Some more Doodle Girl work in progress!✏️ This time... we've got shots from Marta Sniezek, Walter Giampaglia (martas_sketchbook + walter_gmp on Insta) (), Joe Loftus + Di McCay ⚔️ #doodlegirl #animationshow more

A little taste of Tony Cantwell’s unicorn voice in... Doodle Girl Animation by Marta Sniezek and Ruth #doodlegirl #animation #comedy #handdrawn #2danimation #cartoon #unicornshow more

As huge fans of 🤠 we're so excited to... have got to chip in on some additional Clean Up + Colour on their latest Punch Punch Forever episode! We'll be highlighting some of the scenes we did over the next little while starting with this batch by Cassandra Sierevogel!✨ #animationshow more

Hi Im Piggy and Im working on building the... entirety of Rainworld in MC. It’ll surely take a while but here are some cool shots of the project so far (very very work in progress). I will be posting cool minor things here from time to time. Or follow for silly personal tweetsshow more

More Knights of Guinevere Teaser stuff for GLITCH! Ink... + Paint by Catarina Carvalho Show created by Dana Terrace, John Bailey Owen + Zach Marcus Go check out the full video here: #knightsofguinevere #animation #2danimationshow more

We're so excited to have helped on the new... KNIGHTS OF GUINEVERE teaser! As big fans of Dana Terrace, John Bailey Owen + Zach Marcus it was such a treat to Clean Up and Colour these shots for GLITCH✨ Clean Up by @kimitr0n on other apps 🖤🩶🤍💚 + Rosalie Perrotshow more

Seedance 2.0 - Advanced Workflows Series 14. Compositing and... Layering Some shots may have many characters that need specific movements. When we start adding characters, it becomes very difficult to achieve the exact animation, gesture, or movement we are looking of all of them in a single generation. In addition, the more characters are added, the more rigid Seedance 2.0 animations become in order to maintain consistency. This is especially visible in styles with squash and stretch and rubber hose animations, where the characters deform their body parts as if they were made of rubber, or in highly expressive movement animations in anime. For these cases, it is better to work on each animation separately and recompose it at the end into a video. Workflow + Prompts 👇show more

Announcement 📣 Introducing A studio born purely out of... demand, something I’ve been on for the last 2 weeks. Last month alone I got client requests to motion work (UI shots, lotties etc) in total more than $4000 💵 from top agency owners, designers and founders. Then it really clicked, motion beats static every time That’s exactly how the very best products grab your attention, that’s how top agencies and designers keep getting clients and driving engagements Cus when your work needs that spark… you Addmotion Twitter- @Addmotion_ Repost and give us a follow? ;-)show more

I'm thrilled to share that I've joined UI8 as... a Principal Designer. I've always admired Dash and the team's design principles, work ethics, attention to detail, and it's especially exciting because I've been a long-time user of UI8's products since the very beginning of my career in 2014. Probably always sensed that our work principles match in many aspects. It still feels surreal to join this incredible team with a mission to help building the future of asset marketplaces for designers (and much more). Can't wait to share everything we've been working on with the team! Animation made using Unicorn Studio + Framer. →show more

Sneak peek from the lab. Work in progress of... the real-time face tracking, via iPhone, Clone v2 cinematic rig. Simple viewport capture, no lighting or shading. Effective expression capture is key for conveying emotions accurately with your Clones. Our new cinematic rig has been constructed with flexibility in mind. We've carefully refined the 52 blend shapes that drive the facial expressions, and the face controls themselves, to achieve a more natural look. We have more iteration cycles to go through before we hit our target but you can already see a great difference from v1. This upgrade opens up a world of possibilities, from high-fidelity dynamic VRMs adaptable to various platforms to virtual production capabilities and V-Tubing with improved face filters. Our goal is simple: To help eliminate technical barriers and provide a more seamless and inclusive utility for all of our community, all while ensuring quality remains at the core of everything we do.show more

Love & Hip Hop Miami really fumbled not bringing... Boots on from DAY ONE 😭 Every scene she’s in got me hollering, especially every time she calls Shay “Bucky” like they are still on Flavor of Love like ma’am PLEASE 💀 The fact that she has held onto this grudge for 19 years makes it even funnier because the commitment to petty is actually impressive 🤣 And Trina needs to go on ahead and let Boots handle Bucky and move on because Boots came to WORK. Not to mention her trying to scam Michael Blackson & Trick Daddy 😭 It really don’t get more ratchet than this.show more

Sakuga Over The Years (October 2016) KA: Tomohiro Shinoda... (篠田 知宏), China (ちな), Fumiaki Kouta (光田 史亮), Ripa (りぱ), Mitsuru Ishihara (石原 満), Atsuki Shimizu (清水 厚貴), Artist Unknown PV: Flip Flappers (フリップフラッパーズ) OP I’ve highlighted a lot of Kiyotaka Oshiyama’s past work as a key animator and an episode director, but this is his first credit for directing an entire project! A much different work than Look Back, but still a really well animated one. Now while he’s solo animated episodes before, it would obviously be an arduous task to direct and animate every episode himself, but he’s involved practically as much as he can be by storyboarding half of the episodes as well as this OP and the ED and doing some key animation of his own. Now in terms of the OP itself, we’ve got some gorgeous work from a bunch of skilled animators. Now the cuts are very quick, but there’s some really crazy running and background animation both in cut 1 by Tomohiro Shinoda (who has worked a lot on projects that Yoshimichi Kameda is involved in) and cut 4 presumably done by Ripa.show more

004/100 Buttons. A bit of the process on building... an animation. When looking at a finished animation or in this example a finished button, it can look quite complex inside the CSS. But when building it, it’s more like a lot of simple steps, one after another. Here I had the idea to make some kind of text animation like the footer logo on the Osmo site. I try to add the base animation with no complex easing, for example transition: translate 0.4s ease. Starting with just moving the one text from bottom to top and the other text to top. Adding a stagger, play around with it. Searching for a way to make it more circular. On the research I found the sin() function inside CSS which can build a more smooth non linear curve for the stagger which creates this circular effect. And step by step adding more complexity like, different easing for hover/hover-out, opacity, 3D transform and more. I use also the sin() function to rotate the letters, so the middle ones are getting more rotated than the outer ones. Another thing which helps is to add a small delay on hover, for example 0.05s or 0.1s, you don’t really see the difference, but when you hover pretty fast on and out it doesn’t get that jumpy. I’m using here GSAP’s SplitText to split every char into spans. And then I’m adding a CSS index variable to every span, starting from the center. SplitText can provide CSS index variables, but you cannot tell it from which direction. For the sin() it’s also important to have a max length, so I add another CSS variable with the max char number on it. Crafting 100 Buttons with Osmo ⏳ Total time: 63hshow more

"Walter always said the Fourth of July was for... everyone else. His daughter used to invite him inside before the fireworks started, close the curtains, turn the television up, and pretend she wasn’t watching his hands. Walter hated that part most. He didn’t want pity. He didn’t want people whispering around him. He wanted to sit on his own porch, in his own chair, and act like the noise didn’t still reach places in him he couldn’t explain. He had come home from Vietnam a long time ago, but some nights never seemed as far away as they should have. Most days, Walter was steady. He mowed his lawn, fixed the loose rail by the steps, and waved at every neighbor who passed. Loud sudden sounds were the one thing that could still pull the room out from under him. That night, the first fireworks started before it was fully dark. Walter stayed outside anyway. He sat on the porch steps with his cap low over his face, trying to breathe through each burst like he’d done so many times before. Duke watched him from the walkway. The black shepherd mix had been with Walter for three years. He knew the small things: the way Walter’s shoulders tightened before he said he was fine, the way his fingers curled when the noise got too close, the way silence after a loud boom sometimes scared him more than the boom itself. Another firework cracked over the neighborhood, and Walter covered his face with both hands. Duke came up the steps slowly. He didn’t crowd him. He just walked close enough, waited a second, then rested his head on Walter’s knee. Walter’s hand dropped almost right away. He touched Duke’s ear, then the side of his neck, and his breathing started to slow. The fireworks kept going behind them, lighting the street in red and white, but Walter wasn’t alone with the sound anymore. After a while, he leaned forward and held Duke with both arms. “Good boy,” he whispered. Duke stayed there until the noise moved farther away. What has your dog done when they somehow knew you needed them?show more

Stephen Kinnaird a convicted child rapist who abused a... girl from the age of eight was housed in the Talbot Association hostel on Paisley Road West, right next to a family restaurant and a bowling alley. He only got removed because the public turned up and forced it. The system didn’t act. The people did. We’ve been told loud and clear: the people of Glasgow will not tolerate this anymore. This is how this government “protects” our weans by dumping known predators in family areas and hoping nobody notices. Every time it happens more kids are put at risk. MAPPA and the National Accommodation Strategy for Sex Offenders are supposed to stop this. Instead they’re failing in plain sight. Record numbers of registered sex offenders are being reconvicted of further violent and sexual crimes while these placements continue. Accountability for all. Not just some. To every agency and politician responsible for housing these animals: your policy is broken. Fix it. Or step aside.show more

Dagknight technical progress As would be mentioned in a... still unshared post by Michael Sutton, the dagknight effort is split into v0 devnet, v1 testnet and v2 mainnet candidate. I’ve been testing the current v0-based implementation in a small devnet with the help of some testers who run nodes and miners with me. The DK work can be thought of as split into two parts: (1) implementing the actual protocol and (2) wiring it up and using it. The testing and development over the last month has been focused on (2). Obviously, DK is a consensus change for selecting parents. What’s not so obvious is that such a change affects DAA, coinbase, IBD, pruning and a lot more. Each of these areas is very sensitive and requires proper understanding to wire correctly. An important consideration and difference from GD is that DK does not focus on maximizing a property like blue work. So to maintain topological properties of blue work, an independent (free) GD implementation is kept running specifically for maintaining blue work. This allows us to keep using the property for topology. Coloring and blue score use the megachain induced by DK. The wiring around DK as of this posting is in a working state, but still needs to be reviewed. Next efforts will be focused on protocol specific components, particularly Tie-Breaking and incremental UMC. Attached are some captures from the internal devnet. The dense DAG image is what happens when things related to DAA or other similar consensus parameter causes a node to insist on their POV. The video is a recent snippet of the KGI running on the devnet showing (perhaps not obviously) DK at work. The current “dagknight” branch is now posted on the main repo. A topic in the Public R&D has been opened for Dagknight development.show more

You + Your Person ❤️‍🔥 For/To: #Aries #Leo #Sagittarius... #FireSigns This you need to know: •Having sleepless nights over you •You could be dealing with an Earth Sign •Wanting a Family with you or ready to build/work towards one •Your too good at goodbyes •Having a hard time letting you go Someone from your past is coming back around to talk to you. Someone panicked and could’ve ran from you. You may have a child with this person or planned one. I do see this person has been obsessing over you and missing you more than you’ll ever know. This person could’ve had some legal issues to handle. But there was some gossip around this connection and I do see your person has shut all the rumors. Anyone who thought they had one up on you could’ve got clowned and shut down. I do see this karmic was upset and mad making it seem like something that it wasn’t. Your person has shut down this other connection and ready to make their way back to you. I do see this person is scared to come forward, and hates that you have cut them off the way you did. I do see expect a phone call, meet up for drinks, pulling up on you will be in full effect. They’re gonna be on you real bad.show more