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2 shots later🥛 it got freaky af Jarrett 💫 Dopeboy Dick 🍆💦 💿=====>click

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THEE City Boy 🦂

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68,633 Aufrufe • vor 2 Jahren •via X (Twitter)

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Freak It - Kim Petras #NewSong 7/25 💋 = You Would Freak It For Me 👀 = You’re A Tease 🍆 = You’re Eurotrash AF 💿 = You’re Excited To Listen ☮️ = You Will PreSave 👠 = You’re A Freaky Little Debutant

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Mama:you been doing so well in school ima give you ya gift Me: oou what is it mama Mama:just lay back Me:uh ok Mama: good boy lemme drain that overdeveloped dick u got ya dick musty af holding allat nut. Me: Fuckk mama u gon make me cum😵‍💫🍆💦💦
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Mama:you been doing so well in school ima give you ya gift Me: oou what is it mama Mama:just lay back Me:uh ok Mama: good boy lemme drain that overdeveloped dick u got ya dick musty af holding allat nut. Me: Fuckk mama u gon make me cum😵‍💫🍆💦💦

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i don’t gotta dick ride i got my own mix🚫🍆🚴‍♂️ if you broke you could call my phone for ah fix📲 one man army i don’t even do it wit ah click🥷🏾
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i don’t gotta dick ride i got my own mix🚫🍆🚴‍♂️ if you broke you could call my phone for ah fix📲 one man army i don’t even do it wit ah click🥷🏾

K$upreme

60,620 Aufrufe • vor 2 Jahren

This is HUGE! January 6: The Capitol Police Officer who Killed Ashli Babbitt Lied about Being Shot at just After Shooting Her. In a recent lawsuit, it was discovered that Lt. Michael Byrd, the CPO who murdered Ashli, at 2:45PM, or within 1 minutes after shooting Ashli, Lt. Byrd made the following call: “405B. We got shots fired in the lobby. We got shots fired in the lobby of the House Chamber. Shots are being fired at us and we’re sh, uhh, prepared to fire back at them. We have guns drawn.” Approximately 35 seconds later, Lt. Byrd made another radio call… “405B. We got an injured person. I believe that person was shot.” In fact, no shots were fired at Lt. Byrd or his fellow officers. The only single shot fired was from Lt. Byrd murdering Ashli Babbitt. Ashli Babbitt was murdered! Why hasn't our government done anything about it? Lt. Byrd is a MURDERER & should be in prison for LIFE. Every single person involved in the planning, and staging of #J6, which was caused by stealing the 2020 election, which is the real insurrection, should be tried for treason against the United States of America. Lawsuit in comments.
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This is HUGE! January 6: The Capitol Police Officer who Killed Ashli Babbitt Lied about Being Shot at just After Shooting Her. In a recent lawsuit, it was discovered that Lt. Michael Byrd, the CPO who murdered Ashli, at 2:45PM, or within 1 minutes after shooting Ashli, Lt. Byrd made the following call: “405B. We got shots fired in the lobby. We got shots fired in the lobby of the House Chamber. Shots are being fired at us and we’re sh, uhh, prepared to fire back at them. We have guns drawn.” Approximately 35 seconds later, Lt. Byrd made another radio call… “405B. We got an injured person. I believe that person was shot.” In fact, no shots were fired at Lt. Byrd or his fellow officers. The only single shot fired was from Lt. Byrd murdering Ashli Babbitt. Ashli Babbitt was murdered! Why hasn't our government done anything about it? Lt. Byrd is a MURDERER & should be in prison for LIFE. Every single person involved in the planning, and staging of #J6, which was caused by stealing the 2020 election, which is the real insurrection, should be tried for treason against the United States of America. Lawsuit in comments.

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The Hidden Cost of Painkillers 💊 & A Natural Alternative 🌿 Long-term use of painkillers like ibuprofen and acetaminophen can strain the liver, kidneys, and gut, leading to serious health risks. Instead of relying on synthetic meds, try this natural anti-inflammatory wellness shot to support pain relief and overall health. Pain-Relief Wellness Juice Recipe: Ingredients & Benefits: 💛 8–9 turmeric root pieces – Reduces chronic pain, fights inflammation 🫚1 large piece of ginger – Supports digestion, relieves muscle sorenes 🍍1 small pineapple, peeled & chopped – Boosts immunity, contains bromelain for joint health 🍋3 lemons – Detoxifies, promotes glowing skin 💦3 cups of water – Hydrates and blends ingredients smoothly 🌶️ ½ tbsp cayenne pepper or as much as you dare – Improves circulation, blocks pain signals 🖤 1/4-1/2 tsp black pepper – Enhances turmeric absorption for maximum relief 🍯 Honey- Optional Natural Sweetner Instructions: 1. Blend all ingredients until smooth. 2.Strain if desired (unless using a juicer). in the fridge for 7–10 days or freeze in ice cube trays for up to 3 months. Dosage: Take 1–2 shots per day for natural pain relief and inflammation support. ⚠️Turmeric stains! Protect surfaces and wear gloves if needed. 🔥This powerful wellness shot can help reduce reliance on painkillers, naturally supporting your body, mind, and long-term health. ❤️Caveat: Combined with Daily Movement, Balanced Diet, Minimal Unprocessed Food, Hydration, Outdoors/ Nature & Sleep! Ready to make the switch? Don’t forget to Save this recipe for later 💫
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The Hidden Cost of Painkillers 💊 & A Natural Alternative 🌿 Long-term use of painkillers like ibuprofen and acetaminophen can strain the liver, kidneys, and gut, leading to serious health risks. Instead of relying on synthetic meds, try this natural anti-inflammatory wellness shot to support pain relief and overall health. Pain-Relief Wellness Juice Recipe: Ingredients & Benefits: 💛 8–9 turmeric root pieces – Reduces chronic pain, fights inflammation 🫚1 large piece of ginger – Supports digestion, relieves muscle sorenes 🍍1 small pineapple, peeled & chopped – Boosts immunity, contains bromelain for joint health 🍋3 lemons – Detoxifies, promotes glowing skin 💦3 cups of water – Hydrates and blends ingredients smoothly 🌶️ ½ tbsp cayenne pepper or as much as you dare – Improves circulation, blocks pain signals 🖤 1/4-1/2 tsp black pepper – Enhances turmeric absorption for maximum relief 🍯 Honey- Optional Natural Sweetner Instructions: 1. Blend all ingredients until smooth. 2.Strain if desired (unless using a juicer). in the fridge for 7–10 days or freeze in ice cube trays for up to 3 months. Dosage: Take 1–2 shots per day for natural pain relief and inflammation support. ⚠️Turmeric stains! Protect surfaces and wear gloves if needed. 🔥This powerful wellness shot can help reduce reliance on painkillers, naturally supporting your body, mind, and long-term health. ❤️Caveat: Combined with Daily Movement, Balanced Diet, Minimal Unprocessed Food, Hydration, Outdoors/ Nature & Sleep! Ready to make the switch? Don’t forget to Save this recipe for later 💫

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Alright, here's the real tea on the Tyga-Drake beef‼️💯 Back in the Young Money days, they were supposed to be label fam, but Tyga felt the whole "brotherhood" with Drake (and Nicki) was fake industry PR‼️. In October 2014, he went nuclear in a Vibe interview: "I don't like Drake as a person‼️. He's just fake to me‼️. I like his music though."‼️(it's also not surprising the interview was done by no other than Charlamagne, ther certified Drake hater from day one)‼️💯 Tyga followed it with the track "Make It Work"‼️💯straight disses like "Nigga never was my homie... you're corny" and some sneaky Drake-flow mimicry‼️💯. Drake clapped back cleverly: First, he posted Kylie Jenner (Tyga's controversial young girlfriend at the time) chilling in his studio on IG‼️💯. Then, on If You're Reading This It's Too Late (Feb 2015), "6 PM in New York" had the killer line: "You need to act your age and not your girl's age."‼️💯 The media and petty cycle turned it into full drama‼️💯age-gap tabloid fuel‼️, social media jabs‼️, the works‼️. Tyga later called it growing apart plus miscommunication, with headlines fanning the flames: "Once you get into the petty game, it's like, alright, let's be petty all day."‼️💯 How they squashed it⁉️ Kanye West played peacemaker‼️(surprisingly)‼️. Around his Yeezy Season 2 show (late 2015), Ye put them in a room‼️. They hugged, chopped it up like men, and that was it‼️💯. By early 2016, Tyga was on radio saying "Ain't no tension... We cool."‼️ No money or family harmed, so why beef⁉️ It never got super ugly because deep down it was more miscommunication than mortal enemy stuff‼️. Kanye forcing the talk showed a lot of these feuds die fast when adults actually speak offline‼️💯. They've been cool ever since—no shots, no drama‼️💯. Just two guys who moved on and kept eating‼️. But it was an interesting time for those who witnessed it‼️💯
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Alright, here's the real tea on the Tyga-Drake beef‼️💯 Back in the Young Money days, they were supposed to be label fam, but Tyga felt the whole "brotherhood" with Drake (and Nicki) was fake industry PR‼️. In October 2014, he went nuclear in a Vibe interview: "I don't like Drake as a person‼️. He's just fake to me‼️. I like his music though."‼️(it's also not surprising the interview was done by no other than Charlamagne, ther certified Drake hater from day one)‼️💯 Tyga followed it with the track "Make It Work"‼️💯straight disses like "Nigga never was my homie... you're corny" and some sneaky Drake-flow mimicry‼️💯. Drake clapped back cleverly: First, he posted Kylie Jenner (Tyga's controversial young girlfriend at the time) chilling in his studio on IG‼️💯. Then, on If You're Reading This It's Too Late (Feb 2015), "6 PM in New York" had the killer line: "You need to act your age and not your girl's age."‼️💯 The media and petty cycle turned it into full drama‼️💯age-gap tabloid fuel‼️, social media jabs‼️, the works‼️. Tyga later called it growing apart plus miscommunication, with headlines fanning the flames: "Once you get into the petty game, it's like, alright, let's be petty all day."‼️💯 How they squashed it⁉️ Kanye West played peacemaker‼️(surprisingly)‼️. Around his Yeezy Season 2 show (late 2015), Ye put them in a room‼️. They hugged, chopped it up like men, and that was it‼️💯. By early 2016, Tyga was on radio saying "Ain't no tension... We cool."‼️ No money or family harmed, so why beef⁉️ It never got super ugly because deep down it was more miscommunication than mortal enemy stuff‼️. Kanye forcing the talk showed a lot of these feuds die fast when adults actually speak offline‼️💯. They've been cool ever since—no shots, no drama‼️💯. Just two guys who moved on and kept eating‼️. But it was an interesting time for those who witnessed it‼️💯

(st_ides)

200,652 Aufrufe • vor 1 Tag

Develop Better Finishing and Decision Making With This Fast Break Drill Here's a great 2v1 drill to improve ball handling, passing, scoring, and decision making out of fast break advantage situations from the Youth Coaching System with Jim Huber. Even though these are youth players in the video, it's great for all ages! I actually got this drill from longtime college coach Don Kelbick. Drill Tips: -Attack and Think Lay Up! We got this drill from Don Kelbick and we teach the same mentality. You want to force the ball handler to attack and try to get a lay up. The only reason they pass is that the defender stops the ball. Personally, I’m okay if the initial ball handler takes some bad shots. I think having an assertive, attacking mentality will create more good things than bad. This mentality will eventually lead to more open passes for his teammate, because the defense will realize that they have to commit and stop the ball. -1 or 2 Pass Limit You could even add a pass limit of 1 or 2. That way, it’s more game like and they’re not going too slow. -Add a Countdown You could also introduce a time limit. If I see going too slow, I usually start saying, “3, 2, 1… “ and make a buzzer sound at zero. The kids actually enjoy it. -Make It 2v2 With a Trailing Defender It's also fun to add a trailing defender as another progression. You would simply add a 4th line somewhere in the middle of the floor. So you’d put a cone a little bit further in the middle of the court, so the trailing defender comes into the play a second or two later. -Change Offense and Defense Lines I also will switch up which lines are defense and offense, so players experience attacking the basket from all angles in transition. Give this drill a try and let us know what you think!
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Develop Better Finishing and Decision Making With This Fast Break Drill Here's a great 2v1 drill to improve ball handling, passing, scoring, and decision making out of fast break advantage situations from the Youth Coaching System with Jim Huber. Even though these are youth players in the video, it's great for all ages! I actually got this drill from longtime college coach Don Kelbick. Drill Tips: -Attack and Think Lay Up! We got this drill from Don Kelbick and we teach the same mentality. You want to force the ball handler to attack and try to get a lay up. The only reason they pass is that the defender stops the ball. Personally, I’m okay if the initial ball handler takes some bad shots. I think having an assertive, attacking mentality will create more good things than bad. This mentality will eventually lead to more open passes for his teammate, because the defense will realize that they have to commit and stop the ball. -1 or 2 Pass Limit You could even add a pass limit of 1 or 2. That way, it’s more game like and they’re not going too slow. -Add a Countdown You could also introduce a time limit. If I see going too slow, I usually start saying, “3, 2, 1… “ and make a buzzer sound at zero. The kids actually enjoy it. -Make It 2v2 With a Trailing Defender It's also fun to add a trailing defender as another progression. You would simply add a 4th line somewhere in the middle of the floor. So you’d put a cone a little bit further in the middle of the court, so the trailing defender comes into the play a second or two later. -Change Offense and Defense Lines I also will switch up which lines are defense and offense, so players experience attacking the basket from all angles in transition. Give this drill a try and let us know what you think!

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39,790 Aufrufe • vor 1 Jahr

🚨 PART 2 BOMBSHELL: Charlie Kirk SHOT TWICE – From BEHIND by ROOF SNIPER & FRONT by SECURITY "PALM GUN"! Israeli IPs Spiked Searches on EVERYONE Involved MONTHS Before. This is MOSSAD-LEVEL Plot – & That LOW-FLYING SPY PLANE? DRONE DEPLOYMENT CONFIRMED! You watched Part 1 on my channel (link below) where we exposed the Google Trends leaks tying Israel/DC to Charlie's hit. Now, in PART 2 w/ Myself, Israeli News Live AndersM ™️ WeAreNotGoingToMars we GO DEEPER: 🔥 TWO SHOTS, ZERO DOUBT: Eyewitnesses confirm center-mass hit (NOT neck!). Frame-by-frame: Sniper round expands his neck like a tree trunk from BA Building roof (muzzle flash REFLECTS off window – Colin's viral catch!). Seconds later, "palm shooter" (Rick Cutler, ex-Dallas cop w/ ISRAELI NGO TIES: Jews for Jesus, United Hatzalah EMS Army, Operation Underground Railroad COUNTER-INTEL) fires from crowd – recoil in his hand, shirt poofs from impact. Infrared BEAM on Frank Turek's phone PINPOINTS sniper – they DROPPED it post-shot! Operation 322: 3 paths, 2 shooters, 2 distractions. Dan Flood (TPUSA security chief, Israeli connections) signals w/ taps & body shift. Coordinated AF. 🛩️ SUSPICIOUS SPY PLANE: US Army Bombardier Global 6500 (N1098L) flies 204FT over UVU at STALL SPEED (113 knots) – 2x, once pre-hit, once 25min after. Can DEPLOY DRONES. Israeli IP searched tail # Aug 8 (month before kill). Drones spotted in sky – TPUSA's own + unknowns. What were they filming/scanning? 🕵️‍♂️ ISRAELI PRE-PLOT PROOF: Baron Coleman's Trends deep-dive: Israeli/D.C. IPs hunted medical examiner Dedra Amaro (June 30), Timpanogos Hospital (July 16), George Hodgson-Zinn (July 21) – ALL around July 20 (2mo pre-Turning Point USA Student Action Summit where Tucker Carlson was platformed). No autopsies? Cover-up like Steve's father-in-law's homicide (4 examiners faked natural causes – doc confessed fraud under threats). 👥 SECURITY DEEP TIES: Rick Cutler: Israeli "rescue" ops in Guatemala, child trafficking NGO links? Dan Flood: Mossad-adjacent. Grooming witnesses? Phil Lyman pushes "one shot from LC" – goth girls refute: "TWO from behind us!" We retracted a "bullet" (thrown object from crowd – integrity 1st). Suspicious BA guy lingers on stairs post-shot. Need FOOTAGE: Red zone behind tent, roof gaps, security cams under bridge. Send to us/ Candace (Candace Owens) – she's CLOSE (Ep 251 nails 2 shots, give her grace – she's fighting too!). This ain't politics – it's EVIL. Charlie mocked for America First fire? Israel feared Tucker+Charlie exposing AIPAC wars. Team effort: Thousands of hours, crowdfunded truth. No $ grab – I've SPENT more than earned. WATCH FULL PART 2 NOW: [Link to interview – drop in comments!] RT to WAKE THE WORLD. Who's next? 🇺🇸 JUSTICE OR BUST!🔥
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🚨 PART 2 BOMBSHELL: Charlie Kirk SHOT TWICE – From BEHIND by ROOF SNIPER & FRONT by SECURITY "PALM GUN"! Israeli IPs Spiked Searches on EVERYONE Involved MONTHS Before. This is MOSSAD-LEVEL Plot – & That LOW-FLYING SPY PLANE? DRONE DEPLOYMENT CONFIRMED! You watched Part 1 on my channel (link below) where we exposed the Google Trends leaks tying Israel/DC to Charlie's hit. Now, in PART 2 w/ Myself, Israeli News Live AndersM ™️ WeAreNotGoingToMars we GO DEEPER: 🔥 TWO SHOTS, ZERO DOUBT: Eyewitnesses confirm center-mass hit (NOT neck!). Frame-by-frame: Sniper round expands his neck like a tree trunk from BA Building roof (muzzle flash REFLECTS off window – Colin's viral catch!). Seconds later, "palm shooter" (Rick Cutler, ex-Dallas cop w/ ISRAELI NGO TIES: Jews for Jesus, United Hatzalah EMS Army, Operation Underground Railroad COUNTER-INTEL) fires from crowd – recoil in his hand, shirt poofs from impact. Infrared BEAM on Frank Turek's phone PINPOINTS sniper – they DROPPED it post-shot! Operation 322: 3 paths, 2 shooters, 2 distractions. Dan Flood (TPUSA security chief, Israeli connections) signals w/ taps & body shift. Coordinated AF. 🛩️ SUSPICIOUS SPY PLANE: US Army Bombardier Global 6500 (N1098L) flies 204FT over UVU at STALL SPEED (113 knots) – 2x, once pre-hit, once 25min after. Can DEPLOY DRONES. Israeli IP searched tail # Aug 8 (month before kill). Drones spotted in sky – TPUSA's own + unknowns. What were they filming/scanning? 🕵️‍♂️ ISRAELI PRE-PLOT PROOF: Baron Coleman's Trends deep-dive: Israeli/D.C. IPs hunted medical examiner Dedra Amaro (June 30), Timpanogos Hospital (July 16), George Hodgson-Zinn (July 21) – ALL around July 20 (2mo pre-Turning Point USA Student Action Summit where Tucker Carlson was platformed). No autopsies? Cover-up like Steve's father-in-law's homicide (4 examiners faked natural causes – doc confessed fraud under threats). 👥 SECURITY DEEP TIES: Rick Cutler: Israeli "rescue" ops in Guatemala, child trafficking NGO links? Dan Flood: Mossad-adjacent. Grooming witnesses? Phil Lyman pushes "one shot from LC" – goth girls refute: "TWO from behind us!" We retracted a "bullet" (thrown object from crowd – integrity 1st). Suspicious BA guy lingers on stairs post-shot. Need FOOTAGE: Red zone behind tent, roof gaps, security cams under bridge. Send to us/ Candace (Candace Owens) – she's CLOSE (Ep 251 nails 2 shots, give her grace – she's fighting too!). This ain't politics – it's EVIL. Charlie mocked for America First fire? Israel feared Tucker+Charlie exposing AIPAC wars. Team effort: Thousands of hours, crowdfunded truth. No $ grab – I've SPENT more than earned. WATCH FULL PART 2 NOW: [Link to interview – drop in comments!] RT to WAKE THE WORLD. Who's next? 🇺🇸 JUSTICE OR BUST!🔥

Project Constitution

131,785 Aufrufe • vor 9 Monaten

Shared by Mommy. "Here is Vida's story. I took my precious Vida to her 4 months well check and she received Haemophilus influenzae type b (Hib), Polio (IPV), Pneumococcal (PCV13), Rotavirus (RV), Diphtheria, tetanus, whooping cough (DTaP). That is 7 shots ☹. Never did I question what they are for. Are they all neccessary at such a young age (only 17lbs) or even all at once? What are the side effects? What should I Look for if she has a reaction? Instead I just held my baby down while all kinds of chemicals, aluminum, mercury, Monkey cells(Yes monkey cells) the list goes on...were injected in my baby girls body. Now I am left thinking how I Wish I Knew Better. Would a Dr. prescribe you 7 medications at once to take with out a chance of haveing a reaction nor Not give you a paper of instructions and side effects of each medication. Why are these rules not applied here for each injection they give your child👶?? The Dr stated she was in great health and in 90% percentile. I asked the Dr for Motrin to give my baby before I left to help with her pain and any fever that she might get. Not even 2hours later the screams and crying started and no matter what i did, nothing would sooth her. I was almost in tears because she was a good baby. 2 days later she had her 1st poopy diaper since her shots. She was with the siter and noticed her stool was black. She thought this is odd but surely i must know about it already but I didn't. I found her pretty serious after that more than normal but didnt think much about her fussiness after the days went by because when I asked my dr about it she told me it could be colic. Of course I Googled and thought ok that makes sense. 4 days after her shots she had a black poopy Pamper again. The color didnt alarm me(because when she was born it was black and gooey too and the nurse told me that was normal and had been already give her 1st 2 sets of vaccines)but the Smell did! Why does it smell like mothballs. ( If you never smelled one it is a strong awful chemical smell) I googled and of course different pages say different thing. One site had several parents complaining about the smell so I thought to myself in relief "Ok this is normal it happens to other people/ children" I never thought it would be the last diaper I change. She went to bed Friday night 7 days after vaccinations after a early morning feeding 4am and that would be the last time my daughter would be alive. 2 hours later I found my Babygirl lifeless. Screaming and yelling Jesse comes running out the shower with a scared face yelling "what happened" "what happened" I will always remember that look on his face😭 as I paced back forth with my dead baby screaming and crying hysterically. He took her from my arms and started CPR until the ambulance got there. They rushed her into the ambulance and were tacking to Methodist hospital. The Doctors rushed her to the ER were the began to try to bring her back. I knew she was dead and I dropped to my knees and begged🙏🙏 God Please dont do this to Me!! Please Dont take her from us!! Please Please bring her back because you can do anything. Please listen to me! I started to pray. I begged the Dr please dont give up. please! This was the worse day of my life and I am sharing it with you so that you will never have to feel this pain 💔. The Rotavirus vaccine has a side effect called intussusception. One of the side effects symptoms is black jelly stool. If only I knew better I would of taken my babygirl to the hospital the 1st time her stool changed and she would still be alive today. DEATH CERTIFICATE states cause of death is from Natural Causes. According to the CDC it only happens in 1 of 100, 000 babies. BS!! I am sure that is just the # that gets reported. (no real studies have been done) We are getting ready to battle for justice for Vida. The Vaccine lawyer said to me "I hope you aren't doing this for money because the MAX payout is $250,000."
0:26

Shared by Mommy. "Here is Vida's story. I took my precious Vida to her 4 months well check and she received Haemophilus influenzae type b (Hib), Polio (IPV), Pneumococcal (PCV13), Rotavirus (RV), Diphtheria, tetanus, whooping cough (DTaP). That is 7 shots ☹. Never did I question what they are for. Are they all neccessary at such a young age (only 17lbs) or even all at once? What are the side effects? What should I Look for if she has a reaction? Instead I just held my baby down while all kinds of chemicals, aluminum, mercury, Monkey cells(Yes monkey cells) the list goes on...were injected in my baby girls body. Now I am left thinking how I Wish I Knew Better. Would a Dr. prescribe you 7 medications at once to take with out a chance of haveing a reaction nor Not give you a paper of instructions and side effects of each medication. Why are these rules not applied here for each injection they give your child👶?? The Dr stated she was in great health and in 90% percentile. I asked the Dr for Motrin to give my baby before I left to help with her pain and any fever that she might get. Not even 2hours later the screams and crying started and no matter what i did, nothing would sooth her. I was almost in tears because she was a good baby. 2 days later she had her 1st poopy diaper since her shots. She was with the siter and noticed her stool was black. She thought this is odd but surely i must know about it already but I didn't. I found her pretty serious after that more than normal but didnt think much about her fussiness after the days went by because when I asked my dr about it she told me it could be colic. Of course I Googled and thought ok that makes sense. 4 days after her shots she had a black poopy Pamper again. The color didnt alarm me(because when she was born it was black and gooey too and the nurse told me that was normal and had been already give her 1st 2 sets of vaccines)but the Smell did! Why does it smell like mothballs. ( If you never smelled one it is a strong awful chemical smell) I googled and of course different pages say different thing. One site had several parents complaining about the smell so I thought to myself in relief "Ok this is normal it happens to other people/ children" I never thought it would be the last diaper I change. She went to bed Friday night 7 days after vaccinations after a early morning feeding 4am and that would be the last time my daughter would be alive. 2 hours later I found my Babygirl lifeless. Screaming and yelling Jesse comes running out the shower with a scared face yelling "what happened" "what happened" I will always remember that look on his face😭 as I paced back forth with my dead baby screaming and crying hysterically. He took her from my arms and started CPR until the ambulance got there. They rushed her into the ambulance and were tacking to Methodist hospital. The Doctors rushed her to the ER were the began to try to bring her back. I knew she was dead and I dropped to my knees and begged🙏🙏 God Please dont do this to Me!! Please Dont take her from us!! Please Please bring her back because you can do anything. Please listen to me! I started to pray. I begged the Dr please dont give up. please! This was the worse day of my life and I am sharing it with you so that you will never have to feel this pain 💔. The Rotavirus vaccine has a side effect called intussusception. One of the side effects symptoms is black jelly stool. If only I knew better I would of taken my babygirl to the hospital the 1st time her stool changed and she would still be alive today. DEATH CERTIFICATE states cause of death is from Natural Causes. According to the CDC it only happens in 1 of 100, 000 babies. BS!! I am sure that is just the # that gets reported. (no real studies have been done) We are getting ready to battle for justice for Vida. The Vaccine lawyer said to me "I hope you aren't doing this for money because the MAX payout is $250,000."

Jessica Rojas 🇺🇸💪

33,984 Aufrufe • vor 1 Jahr

(1/2) Last night's Aidan Kearney meltdown over his falling out with Karen Read on an X Space is the peak of catharsis and real-time online toxicity: It starts with the the bombshell claim about Aidan recorded Karen Read, moves to Karen's newly-released texts about being "done" with Aidan after "someone" sent a recording of that conversation to David Yannetti and Alan Jackson, then spirals into ad hominems, and ends with Kearney storming off to counter-publish. The flood of primary source documents posted on online overnight, thus, acts as the host's (Chris) victory lap over Kearney. FULL TRANSCRIPT; *(Cleaned for grammar/spelling, punctuated for flow, and line-broken for readability. Some errors are expected.)* **Aidan:** Am I on? **Host/Other:** You're on. **Aidan:** So who are you? Who is this? **Chris:** Don't worry about it. It doesn't matter who I am. **Aidan:** Well, it does. You're some fucking kangaroo court motherfucker talking about her. What the fuck do you know about anything? **Chris:** Well, I don't know exactly what you've been doing. **Aidan:** So what are your sources? What are your sources? What are your sources you're talking about? Huh? You don't know your sources? What do you talk about? No, your sources. Shut up. Let's see 'em. Let's see your sources. **Lily:** Hang on, Aidan. I'm the host. I'm Lily. **Aidan:** Yes, Lily. Hi, Lily. How are you? **Lily:** I'm good. I'm just going to wait. I know you may not know it, Chris, but you know me. And so I just wanted to say hi. **Aidan:** Yeah, I know, but this Koala motherfucker is up here making shit up, running his mouth nonsense. Let's see the receipts. I mean, what were you talking to Karen Read about? What are you talking about? Who the fuck are you? **Chris:** I'm asking you flat out: Did you or did you not record her phone calls between yourself and Karen? **Aidan:** I did not. I did not. **Chris:** Okay, so Karen is lying? **Aidan:** You talked to Karen Read? Karen isn't talking to anyone in the media, but she's talking to this call-the-motherfucker. That's what you're telling me right now. **Chris:** Like I said, If you want to go down this hill, stand ten toes down." **Aidan:** I'm calling you out because you're making shit up. **Chris:** Who? I'm not making anything up. I'm not making anything up. I'm not making anything up. **Aidan:** So let's see it. Let's see the fucking evidence. Let's see your communications with Karen Read where she says that. Let's see it. **Lily:** Hang on. Chris, you're going to have to provide the receipts. **Chris:** I'm going to tell you, the guy who's doing this—you know, he's going to put them out. **Chris:** Do you really want to prove it? You want to prove it to me? I've got all the mistakes that come out. I can't. Literally. Yeah. Yeah. Sure. What's that? Let's see it. Let's see it. Produce it. Tweet it out right now. **Aidan:** So I'm denying it—like, hardcore, 100%. I'm the guy you have to deny it to. I don't, because you've become a bit of a fuck-up. It's about as fucking legitimate as Lindsey trying to be a rake. Let's fucking see it, motherfucker. You got it, right? 'Cause I—accusations—I always bring fucking receipts. Where's your receipt, bitch? **Aidan:** You got 'em? **Chris:** I've got 'em now. I think you want me to be saying—to be honest—hang a room on the fucker with no receipt. **Aidan:** You got 'em? Yes or no? **Chris:** I've got a receipt. Where's your fuck? **Chris:** You just need, bro—you just need to like chill, because you're gonna have a lot of fucking neck on your face, because I don't really care. **Chris:** I said to the people who bought this story: If I end up having egg on my face, I'll put everyone's name in it, and I'm given—I have a... Just shut your fucking mouth for one fucking minute. **Aidan:** Right. Let's see it. **Chris:** I've just messaged the person. **Aidan:** Joe Flipp, you want to talk about a fucking psychopath? That motherfucker is—just, Joe Flipp. Really want to fucking go there?" 'Cause it's Joe. You can just say it's Nick from Philadelphia, isn't it? Yeah, I know all about Nick from Philadelphia. If you fucking want to go there and the fucking hell—that psychopath—what Olivia Lambo went through. You just don't want to come out. Does he want to talk about all that? Does he want to launch? **Chris:** Okay? You know what? How was your lunch with Meredith the other week. Fuck it. I don't care. How was your lunch with Meredith? How's your lunch with Meredith? **Aidan:**What the fuck? **Chris:** Chat, what, what am I talking about? How is your lunch with Meredith here? We got—you know what you want to do? You want to carry on and be a fuck with me here? I like you—always up. **Chris:** How was your lunch with Meredith a couple weeks ago, and what did you play for her? What the fuck are you talking about? Yeah, what the fuck am I talking about? You know exactly what I'm talking about. And I'm trying to do this respectfully, but you come in hot like you always do. So now I'm just gonna fucking do it. How was your lunch with Meredith the other week? **Aidan:** I didn't have one with Meredith. Yeah, bullshit. Okay, so that's it. So someone else is lying now. **Chris:** So you're gonna call Meredith a liar? Why? Meredith's a liar? **Aidan:** Are you talking to Meredith? **Chris:**I'm not talking to Meredith. **Aidan:** What are you talking about? **Chris:** Okay, well, so you have great Meredith in an Oscar. If you said that to Meredith, you just spread rumors. That's what you do—you don't spread any rumors. I want to laugh tonight about this. **Erika Walsh:** I warned you, Chris, about this last night. **Aidan:** You got no—Joe Flipp—fucking feeding you nonsense. That slimy psychopath, fucking nut job who called in Olivia's entire family to harass them—to the point where she had the fucking... Nothing to do with Olivia. And Joe's Flipp— **Chris:* this is to do with you. Stop deflecting, that motherfucker. **Aidan:** I'm telling you this—he's the one telling you this. **Chris:** I've been told by three different people. Three different people. There's people in this chat who know about this. There's people in chat—they won't stand up and say anything, but I know the people who know about this. **Aidan:** Bring all these lame cons up one by one so I can slam 'em down one by one, because none of you motherfuckers got a receipt to back up any of this shit. None of you do. Bring it. By adding them. **Chris:** Stand by. Stand by. Stand by. **Joe Flipperhead:** You have the text, bro. You know I saw the screenshot. **Aidan:** So we gonna talk about what you did to Olivia Lambo? We have a lot of things, dude. **Joe:** You're deflecting. When you... **Aidan:** You want to go there? Mark Bedderow? Oh, of being in on a fucking conspiracy against you? To tell us—if when we told you Olivia Lambo... You made us fucking get on a FaceTime with her because you thought she was dead. You thought you were being catfished by her, fucking... I was, and so we agreed to do a Zoom call with her. And when I called you and I told you Olivia Lambo is real—I just saw her face. What did you do? You accused me and Mark Bedderow of lying to you, of being in on it, because you are a fucking psychopathic motherfucker. And I didn't put it there because I don't want to fuck... **Joe:** Yeah, you did put it out there, though. If you want to get into the Olivia thing, that's fine, and I'll go down that road. But you're calling me a psychopath You fucking recorded Karen Read's fucking calls and sent them to people. **Chris:** I'm just gonna keep muting him because he's yelling. You can say it. **Aidan:** Is this Lily's space or yours? **Joe:** I have the text, dude. I'll put it on one of our... Your—She told me she's fucking done with you, dude. **Aidan:** All right. I'm going on my own right now. I'm calling out fucking Joe Flipp-ed life. If I get muted one more fucking time. I'm gonna do a whole fucking... Thank you. I'm publishing all your fucking texts—the whole world can see what a fucking sadistic psychopath you are. You controlling predator piece of shit. You fucking go there. **Chris:** This is completely the actions of a normal innocent person. **Aidan:* You're a pyscho freak. **Joe:** Yeah, says the guy that recorded Karen. **Aidan:** Oh, yeah, let's hear it. See the fucking recording. Can I hear it? **Joe:** I got the text saying you recorded. But the text says there's a recording, so where's the fucking recording? *Aidan:** Hey, let's hear Joe. Why? I just got asked if I'm—what would you say if I'm a massage in this? Like, go— **Joe:** Why does Liv still text me to this day? **Aidan:** You text her. Oh, you want to see the receipts, dude? I've seen the receipts—all of them. Okay, I got all the receipts. **Joe:** You got the August ones, the September ones where she misses me and hates how things ended? You got those? Fuck, I see 'em. Publish 'em. I will do it. I don't plan—I talk about you. Go for it. **Chris:** You're doing everything back. **Joe:** When I told you how she wouldn't FaceTime me for three months, how she puts up month-old pictures if you wouldn't fucking... **Aidan:** Yeah, you know why? You know why she wouldn't do that? She's just not into you. Ever have you do this with every girl you fucking talk to? **Joe:**You said to me, after reading the text from her sister— **Chris:** Says the guy who is swining on a 19-year old. **Joe:** You said Aidan, that she said to you, "she's love with you," bro. That's what you said. She's in love with you. That's what you said. Yeah, when her sister—and then he can get you caught by somebody. Let's just get back to you. Deflection from Aidan, who doesn't want to be on the line. **Joe:** As you wish—she wouldn't FaceTime me. She wouldn't meet up with me, and she lied to me constantly. Yeah, why would she meet up? **Aidan:** Maybe she's just not that into you. Ever think about that? Maybe she's just not that into you. Maybe you saw the text. I know, I know—it's hard for you to accept that the girl just doesn't want you. You have to accept the person doesn't want nothing to do with you, isn't it? I did, and you got clingy and possessive. And so she fucking stopped talking to you, so you called her mother and you talked—you don't even know because you're psychotic, bro. I'm fucking... you. *Joe:** You're just deflecting, bro. This is fucking pathetic. I'm not your one. She's talking about this. **Aidan:** I got no fucking thing—you—you are a fucking psychopath. **Joe:** You're first of all—she doesn't want you to fucking be talking about this because why? **Aidan:** You're the one fucking airing it out now, motherfucker. **Chris:** You're the one airing it because you got caught recording Karen. **Aidan:** So let's hear the recording. Let's play the recording. You got a recording of me, right? **Joe:** I know you did it, dude. **Aidan:** What? **Joe:** I know you recorded. Are you lying? Karen Read's a liar? All right, am I...? **Aidan:** You are the fucking coward. Where's the recording? What recording you talking about? You're—you're— **Joe:** You're accusing Karen Read of lying about this? **Aidan:** Yes. **Joe:** You're really—are you really serious? How many fucking—serious? **Aidan:** Let's hear the fucking recording. **Lily** Chris or Joe? Please play it. Did it? You didn't have... for people. Can you please provide a receipt? Just like I think it's fair. **Joe:** Aidan has it. **Aidan:: I thought you had it. I thought you had it. Let's hear it. Let's hear the recording. **Joe:** All right, you sent me the text that I sent. You haven't... **Aidan:** Yeah, let's—so let's hear the actual recording. Does it exist, though? **Joe:** So Karen is lying. **Aidan:: Karen Read would never lie (sarcastic tone). Oh, yeah. **Chris:** True color. *Joe:** So yeah, let me just run this: You recorded it. You recorded the conversation. You showed it to people, and then the very next day she randomly accused you of fucking doing it. That's what happened. That's what your story is, right? **Aidan:** There's no fucking recording. **Joe:** There is, dude. Where is it? **Aidan:** So let me hear it. Play it. **Joe:** I don't fucking have it. **Aidan:** Oh, you don't know if there's a recording, do you? Thank you. Because you're full of shit. I know—I just fucking caught you. That's what you just said. Those—bring it up here. I talked to somebody—bring her up here. Bring Karen Read up here, bro. You talked to her? Bring her on up here. **Joe:** I spoke to somebody that you played the recording for. Okay, oh—you know, just—I just say I've already said it, so just say it. Okay, I said I wanted to not say her name, but you know who—you played it for. **Aidan:** I haven't played it for anyone just— there's no recording. **Joe:** Stop fucking lying. Let's hear it from the point. *Aidan:** Let's hear it. Let's hear it. **Joe:** Aidan, this is fucking crazy, dude. **Aidan:** I'm not the one that fucking caught it—got blocked by Olivia's mother, and fucking brother... **Joe** Here we go. This is deflecting, and dude—that's admitting how fucking guilty you are right here. **Aidan:** Let's hear a fucking recording. You said you got a fucking recording, right? **Joe:** Nobody said that. We said—oh, Karen Read doesn't want to talk to you anymore because you recorded her calls, set them to people, and it got back to her. **Chris:** I got a question for you, Aidan, I didn't know—so sure. When you went on your little pity party and then you— **Joe:** The worst part is you lied to everybody acting on it. You had no idea what was wrong and why she she fucking set you straight—trying to get sympathy. That, my friend, is fucking psychotic. **Aidan:** Okay, okay, sure thing. Yeah, you said I sent the recording out. Where's the recording? *Joe:** Dude? It's not—I'm not obligated to fucking get the recording. **Aidan:** Oh, yeah, you wouldn't want to back it up, right? **Joe:** You're so—you're going to go on record that Karen is lying? Say it. You're caling Karen Read a liar about this. **Aidan:** There is no fucking recording. **Joe:** You're lying, dude. It's fucking crazy. This is what's here. It—play the note. You played it for somebody. You got it. I don't got it. **Aidan:** Let's hear you play it. You're the one that says there's a fucking record. **Chris:** I mean, that's—you have a history of recording people. **Lily:** Wait, we have—well, I feel like we have a responsibility as me as a host to Chris and... You're both—you're actually both not providing a receipt, and I'm—Aidan is actually asking for a receipt. I have to—for the recording. **Joe and Chris** He has—asking for the recording. **Lily:** You guys—she has which he sent to—we know I said. So who has it? One of the receipts. I know you're not gonna have— **Aidan:: you don't have the recording because— **Lily:** Just fucking say it. Karen doesn't want the recording out there. **Aidan:** What recording? There's no recording. **Joe:** Never even asked her for it, to be honest with you. **Aidan:** And so you wait—yeah, you never asked. Thank you—you never asked. **Joe:** Karen is fucking so done with you, bro. She sent—she told me about this completely unsolicited. **Lily:**That's beside the point, and I'm not the first—(Joe) Karen's done with him, ..but what the fuck—just post the fucking receipt for him. **Chris:** You can't come on here saying he has it, Lily. He's seen the same thing you've seen. He's even seen the same thing that I showed you. **Lily:** I know. You don't come on here and say I've got this, and then Aidan demands a receipt—you deserve. Okay... **Joe:** He's deflecting, asking for a recording he knows about the text. **Lily:** Yeah, I know, Joe. I get what you're saying, and I respect every—like what you're saying, but he's denying it. **Joe:** Fine, I'll post the fuck—I'll post them right now. I really don't give a fuck. **Lily:** Thank you. And that's immense—he can—he can then riff like whatever he can. I can't—I'm so like nervous. I've got dry mouth because... Then Aidan can like look at those, and he at least has—you know exactly what's been spoken about. He's just denying it. I can't say that, and I get it, but he is asking for the receipt, which is fair. And **Joe:** I'll even add the text message when he came on here initially. He said it was all alive, right? He said he sent me—fucking text message on Monday morning. **Lily:** I see it. We've established that now. We established that Aidan's denying it, so just post the receipt that you have, and then he can actually reflect on that and—and do you see what I mean? He's not gonna turn around now and say actually it is true. But if you've got the receipt, he can then say, "I will—this is x, y and z there." I just think it's fair—like... **Aidan:** Now, yeah, what he has is a screenshot that he claims is from Karen Read. It was— **Joe:** You're saying it's not from Karen Read. **Aidan:** I don't—there's no fucking name on the top. **Joe:** Yeah, I have it. Do you want me to read? **Aidan:** Okay, so there was an allegation? I'm reading. **Joe:** Do I have a text from you saying I was sent the same thing the morning after the verdict? Did you not say that to me? **Aidan:** Yes, you sent me the same thing the morning after the verdict. **Joe:** Okay, so then she sent it to me too. **Aidan:** Yeah, she knows—she said to me the morning after the Wilbur—she after the morning after the show, she said that she was sent a 30-minute fucking tape. Where's the fuck? What tape? Okay, she's not fucking accusing me. I have no—there's no fucking tape. There's no tape. She thinks I recorded her because I fucking told people about the conversation. That's it. **Joe:** You're telling me you didn't? **Aidan:: And I'm telling you I fucking didn't. You're wrong. **Joe:** 100% You're lying, dude. **Aidan:** Okay, so prove it. Let's see it. You got evidence, right? You like evidence? You got Any? **Joe**: I mean—I—a screenshot of—how many people did you send it to? **Aidan:** Zero, because there's no recording. **Joe:** There is. **Aidan:** Let's hear it. Play it. Let's play it. Let's go. **Joe:** Let's hold on. Let's hold on. Can I go real quick? So you come in here calling it—you were making fun of Chris because he's an Australian motherfucker. He doesn't have nothing, right? You said there was no text, no proof. And then now we're transitioning to the recording because I don't have the recording. Okay, so you think Karen Read is just fucking lying about this? How would she know? How would she know what about the recording? **Aidan:** There is no recording. **Joe:** You're telling me you didn't show it to anybody? Is that really what you're gonna tell people? **Aidan:**There's no recording to share with anyone. Okay, okay. Well, I mean, you got evidence, right? To back this up. **Joe:** Yeah, right. **Aidan:: You got something, right? Yeah, yeah. Did you been right? I mean, you have that, right? You have that right because you wouldn't say something—because if you know I had it, right? **Joe:** I have—why Karen Read won't speak to you. **Aidan:** You have a screenshot of a conversation with Karen Read. You don't have an actual fucking audio, though. **Joe:** I have—in Karen Read's words. Why do you think she would lie about this? **Aidan:** Do I think she would lie about having a recording? **Joe:** She wouldn't lie about this. Explain that one—about having a recording. **Aidan:** Yes, I know she's lying about that. **Joe:** Why, though? **Aidan:** I don't know why Karen is acting the way she is. It's unfortunate. Yeah, and honestly, I'm not the one—you're a fucking airing it all out right now. That's odd that Karen would green-light you coming on here and fucking doing this. That's kind of odd. Because I love you—notice, but like—kind of yeah, we raised 1.1 million fucking dollars for a little... Here I know—here, I'm here. I'm here. There's still a— **Chris;** there's no because you—still a fucking snake. Yeah, I know. He records people's phone calls. **Aidan:: Let's hear the tape. Let's hear the tape. You're the one making—you guys got nothing. Nothing. Nothing. I just sent the fucking text out. Just say—there you go, buddy. **Aidan:** Okay, so Karen Read is green-lighting this sort of drama? That's what you're saying? **Joe:** I asked her. I said—you asked her? She said yes, go ahead. I said, do you want your side out there? She said, 'sure. You're gonna read it? Sure. I told many people my side. This is my last straw. I would never and have never betrayed him. Meanwhile, he has put me in harm's way in a huge way multiple times.' **Aidan:** I put her—fucking words, okay? Not mine. Yep. Okay. I put Karen Read in harm's way? I went to jail for Karen Read. I don't know if you're familiar. **Chris:** You didn't go to jail for Karen Read, you fuck. **Aidan:** Oh, really? Then what am I on bail for? What is—the full—what's the full? **Chris:** You went to jail for Karen Read? You went to jail because of Lindsey. You went to jail because you're a fucking dick. **Aidan:** Why was I on bail? I think you're a fuck—while you're on bail. I'm saying because—why would I care? Maybe someone in the night— **Chris:** hey, you're full of shit. You're a fucking hell. **Aidan:** What the fuck was I on bail for? **Joe** Because they may know that—if you didn't record it, why are you being so hush-hush about it with everybody? Why would he just tell the people what she was saying since she's lying? What do you mean hush-hush about it? **Aidan** You think I won't talk about what she texted me? But you were hinting at it because I don't want to hear the fucking drama, but apparently she does because she's—you fucking do this because you're recording. Thank you. You're telling me no recording of any fucking phone calls? What's the—what's the fight? So you weren't mocking her the past however long—every time you went on the show saying you owe everything to Karen, all that shit? How is that little white lie? **Aidan:** I owe everything to Karen? What? Why is that little sub-story? You went on two weeks—how is that mocking her? That wasn't in the recording. What recording? There's no fucking recording. **Joe:** I heard it was a 10-minute recording. Does that make sense? **Aidan:** No recording, bro. Let's hear it. You heard it. Let's hear it. **Joe:** Dude, I'm not putting that part out here. **Aidan:** She's talking about her shit. What she's texting you right now—obviously. Who egging this on, isn't she? **Joe:** Who? Okay? Okay, who? Keep playing dumb. Hey—who? **Aidan:** Mm-hmm? Believe it or not—you guys got nothing, right? **Chris;** We got good—from the horse's mouth, mate. I mean, it's not over the horse. Yeah, that's enough for me. I don't need... **Aidan:** Karen's not talking to anyone in the media. **Joe:** If you read the text message, I just reached out to her as a friend—just to reach out and say hope you're doing well. She went into this whole thing about you. **Aidan:** So you reached out—let me get this right—you reached out to her just to say hope you're doing well, and the first thing she did was complain about me? **Joe:** Yes, okay. That says it all. There we go. Where is she? Tired of me? Maybe she's fucking tired of you telling the people bullshit. **Aidan:** What—what—what—what—what bullshit have I told people? That you have no idea why she won't fucking come on your whatever it is. **Aidan:** What do you mean I have no idea why? **Joe:** That's what you've been saying—you don't know what's going on, like you feel a bit sorry for—like the thing with the fucking Howie Carr, dude. That was ridiculous. **Aidan:** What was ridiculous? You're the entire way you handled—I didn't say a word about that. **Chris:** Yes, you did. You deleted the receipt, but let's see—where did I complain about her appearance on Howie Carr? You made a lot of all quiet. Oh, this fuck it. Oh... **Joe:** Wait, but you think we're fucking dumb? Do people are fucking dumb? So where did I—after you deleted it, and then you made a post about deleting it. **Aidan:** What did I say about it? I don't remember. **Chris:** But you don't remember? Yeah, you deleted it, bro. You deleted it. Yeah, remember? You deleted it. And then you made a post about the deleting of the post. Part 2 coming later.
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(1/2) Last night's Aidan Kearney meltdown over his falling out with Karen Read on an X Space is the peak of catharsis and real-time online toxicity: It starts with the the bombshell claim about Aidan recorded Karen Read, moves to Karen's newly-released texts about being "done" with Aidan after "someone" sent a recording of that conversation to David Yannetti and Alan Jackson, then spirals into ad hominems, and ends with Kearney storming off to counter-publish. The flood of primary source documents posted on online overnight, thus, acts as the host's (Chris) victory lap over Kearney. FULL TRANSCRIPT; *(Cleaned for grammar/spelling, punctuated for flow, and line-broken for readability. Some errors are expected.)* **Aidan:** Am I on? **Host/Other:** You're on. **Aidan:** So who are you? Who is this? **Chris:** Don't worry about it. It doesn't matter who I am. **Aidan:** Well, it does. You're some fucking kangaroo court motherfucker talking about her. What the fuck do you know about anything? **Chris:** Well, I don't know exactly what you've been doing. **Aidan:** So what are your sources? What are your sources? What are your sources you're talking about? Huh? You don't know your sources? What do you talk about? No, your sources. Shut up. Let's see 'em. Let's see your sources. **Lily:** Hang on, Aidan. I'm the host. I'm Lily. **Aidan:** Yes, Lily. Hi, Lily. How are you? **Lily:** I'm good. I'm just going to wait. I know you may not know it, Chris, but you know me. And so I just wanted to say hi. **Aidan:** Yeah, I know, but this Koala motherfucker is up here making shit up, running his mouth nonsense. Let's see the receipts. I mean, what were you talking to Karen Read about? What are you talking about? Who the fuck are you? **Chris:** I'm asking you flat out: Did you or did you not record her phone calls between yourself and Karen? **Aidan:** I did not. I did not. **Chris:** Okay, so Karen is lying? **Aidan:** You talked to Karen Read? Karen isn't talking to anyone in the media, but she's talking to this call-the-motherfucker. That's what you're telling me right now. **Chris:** Like I said, If you want to go down this hill, stand ten toes down." **Aidan:** I'm calling you out because you're making shit up. **Chris:** Who? I'm not making anything up. I'm not making anything up. I'm not making anything up. **Aidan:** So let's see it. Let's see the fucking evidence. Let's see your communications with Karen Read where she says that. Let's see it. **Lily:** Hang on. Chris, you're going to have to provide the receipts. **Chris:** I'm going to tell you, the guy who's doing this—you know, he's going to put them out. **Chris:** Do you really want to prove it? You want to prove it to me? I've got all the mistakes that come out. I can't. Literally. Yeah. Yeah. Sure. What's that? Let's see it. Let's see it. Produce it. Tweet it out right now. **Aidan:** So I'm denying it—like, hardcore, 100%. I'm the guy you have to deny it to. I don't, because you've become a bit of a fuck-up. It's about as fucking legitimate as Lindsey trying to be a rake. Let's fucking see it, motherfucker. You got it, right? 'Cause I—accusations—I always bring fucking receipts. Where's your receipt, bitch? **Aidan:** You got 'em? **Chris:** I've got 'em now. I think you want me to be saying—to be honest—hang a room on the fucker with no receipt. **Aidan:** You got 'em? Yes or no? **Chris:** I've got a receipt. Where's your fuck? **Chris:** You just need, bro—you just need to like chill, because you're gonna have a lot of fucking neck on your face, because I don't really care. **Chris:** I said to the people who bought this story: If I end up having egg on my face, I'll put everyone's name in it, and I'm given—I have a... Just shut your fucking mouth for one fucking minute. **Aidan:** Right. Let's see it. **Chris:** I've just messaged the person. **Aidan:** Joe Flipp, you want to talk about a fucking psychopath? That motherfucker is—just, Joe Flipp. Really want to fucking go there?" 'Cause it's Joe. You can just say it's Nick from Philadelphia, isn't it? Yeah, I know all about Nick from Philadelphia. If you fucking want to go there and the fucking hell—that psychopath—what Olivia Lambo went through. You just don't want to come out. Does he want to talk about all that? Does he want to launch? **Chris:** Okay? You know what? How was your lunch with Meredith the other week. Fuck it. I don't care. How was your lunch with Meredith? How's your lunch with Meredith? **Aidan:**What the fuck? **Chris:** Chat, what, what am I talking about? How is your lunch with Meredith here? We got—you know what you want to do? You want to carry on and be a fuck with me here? I like you—always up. **Chris:** How was your lunch with Meredith a couple weeks ago, and what did you play for her? What the fuck are you talking about? Yeah, what the fuck am I talking about? You know exactly what I'm talking about. And I'm trying to do this respectfully, but you come in hot like you always do. So now I'm just gonna fucking do it. How was your lunch with Meredith the other week? **Aidan:** I didn't have one with Meredith. Yeah, bullshit. Okay, so that's it. So someone else is lying now. **Chris:** So you're gonna call Meredith a liar? Why? Meredith's a liar? **Aidan:** Are you talking to Meredith? **Chris:**I'm not talking to Meredith. **Aidan:** What are you talking about? **Chris:** Okay, well, so you have great Meredith in an Oscar. If you said that to Meredith, you just spread rumors. That's what you do—you don't spread any rumors. I want to laugh tonight about this. **Erika Walsh:** I warned you, Chris, about this last night. **Aidan:** You got no—Joe Flipp—fucking feeding you nonsense. That slimy psychopath, fucking nut job who called in Olivia's entire family to harass them—to the point where she had the fucking... Nothing to do with Olivia. And Joe's Flipp— **Chris:* this is to do with you. Stop deflecting, that motherfucker. **Aidan:** I'm telling you this—he's the one telling you this. **Chris:** I've been told by three different people. Three different people. There's people in this chat who know about this. There's people in chat—they won't stand up and say anything, but I know the people who know about this. **Aidan:** Bring all these lame cons up one by one so I can slam 'em down one by one, because none of you motherfuckers got a receipt to back up any of this shit. None of you do. Bring it. By adding them. **Chris:** Stand by. Stand by. Stand by. **Joe Flipperhead:** You have the text, bro. You know I saw the screenshot. **Aidan:** So we gonna talk about what you did to Olivia Lambo? We have a lot of things, dude. **Joe:** You're deflecting. When you... **Aidan:** You want to go there? Mark Bedderow? Oh, of being in on a fucking conspiracy against you? To tell us—if when we told you Olivia Lambo... You made us fucking get on a FaceTime with her because you thought she was dead. You thought you were being catfished by her, fucking... I was, and so we agreed to do a Zoom call with her. And when I called you and I told you Olivia Lambo is real—I just saw her face. What did you do? You accused me and Mark Bedderow of lying to you, of being in on it, because you are a fucking psychopathic motherfucker. And I didn't put it there because I don't want to fuck... **Joe:** Yeah, you did put it out there, though. If you want to get into the Olivia thing, that's fine, and I'll go down that road. But you're calling me a psychopath You fucking recorded Karen Read's fucking calls and sent them to people. **Chris:** I'm just gonna keep muting him because he's yelling. You can say it. **Aidan:** Is this Lily's space or yours? **Joe:** I have the text, dude. I'll put it on one of our... Your—She told me she's fucking done with you, dude. **Aidan:** All right. I'm going on my own right now. I'm calling out fucking Joe Flipp-ed life. If I get muted one more fucking time. I'm gonna do a whole fucking... Thank you. I'm publishing all your fucking texts—the whole world can see what a fucking sadistic psychopath you are. You controlling predator piece of shit. You fucking go there. **Chris:** This is completely the actions of a normal innocent person. **Aidan:* You're a pyscho freak. **Joe:** Yeah, says the guy that recorded Karen. **Aidan:** Oh, yeah, let's hear it. See the fucking recording. Can I hear it? **Joe:** I got the text saying you recorded. But the text says there's a recording, so where's the fucking recording? *Aidan:** Hey, let's hear Joe. Why? I just got asked if I'm—what would you say if I'm a massage in this? Like, go— **Joe:** Why does Liv still text me to this day? **Aidan:** You text her. Oh, you want to see the receipts, dude? I've seen the receipts—all of them. Okay, I got all the receipts. **Joe:** You got the August ones, the September ones where she misses me and hates how things ended? You got those? Fuck, I see 'em. Publish 'em. I will do it. I don't plan—I talk about you. Go for it. **Chris:** You're doing everything back. **Joe:** When I told you how she wouldn't FaceTime me for three months, how she puts up month-old pictures if you wouldn't fucking... **Aidan:** Yeah, you know why? You know why she wouldn't do that? She's just not into you. Ever have you do this with every girl you fucking talk to? **Joe:**You said to me, after reading the text from her sister— **Chris:** Says the guy who is swining on a 19-year old. **Joe:** You said Aidan, that she said to you, "she's love with you," bro. That's what you said. She's in love with you. That's what you said. Yeah, when her sister—and then he can get you caught by somebody. Let's just get back to you. Deflection from Aidan, who doesn't want to be on the line. **Joe:** As you wish—she wouldn't FaceTime me. She wouldn't meet up with me, and she lied to me constantly. Yeah, why would she meet up? **Aidan:** Maybe she's just not that into you. Ever think about that? Maybe she's just not that into you. Maybe you saw the text. I know, I know—it's hard for you to accept that the girl just doesn't want you. You have to accept the person doesn't want nothing to do with you, isn't it? I did, and you got clingy and possessive. And so she fucking stopped talking to you, so you called her mother and you talked—you don't even know because you're psychotic, bro. I'm fucking... you. *Joe:** You're just deflecting, bro. This is fucking pathetic. I'm not your one. She's talking about this. **Aidan:** I got no fucking thing—you—you are a fucking psychopath. **Joe:** You're first of all—she doesn't want you to fucking be talking about this because why? **Aidan:** You're the one fucking airing it out now, motherfucker. **Chris:** You're the one airing it because you got caught recording Karen. **Aidan:** So let's hear the recording. Let's play the recording. You got a recording of me, right? **Joe:** I know you did it, dude. **Aidan:** What? **Joe:** I know you recorded. Are you lying? Karen Read's a liar? All right, am I...? **Aidan:** You are the fucking coward. Where's the recording? What recording you talking about? You're—you're— **Joe:** You're accusing Karen Read of lying about this? **Aidan:** Yes. **Joe:** You're really—are you really serious? How many fucking—serious? **Aidan:** Let's hear the fucking recording. **Lily** Chris or Joe? Please play it. Did it? You didn't have... for people. Can you please provide a receipt? Just like I think it's fair. **Joe:** Aidan has it. **Aidan:: I thought you had it. I thought you had it. Let's hear it. Let's hear the recording. **Joe:** All right, you sent me the text that I sent. You haven't... **Aidan:** Yeah, let's—so let's hear the actual recording. Does it exist, though? **Joe:** So Karen is lying. **Aidan:: Karen Read would never lie (sarcastic tone). Oh, yeah. **Chris:** True color. *Joe:** So yeah, let me just run this: You recorded it. You recorded the conversation. You showed it to people, and then the very next day she randomly accused you of fucking doing it. That's what happened. That's what your story is, right? **Aidan:** There's no fucking recording. **Joe:** There is, dude. Where is it? **Aidan:** So let me hear it. Play it. **Joe:** I don't fucking have it. **Aidan:** Oh, you don't know if there's a recording, do you? Thank you. Because you're full of shit. I know—I just fucking caught you. That's what you just said. Those—bring it up here. I talked to somebody—bring her up here. Bring Karen Read up here, bro. You talked to her? Bring her on up here. **Joe:** I spoke to somebody that you played the recording for. Okay, oh—you know, just—I just say I've already said it, so just say it. Okay, I said I wanted to not say her name, but you know who—you played it for. **Aidan:** I haven't played it for anyone just— there's no recording. **Joe:** Stop fucking lying. Let's hear it from the point. *Aidan:** Let's hear it. Let's hear it. **Joe:** Aidan, this is fucking crazy, dude. **Aidan:** I'm not the one that fucking caught it—got blocked by Olivia's mother, and fucking brother... **Joe** Here we go. This is deflecting, and dude—that's admitting how fucking guilty you are right here. **Aidan:** Let's hear a fucking recording. You said you got a fucking recording, right? **Joe:** Nobody said that. We said—oh, Karen Read doesn't want to talk to you anymore because you recorded her calls, set them to people, and it got back to her. **Chris:** I got a question for you, Aidan, I didn't know—so sure. When you went on your little pity party and then you— **Joe:** The worst part is you lied to everybody acting on it. You had no idea what was wrong and why she she fucking set you straight—trying to get sympathy. That, my friend, is fucking psychotic. **Aidan:** Okay, okay, sure thing. Yeah, you said I sent the recording out. Where's the recording? *Joe:** Dude? It's not—I'm not obligated to fucking get the recording. **Aidan:** Oh, yeah, you wouldn't want to back it up, right? **Joe:** You're so—you're going to go on record that Karen is lying? Say it. You're caling Karen Read a liar about this. **Aidan:** There is no fucking recording. **Joe:** You're lying, dude. It's fucking crazy. This is what's here. It—play the note. You played it for somebody. You got it. I don't got it. **Aidan:** Let's hear you play it. You're the one that says there's a fucking record. **Chris:** I mean, that's—you have a history of recording people. **Lily:** Wait, we have—well, I feel like we have a responsibility as me as a host to Chris and... You're both—you're actually both not providing a receipt, and I'm—Aidan is actually asking for a receipt. I have to—for the recording. **Joe and Chris** He has—asking for the recording. **Lily:** You guys—she has which he sent to—we know I said. So who has it? One of the receipts. I know you're not gonna have— **Aidan:: you don't have the recording because— **Lily:** Just fucking say it. Karen doesn't want the recording out there. **Aidan:** What recording? There's no recording. **Joe:** Never even asked her for it, to be honest with you. **Aidan:** And so you wait—yeah, you never asked. Thank you—you never asked. **Joe:** Karen is fucking so done with you, bro. She sent—she told me about this completely unsolicited. **Lily:**That's beside the point, and I'm not the first—(Joe) Karen's done with him, ..but what the fuck—just post the fucking receipt for him. **Chris:** You can't come on here saying he has it, Lily. He's seen the same thing you've seen. He's even seen the same thing that I showed you. **Lily:** I know. You don't come on here and say I've got this, and then Aidan demands a receipt—you deserve. Okay... **Joe:** He's deflecting, asking for a recording he knows about the text. **Lily:** Yeah, I know, Joe. I get what you're saying, and I respect every—like what you're saying, but he's denying it. **Joe:** Fine, I'll post the fuck—I'll post them right now. I really don't give a fuck. **Lily:** Thank you. And that's immense—he can—he can then riff like whatever he can. I can't—I'm so like nervous. I've got dry mouth because... Then Aidan can like look at those, and he at least has—you know exactly what's been spoken about. He's just denying it. I can't say that, and I get it, but he is asking for the receipt, which is fair. And **Joe:** I'll even add the text message when he came on here initially. He said it was all alive, right? He said he sent me—fucking text message on Monday morning. **Lily:** I see it. We've established that now. We established that Aidan's denying it, so just post the receipt that you have, and then he can actually reflect on that and—and do you see what I mean? He's not gonna turn around now and say actually it is true. But if you've got the receipt, he can then say, "I will—this is x, y and z there." I just think it's fair—like... **Aidan:** Now, yeah, what he has is a screenshot that he claims is from Karen Read. It was— **Joe:** You're saying it's not from Karen Read. **Aidan:** I don't—there's no fucking name on the top. **Joe:** Yeah, I have it. Do you want me to read? **Aidan:** Okay, so there was an allegation? I'm reading. **Joe:** Do I have a text from you saying I was sent the same thing the morning after the verdict? Did you not say that to me? **Aidan:** Yes, you sent me the same thing the morning after the verdict. **Joe:** Okay, so then she sent it to me too. **Aidan:** Yeah, she knows—she said to me the morning after the Wilbur—she after the morning after the show, she said that she was sent a 30-minute fucking tape. Where's the fuck? What tape? Okay, she's not fucking accusing me. I have no—there's no fucking tape. There's no tape. She thinks I recorded her because I fucking told people about the conversation. That's it. **Joe:** You're telling me you didn't? **Aidan:: And I'm telling you I fucking didn't. You're wrong. **Joe:** 100% You're lying, dude. **Aidan:** Okay, so prove it. Let's see it. You got evidence, right? You like evidence? You got Any? **Joe**: I mean—I—a screenshot of—how many people did you send it to? **Aidan:** Zero, because there's no recording. **Joe:** There is. **Aidan:** Let's hear it. Play it. Let's play it. Let's go. **Joe:** Let's hold on. Let's hold on. Can I go real quick? So you come in here calling it—you were making fun of Chris because he's an Australian motherfucker. He doesn't have nothing, right? You said there was no text, no proof. And then now we're transitioning to the recording because I don't have the recording. Okay, so you think Karen Read is just fucking lying about this? How would she know? How would she know what about the recording? **Aidan:** There is no recording. **Joe:** You're telling me you didn't show it to anybody? Is that really what you're gonna tell people? **Aidan:**There's no recording to share with anyone. Okay, okay. Well, I mean, you got evidence, right? To back this up. **Joe:** Yeah, right. **Aidan:: You got something, right? Yeah, yeah. Did you been right? I mean, you have that, right? You have that right because you wouldn't say something—because if you know I had it, right? **Joe:** I have—why Karen Read won't speak to you. **Aidan:** You have a screenshot of a conversation with Karen Read. You don't have an actual fucking audio, though. **Joe:** I have—in Karen Read's words. Why do you think she would lie about this? **Aidan:** Do I think she would lie about having a recording? **Joe:** She wouldn't lie about this. Explain that one—about having a recording. **Aidan:** Yes, I know she's lying about that. **Joe:** Why, though? **Aidan:** I don't know why Karen is acting the way she is. It's unfortunate. Yeah, and honestly, I'm not the one—you're a fucking airing it all out right now. That's odd that Karen would green-light you coming on here and fucking doing this. That's kind of odd. Because I love you—notice, but like—kind of yeah, we raised 1.1 million fucking dollars for a little... Here I know—here, I'm here. I'm here. There's still a— **Chris;** there's no because you—still a fucking snake. Yeah, I know. He records people's phone calls. **Aidan:: Let's hear the tape. Let's hear the tape. You're the one making—you guys got nothing. Nothing. Nothing. I just sent the fucking text out. Just say—there you go, buddy. **Aidan:** Okay, so Karen Read is green-lighting this sort of drama? That's what you're saying? **Joe:** I asked her. I said—you asked her? She said yes, go ahead. I said, do you want your side out there? She said, 'sure. You're gonna read it? Sure. I told many people my side. This is my last straw. I would never and have never betrayed him. Meanwhile, he has put me in harm's way in a huge way multiple times.' **Aidan:** I put her—fucking words, okay? Not mine. Yep. Okay. I put Karen Read in harm's way? I went to jail for Karen Read. I don't know if you're familiar. **Chris:** You didn't go to jail for Karen Read, you fuck. **Aidan:** Oh, really? Then what am I on bail for? What is—the full—what's the full? **Chris:** You went to jail for Karen Read? You went to jail because of Lindsey. You went to jail because you're a fucking dick. **Aidan:** Why was I on bail? I think you're a fuck—while you're on bail. I'm saying because—why would I care? Maybe someone in the night— **Chris:** hey, you're full of shit. You're a fucking hell. **Aidan:** What the fuck was I on bail for? **Joe** Because they may know that—if you didn't record it, why are you being so hush-hush about it with everybody? Why would he just tell the people what she was saying since she's lying? What do you mean hush-hush about it? **Aidan** You think I won't talk about what she texted me? But you were hinting at it because I don't want to hear the fucking drama, but apparently she does because she's—you fucking do this because you're recording. Thank you. You're telling me no recording of any fucking phone calls? What's the—what's the fight? So you weren't mocking her the past however long—every time you went on the show saying you owe everything to Karen, all that shit? How is that little white lie? **Aidan:** I owe everything to Karen? What? Why is that little sub-story? You went on two weeks—how is that mocking her? That wasn't in the recording. What recording? There's no fucking recording. **Joe:** I heard it was a 10-minute recording. Does that make sense? **Aidan:** No recording, bro. Let's hear it. You heard it. Let's hear it. **Joe:** Dude, I'm not putting that part out here. **Aidan:** She's talking about her shit. What she's texting you right now—obviously. Who egging this on, isn't she? **Joe:** Who? Okay? Okay, who? Keep playing dumb. Hey—who? **Aidan:** Mm-hmm? Believe it or not—you guys got nothing, right? **Chris;** We got good—from the horse's mouth, mate. I mean, it's not over the horse. Yeah, that's enough for me. I don't need... **Aidan:** Karen's not talking to anyone in the media. **Joe:** If you read the text message, I just reached out to her as a friend—just to reach out and say hope you're doing well. She went into this whole thing about you. **Aidan:** So you reached out—let me get this right—you reached out to her just to say hope you're doing well, and the first thing she did was complain about me? **Joe:** Yes, okay. That says it all. There we go. Where is she? Tired of me? Maybe she's fucking tired of you telling the people bullshit. **Aidan:** What—what—what—what—what bullshit have I told people? That you have no idea why she won't fucking come on your whatever it is. **Aidan:** What do you mean I have no idea why? **Joe:** That's what you've been saying—you don't know what's going on, like you feel a bit sorry for—like the thing with the fucking Howie Carr, dude. That was ridiculous. **Aidan:** What was ridiculous? You're the entire way you handled—I didn't say a word about that. **Chris:** Yes, you did. You deleted the receipt, but let's see—where did I complain about her appearance on Howie Carr? You made a lot of all quiet. Oh, this fuck it. Oh... **Joe:** Wait, but you think we're fucking dumb? Do people are fucking dumb? So where did I—after you deleted it, and then you made a post about deleting it. **Aidan:** What did I say about it? I don't remember. **Chris:** But you don't remember? Yeah, you deleted it, bro. You deleted it. Yeah, remember? You deleted it. And then you made a post about the deleting of the post. Part 2 coming later.

Grant Smith Ellis

85,913 Aufrufe • vor 10 Monaten

I made this product launch video over the weekend with just prompts It's all vibe coded There's something you should know, though: Like everyone else, a few days ago my timeline started getting full of videos like this when Remotion launched their Claude skill, so I decided to give it a go I was captivated by all the examples, so I started like everyone was saying: "just write a prompt" I typed the prompt, and it created an extremely bland, untasteful, stock-looking video 10 prompts in and it was not getting better. It was very, very bland. But at least it was something, so I kept going at it I ended up spending my entire weekend on this, 2-3 days of work. Only to realize my original reference videos that inspired me to get started were all fake Everyone was outright lying about their results. They all claimed "I made this with just one prompt", but it was just bait, they didn't really use Remotion or code at all, it was just a normal, human-made motion video Then you expand the X post and read the replies and they're all like "haha joke" in the comments, but their main post already got 1.5 million views and bamboozled everyone who didn't read further And this is a problem: when a viral trend happens, these posts flood your timeline, and you only realize that they're all noise and bait (and that they haven't even used the tools they claim) when you click through the post and read its comments. But 90% of people (like me, initially) just see the post on their timeline while scrolling, and assume it's all real. You don't go in to check every single post you see: you just like it, or save it for later, and carry on with your day, thinking what you saw was the real thing, and that it's all outstanding results, and that motion designers are really done And it's so anxiety inducing, because everyone is hyping their results, but most of it is just not true. I have stopped reading X lately because going in makes me so anxious, everyone is claiming extraordinary outlier results just for the views and clicks, and you feel like you're lagging behind and you're not good enough because you don't get those results So for this video I decided to actually take the tech out for a spin, and see what results I could really get out of it I used Remotion and Claude Code 4.5, but contrary to what everyone was claiming, this video was not "just a prompt". It was fully vibe coded, but it required much more than a prompt. It was multiple days worth of work Here's what I learned: - Making vibe coded videos with Remotion is ~10-20x slower than building app code. I've been wasting my Claude limits on this video - Everything takes a lot of manual work and reprompting. You often need to go frame by frame correcting tiny things - It makes very silly mistakes - Even Opus 4.5 has very very limited knowledge of spatial / visual things. It doesn't understand well z-indexes, layers, compositions, proportions, temporal coherence, etc. Claude Code feels extremely dumb when creating code for Remotion videos, which surprised me a lot, beacuse I had been mind blown by how incredibly well it worked with my Ruby on Rails SaaS codebases - You need to have some design knowledge to adjust things manually, you need to ask for exactly what you want, in the technical jargon it expects. You can't just say "make this more beautiful" or "animate this better" because it just creates slop - Right now vibe coded videos are promising, but I think I could have done this video faster just by doing it manually in After Effects. It really took that much work - If you have a creative idea for something you want to animate, it takes multiple hours of back and forth prompting to create just one or two seconds worth of **good** animation - Tip: PARAMETERIZE everything! It tends to hardcode magic numbers everywhere in the code, so if you change something earlier in the video timeline, everything else breaks. You want to essentially be creating "key frames" with code by telling it to parameterize every frame where something important happens, and calculate the rest of the keyframes based off that. This comes in handy when you need, for example, to adjust keyframes to match the music So in summary: vibe coded videos are promising, but right now it only works for very stock-looking videos unless you put in a ton of effort Maybe actually useful for 1-2 second web animations though, I'll try that next It will obviously get better, this feels like the quality of code generation in 2023-2024, you need to hold its hand and correct it at every step along the way. But even if video code generation was better, you would still need someone with motion design knowledge to at least set the creative direction, lay out the overall script and composition, etc. It's not completely hands-off unless you want slop And a word on caution: especially here on X, there's 90% hype and 10% reality, nothing is what it seems. Do not believe what you see online, people are constantly baiting and then just laughing it off in the comments
0:28

I made this product launch video over the weekend with just prompts It's all vibe coded There's something you should know, though: Like everyone else, a few days ago my timeline started getting full of videos like this when Remotion launched their Claude skill, so I decided to give it a go I was captivated by all the examples, so I started like everyone was saying: "just write a prompt" I typed the prompt, and it created an extremely bland, untasteful, stock-looking video 10 prompts in and it was not getting better. It was very, very bland. But at least it was something, so I kept going at it I ended up spending my entire weekend on this, 2-3 days of work. Only to realize my original reference videos that inspired me to get started were all fake Everyone was outright lying about their results. They all claimed "I made this with just one prompt", but it was just bait, they didn't really use Remotion or code at all, it was just a normal, human-made motion video Then you expand the X post and read the replies and they're all like "haha joke" in the comments, but their main post already got 1.5 million views and bamboozled everyone who didn't read further And this is a problem: when a viral trend happens, these posts flood your timeline, and you only realize that they're all noise and bait (and that they haven't even used the tools they claim) when you click through the post and read its comments. But 90% of people (like me, initially) just see the post on their timeline while scrolling, and assume it's all real. You don't go in to check every single post you see: you just like it, or save it for later, and carry on with your day, thinking what you saw was the real thing, and that it's all outstanding results, and that motion designers are really done And it's so anxiety inducing, because everyone is hyping their results, but most of it is just not true. I have stopped reading X lately because going in makes me so anxious, everyone is claiming extraordinary outlier results just for the views and clicks, and you feel like you're lagging behind and you're not good enough because you don't get those results So for this video I decided to actually take the tech out for a spin, and see what results I could really get out of it I used Remotion and Claude Code 4.5, but contrary to what everyone was claiming, this video was not "just a prompt". It was fully vibe coded, but it required much more than a prompt. It was multiple days worth of work Here's what I learned: - Making vibe coded videos with Remotion is ~10-20x slower than building app code. I've been wasting my Claude limits on this video - Everything takes a lot of manual work and reprompting. You often need to go frame by frame correcting tiny things - It makes very silly mistakes - Even Opus 4.5 has very very limited knowledge of spatial / visual things. It doesn't understand well z-indexes, layers, compositions, proportions, temporal coherence, etc. Claude Code feels extremely dumb when creating code for Remotion videos, which surprised me a lot, beacuse I had been mind blown by how incredibly well it worked with my Ruby on Rails SaaS codebases - You need to have some design knowledge to adjust things manually, you need to ask for exactly what you want, in the technical jargon it expects. You can't just say "make this more beautiful" or "animate this better" because it just creates slop - Right now vibe coded videos are promising, but I think I could have done this video faster just by doing it manually in After Effects. It really took that much work - If you have a creative idea for something you want to animate, it takes multiple hours of back and forth prompting to create just one or two seconds worth of **good** animation - Tip: PARAMETERIZE everything! It tends to hardcode magic numbers everywhere in the code, so if you change something earlier in the video timeline, everything else breaks. You want to essentially be creating "key frames" with code by telling it to parameterize every frame where something important happens, and calculate the rest of the keyframes based off that. This comes in handy when you need, for example, to adjust keyframes to match the music So in summary: vibe coded videos are promising, but right now it only works for very stock-looking videos unless you put in a ton of effort Maybe actually useful for 1-2 second web animations though, I'll try that next It will obviously get better, this feels like the quality of code generation in 2023-2024, you need to hold its hand and correct it at every step along the way. But even if video code generation was better, you would still need someone with motion design knowledge to at least set the creative direction, lay out the overall script and composition, etc. It's not completely hands-off unless you want slop And a word on caution: especially here on X, there's 90% hype and 10% reality, nothing is what it seems. Do not believe what you see online, people are constantly baiting and then just laughing it off in the comments

Javi

311,442 Aufrufe • vor 6 Monaten

VEO 2 by Google DeepMind : MY CHEAT SHEET Alright, so after 500h-ish spent on VEO and giving birth to both "Kitsune" and "Banished", tons of people asked for a making-of. Instead, I decided to give you what I actually know of VEO 2 to this day. Please share! it's made to be spread around! 1/ If you're not using a LLM (Gemini, ChatGPT, whatever), you're doing it wrong. VEO 2 currently has a sweet spot when it comes to prompt length: too short is poor, too long drops information, action, description etc. I did a lot of back and forth to find my sweet spot, but once I got in a place I thought felt right, I used a LLM to help me keep my structure, length, and help me draft actions. I would then spent an extensive amount of time tweaking, iterating, removing words, changing order, adding others, but the draft would come from a LLM and a conversation I built and trained to understand what my structure looked like, what was a success, or a failure. I would also share the prompts working well for further reference, and sharing the failures also for further reference. This would ensure my LLM conversation became a true companion. 2/ Structure, structure, structure Structure is important. Each recipe is different but same as any GenAI text-to something, it looks like the "higher on the prompt has more weight" rule applies. So, in my case I would start by describing the aesthetics I am looking for, time of day, colors, mood, then move to camera, subject, action, and all the rest. Once again, you might have a different experience but what is important is to stick to whatever structure you have as you move forward. Keeping it organized also makes it easier to edit later. 3/ Only describe what you see in the frame If you have a character you want to keep consistent, but you want a close-up on the face for example, your reflex will be to describe the character from head to toe and then mention you want a close-up...It's not that simple. If I tell VEO I want a face close-up but then proceed to describe the character's feet, the close-up mention will be dropped by VEO... Once again, the LLM can help you in this by giving it the instruction to only describe what is in the frame. 4/ Patience Well, it can get costly to be patient, but even if you repeat the same structure, sometimes changing one word can still throw the entire thing out and totally change the aesthetics of your scene. It is by nature extremely consistent if you conserve most words, but sometimes it happens. In those situations, trace your steps back and try to figure out which words are triggering a larger change. 5/ Documenting When I started "Kitsune" (and did the same for all others), the first thing I did was start a Figjam file so I could save the successful prompts and come back to them for future reference. Why Figjam? So I could also upload 1 to 4 generations from this prompt, and browse through them in the future. 6/ VEO is the Midjourney of video Currently, no text-to-video tool (Minimax being the closest behind) gave me a feeling I could provide strong art directions and actually get them. I have been a designer for nearly 20 years, and art direction to me has been one of the strongest foundations of most of my work. Dark, light, happy, sad, colorful or not, it doesn't matter as long as you have a point of view and please...have a point of view. Recently watched a great video about the slow death of art direction in film (link in comments) and oh boy, did VEO 2 deliver on giving me the feeling I was listened. Try starting your prompts with different kinds of medium (watercolor for example), the mood you are trying to achieve, the kind of lighting you want, the dust in the rays of light, etc... which gets me to the next one 7/ You can direct your colors in VEO It's as simple as mentioning the hues you want to have in the final result, in which quantity, and where. When I direct shots, I am constantly describing colors for two reasons: 1. Well, having a point of view and 2. reaching better consistency through text-to-video. If I have a strong and consistent mood but my character is slightly different because of text-to-video, the impact won't be dramatic because a strong art direction helps a lot with consistency. 8/ Describe your life away Some people asked me how I achieved a good consistency between shots knowing it's only text-to-video and the answer is simple: I describe my characters, their unique traits, their clothing, their haircut, etc..anything which could help someone visually impaired have a very precise mental representation of the subject. 9/ But don't describe too much either... It would be magical if you could stuff 3000 words in the window and have exactly what you asked for, right? Well, it turns out VEO is amazing with its prompt adherence, but there is always a moment where it starts dropping animations or visual elements when your prompt stretches for a tad too long. This actually happens way before the character limit allowed by VEO is reached, so don't overdo it, it's no use and will play against the results. For info, 200-250 words seems like a sweet spot! 10/ Natural movements but... VEO is great with natural movements and this is also one of the reasons why I used it so extensively: people walking don't walk in slow-motion. That being said, don't try to be too ambitious on some of the expected movements: multiple camera movements won't work, full 360 revolutions around a subject won't work, anime-style crazy camera movements won't work, etc... what it can do is already great, but there are still some limitations...
1:56

VEO 2 by Google DeepMind : MY CHEAT SHEET Alright, so after 500h-ish spent on VEO and giving birth to both "Kitsune" and "Banished", tons of people asked for a making-of. Instead, I decided to give you what I actually know of VEO 2 to this day. Please share! it's made to be spread around! 1/ If you're not using a LLM (Gemini, ChatGPT, whatever), you're doing it wrong. VEO 2 currently has a sweet spot when it comes to prompt length: too short is poor, too long drops information, action, description etc. I did a lot of back and forth to find my sweet spot, but once I got in a place I thought felt right, I used a LLM to help me keep my structure, length, and help me draft actions. I would then spent an extensive amount of time tweaking, iterating, removing words, changing order, adding others, but the draft would come from a LLM and a conversation I built and trained to understand what my structure looked like, what was a success, or a failure. I would also share the prompts working well for further reference, and sharing the failures also for further reference. This would ensure my LLM conversation became a true companion. 2/ Structure, structure, structure Structure is important. Each recipe is different but same as any GenAI text-to something, it looks like the "higher on the prompt has more weight" rule applies. So, in my case I would start by describing the aesthetics I am looking for, time of day, colors, mood, then move to camera, subject, action, and all the rest. Once again, you might have a different experience but what is important is to stick to whatever structure you have as you move forward. Keeping it organized also makes it easier to edit later. 3/ Only describe what you see in the frame If you have a character you want to keep consistent, but you want a close-up on the face for example, your reflex will be to describe the character from head to toe and then mention you want a close-up...It's not that simple. If I tell VEO I want a face close-up but then proceed to describe the character's feet, the close-up mention will be dropped by VEO... Once again, the LLM can help you in this by giving it the instruction to only describe what is in the frame. 4/ Patience Well, it can get costly to be patient, but even if you repeat the same structure, sometimes changing one word can still throw the entire thing out and totally change the aesthetics of your scene. It is by nature extremely consistent if you conserve most words, but sometimes it happens. In those situations, trace your steps back and try to figure out which words are triggering a larger change. 5/ Documenting When I started "Kitsune" (and did the same for all others), the first thing I did was start a Figjam file so I could save the successful prompts and come back to them for future reference. Why Figjam? So I could also upload 1 to 4 generations from this prompt, and browse through them in the future. 6/ VEO is the Midjourney of video Currently, no text-to-video tool (Minimax being the closest behind) gave me a feeling I could provide strong art directions and actually get them. I have been a designer for nearly 20 years, and art direction to me has been one of the strongest foundations of most of my work. Dark, light, happy, sad, colorful or not, it doesn't matter as long as you have a point of view and please...have a point of view. Recently watched a great video about the slow death of art direction in film (link in comments) and oh boy, did VEO 2 deliver on giving me the feeling I was listened. Try starting your prompts with different kinds of medium (watercolor for example), the mood you are trying to achieve, the kind of lighting you want, the dust in the rays of light, etc... which gets me to the next one 7/ You can direct your colors in VEO It's as simple as mentioning the hues you want to have in the final result, in which quantity, and where. When I direct shots, I am constantly describing colors for two reasons: 1. Well, having a point of view and 2. reaching better consistency through text-to-video. If I have a strong and consistent mood but my character is slightly different because of text-to-video, the impact won't be dramatic because a strong art direction helps a lot with consistency. 8/ Describe your life away Some people asked me how I achieved a good consistency between shots knowing it's only text-to-video and the answer is simple: I describe my characters, their unique traits, their clothing, their haircut, etc..anything which could help someone visually impaired have a very precise mental representation of the subject. 9/ But don't describe too much either... It would be magical if you could stuff 3000 words in the window and have exactly what you asked for, right? Well, it turns out VEO is amazing with its prompt adherence, but there is always a moment where it starts dropping animations or visual elements when your prompt stretches for a tad too long. This actually happens way before the character limit allowed by VEO is reached, so don't overdo it, it's no use and will play against the results. For info, 200-250 words seems like a sweet spot! 10/ Natural movements but... VEO is great with natural movements and this is also one of the reasons why I used it so extensively: people walking don't walk in slow-motion. That being said, don't try to be too ambitious on some of the expected movements: multiple camera movements won't work, full 360 revolutions around a subject won't work, anime-style crazy camera movements won't work, etc... what it can do is already great, but there are still some limitations...

Henry Daubrez 🌸💀

30,841 Aufrufe • vor 1 Jahr

MIND-BLOWING 🤯 Toby Rogers explains how our governments are maiming/killing us with jabs for the sake of "biological colonialism" "At some point there were no new lands left to conquer...[so] how do you extract wealth from the middle class? You do it through iatrogenic injury" This clip of Rogers (Toby Rogers) is taken from a discussion with Jeffrey A Tucker (), Brianne Dressen (Brianne Dressen), and Father John Naugle (Fr. John Naugle) at the Brownstone Institute's (Brownstone Institute) 5th Annual Conference and Gala. The video was posted to The Epoch Times YouTube channel on November 1, 2025. Per the Children's Health Defense website: "Rogers is a fellow with the Brownstone Institute for Social and Economic Research. He has a doctorate in political economy from the University of Sydney in Australia, and a Master of Public Policy from the University of California, Berkeley." ----------------Partial transcription of clip--------------- "The biological colonialism argument that Jeffrey alluded to goes something like this. So for the last 500 years, if you were a nation that wanted to get rich, the way you did it was you built a bunch of ships, you loaded them full of soldiers and guns and horses, and you sailed from Europe, to the New World, and you took their stuff. You took their gold, you enslaved their people, you forced people to work in the gold mines and that sort of thing. That's how Europe got rich. That's how the UK got rich. And so that's the historical pattern for 500 years. 500 years of colonialism. "And then later there was neo colonialism with unfair trade deals that kept enriching Europe and the United States. And then more recently, with the backing of the US Military, we can get third world nations to produce stuff for us for low cost that make us feel rich. So historically, for 500 years, that's been the pattern. "Here's the problem: At some point, there were no new lands left to conquer. And so what the ruling class decided was that where the money is, the peasants to be exploited, were the middle class in the United States and throughout the developed world. And how do you extract wealth from the middle class? You do it through iatrogenic injury. "So if you can get the entire population to inject their kids 72 times during childhood and then get all the rest of the population and the kids to take Covid shots and you can injure them, you can enslave them for life to chronic illness. So in my research, I show that autism lifetime care costs for autism are in the range of 5 million to $7 million per kid. That's a lot of money. And it goes somewhere, and it goes to the pharmaceutical industry, the hospital industrial complex, and the ruling class. "And so with COVID shots, what we have is, so picture a middle aged woman in Orange County, California, who gets a Covid shot and then she gets myocarditis. So now she has to do regular appointments with the cardiologist. She, she's in and out of the hospital, she's sick all the time. So over the course of the next five to ten years of her life, her health care costs are going to be in the range of about $2 million. And that all goes to pharma doctors and the pharmaceutical industrial complex. "If that same woman was enslaved in a gold mine in South America, you could only get about $20,000 worth of labor out of her, the most if you worked her to the bone. And then she would, you know, eventually, perish. The old model of colonialism, right? But in five to 10 years in the US you can squeeze $2 million out of this one person through iatrogenic injury, through a Covid shot that causes myocarditis that sends her in and out of the hospital for 10 years of treatment. And so the insurance company pays, the government pays, she mortgages her house, her family pays, it extracts all wealth out of her and her family, and then after 10 years, the pharmaceutical industry allows her to perish. "So the crisis that we're in right now, and why we're all just traumatized all the time, is that western allopathic medicine has become a machine to extract wealth out of the middle class, working class, and lower classes in the United States to enrich the pharmaceutical industry and the ruling class through iatrogenic injury. That's the crisis that we're in right now. And it was already happening with autism and other chronic illnesses in children before, and then it just blossomed in size during the COVID epidemic. And the response and the junk science Covid shots."
4:38

MIND-BLOWING 🤯 Toby Rogers explains how our governments are maiming/killing us with jabs for the sake of "biological colonialism" "At some point there were no new lands left to conquer...[so] how do you extract wealth from the middle class? You do it through iatrogenic injury" This clip of Rogers (Toby Rogers) is taken from a discussion with Jeffrey A Tucker (), Brianne Dressen (Brianne Dressen), and Father John Naugle (Fr. John Naugle) at the Brownstone Institute's (Brownstone Institute) 5th Annual Conference and Gala. The video was posted to The Epoch Times YouTube channel on November 1, 2025. Per the Children's Health Defense website: "Rogers is a fellow with the Brownstone Institute for Social and Economic Research. He has a doctorate in political economy from the University of Sydney in Australia, and a Master of Public Policy from the University of California, Berkeley." ----------------Partial transcription of clip--------------- "The biological colonialism argument that Jeffrey alluded to goes something like this. So for the last 500 years, if you were a nation that wanted to get rich, the way you did it was you built a bunch of ships, you loaded them full of soldiers and guns and horses, and you sailed from Europe, to the New World, and you took their stuff. You took their gold, you enslaved their people, you forced people to work in the gold mines and that sort of thing. That's how Europe got rich. That's how the UK got rich. And so that's the historical pattern for 500 years. 500 years of colonialism. "And then later there was neo colonialism with unfair trade deals that kept enriching Europe and the United States. And then more recently, with the backing of the US Military, we can get third world nations to produce stuff for us for low cost that make us feel rich. So historically, for 500 years, that's been the pattern. "Here's the problem: At some point, there were no new lands left to conquer. And so what the ruling class decided was that where the money is, the peasants to be exploited, were the middle class in the United States and throughout the developed world. And how do you extract wealth from the middle class? You do it through iatrogenic injury. "So if you can get the entire population to inject their kids 72 times during childhood and then get all the rest of the population and the kids to take Covid shots and you can injure them, you can enslave them for life to chronic illness. So in my research, I show that autism lifetime care costs for autism are in the range of 5 million to $7 million per kid. That's a lot of money. And it goes somewhere, and it goes to the pharmaceutical industry, the hospital industrial complex, and the ruling class. "And so with COVID shots, what we have is, so picture a middle aged woman in Orange County, California, who gets a Covid shot and then she gets myocarditis. So now she has to do regular appointments with the cardiologist. She, she's in and out of the hospital, she's sick all the time. So over the course of the next five to ten years of her life, her health care costs are going to be in the range of about $2 million. And that all goes to pharma doctors and the pharmaceutical industrial complex. "If that same woman was enslaved in a gold mine in South America, you could only get about $20,000 worth of labor out of her, the most if you worked her to the bone. And then she would, you know, eventually, perish. The old model of colonialism, right? But in five to 10 years in the US you can squeeze $2 million out of this one person through iatrogenic injury, through a Covid shot that causes myocarditis that sends her in and out of the hospital for 10 years of treatment. And so the insurance company pays, the government pays, she mortgages her house, her family pays, it extracts all wealth out of her and her family, and then after 10 years, the pharmaceutical industry allows her to perish. "So the crisis that we're in right now, and why we're all just traumatized all the time, is that western allopathic medicine has become a machine to extract wealth out of the middle class, working class, and lower classes in the United States to enrich the pharmaceutical industry and the ruling class through iatrogenic injury. That's the crisis that we're in right now. And it was already happening with autism and other chronic illnesses in children before, and then it just blossomed in size during the COVID epidemic. And the response and the junk science Covid shots."

Sense Receptor

118,266 Aufrufe • vor 9 Monaten

Alex Clark’s Powerful Senate Testimony Exposes the Silent War on Millennial Mothers & Their Children Millennial women—health-conscious, independent, and now mothers—are waking up to a horrifying reality: they were the unwitting subjects of a massive science experiment. From manipulated food guidelines to hormone-altering pharmaceuticals, their generation was sacrificed for profit. Now, their children are paying the price. The Food Lie: The 1992 Food Pyramid was a fraud. It demonized fats, pushed processed carbs, and fueled an obesity epidemic—all to enrich Big Ag & Big Food. Today, 70% of kids’ calories come from ultra-processed junk. No wonder childhood obesity has TRIPLED since the ‘80s. The Birth Control Trap: Millennial girls were handed hormonal birth control like candy—no informed consent, no warnings. Years later, they discover it masked infertility. Now, 1 in 6 couples struggle to conceive, funneling billions into Big Pharma’s IVF racket. Puberty at 5? Little girls now get their periods at 8 or 9, some even younger. Why? Endocrine-disrupting chemicals lurk in food, water, and personal care products—substances BANNED in Europe but pumped into American kids daily. The Vaccine Gauntlet: In 1985, kids got a handful of shots. Today? 70 vaccines by age 18, with 27 before age 2. Parents who question this are labeled "anti-science" or even reported to CPS. Since when did asking for safety data become a crime? Toxic Infancy: Breast milk now contains microplastics. Formula is laced with inflammatory seed oils. Parents are forced to import cleaner options from Europe. This isn’t parenting—it’s crisis management. A Generation in Decline: Autism rates? 1 in 36 (up from 1 in 10,000 in the ‘80s). Allergies, ADHD, cancer, diabetes—all skyrocketing. For the first time in history, kids may not outlive their parents. The Final Betrayal: Moms are fighting a system rigged against them. The food industry funds the studies. Pharma buys the media. Pediatricians get less than a day of nutrition training. Who’s left to protect the children? Only their mothers. As Alex Clark declared in her powerful Senate testimony: "The last line of defense between a child and an industry full of corruption is a mom." It’s time to demand accountability—before it’s too late.
9:52

Alex Clark’s Powerful Senate Testimony Exposes the Silent War on Millennial Mothers & Their Children Millennial women—health-conscious, independent, and now mothers—are waking up to a horrifying reality: they were the unwitting subjects of a massive science experiment. From manipulated food guidelines to hormone-altering pharmaceuticals, their generation was sacrificed for profit. Now, their children are paying the price. The Food Lie: The 1992 Food Pyramid was a fraud. It demonized fats, pushed processed carbs, and fueled an obesity epidemic—all to enrich Big Ag & Big Food. Today, 70% of kids’ calories come from ultra-processed junk. No wonder childhood obesity has TRIPLED since the ‘80s. The Birth Control Trap: Millennial girls were handed hormonal birth control like candy—no informed consent, no warnings. Years later, they discover it masked infertility. Now, 1 in 6 couples struggle to conceive, funneling billions into Big Pharma’s IVF racket. Puberty at 5? Little girls now get their periods at 8 or 9, some even younger. Why? Endocrine-disrupting chemicals lurk in food, water, and personal care products—substances BANNED in Europe but pumped into American kids daily. The Vaccine Gauntlet: In 1985, kids got a handful of shots. Today? 70 vaccines by age 18, with 27 before age 2. Parents who question this are labeled "anti-science" or even reported to CPS. Since when did asking for safety data become a crime? Toxic Infancy: Breast milk now contains microplastics. Formula is laced with inflammatory seed oils. Parents are forced to import cleaner options from Europe. This isn’t parenting—it’s crisis management. A Generation in Decline: Autism rates? 1 in 36 (up from 1 in 10,000 in the ‘80s). Allergies, ADHD, cancer, diabetes—all skyrocketing. For the first time in history, kids may not outlive their parents. The Final Betrayal: Moms are fighting a system rigged against them. The food industry funds the studies. Pharma buys the media. Pediatricians get less than a day of nutrition training. Who’s left to protect the children? Only their mothers. As Alex Clark declared in her powerful Senate testimony: "The last line of defense between a child and an industry full of corruption is a mom." It’s time to demand accountability—before it’s too late.

Camus

41,037 Aufrufe • vor 1 Jahr

MrBeast: "If you knew what I knew, you could get 10 million subscribers in six months" "Your videos suck. You think your videos are good, but they suck. They just do. And the sooner you learn how to make good, great videos that people actually want to watch, the sooner you'll get views." MrBeast shares his early reality: "When I was 14, I thought my videos were the best in the world. They weren't, they were terrible. To be successful, you kind of have to have a little bit of that ego where you think your content's great. But also, if you have sub-1,000 subscribers, there's a good probability your videos just suck. They just do." He explains what to do about it: "You need to make hundreds of videos. Improve something every time. And just get to the point where they don't suck. When you make good content, you'll blow up. It's not the algorithm. It's not anything. Most people who are in my position just made terrible videos, and that's okay. Because you've got to make a bunch of videos and improve over time to be great." MrBeast uses an analogy: "You don't just pick up a baseball and become an MLB-level athlete within a year. It takes many, many, many years. YouTube's kind of the same way." On analysis paralysis: "A lot of people get analysis paralysis. They'll sit there and plan their first video for three months. If you have zero videos on your channel, your first video is not gonna get views. Period. Your first 10 are not gonna get views. I can very confidently say that. So stop sitting there and thinking for months and months on end. Just get to work and start uploading." He gives the formula: "All you need to do is make 100 videos and improve something every time. Do that, and then on your 101st video, we'll start talking. Maybe you can get some views. But your first 100 are gonna suck." How to improve something each time: "The second video: put more effort into the script. The third one: learn a new editing trick. The fourth one: figure out a way to have better inflections in your voice. The fifth one: study a new thumbnail tip and implement it. The sixth one: figure out a new title. There's infinite ways. The coloring, the frame rate, the editing, the filming, the production, the jokes, the pacing, every little thing can be improved. There's literally no such thing as a perfect video." On the algorithm: "What YouTube wants is for people to click on a video and watch it. That's what it is at its core. By studying the algorithm, you'll learn that you're more studying human psychology. What do humans want to watch?" MrBeast shares a simple reframe: "Anytime you say the word 'algorithm,' just replace it with 'audience' and it works perfectly. 'The algorithm didn't like that video?' No, the audience didn't like that video. Literally, that's it. If people are clicking and watching, it gets promoted more. The algorithm just reflects what the people want." On titles: "Short, simple, and just so freaking interesting that you have to click. If someone reads it, are they like, do they have to watch it? Is it just so intrinsically interesting that it's gonna haunt them if they don't click?" He adds nuance: "Keep it below 50 characters. Above 50 characters, on certain devices it goes dot, dot, dot, and that's the worst thing because then people don't even know what they're clicking on." MrBeast shares the extremity principle: "The more extreme the opinion, typically the higher the click-through rate. 'Fiji water sucks', that'd do fine. But 'Fiji water is the worst water I've ever drank in my life', way more extreme, would do way better. But then you have to deliver. The more extreme you are, the more extreme you have to be in the video." On the first 5 seconds: "Before you film a video, what is the thumbnail? What is the title? Then what's the first 5 seconds? Then what's the first 30 seconds?" He explains why autoplay changed everything: "On YouTube now, videos automatically play. So many people don't even see the thumbnail because it autoplays so quickly. The thumbnail is irrelevant for them. I have to visually convince you to click on the video in the first 5 seconds. Before, the hook was important because you had to convince people to watch. Now you have to convince people to click and watch at the same time, with the first 5 seconds." On matching expectations: "Your title and thumbnail set expectations. At the very beginning of the video, to minimize drop-off, you want to assure them that those expectations are being met. If you click on a video called 'Tether is a scam' and at the very beginning, he starts talking about literally anything else, you're like, 'Oh, this is BS. This isn't what I clicked on.' But if at the very start you go, 'Tether is a scam and I'm gonna teach you why,' then it's like, okay, you match the expectations. Then you want to exceed them." He emphasizes the importance: "The thing people undervalue the most is literally the first 10 seconds of the video. That 15% difference in viewership between losing 35% of viewers in the first 30 seconds versus losing 20%, that really does make the difference between 2 million views and 10 million views. You just had a more strategic intro that hooked them." On removing dull moments: "You basically want to remove every dull moment. Find the 10 most critical people you know, make them watch the video, and just roast it. If I talk to a camera for 10 seconds without a cut, a lot of people will get bored. Having a B-cam and C-cam three seconds in, cutting to a different angle, now it's more interesting even though it's essentially the same thing." On keeping viewers watching: "Give them why they clicked. Tell them why they should watch. Then just stick on topic. That right there isn't even super complex, but I would already put you in the upper echelon of YouTube. A lot of people drag it out. It's like, 'I'm going to eat $100 ice cream, but first...' and then it's them birthday shopping for their mom. That's not why I came here." On quality over quantity: "It's much easier to get 5 million views on one video than 50,000 views on 100 videos. A lot of small YouTubers just post videos that aren't bad but aren't great, and none of them ever pop off, so they never get an audience. It might be better to upload half or a third or even a fifth of the videos, but make the videos you upload so freaking good that the algorithm has to promote it." He warns against the consistency trap: "When you set a consistent schedule and you're constantly having to upload videos that aren't as good as you'd like because you gotta hit 'Oh, this Monday I said I'd upload', that's a dangerous trap. The viewers notice the quality isn't as good and it makes them less likely to watch. I think it hurts your longevity." On the real metric that matters: "A big thing that everyone underestimates, what was your experience with your last video? If people loved the last video of yours that they watched, they're more likely to watch your next one. When people watch your video, you don't want them to go, 'Okay, that was good, but that's enough of you for the day.' What you want is them to go, 'Holy crap, that was crazy! Oh my god, what's that?' and they watch 10 videos. That's how you get high view counts. People watch 10 videos, not one." On thumbnails: "You want it to be simple. When they're scrolling, you want them to instantly understand what you're conveying and feel some type of emotion. Make it so interesting, or spike their curiosity so much, that if they don't click it, they'll wonder before they go to bed what happened?" He gives an example: "If you uploaded 'I rode a skateboard with 1,000 other people on it', and people are falling off the side, it's about to go off a big ramp if you don't click that, you're gonna be so curious. Later in the day, when you're daydreaming, you'll think, 'What happened to those 1,000 people on that skateboard?' That's the mindset you should have when making thumbnails." On knowledge being the only barrier: "It's all knowledge. It really is. I could start a new channel tomorrow without using my face or my voice, without ever promoting it, and in six months have 20 million subscribers. I just could. It's purely knowledge. If you knew what I knew, you could get 10 million subscribers no matter where you are right now within six months." He addresses the skeptics: "90% of the people watching don't agree with that. Everyone has excuses. 'Nah, YouTube just doesn't work like that, Jimmy.' But I mentor a lot of people. I see it all the time. It is possible. It is simply knowledge. The second you accept that it is knowledge and you start your journey of learning figuring out what makes a good video, what does my audience want, how can I elevate and then you take that knowledge and just assume 'I will never understand what the perfect video is' and every single day be devoted to learning and improving as much as possible there you go." On money not being the barrier: "There are tons of viral ideas that don't require money. It does not require money to go viral. One of my most-viewed videos was spending 24 hours in a desert, we just grabbed a tent and some stuff and went to the desert. It got 60-70 million views. People say, 'I could be MrBeast if I had money.' A, I didn't start off with money; I was poor, I had no money. It took me seven years just to buy a camera saving up from YouTube. And B, some of our most-viewed videos literally anyone can do." On why no one will outwork him: "No one's ever gonna do what I do better than me. It's just not humanly possible. I reinvest every penny I make. I work every hour I'm awake. I devote every atom in my brain to solving this. I hire the best people on the planet. I've been doing this for 14 years. And I think in decades, not years. I'm gonna be doing this for another 20-30 years. If I thought someone was doing better than me, I'd just start sleeping less so I could work even more." But he doesn't recommend it: "I don't have a life. I don't have work-life balance. My personality, my soul, my being is making the best videos possible. That is why I exist on this planet. And I don't recommend it. You should have work-life balance. You should not devote your entire life to this one thing. I have a mental breakdown every other week because I push myself so hard. I don't recommend it." The only question that matters: "Subscribers don't matter. Views don't matter. I mean, they do. But everything you want as a creator comes from making the best videos possible and thumbnails. The video part's the hard part. Ask: 'How can I make my videos better?' Do that every single day for years. And then you'll probably get views."
18:41

MrBeast: "If you knew what I knew, you could get 10 million subscribers in six months" "Your videos suck. You think your videos are good, but they suck. They just do. And the sooner you learn how to make good, great videos that people actually want to watch, the sooner you'll get views." MrBeast shares his early reality: "When I was 14, I thought my videos were the best in the world. They weren't, they were terrible. To be successful, you kind of have to have a little bit of that ego where you think your content's great. But also, if you have sub-1,000 subscribers, there's a good probability your videos just suck. They just do." He explains what to do about it: "You need to make hundreds of videos. Improve something every time. And just get to the point where they don't suck. When you make good content, you'll blow up. It's not the algorithm. It's not anything. Most people who are in my position just made terrible videos, and that's okay. Because you've got to make a bunch of videos and improve over time to be great." MrBeast uses an analogy: "You don't just pick up a baseball and become an MLB-level athlete within a year. It takes many, many, many years. YouTube's kind of the same way." On analysis paralysis: "A lot of people get analysis paralysis. They'll sit there and plan their first video for three months. If you have zero videos on your channel, your first video is not gonna get views. Period. Your first 10 are not gonna get views. I can very confidently say that. So stop sitting there and thinking for months and months on end. Just get to work and start uploading." He gives the formula: "All you need to do is make 100 videos and improve something every time. Do that, and then on your 101st video, we'll start talking. Maybe you can get some views. But your first 100 are gonna suck." How to improve something each time: "The second video: put more effort into the script. The third one: learn a new editing trick. The fourth one: figure out a way to have better inflections in your voice. The fifth one: study a new thumbnail tip and implement it. The sixth one: figure out a new title. There's infinite ways. The coloring, the frame rate, the editing, the filming, the production, the jokes, the pacing, every little thing can be improved. There's literally no such thing as a perfect video." On the algorithm: "What YouTube wants is for people to click on a video and watch it. That's what it is at its core. By studying the algorithm, you'll learn that you're more studying human psychology. What do humans want to watch?" MrBeast shares a simple reframe: "Anytime you say the word 'algorithm,' just replace it with 'audience' and it works perfectly. 'The algorithm didn't like that video?' No, the audience didn't like that video. Literally, that's it. If people are clicking and watching, it gets promoted more. The algorithm just reflects what the people want." On titles: "Short, simple, and just so freaking interesting that you have to click. If someone reads it, are they like, do they have to watch it? Is it just so intrinsically interesting that it's gonna haunt them if they don't click?" He adds nuance: "Keep it below 50 characters. Above 50 characters, on certain devices it goes dot, dot, dot, and that's the worst thing because then people don't even know what they're clicking on." MrBeast shares the extremity principle: "The more extreme the opinion, typically the higher the click-through rate. 'Fiji water sucks', that'd do fine. But 'Fiji water is the worst water I've ever drank in my life', way more extreme, would do way better. But then you have to deliver. The more extreme you are, the more extreme you have to be in the video." On the first 5 seconds: "Before you film a video, what is the thumbnail? What is the title? Then what's the first 5 seconds? Then what's the first 30 seconds?" He explains why autoplay changed everything: "On YouTube now, videos automatically play. So many people don't even see the thumbnail because it autoplays so quickly. The thumbnail is irrelevant for them. I have to visually convince you to click on the video in the first 5 seconds. Before, the hook was important because you had to convince people to watch. Now you have to convince people to click and watch at the same time, with the first 5 seconds." On matching expectations: "Your title and thumbnail set expectations. At the very beginning of the video, to minimize drop-off, you want to assure them that those expectations are being met. If you click on a video called 'Tether is a scam' and at the very beginning, he starts talking about literally anything else, you're like, 'Oh, this is BS. This isn't what I clicked on.' But if at the very start you go, 'Tether is a scam and I'm gonna teach you why,' then it's like, okay, you match the expectations. Then you want to exceed them." He emphasizes the importance: "The thing people undervalue the most is literally the first 10 seconds of the video. That 15% difference in viewership between losing 35% of viewers in the first 30 seconds versus losing 20%, that really does make the difference between 2 million views and 10 million views. You just had a more strategic intro that hooked them." On removing dull moments: "You basically want to remove every dull moment. Find the 10 most critical people you know, make them watch the video, and just roast it. If I talk to a camera for 10 seconds without a cut, a lot of people will get bored. Having a B-cam and C-cam three seconds in, cutting to a different angle, now it's more interesting even though it's essentially the same thing." On keeping viewers watching: "Give them why they clicked. Tell them why they should watch. Then just stick on topic. That right there isn't even super complex, but I would already put you in the upper echelon of YouTube. A lot of people drag it out. It's like, 'I'm going to eat $100 ice cream, but first...' and then it's them birthday shopping for their mom. That's not why I came here." On quality over quantity: "It's much easier to get 5 million views on one video than 50,000 views on 100 videos. A lot of small YouTubers just post videos that aren't bad but aren't great, and none of them ever pop off, so they never get an audience. It might be better to upload half or a third or even a fifth of the videos, but make the videos you upload so freaking good that the algorithm has to promote it." He warns against the consistency trap: "When you set a consistent schedule and you're constantly having to upload videos that aren't as good as you'd like because you gotta hit 'Oh, this Monday I said I'd upload', that's a dangerous trap. The viewers notice the quality isn't as good and it makes them less likely to watch. I think it hurts your longevity." On the real metric that matters: "A big thing that everyone underestimates, what was your experience with your last video? If people loved the last video of yours that they watched, they're more likely to watch your next one. When people watch your video, you don't want them to go, 'Okay, that was good, but that's enough of you for the day.' What you want is them to go, 'Holy crap, that was crazy! Oh my god, what's that?' and they watch 10 videos. That's how you get high view counts. People watch 10 videos, not one." On thumbnails: "You want it to be simple. When they're scrolling, you want them to instantly understand what you're conveying and feel some type of emotion. Make it so interesting, or spike their curiosity so much, that if they don't click it, they'll wonder before they go to bed what happened?" He gives an example: "If you uploaded 'I rode a skateboard with 1,000 other people on it', and people are falling off the side, it's about to go off a big ramp if you don't click that, you're gonna be so curious. Later in the day, when you're daydreaming, you'll think, 'What happened to those 1,000 people on that skateboard?' That's the mindset you should have when making thumbnails." On knowledge being the only barrier: "It's all knowledge. It really is. I could start a new channel tomorrow without using my face or my voice, without ever promoting it, and in six months have 20 million subscribers. I just could. It's purely knowledge. If you knew what I knew, you could get 10 million subscribers no matter where you are right now within six months." He addresses the skeptics: "90% of the people watching don't agree with that. Everyone has excuses. 'Nah, YouTube just doesn't work like that, Jimmy.' But I mentor a lot of people. I see it all the time. It is possible. It is simply knowledge. The second you accept that it is knowledge and you start your journey of learning figuring out what makes a good video, what does my audience want, how can I elevate and then you take that knowledge and just assume 'I will never understand what the perfect video is' and every single day be devoted to learning and improving as much as possible there you go." On money not being the barrier: "There are tons of viral ideas that don't require money. It does not require money to go viral. One of my most-viewed videos was spending 24 hours in a desert, we just grabbed a tent and some stuff and went to the desert. It got 60-70 million views. People say, 'I could be MrBeast if I had money.' A, I didn't start off with money; I was poor, I had no money. It took me seven years just to buy a camera saving up from YouTube. And B, some of our most-viewed videos literally anyone can do." On why no one will outwork him: "No one's ever gonna do what I do better than me. It's just not humanly possible. I reinvest every penny I make. I work every hour I'm awake. I devote every atom in my brain to solving this. I hire the best people on the planet. I've been doing this for 14 years. And I think in decades, not years. I'm gonna be doing this for another 20-30 years. If I thought someone was doing better than me, I'd just start sleeping less so I could work even more." But he doesn't recommend it: "I don't have a life. I don't have work-life balance. My personality, my soul, my being is making the best videos possible. That is why I exist on this planet. And I don't recommend it. You should have work-life balance. You should not devote your entire life to this one thing. I have a mental breakdown every other week because I push myself so hard. I don't recommend it." The only question that matters: "Subscribers don't matter. Views don't matter. I mean, they do. But everything you want as a creator comes from making the best videos possible and thumbnails. The video part's the hard part. Ask: 'How can I make my videos better?' Do that every single day for years. And then you'll probably get views."

Jaynit

125,085 Aufrufe • vor 1 Monat

BREAKING: The soldier who captured Maduro just got arrested. Not for what he did in Venezuela. For what he did on his phone the week before. He bet $33,000 on his own classified mission and won $410,000. And the federal government just made history charging him for it. Meet Master Sergeant Gannon Ken Van Dyke. 38 years old. Active duty U.S. Army Special Forces since 2008. Stationed at Fort Bragg. A communications specialist supporting Joint Special Operations Command. The unit that oversees Delta Force and SEAL Team Six. On December 8, 2025, Van Dyke received a "Classified Information Security Briefing." He signed a nondisclosure agreement. He promised to never reveal classified information about U.S. Army Special Operations. Then he was read into Operation Absolute Resolve. The covert mission to capture Venezuelan President Nicolás Maduro. 18 days later, on December 26, he opened a Polymarket account. He used a VPN to make it look like he was logging in from a foreign country. He funded it with about $35,000 from his personal bank account. And he started buying. 13 separate "YES" bets between December 27 and January 2. All on Venezuela. "Maduro out by January 31." "U.S. Forces in Venezuela by January 31." "Will the U.S. invade Venezuela by January 31." "Trump invokes War Powers against Venezuela by January 31." The market gave those outcomes a 17% chance. Long-shot bets that Wall Street wouldn't touch. Van Dyke went all in. Total wagered: $33,034. On January 2, the day before the raid, he placed $26,000 of those bets in a single afternoon. Hours before the operation kicked off. In the predawn hours of January 3, U.S. forces stormed a residence in Caracas. Maduro and his wife were captured. Hours later, Trump posted the announcement on Truth Social. Polymarket resolved the contracts to "YES." Van Dyke's $33,000 became $409,881. A 1,141% return in seven days. The same day Maduro hit American soil, Van Dyke withdrew most of his winnings. He sent the proceeds to a foreign cryptocurrency vault. Then to a brand new brokerage account. Three days later, on January 6, he asked Polymarket to delete his account. He told the platform he had "lost access to the email." He changed the email on his cryptocurrency exchange to one not registered in his name. An email he had created on December 14. Twelve days before the bets. He knew exactly what he was doing. Here's the part that should infuriate every American: A photo was uploaded to his Google account on the day of the raid. The picture, according to the indictment, shows him on the deck of a ship at sea at sunrise. Wearing combat fatigues. Carrying a rifle. Standing alongside three other soldiers. That ship was the USS Iwo Jima. The same vessel where Maduro was held after the operation. He didn't just have classified information. He WAS the operation. For weeks, the trade was an internet mystery. CNN and on-chain analytics firms flagged the suspicious wallet. An anonymous account had turned $33K into $410K on the longest of long shots. Federal prosecutors started watching Polymarket directly. The platform handed over the records, and they pointed to Van Dyke. On April 23, 2026, the Department of Justice unsealed the indictment. Five charges. Unlawful use of confidential government information for personal gain. Theft of nonpublic government information. Commodities fraud. Wire fraud. Engaging in a monetary transaction in property derived from specified unlawful activity. Maximum sentence: 20 years on the wire fraud count alone. 10 years on each of the others. The CFTC filed a parallel civil complaint. They want every dollar back. Plus penalties. Plus a permanent ban from regulated markets. This is the first time in U.S. history a person has been criminally charged for insider trading on a prediction market. The first time.
6:50

BREAKING: The soldier who captured Maduro just got arrested. Not for what he did in Venezuela. For what he did on his phone the week before. He bet $33,000 on his own classified mission and won $410,000. And the federal government just made history charging him for it. Meet Master Sergeant Gannon Ken Van Dyke. 38 years old. Active duty U.S. Army Special Forces since 2008. Stationed at Fort Bragg. A communications specialist supporting Joint Special Operations Command. The unit that oversees Delta Force and SEAL Team Six. On December 8, 2025, Van Dyke received a "Classified Information Security Briefing." He signed a nondisclosure agreement. He promised to never reveal classified information about U.S. Army Special Operations. Then he was read into Operation Absolute Resolve. The covert mission to capture Venezuelan President Nicolás Maduro. 18 days later, on December 26, he opened a Polymarket account. He used a VPN to make it look like he was logging in from a foreign country. He funded it with about $35,000 from his personal bank account. And he started buying. 13 separate "YES" bets between December 27 and January 2. All on Venezuela. "Maduro out by January 31." "U.S. Forces in Venezuela by January 31." "Will the U.S. invade Venezuela by January 31." "Trump invokes War Powers against Venezuela by January 31." The market gave those outcomes a 17% chance. Long-shot bets that Wall Street wouldn't touch. Van Dyke went all in. Total wagered: $33,034. On January 2, the day before the raid, he placed $26,000 of those bets in a single afternoon. Hours before the operation kicked off. In the predawn hours of January 3, U.S. forces stormed a residence in Caracas. Maduro and his wife were captured. Hours later, Trump posted the announcement on Truth Social. Polymarket resolved the contracts to "YES." Van Dyke's $33,000 became $409,881. A 1,141% return in seven days. The same day Maduro hit American soil, Van Dyke withdrew most of his winnings. He sent the proceeds to a foreign cryptocurrency vault. Then to a brand new brokerage account. Three days later, on January 6, he asked Polymarket to delete his account. He told the platform he had "lost access to the email." He changed the email on his cryptocurrency exchange to one not registered in his name. An email he had created on December 14. Twelve days before the bets. He knew exactly what he was doing. Here's the part that should infuriate every American: A photo was uploaded to his Google account on the day of the raid. The picture, according to the indictment, shows him on the deck of a ship at sea at sunrise. Wearing combat fatigues. Carrying a rifle. Standing alongside three other soldiers. That ship was the USS Iwo Jima. The same vessel where Maduro was held after the operation. He didn't just have classified information. He WAS the operation. For weeks, the trade was an internet mystery. CNN and on-chain analytics firms flagged the suspicious wallet. An anonymous account had turned $33K into $410K on the longest of long shots. Federal prosecutors started watching Polymarket directly. The platform handed over the records, and they pointed to Van Dyke. On April 23, 2026, the Department of Justice unsealed the indictment. Five charges. Unlawful use of confidential government information for personal gain. Theft of nonpublic government information. Commodities fraud. Wire fraud. Engaging in a monetary transaction in property derived from specified unlawful activity. Maximum sentence: 20 years on the wire fraud count alone. 10 years on each of the others. The CFTC filed a parallel civil complaint. They want every dollar back. Plus penalties. Plus a permanent ban from regulated markets. This is the first time in U.S. history a person has been criminally charged for insider trading on a prediction market. The first time.

Insider Trackers

49,736 Aufrufe • vor 3 Monaten