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28 years ago, Mobb Deep releases their 3rd LP, Hell On Earth, on Loud/RCA. this record was recorded during the height of the East Coast-West Coast shit, so it’s mega hard and dark. P went at Pac crazy on “Drop a Gem on 'Em”, but Pac passed right after...

37,371 görüntüleme • 1 yıl önce •via X (Twitter)

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Simon Lewis profil fotoğrafı
Simon Lewis1 yıl önce

P was absolute god-tier rhyming on here..'horror tales in braille for vision impaired'..man..smh..album was so good

Pack Pistol Pazzy (سيف الله) profil fotoğrafı
Pack Pistol Pazzy (سيف الله)1 yıl önce

🎯🎯🎯

Purpose of Tragic Allies profil fotoğrafı
Purpose of Tragic Allies1 yıl önce

I’m not sure if there are better back to back albums than Infamous & Hell on Earrh. They were probably better lyrically on this but Infamous was more influential for my generation who was in the streets living out those lyrics.

Pack Pistol Pazzy (سيف الله) profil fotoğrafı
Pack Pistol Pazzy (سيف الله)1 yıl önce

we took for granted how crazy it was that they went back to back in 95-96 with those records

Sparks profil fotoğrafı
Sparks1 yıl önce

Foxy dropped ILL Na Na same day. Havoc had a banger on there too (The Promise). Two weeks later, Big Noyd’s “Episodes of a Hustla” dropped. IMO, The beats on Noyd’s EP were just as good as HOE. Either way, Havoc was spazzing in ‘96 🔥

@c-a-huggins.bsky.social profil fotoğrafı
@c-a-huggins.bsky.social1 yıl önce

I’ve always loved this one better. But that’s like debating Low End Theory vs MM. You can’t lose.

Pack Pistol Pazzy (سيف الله) profil fotoğrafı
Pack Pistol Pazzy (سيف الله)1 yıl önce

🎯🎯🎯

Ryan Doyle profil fotoğrafı
Ryan Doyle1 yıl önce

Heavy Metal Kings hold big shit!

Michael Collazo profil fotoğrafı
Michael Collazo1 yıl önce

My brother, I call groups like Mobb Deep "New York Projects Hip Hop." I think you needed to see dudes in bubble jackets and ride a project elevator to understand where it was coming from.

Pack Pistol Pazzy (سيف الله) profil fotoğrafı
Pack Pistol Pazzy (سيف الله)1 yıl önce

🎯🎯🎯

Benzer Videolar

This is not entirely true‼️ I gat you‼️ Napoleon (Mutah Beale) of the Outlawz, who was around Pac on Death Row has told this story on *The Art of Dialogue*. Method Man was in the circle (he recorded on what became Pac’s “Got My Mind Made Up”), but his stories are about the session and a brief first meeting with Pac — not Snoop being jealous‼️. Napoleon’s version⁉️ Napoleon says Snoop was Death Row’s biggest star when Pac arrived in 1995‼️. Pac immediately took the shine: *All Eyez on Me*, the energy, the interviews, the myth‼️. Twenty-five-plus years later, almost every Snoop interview still brings Pac up‼️. Napoleon’s read is that Snoop is now saying things he never said to Pac’s face, and that some of the “praise” is actually him trying to claw the spotlight back‼️. He also called Snoop out for publicly saying he didn’t like “Hit ’Em Up” and for the late-period interviews where Snoop describes the friendship going cold two days before Pac died‼️. What actually happened between them (the part everyone agrees on) Snoop has told this himself: a week before Pac died they were still tight‼️. Then Snoop got shot at while shooting the “New York, New York” video‼️. He went on radio and said he still liked Puffy and Biggie and wanted to work with them‼️. Pac heard it as disloyalty after Pac had been riding for the whole Death Row roster‼️. Snoop has said he doesn’t think Pac liked him those last two days‼️. Suge Knight has added a more dramatic version: Pac came to his hotel room furious after hearing the interview, wanted to fight Snoop, and later Snoop refused to ride in the same car as Pac because he thought Pac was “crazy.”‼️ Method Man’s stories⁉️ - The song that became “Got My Mind Made Up” was originally a Dogg Pound record (Daz, Kurupt, Rage, Meth, Redman, Inspectah Deck)‼️. When Pac came home, Death Row handed him the track‼️. Meth and Redman’s verses stayed; others got cut‼️. Meth has said he didn’t even remember the session until he heard it on New York radio‼️. - He met Pac once, briefly, in a club while on mushrooms‼️. Pac was complimentary toward Wu-Tang (“if we fuck with anybody on the East it would be y’all”)‼️. Suge stood there silent with a cigar. Meth and his people sat in the Pink Dot alley afterward talking about how weird the whole night felt‼️. Daz has pushed back on the jealousy narrative entirely: “How can we be jealous of 2Pac and we made 2Pac⁉️ We put that album together.”‼️ So the “Snoop was jealous / Pac took his shine” story that people repeat is Napoleon’s, not Method Man’s‼️. The concrete falling-out is the New York shooting + Snoop’s radio comments about Bad Boy‼️. Everything else is interpretation from people who were in the room and have their own grudges‼️.

(st_ides)

11,009 görüntüleme • 1 ay önce

👀 J. Cole’s “The Inevitable” Outro Has Me Reading Between the Lines In the outro of J. Cole’s new song “The Inevitable,” the beat switches to a sample of Mobb Deep’s “Drop a Gem On ’Em.” J Cole starts flowing over it. For context, “Drop a Gem On ’Em” was a diss track aimed at 2Pac, which immediately raised my eyebrows cause I knew it was a sample but couldn’t think which song it was from through research I found out the instrumental. 🎧 Why This Sample Feels Intentional • Mobb Deep’s track is tied to one of hip hop’s most iconic beefs • J. Cole rarely uses samples without purpose • The beat change happens specifically in the outro, where messaging often matters most 🤔 Possible Interpretations 1️⃣ A Subtle Message to Kendrick Lamar I’m wondering if this is aimed at Kendrick Lamar, who has been acting like he is 2Pac Reincarnated. If so, using a beat tied to a 2Pac diss could be symbolic rather than direct. 2️⃣ Context From “Euphoria” Kendrick previously sent shots at both Drake and Cole on “Euphoria,” rapping: “It’s three GOATs left, and I seen two of them kissin and huggin on stage I love ’em to death, and in eight bars, I’ll explain that phrase Cole and Aubrey know I’m a selfish nigga, the crown is heavy I pray they my real friends, if not I’m YNW Melly…” That line alone put Cole’s name in the conversation.. it definitely show being sent his way insinuating if you think you ready to to put the friendship aside and battle he’s ready to take you out. With that being said could this be J Cole responding? 3️⃣ Or Is J Cole Just Paying Homage On the flip side • J. Cole is a known student of hip hop history • Mobb Deep are legends • The sample could simply be respect and homage not smoke or is it? 🤔 🎤 The Question Was this intentional symbolism a quiet response or pure homage to Mobb Deep 🤔 Knowing Cole’s work, nothing feels accidental.

Cousin Tino ™️

226,914 görüntüleme • 8 ay önce

Akon says he risked his label on Lady Gaga by giving her “Just Dance” instead of the Pussycat Dolls “Lady Gaga was already at Interscope when I got there. She was an artist there. But at the time, I don’t know what Interscope was going to do with her because she was there for a minute. She walks in with these all gold leotards and stuff, looking like she’s from the ’80s. And I was like, ‘Damn.’ She was already different. Then after speaking with her and talking to her, I’m like this bitch is mad talented. So we write the record. She goes in to demo the song out. I’m looking like, ‘Yo, this bitch is a star’” “She comes out. I was like, ‘What’s the situation.’ She’s like, ‘Well, I’m at Interscope. I’m not quite sure.’ I said, ‘Okay, give me a second.’ So I called Jimmy. I said, ‘What’s up with this Lady Gaga chick?’ He’s like, ‘Why?’ I said, ‘I think I want to sign her.’ He said, ‘Take her.’ I said, ‘I could have her?’ He said, ‘Yeah, she’s all yours.’ Then, mind you, we’ve got a smash-hit record. I said, ‘Yo, Jimmy, we’ve got the record.’ I’m going back in. He’s thinking we’re playing the record for the Pussycat Dolls, but at that point, when he told me I could have Gaga, I’m like we working on her album” “We go in there, and we’re playing this record, ‘Just Dance.’ He’s going crazy. He’s like, ‘Oh my God, this is it. We got the fucking one. We got it.’ The whole time, he’s thinking this record is the perfect record for the Pussycat Dolls. The music stops. He said, ‘Thank you man. The Pussycat Dolls are going to love this record.’ I said, ‘Jimmy, this record is for Gaga.’ He said, ‘What?’ I said, ‘Yes, it’s for Gaga.’ He said, ‘Okay, make me understand this.’ I said, ‘Jimmy, listen. The Pussycat Dolls are already a global smash art. They’re a piece of art. All they need is one record. I’ll make a million of them. I’ll make another one for them” “He said, ‘It’s not good enough.’ I said, ‘Listen to this record again one more time.’ We played the record. I said, ‘This record will make you another Pussycat Doll, or possibly even bigger. This is a record that breaks a new artist, not keeps a new artist popping.’ He thought about it. He said, ‘Would you put your label on that?’ I said, ‘Yeah. If this record doesn’t work, you can drop me.’ And you let me go with it. That was probably the best decision we collectively made together”

dank

382,674 görüntüleme • 1 ay önce