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28 CLOTHING POP UP PROTEIN STUDIOS LDN EC2A 3EY EXCLUSIVE SCREEN PRINTED T-SHIRT

55,440 views • 11 months ago •via X (Twitter)

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28 CLOTHING POP UP PROTEIN STUDIOS LDN EC2A 3EY DROP V

28 Clothing

27,621 views • 11 months ago

I said it.I warned it.I named it. And they called me a liar. Mliswa denied it. Kandishaya denied it. Their handlers Tagwirei and other Zvigananda sitting comfortably behind tinted windows in Borrowdale and Chisipite issued their denials with the practised confidence of men who believed the operation was still concealed. It is no longer concealed. Before you before this nation is the photographic evidence that I and others flagged weeks ago. T-shirts. Already printed. Already packaged. Bearing the image of Vice President General Constantino Chiwenga. Carrying the words: "CHIWENGA MUST GO." "Pasi Nagudo." Not a rumour. Not an allegation. Not political gossip. Fabric. Ink. Print. Proof. This is what a funded, organised, manufactured protest operation looks like before it is deployed onto the streets. This is what it looks like when you intercept the logistics before the actors take their positions. The printing company was approached. To Masimirembwa. Mliswa. Kandishaya. And to Tagwirei the man whose money threads through this entire operation like a toxic river: The shirts have been found. The operation has been photographed. The nation is watching. And to those within the security apparatus of this Republic who have a constitutional duty to protect the integrity of the state and its constitutional officers this evidence demands action.Not tomorrow. Now. Vice President General Constantino Chiwenga holds a constitutional office. An organised, funded campaign to remove him through manufactured street pressure dressed up as popular protest is not democracy. It is a coup attempt in civilian clothing. Now let the consequences of that choice follow as consequences always do in their own time and with their own weight.Zimbabwe is not for sale. Retired Lieutenant General Winston Sigauke Mapuranga.

Retired Lt General Winston Sigauke Mapuranga

48,601 views • 3 months ago

john wick seedance text to video prompt: [STYLE / CINEMATIC SETUP] A 10.5-second, 16:9 photorealistic AAA action-game cinematic rendered at real-time speed with no slow motion. The setting is a cramped, cluttered late-night Asian restaurant connected to a rain-soaked street. Cyan-green fluorescent light, red neon and warm practical lamps create a high-contrast mixed-light environment, with reflections across wet floors and pavement. Shoot with a 35mm spherical lens, shallow-to-moderate depth of field and cinematic motion blur appropriate to the actual speed of movement. Use close shoulder-mounted and handheld coverage, connecting seven short close-combat shots with fast hard cuts. The camera instinctively pans, retreats or drops with each block, takedown and collision while keeping the action and contact points readable. No dialogue, no subtitles and no BGM. Generate only synchronized rain, appliance hum, urgent footsteps, fabric movement, body impacts, gunshots, metal contact and breaking glass. [IMAGE REFERENCES] No external still-image reference. Follow the written character and environment descriptions consistently. If the platform supports reference video, use the supplied video only as a reference for editing rhythm, camera distance, action direction and lighting atmosphere, not for copying a specific actor’s identity. The protagonist remains the same lean, agile man in his early forties throughout the sequence: neck-length black hair swept back, a short beard, a tired but focused face, a slightly wrinkled black suit, white shirt and narrow black tie, all carrying faint rain and wear marks. Preserve his face, hairstyle, body proportions, clothing and screen direction across all seven shots. Keep every opponent visually distinct: a man in a blue work uniform, a bald man in a navy jacket, a heavy man in a black jacket, a bald counter attacker, a red-headband attacker, a red-jacketed armed attacker and a heavy man in a dark green coat outside. [TIMELINE SECOND BY SECOND] 0–1.9s: [Shoulder-height medium close-up, tight lateral handheld tracking, real-time speed] The protagonist stands on screen left, pinning the blue-uniformed attacker against a glass refrigerator with his left forearm and palm. He delivers two compact, weighted elbow and palm-heel strikes. Each impact drives the attacker’s head into the refrigerator door, loosening his white headband and leaving a small blood trace on the glass; the attacker finishes sliding down the door while the protagonist remains standing. 1.9–4.3s: [Medium shot transitioning into a high-angle overhead, shoulder-mounted drop, real-time speed] Hard cut near the restaurant’s rear entrance. The bald attacker in a navy jacket locks the protagonist from behind. The protagonist lowers his center of gravity, traps the attacker’s arm and rotates his hips, throwing him heavily over the shoulder onto the wet floor. The camera drops with them into an overhead view. Kneeling across the attacker’s torso, the protagonist draws a compact black pistol and fires one downward shot; recoil travels through his wrist and the attacker jolts once before becoming still. 4.3–5.9s: [Tight medium shot, lateral handheld follow, real-time speed] Hard cut with both men already upright. A heavy attacker in a black jacket swings from screen right. The protagonist slips outside the punch, allowing it to pass close to his face, circles behind the attacker and locks his shoulder and neck off balance. He presses the pistol close to the side of the attacker’s head and fires. The muzzle flash briefly illuminates both faces; the attacker’s head and shoulders snap backward and his body begins to collapse. 5.9–7.9s: [Counter-height medium close-up, subtle handheld push-in, real-time speed] Hard cut to the restaurant counter. Another bald attacker bends forward and clamps around the protagonist’s waist. The protagonist pins the attacker’s head and neck under his left arm while grabbing a short, rigid pointed utensil from the counter. He drives two compact downward thrusts into the upper shoulder and side of the neck. Each contact bends the attacker’s knees further; a restrained amount of blood marks the shirt and counter edge before the attacker hangs helplessly beneath the protagonist’s controlling arm. 7.9–9.0s: [Two-person medium close-up, fast pan with a short retreat, real-time speed] Hard cut as the red-headband attacker rushes into close range. He throws a wide hook from screen right. The protagonist raises his forearm to block, catches the wrist and pulls it outward, then drives a palm heel and forearm into the attacker’s face. The camera retreats with the impact as the attacker loses his balance and staggers toward the rear right of the frame. 9.0–9.9s: [Low-angle wide shot, slight arc around the action, real-time speed] Hard cut to a wider section of the restaurant. The red-jacketed armed attacker advances from screen left. Holding a long black firearm with both hands, the protagonist uses it as a blunt weapon and swings horizontally from right to left. The weapon strikes the attacker’s upper chest and shoulder, rotating his torso, crossing his feet and sending him off balance toward screen left. 9.9–10.5s: [Exterior rainy-street medium shot, fast parallel tracking, real-time speed] Hard cut outside the restaurant. The protagonist already controls a heavy attacker in a dark green coat and uses his forward momentum to drive the man’s head and upper body into the side window of a parked black station wagon. The glass bursts inward at the contact point, scattering both large and fine fragments. The attacker folds through the broken window while the protagonist regains stable footing beside the car, ending with glass fragments still falling. [STYLE & QUALITY BOOSTERS] Maintain the protagonist’s face, black suit, white shirt, tie, hairstyle and body proportions through every hard cut. The pistol, pointed utensil, injuries and blood marks must appear only in their designated shots and must never morph or change ownership. Throws, recoil, strike reactions, loss of balance and window breakage must show believable weight, inertia and precise contact. Apply motion blur only to rapidly moving arms, weapons, glass fragments and camera-relative backgrounds. No sudden face or costume changes; no extra fingers, fused limbs or inverted joints; no morphing weapons, utensils or vehicles; no foot sliding or rubber-like collision reactions; no blood, bullet damage or glass fragments appearing before physical contact.

underwood

12,588 views • 9 days ago

A Jane Street quant sat down across from me at Dandelion I was grinding through a loss streak. Three red windows in a row. BTC 5-min bot on screen. She clocked it from the next table. "Is that Polymarket? Why is your oracle pinned" I told her. Chainlink. Resolves every 5 minutes. Binance and Coinbase are the real price. She moved her matcha over without asking. "You're trading oracle lag. We did this on ETH perps in 2022. Regulators shut us down in six weeks" Not perps. Binary markets. Nobody regulates a 5-minute window. 86 million Polymarket trades. Every fill. Every book snapshot. Every resolution. "You wrote a scorer on top of this" I didn't. Claude did. One prompt. 21 days of tick data. I asked what setup has the highest follow-through. Binance and Coinbase both cross the target by $50. Same direction. Chainlink hasn't printed yet. 94% of the time the oracle catches up inside 2 minutes. "So you're front-running a feed that can't front-run you back" Yeah. She pulled out a notebook. Actual paper. Wrote something. Circled it twice. "At the desk we called this a stale quote trade. Died the minute oracles went sub-second" I told her Chainlink on Polymarket still runs on a 5-minute update. That's the whole game. A green fill landed. +$52. "What's the second layer" Order book imbalance. First 10 levels. First 90 seconds. Above 1.8 buyers are loading. Below 0.55 sellers are breaking it. Retail doesn't show up until t+240. Three files. Entry scorer. Exit trigger. Settlement router. Claude rebuilds the scorer every Sunday from the week's logs. "You're letting it rewrite its own strategy" Exactly. "That's the part my old risk team would have lost sleep over" The exit is what keeps it alive. 0.75 shares. Never resolution. Polygon settles in 1 to 3 seconds and half the fills miss in the last minute. Early exit locks 70% of max. Redeploy next window. "55 out of 400 a day" How did you know. "Kelly fraction on a 71% hit rate with that payoff geometry. You'd be insane to trade more" She wasn't wrong. My setup: Claude API - $20/mo Hetzner VPS - $5/mo poly_data - free polymarket-trade-engine - free Polymarket/agents - free 30 days. 1,847 trades. 71% win rate. +$14,200. Copytrade here: Sharpe 2.84. Max DD -$640. Avg hold 3:12. She closed her notebook. "I make more than this in a bad afternoon at the desk. But the desk doesn't let me copy-paste a scorer from Claude on a Sunday" I told her that's the whole point. She stared at the screen for a minute. "Can I follow this wallet" Already live. The article was up the next morning. Her partner DMed me by lunch. Three lines. "Saw your post. My entire prop group is reading it. We'd like to talk" I told him the post is the talk. Everything's in it. Nothing left to gatekeep.

Lunar

20,307 views • 3 months ago

Teenage girls went to a basketball game in my backyard(Seattle) wearing t-shirts. According to journalist Brandi Kruse, who was there, they were cussed at, berated and deliberately tripped by adults. By fans. Reportedly with a team owner in the vicinity. For wearing a shirt. And here is the part that should stop everyone cold. The shirt said XX and XY. That is the female karyotype and the male karyotype. It is what is printed in every biology textbook in every classroom in this country. Rare chromosomal disorders exist and produce no third sex, because there is no third gamete. There never has been. They were tripped over a fact you learn in ninth grade. The Storm have said nothing. The WNBA has said nothing. A league that markets itself relentlessly on love, inclusion and belonging watched grown adults go after teenage girls in its own building, and could not locate a statement. Imagine the press release if those girls had worn anything else. They were there to support Sophie Cunningham, who said she believes girls should not have to compete against males, and that she offers truth alongside love, not hate. They held signs saying thank you for speaking up for girls. That is what earned them a foot in the aisle. I live here, and I am done pretending I do not recognize the pattern, because it is the same attitude that is killing this city. City leadership that treats the businesses employing our neighbors as the enemy. Open drug use on sidewalks where children walk to school. A homelessness crisis everyone can see and nobody in power will honestly name. Every one of those is a problem you fix by looking straight at reality, and this is a city that has made not looking into a civic religion. Compassion is the branding. Conformity is the product. Agree and you are family. Step half an inch outside the consensus and the warmth evaporates fast enough to give you whiplash. Seattle used to be the most beautiful place I had ever lived. It is being run into the ground by a fringe that mistakes volume for virtue, and the ordinary people who live here are paying for it. But there is no version of this where adults tripping teenage girls is the righteous side of anything. If your movement requires shoving fourteen year olds over a chromosome chart, you have lost the argument and you are simply angry about it. And a housekeeping note for the franchise. You are 6 and 23. Dead last. The worst record in professional women's basketball. Maybe spend less energy policing what teenagers wear to the arena and more on the part where you cannot win a game. Say something, Seattle. Those were somebody's kids. 🦋

Selene Mariposa

355,552 views • 20 days ago

Here we go GPT Image 2 and Seedance 2.0 is now live on insMind #insmind #insmindai Generated this GRWM video using the Prompt : Aesthetic “Get Ready With Me – Gym Edition” storyboard layout, minimal neutral-toned design, soft beige and cream color palette, clean editorial grid. Top header text: “GET READY WITH ME” subtitle: “gym edition” in elegant script font subheading: “step-by-step activewear routine” The layout is divided into 4 blocks, each showing a sequence (1–8 steps per row), featuring the same young woman throughout with consistent face, natural makeup, athletic toned body, hair tied in a messy bun or sleek ponytail. BLOCK 1 – BASE (1–8) 1–2: putting on a fitted sports bra 3–4: wearing high-waisted gym leggings 5–6: adjusting waistband / smoothing fit 7–8: mirror check, relaxed confident pose BLOCK 2 – LAYERS (9–16) 1–2: putting on oversized gym t-shirt or cropped top 3–4: adding lightweight zip-up hoodie or jacket 5–6: tying hair tighter / adjusting outfit 7–8: slight movement pose (stretching arms or twisting body) BLOCK 3 – DETAILS (17–24) 1–2: wearing smartwatch / fitness band 3–4: adding minimal jewelry (thin chain, studs) 5–6: putting on gym gloves or lifting straps 7–8: wearing sunglasses or tying hair final look BLOCK 4 – FINISH (25–32) 1–2: putting on training shoes (clean white sneakers) 3–4: grabbing gym bag / water bottle 5–6: holding headphones / protein shaker 7–8: full-body mirror shot, confident final look Side icons representing categories: base, layers, accessories, shoes, final look. Soft natural lighting, indoor minimal room or modern apartment, neutral background, clean shadows, editorial fashion photography style, consistent framing across all panels. Footer text: “You’re ready. Go own your workout.” Video prompt : Use provided storyboard image as reference CONCEPT: Get Ready With Me — Gym Edition TIMELINE: 0 : 00–0:04 Sports bra on High-waisted leggings wear Waistband adjustment Mirror check 0 : 04–0:08 Oversized tee / cropped top Lightweight hoodie or jacket Hair tie (ponytail/bun) Light stretch / body turn 0: 08–0:12 Smartwatch / fitness band Minimal jewelry Gym gloves / lifting straps Sunglasses on 0: 12–0:15 Training shoes Grab gym bag + water bottle Headphones / shaker Walk-out + final confident look STYLE: Minimal, neutral tones, soft beige/grey palette, natural indoor lighting, clean modern interior, athletic aesthetic CAMERA: Close-up + mid shots, soft focus, shallow depth of field, steady framing, subtle handheld realism TRANSITIONS: Match cuts, outfit snap transitions, fabric motion cuts, quick clean jump cuts synced to movement OUTPUT: Loopable, smooth pacing, satisfying flow, social media ready (vertical 9 : 16

Smiling Khan

31,594 views • 3 months ago