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A drysuit with a difference! Attached heavy neoprene boots, dump valve, internal C+B sheath under dry zip and kubi dry glove system! #latex #rubber #drysuit #fetishwear #bondage #sexy #heavy #sportswear #diver
12,066 次观看 • 1 年前 •via X (Twitter)
10 条评论
rbrbill aka Bill Leytecks1 年前
It's tempting.
KRW1 年前
Do it Bill :) never have enough rubber! 😃
💚 Husk E 💚 - Photograp E 📷 VJ Pup E1 年前
Those boots look great on that
KRW1 年前
Proper drysuit boots! Heavy too!
💚 Husk E 💚 - Photograp E 📷 VJ Pup E1 年前
Perfect! Only needs a drysuit zipper to finish it really off
KRW1 年前
They are dry zips, plastic not brass
💚 Husk E 💚 - Photograp E 📷 VJ Pup E1 年前
Oh really, never knew plastic ones existed! Interesting
PupYuno 🔜 Pawsome1 年前
Gorgeous work!
Ninja Biker1 年前
Sehr geil, wo hast du ihn produzieren lassen?
SmitizenPony1 年前
🔥🔥
![This AI video is a Masterpiece 👏 Seedance 2.5 Prompt: 30-second ultra-realistic documentary slice-of-life video, early-2000s consumer DV camcorder aesthetic. A young Italian peasant woman in her early 20s, sun-weathered olive skin with freckles, dark brown wavy hair loosely tied with a faded scarf, worn off-white linen blouse, earth-brown patched wool skirt, faded floral apron and muddy leather boots. Rural Tuscany in the late 1800s. Golden wheat fields, olive trees, stone farmhouse, cypress trees, stone walls, chickens, donkey and old stone well. No modern objects or machinery. [0–6s] Handheld camera follows her naturally along a dirt path through golden wheat fields. She carries a woven basket on her hip and brushes her free hand across the wheat. Wind moves the stalks and her loose hair. [6–12s] She reaches a wooden fence, sets down the basket and feeds scraps to several chickens gathered around her boots. The camera stays close and imperfect, briefly adjusting focus as she moves. [12–18s] She continues toward an old stone well. She lowers a wooden bucket on a rope, pulls it up with effort, then drinks fresh water from a small ladle. Water runs down her chin and she wipes it away with her sleeve. [18–24s] A donkey approaches. She smiles softly, pats its muzzle, then picks a small wildflower from the field and tucks it behind her ear. She lifts the basket and walks toward the farmhouse. [24–30s] Near the heavy wooden doorway, she notices the person filming. She gives a tired but warm smile and a small wave, then opens the door. She looks back once before stepping inside. The camera remains outside as the door slowly closes. STYLE: photorealistic historical documentary, authentic 1800s Tuscany, early-2000s consumer DV look, handheld shake, imperfect framing, autofocus hunting, slight exposure pumping, faded colors, soft contrast, mild digital compression and sensor noise. No stabilization, no cinematic camera moves, no modern color grading. One continuous fluid shot, no cuts, no captions, no music. AUDIO: natural ambience only -wind through wheat, birds, chickens, footsteps on dry earth, rope and wooden bucket creaking, water splashing, donkey sounds, distant countryside atmosphere and the wooden door closing.](https://image.24vids.com/tw-2107530733212590250/amplify_video_thumb/2107530636550696960/img/j4NLPPeejkGALu1K.jpg)
![[Generation Overview & Visual Style] Task Type: Text to Video with Multimodal References (30-Second Continuous Action Sequence) Genre: Realistic High-Intensity Hand-to-Hand Combat / Cinematic Action Live-Action Format: 30s continuous cinematic scene, 16:9 widescreen, 24fps, cinematic live-action (真人实拍). Visual Style: Shot on 24mm, 35mm, and 50mm lenses with shallow depth of field. Sunny mid-September afternoon lighting, warm natural golden sunlight streaming through large classroom windows, dust motes dancing in sunbeams. Visceral, bone-crunching physical impact choreography, reckless intensity with grounded human biomechanics (no wirework, no super-powers, no slow-motion, no floating physics). === REFERENCE ROLES & STRICT BINDINGS === - Image : Exclusively defines PROTAGONIST A CHAse — 100% exact facial structure, eye shape, nose, skin tone, facial proportions, black cap with low ponytail coming out the back, and specific attire from Image. Identity must strictly remain constant across every frame without distortion or facial morphing. - image2 : Exclusively defines FEMALE OPPONENT B (First attacker) — exact face, hair, and uniform style. - David Carbon : Exclusively defines FEMALE OPPONENT C (Second attacker with wooden chair) — exact face, hair, and uniform style. - joe p : Exclusively defines FEMALE OPPONENT D (Third attacker sprinting in) — exact face, hair, and uniform style. - Image5 : Exclusively defines FEMALE OPPONENT E (Fourth attacker with beverage bottle) — exact face, hair, and uniform style. - (Additional opponent F follows the realistic school delinquent aesthetic; distinct facial identity from all others). - Background: Japanese high school classroom setting. Rowed wooden school desks and chairs, green chalkboard with faint erased chalk marks at the front, sunny window wall on the side. === AUDIO TRACKS & DIALOGUE DELIVERY (NO BGM) === Music: Strictly NO background music, NO BGM, NO soundtrack. Dialogue: - 0.0s–1.8s: Opponent B (image2), Japanese, female — cold, arrogant, slow and deliberate, enunciating each syllable distinctly and clearly: {조. 센. 진.} - 1.8s–3.5s: Protagonist A (Image), Korean, female — cold, suppressed murderous fury, dragging and trailing the final syllables with venom: {뭐라고 지꺼리는거야.. 씨..이발..} Foley / Diegetic Audio: === STAGED 30-SECOND CHOREOGRAPHY TIMELINE === 0.00–2.80s: [50mm Over-the-Shoulder Medium-Close] A (Image) stands facing away, black cap and low ponytail resting over her collar. B (image2) sneers, walks up, and places her right hand heavily onto A's left shoulder, enunciating: {조. 센. 진.}. A tilts her head down, muttering in a low, dragged venomous tone: {뭐라고 지꺼리는거야.. 씨..이발..}. Six background female students freeze in shock and back away toward the corners. 2.80–4.20s: [Intimate Handheld Close-up] While B's hand rests on A's shoulder, A suddenly pivots clockwise; her right forearm violently smashes across B's jaw and cheekbone with explosive hip rotation. Impact point is sharp and brutal. B's head violently snaps aside, her balance shattered. A immediately recovers without pausing or posing, stepping forward aggressively. 4.20–5.90s: [24mm High Wide-Angle Track Down] B crashes backward into a large teacher's lab desk, splintering the wooden frame; textbooks, notebooks, and chalk boxes cascade across the floor. Nearby students scatter in panic. B collapses amidst the debris and remains down for the rest of the scene. 5.90–8.20s: [Rapid Whip Pan to Screen Right] C (David Carbon) grabs a solid wooden school chair and swings it horizontally toward A's head. A ducks slightly, letting the chair miss her cap brim, then drives a ruthless left side-kick into C's solar plexus. C crashes into the cracked plaster wall; dust cascades down as C slumps unconscious against the baseboard. 8.20–9.70s: [35mm Lateral Medium] A recovers her stance, eyes scanning toward the classroom door. Two students sprint out the exit. B and C remain down among the broken furniture. Camera orbits smoothly around A as she acquires the next incoming threat. 9.70–12.50s: [Tracking Medium Shot] D (joe p) sprints from the rear, throwing a hard right punch. A slips underneath the blow, wedges her shoulder into D's torso, wraps her arms around the hip, and leverages D's momentum to execute a brutal hip throw. D flips completely and slams into joined study desks, collapsing the wooden structures and scattering papers. D stays down. 12.50–15.50s: [Close Handheld Dynamic Tracking] E (Image5) lunges from the side, swinging a glass drink bottle overhead. A pivots and raises her left forearm, intercepting E's wrist; liquid bursts from the bottle, soaking A's left sleeve. A hooks E's elbow, drives a short forearm strike to E's face, and shoves her back violently. E tumbles hard over a reading bench, the glass bottle rolling away on the floorboards (never returning to hand). 15.50–16.80s: [Medium Transition] A shakes the excess drink from her wet sleeve and flips her loosened ponytail behind her shoulder. E groans in the broken bench. Behind A, final opponent F steps forward with heavy posture. 16.80–20.10s: [50mm Tight Combat Orbit] F throws a ferocious combination of straight punches and elbows. A parries cleanly, absorbing impacts with forearms, and returns a devastating short palm strike to F's sternum followed by a heavy shoulder barge. F stumbles backward, bleeding slightly from the corner of the mouth. 20.10–23.60s: [Tight Medium Two-Shot] F swings wildly. A ducks low, locks F's wrist across her shoulder, hammers an elbow into F's ribs, and drives an open-palm strike under F's chin. F slips on scattered notebooks and overturns a chair, clinging to A's shoulder to stay upright. A relentlessly presses forward. 23.60–26.90s: [Low-Angle Frontal Take-Down] F makes a final desperate rush. A steps offline, wrenches F's collar downward, and slams a short, vicious downward elbow strike into the nape of F's neck while tripping F's lead leg. F crashes face-first onto the wooden floorboards and goes limp. 26.90–30.00s: [24mm Steady Wide Establishing Pull] A stands isolated amidst the demolished classroom. B, C, D, E, and F lie defeated in their precise crash locations amidst overturned desks, scattered papers, and shattered chalk. A takes a deep breath, checks her soaked sleeve, brushes her ponytail back, and coldly scans the room under the warm afternoon sunlight. Slow camera push-in on A's calm, intense expression into the final frame. === STRICT CONSTRAINTS & NEGATIVES === - No subtitles, captions, or on-screen text. - No background music or synth score. - Strictly adhere to Image for Protagonist A's identity and wardrobe. - Strictly adhere to image2, David Carbon, joe p, Image5 for opponents B, C, D, E. - No magical CGI, no slow motion, no bullet-time ramps, no floating wirework. - Destruction and fallen bodies must maintain absolute spatial continuity across shots. - Keep blood to a minimal trace on F's lip only. - Live-action realism throughout (真人实拍).](https://image.24vids.com/tw-2096828001057218978/amplify_video_thumb/2096827726204383232/img/PdzCzoFETtEusHDr.jpg)
