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We’ve heard countless stories about young actresses being put in uncomfortable situations by powerful men in Hollywood. But Hollywood wasn’t the only industry where professional boundaries could become disturbingly blurred. This footage was recorded in 2001, when Beyoncé was around 20 years old and recording vocals for Michael Jackson’s...

57,697 görüntüleme • 8 gün önce •via X (Twitter)

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🚨 DJ Akademiks Reacts To Old Footage Of A Young Beyoncé Speaking With Michael Jackson On The Phone 👀📹 DJ Akademiks briefly reacted to a video that resurfaced online over the weekend showing a young Beyoncé speaking with Michael Jackson during what appears to be a 2001 studio session. In the footage, an older man can be heard offering Beyoncé a seat on his lap before putting Michael Jackson on speakerphone so she could speak with him about a music project. The clip has sparked discussion online, with some people questioning the context surrounding the interaction. Akademiks, however, said he wasn’t interested in creating conspiracy theories based solely on the footage. 🗣️ Akademiks: “Beyoncé, an amazing and beautiful girl. Not going to make up conspiracy theories about whatever.” Akademiks suggested that Beyoncé was a young artist trying to establish herself in the music industry at the time and acknowledged that young artists can potentially find themselves in uncomfortable or complicated situations while trying to advance their careers. 🗣️ Akademiks: “I’m not mad at Beyoncé.” He ultimately said he viewed the footage as an example of what the entertainment industry can look like for young artists trying to break through, while stressing that viewers don’t necessarily know the full context behind what they’re seeing. 👀 What do you make of the resurfaced footage and Akademiks reaction to it?

Cousin Tino ™️

198,256 görüntüleme • 8 gün önce

I shared a video from Nick Freitas yesterday about how to encourage and reach young men. You should check it out if you didn’t see it. Now, here is a clip that shows how to repel and discourage young men. This is so frustrating, Sean DeMars and Neil Shenvi. Leaving aside the whole “woke right” thing, whatever. You acknowledge that the Left has total cultural control. Then you mock the idea that white men are systemically discriminated against in our culture, or that we live in an effeminate gynocracy. What do you think the Left does with its total cultural control? You mock young men by claiming that their discrimination has no basis in reality, but has to be understood via some “gnostic” higher knowledge. This is not fair. We are starting to get more and more hard data on this issue. I will admit that there is an element of “look around, this should be obvious.” It should be, and you’re really sticking your head in the sand to deny these things. But being on the Right is to believe in God’s created reality. It’s not about “lived experience,” it’s about what is actually true. White men are being discriminated against in this culture, and the West has been feminized radically in the last 60 years. The biggest problem with the woke was always that they were wrong, beyond even their philosophical system. It wasn’t merely that they were claiming to be oppressed, but it was that this claim was wrong. "This argument sounds like that argument" is just so lazy when one was factually wrong, and one is factually right. The claims of the Right are correct in general. But at the end of the day, good luck crapping on young men like this. We'll see how that works out for you. I won’t be joining you.

Nate Schlomann

47,845 görüntüleme • 8 ay önce

One of the things that makes the ending of Heat so powerful is its music—Moby's "God Moving Over the Face of the Waters." At the time, Moby was relatively unknown, yet Michael Mann somehow discovered the obscure track and decided it was perfect for the final scene. Moby explains: “Let’s get in our little time machine and go back to 1994. I was part of the rave scene, and I was making my first album, Everything Is Wrong. One of the songs—in fact, the last song on the album—that I was desperate to include was "God Moving Over the Face of the Waters." It could arguably be the strangest song ever included on what was supposed to be a dance album. There are no drums and nothing overtly electronic about it. When I was working on it and mixing it, I fell in love with it almost more than anything I’d ever done. So I put it on the album, and it sat there at the end, largely ignored. But somehow, and I still don’t know how, Michael Mann heard it and wanted to use it in this movie he was working on called Heat, with Al Pacino, Robert De Niro, Val Kilmer, on and on and on. This real movie. I was baffled. How does Michael Mann know who I am? How does Michael Mann know about this piece of music? But I said yes, of course. It was such an amazing opportunity. This major Hollywood director knew who I was and wanted to use my music. They flew me to Los Angeles and put me in a professional studio to tailor “God Moving” to the closing scene of the film. Until then, I had only ever worked in my homemade studio in an abandoned loft building in New York… One of the most terrifying professional moments of my life came when someone told me, “Michael Mann wants to talk to you.” And I was like, “Can’t he just leave me alone? I’m terrified. I don’t want to talk to humans.” I thought, “Okay, Michael Mann is going to call me, and it’s going to be scary, but I can deal with it because I’m a big boy.” The phone rang, I picked it up, and Michael Mann talked for about 45 minutes. He talked about archetypes within the film, classical narrative elements and tropes. It was like he gave me this masterclass in what Heat was about, and then just hung up the phone. And then it came out, and to hear the music that I’d made against this phenomenal, beautiful scene—it really was special. I’m thrilled that, 30 years later, people are still discovering the film and “God Moving Over the Face of the Waters.” Spoiler warning: The clip below contains the ending of Heat. If you haven't seen the film, don't watch past the first 30 seconds. The music doesn't begin until about a minute into the scene.

Gangster Cinema Central

27,798 görüntüleme • 26 gün önce

Absolutely. Let me just say this publicly: I am voting for Keisha Lance Bottoms and I want her to be my governor but this is why I didn't vote for her in the primary I said on HBCU Pulse Radio with Alan Holmes in May that I did not like the fact that it felt like she was coasting in the primary. A candidate that was campaigning more fervently, like Jason Esteves was who was garnering my support. I hoped and prayed that she would not do the same thing in this election, particularly to a candidate like Rick Jackson, who has the money to saturate the airwaves, and here she is doing it Name ID can only go so far. Are the internal polls something that really is indicative of what is actually going on on the ground? I don't know. Maybe she's gonna win in pro-democratic sentiment/anti-republican sentiment and Jon Ossoff's political machine could give us the right outcome but I just need to see the effort And what I was talking about when I said that this needs to be on The Shade Room and Hollywood Unlocked, and this should have been one video post on social media and not two posts, was just the bare minimum. If they gave me the password to her accounts, I could have done that lol This is why when people were calling me a misogynist for supporting Jason and all this other crazy stuff, it irked the hell out of me because this is precisely what scared me about her candidacy. It is not a foregone conclusion just because she was the mayor of Atlanta

Randall Barnes

52,158 görüntüleme • 3 gün önce

As I sit here my heart is heavy and my eyes are filled. In what has been a shocking time for racing, over the last day I have found myself guilty of even smiling. For little outbursts of giggles at silly and insignificant things. Watching stupid videos I stumbled on to, catching myself laughing & then having to stop myself from smiling. Thinking how dare I laugh in a time like this. I have thought of things like betting, again stopping myself. Watching Cheltenham videos & race replays, and then thinking of how a young life has been taken. Racing has been my saviour, an escape, my one get away. There is not much people can say to make me think bad of racing as it has given me a purpose in life, filled a void. But the tough question I asked myself, is it really worth it? But then I seen this video of Michael… “Days like this is what I was dreaming of” “To get a day like this, I could retire in the morning” “You are - a Cheltenham Festival hero!” Michael O’Sullivan went out to live a dream. To fulfil a passion, a career he was born into, a role he was born to do. He grabbed that with both hands! I suddenly remembered watching Michael of how much joy racing gives people, how loving and passionate racing people are, how much the horses provide and give us, and that bond between animal and human. With this, I thought every dream must be pursued, life lived to the fullest, doing what you love, just as Michael was doing. This sport can give so much, and can take away even quicker. Michael will be laid to rest, but what he achieved even at his young age meant he etched himself into the history of Cheltenham, into racing, and into this unique community. He left his footprints in the sand of time, and in people’s hearts, not only for being a beautiful and talented young man, but for simply being a decent human! ❤️ In three weeks time it will be the Festival, and this year’s Supreme just won’t be the same. But if there is a roar, let it be for Michael. 💙

RACING LEE

72,782 görüntüleme • 1 yıl önce