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A relatively unknown Marilyn Monroe makes a cameo appearance in the musical comedy film, “Love Happy” (1949). Groucho Marx told an anecdote ― both on a '60s Today Show segment and in print ― that the movie's producer Lester Cowan asked three aspiring actresses to walk seductively past Marx....

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Hollywood Golden Age of Cinema

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222,976 просмотров • 7 месяцев назад •via X (Twitter)

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Marilyn Monroe makes an early appearance in the Marx Brothers comedy 'Love Happy', 1949.
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Marilyn Monroe makes an early appearance in the Marx Brothers comedy 'Love Happy', 1949.

Modern History 𝕏

120,282 просмотров • 9 месяцев назад

For me The Marx Brothers are at their best, either alone or collectively, when goading or ridiculing powerful or influential people, examples of which are too numerous to list here. This is one of my favourites though. It’s from the film A Night in Casablanca and features Groucho Marx winding up a self important bigwig, played by Paul numerous to list here. This is one of my favourites though. It’s from the film A Night in Casablanca and features Groucho Marx winding up a self important bigwig, played by Paul Harvey. By the way, did you know that the Irish government banned the Marx Brothers’ masterpiece, Duck Soup, when it came out in 1933, fearing it might encourage “anarchic tendencies”. The ban wasn’t lifted until 2000!
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For me The Marx Brothers are at their best, either alone or collectively, when goading or ridiculing powerful or influential people, examples of which are too numerous to list here. This is one of my favourites though. It’s from the film A Night in Casablanca and features Groucho Marx winding up a self important bigwig, played by Paul numerous to list here. This is one of my favourites though. It’s from the film A Night in Casablanca and features Groucho Marx winding up a self important bigwig, played by Paul Harvey. By the way, did you know that the Irish government banned the Marx Brothers’ masterpiece, Duck Soup, when it came out in 1933, fearing it might encourage “anarchic tendencies”. The ban wasn’t lifted until 2000!

James Hogg

47,502 просмотров • 1 месяц назад

Victor Marx, frontrunner for the GOP nod for CO Gov, makes astonishing claims about his accomplishments. He’s either had one of the most extraordinary lives in human history or he’s a liar and a fraud. When I asked how voters should decide, he joked that his dog would bite me.
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Victor Marx, frontrunner for the GOP nod for CO Gov, makes astonishing claims about his accomplishments. He’s either had one of the most extraordinary lives in human history or he’s a liar and a fraud. When I asked how voters should decide, he joked that his dog would bite me.

Kyle Clark

79,604 просмотров • 2 месяцев назад

🆘CHECKMATE: Candace Owens JUST Responded On Instagram To Victor Marx Calling His BLUFF —Inviting Corby Hall And Victor Marx On The SAME Show For A Debate.👀 We are exclusively covering the dynamic fallout of the Victor Marx / Candace Owens standoff. Marx initially responded to Candace’s trafficking bombshells with a passive-aggressive "I'm praying for you" and a general challenge to come on her show. Candace Just Accepted—With a Massive Catch:Candace didn’t just say yes to the debate; she brought the primary whistleblower to the table. In a new Instagram comment, Candace publically called Marx out: “We’re actually going to have Corby Hall of FoldAR on and he’s game to do the show with you. Happy to have you both on if you agree?” 👱‍♀️⚔️ This isn't a "prayer circle." This is an active investigation. Candace is calling for Victor Marx to answer, live and on the record, for: The alleged demand for 50,000 FoldAR rifles for the IDF. 📦 The pressure to "retool" Corby Hall using Project Bluebird-style psychological techniques. 🧠 His explanation for the ATF trace at 9:00 AM on 9/10 on the morning of Charlie’s death. 🔫 Will Victor Marx step onto a stage and debate the very man who has provided a sworn statement against him regarding illegal arms exportation? Or is the "man of God" who told Corby "I could whoop your ass" suddenly going to have "scheduling conflicts"? This is the definition of a "Battle Bun" checkmate. Victor Marx tried to use "prayer" and "love" as a defensive pivot, but Candace Owens just called his bluff in front of the entire movement. The ball is back in your court, "Pastor." 🎾🔥 👇 WATCH THE SHOWDOWN unfold. Comment below: Will he agree to face Corby Hall?
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🆘CHECKMATE: Candace Owens JUST Responded On Instagram To Victor Marx Calling His BLUFF —Inviting Corby Hall And Victor Marx On The SAME Show For A Debate.👀 We are exclusively covering the dynamic fallout of the Victor Marx / Candace Owens standoff. Marx initially responded to Candace’s trafficking bombshells with a passive-aggressive "I'm praying for you" and a general challenge to come on her show. Candace Just Accepted—With a Massive Catch:Candace didn’t just say yes to the debate; she brought the primary whistleblower to the table. In a new Instagram comment, Candace publically called Marx out: “We’re actually going to have Corby Hall of FoldAR on and he’s game to do the show with you. Happy to have you both on if you agree?” 👱‍♀️⚔️ This isn't a "prayer circle." This is an active investigation. Candace is calling for Victor Marx to answer, live and on the record, for: The alleged demand for 50,000 FoldAR rifles for the IDF. 📦 The pressure to "retool" Corby Hall using Project Bluebird-style psychological techniques. 🧠 His explanation for the ATF trace at 9:00 AM on 9/10 on the morning of Charlie’s death. 🔫 Will Victor Marx step onto a stage and debate the very man who has provided a sworn statement against him regarding illegal arms exportation? Or is the "man of God" who told Corby "I could whoop your ass" suddenly going to have "scheduling conflicts"? This is the definition of a "Battle Bun" checkmate. Victor Marx tried to use "prayer" and "love" as a defensive pivot, but Candace Owens just called his bluff in front of the entire movement. The ball is back in your court, "Pastor." 🎾🔥 👇 WATCH THE SHOWDOWN unfold. Comment below: Will he agree to face Corby Hall?

Project Constitution

101,063 просмотров • 4 месяцев назад

“I’ve read all the Marxist-Leninist literature that inspired @COSATU Today and Marx is surely laughing at them from his grave, but I believe in a free market economy. If Marx had to choose between me and Zingiswa Losi and Irvin Jim he’ll choose me because I’m more serious about empowering workers.” - Prince Mashele 🇿🇦
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“I’ve read all the Marxist-Leninist literature that inspired @COSATU Today and Marx is surely laughing at them from his grave, but I believe in a free market economy. If Marx had to choose between me and Zingiswa Losi and Irvin Jim he’ll choose me because I’m more serious about empowering workers.” - Prince Mashele 🇿🇦

Kganki Chávez Mphahlele 🇿🇦

14,990 просмотров • 3 месяцев назад

Actress Ankita Lokhande reveals that she was asked to "compromise" for a South film when she was just 19 years old. She says she was told to sleep with the producer to get the role, but she refused and walked away. After the incident, she decided she would never work in films and would focus only on television. Who could have been the producer whose alleged actions made her decide to stay away from films?
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Sensitive content

Actress Ankita Lokhande reveals that she was asked to "compromise" for a South film when she was just 19 years old. She says she was told to sleep with the producer to get the role, but she refused and walked away. After the incident, she decided she would never work in films and would focus only on television. Who could have been the producer whose alleged actions made her decide to stay away from films?

Amit Kumar Sindhi

263,712 просмотров • 1 месяц назад

In the attached video clip, Victor Marx Victor Marx gives testimony on The Shawn Ryan Show of coming from generational trauma and being put through textbook trauma that matched MK-ULTRA/BLUEBIRD manchurian candidate type programming when he was young... stating that his stepfather who was Army Counterintelligence who put him through it was trained in BLUEBIRD¹... but goes on to say that he isn't claiming to have been in the program, and doesn't mention deprogramming. This unfortunately signals that Victor Marx has an extremely high likelihood of being a current /operational programmed asset with control mechanisms still attached and in place. This makes more sense when you know of the globalist agenda and command and control structure of manchurian candidate type assets, and look into Marx's documented ties to Israeli intelligence infrastructure. Marx claims he went to Israel to help traumatized children — but a mountain of evidence tells a very different story. 50,000 guns, IDF training, and a secret government geofencing campaign targeting American churches raise serious questions about who Victor Marx is actually working for... or who controls him. The question must be asked... why is an American Christian ministry leader running a military-style operation inside U.S. churches — all while campaigning for Colorado Governor.² Interesting that The Shawn Ryan Show was exposed for having a MKULTRA/MONARCH/Manchurian Candidate Mockingbird type scandal³ internally, and has also aired many involved with various aspects of the program. Is Victor Marx being used as controlled opposition against survivors and the public at large? We need to be addressing manchurian candidate programming and related concerns with him and many others in politics as a baseline! - ¹X Post with about a book - BLUEBIRD (aka CIA Doctors) regarding Manchirian Candidates, based on FOIA documents: ²YouTube Video "Is Victor Marx Running an Israeli Intelligence Operation Inside American Churches?": ³X Post showing an MK-ULTRA/MONARCH/Manchurian Candidate Mockingbird type scandal at The Shawn Ryan Show:
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In the attached video clip, Victor Marx Victor Marx gives testimony on The Shawn Ryan Show of coming from generational trauma and being put through textbook trauma that matched MK-ULTRA/BLUEBIRD manchurian candidate type programming when he was young... stating that his stepfather who was Army Counterintelligence who put him through it was trained in BLUEBIRD¹... but goes on to say that he isn't claiming to have been in the program, and doesn't mention deprogramming. This unfortunately signals that Victor Marx has an extremely high likelihood of being a current /operational programmed asset with control mechanisms still attached and in place. This makes more sense when you know of the globalist agenda and command and control structure of manchurian candidate type assets, and look into Marx's documented ties to Israeli intelligence infrastructure. Marx claims he went to Israel to help traumatized children — but a mountain of evidence tells a very different story. 50,000 guns, IDF training, and a secret government geofencing campaign targeting American churches raise serious questions about who Victor Marx is actually working for... or who controls him. The question must be asked... why is an American Christian ministry leader running a military-style operation inside U.S. churches — all while campaigning for Colorado Governor.² Interesting that The Shawn Ryan Show was exposed for having a MKULTRA/MONARCH/Manchurian Candidate Mockingbird type scandal³ internally, and has also aired many involved with various aspects of the program. Is Victor Marx being used as controlled opposition against survivors and the public at large? We need to be addressing manchurian candidate programming and related concerns with him and many others in politics as a baseline! - ¹X Post with about a book - BLUEBIRD (aka CIA Doctors) regarding Manchirian Candidates, based on FOIA documents: ²YouTube Video "Is Victor Marx Running an Israeli Intelligence Operation Inside American Churches?": ³X Post showing an MK-ULTRA/MONARCH/Manchurian Candidate Mockingbird type scandal at The Shawn Ryan Show:

Grey

20,295 просмотров • 2 месяцев назад

Marilyn Monroe laughing through a blooper on Something's Got to Give, and stealing the scene anyway. The 1962 film was left unfinished after her death. Even in the outtakes, her spontaneity shines. Do you think anyone else ever had her screen presence?
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Marilyn Monroe laughing through a blooper on Something's Got to Give, and stealing the scene anyway. The 1962 film was left unfinished after her death. Even in the outtakes, her spontaneity shines. Do you think anyone else ever had her screen presence?

🇺🇸Hot Pepper

58,652 просмотров • 5 месяцев назад

🔴Kwame Ture on Why Karl Marx Did Not Invent Socialism and the Myth That African Liberation Must Be Separated from It Kwame Ture explains here that Karl Marx did not invent socialism and that socialism emerges from material conditions, not Europe. Marx did not create socialism any more than Newton created gravity. He observed, analyzed, and systematized laws that exist independently of him. This directly challenges the claim that scientific socialism is a Western imposition on African liberation because it “came after” Marx. The issue is not chronology, but development. African peoples did not need Marx to recognize exploitation, struggle against domination, or arrive at socialist conclusions. As Ture explains, wherever capital seeks to dominate labor, struggle emerges as a material fact. African resistance to slavery, colonialism, and wage exploitation demonstrates this historically. The clip makes clear that socialism is not “a white thing,” not a European invention, and not alien to African struggle. What Marx contributed was a scientific method for understanding these realities, not the realities themselves. African liberation movements independently developed socialist conclusions as colonial domination matured into capitalism. This affirms African autonomy rather than denying it. Separating Pan-Africanism from scientific socialism on the basis that it predates Marx is not a defense of African history; it is a misunderstanding of how revolutionary struggle develops under material conditions.
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🔴Kwame Ture on Why Karl Marx Did Not Invent Socialism and the Myth That African Liberation Must Be Separated from It Kwame Ture explains here that Karl Marx did not invent socialism and that socialism emerges from material conditions, not Europe. Marx did not create socialism any more than Newton created gravity. He observed, analyzed, and systematized laws that exist independently of him. This directly challenges the claim that scientific socialism is a Western imposition on African liberation because it “came after” Marx. The issue is not chronology, but development. African peoples did not need Marx to recognize exploitation, struggle against domination, or arrive at socialist conclusions. As Ture explains, wherever capital seeks to dominate labor, struggle emerges as a material fact. African resistance to slavery, colonialism, and wage exploitation demonstrates this historically. The clip makes clear that socialism is not “a white thing,” not a European invention, and not alien to African struggle. What Marx contributed was a scientific method for understanding these realities, not the realities themselves. African liberation movements independently developed socialist conclusions as colonial domination matured into capitalism. This affirms African autonomy rather than denying it. Separating Pan-Africanism from scientific socialism on the basis that it predates Marx is not a defense of African history; it is a misunderstanding of how revolutionary struggle develops under material conditions.

Horn of Africa Leftists

39,171 просмотров • 6 месяцев назад

Watch how easily Candace Owens LIES... In April 2026, Candace Owens implicated Charlie Kirk’s friend Victor Marx in his murder. VS. Today, Marx appeared on Candace’s show, and she changed her story.... APRIL VS. TODAY: - Marx and Kirk had "a VERY BIG falling out" > "a LITTLE BIT of a falling out." - Candace presenting it as fact based off "several people" > "Could be innacurate", only coming from "somebody at Turning Point" = ONE person. - Claiming they “unfollowed each other,” and that she wasn’t sure “if that was ever patched out [SIC] ” > when Marx says he can prove they still followed each other, suddenly it's now “that person said it was a period, it wasn’t forever.” So many goalposts moved. And the reality, it appears there was no "falling out" at all. This is why Candace Owens is being sued for defamation. She baselessly throws around accusations completely carelessly, then refuses to stand by them and instead pretends she never said what she said. That won’t work in court.
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Watch how easily Candace Owens LIES... In April 2026, Candace Owens implicated Charlie Kirk’s friend Victor Marx in his murder. VS. Today, Marx appeared on Candace’s show, and she changed her story.... APRIL VS. TODAY: - Marx and Kirk had "a VERY BIG falling out" > "a LITTLE BIT of a falling out." - Candace presenting it as fact based off "several people" > "Could be innacurate", only coming from "somebody at Turning Point" = ONE person. - Claiming they “unfollowed each other,” and that she wasn’t sure “if that was ever patched out [SIC] ” > when Marx says he can prove they still followed each other, suddenly it's now “that person said it was a period, it wasn’t forever.” So many goalposts moved. And the reality, it appears there was no "falling out" at all. This is why Candace Owens is being sued for defamation. She baselessly throws around accusations completely carelessly, then refuses to stand by them and instead pretends she never said what she said. That won’t work in court.

Nathan Livingstone (MilkBarTV)

65,366 просмотров • 3 месяцев назад

Without the Russian Revolution, Karl Marx would be about as famous as Ferdinand Lassalle. Know who that is? Exactly. His core economic theory was already obsolete by the 1870s, yet he remains one of the most cited thinkers on earth. Phil Magness and Michael Makovi tested exactly why in a 2023 Journal of Political Economy paper by building a synthetic Marx out of the citation patterns of his actual socialist contemporaries. Before 1917 the real Marx and the synthetic version tracked almost identically. After the Bolsheviks seized power, the real Marx gets cited 2-3x more often than the model says he should have. Lenin’s political victory and the Soviet state’s mass production of Marx’s collected works created that gap. The paper’s own conclusion is that the intellectual mainstreaming of Marxist theory is intimately intertwined with the political establishment of the Soviet Union. TLDR: Marx’s academic dominance is a political artifact of Soviet power far more than a testament to the strength of his ideas.
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Without the Russian Revolution, Karl Marx would be about as famous as Ferdinand Lassalle. Know who that is? Exactly. His core economic theory was already obsolete by the 1870s, yet he remains one of the most cited thinkers on earth. Phil Magness and Michael Makovi tested exactly why in a 2023 Journal of Political Economy paper by building a synthetic Marx out of the citation patterns of his actual socialist contemporaries. Before 1917 the real Marx and the synthetic version tracked almost identically. After the Bolsheviks seized power, the real Marx gets cited 2-3x more often than the model says he should have. Lenin’s political victory and the Soviet state’s mass production of Marx’s collected works created that gap. The paper’s own conclusion is that the intellectual mainstreaming of Marxist theory is intimately intertwined with the political establishment of the Soviet Union. TLDR: Marx’s academic dominance is a political artifact of Soviet power far more than a testament to the strength of his ideas.

Rothmus 🏴

21,164 просмотров • 21 дней назад

The one thing Victor Marx has done consistently in his run for governor is fail to tell the truth. Tina Peters is spot on. Victor Marx now claims Tina had a fair trial, was justly convicted by a jury of her peers, and on record says he would not give her a full pardon. Tina, you will receive a full pardon on Day One of my administration. It will be the very first one I sign. You exemplify truth, honesty, and courage. You could have taken the easy road, but you chose to stand for what is right, no matter the cost. That’s something Victor Marx seems incapable of doing. Colorado deserves a leader who put principle over politics and justice over convenience. Vote accordingly on June 30. #ReclaimColorado #TinaPeters #ScottBottomsforGovernor Tina Peters🇺🇸 Whistleblower of fallen Navy SEAL
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The one thing Victor Marx has done consistently in his run for governor is fail to tell the truth. Tina Peters is spot on. Victor Marx now claims Tina had a fair trial, was justly convicted by a jury of her peers, and on record says he would not give her a full pardon. Tina, you will receive a full pardon on Day One of my administration. It will be the very first one I sign. You exemplify truth, honesty, and courage. You could have taken the easy road, but you chose to stand for what is right, no matter the cost. That’s something Victor Marx seems incapable of doing. Colorado deserves a leader who put principle over politics and justice over convenience. Vote accordingly on June 30. #ReclaimColorado #TinaPeters #ScottBottomsforGovernor Tina Peters🇺🇸 Whistleblower of fallen Navy SEAL

Scott Bottoms for Colorado

14,800 просмотров • 1 месяц назад

This is Colorado MAGA GOP nominee for Governor, Victor Marx. Marx claims he can exorcise demons like Jesus did and he can do it over the phone no less. Marx also claims when he was 7 years old, his stepfather forced him to shoot and kill a man in Mississippi. Surprise, surprise, local law enforcement in the area have stated they have no record of any unsolved homicides from that time. I don't know much about his Democrat opponent, Phil Weiser, but please vote for Phil. Phil is a rational sane person. Please follow and support Phil Weiser #DemsUnited
1:39

This is Colorado MAGA GOP nominee for Governor, Victor Marx. Marx claims he can exorcise demons like Jesus did and he can do it over the phone no less. Marx also claims when he was 7 years old, his stepfather forced him to shoot and kill a man in Mississippi. Surprise, surprise, local law enforcement in the area have stated they have no record of any unsolved homicides from that time. I don't know much about his Democrat opponent, Phil Weiser, but please vote for Phil. Phil is a rational sane person. Please follow and support Phil Weiser #DemsUnited

Feisty is proud to be a Democrat!

12,859 просмотров • 1 месяц назад

For all the times that I have seen this question in the comment section, finally, here is your answer😅 I asked Ann-Suhet Marx, Director at VDM Attorneys, if a landlord can legally change the locks when a tenant stops paying rent... The answer is no. That’s unlawful eviction, and it can land you in court fast.
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For all the times that I have seen this question in the comment section, finally, here is your answer😅 I asked Ann-Suhet Marx, Director at VDM Attorneys, if a landlord can legally change the locks when a tenant stops paying rent... The answer is no. That’s unlawful eviction, and it can land you in court fast.

Ash Müller

17,720 просмотров • 5 месяцев назад

When Michael Haneke's "Funny Games" (1997) was screened at the Cannes Film Festival, it shocked the audience badly enough that many viewers, including some film critics, walked out of the screening. Michael Haneke told producer Veit Heiduschka during the production that if the film was a success, it would be because audiences had misunderstood the meaning behind it. Haneke later said, “Anyone who leaves the cinema doesn’t need the film, and anybody who stays does". Happy 84th birthday, Michael Haneke!
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When Michael Haneke's "Funny Games" (1997) was screened at the Cannes Film Festival, it shocked the audience badly enough that many viewers, including some film critics, walked out of the screening. Michael Haneke told producer Veit Heiduschka during the production that if the film was a success, it would be because audiences had misunderstood the meaning behind it. Haneke later said, “Anyone who leaves the cinema doesn’t need the film, and anybody who stays does". Happy 84th birthday, Michael Haneke!

DepressedBergman

121,242 просмотров • 5 месяцев назад

"When you understand who [Karl Marx] was and what he believed, you will be able to trace a lot that's going on in our world today right back to him." . Dr. David Jeremiah | Is Socialism a Sign of the End Times?
1:12

"When you understand who [Karl Marx] was and what he believed, you will be able to trace a lot that's going on in our world today right back to him." . Dr. David Jeremiah | Is Socialism a Sign of the End Times?

David Jeremiah

11,442 просмотров • 5 месяцев назад

Marilyn Monroe performing “Diamonds Are a Girl's Best Friend” in Gentlemen Prefer Blondes (1953), directed by Howard Hawks. • For the “Diamonds Are a Girl's Best Friend” musical number, Marilyn Monroe was originally going to be dressed in nothing but bands of black velvet and masses of rhinestones, creating the illusion of a woman-sized diamond necklace. However, this design was deemed too revealing and vetoed by the studio in favour of the now-iconic pink dress. • Choreographer Jack Cole was adamant that Lorelei Lee (Marilyn Monroe) should be the only blonde apparent in the production number “Diamonds Are a Girl's Best Friend”. The showgirls on the chandeliers are all brunettes or redheads, and the men flanking Monroe are all grayed at the temples. Rather than forcing the ladies of the ensemble to dye their hair, Cole affixed black netting around all of their faces that attached to their flowered headdresses in back, so that all of them appeared dark-haired on screen.
5:38

Marilyn Monroe performing “Diamonds Are a Girl's Best Friend” in Gentlemen Prefer Blondes (1953), directed by Howard Hawks. • For the “Diamonds Are a Girl's Best Friend” musical number, Marilyn Monroe was originally going to be dressed in nothing but bands of black velvet and masses of rhinestones, creating the illusion of a woman-sized diamond necklace. However, this design was deemed too revealing and vetoed by the studio in favour of the now-iconic pink dress. • Choreographer Jack Cole was adamant that Lorelei Lee (Marilyn Monroe) should be the only blonde apparent in the production number “Diamonds Are a Girl's Best Friend”. The showgirls on the chandeliers are all brunettes or redheads, and the men flanking Monroe are all grayed at the temples. Rather than forcing the ladies of the ensemble to dye their hair, Cole affixed black netting around all of their faces that attached to their flowered headdresses in back, so that all of them appeared dark-haired on screen.

Hollywood Golden Age of Cinema

28,873 просмотров • 11 дней назад

🆘SHOCKING: Erika Kirk’s Best Friend DOESN'T Believe the FED-SLOP Narrative—Victor Marx REJECTS the Tyler Robinson "Lone Wolf"Story🤯 When even Victor Marx—Erika Kirk’s closest spiritual "mentor" and the man who was there to comfort her hours after the assassination—refuses to swallow the fed-slop narrative, you know the "official story" is dead. "Don’t believe for one instance he would be a lone actor. There’s no way." — Victor Marx 👱‍♂️🤐 In a stunning clip that is sending shockwaves through the movement, Victor Marx—the man we’ve been tracking for his Project Bluebird past and Haiti arms connections—just admitted what we’ve been saying for seven months: Tyler Robinson did not act alone. The "Facts" Over "Speculation"Marx, who claims to be a master of "high-risk missions," says he bases everything on facts. His factual conclusion? The idea of a lone gunman at UVU is impossible. If a man with Marx’s counterintelligence pedigree says there’s "no way" it was a lone actor, he’s acknowledging the presence of a professional team on the ground. Wait a minute... if Victor Marx was one of the first people at Erika’s side after the shooting, and he doesn't believe the official story, what has he been telling Erika behind closed doors? Why is the TPUSA PR team still pushing the "Lone Nut" angle when their own inner circle is calling it out as fake? The "0.0 Percent" Rule Strikes AgainIt is statistically impossible for this many people to all agree that the official story is a lie—unless it actually is. The federal narrative is a house of cards, and the wind is picking up. If Tyler Robinson didn't do it, who did? 👇 WATCH THE ADMISSION. When the people on the inside start telling you the story is fake, it’s time to stop listening to the feds and start looking at the flight logs.
1:00

🆘SHOCKING: Erika Kirk’s Best Friend DOESN'T Believe the FED-SLOP Narrative—Victor Marx REJECTS the Tyler Robinson "Lone Wolf"Story🤯 When even Victor Marx—Erika Kirk’s closest spiritual "mentor" and the man who was there to comfort her hours after the assassination—refuses to swallow the fed-slop narrative, you know the "official story" is dead. "Don’t believe for one instance he would be a lone actor. There’s no way." — Victor Marx 👱‍♂️🤐 In a stunning clip that is sending shockwaves through the movement, Victor Marx—the man we’ve been tracking for his Project Bluebird past and Haiti arms connections—just admitted what we’ve been saying for seven months: Tyler Robinson did not act alone. The "Facts" Over "Speculation"Marx, who claims to be a master of "high-risk missions," says he bases everything on facts. His factual conclusion? The idea of a lone gunman at UVU is impossible. If a man with Marx’s counterintelligence pedigree says there’s "no way" it was a lone actor, he’s acknowledging the presence of a professional team on the ground. Wait a minute... if Victor Marx was one of the first people at Erika’s side after the shooting, and he doesn't believe the official story, what has he been telling Erika behind closed doors? Why is the TPUSA PR team still pushing the "Lone Nut" angle when their own inner circle is calling it out as fake? The "0.0 Percent" Rule Strikes AgainIt is statistically impossible for this many people to all agree that the official story is a lie—unless it actually is. The federal narrative is a house of cards, and the wind is picking up. If Tyler Robinson didn't do it, who did? 👇 WATCH THE ADMISSION. When the people on the inside start telling you the story is fake, it’s time to stop listening to the feds and start looking at the flight logs.

Project Constitution

44,704 просмотров • 4 месяцев назад

In Remembrance of Marilyn Monroe on her 100th Birthday Born | June 1, 1926 in Los Angeles, California, USA Probably the most celebrated of all actresses, Marilyn Monroe was born Norma Jeane Mortenson on June 1, 1926, in the charity ward of the Los Angeles General Hospital. Her mother, Gladys Pearl (Monroe), was born in Piedras Negras, Coahuila, Mexico, to American parents from Indiana and Missouri, and was a film-cutter at Consolidated Film Industries. Marilyn's biological father has been established through DNA testing as Charles Stanley Gifford, who had been born in Newport, Rhode Island, to a family with deep roots in the state. Marilyn grew up not knowing for sure who her father really was. Gladys gave Norma Jeane the name of Baker. Poverty was a constant companion to Gladys and Norma. Gladys, who was extremely attractive and later worked for R.K.O. Studios, suffered from mental illness and was in and out of mental institutions for the rest of her life, and because of that Norma Jeane spent time in foster homes. When she was nine, she was placed in an orphanage where she was to stay for the next two years. Upon being released from the orphanage, she went to yet another foster home. In 1942, at sixteen years old, Norma Jeane married twenty-one-year-old aircraft plant worker James Dougherty. The marriage lasted only four years, and they divorced in 1946. By this time, Marilyn began to model swimsuits and bleached her hair blonde. Various shots made their way into the public eye, where some were eventually seen by R.K.O. Pictures head Howard Hughes. He offered Marilyn a screen test, but an agent suggested that 20th Century-Fox would be the better choice for her, since it was a much bigger and more prestigious studio. She was signed to a contract at $125 per week for a six-month period and that was increased by $25 per week at the end of that time when her contract was lengthened. Her first film was in 1947 with a bit part in The Shocking Miss Pilgrim (1947). Her next production was not much better, a bit in the forgettable Scudda Hoo! Scudda Hay! (1948). Two of the three brief scenes in which she appeared wound up on the cutting room floor. Later that same year, she was given a somewhat better role as Evie in Dangerous Years (1947). However, Fox declined to renew her contract, so she went back to modeling and acting school. Columbia Pictures then picked her up to play Peggy Martin in Ladies of the Chorus (1948), where she sang three numbers. Notices from the critics were favorable for her, if not the film, but Columbia dropped her. Once again Marilyn returned to modeling. In 1949, she appeared in United Artists' Love Happy (1949). It was also that same year she posed nude for the now famous calendar shot which was later to appear in Playboy magazine in 1953 and further boost her career. She would be the first centerfold in that magazine's long and illustrious history. The next year proved to be a good year for Marilyn. She appeared in five films, but the good news was that she received very good notices for her roles in two of them, The Asphalt Jungle (1950) from MGM and All About Eve (1950) from Fox. Even though both roles were basically not much more than bit parts, movie fans remembered her dizzy but very sexy blonde performance. In 1951, Marilyn got a fairly sizable role in Love Nest (1951). The public was now getting to know her and liked what it saw. She had an intoxicating quality of volcanic sexuality wrapped in an aura of almost childlike innocence. In 1952, Marilyn appeared in Don't Bother to Knock (1952), in which she played a somewhat mentally unbalanced babysitter. Critics didn't particularly care for her work in this picture, but she made a much more favorable impression later in the year in Monkey Business (1952), where she was seen for the first time as a platinum blonde, a look that became her trademark. The next year, she appeared in Gentlemen Prefer Blondes (1953) as Lorelei Lee. It was also the same year she began dating the baseball great Joe DiMaggio. Marilyn was now a genuine box-office drawing card. Later, she appeared with Betty Grable, Lauren Bacall, and Rory Calhoun in How to Marry a Millionaire (1953). Although her co-stars got the rave reviews, it was the sight of Marilyn that really excited the audience, especially the male members. On Thursday, January 14th, 1954, Marilyn wed DiMaggio, then proceeded to film There's No Business Like Show Business (1954). That was quickly followed by The Seven Year Itch (1955), which showcased her considerable comedic talent and contained what is arguably one of the most memorable moments in cinema history: Marilyn standing above a subway grating and the wind from a passing subway blowing her white dress up. By October 1954, Marilyn announced her divorce from DiMaggio (though the divorce was not finalised until October 31, 1955). In 1955, she was suspended by Fox for not reporting for work on How to Be Very, Very Popular (1955). It was her second suspension, the first being for not reporting for the production of The Girl in the Red Velvet Swing (1955). Both roles went to others. Her work was slowing down, due to her habit of being continually late to the set, her illnesses (whether real or imagined) and generally being unwilling to cooperate with her producers, directors, and fellow actors. However in Bus Stop (1956), Marilyn finally showed critics that she could play a straight dramatic role. It was also the same year she married playwright Arthur Miller. (They divorced January 20, 1961.) In 1957, Marilyn flew to Britain to film The Prince and the Showgirl (1957), which proved less than impressive critically and financially. It made money, but many critics panned it for being slow-moving. After a year off in 1958, Marilyn returned to the screen the next year for the delightful comedy, Some Like It Hot (1959) with Tony Curtis and Jack Lemmon. The film was an absolute smash hit, with Curtis and Lemmon pretending to be females in an all-girl band, so they can get work. This was to be Marilyn's only film for the year. In 1960, Marilyn appeared in George Cukor's Let's Make Love (1960) with Tony Randall and Yves Montand. Again, while it made money, it was critically panned as stodgy and slow-moving. The following year, Marilyn made what was to be her final film, The Misfits (1961), which also proved to be the final film for the legendary Clark Gable, who died later that year of a heart attack. The film was popular with critics and the public alike. In 1962, Marilyn was chosen to star in Fox's Something's Got to Give (1962). Again, her absenteeism caused delay after delay in production, resulting in her being fired from the production in June of that year. It looked as though her career was finished. Studios just didn't want to take a chance on her because it would cost them thousands of dollars in delays. She was only 36 years old. Marilyn remains a pop culture icon, with the American Film Institute ranking her as the sixth-greatest female screen legend from the Golden Age of Hollywood. Marilyn acted in only thirty films, but her legendary status and mysticism will remain with film history for ever.
4:15

In Remembrance of Marilyn Monroe on her 100th Birthday Born | June 1, 1926 in Los Angeles, California, USA Probably the most celebrated of all actresses, Marilyn Monroe was born Norma Jeane Mortenson on June 1, 1926, in the charity ward of the Los Angeles General Hospital. Her mother, Gladys Pearl (Monroe), was born in Piedras Negras, Coahuila, Mexico, to American parents from Indiana and Missouri, and was a film-cutter at Consolidated Film Industries. Marilyn's biological father has been established through DNA testing as Charles Stanley Gifford, who had been born in Newport, Rhode Island, to a family with deep roots in the state. Marilyn grew up not knowing for sure who her father really was. Gladys gave Norma Jeane the name of Baker. Poverty was a constant companion to Gladys and Norma. Gladys, who was extremely attractive and later worked for R.K.O. Studios, suffered from mental illness and was in and out of mental institutions for the rest of her life, and because of that Norma Jeane spent time in foster homes. When she was nine, she was placed in an orphanage where she was to stay for the next two years. Upon being released from the orphanage, she went to yet another foster home. In 1942, at sixteen years old, Norma Jeane married twenty-one-year-old aircraft plant worker James Dougherty. The marriage lasted only four years, and they divorced in 1946. By this time, Marilyn began to model swimsuits and bleached her hair blonde. Various shots made their way into the public eye, where some were eventually seen by R.K.O. Pictures head Howard Hughes. He offered Marilyn a screen test, but an agent suggested that 20th Century-Fox would be the better choice for her, since it was a much bigger and more prestigious studio. She was signed to a contract at $125 per week for a six-month period and that was increased by $25 per week at the end of that time when her contract was lengthened. Her first film was in 1947 with a bit part in The Shocking Miss Pilgrim (1947). Her next production was not much better, a bit in the forgettable Scudda Hoo! Scudda Hay! (1948). Two of the three brief scenes in which she appeared wound up on the cutting room floor. Later that same year, she was given a somewhat better role as Evie in Dangerous Years (1947). However, Fox declined to renew her contract, so she went back to modeling and acting school. Columbia Pictures then picked her up to play Peggy Martin in Ladies of the Chorus (1948), where she sang three numbers. Notices from the critics were favorable for her, if not the film, but Columbia dropped her. Once again Marilyn returned to modeling. In 1949, she appeared in United Artists' Love Happy (1949). It was also that same year she posed nude for the now famous calendar shot which was later to appear in Playboy magazine in 1953 and further boost her career. She would be the first centerfold in that magazine's long and illustrious history. The next year proved to be a good year for Marilyn. She appeared in five films, but the good news was that she received very good notices for her roles in two of them, The Asphalt Jungle (1950) from MGM and All About Eve (1950) from Fox. Even though both roles were basically not much more than bit parts, movie fans remembered her dizzy but very sexy blonde performance. In 1951, Marilyn got a fairly sizable role in Love Nest (1951). The public was now getting to know her and liked what it saw. She had an intoxicating quality of volcanic sexuality wrapped in an aura of almost childlike innocence. In 1952, Marilyn appeared in Don't Bother to Knock (1952), in which she played a somewhat mentally unbalanced babysitter. Critics didn't particularly care for her work in this picture, but she made a much more favorable impression later in the year in Monkey Business (1952), where she was seen for the first time as a platinum blonde, a look that became her trademark. The next year, she appeared in Gentlemen Prefer Blondes (1953) as Lorelei Lee. It was also the same year she began dating the baseball great Joe DiMaggio. Marilyn was now a genuine box-office drawing card. Later, she appeared with Betty Grable, Lauren Bacall, and Rory Calhoun in How to Marry a Millionaire (1953). Although her co-stars got the rave reviews, it was the sight of Marilyn that really excited the audience, especially the male members. On Thursday, January 14th, 1954, Marilyn wed DiMaggio, then proceeded to film There's No Business Like Show Business (1954). That was quickly followed by The Seven Year Itch (1955), which showcased her considerable comedic talent and contained what is arguably one of the most memorable moments in cinema history: Marilyn standing above a subway grating and the wind from a passing subway blowing her white dress up. By October 1954, Marilyn announced her divorce from DiMaggio (though the divorce was not finalised until October 31, 1955). In 1955, she was suspended by Fox for not reporting for work on How to Be Very, Very Popular (1955). It was her second suspension, the first being for not reporting for the production of The Girl in the Red Velvet Swing (1955). Both roles went to others. Her work was slowing down, due to her habit of being continually late to the set, her illnesses (whether real or imagined) and generally being unwilling to cooperate with her producers, directors, and fellow actors. However in Bus Stop (1956), Marilyn finally showed critics that she could play a straight dramatic role. It was also the same year she married playwright Arthur Miller. (They divorced January 20, 1961.) In 1957, Marilyn flew to Britain to film The Prince and the Showgirl (1957), which proved less than impressive critically and financially. It made money, but many critics panned it for being slow-moving. After a year off in 1958, Marilyn returned to the screen the next year for the delightful comedy, Some Like It Hot (1959) with Tony Curtis and Jack Lemmon. The film was an absolute smash hit, with Curtis and Lemmon pretending to be females in an all-girl band, so they can get work. This was to be Marilyn's only film for the year. In 1960, Marilyn appeared in George Cukor's Let's Make Love (1960) with Tony Randall and Yves Montand. Again, while it made money, it was critically panned as stodgy and slow-moving. The following year, Marilyn made what was to be her final film, The Misfits (1961), which also proved to be the final film for the legendary Clark Gable, who died later that year of a heart attack. The film was popular with critics and the public alike. In 1962, Marilyn was chosen to star in Fox's Something's Got to Give (1962). Again, her absenteeism caused delay after delay in production, resulting in her being fired from the production in June of that year. It looked as though her career was finished. Studios just didn't want to take a chance on her because it would cost them thousands of dollars in delays. She was only 36 years old. Marilyn remains a pop culture icon, with the American Film Institute ranking her as the sixth-greatest female screen legend from the Golden Age of Hollywood. Marilyn acted in only thirty films, but her legendary status and mysticism will remain with film history for ever.

Hollywood Golden Age of cinema

35,552 просмотров • 2 месяцев назад

RKO had borrowed Marilyn Monroe from 20th Century Fox for Fritz Lang's "Clash by Night" (1952). In 1949, Monroe had posed for a N*de calendar. Fox had kept it under wraps, but RKO wanted to exploit that to promote the movie. They used it as PR. It was crushing Monroe who was already insecure and unstable. Barbara Stanwyck, who had posed for n*de portraits in her 20s, advised Monroe to defiantly own it and admit she did it to pay the bills. When Stanwyck was asked by the press to give an opinion on her co-star, she drolly said to the reporters, "When you have a figure like that, you don't have to act." Stanwyck also protected Monroe from Fritz Lang's constant belittling. During the filming, Monroe started arriving late on the set and couldn't function without her personal coach. Lang was so hard on Monroe that she vomited from anxiety before every scene. Her scene with Stanwyck took 26 takes, but Stanwyck didn't say a word. That put Fritz Lang in his place. Stanwyck would later admit that working with Monroe could be exasperating but there was no denying she had a magic that was obvious to everyone. ("Noir Alley", Eddie Muller, TCM) P.S: On this day, 74 years ago, "Clash by Night" (1952) had its limited release in the USA.
2:18

RKO had borrowed Marilyn Monroe from 20th Century Fox for Fritz Lang's "Clash by Night" (1952). In 1949, Monroe had posed for a N*de calendar. Fox had kept it under wraps, but RKO wanted to exploit that to promote the movie. They used it as PR. It was crushing Monroe who was already insecure and unstable. Barbara Stanwyck, who had posed for n*de portraits in her 20s, advised Monroe to defiantly own it and admit she did it to pay the bills. When Stanwyck was asked by the press to give an opinion on her co-star, she drolly said to the reporters, "When you have a figure like that, you don't have to act." Stanwyck also protected Monroe from Fritz Lang's constant belittling. During the filming, Monroe started arriving late on the set and couldn't function without her personal coach. Lang was so hard on Monroe that she vomited from anxiety before every scene. Her scene with Stanwyck took 26 takes, but Stanwyck didn't say a word. That put Fritz Lang in his place. Stanwyck would later admit that working with Monroe could be exasperating but there was no denying she had a magic that was obvious to everyone. ("Noir Alley", Eddie Muller, TCM) P.S: On this day, 74 years ago, "Clash by Night" (1952) had its limited release in the USA.

DepressedBergman

81,402 просмотров • 2 месяцев назад