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A same-sex professional dancing couple are using their platform to fight against heteronormative standards in the dance scene and show people that you can dance with whoever, and however, you want. Felipe Ramirez and Tiago Adegas, who own RoleRotation, a dancing school aimed at teaching dancers both roles, use...

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54,883 Aufrufe • vor 8 Monaten •via X (Twitter)

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Remember this clip? "I hope with our innovation they will want to come out and show that they can dance. I want people to know that we made them dance.” The irony is that it was precisely the competitor they were trying to expose that ended up making OpenAI and Microsoft dance. Pride comes before a fall.

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i cant w/ them 🤣 host :"neither of them is good at dancing" relaxed and confident #ZhangJingyi to #SongWeilong 😆 "he doesnt know you very well,come!" their dance 🤭 while dancing funny Longlong "can you cut this part for the both of us?" 😭🤣 #LoveForYou

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DANCE LIFE is PASSION ATEEEEEEEE. I really feel connected to my dancers as we are preparing for tomorrow’s “Taylor Swift | The Eras Tour |”. The first time I performed at Wembley I was backup dancing… having the support and talent of dancers for my own show is so special

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people are including azerbaijan in their rankings and are reacting to the song on youtube but you know for a fact they wont do the same for israel and that's true double standards, you either take a stand against genocidal countries being allowed to participate or you dont
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people are including azerbaijan in their rankings and are reacting to the song on youtube but you know for a fact they wont do the same for israel and that's true double standards, you either take a stand against genocidal countries being allowed to participate or you dont

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ABUNDANCE 25/96 THE GREAT JULY 25/96 31 DAY ABUND-DANCE CHALLENGE BEGINS TOMORROW. * For 31 days, we dance every day. * The mission is to channel the energies of joy and abundance and break stagnant loops. * The rules are simple: Dance every day, to the music of your choice, and share on the daily thread on my page. * We'll support each other, share our music, get exposed to new music and generally have fun and build our community. * Be sure to like and big up everyone on the thread, as much as you can. This really helps me a lot when you all do this as I can find it overwhelming at times. Let's make certain no one ever feels ignored or unseen. * If you want to post pictures or videos of yourself dancing you are welcome, but there is no obligation to do this at all. * Shy people are welcome. You don't have to say much if you don't want to. * If you are not able bodied you are especially invited to join in! Dancing does not have to be standing up. Move your head, your hands, your feet to music, or whatever is comfortable for you. All are invited. All are welcome. You do not want to miss this!

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Powwow dances are beautiful expressions of Indigenous spirituality, history and culture. There are a variety of regional dance styles performed by men, women and children across North America. For all dancers, spiritual centre of a powwow is always the Circle — a revered area blessed by a spiritual leader. Dancers must only enter Circle from east, as they walk in direction of sun. In addition, powwow dances, drum music and singers and regalia are sacred elements of celebration, meant not only to entertain, but also to tell important stories about personal and cultural history. Term “powwow” derives from Pau Wau, meaning “medicine man” in Narrtick, a language spoken by Algonquian peoples in Massachusetts. English settlers began misusing word to refer to meetings of Indigenous medicine men and later to any kind of American Indian gathering. American Indians have since reclaimed term. Although powwows are said to originate with Plains Indigenous peoples, cross-cultural exchanges have produced various regional variations to powwow dances. Most well-known of Northern styles (originating from northern Great Lakes and Great Plains regions) include men’s and women’s Northern Traditional Dances. Most well-known Southern styles (originating from central and western areas of Oklahoma and southern Plains peoples, including Kiowa, Comanche, Pawnee, Ponca), include men’s Southern Straight Dance and women’s Southern Cloth Dance. Some dances, namely men’s and women’s Fancy Dances, women’s Jingle Dance and men’s Grass Dance, are less geographically specific in modern times because they have been adapted in different ways by both Northern and Southern communities. There are also dances that are specific to certain First Nations, or that commemorate certain events or elements of nature. For example, Chicken Dance (Northern Plains), Crow Hop (Crow of Montana) and Rabbit Dance (Sioux) are regional dances that originate from observations of nature and animals. Sneak-Up Dance (Plains) and Smoke Dance (Haudenosaunee) are warrior dances. Hoop Dance (Anishinaabe) incorporates anywhere from one to 30 hoops in a story-telling dance. There are many other types of regional and ceremonial dances performed by various First Nations at some powwows. Most powwow dances are performed by individuals. There are dances for couples as well, such as Owl Dance (Northern Plains). Friendship Dances or Round Dances (Anishinaabe/Northern Plains) are intertribal dances that are open to general public, allowing both Indigenous and non-Indigenous peoples to celebrate together in song and dance. During Round Dance, all participants join hands and circle dance area, facing centre of circle. At times, Métis dancers (often performing the traditional jigging dance), Inuit dancers and dancers from Indigenous nations outside Canada and United States, such as Mexico, Australia, New Zealand, among others, are asked to perform at powwow celebrations. In this way, powwows can be a forum for cultural exchanges. Powwows can be defined as traditional or competitive. Traditional powwows are held in local communities, and do not have dance and drum group competitions. Competitive powwows have dance categories for women, men and children. Dancers who score the highest in their category receive awards or cash prizes. At contest powwows, dance categories can be gender- and age-specific. For example, jingle dress dance is typically performed by women, while Smoke Dance was historically performed by men. However, with resurgence of two-spirit traditions, and progression of women’s rights movements in 20th Century, some powwow organizers and First Nations allow dancers of opposite sex to participate in traditionally male or female specific dances. Most dances are also categorized by age: adult, teenager/youth and “tiny tot” (children). Panel of judges evaluating the competitive dances scores performers based on dance category as well as regalia and dancing abilities. #archaeohistories
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Powwow dances are beautiful expressions of Indigenous spirituality, history and culture. There are a variety of regional dance styles performed by men, women and children across North America. For all dancers, spiritual centre of a powwow is always the Circle — a revered area blessed by a spiritual leader. Dancers must only enter Circle from east, as they walk in direction of sun. In addition, powwow dances, drum music and singers and regalia are sacred elements of celebration, meant not only to entertain, but also to tell important stories about personal and cultural history. Term “powwow” derives from Pau Wau, meaning “medicine man” in Narrtick, a language spoken by Algonquian peoples in Massachusetts. English settlers began misusing word to refer to meetings of Indigenous medicine men and later to any kind of American Indian gathering. American Indians have since reclaimed term. Although powwows are said to originate with Plains Indigenous peoples, cross-cultural exchanges have produced various regional variations to powwow dances. Most well-known of Northern styles (originating from northern Great Lakes and Great Plains regions) include men’s and women’s Northern Traditional Dances. Most well-known Southern styles (originating from central and western areas of Oklahoma and southern Plains peoples, including Kiowa, Comanche, Pawnee, Ponca), include men’s Southern Straight Dance and women’s Southern Cloth Dance. Some dances, namely men’s and women’s Fancy Dances, women’s Jingle Dance and men’s Grass Dance, are less geographically specific in modern times because they have been adapted in different ways by both Northern and Southern communities. There are also dances that are specific to certain First Nations, or that commemorate certain events or elements of nature. For example, Chicken Dance (Northern Plains), Crow Hop (Crow of Montana) and Rabbit Dance (Sioux) are regional dances that originate from observations of nature and animals. Sneak-Up Dance (Plains) and Smoke Dance (Haudenosaunee) are warrior dances. Hoop Dance (Anishinaabe) incorporates anywhere from one to 30 hoops in a story-telling dance. There are many other types of regional and ceremonial dances performed by various First Nations at some powwows. Most powwow dances are performed by individuals. There are dances for couples as well, such as Owl Dance (Northern Plains). Friendship Dances or Round Dances (Anishinaabe/Northern Plains) are intertribal dances that are open to general public, allowing both Indigenous and non-Indigenous peoples to celebrate together in song and dance. During Round Dance, all participants join hands and circle dance area, facing centre of circle. At times, Métis dancers (often performing the traditional jigging dance), Inuit dancers and dancers from Indigenous nations outside Canada and United States, such as Mexico, Australia, New Zealand, among others, are asked to perform at powwow celebrations. In this way, powwows can be a forum for cultural exchanges. Powwows can be defined as traditional or competitive. Traditional powwows are held in local communities, and do not have dance and drum group competitions. Competitive powwows have dance categories for women, men and children. Dancers who score the highest in their category receive awards or cash prizes. At contest powwows, dance categories can be gender- and age-specific. For example, jingle dress dance is typically performed by women, while Smoke Dance was historically performed by men. However, with resurgence of two-spirit traditions, and progression of women’s rights movements in 20th Century, some powwow organizers and First Nations allow dancers of opposite sex to participate in traditionally male or female specific dances. Most dances are also categorized by age: adult, teenager/youth and “tiny tot” (children). Panel of judges evaluating the competitive dances scores performers based on dance category as well as regalia and dancing abilities. #archaeohistories

Archaeo - Histories

70,765 Aufrufe • vor 3 Monaten

Fantastic 5 Telugus of Dallaspuram. Keep the dancing, visa violations, and fake degrees back in your jungle villages. No one wants to play Bonalu or stick out their tongue and dance with jungle leaf pots on their head. Not the best and brightest but grade A scammers. #publicvideo
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Fantastic 5 Telugus of Dallaspuram. Keep the dancing, visa violations, and fake degrees back in your jungle villages. No one wants to play Bonalu or stick out their tongue and dance with jungle leaf pots on their head. Not the best and brightest but grade A scammers. #publicvideo

CyberGreen09

62,725 Aufrufe • vor 1 Monat

This could be us. But white people love you so much and want you to do well. Don't be like the foolish Chinese who rebeled against their own colonization and made tough decisions to give their grandchildren a future...
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This could be us. But white people love you so much and want you to do well. Don't be like the foolish Chinese who rebeled against their own colonization and made tough decisions to give their grandchildren a future...

Barra Hart

43,019 Aufrufe • vor 9 Monaten