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(1) Image → (18) Angles → (1) Click. Weavy + Qwen Edit Multi-Angle. (Full workflow in thread) PROCESS: 01. Import Qwen Edit Multiview LORA from Replicate. 02. Add an input node. 03. Duplicate a bunch of Qwen nodes 04. Vary angles and perspectives. 05. Generate. #weavy #promptshare
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![Midjourney Video → Keyframes Released. It also works with "extend." PROCESS: 01. Generate original image 02. Remove background. 03. Regenerate background. 04. Add both images as keyframes 05. Extend and continue. (More Details in thread) VIDEO PROMPT: Side profile tracking shot of a matte green Land Rover Defender driving from a [environment1] into a [environment2]. Smooth cinematic transition. [ENV1] blurs into a [ENV2]. Motion blur on car wheels. [LIGHTING1] replaces [LIGHTING2]. Steady camera on vehicle, looping seamless movement --motion high #midjourney #promptshare](https://image.24vids.com/tw-1948833732779278419/amplify_video_thumb/1948832138821779456/img/c3uKEhIMcFSmgmX3.jpg)
![Everyone's sleeping on image-to-3D AI models. They can make your app look incredibly unique, with just a little effort. Here's how. This is my calorie tracker, built in a week with nothing but prompting. Just Claude Code + a couple APIs. The visuals are all AI-generated. I'll be sharing the full workflow + all the crazy technical stuff Claude and I did to make this work, so nobody has to struggle through it like me. Deep dive coming soon! Till then, this is the high-level idea: 1. Get a clean image of the food (or whatever your asset is) - In my app, the user describes foods via text, or attaches images (or both) - If text, an LLM extracts the food description and formats it into a specific prompt I tuned for this design, and we generate an image using Z-Image Turbo through fal - If image, we do the same thing but with FLUX.2 [dev] to edit the user image into our reference design - Originally, both used Google Nano Banana, but switching to open models cut costs and latency a ton 2. Gaussian splatting (2D image → 3D model) - I tried various 2D-to-3D options on fal and ended up with TripoSplat as my preferred balance of speed, cost, latency; this turns an image into a 3D model that looks super high quality (link below) - The app displays the 2D image while our backend generates the 3D splat - We "groom" the splat to reduce size and load time by culling low-opacity/scale points 3. Render efficiently on device Originally, it looked great but ran at 10 FPS. Getting to 120 FPS was a crazy journey. TL;DR: - SwiftUI had to go; it forced us to render each asset in independent MTKViews, which wasn't workable - Instead, we composite every dish into one full-bleed CAMetalLayer using MetalSplatter (link below) - We had to make some optimizations within MetalSplatter's code too, to reduce the overhead of sorting points per render Then I added some finishing touches like the subtle rotation and parallax as they move around. I think it turned out pretty cool :) Overall, this took some effort, but we still got it done in less than a day. Hopefully your agent can follow in the footsteps of mine and do it much faster. Keep an eye out for the bigger writeup, which'll give your agent everything it needs. If you have any questions, drop em below!](https://image.24vids.com/tw-2069277649655243140/amplify_video_thumb/2069276621698465792/img/7_y1PzRYfzBgLDJ6.jpg)
![GPT Image 2 + Seedance 2.0 on OpenArt Prompt: Create a professional production storyboard sheet for a cinematic Japanese cooking video. Format: A wide horizontal storyboard layout, 16:9 aspect ratio, arranged in a clean 3x3 grid with 9 panels total. Thin black borders separating each frame. Warm parchment/off-white background like a printed production board. At the top center, add the title: JAPANESE BEEF BOWL — Production Storyboard Each panel should have a small white label box in the top-left corner with the panel number in brackets: [1], [2], [3], etc. Under each panel, add a short italic serif caption starting with a two-digit number and an em dash. Visual style: High-end cinematic food photography, warm rustic Japanese kitchen, moody amber lighting, shallow depth of field, steam, dark wooden table, handmade ceramic bowls, old kitchen tools in the background, realistic textures, glossy sauce, appetizing food details, premium commercial cooking video look. Storyboard panels: [1] Close-up of hands slicing raw beef into thick bite-sized pieces on a worn wooden cutting board with a large chef's knife. Caption: 01 — Slice beef into bite-sized pieces. [2] Close-up of beef pieces searing in a black cast-iron pan, caramelized golden-brown edges, sizzling oil, steam rising, chopsticks turning one piece. Caption: 02 — Sear beef until browned. [3] Close-up of soy sauce being poured from a small ceramic cup into the hot pan, dark sauce bubbling around the beef, steam filling the frame. Caption: 03 — Add soy sauce to the pan. [4] Beef pieces simmering in a thick glossy sauce, chopsticks lifting a glazed piece, sauce bubbling heavily in the pan. Caption: 04 — Simmer beef in the sauce. [5] A wooden rice paddle scooping freshly steamed white rice into a large handmade ceramic bowl. Caption: 05 — Scoop steamed rice into bowl. [6] Thick Japanese-style savory sauce being poured over the mound of white rice in the ceramic bowl, glossy dark sauce spreading over the rice. Caption: 06 — Drizzle sauce over rice. [7] Glazed beef slices being placed carefully over the rice with chopsticks, close-up, rich caramelized shine. Caption: 07 — Arrange glazed beef over rice. [8] Finished bowl being assembled with green onions, soft-boiled egg halves, pickled ginger, sesame seeds, and fresh vegetables around the beef. Caption: 08 — Add vegetables, egg, and garnish. [9] Final hero shot of the completed Japanese beef bowl on a rustic wooden table, glossy beef, golden egg yolks, steam rising, hands resting near the bowl, cinematic food commercial look. Caption: 09 — Completed beef bowl, hero shot. Make the entire storyboard feel like a polished production planning sheet for a premium Japanese beef bowl commercial. Keep every panel realistic, cinematic, warm, detailed, and consistent in lighting, color palette, kitchen environment, and bowl design. Video Prompt: CRITICAL INSTRUCTION: The reference image contains a 9-step chronological cooking storyboard for a Japanese Beef Bowl. Animate the chef seamlessly through these exact 9 steps in order. Start at Step 1 (Slice raw beef into bite-sized pieces), flow into Step 2 (Sear beef until browned), then Step 3 (Add soy sauce to the pan). Continue through Step 4 (Simmer beef in the sauce), Step 5 (Scoop steamed rice into bowl), Step 6 (Drizzle sauce over rice), Step 7 (Arrange glazed beef over rice), Step 8 (Add vegetables, egg, and garnish), finishing on Step 9 (Completed beef bowl hero shot). Prioritize the strict sequence of actions. No music. No subtitles. Location: Traditional Japanese kitchen. 15 seconds, 16:9, realistic, cinematic, appetizing, natural camera movement. Warm moody lighting, shallow depth of field, rich steam, glossy sauce, premium food commercial quality.](https://image.24vids.com/tw-2073255130443735422/ext_tw_video_thumb/2073254282686828544/pu/img/I6uMqSFgh72-qJOb.jpg)
![Seedance 2.0 on FlovaAI =================== Prompt: [Reference Identity Lock] Image 1 is ONLY the main female protagonist. Her face, hairstyle, body type, and outfit must match Image 1 exactly and stay consistent for the entire video. Image 2 is ONLY a uniform reference. All four opponents wear the school uniform shown in Image 2. Never swap, merge, duplicate, or blend identities. The protagonist's identity comes ONLY from Image 1. The four opponents have NO reference images. They are defined by the text descriptions below. The four opponents must not resemble the protagonist, and they must not resemble each other. All five characters must remain clearly distinct and recognizable until the end. [Priority Order] 1. Preserve the protagonist's identity from Image 1. 2. Keep the four opponents visually distinct from her and from each other. 3. Maintain one continuous shot with no cuts. 4. Keep the classroom layout spatially consistent. 5. Make the action fast but readable and physically connected. 6. Keep the tone as a Korean school action drama, stylish but grounded. Korean school action drama classroom fight scene — 15 seconds, ONE CONTINUOUS SHOT, NO CUTS. A single uninterrupted handheld shot. No cuts, no scene transitions, no montage. The camera should feel handheld, with micro-jitters, slight rolling shutter, and raw unstable realism. The camera must physically travel through the same classroom space. Every transition must be motivated by camera movement, not editing. Whip pans are allowed, but they must not hide a cut. Do not teleport the camera or characters. The classroom layout and character positions must remain spatially consistent. Audio: No music. Only realistic school and classroom ambient sounds: old fluorescent light hum, distant hallway noise, ceiling fan, shoes scraping the floor, desks dragging, chair legs screeching, cloth friction, dull body impacts, and breathing that gradually becomes heavier. Breathing continues throughout the scene and keeps building. Lighting: Late afternoon in a Korean high school classroom. Mixed cool fluorescent light and warm sunlight through the windows. Dust floating in the sunlight. Soft fan shadows moving across desks and school uniforms. Main character: The Korean female high school student from Image 1, age 17–18. Cold, emotionless, calm, and intimidating. She barely speaks and does not scream during the fight. She remains composed from beginning to end. Her movements are efficient, explosive, and precise. Even if her frame is not large, she dominates through speed, timing, and accuracy. Main outfit: Exactly the outfit shown in Image 1. Do not change its colors, design, or details. Her jacket or outer layer is either removed and hanging on a chair, or worn in a slightly messy way. The action must be non-sexualized and combat-focused. Fabric movement, dust, sweat, wrinkles, and impact response should feel realistic. Opponent rules: Four Korean female high school students, all wearing the Hanlim Multi Art School uniform shown in Image 2. They have no reference images. Define them strictly by these descriptions and keep each one consistent: Opponent A: short black bob with straight bangs, medium build, round face. Opponent B: long straight hair tied in a high ponytail, tall and lean, sharp jawline. Opponent C: shoulder-length hair with side-swept bangs, slim build, narrow face. Opponent D: long wavy hair worn loose, slightly stocky and broad-shouldered. A, B, C, and D must each keep clearly different faces, hairstyles, body shapes, and silhouettes. They must not resemble the protagonist, and they must not resemble each other. No face duplication, no face merging, no identity confusion. Environment: An empty classroom at Hanlim Multi Art School, a Korean performing arts high school in Seoul. Green chalkboard, chalk tray, worn wooden desks, plastic chairs, classroom clock, class schedule poster, discipline/life-guidance posters, cleaning tools, blinds or curtains, wall study materials, and a slightly scuffed floor. Desks and chairs should react naturally to impacts, sliding, shaking, and collapsing when hit. Camera framing rules: Even during kicks, framing should stay around chest-level or eye-level. No low-angle shots under the skirt. Do not focus on legs, thighs, underwear, or fetish-like details. All action framing must prioritize faces, upper-body motion, impact, and spatial choreography. Continuous action and camera choreography: From 0 to 15 seconds, the fight continues without any cuts. The action should be stylish but readable, and every movement must be physically connected. 0–3s: The camera starts behind the protagonist at a slightly low handheld angle, drifting left through the classroom aisle. Opponent A grabs the protagonist's shoulder roughly and says in Korean: "야, 너 지금 뭐 하자는 거야?" The protagonist silently turns and lands one hard straight punch to A's face. At impact, use a very brief 15% slow motion: cheek ripple, dust particles, deep thud. A falls sideways into a desk. The camera dips slightly from the shock, then whip-pans right without cutting. 3–6s: Opponent B charges in from the right. The protagonist steps forward instead of retreating. A short body shot to the stomach. Immediate uppercut to the chin. Without pausing, she drives forward into a flying knee to B's chest. B is thrown backward across or into a desk. The camera follows the forward motion low, then rebounds upward with the impact. 6–9s: Opponent D attacks with two fast punches. The protagonist deflects both strikes with her arms, then flows into a turning backfist to D's face. As D staggers, she continues the same rotation into a spinning back elbow that lands hard on D's jaw or temple. D crashes sideways into two or three desks. The camera arcs around her shoulder and jitters slightly at each impact. No cuts. 9–12s: Opponent C rushes in from the chalkboard side. The protagonist clearly grabs C's collar with her left hand. C's face must be fully visible from the front and clearly different from the protagonist. The protagonist lands one short, hard punch to C's face, then immediately throws a powerful high kick or flying high kick into C's chest. The force sends C backward into the green chalkboard. The protagonist remains in the foreground and never touches the board. The protagonist's face should be side-profile or partially obscured. C's face should be clearly visible from the front at the moment of impact. Their faces must never overlap in frame. Use a very brief 20% slow motion at the chalkboard impact: chalk dust bursts outward, and C slides down the board. The camera pushes up with the impact, then tilts down as C slides. 12–15s: Through the chalk dust, the camera hard-pans right. D makes one final charge. The protagonist sidesteps and lands a tight uppercut to D's chin, followed immediately by a cross. D crashes into a row of desks, causing a chain reaction of collapsing desks and chairs. The camera drifts forward slowly. The protagonist adjusts her loose tie or ribbon and brushes chalk dust off her shoulder. Her expression stays cold and serious. She walks past the camera and exits the frame. Dust floats in the sunlight. Natural ending. =================== Made with Flova #FlovaAI #FlovaCPP](https://image.24vids.com/tw-2078057124350005603/amplify_video_thumb/2078049254845952000/img/syZwn5uGQkEHH5vr.jpg)
