 → TezNouns ⌐◨-◨ relaunched the Artist Edition auctions. Open call ongoing: one rule only — create a piece in your style including the iconic Noggles glasses! → Lumineers announced PRISMA, their first exhibition under Lumineers Gallery — focusing on analog and experimental visual practices. Launching April 19 on → "Bio-Drops" series by ailadi announced via InfiniteInk // first drop took place this week. More to come soon → Generative Art Week by TheTezosCommunity kicked off with activities, Discord games, quizzes, and giveaways celebrating Tezos-coded creativity. Artists were invited to share generative works for Support Artists Day #47 via their Warpcast /thetezos channel. → this week @thisisaraid raided Tate R. Tots’s objkt page this week — a collective effort to boost visibility and share support. → XCOLLABZ revealed the first wave of artists for "Echoes of Light" ⚡️ NFC SUMMIT - JUNE 4-6 2026 - LISBON 2025 powered by Tezos. Another 10 artists to be added after the open call. → Teia Community hosting the Teia Rave April 12–13 with Oncyber exhibitions, poetry, live music, and the #TeiaRave minting event open through April 14. 🕺 → сcube ıı announces ZEROTERMINAL v1.04 — new standalone version lets you interact with onchain art without visiting the site. → One Love Art DAO, Ìtàn: West African Artistry & NFTCLT share open call for works on Motherhood — 10 artists to be selected for a group show and drop on May 9 on objkt. Submissions open from April 10–24. 🤰🏻 Don't miss: → 『-』M░a░z░i░n 『-』 27 new works on April 9 via vending machine — including 4 1/1s, all editions capped at 25. Pricing: 1 for 20 tez / 3 for 50. → Their eyes are often the same — a new collection by MEK.txt on objkt.one featuring 5 new works // final hours for the auction → Objkt Galleries: fakewhale latest Art Market line-up, 𝘼𝘾𝘾𝙊𝙈𝙋𝘼𝙍𝙏'𝙎 new works in the RARE series, and The Second-Guess Body Anxiety in the Age of AI - with Claudia Hart's "Machiavelli99.1" piece just listed 💥 Image: monogrid bb by KiM ASENDORF collected by delrondeshow more

🧐 Fun Fact: Ever wonder what's behind our name... —OptimAI Network? "OP" stands for "Optimize," and "I" stands for "Intelligence" (AI). Now look closer at our logo—what do you see? Pi (π) transforming effortlessly into AI. In OptimAI, Pi is AI, and AI is Pi—representing an infinite cycle of data-driven learning, intelligence, and optimization. ⭐️Join OptimAI Lite Node program now: + Chrome Extension Node: + Telegram Node: 💡Every OptimAI Node you run helps build our #DePIN Reinforcement Data Network—mining data, fueling intelligent AI agents, and forming an endless loop of improvement. Keep connecting the dots with us—Mine Data, Fuel AI, Earn Rewards. Let's optimize intelligence together!show more

From International Space Station, we have a unique vantage... point to observe lightning storms from directly above them. Much like from the ground, they appear as rapid, intense flashes that are over as quickly as they started. But, with the help of handheld cameras and a bit of practice (and, admittedly, some luck), we can capture these intense flashes with a very high frame rate then slow them down to see how the lightning propagates. It's lightning, in slow motion. This is one that occurred over Indonesia on 6/28. I shot it for a half second at 1/120 frame rate, so, 60 separate frames. I then compiled those frames into two videos: the first, in real-time, and the second, slowed down so that each frame is a half second to highlight the progression of the flash. Note the incredible burst of light in one frame, which includes what is likely a TLE on the upper left. A TLE, or Transient Luminous Event, is an electrical discharge that happens in the upper atmosphere above lightning storms (if you haven’t seen Ferry Farhan TLE photo from last week, head over to her page). As their name implies, these are transient, or short lived, phenomena – it appeared in only one frame of the sequence, lasting for no more than 1/120th of a second. The last photo is that single frame. Absolutely incredible.show more

Exploring diff visuals with Gen2. I'm amazed at how... it takes a single block image to build neon streets, structures, and entire cityscapes. Anybody else toying with AI tonight⁉️ AI Art Workflow: 1. Crafted starting image in #Midjourney 2. Generated a 4-sec video with #Gen2 (no text prompt) 3. Extended first 4 secs to 18 secs 4. Repeated steps 2-3 twice, each time using the final frame from the previous 18-sec video to start the next 18-secs run 5. Merged all three 18-sec videos in #FinalCut Pro 6. Adjusted speed for fluidity 7. Final version published here is a 54-sec journey distilled into a 16-sec video with 🎶 #AIart #AIArtCommunityshow more

GPT Image 2 + Seedance 2 = cartoon chase... scene. I wanted to see how far I could push storyboard-to-video consistency, so I created a full 15-second cat vs mouse sequence inside a completely destroyed house. The process was actually simple: - generated a 3x3 cinematic storyboard sheet in GPT Image 2 - designed every frame like a real animation pre-production sketch - added camera directions, motion cues, timing notes, and destruction progression - used Seedance 2 to animate the entire sequence into one continuous cinematic shot flow What surprised me most was how well Seedance 2.0 understood the visual continuity between frames. The flying debris, motion blur, exaggerated jumps, and camera movement felt surprisingly cohesive. . . .show more

THIS GUY JUST REBUILT A $35,000 ANIMATED SITE FOR... $12. IF YOU RUN A WEB STUDIO, YOU SHOULD PROBABLY KEEP SCROLLING. Every agency billing $100-149/hr is selling you five departments wearing one invoice. Here’s each one - collapsed into a single agentic session. LAYER 1 - THE CONCEPT ROOM (Claude) Reads the brief, pulls references, and scripts the scroll: what the visitor feels at second 3, second 15, second 40. → Used to be a strategist and a wall of mood boards. Now it’s a conversation. LAYER 2 - THE MOTION STUDIO (Higgsfield) Cinematic clips from 30+ generative models - hero shots, transitions, ambient loops - all matched to the story from Layer 1. → Used to be a motion artist on retainer. Now it’s a prompt. LAYER 3 - THE DEV TEAM (Claude Code) Scaffolds the site, writes the GSAP ScrollTrigger timelines and Lenis smooth-scroll, extracts frames, optimizes every asset. → A full scroll-driven build with zero hand-coded keyframes. LAYER 4 - THE DESIGN DEPT (baked-in cinematic layer) Six effects, zero config: film grain, particles, vignette, glass cards, color tints, scroll pacing. → The polish that justified the invoice - now it ships by default. LAYER 5 - THE QA PASS (Claude) Checks load speed, mobile breakpoints, and whether the scroll actually lands - then rewrites whatever doesn’t. → Used to be a client call and a revision cycle. Now it’s one more turn in the same session. Five departments. One operator. One pass. A strategist, a motion artist, a developer, a designer, and a QA lead - weeks of handoffs - now run in a single session. For a Claude subscription and a few dollars of Higgsfield credits. The studio was never selling talent. It was selling overhead. And the overhead just became five layers. Follow me, reply “website” to this post and I will send you the step-by-step Playbook 👇show more

🚀 Unich Network Ambassador Program: Cycle Update! Our weekly... training cycles will run from Tuesday to Tuesday - but we are making a special update for our very first Batch! To give everyone enough time to apply and get fully comfortable with the program's workflow, Batch 1 will be extended! 🗓️ Batch 1 Schedule: April 8 – April 21 📢 Participant: We will announce the official list of Batch 1 participants next Tuesday, April 14. (Note: If you join the program after April 14, don't worry! You will automatically be enrolled in Batch 2, which officially kicks off on April 22). ⏳ Haven't registered yet? You still have time to join the movement! 👇 ✅ Step 1: Join the Unich Network Ambassador Global group: ✅ Step 2: Fill out the quick registration form: Let’s build the future of the Unich Network ecosystem together! 🌐💪show more

We are stoked to formally announce The Chefs. A... fully dynamic PFP collection with art created by Rugdrigo (Artist 2.0). Inspired by what Sanj did with Fomojis 2.0s, we decided to take it a step further and have all of the traits evolve from day to night. So the day time versions of your ordinal will be chefs. The night time versions will evolve into something else entirely. With our 1/1s, we wanted to do something a bit different. I believe 1/1s should really stand out in a collection and so few projects actually succeed in doing that. I reached out to some of my favorite artists and projects in the space to curate an incredibly diverse set of 1/1s. We do the cooking! Mint Date : 11/15 on Magic Eden on Bitcoin 🟧 at 10 AM EST Price : .0009BTC Collection Size : 2392show more

🚨 BREAKING… $100K profit in one month with Clawdbot... and Polymarket, code did the work This is a REAL setup with REAL outcomes. Relevant for ANYONE trading on Polymarket. He took a small initial position, let Clawdbot handle operations, and grew it into a ~$100K outcome No secret connections No high-profile backing Just a dev who connected Moltbot (Clawdbot) straight to Polymarket Profile → Copytrade → After reviewing the system, I was genuinely surprised No hype-driven plays No subjective calls Everything runs without a human in the loop Execution runs on its own, no manual layer FULL strategy overview: 1. 15-minute BTC & ETH micro-arbitrage The system operates on short-window Bitcoin and Ethereum markets using 15-minute intervals. In these fast-moving contracts, brief mispricings appear when YES and NO combined dip below $1. With Moltbot (Clawdbot) wired directly into Polymarket, those gaps are seized instantly - no forecasting, no directional bets, no bias 2. Execution beats reaction When volatility surges and traders hesitate, the system doesn’t. Orders are placed mechanically, with no pauses, no emotional friction, and no execution lag. By the time humans notice the move, the edge has already closed 3. Autonomy enables scale Each cycle captures pennies, not big wins. But uninterrupted operation allows the process to repeat relentlessly, at high frequency, without burnout or slowdown compounding small edges into meaningful results Scale is the edge 5,978 executions. Each one trivial in isolation. Taken together, they snowballed into just under $100K in profit The takeaway In my view, a low-key bot arms race is already underway on Polymarket Humans debate entries Systems capitalize on mechanics And while structural inefficiencies remain, autonomous setups will continue to extract value-quietly, relentlessly I track this space closely. FOLLOW if you want signal, not noise.show more

a contractor in Shenzhen priced a ¥12,470,900 hospital contract,... about $1.7m, in one afternoon and beat firms carrying forty people he explained how he did it: the bid consultancy he used to pay took three days and ¥46,000 for the same envelope. he did this one alone, off one screen, at 11.4% margin, uploaded before the 17:00 cutoff 214 pages of tender documents read, 68 binding clauses pulled out, 9,485 building parts loaded, 14 places found where a duct and a beam sit in the same cubic metre, deepest one 38mm, all of them fixed, 3,318 lines of quantities priced and the package encrypted and uploaded before the 17:00 cutoff this is Graph Engineering: the job gets cut into small nodes, one narrow task each, wired so that one node's output is the next node's input, and any node is allowed to stop the whole run. it turns a model that answers you into a machine that finishes the job: - give every node one job and one output. a node doing two things fails at both and you cannot tell which one broke - put the cheapest rejection first. his qualification node reads clause 7.4, foreign-owned firms barred, and ends the run four seconds in, before anything expensive touches the model - what moves between nodes is a file. the model travels as a model, the quantities as a table, the price as a number - build exactly one loop: the checker finds 14 collisions, the fixer drops the duct 550mm, the checker runs again, and nothing moves on until the count is zero - cap that loop, or a graph will grind on three impossible clashes until the deadline passes - keep one node whose only job is to say no, and give it authority over everything above it - log each node's output on its own, because when the price comes out wrong you need to know which node believed the wrong thing - run the expensive nodes last, always the catch is that a graph is an extremely confident machine: point it at an outdated rate book and it prices an entire hospital off it without a single node noticing, because no node is asked to doubt the input, only to process it so the nodes that earn their keep are the ones that reject, and almost nobody builds those first bookmark this, the full build with all nine nodes and what each one hands to the next is written out in the article ↓show more

She wasn't dancing for anyone until the whole street... joined in. One girl. One beat. And suddenly everyone's in. Made with GPT Image 2 and Seedance 2.0 on BudgetPixel AI Prompt: Video Prompt — 15 seconds, 16:9, Solo female street dancer Jessy (described above) dancing continuously and energetically from the very first frame to a viral trending upbeat pop/afrobeat-style track (130 BPM, catchy hook-driven viral sound), full choreography visible throughout — no static feet-only opening, no frozen ending. Sunlit outdoor market street, colorful stalls, soft crowd blur, photorealistic, 8K detail, consistent facial identity, cinematic natural daylight, fluid motion blur, perfect temporal consistency. 0:00–0:03 — Low-angle tracking shot rising into a full-body view; Jessy is already mid-move, doing a bouncy shuffle-step with sharp arm swings and a hip pop on the beat drop, ponytail whipping, face clearly visible and expressive. 0:03–0:06 — Whip-pan into a Dutch-angle mid-shot; Jessy spins into a body-roll combo, arms cutting sharply through the air, handheld camera pulsing with the beat. 0:06–0:09 — Crash-zoom to a high-angle crane shot; Jessy drops into a low groove-step with a floor-touch and pop back up, dust kicking softly at her sneakers, still mid-motion. 0:09–0:12 — Snap-cut to eye-level tracking shot circling her; nearby onlookers — two women and one man, each with distinct clearly-visible faces, different hairstyles, and different outfits from Jessy and each other — start mirroring her moves and join in, forming a loose group dance, all faces on camera (face cards visible, no obstruction). 0:12–0:15 — Wide dynamic shot pulling back as the whole group dances together in sync, Jessy in the center still moving with sharp bounce and a playful spin, camera continuing to move (slow pull-back with slight handheld shake) right up to the final frame — no freeze, motion carries through to the last moment, energetic smile toward camera.show more

Spaghetti the piglet wasn’t planning a solo sunset jog…... but the turkey and the Yorkie clearly received the group text. One determined little pig, one strutting turkey, and one tiny dog decided the outback needed a full escort, and suddenly it’s the most wholesome parade you’ve seen all week. This is pure, unfiltered farm joy. No agenda. No performance. Just three completely different creatures who looked at each other and said, “We’re doing this together.” The pig sets the pace, the turkey adds the drama, and the Yorkie makes sure nobody gets left behind. It’s the kind of spontaneous chaos that only happens when animals run the place. In a world that runs too fast and stays too serious, these three just reminded us what real community looks like: show up, match the energy, and keep moving forward—side by side.show more

🎨 Gaussian Splat rigging opens infinite artistic possibilities! Realtime... rendering with my VHS effect in VR 1.5M splats running at 80 FPS in VR with bone-based Mixamo rig animation. Travel into the volumetric worlds of Valerian and the City of a Thousand Planets, reimagined in that bold 1980s sci-fi aesthetic ✨ World Labs Theoretically Media Technical • GPU compute shader skinning (256 threads) • Linear Blend Skinning (LBS) with up to 4 bones per splat • Bind pose capture for accurate deformation • CommandBuffer synchronization for frame-perfect timing Why splats are perfect for comic art I think: Each splat is a volumetric 3D ellipsoid that naturally creates crisp edges and flat color regions—the essence of cel-shading. No complex shader tricks needed. The volumetric representation itself gives you that graphic novel aesthetic. #Realtime #GaussianSplatting #VR #GameDev #Unity3D #VolumetricRendering #ComicArtshow more

Motion graphics created by using Seedance 2.0 on Nsketch... AI Prompt ⤵️ Ultra-sleek motion design sequence. Pure black background throughout. White-on-black minimal aesthetic. No cuts — one single continuous unbroken visual evolution. Locked-off static center frame, no camera movement. All motion occurs within the subject. Self-luminous white forms on absolute black, no grain, no shadows. 0–1s [ORIGIN]: A single white point materializes at center frame. It pulses once — three concentric rings ripple outward like a heartbeat and dissolve into black. 1–2s [LINE]: The point stretches into a razor-thin white horizontal line extending edge to edge with elastic ease-out motion. 2–4s [GRID → CIRCLE]: The line multiplies into a precise grid of nine parallel horizontal and vertical lines appearing in staggered succession. The grid warps — outer lines curve inward, the structure rotates, straight lines bend into arcs, converging into a perfect geometric circle outline. 4–6s [WIREFRAME → SOLID SPHERE]: The circle extrudes into a 3D wireframe sphere, every latitude and longitude line crisp, slowly rotating on its vertical axis. The wireframe fills in smoothly — dissolving into a solid white surface with a soft specular highlight in the upper-left quadrant. 6–8s [INTERFACE]: The sphere flattens and unfolds into a clean rectangular plane — a minimal phone interface with rounded corners. Abstract UI elements appear inside: status bar, a grid of rounded app icons, home indicator bar. White line art on black. 8–10s [CUBE → BLOOM]: The interface folds inward, collapsing into an isometric wireframe cube that tumbles once. The cube's six faces peel outward simultaneously, each becoming a smooth white elliptical petal — blooming open like a flower in zero gravity. 10–12s [VORTEX]: The flower dissolves into hundreds of tiny white particles orbiting the center in a controlled elliptical vortex, some clockwise, some counterclockwise, each following a precise mathematical path, flickering softly. 12–13s [WATCH]: The particles decelerate and self-organize — converging and snapping into position to assemble the silhouette of a wristwatch: a clean rectangular case outline with lugs, built entirely from particles. 13–14s [COLLAPSE]: The watch dissolves into fluid white ribbons that compress into a single dense white sphere. It pulses once — brighter than before — then collapses rapidly inward to a single brilliant point. 14–15s [LOGO]: The point holds for one silent beat. Then it expands into a clean minimal brand logo — white sans-serif letterforms on black. A single pulse of warm amber light blooms from center behind the logo, fades to black. White text remains. Style: luxury tech brand motion identity, Bauhaus-minimalist, mathematical precision. Mood: calm, inevitable, intelligent, premium.show more

Pencak Silat Choreography Made with GPT Image 2 and... Seedance 2.0 by Yapper Prompt: { "model": "gpt-image-2", "size": "1024x1024", "prompt": "A clean instructional poster in a 4x4 grid (16 panels) showing a male martial artist demonstrating Pencak Silat choreography. The subject is a fit man with medium-length dark hair and a beard, wearing a red button-up shirt, beige pants, and white sneakers. Style is semi-realistic illustration mixed with hand-drawn sketch lines, soft shadows, and a light textured paper background. Each panel includes subtle motion arrows and small captions. Minimalist, balanced layout. शीर्ष title at top: 'Pencak Silat Choreography – 16 Counts – 10 Seconds – Smooth Flowy Chill'.\n\nPanel 1: wide ready stance, knees bent, one hand guarding forward, focused expression.\nPanel 2: step forward with outward block, arm extended defensively.\nPanel 3: inside block sweeping upward diagonally, torso rotating.\nPanel 4: strong straight punch forward, aligned hips.\nPanel 5: side step into low stance, both hands pushing outward.\nPanel 6: knee lifted high in chamber position, balanced posture.\nPanel 7: front kick extended forward, opposite arm guarding.\nPanel 8: step backward into defensive cover, arms crossing.\nPanel 9: low block, sweeping arm downward in deep stance.\nPanel 10: hook punch across body with hip rotation.\nPanel 11: turning body with pivoting feet, circular motion.\nPanel 12: forward palm strike, stable stance.\nPanel 13: low sweeping motion near ground in squat stance.\nPanel 14: rising smoothly from low stance, upward motion.\nPanel 15: controlled locking pose, one arm raised defensively.\nPanel 16: closing salute, feet together, hands pressed at chest, calm posture.\n\nInclude hand-drawn arrows (blue and purple accents), clean infographic layout, evenly spaced panels, consistent character design across all frames." } Video prompt for Seedance 2.0 Prompt: A focused male martial artist performs a smooth, flowing Pencak Silat sequence in a minimalist studio. He is in his late 20s, athletic build, medium height, warm tan skin, with thick wavy dark hair and a short, well-groomed beard. He wears a fitted deep red button-up shirt with sleeves rolled to the forearms, beige slim-fit pants with slight wear at the knees, and clean white sneakers. His expression is calm, controlled, and intent. The setting is a softly lit neutral studio with an off-white textured backdrop and a slightly worn wooden floor. Lighting is diffused and cinematic, creating gentle shadows and emphasizing fluid motion. The choreography is continuous and rhythmic, with no abrupt cuts: 0–2s: يبدأ in a grounded ready stance, knees bent, one palm forward in guard, eyes locked ahead 2–4s: steps forward into an outward block, transitioning into an inside sweeping block upward 4–6s: rotates hips into a straight punch, then shifts weight into a side step with a pushing motion 6–8s: lifts knee smoothly and extends into a controlled front kick, maintaining balance 8–10s: steps back into a guarded cover, drops into a low block, then rises into a hook punch 10–12s: pivots the body with a clean turn, transitioning into a forward palm strike 12–14s: lowers into a sweeping motion, then rises fluidly into a locking control pose 14–15s: finishes upright with a respectful closing salute, hands together at chest level Movement style is soft, flowing, controlled, with precise martial intention rather than aggression. Emphasis on balance, breath, and continuity. Camera is a steady medium-wide shot with subtle slow tracking, no cuts.show more