Video yükleniyor...

Video Yüklenemedi

Ana Sayfaya Dön

34 years after its initial release, a 13-year old streamer just became the FIRST person to EVER “beat” Tetris. Willis “Blue Scuti” Gibson accomplished the feat last week while recording from his home. While there technically isn’t a way to “beat” the game, Willis advanced to what gamers call...

gurucollects's profile picture

The Collectibles Guru

160,039 subscribers

98,485 görüntüleme • 2 yıl önce •via X (Twitter)

LIVE

Anya Rossi• Live Now

Private livecam show

0 Yorum

Yorum bulunmuyor

Orijinal gönderinin yorumları burada görünecek

Benzer Videolar

Watch the moment that Willis Gibson, a 13-year-old competitive Tetris player prodigy from Oklahoma, advanced so far in the original Nintendo version of the game that it froze and his score read “999999.” “I can’t feel my fingers,” he said afterward.
0:26

Watch the moment that Willis Gibson, a 13-year-old competitive Tetris player prodigy from Oklahoma, advanced so far in the original Nintendo version of the game that it froze and his score read “999999.” “I can’t feel my fingers,” he said afterward.

The New York Times

138,206 görüntüleme • 2 yıl önce

In the last playable level of Tetris (level 255), the colors glitch to pure red, a crash of the game is easily triggered and if you clear the level, the game restarts to what is called the "rebirth screen" 🐦‍🔥 $GME $BBBY 🟥🟦🟪⛓️
0:51

In the last playable level of Tetris (level 255), the colors glitch to pure red, a crash of the game is easily triggered and if you clear the level, the game restarts to what is called the "rebirth screen" 🐦‍🔥 $GME $BBBY 🟥🟦🟪⛓️

BoBBY🧸

45,159 görüntüleme • 10 ay önce

finished a (mostly) faithful replica of Tetris The Grand Master (1998) This is the first tetris game that is fully 3D, has automatic wallkicks, a drop preview, and the ability to let you rotate the piece before it spawns in.
1:14

finished a (mostly) faithful replica of Tetris The Grand Master (1998) This is the first tetris game that is fully 3D, has automatic wallkicks, a drop preview, and the ability to let you rotate the piece before it spawns in.

Acerola

20,664 görüntüleme • 5 ay önce

This without question The scenery, the gorgeous music, the background slowly changing...this title screen is the real final boss after you finish the game & listen to it while in a void after experiencing a peak masterpiece Don't know if I'll ever find another game that tops it
3:36

This without question The scenery, the gorgeous music, the background slowly changing...this title screen is the real final boss after you finish the game & listen to it while in a void after experiencing a peak masterpiece Don't know if I'll ever find another game that tops it

Aero

103,028 görüntüleme • 1 yıl önce

PAC-01 for the MSX (by ARC8, 2021). Smooth vertical scrolling take on Pac-Man (on default MSX1 and 32KB ROM), featuring a moving glitch wave representing a kill screen, while the goal is to catch all ghosts. A great game that won the 3rd place at the MSXdev21 game development competition.
0:59

PAC-01 for the MSX (by ARC8, 2021). Smooth vertical scrolling take on Pac-Man (on default MSX1 and 32KB ROM), featuring a moving glitch wave representing a kill screen, while the goal is to catch all ghosts. A great game that won the 3rd place at the MSXdev21 game development competition.

Dante retro dev 💾

39,185 görüntüleme • 1 ay önce

“You’re watching a guy that is going to be at the helm of this league for a while” 🙌 @GeorgesNiang reacts to Victor Wembanyama earning The Association’s Player of the Game after his dominant Game 4 performance in the Western Conference Finals.
1:19

“You’re watching a guy that is going to be at the helm of this league for a while” 🙌 @GeorgesNiang reacts to Victor Wembanyama earning The Association’s Player of the Game after his dominant Game 4 performance in the Western Conference Finals.

NBA TV

23,840 görüntüleme • 4 ay önce

ICE just arrested a 5-year-old on his way to a soccer game in Austin. His name is Liam, just like the little boy from Minnesota. He should be in kindergarten this week. Instead he's in a trailer prison in the desert. Release Liam. Release these kids. Close the Dilley children’s prison.
0:58

ICE just arrested a 5-year-old on his way to a soccer game in Austin. His name is Liam, just like the little boy from Minnesota. He should be in kindergarten this week. Instead he's in a trailer prison in the desert. Release Liam. Release these kids. Close the Dilley children’s prison.

Congressman Greg Casar

276,852 görüntüleme • 1 ay önce

NEW TITLE ANNOUNCEMENT: DAMON and BABY An action game, not a fighting game, made by the developers at Arc System Works! This new project is the first step towards that future! DAMON and BABY This is the tale of the Demon King who was cursed to never be able to part from a human child. The journey to release the curse begins! More information to come! #DAMONandBABY
0:27

NEW TITLE ANNOUNCEMENT: DAMON and BABY An action game, not a fighting game, made by the developers at Arc System Works! This new project is the first step towards that future! DAMON and BABY This is the tale of the Demon King who was cursed to never be able to part from a human child. The journey to release the curse begins! More information to come! #DAMONandBABY

Arc System Works America

787,537 görüntüleme • 1 yıl önce

At the end of the day, as I discussed with Jordan Peterson, there are just two games to be played, one real, one Woke. The real game is called civilization. The false game is called power. A long post/🧵: The real divide between Woke and not Woke is in power. The Woke game is the power game, and it is a parasite on the real game, which is civilization. Here's roughly how Jordan described the foundation of this idea. There are various rules, norms, etc., in the game society ultimately plays, and these create a hierarchy that is based upon competence, mostly organically, obviously imperfectly. If the rules of the game are good enough, the imperfections (natural corruptions) are minor and society thrives. If they are not, you'll have problems. This is the real game of building society, and it ultimately has to favor competence. This game must be called "civilization" because that's not just its goal but it is also what it does. It civilizes us beyond our base instincts and impulses so we can work together productively in a healthy manner that generates prosperity. As Jordan put it, this game is also a reservoir of value, and reservoirs of value create parasites. What are these civilizational parasites? They’re parallel games organized by and around malignant psychopathological modes like Dark Tetrad traits, psychopathy, and Cluster-B disorders: histrionic, borderline, antisocial, and narcissistic. These malignant pathologies render people incompetent except at manipulation, so they cannot rise far in a healthy civilizational hierarchy. What do they do, then, to gain power and status in life in a game they cannot actually play? They define a parasitic parallel game and rope people into playing it. It is parasitic in that it draws off the real game (civilization) and mimics its form so that the hosts (people in society) are less likely to realize it’s there, but it doesn’t build or create of its own. It siphons and tears down. What drives this game is failing to see what makes the civilizational game and the hierarchy it produces legitimate in the first place. This is characteristic of the psychopathologies at its heart. The narcissist imagines the world should be serving himself at the top, but it isn’t. The problem can’t be himself, so it must be that the game is illegitimate. Otherwise, he’d be at the top, but he isn’t. Therefore, the game is corrupt. His histrionic nature makes him a victim of the real game, preying upon emotions like empathy and righteous indignation to recruit followers. Because of his Dark Tetrad alignment, his game is not only illegitimate but toxic. It’s inherently sadistic, cruel to its recruits in the way typical of all cults—alternating punishment and leniency or even love-bombing. It’s dishonest. It’s psychologically broken from reality. It’s also a Machiavellian game, which means it has no interest in moral or ethical behavior but only in power. Thus, this rival game to the game of civilization is the game of power. The parasitic game—that is, the power game—is based on a fundamental failure to understand the legitimacy of the civilizational game or the approximately legitimate hierarchy it produces. This is a result of its narcissism, mostly. The game cannot be legitimate because the psychopath isn’t on top of it, where he sees himself constantly as a projection from his frail ego. It sees power in the real hierarchy, though, which it can perceive and understand, and for which it blames most of its troubles. What this means is that the (Woke) power game develops a critical theory of the existing legitimate civilization game. That’s why Woke means “using critical theory (and activism).” A critical theory exists not to articulate a vision—at least not beyond a Utopia after the cult power game holds power to enforce its power game long enough—but to “criticize those aspects of the existing society we wish to change,” as Max Horkheimer, creator of the Critical Theory, put it. The critical theory of the power game exists to recruit by delegitimizing the civilization game in the minds of some of its players, usually ones who aren’t succeeding as well. It picks at “contradictions,” failures, and imperfections while casting the whole civilization game as corrupt and unjust. It offers itself as the only alternative to civilization game while pulling at the threads of the civilization game that allow people to believe in it. It all proceeds from the Woke failure to understand the legitimacy of the hierarchy of the civilization game as it proceeds from its set of rules. Misunderstanding legitimacy leads it to conclude that all hierarchies are actually based in power, and all power is fundamentally arbitrary. That is, they do not believe all power is illegitimate. They believe power is the only legitimate thing in any hierarchy, but they also believe that power is located in persons like themselves through their narcissism and projection. Think of Voldemort as an icon of this mode of thinking: “there is no good or evil, only power and those too weak to seek it.” Of course, that quintessential Dark Tetrad perspective is what ensures the psychopathological power game will be rigged to make sure the psychopaths are attracted to it and rise to its top. This belief is what we call Woke. The Woke game is the power game, and it is a parasitic competitor to the civilization game. There is no overlap between these two games. To adopt the power game is to abandon the civilization game entirely and, in fact, to become its enemy. But James, you might ask, isn’t there power in civilization? Yes, there is, and necessarily, but it isn’t what defines the civilization game. It’s a byproduct of the game, not the game itself. The civilization game is fundamentally the building out of an organic and dynamic hierarchy based on a set of rules, or what some people call “muh principles,” that will succeed or fail for that civilization in direct proportion to three things. 1) How aligned with the truth are the rules of the civilization game? 2) How aligned with justice are the rules of the civilization game? 3) How willing are the participants of the civilization game to defend their principles and their game, including against socio-parasitical perversion? The more aligned with truth and justice a civilization game is, the more successful it will be, and the more legitimate its hierarchy. The power that results as a byproduct is extremely legitimate in a highly aligned civilization where people haven’t forgotten their charge to defend the game itself, which is what we call responsibility. A civilization game strongly aligned with truth and justice filled with a preponderance of responsible people will produce a thriving, prosperous society. It only works this way every time. Not everyone is responsible, though. Some are also incompetent because of various pathologies (not talking about for other reasons). Those pathological players may, under certain circumstances, create a parasitic side game with themselves on top through a variety of strategies that mimic the values and principles of the real game while distorting them into power plays because their game is power, as discussed above. They will recruit into that game primarily from those who are resentful of the real game for any variety of reasons, and getting recruited into the power game from the civilization game is called “going Woke.”
2:38

At the end of the day, as I discussed with Jordan Peterson, there are just two games to be played, one real, one Woke. The real game is called civilization. The false game is called power. A long post/🧵: The real divide between Woke and not Woke is in power. The Woke game is the power game, and it is a parasite on the real game, which is civilization. Here's roughly how Jordan described the foundation of this idea. There are various rules, norms, etc., in the game society ultimately plays, and these create a hierarchy that is based upon competence, mostly organically, obviously imperfectly. If the rules of the game are good enough, the imperfections (natural corruptions) are minor and society thrives. If they are not, you'll have problems. This is the real game of building society, and it ultimately has to favor competence. This game must be called "civilization" because that's not just its goal but it is also what it does. It civilizes us beyond our base instincts and impulses so we can work together productively in a healthy manner that generates prosperity. As Jordan put it, this game is also a reservoir of value, and reservoirs of value create parasites. What are these civilizational parasites? They’re parallel games organized by and around malignant psychopathological modes like Dark Tetrad traits, psychopathy, and Cluster-B disorders: histrionic, borderline, antisocial, and narcissistic. These malignant pathologies render people incompetent except at manipulation, so they cannot rise far in a healthy civilizational hierarchy. What do they do, then, to gain power and status in life in a game they cannot actually play? They define a parasitic parallel game and rope people into playing it. It is parasitic in that it draws off the real game (civilization) and mimics its form so that the hosts (people in society) are less likely to realize it’s there, but it doesn’t build or create of its own. It siphons and tears down. What drives this game is failing to see what makes the civilizational game and the hierarchy it produces legitimate in the first place. This is characteristic of the psychopathologies at its heart. The narcissist imagines the world should be serving himself at the top, but it isn’t. The problem can’t be himself, so it must be that the game is illegitimate. Otherwise, he’d be at the top, but he isn’t. Therefore, the game is corrupt. His histrionic nature makes him a victim of the real game, preying upon emotions like empathy and righteous indignation to recruit followers. Because of his Dark Tetrad alignment, his game is not only illegitimate but toxic. It’s inherently sadistic, cruel to its recruits in the way typical of all cults—alternating punishment and leniency or even love-bombing. It’s dishonest. It’s psychologically broken from reality. It’s also a Machiavellian game, which means it has no interest in moral or ethical behavior but only in power. Thus, this rival game to the game of civilization is the game of power. The parasitic game—that is, the power game—is based on a fundamental failure to understand the legitimacy of the civilizational game or the approximately legitimate hierarchy it produces. This is a result of its narcissism, mostly. The game cannot be legitimate because the psychopath isn’t on top of it, where he sees himself constantly as a projection from his frail ego. It sees power in the real hierarchy, though, which it can perceive and understand, and for which it blames most of its troubles. What this means is that the (Woke) power game develops a critical theory of the existing legitimate civilization game. That’s why Woke means “using critical theory (and activism).” A critical theory exists not to articulate a vision—at least not beyond a Utopia after the cult power game holds power to enforce its power game long enough—but to “criticize those aspects of the existing society we wish to change,” as Max Horkheimer, creator of the Critical Theory, put it. The critical theory of the power game exists to recruit by delegitimizing the civilization game in the minds of some of its players, usually ones who aren’t succeeding as well. It picks at “contradictions,” failures, and imperfections while casting the whole civilization game as corrupt and unjust. It offers itself as the only alternative to civilization game while pulling at the threads of the civilization game that allow people to believe in it. It all proceeds from the Woke failure to understand the legitimacy of the hierarchy of the civilization game as it proceeds from its set of rules. Misunderstanding legitimacy leads it to conclude that all hierarchies are actually based in power, and all power is fundamentally arbitrary. That is, they do not believe all power is illegitimate. They believe power is the only legitimate thing in any hierarchy, but they also believe that power is located in persons like themselves through their narcissism and projection. Think of Voldemort as an icon of this mode of thinking: “there is no good or evil, only power and those too weak to seek it.” Of course, that quintessential Dark Tetrad perspective is what ensures the psychopathological power game will be rigged to make sure the psychopaths are attracted to it and rise to its top. This belief is what we call Woke. The Woke game is the power game, and it is a parasitic competitor to the civilization game. There is no overlap between these two games. To adopt the power game is to abandon the civilization game entirely and, in fact, to become its enemy. But James, you might ask, isn’t there power in civilization? Yes, there is, and necessarily, but it isn’t what defines the civilization game. It’s a byproduct of the game, not the game itself. The civilization game is fundamentally the building out of an organic and dynamic hierarchy based on a set of rules, or what some people call “muh principles,” that will succeed or fail for that civilization in direct proportion to three things. 1) How aligned with the truth are the rules of the civilization game? 2) How aligned with justice are the rules of the civilization game? 3) How willing are the participants of the civilization game to defend their principles and their game, including against socio-parasitical perversion? The more aligned with truth and justice a civilization game is, the more successful it will be, and the more legitimate its hierarchy. The power that results as a byproduct is extremely legitimate in a highly aligned civilization where people haven’t forgotten their charge to defend the game itself, which is what we call responsibility. A civilization game strongly aligned with truth and justice filled with a preponderance of responsible people will produce a thriving, prosperous society. It only works this way every time. Not everyone is responsible, though. Some are also incompetent because of various pathologies (not talking about for other reasons). Those pathological players may, under certain circumstances, create a parasitic side game with themselves on top through a variety of strategies that mimic the values and principles of the real game while distorting them into power plays because their game is power, as discussed above. They will recruit into that game primarily from those who are resentful of the real game for any variety of reasons, and getting recruited into the power game from the civilization game is called “going Woke.”

James Lindsay, anti-Communist

154,373 görüntüleme • 1 yıl önce

Precious Achiuwa on his time in Miami: “Miami really teaches you how to be a pro. I think structurally, it might be the best structure in the NBA. My rookie year, it'll be after every game, how to analyze the entire game. So you were forced to watch the game, re-watch the game and then you had to write a report on what your analysis was on the game. But just that alone, just the structure of analyzing the game, the structure of how to become a pro, how to be a pro, you learn that fast from Miami. A lot of guys don't succeed there. It's just what it is.” (via TheOldManAndTheThree)
1:14

Precious Achiuwa on his time in Miami: “Miami really teaches you how to be a pro. I think structurally, it might be the best structure in the NBA. My rookie year, it'll be after every game, how to analyze the entire game. So you were forced to watch the game, re-watch the game and then you had to write a report on what your analysis was on the game. But just that alone, just the structure of analyzing the game, the structure of how to become a pro, how to be a pro, you learn that fast from Miami. A lot of guys don't succeed there. It's just what it is.” (via TheOldManAndTheThree)

𝙃𝙀𝘼𝙏 𝙉𝘼𝙏𝙄𝙊𝙉

36,592 görüntüleme • 4 ay önce

A genuine request for help from everyone in the game. This video is from a great friend of mine and a huge positive influence on my life Eddie Hughes. He was the referee for a game where he blew the final whistle a few minutes too early and had to bring the players back out on to the pitch from the changing rooms after a lino pointed out his mistake. This was a top flight game in October 1978 Crystal Palace F.C. v Fulham Football Club He has never seen the game and would love to get a copy of the match. He is 90 next year and I would love to give him a chance to watch the game for the first time. Any help from the media would be greatly appreciated.
2:55

A genuine request for help from everyone in the game. This video is from a great friend of mine and a huge positive influence on my life Eddie Hughes. He was the referee for a game where he blew the final whistle a few minutes too early and had to bring the players back out on to the pitch from the changing rooms after a lino pointed out his mistake. This was a top flight game in October 1978 Crystal Palace F.C. v Fulham Football Club He has never seen the game and would love to get a copy of the match. He is 90 next year and I would love to give him a chance to watch the game for the first time. Any help from the media would be greatly appreciated.

Refsupportuk

41,199 görüntüleme • 3 yıl önce

Rushing Beat Ran (Jaleco/1993) is a 2D side-scrolling beat 'em up for the Super Nintendo. Fast and fun, it's the second game in Jaleco's Rushing Beat trilogy. In the West, it was heavily localized and stripped of its cutscenes, released under the title Brawl Brothers. But it's possible to unlock the original by pressing the B, A, X, and Y buttons repeatedly during the Jaleco logo screen until it will glitch. Then, press right to move the glitched screen right, then press down 3 times and then Start to access the (glitched) options menu. There, the game starts to work normally as Rushing Beat Ran afterwards.
0:59

Rushing Beat Ran (Jaleco/1993) is a 2D side-scrolling beat 'em up for the Super Nintendo. Fast and fun, it's the second game in Jaleco's Rushing Beat trilogy. In the West, it was heavily localized and stripped of its cutscenes, released under the title Brawl Brothers. But it's possible to unlock the original by pressing the B, A, X, and Y buttons repeatedly during the Jaleco logo screen until it will glitch. Then, press right to move the glitched screen right, then press down 3 times and then Start to access the (glitched) options menu. There, the game starts to work normally as Rushing Beat Ran afterwards.

Dante retro dev 💾

13,676 görüntüleme • 3 ay önce

Our first in-game partnership reveal with 🕹️ The NoHoomans Pub aims to provide a unique, immersive, and advanced gaming atmosphere for the ecosystem. This is just a small portion of what you will be able to do inside the Pub 👽
0:47

Our first in-game partnership reveal with 🕹️ The NoHoomans Pub aims to provide a unique, immersive, and advanced gaming atmosphere for the ecosystem. This is just a small portion of what you will be able to do inside the Pub 👽

NoHoomans

12,821 görüntüleme • 3 yıl önce

Kyle Williams opens up to Donte Whitner and Patrick Willis about his fumble in OT during the 2011 NFCCG: “The idea that guys that are great at this game and has been as great at this game as you two are— the fact that you all feel a way about not being able to say you’re Super Bowl Champions— it fucking bugs me. It hurts me.” Kyle: “I remember you all [the defense] played a helluva game. I didn’t. This was the worst game I had ever played on a football field. The aftermath there are blurs. I do remember the first person at my locker was Pat Willis. He waited on me and he told me when I got in there, he said 'I’d put you back there 100 more times out of 100. I believe in you. I trust you'. That right there gave me what I needed to get through that day to not look at myself a certain way as a football player… That got very, very, very dark for some years.” via: Grit Code Podcast | DonteHitner31
4:54

Kyle Williams opens up to Donte Whitner and Patrick Willis about his fumble in OT during the 2011 NFCCG: “The idea that guys that are great at this game and has been as great at this game as you two are— the fact that you all feel a way about not being able to say you’re Super Bowl Champions— it fucking bugs me. It hurts me.” Kyle: “I remember you all [the defense] played a helluva game. I didn’t. This was the worst game I had ever played on a football field. The aftermath there are blurs. I do remember the first person at my locker was Pat Willis. He waited on me and he told me when I got in there, he said 'I’d put you back there 100 more times out of 100. I believe in you. I trust you'. That right there gave me what I needed to get through that day to not look at myself a certain way as a football player… That got very, very, very dark for some years.” via: Grit Code Podcast | DonteHitner31

Coach Yac 🗣

110,975 görüntüleme • 7 ay önce

Cutscene glitches in Assassin's Creed 1 are really interesting. Scenes play out right in front of you while you walk around, and once in a while the screen will "glitch", allowing you to press a button to change to a cinematic perspective. The BEST part is... if you press this button for 85% of the game's cutscenes, you get an achievement🏆 When I first played this game nearly two decades ago, I hadn't seen this feature in other games prior. A fun little easter egg that turned into a gimmick for future installments.
2:21

Cutscene glitches in Assassin's Creed 1 are really interesting. Scenes play out right in front of you while you walk around, and once in a while the screen will "glitch", allowing you to press a button to change to a cinematic perspective. The BEST part is... if you press this button for 85% of the game's cutscenes, you get an achievement🏆 When I first played this game nearly two decades ago, I hadn't seen this feature in other games prior. A fun little easter egg that turned into a gimmick for future installments.

𝕯𝖗𝖊𝖆𝖉𝖗𝖔𝖇𝖊𝖗𝖙𝖘

100,472 görüntüleme • 4 ay önce

I really want people to watch what Max Iheanachor does after his first rep. We haven’t had this in over a decade. A line that beats the absolute piss out of you just for looking at our QB the wrong way. A line that gets physical after the whistle to impose their will and take total control of the situation by setting the tone for what game the defense is going to have to play. Mixing in Iheanachor with Fautanu, McCormick, Frazier, etc. changes that. In 15 years we are all going to look back on this line and be so damn proud of what they’ve accomplished.
0:37

I really want people to watch what Max Iheanachor does after his first rep. We haven’t had this in over a decade. A line that beats the absolute piss out of you just for looking at our QB the wrong way. A line that gets physical after the whistle to impose their will and take total control of the situation by setting the tone for what game the defense is going to have to play. Mixing in Iheanachor with Fautanu, McCormick, Frazier, etc. changes that. In 15 years we are all going to look back on this line and be so damn proud of what they’ve accomplished.

Jared Kane

65,099 görüntüleme • 3 ay önce

8 years ago today, Arsenal became the first team in history to beat the Premier League Champions in the FA Cup final, beating Chelsea 2-1 in what was at the time, Arsène Wenger’s worst season. Going into the game Laurent Koscielny was suspended, Shkodran Mustafi & Gabriel were injured, while captain Per Mertesacker had only played 37 minutes all season after missing A WHOLE YEAR through injury. Mertesacker ended up starting his first game of the season in the final & put in the best performance of his entire Arsenal career.
2:18

8 years ago today, Arsenal became the first team in history to beat the Premier League Champions in the FA Cup final, beating Chelsea 2-1 in what was at the time, Arsène Wenger’s worst season. Going into the game Laurent Koscielny was suspended, Shkodran Mustafi & Gabriel were injured, while captain Per Mertesacker had only played 37 minutes all season after missing A WHOLE YEAR through injury. Mertesacker ended up starting his first game of the season in the final & put in the best performance of his entire Arsenal career.

‎ابو

570,695 görüntüleme • 1 yıl önce

The X68000 was one of the best home computers for enjoying classic Konami and Capcom arcade games. Its hardware was so powerful that, aside from the Neo Geo, it was virtually the only system capable of delivering near-perfect arcade conversions at the time. Unfortunately, it was extremely expensive and sold exclusively in Japan, so very few people ever had the chance to experience it. Even today, decades after its release, the quality of its games is still incredibly impressive. Ghouls ’n Ghosts is a perfect example. Compared to the Mega Drive and PC Engine versions, the X68000 port is on an entirely different level in terms of accuracy and overall quality. It’s still amazing to think that a game this good could fit on just two floppy disks.
1:54

The X68000 was one of the best home computers for enjoying classic Konami and Capcom arcade games. Its hardware was so powerful that, aside from the Neo Geo, it was virtually the only system capable of delivering near-perfect arcade conversions at the time. Unfortunately, it was extremely expensive and sold exclusively in Japan, so very few people ever had the chance to experience it. Even today, decades after its release, the quality of its games is still incredibly impressive. Ghouls ’n Ghosts is a perfect example. Compared to the Mega Drive and PC Engine versions, the X68000 port is on an entirely different level in terms of accuracy and overall quality. It’s still amazing to think that a game this good could fit on just two floppy disks.

Gamer_lafan

20,452 görüntüleme • 2 ay önce

This has to be one of the saddest moments in Game of Thrones. Watching young Wylis collapse and suffer a seizure as Bran accidentally breaks his mind across time. while in the future, Hodor is dying holding the door to save him. The boy lost his entire identity in the very moment that would one day kill him. “Hodor” was never just a name. It was a tragedy. #GameOfThrones
2:00

This has to be one of the saddest moments in Game of Thrones. Watching young Wylis collapse and suffer a seizure as Bran accidentally breaks his mind across time. while in the future, Hodor is dying holding the door to save him. The boy lost his entire identity in the very moment that would one day kill him. “Hodor” was never just a name. It was a tragedy. #GameOfThrones

f☻sa

229,866 görüntüleme • 3 ay önce

Let me just be clear about what this case is and why its cover up is so disturbing. The President is engaged in a direct cover up of crimes and refusing to release the Epstein Files. What I take from his efforts is a desperate attempt to bend the law and bend the truth—even if that means turning on members of his own party, just as he has this week. It’s time to release the files.
2:29

Let me just be clear about what this case is and why its cover up is so disturbing. The President is engaged in a direct cover up of crimes and refusing to release the Epstein Files. What I take from his efforts is a desperate attempt to bend the law and bend the truth—even if that means turning on members of his own party, just as he has this week. It’s time to release the files.

Rep. Melanie Stansbury

132,549 görüntüleme • 10 ay önce