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Actor William Petersen telling the story how he and William Friedkin pulled off the famous escalator run in TO LIVE AND DIE IN L.A. after being told by the airport liasion they were forbidden to do the stunt 🔥 very cool - watch the clip at the end

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Todd Spence

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199,107 görüntüleme • 4 ay önce •via X (Twitter)

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Airport Staff: You can film here but DO NOT run on top of the escalator. William Friedkin: Ok William Friedkin to William Petersen: You know what to do...
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Airport Staff: You can film here but DO NOT run on top of the escalator. William Friedkin: Ok William Friedkin to William Petersen: You know what to do...

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William Friedkin in a rare behind-the-scenes featurette directing To Live and Die in L.A. (1985). ~ also with Robby Müller, Willem Dafoe, William Petersen, Buddy Joe Hooker and John Pankow. priscilla page
5:59

William Friedkin in a rare behind-the-scenes featurette directing To Live and Die in L.A. (1985). ~ also with Robby Müller, Willem Dafoe, William Petersen, Buddy Joe Hooker and John Pankow. priscilla page

Eyes On Cinema

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William Friedkin admits to spending the counterfeit money used for TO LIVE AND DIE IN L.A. lol what a legend
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William Friedkin admits to spending the counterfeit money used for TO LIVE AND DIE IN L.A. lol what a legend

Todd Spence

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Willem Dafoe kisses a man in the first shot. Who then switches to a woman in the second shot. To Live and Die in L.A. (1985) dir. William Friedkin
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Willem Dafoe kisses a man in the first shot. Who then switches to a woman in the second shot. To Live and Die in L.A. (1985) dir. William Friedkin

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"I had seen 'Paris, Texas' (1984) by Wim Wenders, photographed by an Austrian cinematographer, Robbie Muller. His films were beautifully lit and composed, with long uninterrupted takes. This was the style I wanted for 'To Live and Die in L.A' (1985)" --- William Friedkin
7:00

"I had seen 'Paris, Texas' (1984) by Wim Wenders, photographed by an Austrian cinematographer, Robbie Muller. His films were beautifully lit and composed, with long uninterrupted takes. This was the style I wanted for 'To Live and Die in L.A' (1985)" --- William Friedkin

DepressedBergman

188,292 görüntüleme • 2 yıl önce

One of the reasons William Friedkin made "To Live and Die in LA" (1985) was to surpass the car chase he filmed in "The French Connection" (1971). He wanted the chase to be the centerpiece of the movie. Robby Müller shot most of the movie, but he told Friedkin that he didn't feel confident enough shooting the chase scene. Friedkin replaced him with Robert Yeoman, one of the camera operators. Friedkin believed Yeoman was the right choice as he was "too young and inexperienced to be afraid of the challenge." Yeoman later said, "Friedkin gave me a big break and I would be forever indebted to him. Shooting the chase scene sort of prepared me for anything. I always said 'After that, anything would be easy'". P.S: Remembering the legendary American filmmaker, William Friedkin on his 90th birthday!
2:00

One of the reasons William Friedkin made "To Live and Die in LA" (1985) was to surpass the car chase he filmed in "The French Connection" (1971). He wanted the chase to be the centerpiece of the movie. Robby Müller shot most of the movie, but he told Friedkin that he didn't feel confident enough shooting the chase scene. Friedkin replaced him with Robert Yeoman, one of the camera operators. Friedkin believed Yeoman was the right choice as he was "too young and inexperienced to be afraid of the challenge." Yeoman later said, "Friedkin gave me a big break and I would be forever indebted to him. Shooting the chase scene sort of prepared me for anything. I always said 'After that, anything would be easy'". P.S: Remembering the legendary American filmmaker, William Friedkin on his 90th birthday!

DepressedBergman

38,569 görüntüleme • 1 ay önce

William Friedkin is responsible for two of the greatest car chases in film history: The French Connection & To Live and Die in L.A. This came out 40 years ago today & there still hasn’t been a car chase that I can say definitively tops this one. Friedkin inspired a generation.
8:56

William Friedkin is responsible for two of the greatest car chases in film history: The French Connection & To Live and Die in L.A. This came out 40 years ago today & there still hasn’t been a car chase that I can say definitively tops this one. Friedkin inspired a generation.

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William and the baddie he pulled by being silly 🫪😳 #WilliamEst
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William and the baddie he pulled by being silly 🫪😳 #WilliamEst

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Haewon talking about the most random thing she's seen Lily do They were on a crowded airport escalator, and the moment Lily stepped off, she just randomly started dancing to Ridin' in the middle of the airport 😭
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Haewon talking about the most random thing she's seen Lily do They were on a crowded airport escalator, and the moment Lily stepped off, she just randomly started dancing to Ridin' in the middle of the airport 😭

nmixx pics

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William Friedkin has died at age 87. He won the Oscar for best director for “The French Connection” in 1972 and was nominated again for “The Exorcist.” CNN's Jake Tapper interviewed Friedkin in 2015 at the iconic staircase in Washington, DC, that appeared in the film.
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William Friedkin has died at age 87. He won the Oscar for best director for “The French Connection” in 1972 and was nominated again for “The Exorcist.” CNN's Jake Tapper interviewed Friedkin in 2015 at the iconic staircase in Washington, DC, that appeared in the film.

CNN

188,421 görüntüleme • 3 yıl önce

Tarantino and Coppola praising the brilliance of the bridge scene in Sorcerer, followed by Friedkin himself offering a glimpse into how he pulled it off.
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Tarantino and Coppola praising the brilliance of the bridge scene in Sorcerer, followed by Friedkin himself offering a glimpse into how he pulled it off.

cinesthetic.

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Excerpt from the sermon Dr. William Rice gave on May 19 2024. He had preached on repentance and at the end told my story.
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One man who was walking to Gold Room bar had to get surgery on his finger after being shot with a “rubber bullet.” “He was just running away and they got him in the leg and shot the top of his finger off,” the man’s girlfriend told L.A. TACO. The full story: By Lexis-Olivier Ray
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One man who was walking to Gold Room bar had to get surgery on his finger after being shot with a “rubber bullet.” “He was just running away and they got him in the leg and shot the top of his finger off,” the man’s girlfriend told L.A. TACO. The full story: By Lexis-Olivier Ray

L.A. TACO🌴🌮

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Today would've been Alan Rickman's 80th birthday. Here he tells a great story on telling the DIE HARD producers he could do the 40 ft. fall himself and them being utterly panicked he could die if he landed wrong: "They were very careful to make it my very last shot on the film." Iconic.
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Today would've been Alan Rickman's 80th birthday. Here he tells a great story on telling the DIE HARD producers he could do the 40 ft. fall himself and them being utterly panicked he could die if he landed wrong: "They were very careful to make it my very last shot on the film." Iconic.

Todd Spence

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Evening viewing recommendation? On Criterion Channel, watch William Friedkin’s TO LIVE AND DIE IN L.A. (1985) — a kinetic neonoir that takes the ’80s action thriller to new heights of hyperstylized excess. Now playing in our Stunts! collection.
1:07

Evening viewing recommendation? On Criterion Channel, watch William Friedkin’s TO LIVE AND DIE IN L.A. (1985) — a kinetic neonoir that takes the ’80s action thriller to new heights of hyperstylized excess. Now playing in our Stunts! collection.

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Stunt Coordinator Ross Kananga doubled for Bond (Roger Moore) in the famous scene where he steps across the crocodiles in LIVE AND LET DIE.
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Stunt Coordinator Ross Kananga doubled for Bond (Roger Moore) in the famous scene where he steps across the crocodiles in LIVE AND LET DIE.

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On this day, 40 years ago, William Friedkin's "To Live and D!e in L.A." (1985) had its limited release in the USA.
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On this day, 40 years ago, William Friedkin's "To Live and D!e in L.A." (1985) had its limited release in the USA.

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