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A pure 80s classic: merciless, sanity-testing, and tough as nails. It doesn’t hold your hand, coddle you, or hand out participation trophies like so many modern games do. Castlevania (1986, Konami) is still one of the greatest platformers ever made. Every single step had to be earned the hard...

11,322 просмотров • 1 месяц назад •via X (Twitter)

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jihoon wants us to promise to have more fun at treasure concerts, film with your left hand and have fun with your right hand 🤙🏻 #지훈 🐶 you’re asking how yesterday was? yesterday was seriously so fun. it really was fun, but hmmm you guys need to have even more fun.. 🐶 you guys need to have more fun. teumes can def go harder than this, but you’re holding back. you guys can def do more, seriously, you really can but everyone kind of hesitates a little. just go out there and enjoy the atmosphere, got it? ok~? 🐶 i’m not saying don’t film or anything like that. you can film, it’s fine, i don’t mind it, because i think that’s the fans’ freedom. but i mean… film with one hand, your left hand, and use your right hand to hold your lightstick and have fun 🐶 but when both hands are on your phone like this… and i’m right in front of you… why are you looking at me through a camera filter first? you came to see me, so why… when i’m standing right in front of you, are you still only looking at me through your phone? it’s just a little disappointing to me 🐶 i’m not saying anyone is doing something wrong or anything like that, i’m just saying it feels a bit sad. i’m literally right in front of you, so why are you still looking at me inside your phone even when i’m right here? 🐶 and i know you want to take pictures, it’s okay. you can film it, keep it. it’s fine, because it’s not prohibited. in concerts where filming isn’t banned, ofc you can film. you want to take photos. ofc you want to take photos when your favorite singer is right in front of you, ofc you want to film it. i know that, we all know that. you can film it but film with your left hand and have fun with your right hand. let’s all make that promise. seriously, let’s really do it, film with your left hand and have fun with your right hand 🐶 because… when i’m like this, from up on stage when we look out like this, your gazes, your lightsticks, those kinds of things... when i feel like i’m directly interacting with each and every one of you like that.. i get out of breath like i might die, i get dizzy and everything, and my adrenaline gets pushed to the limit. but then if it’s all just iphone 17 pro maxes everywhere… it feels a bit disappointing 🐶 but i really do like that you film. i just feel a little regretful like if you film with one hand and have fun with the other.. like use your right hand properly to have fun, and use your left hand to film and capture everything… that’s how it should be, i guess. that kind of feeling 🐶 i’m not saying this to hear sorry from you guys. that’s not what i mean. i’m not saying you’re doing anything wrong, i just mean let’s all have fun together like that 💬 but oppa, if you’re playing with your right hand, the video in your left hand does get shaky so i just jump around and go all out 🐶 but even that shaking… i think of it as part of the live feeling

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23,355 просмотров • 3 месяцев назад

Tony Robbins would always ask is it Your Mother or Your Father’s? And he’ll follow that up with: “Who did you have to be to receive mom or dad’s love as a kid?” And then people sit there. Some people are like… and then they have an answer, or they pop—start crying. Why is that question so powerful? One of the reasons is because “who you had to be to receive your mom and dad’s love as a kid” becomes a role that many people take on for their whole entire life. If you had to be a people-pleaser to make your dad or mom happy, you might be an adult that’s pleasing everyone, feeling drained, and carrying the burden of that. And when you get to that core, you realize that the way you relate to mom and dad becomes the standard—the lens through which you believe you relate to everybody else. So if there’s unresolved energy from childhood where you believe that, as a kid, you had to be a certain way to receive mom or dad’s love. You may assume that that’s how you need to be in order to receive anyone else’s love. So one of the most powerful things to realize is that when you begin to connect to that inner child part of you—the part of you that may have not felt seen, heard, soothed, or nurtured… Or that believed your worth was connected to what you do… you can then realize that the role you may have taken on as a child is not who you really are. It’s just a strategy to feel connected. And when you begin to see, hear, soothe, and nurture that inner child… You may then realize that you no longer have to live in that role—and that then you become free. via Aaron Doughty

Larry Conger 🇺🇸

97,933 просмотров • 5 месяцев назад

Remote Viewer Warns of a Terrifying Coordinated Attack on a Major US City?! Remote Viewer, Daz Smith, looked at April world events and what he got back is potentially concerning... "...So it was large structures, weirdly higher than any of containership. I shouldn't have looked at that a bit more detail, but I didn't. Maybe I just thought it was appropriate, moved it to one side, but definitely large structures." "And it felt like the structures were on fire. So I, you know, asked the question why here? And I felt like there was a ground based attack, that was going to happen in, in, in this city location. And it felt like it was like a bomb attack. And I had, like, this very strong visual of a, white truck or van that might be involved, which I tried to draw here. So the, you know, they had these kind of, modern looking van in front of a, multi-level structure, almost like this, like the entranceway or something of the structure." "So it felt like it was a kinetic event, of lots of explosive energy. It was very loud. There was wide dispersal. Definitely had a terror attack feel. It feels like it was a driven vehicle parts and then detonated, as an act of retaliation. The vehicle fills, larger than a car. Felt very van like, possibly white, possibly have branding on it as well." "...It was strategically positioned, in front of an important structure. The whole thing felt very US based. Just not that weird kind of U.S filled me, getting targets. And I also have a dang tang feel to this as well, so it felt like it was in a large U.S urban city, which gave me the idea of New York. Because maybe because I've been to New York and, you know, just had that, but definitely had an East Coast feel to this..." "...it was definitely driven, implanted..." "...it felt like it was in planning. So they were planning or rehearsing for a future event, which is, you know, what we're looking for, a month ahead. And I had a weird I had a well here, weirdly, of Holy Cross... it starts with fear and panic, and it's like they're just implanting a message.... Trying to timeline this site here. You know, again, this is all very experimental..."

Future Forecasting Group

14,822 просмотров • 4 месяцев назад

Yunjin talked about the significance of slowness in a world that moves so fast & virtue of patience ❤️‍🩹 “What I've been thinking about lately is the importance of being deliberately slow about things and allowing yourself a pocket of time in your day to not be rushed by anyone or anything, not even yourself. When we had our show in Shizuoka, we got on, we took the train there, the Shinkansen, instead of taking a flight like we would normally and it was really really nice because we were allotted an amount of time in our day to basically just sit with ourselves. You know, that's what I love about being on a plane or just in any vehicle, because you are not driving it or you could be driving it, but you can’t travel in a split second. There's time. There's a time of arrival that you can't control and you just kind of have to wait and sit with yourself. But I feel this need to be on airplane mode when I do have those opportunities to be off my phone and just, like, disconnected from the world, but also not disconnected from the world. You know what I mean? Like, when you're on a plane, you're still part of the world. You're just, like, not on the stratosphere, like, physically. And it kind of like, forces you to be, like. To, like, separate yourself for a second, like a couple hours or a couple days, if you're like a layover or something. I found myself looking out the window of the train and just, like, enjoying myself. Because everything is so fast, and I think everything. Ever since then, I've been deliberately, like, making an effort to do one thing very slowly, and it's very nice. It’s good. It's a good way to kind of put your feet back on the ground and remind yourself that not everything has to be you know, it's okay to take a breather and just wait. It's a virtue. Patience is a virtue, you know, but it's also virtue to enjoy it and gift yourself that time. It's kind of rebellious in a way, because no one can take that right from you. To do something with less urgency when everybody around you is like, of course, if it's an urgent manner, you should or urgent matter, you should do things accordingly but, you know, if it's like you don't need to wash your hair, like, in three minutes. Like, you can take your time to really think about. You know, sometimes we just live on. Autopilot so much, I think it's important to remind ourselves we're not AI.”

nat ☆彡

15,642 просмотров • 10 дней назад

FNC Boaster: “These events are, as you can probably imagine, quite tiring. We go from the upper bracket into three games in a row for the final days. That, on top of lots of media, lots of features, lots of just random stuff that we do. Not to mention the fact that when we go into our games, there’s a lot of adrenaline. After every game, my body aches and my head hurts, and then we have to somehow get to sleep, and then we’ve got to wake up early and stuff. So there’s loads of factors into this. It’s not just simply, you go in and you play. And I think we started slow today, especially on Corrode and Lotus. A big map was Lotus for us, and we weren’t able to, just everything wasn’t going our way. The Odin was completely annihilating us. Then when we got to Abyss, we were like, ‘This is the last chance.’ And I felt very confident that we could win this one, because I felt like I knew everything they did on the attack side. And then, what were we like 1–11 down or something? I was like, ‘Oh bloody hell, this one’s going to be a tough one, isn’t it?’ We managed to do it, and then I was like, ‘Holy guacamole, the dream is alive!’ And it felt amazing, hearing the crowd and being able to just do that, because it would’ve been so disappointing of a final to just bomb out there. But in the FNATIC way, we fight back. Ascent, we’re starting to feel the kind of momentum. And then it gets to Sunset, a map that was the one kind of perma-ban we had, but we had some stuff on it. Unfortunately, it was just the crucial map for us to get the win, and some of the rounds just didn’t go our way, and that’s how VALORANT goes, you know. It felt like the rounds that we needed to win, we lost, and then they had an ultimate the next round, and that’s how brutal it is on defense. If we had just been able to win one of those rounds, like the bonus round, holy guacamole, we would’ve been loving life. And it was the difference of like a 1v1 in the end. So yeah, I mean, we tried our best. That’s why I’m not that [sad]. I am sad, obviously, but I’m not like how I was in Toronto, because I felt like we pushed, we tried our best, and I’m very happy with the boys. It would’ve been nice to win, but there’s only one winner, so it’s just a blessing to compete instead.” #VALORANTChampions via Pedro Romero

VALO2ASIA

160,238 просмотров • 10 месяцев назад