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(4/4) One more blocking and camera move breakdown from Steven Spielberg's Munich for today. This shot is truly insane. Essentially 6 "shots" in 1 (or rather compositions) As to how they did the dolly move in a car (My guess the car was split in half and flown in... show more

Scott Jeschke

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82,335 görüntüleme • 1 yıl önce •via X (Twitter)

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Steve Winchester profil fotoğrafı

Steve Winchester1 yıl önce

I feel there's a subtle cut as the pic is passed back to Bana. Two separate shots made to look like one! Might be wrong...

Kyle Prohaska profil fotoğrafı

Kyle Prohaska1 yıl önce

Crane arm w/head moves in, then the camera on the head pans left while the arm moves back out of the car again. That’s my guess.

Scott Jeschke profil fotoğrafı

Scott Jeschke1 yıl önce

ah, yeah, an arm is a good guess.

moneek profil fotoğrafı

moneek1 yıl önce

excellent explanation of the masterwork by #Spielberg and #JanuszKamiński

Scott Jeschke profil fotoğrafı

Scott Jeschke1 yıl önce

Thanks so much 🙏

Drek profil fotoğrafı

Drek1 yıl önce

Munich is an underrated masterpiece

willbraham profil fotoğrafı

willbraham1 yıl önce

This is a really visually exciting movie

Scott Jeschke profil fotoğrafı

Scott Jeschke1 yıl önce

Agreed

The1point8 profil fotoğrafı

The1point81 yıl önce

Great breakdowns but instead of giving all the credit to Spielberg, the same (or more actually) should be given to the DP. He did shoot the movie after all, not the Director.

Scott Jeschke profil fotoğrafı

Scott Jeschke1 yıl önce

Thanks. Kaminski is the master! He deserves all credit for lighting etc. But these videos are about blocking And its relation to the camera, which is the director's job, and in this case, Spielberg. Kaminski executes that vision for sure, but so do 100 crew members, So at a certain point it just gets too granular to shout out everyone for their contribution

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Another great bit of blocking, staging, and subtle camera movement in Steven Spielberg's A.I. Artificial Intelligence to continually reshape this moving master shot. Arguably six unique compositions in one. What I always love about these shots is the way in which they are intentionally telling an evolving story. This film often uses perpendicularly connected room layouts to enable a number of these kinds of evolving shots. Love it. A.I. Artificial Intelligence - 2001 Dir Steven Spielberg - Credit due also to Janusz Kaminski, the actors, and the talented dolly grips and camera team #FilmTwitter #directing #spielberg

Another great bit of blocking, staging, and subtle camera movement in Steven Spielberg's A.I. Artificial Intelligence to continually reshape this moving master shot. Arguably six unique compositions in one. What I always love about these shots is the way in which they are intentionally telling an evolving story. This film often uses perpendicularly connected room layouts to enable a number of these kinds of evolving shots. Love it. A.I. Artificial Intelligence - 2001 Dir Steven Spielberg - Credit due also to Janusz Kaminski, the actors, and the talented dolly grips and camera team #FilmTwitter #directing #spielberg

Scott Jeschke

67,939 görüntüleme • 1 yıl önce

This blocking and camera movement breakdown is from Steven Spielberg's Minority Report. This one's a little different because it's a steadicam shot so the compositions flow very quickly at times. I don't like to call ALL of Spielberg's multi-composition shots oners because, typically, they are just old-school blocking, staging and cam movement. Actor's moving at specified dramatic blocks, and the camera moving to reframe for unique compositions, that these day's would more likely be broken into shots on most films. This one could arguably be called a oner though since it's a full scene in one continuous shot. I count 11 compositions in this steadicam shot. Minority Report - 2005 Credit due also to Spielberg's team, Janusz Kaminski (DP), and the Steadicam operator Gregory Lundsgaard (per IMDB). #filmtwitter #spielberg #directing #steadicam #MinorityReport

This blocking and camera movement breakdown is from Steven Spielberg's Minority Report. This one's a little different because it's a steadicam shot so the compositions flow very quickly at times. I don't like to call ALL of Spielberg's multi-composition shots oners because, typically, they are just old-school blocking, staging and cam movement. Actor's moving at specified dramatic blocks, and the camera moving to reframe for unique compositions, that these day's would more likely be broken into shots on most films. This one could arguably be called a oner though since it's a full scene in one continuous shot. I count 11 compositions in this steadicam shot. Minority Report - 2005 Credit due also to Spielberg's team, Janusz Kaminski (DP), and the Steadicam operator Gregory Lundsgaard (per IMDB). #filmtwitter #spielberg #directing #steadicam #MinorityReport

Scott Jeschke

219,317 görüntüleme • 1 yıl önce

New blocking and staging breakdown of THIS SHOT from Steven Spielberg's, THE FABELMANS, which has arguably 9 unique compositions or "shots" in 1. It's one of the most complex shots in The Fabelman's, which overall leans a little simpler in the way of staging and camera work than Spielberg's other films. But what I love about this shot is the way in which it tells a story. In this one shot, both of Logan's lovers now see him in a new light, and suddenly, Sammy's girlfriend has a reignited interest in him because his film brought down the house. We also see Logan's feelings of being a fraud from his rejection of his pals. It's old-fashioned but really lovely storytelling through old-school blocking. THE FABELMANS 2022 - Dir Steven Spielberg - Credit due also to Spielberg's team, Janusz Kaminski, and the actors, Sam Rechner, Chandler Lovelle, Isabelle Kusman, Monica Sherwood #spielberg #FilmTwitter #directing

New blocking and staging breakdown of THIS SHOT from Steven Spielberg's, THE FABELMANS, which has arguably 9 unique compositions or "shots" in 1. It's one of the most complex shots in The Fabelman's, which overall leans a little simpler in the way of staging and camera work than Spielberg's other films. But what I love about this shot is the way in which it tells a story. In this one shot, both of Logan's lovers now see him in a new light, and suddenly, Sammy's girlfriend has a reignited interest in him because his film brought down the house. We also see Logan's feelings of being a fraud from his rejection of his pals. It's old-fashioned but really lovely storytelling through old-school blocking. THE FABELMANS 2022 - Dir Steven Spielberg - Credit due also to Spielberg's team, Janusz Kaminski, and the actors, Sam Rechner, Chandler Lovelle, Isabelle Kusman, Monica Sherwood #spielberg #FilmTwitter #directing

Scott Jeschke

78,681 görüntüleme • 1 yıl önce

3rd Breakdown of Steven Spielberg's blocking, camera movement, and staging in Munich. This one is fascinating because he uses the car to dolly, the lens to zoom, and Eric Bana's blocking to stitch 4 shots into 1. It's so low tech but it's exquisite. It's also a reminder to throw out the rules. I don't think it's natural to crouch beside a car, but it works because it looks great. This of course might be a negotiation with your actors, as the blocking needs to feel truthful for them to sell it, but IMO sometimes it's okay to just make a shot look cool. #FilmTwitter #spielberg

3rd Breakdown of Steven Spielberg's blocking, camera movement, and staging in Munich. This one is fascinating because he uses the car to dolly, the lens to zoom, and Eric Bana's blocking to stitch 4 shots into 1. It's so low tech but it's exquisite. It's also a reminder to throw out the rules. I don't think it's natural to crouch beside a car, but it works because it looks great. This of course might be a negotiation with your actors, as the blocking needs to feel truthful for them to sell it, but IMO sometimes it's okay to just make a shot look cool. #FilmTwitter #spielberg

Scott Jeschke

109,211 görüntüleme • 1 yıl önce

Another example of Steven Spielberg's incredible camera placement, blocking and staging in Munich. In this moving master, he combines six shots in one and makes it look obvious and effortless. #spielberg #FilmTwitter #directing

Another example of Steven Spielberg's incredible camera placement, blocking and staging in Munich. In this moving master, he combines six shots in one and makes it look obvious and effortless. #spielberg #FilmTwitter #directing

Scott Jeschke

474,393 görüntüleme • 1 yıl önce

Here's a fun one. 4 compositions in 1 shot in Steven Spielberg's Minority Report. I like this shot for how it utilizes depth. It's all pans, tilts and focus pulls. There are no zooms, tracks, etc, and yet it's dynamic and tells the story in a really effective way. We don't see Anderton's face, and yet we picture it so clearly. It's so simple but very smartly conceived. God bless the focus puller though! By the way, with these breakdowns, I know I'm far from the first to talk about these multi-composition shots/ blocking and camera work from Spielberg. I'm not presuming to be. And I'm fairly certain every notable director ever has studied these shots for years, as I have. It's nothing new. For me, it's simply an exercise in dissecting it for myself and understanding the shots better. I'm not saying that the shots were necessarily constructed/conceived in the exact way they are deconstructed. I'm just having fun, and sharing for those who are also curious. Minority Report - 2005 Credit due also to Spielberg's team, Janusz Kaminski, and the actors, Tom Cruise and Steve Harris. #filmtwitter #spielberg #directing #tomcruise #MinorityReport

Here's a fun one. 4 compositions in 1 shot in Steven Spielberg's Minority Report. I like this shot for how it utilizes depth. It's all pans, tilts and focus pulls. There are no zooms, tracks, etc, and yet it's dynamic and tells the story in a really effective way. We don't see Anderton's face, and yet we picture it so clearly. It's so simple but very smartly conceived. God bless the focus puller though! By the way, with these breakdowns, I know I'm far from the first to talk about these multi-composition shots/ blocking and camera work from Spielberg. I'm not presuming to be. And I'm fairly certain every notable director ever has studied these shots for years, as I have. It's nothing new. For me, it's simply an exercise in dissecting it for myself and understanding the shots better. I'm not saying that the shots were necessarily constructed/conceived in the exact way they are deconstructed. I'm just having fun, and sharing for those who are also curious. Minority Report - 2005 Credit due also to Spielberg's team, Janusz Kaminski, and the actors, Tom Cruise and Steve Harris. #filmtwitter #spielberg #directing #tomcruise #MinorityReport

Scott Jeschke

35,195 görüntüleme • 1 yıl önce

Been wanting to do another one of these blocking and staging breakdowns for weeks now. Here's a shot that I've always marveled at this shot from Steven Spielberg's HOOK. With blocking, staging and camera movement Spielberg manages to combine 11 compositions or what I'll call here "Shots" into one shot. What's amazing about this shot is that most people probably wouldn't even notice. And that's a good thing. It's no surprise he went on to make multiple 3D movies, because he really is a master of depth. There's some dollying and by my count, one zoom, but otherwise, this shot is entirely conceived by his use of pan, tilts, actor movement and rack focusing. It's a masterclass in using depth as a tool for storytelling. And on that note, what's so incredible about this shot is how purposeful each composition is in telling the emotional story. As annotated in pink. Hoping to do some non-Spielberg ones soon too, but it's hard to resist because, even though many came before him, I think he's truly the master of this old-school type of blocking and staging. HOOK 1991 - Dir Steven Spielberg - Credit due also to Spielberg's team, DP Dean Cundey, and the actors: Robin Williams, Maggie Smith and Caroline Goodall GLOSSARY of Abbreviations/Terms used: ECU - Extreme Close Up CU - Close Up MCU - Medium Close Up M (or MS) Medium Shot MLS - Medium Long Shot LS - Long Shot ELS - Extreme Long Shot FAVORING: (Who's face is favored by camera) BLOCKING: Where/when the actor positions themself relative to camera/ dramatic beats "SHOT" - (Just using this to say composition or what would be a shot - if there was a cut/setup) #FilmTwitter #spielberg #directing

Been wanting to do another one of these blocking and staging breakdowns for weeks now. Here's a shot that I've always marveled at this shot from Steven Spielberg's HOOK. With blocking, staging and camera movement Spielberg manages to combine 11 compositions or what I'll call here "Shots" into one shot. What's amazing about this shot is that most people probably wouldn't even notice. And that's a good thing. It's no surprise he went on to make multiple 3D movies, because he really is a master of depth. There's some dollying and by my count, one zoom, but otherwise, this shot is entirely conceived by his use of pan, tilts, actor movement and rack focusing. It's a masterclass in using depth as a tool for storytelling. And on that note, what's so incredible about this shot is how purposeful each composition is in telling the emotional story. As annotated in pink. Hoping to do some non-Spielberg ones soon too, but it's hard to resist because, even though many came before him, I think he's truly the master of this old-school type of blocking and staging. HOOK 1991 - Dir Steven Spielberg - Credit due also to Spielberg's team, DP Dean Cundey, and the actors: Robin Williams, Maggie Smith and Caroline Goodall GLOSSARY of Abbreviations/Terms used: ECU - Extreme Close Up CU - Close Up MCU - Medium Close Up M (or MS) Medium Shot MLS - Medium Long Shot LS - Long Shot ELS - Extreme Long Shot FAVORING: (Who's face is favored by camera) BLOCKING: Where/when the actor positions themself relative to camera/ dramatic beats "SHOT" - (Just using this to say composition or what would be a shot - if there was a cut/setup) #FilmTwitter #spielberg #directing

Scott Jeschke

84,922 görüntüleme • 1 yıl önce

Martin Scorsese says maybe there is still some gas left in him to do one more film with Daniel Day-Lewis. “We did 2 films together and it’s one of the greatest experiences of my life… maybe there’s time for one more.”

Martin Scorsese says maybe there is still some gas left in him to do one more film with Daniel Day-Lewis. “We did 2 films together and it’s one of the greatest experiences of my life… maybe there’s time for one more.”

Movies Scenes 🎫

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Some context regarding the advertisement for Steven Spielberg's new movie “All will be disclosed” the image of the upside down face is known as “the Thatcher effect or “the Thatcher illusion” and originated here in Britain in 1980;

Some context regarding the advertisement for Steven Spielberg's new movie “All will be disclosed” the image of the upside down face is known as “the Thatcher effect or “the Thatcher illusion” and originated here in Britain in 1980;

👽 (Ruby) 👽

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Steven Spielberg explains the endings to 'Munich' and 'AI: Artificial Intelligence'

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Priorities is my first 3d film which was finished in 2014 when I was 19. I wanted to move the camera and to create these extended, immersive shots which I couldn't do in hand-drawn animation. There are only 4 shots in this 9 minute film.

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Gints Zilbalodis

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for “Interstellar” Steven Spielberg was attached to direct in 2006 and hired Jonathan Nolan to write script, but he chose to go with other projects. In 2012, after Spielberg's departure, Jonathan suggested project to brother Nolan and the rest is history.

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Emir Han

746,046 görüntüleme • 1 yıl önce

It’s pretty wild how you can basically take any 30 second sequence from Munich and make the argument that it’s one of the best things Steven Spielberg has ever put to film

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That Tony Scott Drummer Dude

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DID YOU KNOW the one major difference between Steven Spielberg's 2005 remake of War Of The Worlds and Orson Wells original is that in Spielberg's version - the aliens come from beneath the earth. 👉🏼 **NOTE: in this scene - where the aliens make their first appearance - Spielberg hid 3 simultaneous Antichrist subliminal messages - timed perfectly for the moment in the movie where light goes to dark = Christ replaced by satan.

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The Rubber Duck ™

17,799 görüntüleme • 17 gün önce

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HustleBitch

1,983,348 görüntüleme • 6 ay önce

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300,742 görüntüleme • 3 ay önce

This preview for Steven Spielberg's 1941, was written, shot, directed, and score, music by John Williams, specifically for this trailer, with none of it appearing in the actual movie!

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18,932 görüntüleme • 5 ay önce

“I looked forward to it for months. I had it all storyboarded and planned.” As Steven Spielberg shares his favourite sci-fi shots and sequences with Empire, he talks about recreating some of the locations from The Overlook Hotel in Ready Player One.

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18,975 görüntüleme • 2 ay önce

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14,913 görüntüleme • 14 gün önce

If you ever encountered "friends" who lived or grew up like this, they usually went one of two ways, in my experience: like this guy (by the end) who doesn't think twice about lending his buddy a car, OR they're just trying to lord it over you in some "better than thou" fashion. Nothing ever in between. But that "ranch" is next-level kind of cool. Pastures for the livestock, chickens and ducks, a full "car" barn garage loaded to the hilt with outstanding rides, housing quarters for the staff and guests, and is just completely beyond some of our wildest dreams. Bitcoin money? Oil barons? What's your best guess?

If you ever encountered "friends" who lived or grew up like this, they usually went one of two ways, in my experience: like this guy (by the end) who doesn't think twice about lending his buddy a car, OR they're just trying to lord it over you in some "better than thou" fashion. Nothing ever in between. But that "ranch" is next-level kind of cool. Pastures for the livestock, chickens and ducks, a full "car" barn garage loaded to the hilt with outstanding rides, housing quarters for the staff and guests, and is just completely beyond some of our wildest dreams. Bitcoin money? Oil barons? What's your best guess?

🚫👁️Drinks on Saturday🇺🇸

133,163 görüntüleme • 3 ay önce