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Ana Sayfaya Dön

A few years ago, I wanted to design a front panel for a desktop PC with real time machine info. I designed a few prototypes using OLED panels that were available at the time. All 6 running at 60 fps from a single ESP32. Never followed through because 1)... show more

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210,364 görüntüleme • 8 ay önce •via X (Twitter)

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This Pokemon vending machine had Evolving Skies for the longest time. This was from a few years ago, before most people knew about vending machines and before a larger expansion of locations. Over a few months I was able to accumulate around 200 or so, and this year I’ve been using them in trades to offset price. I’m down to about 15 😅 Also don’t worry, I ALWAYS left some behind. I hated when someone took everything.

This Pokemon vending machine had Evolving Skies for the longest time. This was from a few years ago, before most people knew about vending machines and before a larger expansion of locations. Over a few months I was able to accumulate around 200 or so, and this year I’ve been using them in trades to offset price. I’m down to about 15 😅 Also don’t worry, I ALWAYS left some behind. I hated when someone took everything.

DachshundWizard 🧙‍♂️

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I used to own a company that went bankrupt a year ago. At the time, it felt like everything was collapsing because of a series of wrong decisions—decisions that, looking back now, turned out to be blessings in disguise. During that time, I was hustling every single day just to cover rent and put food on the table. In the middle of all that chaos, I was learning how to trade. Deep down, I already knew I wanted to trade more than I wanted to save the company… but I still gave everything I had trying to keep it alive. After multiple deposits and plenty of setbacks, I finally became profitable on my last one (January 2025). At one point I was down to 0.28 SOL. I even wrote down: “I will turn 0.28 into 100.” That was my first real goal—about 25K at the time. I’ve never been the type to post PnLs, but I took a lot of inspiration and motivation from others. Might as well share my journey too. (And engagement farm) I genuinely believe everything happens for a reason—and God wouldn’t place a dream in your mind if you weren’t meant to achieve it. Eternally grateful to be able to have days like this.

I used to own a company that went bankrupt a year ago. At the time, it felt like everything was collapsing because of a series of wrong decisions—decisions that, looking back now, turned out to be blessings in disguise. During that time, I was hustling every single day just to cover rent and put food on the table. In the middle of all that chaos, I was learning how to trade. Deep down, I already knew I wanted to trade more than I wanted to save the company… but I still gave everything I had trying to keep it alive. After multiple deposits and plenty of setbacks, I finally became profitable on my last one (January 2025). At one point I was down to 0.28 SOL. I even wrote down: “I will turn 0.28 into 100.” That was my first real goal—about 25K at the time. I’ve never been the type to post PnLs, but I took a lot of inspiration and motivation from others. Might as well share my journey too. (And engagement farm) I genuinely believe everything happens for a reason—and God wouldn’t place a dream in your mind if you weren’t meant to achieve it. Eternally grateful to be able to have days like this.

Hoof

11,348 görüntüleme • 7 ay önce

I was driving home a few days ago and randomly started thinking about Marc and wondering what he was up to. I hadn’t seen him in almost 10 years. He was one of the first pros I ever traveled with because we were both sponsored by Matix. When you’re young, you remember the pros who were genuinely nice to you. Marc was always the coolest. He would disappear for long stretches at a time, but every time I saw him again, it was a big hug. He genuinely wanted to know what I was up to and how life was going. I’ll never forget the time I got to spend with you. Rest easy, my friend.

I was driving home a few days ago and randomly started thinking about Marc and wondering what he was up to. I hadn’t seen him in almost 10 years. He was one of the first pros I ever traveled with because we were both sponsored by Matix. When you’re young, you remember the pros who were genuinely nice to you. Marc was always the coolest. He would disappear for long stretches at a time, but every time I saw him again, it was a big hug. He genuinely wanted to know what I was up to and how life was going. I’ll never forget the time I got to spend with you. Rest easy, my friend.

Mikey Taylor

33,414 görüntüleme • 2 ay önce

its me, blank - i'm starting a new company called S7RX and im going to do what i've never done before - sharing it all here you probably know me as the founder of openpurpose but in short - i'm a designer turned founder - i started my studio 17 years ago called 3drops in stockholm which i rebranded to openpurpose a couple of years ago and grew it to over 70 members globally working with leading tech companies in us besides running the agency, over the past decade i took on a few personal projects that meant something to me - like leading the digitization of the global visa system for over 65 countries and working with a few enterprise founders to launch daring projects to future proof their organizations along the way i experimented with dozens of ideas which some turned into ventures and a few became companies with their own dedicated teams but for as long as i can remember i only had one dream - to launch a brand that earns like a tech company but feels like a lifestyle brand so now at the age of 36, i'm doing just that and calling it S7RX my first product is launching next week and with that we are officially starting this new journey so follow on IG to see the stories and say hi : ) this will be different

S7RX

12,489 görüntüleme • 6 ay önce

Ross, Liam’s cousin via IG “My young cousin. I've been trying to write something for a few days now, it still doesn't feel real and probably never will. I was lucky enough to spend a lot of time with you over the last few months, we'd become close again like the kids we were growing up together. Late night songwriting sessions, making plans to tour and travel, and practicing stupid impressions - we didn't need much to have a good time. It's devastating to know I won't see you again or wake up to a late night FaceTime call (when you'd forget about the time difference) but we made a lot of memories which I'll hold on to forever. From being 13 years old learning Maroon 5 songs to bumping into you backstage at music festivals, we were always just a couple of kids hanging out. Regardless of what you were going through, and the demons you were fighting, you always wanted to help others and wanted everyone to 'win together. Hopefully the world will remember this above everything else. Not everyone got to know the boy behind the popstar, outside of stadiums and studios, but I count myself very lucky that I did. Rest easy little cousin, you were taken far too soon, love always.”

Ross, Liam’s cousin via IG “My young cousin. I've been trying to write something for a few days now, it still doesn't feel real and probably never will. I was lucky enough to spend a lot of time with you over the last few months, we'd become close again like the kids we were growing up together. Late night songwriting sessions, making plans to tour and travel, and practicing stupid impressions - we didn't need much to have a good time. It's devastating to know I won't see you again or wake up to a late night FaceTime call (when you'd forget about the time difference) but we made a lot of memories which I'll hold on to forever. From being 13 years old learning Maroon 5 songs to bumping into you backstage at music festivals, we were always just a couple of kids hanging out. Regardless of what you were going through, and the demons you were fighting, you always wanted to help others and wanted everyone to 'win together. Hopefully the world will remember this above everything else. Not everyone got to know the boy behind the popstar, outside of stadiums and studios, but I count myself very lucky that I did. Rest easy little cousin, you were taken far too soon, love always.”

HSNews

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A few days ago, I got 7-8 leads in one day Every client asked the pricing and just stop replying. 2 clients were about to pay but when I asked for invoice details, they stopped replying. 1 client had a very small budget so I rejected the project 1 client booked a call and cancelled it at the meeting time. 1 client project wasn’t a fit for us because the niche. I don't know why is this happening 🥹

A few days ago, I got 7-8 leads in one day Every client asked the pricing and just stop replying. 2 clients were about to pay but when I asked for invoice details, they stopped replying. 1 client had a very small budget so I rejected the project 1 client booked a call and cancelled it at the meeting time. 1 client project wasn’t a fit for us because the niche. I don't know why is this happening 🥹

Amena

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I always wondered "What if I port my three.js game to Rust? Will it improve performance?" I finally ported it to both Rust Desktop and Rust WASM (that runs on the browser) Comparing the three.js version with the Rust desktop I had a clear winner: Rust desktop. But now I took the time to port it to the web using Web Assembly (WASM) And my conclusion is... A tie! Both versions averaged 42FPS (60FPS if running one at a time) So if your goal is to ship a web game, it doesn't even matter the tech you use. (Three.js is recommended because the ecossystem is huge though) As long you optmize well (Web workers, reduce triangles, draw calls, etc) you should be good to go. But in the event you want to ship a native game to publish on Steam a system language (Rust, C++, etc) will be better for you. Now I want to port the three.js game to Desktop using Electron and see the results. I'll let you know. Btw, I'm open to new freelance projects. If you have anything for me, my DMs are open!

I always wondered "What if I port my three.js game to Rust? Will it improve performance?" I finally ported it to both Rust Desktop and Rust WASM (that runs on the browser) Comparing the three.js version with the Rust desktop I had a clear winner: Rust desktop. But now I took the time to port it to the web using Web Assembly (WASM) And my conclusion is... A tie! Both versions averaged 42FPS (60FPS if running one at a time) So if your goal is to ship a web game, it doesn't even matter the tech you use. (Three.js is recommended because the ecossystem is huge though) As long you optmize well (Web workers, reduce triangles, draw calls, etc) you should be good to go. But in the event you want to ship a native game to publish on Steam a system language (Rust, C++, etc) will be better for you. Now I want to port the three.js game to Desktop using Electron and see the results. I'll let you know. Btw, I'm open to new freelance projects. If you have anything for me, my DMs are open!

André → andreelias.dev

19,531 görüntüleme • 1 ay önce

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Speaking of Dreams.. still kinda crazy to me how perfect of a match a tool like that is for generative AI workflows. Intuitive game engine/creative sandbox that allows you to build almost anything, running underneath a Gen AI render. Sculpting, painting, interacting with your two hands in 3d space, here using two move controllers which by now is tech from 2010. I haven't seen ANY way to interact with 3d that allows for the same fast and intuitive sculpting without forcing you to wear a VR headset. I made this scene a few years ago in 2 and a half hour or so as part of a 1 scene pr. episode of The Last of Us, and ran it through a combo of Runway and Sora to get to this result.

Martin Nebelong

19,510 görüntüleme • 10 ay önce

11 years ago, I traded the gym membership for a set of rings and a backyard. My kids didn't grow up watching me leave for the gym. They grew up watching me train at home. If you're a busy parent, time is your most valuable asset. Stop wasting it in traffic. I started jiu jitsu at 44 with the time I got back. Both my kids joined. So did my daughter's boyfriend. Comment "F8" and I'll DM you a link to get the free system I used to reclaim my time

11 years ago, I traded the gym membership for a set of rings and a backyard. My kids didn't grow up watching me leave for the gym. They grew up watching me train at home. If you're a busy parent, time is your most valuable asset. Stop wasting it in traffic. I started jiu jitsu at 44 with the time I got back. Both my kids joined. So did my daughter's boyfriend. Comment "F8" and I'll DM you a link to get the free system I used to reclaim my time

JT | Jerry Teixeira

45,066 görüntüleme • 3 ay önce

i tried Framer Agent to build a brand guidelines website template, something i've meant to do for a while. a site i can swap a logo, nudge a colour, update the type, and send a link instead of re-exporting a pdf nobody opens. a few observations on the AI process: - i started with references. pulled together a handful of minimalist grid layouts and had Claude describe the visual style back to me. you can do the same inside Framer, feeding it the references directly. - from there i had it write a detailed prompt aimed at that exact style, then asked it to break it into a few smaller steps. then i fed those into the agent, one at a time. - the scaffolding stage is the satisfying part. for something this grid-driven (the columns, the spans, the whole underlying structure) watching it land in seconds is hard to look away from. - but then i still have to sweat the details: text alignment, line-heights, image sizes. i don't mind it at all; it's the part i like, making these design decisions. the strength of the agent is the mundane work. point it at the stuff that eats your time: cleaning up the build, adding responsiveness, dropping in small effects, checking text and colour styles stay consistent, writing alt text for every image. then i get the time back for the parts of web design that are actually fun. 🤝

charlota

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The Lighthouse is available everywhere now. ✨ I wrote this song a few months after Roe v. Wade was overturned. It seemed like overnight, people were saying “what can we, as a collective force, do about this…” For me, it was to write a song. It took a while because I was on the road. Then early one morning I was watching the news on TV and a certain newscaster said something that felt like she was talking to me~ explaining what the loss of Roe v. Wade would come to mean. I wrote the song the next morning and recorded it that night. That was September 6, 2022. I have been working on it ever since. I have often said to myself, “This may be the most important thing I ever do. To stand up for the women of the United States and their daughters and granddaughters ~ and the men that love them. This is an anthem. ~ Stevie Nicks

The Lighthouse is available everywhere now. ✨ I wrote this song a few months after Roe v. Wade was overturned. It seemed like overnight, people were saying “what can we, as a collective force, do about this…” For me, it was to write a song. It took a while because I was on the road. Then early one morning I was watching the news on TV and a certain newscaster said something that felt like she was talking to me~ explaining what the loss of Roe v. Wade would come to mean. I wrote the song the next morning and recorded it that night. That was September 6, 2022. I have been working on it ever since. I have often said to myself, “This may be the most important thing I ever do. To stand up for the women of the United States and their daughters and granddaughters ~ and the men that love them. This is an anthem. ~ Stevie Nicks

Stevie Nicks

479,138 görüntüleme • 1 yıl önce

We were never fully satisfied with the animated components available outside. Some looked good but were hard to customize. Some were easy to use but felt too basic. So 2 months ago, we started building our own. It started as a Framer component library. Then we expanded it to Next.js and MCP, so people can use it with code and AI builders too. Now we’re finally launching the beta on July 2, 11 AM IST. Only for the first 500 users. If you’re building animated websites, this will save you a lot of time. And I think you’re going to love this.

We were never fully satisfied with the animated components available outside. Some looked good but were hard to customize. Some were easy to use but felt too basic. So 2 months ago, we started building our own. It started as a Framer component library. Then we expanded it to Next.js and MCP, so people can use it with code and AI builders too. Now we’re finally launching the beta on July 2, 11 AM IST. Only for the first 500 users. If you’re building animated websites, this will save you a lot of time. And I think you’re going to love this.

Praha

44,713 görüntüleme • 27 gün önce

Announcing the upcoming FlatForge plugin. The first HueForge plugin. It's HueForge - But Flat. have created an information page about this upcoming plugin. I am planning to release it by the end of September. It will start off at a $15 one time payment (no more payments ever, full updates forever) until after Cyber Monday when it will go up to it's full price of $20. I have spent a lot of time and effort not just on this plugin but on the Plugin system as a whole. I will be working with a few select users/developers to finalize the plugin API before releasing it for you all to use as well. More information on the Plugin system will come after launch.

Announcing the upcoming FlatForge plugin. The first HueForge plugin. It's HueForge - But Flat. have created an information page about this upcoming plugin. I am planning to release it by the end of September. It will start off at a $15 one time payment (no more payments ever, full updates forever) until after Cyber Monday when it will go up to it's full price of $20. I have spent a lot of time and effort not just on this plugin but on the Plugin system as a whole. I will be working with a few select users/developers to finalize the plugin API before releasing it for you all to use as well. More information on the Plugin system will come after launch.

HueForge

33,063 görüntüleme • 10 ay önce

Hey Rich Eisen.. I had fun today.. same time slot has made it damn near impossible to have a chat the last few years.. Happy Lord Zito and your tech folks figured it out on the backend for a LIVE simulcast.. 2 different LIVE shows going at the same damn time.. We enjoyed the hell out of it. It was a nice moment when I thought you were high as shit on TV too (when legal of course) 🗣🗣🤙🏼🤙🏼

Hey Rich Eisen.. I had fun today.. same time slot has made it damn near impossible to have a chat the last few years.. Happy Lord Zito and your tech folks figured it out on the backend for a LIVE simulcast.. 2 different LIVE shows going at the same damn time.. We enjoyed the hell out of it. It was a nice moment when I thought you were high as shit on TV too (when legal of course) 🗣🗣🤙🏼🤙🏼

Pat McAfee

569,041 görüntüleme • 1 yıl önce

6 months at Rise! 6 months of me getting to do what I love, with a team full of superstars. Over the last few months, I've been tweaking and experimenting with some poster styles for Hisa (formerly Chaka) Invest with Hisa, and I really love where I'm headed. Having free rein over the direction of these posters is a privilege I grabbed with both hands. And there's still more where this came from. I promise. Honestly feels like I'm just getting started. I really love it here, mehn.

6 months at Rise! 6 months of me getting to do what I love, with a team full of superstars. Over the last few months, I've been tweaking and experimenting with some poster styles for Hisa (formerly Chaka) Invest with Hisa, and I really love where I'm headed. Having free rein over the direction of these posters is a privilege I grabbed with both hands. And there's still more where this came from. I promise. Honestly feels like I'm just getting started. I really love it here, mehn.

Alex Tudun

42,767 görüntüleme • 21 gün önce

This is Joe. The busiest man I know. • Real estate. • Runs a cleaning business. • Had no time for another "side hustle." So he chose an AI business model that doesn't need him every day. Today, he makes $5,000/month publishing AI audiobooks. And most of it runs on autopilot. His books took months to pick up, then suddenly they started compounding. From a few dollars a week to $1,000+/week. It wasn't luck. He followed a simple process: • Find topics people already listen to • Use AI to write and narrate the book • Publish across multiple platforms With my system it only takes 1 hour a day. I've spent 6 years perfecting this. If you want access to it, you can have it completely for free: Like this post Comment "SEND" I'll DM you the AI publishing system responsible for generating $50,000/month for me. (Must be following so I can message you.) ⏳ Only replying to the first 500 comments.

This is Joe. The busiest man I know. • Real estate. • Runs a cleaning business. • Had no time for another "side hustle." So he chose an AI business model that doesn't need him every day. Today, he makes $5,000/month publishing AI audiobooks. And most of it runs on autopilot. His books took months to pick up, then suddenly they started compounding. From a few dollars a week to $1,000+/week. It wasn't luck. He followed a simple process: • Find topics people already listen to • Use AI to write and narrate the book • Publish across multiple platforms With my system it only takes 1 hour a day. I've spent 6 years perfecting this. If you want access to it, you can have it completely for free: Like this post Comment "SEND" I'll DM you the AI publishing system responsible for generating $50,000/month for me. (Must be following so I can message you.) ⏳ Only replying to the first 500 comments.

Tommi Pedruzzi

75,831 görüntüleme • 4 ay önce

So remember that time machine I told you about? I managed to sneek out another video from my visit to the future.. this time I captured video of a 3d artist creating assets for a short commercial. They sculpted the bird in the video with nothing but two controllers which they used to manipulate generative matter in 3d. The AI model changed in realtime and adopted their style of work, both based on the work they did on the scene, and on reference images they gave the system. Seeing the 3d model transform in realtime as they were working on it was incredible. When it started moving and reacted to their instructions, I knew it was time to return to the present :D #art #ai

So remember that time machine I told you about? I managed to sneek out another video from my visit to the future.. this time I captured video of a 3d artist creating assets for a short commercial. They sculpted the bird in the video with nothing but two controllers which they used to manipulate generative matter in 3d. The AI model changed in realtime and adopted their style of work, both based on the work they did on the scene, and on reference images they gave the system. Seeing the 3d model transform in realtime as they were working on it was incredible. When it started moving and reacted to their instructions, I knew it was time to return to the present :D #art #ai

Martin Nebelong

22,044 görüntüleme • 2 yıl önce

I know it was raining for part of the day, but I have never seen the infield so empty in the all the time I’ve been going to The Derby. If rain is an excuse, how did Churchill Downs get 147,000 (down 6% from last year) at the Kentucky Derby a month ago?

I know it was raining for part of the day, but I have never seen the infield so empty in the all the time I’ve been going to The Derby. If rain is an excuse, how did Churchill Downs get 147,000 (down 6% from last year) at the Kentucky Derby a month ago?

Geoffrey Riddle

614,685 görüntüleme • 1 yıl önce

April 30 • 12:00pm ET Art Blocks + OpenSea “Gift of time” began during my residency in Marfa, Texas, as part of the Art Blocks and OpenSea artist residency program, where a distinct shift in the experience of time became central to the work. In the desert, I felt time move differently. It stretched, slowed, and became something I noticed. After a few days, the rhythm changed. Moments felt longer, attention sharpened, and I became increasingly aware of each moment as it passed. This work comes from that condition. Time is not treated only as a theme, but as a system embedded in the structure of the piece. Different ways of measuring time, such as mechanical cycles, calendars, and lunar phases, are translated into rules that continuously transform the work. The piece does not represent time. It runs on it. Its movement is tied to blockchain time. Even when unseen, it continues to rotate and evolve. When loaded, it synchronizes with the present moment, but it does not begin when it is viewed, and it does not stop when it disappears from the screen. During the residency, I spent hours thinking, sketching, and making connections. Those connections are also visible. Elastic lines, like rubber bands, link elements across the piece, representing how memories connect, how one thought leads to another, and how everything builds over time. These same connections introduce moments where the system attempts to pull itself back, as if trying to regain control. But it never fully resets. It is not a loop. The movement continues, drifting forward, never returning to a fixed state. Visually, the work reveals its own construction. Lines, paths, and rotations expose an internal logic, like looking inside a mechanism. The drawing language recalls diagrams, technical sketches, or the interior of a mechanical watch. It is a system in motion, always active. “Gift of Time” exists because I was given time by Art Blocks, OpenSea, and above all my family. It is my way of saying thank you. It is both a reflection on time and a product of it. April 30 @ 12:00pm ET on Art blocks & OpenSea 1 / 1 / 365 • 0.02 Eth Art Blocks, OpenSea

April 30 • 12:00pm ET Art Blocks + OpenSea “Gift of time” began during my residency in Marfa, Texas, as part of the Art Blocks and OpenSea artist residency program, where a distinct shift in the experience of time became central to the work. In the desert, I felt time move differently. It stretched, slowed, and became something I noticed. After a few days, the rhythm changed. Moments felt longer, attention sharpened, and I became increasingly aware of each moment as it passed. This work comes from that condition. Time is not treated only as a theme, but as a system embedded in the structure of the piece. Different ways of measuring time, such as mechanical cycles, calendars, and lunar phases, are translated into rules that continuously transform the work. The piece does not represent time. It runs on it. Its movement is tied to blockchain time. Even when unseen, it continues to rotate and evolve. When loaded, it synchronizes with the present moment, but it does not begin when it is viewed, and it does not stop when it disappears from the screen. During the residency, I spent hours thinking, sketching, and making connections. Those connections are also visible. Elastic lines, like rubber bands, link elements across the piece, representing how memories connect, how one thought leads to another, and how everything builds over time. These same connections introduce moments where the system attempts to pull itself back, as if trying to regain control. But it never fully resets. It is not a loop. The movement continues, drifting forward, never returning to a fixed state. Visually, the work reveals its own construction. Lines, paths, and rotations expose an internal logic, like looking inside a mechanism. The drawing language recalls diagrams, technical sketches, or the interior of a mechanical watch. It is a system in motion, always active. “Gift of Time” exists because I was given time by Art Blocks, OpenSea, and above all my family. It is my way of saying thank you. It is both a reflection on time and a product of it. April 30 @ 12:00pm ET on Art blocks & OpenSea 1 / 1 / 365 • 0.02 Eth Art Blocks, OpenSea

Manuel Lariño ☔️

21,818 görüntüleme • 3 ay önce