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A thread about how Beyoncé Turned 'Rainy Day'-An instrumental composition by Shuggie Otis into a beautiful R&B ballad & what Shuggie has said about it over the years Song: Gift From Virgo Recorded: 2002 All lyrics: Beyoncé Produced by: Beyoncé Vocal Production: Beyoncé

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THE RECEIPTS

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101,187 görüntüleme • 1 yıl önce •via X (Twitter)

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A former Personal Shopper shared a story of Beyoncé coming into the store in London. “We were not fazed by celebrities… we’ve shopped for Taylor Swift, Justin Bieber.. but there’s something about Beyoncé, she has this aura to her.. when Beyoncé walked in, we couldn’t speak.”
4:01

A former Personal Shopper shared a story of Beyoncé coming into the store in London. “We were not fazed by celebrities… we’ve shopped for Taylor Swift, Justin Bieber.. but there’s something about Beyoncé, she has this aura to her.. when Beyoncé walked in, we couldn’t speak.”

IChooseViolence

30,945 görüntüleme • 5 ay önce

Beyoncé was 16 years old when she wrote the song Dangerously in love by herself, she wrote it about her then boyfriend a Lyndall Locke, her mother has confirmed this and her ex band mate is on camera saying how Beyoncé at that same age used to isolate herself to go write music
0:48

Beyoncé was 16 years old when she wrote the song Dangerously in love by herself, she wrote it about her then boyfriend a Lyndall Locke, her mother has confirmed this and her ex band mate is on camera saying how Beyoncé at that same age used to isolate herself to go write music

Aisha

433,325 görüntüleme • 3 ay önce

Beyoncé’s albums I don’t play about; RENAISSANCE ( the only album I listened to for 2 years) COWBOY CARTER (The only album I listened to for most of 2024 & 2025) I Am… Sasha Fierce (My most played Beyoncé album ever). BEYONCÉ & The Gift (Still on a heavy rotation)
0:46

Beyoncé’s albums I don’t play about; RENAISSANCE ( the only album I listened to for 2 years) COWBOY CARTER (The only album I listened to for most of 2024 & 2025) I Am… Sasha Fierce (My most played Beyoncé album ever). BEYONCÉ & The Gift (Still on a heavy rotation)

IChooseViolence

19,718 görüntüleme • 5 ay önce

years & years ago beyoncé was asked about destiny’s child after they went from a quartet to a trio & michelle joined. her answer was “now we can all sing solo.” this is what she meant. SING CHELLE!
1:29

years & years ago beyoncé was asked about destiny’s child after they went from a quartet to a trio & michelle joined. her answer was “now we can all sing solo.” this is what she meant. SING CHELLE!

chey

2,009,900 görüntüleme • 3 yıl önce

A little trivia, Beyoncé sung the chorus to "So Into You" at the age of 13 in her demo "In My life." Singer Tamia later was inspired by the song and sampled the chorus to create the R&B classic, "So Into You."
1:54

A little trivia, Beyoncé sung the chorus to "So Into You" at the age of 13 in her demo "In My life." Singer Tamia later was inspired by the song and sampled the chorus to create the R&B classic, "So Into You."

Josh P. Jackson

66,941 görüntüleme • 2 yıl önce

.BEYONCÉ and Destiny’s Child according Billboard; #1. Greatest Pop Star from the 21st Century #1. Biggest Girl Group from the 21st Century by Charts #3. Biggest Female artist from the 21st Century by Charts #4. Best R&B Singer of All Time
0:50

.BEYONCÉ and Destiny’s Child according Billboard; #1. Greatest Pop Star from the 21st Century #1. Biggest Girl Group from the 21st Century by Charts #3. Biggest Female artist from the 21st Century by Charts #4. Best R&B Singer of All Time

Beyoncé Global ★

52,731 görüntüleme • 1 yıl önce

Country music is a genre created by Foundational Black Americans. Former Dukes of Hazzard actor and country singer John Schneider and the OAN host are upset about Beyoncé releasing a country song, saying that “leftists” ( code word for Black people) are trying to take over everything and Beyoncé doing a country song is like a dog peeing on their tree.
0:32

Country music is a genre created by Foundational Black Americans. Former Dukes of Hazzard actor and country singer John Schneider and the OAN host are upset about Beyoncé releasing a country song, saying that “leftists” ( code word for Black people) are trying to take over everything and Beyoncé doing a country song is like a dog peeing on their tree.

Tariq Nasheed 🇺🇸

482,821 görüntüleme • 2 yıl önce

I want to test a theory: Can you tell the difference between Beyoncé lyrics and the Federalist Papers? Because The Washington Post just put BOTH on its “25 Most Influential Works of American Culture” list. It sure reveals a lot about how much our culture has changed over the past 250 years.
2:49

I want to test a theory: Can you tell the difference between Beyoncé lyrics and the Federalist Papers? Because The Washington Post just put BOTH on its “25 Most Influential Works of American Culture” list. It sure reveals a lot about how much our culture has changed over the past 250 years.

Glenn Beck

73,870 görüntüleme • 1 ay önce

the way we were supposed to get a Cardi B x Beyoncé collab in 2017 called “Wet” but it was leaked by her engineer.. then J White confirmed that’s why it didn’t come out😒 “3 years ago I was supposed to have a Beyoncé play with Cardi and that kinda went sour because it went viral that they were on a song together and that.. got out.”
0:40

the way we were supposed to get a Cardi B x Beyoncé collab in 2017 called “Wet” but it was leaked by her engineer.. then J White confirmed that’s why it didn’t come out😒 “3 years ago I was supposed to have a Beyoncé play with Cardi and that kinda went sour because it went viral that they were on a song together and that.. got out.”

໊

65,439 görüntüleme • 3 ay önce

“I don’t know that there’s a rapper that’s been born yet that can do what Beyoncé does” There is no bigger BEYONCÉ fan than Peter Rosenberg! My man started an entire show with one goal… TO PRAISE BEYONCÉ. He refers to her Christmas Day performance as the Beyoncé Bowl. So, how will a rapper like Kendrick Lamar measure up to today’s best performer. In short he can’t… but Kendrick is in the zone right now. Everything he shoots hits all net. Sure he will figure it out, & who knows maybe B makes a special appearance! Pivot Podcast Streaming everywhere now. #ThePivot #KDOT #Beyonce #PeterRosenberg
1:54

“I don’t know that there’s a rapper that’s been born yet that can do what Beyoncé does” There is no bigger BEYONCÉ fan than Peter Rosenberg! My man started an entire show with one goal… TO PRAISE BEYONCÉ. He refers to her Christmas Day performance as the Beyoncé Bowl. So, how will a rapper like Kendrick Lamar measure up to today’s best performer. In short he can’t… but Kendrick is in the zone right now. Everything he shoots hits all net. Sure he will figure it out, & who knows maybe B makes a special appearance! Pivot Podcast Streaming everywhere now. #ThePivot #KDOT #Beyonce #PeterRosenberg

Ryan Clark

90,140 görüntüleme • 1 yıl önce

🚨 DJ Akademiks Reacts To Old Footage Of A Young Beyoncé Speaking With Michael Jackson On The Phone 👀📹 DJ Akademiks briefly reacted to a video that resurfaced online over the weekend showing a young Beyoncé speaking with Michael Jackson during what appears to be a 2001 studio session. In the footage, an older man can be heard offering Beyoncé a seat on his lap before putting Michael Jackson on speakerphone so she could speak with him about a music project. The clip has sparked discussion online, with some people questioning the context surrounding the interaction. Akademiks, however, said he wasn’t interested in creating conspiracy theories based solely on the footage. 🗣️ Akademiks: “Beyoncé, an amazing and beautiful girl. Not going to make up conspiracy theories about whatever.” Akademiks suggested that Beyoncé was a young artist trying to establish herself in the music industry at the time and acknowledged that young artists can potentially find themselves in uncomfortable or complicated situations while trying to advance their careers. 🗣️ Akademiks: “I’m not mad at Beyoncé.” He ultimately said he viewed the footage as an example of what the entertainment industry can look like for young artists trying to break through, while stressing that viewers don’t necessarily know the full context behind what they’re seeing. 👀 What do you make of the resurfaced footage and Akademiks reaction to it?
5:17

🚨 DJ Akademiks Reacts To Old Footage Of A Young Beyoncé Speaking With Michael Jackson On The Phone 👀📹 DJ Akademiks briefly reacted to a video that resurfaced online over the weekend showing a young Beyoncé speaking with Michael Jackson during what appears to be a 2001 studio session. In the footage, an older man can be heard offering Beyoncé a seat on his lap before putting Michael Jackson on speakerphone so she could speak with him about a music project. The clip has sparked discussion online, with some people questioning the context surrounding the interaction. Akademiks, however, said he wasn’t interested in creating conspiracy theories based solely on the footage. 🗣️ Akademiks: “Beyoncé, an amazing and beautiful girl. Not going to make up conspiracy theories about whatever.” Akademiks suggested that Beyoncé was a young artist trying to establish herself in the music industry at the time and acknowledged that young artists can potentially find themselves in uncomfortable or complicated situations while trying to advance their careers. 🗣️ Akademiks: “I’m not mad at Beyoncé.” He ultimately said he viewed the footage as an example of what the entertainment industry can look like for young artists trying to break through, while stressing that viewers don’t necessarily know the full context behind what they’re seeing. 👀 What do you make of the resurfaced footage and Akademiks reaction to it?

Cousin Tino ™️

198,256 görüntüleme • 8 gün önce

Keri Hilson opens up about her "regret" around the "Turnin Me On" remix, which appeared to be a shot at Beyoncé and other women in R&B. Hilson says, in so many words, that she was "forced" by Polow Da Don to record the remix (which she didn't write), or else her music would be in jeopardy. Then, it mysteriously "leaked." Keri claims she's always been a fan of Beyoncé, but she protected Polow (who went on to work with Beyoncé) and the woman who wrote the remix, Ester Dean. 🎥: The Breakfast Club 🔗:
7:28

Keri Hilson opens up about her "regret" around the "Turnin Me On" remix, which appeared to be a shot at Beyoncé and other women in R&B. Hilson says, in so many words, that she was "forced" by Polow Da Don to record the remix (which she didn't write), or else her music would be in jeopardy. Then, it mysteriously "leaked." Keri claims she's always been a fan of Beyoncé, but she protected Polow (who went on to work with Beyoncé) and the woman who wrote the remix, Ester Dean. 🎥: The Breakfast Club 🔗:

Block Topickz

75,566 görüntüleme • 1 yıl önce

B’Day was the album that took Beyoncé from respected to UNDENIABLE. She really made an album full of songs you couldn’t forget if you tried, recorded it in 2 weeks & gave us a masterclass in songwriting and instinct What’s your favorite song off this classic? 💿🎤
2:12

B’Day was the album that took Beyoncé from respected to UNDENIABLE. She really made an album full of songs you couldn’t forget if you tried, recorded it in 2 weeks & gave us a masterclass in songwriting and instinct What’s your favorite song off this classic? 💿🎤

Elsie not Elise 💿

105,213 görüntüleme • 10 ay önce

The racist and cowardly Piers Morgan issues a public apology to JAY-Z & Beyoncé after the mentally ill charlatan Jaguar Wright made baseless claims about the Carter on his struggling platform. He was contacted directly by The Carters lawyers.
0:36

The racist and cowardly Piers Morgan issues a public apology to JAY-Z & Beyoncé after the mentally ill charlatan Jaguar Wright made baseless claims about the Carter on his struggling platform. He was contacted directly by The Carters lawyers.

💎🍾

729,177 görüntüleme • 1 yıl önce

Wizkid shouldn’t have said he’s bigger than Fela; he should have just replied Seun Kuti directly. The Grammy Wizkid won, was it for his vocals? It was heavily influenced by Beyoncé, and this same Beyoncé has always given respect to Fela. Fela’s song Zombie was inducted into the Grammy Hall of Fame. All of Wizkid’s songs won’t be inducted into the Hall of Fame till he d!es, no be about “she tell me say she tell me say.” His biggest song is Essence, and if Essence is ever inducted into the Hall of Fame, it will be with Tems not him alone. — VeryDarkMan
4:04

Wizkid shouldn’t have said he’s bigger than Fela; he should have just replied Seun Kuti directly. The Grammy Wizkid won, was it for his vocals? It was heavily influenced by Beyoncé, and this same Beyoncé has always given respect to Fela. Fela’s song Zombie was inducted into the Grammy Hall of Fame. All of Wizkid’s songs won’t be inducted into the Hall of Fame till he d!es, no be about “she tell me say she tell me say.” His biggest song is Essence, and if Essence is ever inducted into the Hall of Fame, it will be with Tems not him alone. — VeryDarkMan

TENIOLA

598,545 görüntüleme • 7 ay önce

We’ve heard countless stories about young actresses being put in uncomfortable situations by powerful men in Hollywood. But Hollywood wasn’t the only industry where professional boundaries could become disturbingly blurred. This footage was recorded in 2001, when Beyoncé was around 20 years old and recording vocals for Michael Jackson’s post-9/11 charity project, “What More Can I Give.” Michael is on the phone with her, and the man sitting beside Beyoncé is F. Marc Schaffel, the project’s executive producer. Then comes the part that stopped me. During the call, Schaffel has Beyoncé sit on his lap. I understand this was 25 years ago, and we can’t know what Beyoncé thought about the interaction or what Schaffel intended. But watching it today, it’s hard not to think about the culture young female performers had to navigate and the professional boundaries that should have existed between artists and the powerful men around them. Maybe the most unsettling part is how casually it happens. Different time or not, should behavior like this between a young female artist and a powerful producer ever have been considered normal?
2:21

We’ve heard countless stories about young actresses being put in uncomfortable situations by powerful men in Hollywood. But Hollywood wasn’t the only industry where professional boundaries could become disturbingly blurred. This footage was recorded in 2001, when Beyoncé was around 20 years old and recording vocals for Michael Jackson’s post-9/11 charity project, “What More Can I Give.” Michael is on the phone with her, and the man sitting beside Beyoncé is F. Marc Schaffel, the project’s executive producer. Then comes the part that stopped me. During the call, Schaffel has Beyoncé sit on his lap. I understand this was 25 years ago, and we can’t know what Beyoncé thought about the interaction or what Schaffel intended. But watching it today, it’s hard not to think about the culture young female performers had to navigate and the professional boundaries that should have existed between artists and the powerful men around them. Maybe the most unsettling part is how casually it happens. Different time or not, should behavior like this between a young female artist and a powerful producer ever have been considered normal?

fOx

57,697 görüntüleme • 8 gün önce

Kamu: Who's your favorite country? Lyric: I like Morgan Wallen or Luke Combs. Chuk: Mine is Morgan & Jordan Davis. Kamu: What about that one country artist, Beyoncé? Chuk: It was charting so well & people were so mad. Kamu: I said it as a joke, cause it pissed people off. #bb28
0:26

Kamu: Who's your favorite country? Lyric: I like Morgan Wallen or Luke Combs. Chuk: Mine is Morgan & Jordan Davis. Kamu: What about that one country artist, Beyoncé? Chuk: It was charting so well & people were so mad. Kamu: I said it as a joke, cause it pissed people off. #bb28

Tooms

348,977 görüntüleme • 1 ay önce