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Adam Carolla tells Jerry Seinfeld he recognized something on the Seinfeld set that completely ruined the show for him. It proved the show was shot in LA, not New York. When Seinfeld premiered in 1989, Carolla was working on earthquake retrofits in Koreatown. The moment he saw the tension...

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Jerry Seinfeld apologizes after realizing he hurt Adam Carolla’s feelings by refusing to look at his Porsche. Jerry Seinfeld: He came up to me and said, “Hey, my 935 is here. I want you to see it.” Adam Carolla: Mm-hmm. Jerry Seinfeld: I thought, for me to get to where his car was, I’d have to move through a lot of people. I was already dealing with a lot of people. At a big Porsche event, I get a lot of interaction, which is great. I love meeting people and I love the fans. Adam Carolla: You’re a very recognizable guy. You’ve been in the public eye for a long time. People recognize you at any airport. But if you go to a Porsche event… Jerry Seinfeld: It amps it up. Adam Carolla: It amps it up. The recognition factor is off the charts. Jerry Seinfeld: So I said, “Why do I have to see your car? What does it do for the car if I look at it? Nothing. It doesn’t add value. All that’s going to happen is I’ll walk over and say, ‘Hey, that’s cool.’” Adam Carolla: I know. Jerry Seinfeld: And I thought, if he needs that, what kind of comedian needs that kind of recognition? So I said, “I don’t need to do that.” Adam Carolla: I’ve been saying for years they should brick up the Louvre. What does it do for the Mona Lisa if you look at it? Jerry Seinfeld: Yeah, but you do get it. You want the recognition of saying, “I have this.” I’m the opposite. I’m not a “look at what I have” guy like a lot of car guys are. Adam Carolla: Right. Jerry Seinfeld: I’m very low-key. I never like to show my stuff. I do it for me. I enjoy it. There’s a whole show-off segment of the car community that I don’t love being around. Adam Carolla: Yeah. They’re called most car guys. Jerry Seinfeld: I thought I was just being smart-alecky and funny when I said, “I don’t want to see your car.” But I later saw Adam talking about it, and I realized I had hurt his feelings. I felt terrible, and I wanted to come here and apologize for trying to be funny in a way that came off as nasty.
2:44

Jerry Seinfeld apologizes after realizing he hurt Adam Carolla’s feelings by refusing to look at his Porsche. Jerry Seinfeld: He came up to me and said, “Hey, my 935 is here. I want you to see it.” Adam Carolla: Mm-hmm. Jerry Seinfeld: I thought, for me to get to where his car was, I’d have to move through a lot of people. I was already dealing with a lot of people. At a big Porsche event, I get a lot of interaction, which is great. I love meeting people and I love the fans. Adam Carolla: You’re a very recognizable guy. You’ve been in the public eye for a long time. People recognize you at any airport. But if you go to a Porsche event… Jerry Seinfeld: It amps it up. Adam Carolla: It amps it up. The recognition factor is off the charts. Jerry Seinfeld: So I said, “Why do I have to see your car? What does it do for the car if I look at it? Nothing. It doesn’t add value. All that’s going to happen is I’ll walk over and say, ‘Hey, that’s cool.’” Adam Carolla: I know. Jerry Seinfeld: And I thought, if he needs that, what kind of comedian needs that kind of recognition? So I said, “I don’t need to do that.” Adam Carolla: I’ve been saying for years they should brick up the Louvre. What does it do for the Mona Lisa if you look at it? Jerry Seinfeld: Yeah, but you do get it. You want the recognition of saying, “I have this.” I’m the opposite. I’m not a “look at what I have” guy like a lot of car guys are. Adam Carolla: Right. Jerry Seinfeld: I’m very low-key. I never like to show my stuff. I do it for me. I enjoy it. There’s a whole show-off segment of the car community that I don’t love being around. Adam Carolla: Yeah. They’re called most car guys. Jerry Seinfeld: I thought I was just being smart-alecky and funny when I said, “I don’t want to see your car.” But I later saw Adam talking about it, and I realized I had hurt his feelings. I felt terrible, and I wanted to come here and apologize for trying to be funny in a way that came off as nasty.

Ruzy

535,570 Aufrufe • vor 1 Monat

Jerry Seinfeld explains why Tom Brady missed the perfect retirement Jerry Seinfeld: Let’s go back, if I may, to an obsession of mine, which is Brady winning that Super Bowl with Tampa Bay, his first year out of the Patriots. How do you miss that moment as the greatest retirement opportunity? I mean, I went to another team and took them all the way, my first year. Anybody in show business would know, “I just did the impossible.” “Goodnight, everybody. You’re old anyway. This is not going anywhere. Take that trophy and say, ‘I’m out!’” Adam Carolla: I know. Jerry Seinfeld: That’s show business! That’s good show business! But these guys don’t care about show business.
1:09

Jerry Seinfeld explains why Tom Brady missed the perfect retirement Jerry Seinfeld: Let’s go back, if I may, to an obsession of mine, which is Brady winning that Super Bowl with Tampa Bay, his first year out of the Patriots. How do you miss that moment as the greatest retirement opportunity? I mean, I went to another team and took them all the way, my first year. Anybody in show business would know, “I just did the impossible.” “Goodnight, everybody. You’re old anyway. This is not going anywhere. Take that trophy and say, ‘I’m out!’” Adam Carolla: I know. Jerry Seinfeld: That’s show business! That’s good show business! But these guys don’t care about show business.

‏ً

714,293 Aufrufe • vor 1 Monat

Jerry Seinfeld explains why he turned down $110,000,000 to make another season of Seinfeld. Jerry Seinfeld: “That was Larry David’s idea.” Howard Stern: “NBC didn’t say, ‘Hey, you’re mentioning masturbation’?” Jerry Seinfeld: “Never said the word. One sponsor pulled out of the show that was all I remember in terms of any sort of blowback.” Howard Stern: “Warren Littlefield wrote that if you would have given him another season of Seinfeld, he would have paid you $110,000,000 for the year, and you said no. Is that the ultimate integrity?” Jerry Seinfeld: “I could have gotten more than that. “Integrity is a nice word, and a flattering one. I appreciate that. That’s what’s fun about coming on your show, you really want to be honest, because that’s what you bring to it. “The love affair between the people making the show and the audience was so intense, so white-hot, that I had to respect it. I couldn’t let it get to the point where it started to age and wither. It can only stay that way for so long. “We had this hot, intense season, so the audience would have a feeling that it never was bad.”
2:43

Jerry Seinfeld explains why he turned down $110,000,000 to make another season of Seinfeld. Jerry Seinfeld: “That was Larry David’s idea.” Howard Stern: “NBC didn’t say, ‘Hey, you’re mentioning masturbation’?” Jerry Seinfeld: “Never said the word. One sponsor pulled out of the show that was all I remember in terms of any sort of blowback.” Howard Stern: “Warren Littlefield wrote that if you would have given him another season of Seinfeld, he would have paid you $110,000,000 for the year, and you said no. Is that the ultimate integrity?” Jerry Seinfeld: “I could have gotten more than that. “Integrity is a nice word, and a flattering one. I appreciate that. That’s what’s fun about coming on your show, you really want to be honest, because that’s what you bring to it. “The love affair between the people making the show and the audience was so intense, so white-hot, that I had to respect it. I couldn’t let it get to the point where it started to age and wither. It can only stay that way for so long. “We had this hot, intense season, so the audience would have a feeling that it never was bad.”

𝓢𝓵𝓪𝓶 👁️⃤

410,505 Aufrufe • vor 1 Monat

Larry David says he was ready to quit Seinfeld if NBC refused to air “The Contest.” “The Contest sat in my notebook for three years.” “It was a Seinfeld episode built around a masturbation contest, and I thought there was no chance NBC would approve it.” “I didn’t even tell Jerry about it at first.” “We had a board with all the upcoming Seinfeld episodes on it.” “I refused to put that one on the board because I didn’t want the network asking questions.” “I knew it was something special.” “By the time I pitched it, I’d already made up my mind.” “If they didn’t do the episode, I was quitting Seinfeld.” “That was always my move. I was always threatening to quit.”
1:44

Larry David says he was ready to quit Seinfeld if NBC refused to air “The Contest.” “The Contest sat in my notebook for three years.” “It was a Seinfeld episode built around a masturbation contest, and I thought there was no chance NBC would approve it.” “I didn’t even tell Jerry about it at first.” “We had a board with all the upcoming Seinfeld episodes on it.” “I refused to put that one on the board because I didn’t want the network asking questions.” “I knew it was something special.” “By the time I pitched it, I’d already made up my mind.” “If they didn’t do the episode, I was quitting Seinfeld.” “That was always my move. I was always threatening to quit.”

KΞRL_✂️

554,457 Aufrufe • vor 2 Monaten

The Navy SEAL who killed Osama bin Laden reveals what happened inside the room Adam Carolla: So, you got him, now you’re continually going up the stairs. And you were in what place in this line? Robert O’Neill: When we got to the second story, it split off to the left and right. The guy that had been up front, he’d already taken a shot up the third set and now he’s pointing up through a curtain. I recognize as the last man, he needs a two-man. So, I went up to him as a two-man, he starts pimping me with his body language. Like what he’s saying is, “There’s the suicide bombers. We can beat them, but the shitty news is we have to fucking go right now.” I remember looking down, and this is… this is not bravery right now. I’m tired of thinking about it. Get it over with. I squeezed him, we went up. We went through the curtain and he saw the two suicide bombers that he thought were there, and he jumped on them. Adam Carolla: How does he jump on them? Robert O’Neill: He just tackles them and grabs them. Admiral McRaven asked him, “You jumped on suicide bombers. Why would you do that?” He said, “Well, they want the guy behind me to get hurt.” Adam Carolla: Wow. Robert O’Neill: Because he did that, I turned to the right… And there’s Osama bin Laden standing there, his wife’s in front of him. They can put the leads from a vest down their robes onto their wrist, and all they got to do is touch them. Adam Carolla: Put their hands together. Robert O’Neill: And guess what? We’re all fucking dead. I see him, he’s maneuvering. Adam Carolla: What is he seeing? Robert O’Neill: Nothing. He knows there’s people there. The way you deal with suicide bombers is you shoot him in the face. So, I caught him. I shot him in the face twice and then the third time on the floor. Adam Carolla: But that’s bin Laden. Robert O’Neill: Yes. Adam Carolla: Now, you know it’s bin Laden. Robert O’Neill: Yes. Adam Carolla: Are the instructions to kill Bin Laden? Are the instructions to capture Bin Laden? Robert O’Neill: Knowing SEAL Team 6, we’re going to kill him. Right. That’s it. We’re going to fucking kill him.
3:46

The Navy SEAL who killed Osama bin Laden reveals what happened inside the room Adam Carolla: So, you got him, now you’re continually going up the stairs. And you were in what place in this line? Robert O’Neill: When we got to the second story, it split off to the left and right. The guy that had been up front, he’d already taken a shot up the third set and now he’s pointing up through a curtain. I recognize as the last man, he needs a two-man. So, I went up to him as a two-man, he starts pimping me with his body language. Like what he’s saying is, “There’s the suicide bombers. We can beat them, but the shitty news is we have to fucking go right now.” I remember looking down, and this is… this is not bravery right now. I’m tired of thinking about it. Get it over with. I squeezed him, we went up. We went through the curtain and he saw the two suicide bombers that he thought were there, and he jumped on them. Adam Carolla: How does he jump on them? Robert O’Neill: He just tackles them and grabs them. Admiral McRaven asked him, “You jumped on suicide bombers. Why would you do that?” He said, “Well, they want the guy behind me to get hurt.” Adam Carolla: Wow. Robert O’Neill: Because he did that, I turned to the right… And there’s Osama bin Laden standing there, his wife’s in front of him. They can put the leads from a vest down their robes onto their wrist, and all they got to do is touch them. Adam Carolla: Put their hands together. Robert O’Neill: And guess what? We’re all fucking dead. I see him, he’s maneuvering. Adam Carolla: What is he seeing? Robert O’Neill: Nothing. He knows there’s people there. The way you deal with suicide bombers is you shoot him in the face. So, I caught him. I shot him in the face twice and then the third time on the floor. Adam Carolla: But that’s bin Laden. Robert O’Neill: Yes. Adam Carolla: Now, you know it’s bin Laden. Robert O’Neill: Yes. Adam Carolla: Are the instructions to kill Bin Laden? Are the instructions to capture Bin Laden? Robert O’Neill: Knowing SEAL Team 6, we’re going to kill him. Right. That’s it. We’re going to fucking kill him.

‏ً

607,084 Aufrufe • vor 1 Monat

Seth Rogen says Jerry Seinfeld accidentally buried his Just For Laughs audition when he was 15 "I’m about to go up, and someone comes over and they’re like, Jerry Seinfeld is about to show up and he’s going to go up instead of you" "I’m like, I’m gonna go on after Jerry Seinfeld? They’re like, yes" "He comes and just annihilates. Then he gets off stage and they’re like, and now, from Vancouver, 15 year-old Seth Rogen" "I bombed horribly, and I did not get into the Just for Laughs Comedy Festival. I told Jerry Seinfeld that story and he was completely uninterested"
1:26

Seth Rogen says Jerry Seinfeld accidentally buried his Just For Laughs audition when he was 15 "I’m about to go up, and someone comes over and they’re like, Jerry Seinfeld is about to show up and he’s going to go up instead of you" "I’m like, I’m gonna go on after Jerry Seinfeld? They’re like, yes" "He comes and just annihilates. Then he gets off stage and they’re like, and now, from Vancouver, 15 year-old Seth Rogen" "I bombed horribly, and I did not get into the Just for Laughs Comedy Festival. I told Jerry Seinfeld that story and he was completely uninterested"

Yonan

3,423,335 Aufrufe • vor 2 Monaten

Jerry Seinfeld says he regrets claiming the extreme left suppressed comedy. Jerry Seinfeld: I did an interview with The New Yorker. Tom Papa: Mhm. Jerry Seinfeld: And I said that the extreme left has suppressed the art of comedy. Tom Papa: Mhm. Jerry Seinfeld: I did say that. Tom Papa: Yeah. Jerry Seinfeld: That’s not true. (laughs) It’s not true. Tom Papa: No? Jerry Seinfeld: No. Again, you want to go back. Let’s go back to our solid, liquid analogy. Tom Papa: Okay. Jerry Seinfeld: And the other thing that I have said about this: if you’re Lindsey Vonn, if you’re a champion skier… Tom Papa: Uh-huh. Jerry Seinfeld: …you can put the gates anywhere you want on the mountain. She’s going to make the gate. Tom Papa: Right. Jerry Seinfeld: That’s comedy. Tom Papa: Mhm. Jerry Seinfeld: Whatever the culture is, we make the gate. Tom Papa: Mhm. Jerry Seinfeld: You don’t make the gate, you’re out of business. That’s your job. You make the gate. The culture moves. People are different. They react differently. Your job is to make the gate. If you can’t make the gate, get another job. That’s what I think. That’s how I feel about it now.
0:41

Jerry Seinfeld says he regrets claiming the extreme left suppressed comedy. Jerry Seinfeld: I did an interview with The New Yorker. Tom Papa: Mhm. Jerry Seinfeld: And I said that the extreme left has suppressed the art of comedy. Tom Papa: Mhm. Jerry Seinfeld: I did say that. Tom Papa: Yeah. Jerry Seinfeld: That’s not true. (laughs) It’s not true. Tom Papa: No? Jerry Seinfeld: No. Again, you want to go back. Let’s go back to our solid, liquid analogy. Tom Papa: Okay. Jerry Seinfeld: And the other thing that I have said about this: if you’re Lindsey Vonn, if you’re a champion skier… Tom Papa: Uh-huh. Jerry Seinfeld: …you can put the gates anywhere you want on the mountain. She’s going to make the gate. Tom Papa: Right. Jerry Seinfeld: That’s comedy. Tom Papa: Mhm. Jerry Seinfeld: Whatever the culture is, we make the gate. Tom Papa: Mhm. Jerry Seinfeld: You don’t make the gate, you’re out of business. That’s your job. You make the gate. The culture moves. People are different. They react differently. Your job is to make the gate. If you can’t make the gate, get another job. That’s what I think. That’s how I feel about it now.

Ruzy

2,231,580 Aufrufe • vor 1 Monat

Jerry Seinfeld says Seinfeld only survived because one NBC executive reallocated funds from Saturday Night Wrestling to make four more episodes Rich Eisen : “Was it truly a pitch about a show about nothing when you actually pitched it?” Jerry Seinfeld : “No, no, no, never.” Rich Eisen: “What was the original pitch line?” Jerry Seinfeld : “The original pitch was how a comedian gets his material. Which Larry and I knew we were lying when we said it, because nobody wants to see that, it's not interesting. But it sounds good to a network executive.” Rich Eisen : “Right.” Jerry Seinfeld : “So, they gave us a pilot. They didn't like the pilot. And then Rick Ludwin said, 'You know what? I think this show isn't that bad.' Everyone disliked it. And Rick Ludwin said, 'I'm gonna take some money from Saturday Night Wrestling.' In those days, professional wrestling replaced Saturday Night Live once a month.” Jerry Seinfeld: “And he took the money from one of those, and it was enough money for us to make four episodes. We made four episodes, they still didn't like it. And then Fox said, 'We want the show,' and then NBC said, 'Okay, we'll make a few more.' They still wouldn't order it; they just didn't like it.” Rich Eisen : “So, which episode turned the tide? Was there one in particular that turned the tide, do you think?” Jerry Seinfeld : “No. No, but when they put it after Cheers, we got ratings.” “And then they put us on Wednesday night, and we went in the toilet again. We had four years of struggle, which, you know, we didn't really care, we were just having fun doing the show.”
1:15

Jerry Seinfeld says Seinfeld only survived because one NBC executive reallocated funds from Saturday Night Wrestling to make four more episodes Rich Eisen : “Was it truly a pitch about a show about nothing when you actually pitched it?” Jerry Seinfeld : “No, no, no, never.” Rich Eisen: “What was the original pitch line?” Jerry Seinfeld : “The original pitch was how a comedian gets his material. Which Larry and I knew we were lying when we said it, because nobody wants to see that, it's not interesting. But it sounds good to a network executive.” Rich Eisen : “Right.” Jerry Seinfeld : “So, they gave us a pilot. They didn't like the pilot. And then Rick Ludwin said, 'You know what? I think this show isn't that bad.' Everyone disliked it. And Rick Ludwin said, 'I'm gonna take some money from Saturday Night Wrestling.' In those days, professional wrestling replaced Saturday Night Live once a month.” Jerry Seinfeld: “And he took the money from one of those, and it was enough money for us to make four episodes. We made four episodes, they still didn't like it. And then Fox said, 'We want the show,' and then NBC said, 'Okay, we'll make a few more.' They still wouldn't order it; they just didn't like it.” Rich Eisen : “So, which episode turned the tide? Was there one in particular that turned the tide, do you think?” Jerry Seinfeld : “No. No, but when they put it after Cheers, we got ratings.” “And then they put us on Wednesday night, and we went in the toilet again. We had four years of struggle, which, you know, we didn't really care, we were just having fun doing the show.”

KΞRL_✂️

148,834 Aufrufe • vor 1 Monat

Do your leg presses properly. I can squat 5 plates + Deadlift 6 plates + I’m using 4 and a half plates a side here on this leg press. Full ROM, paused in the bottom, constant tension etc. Causing absolute destruction to the quads. Yet you’ll see some fella with skinny legs repping out 8 plates a side with a 2 inch ROM. Make it make sense.
0:36

Do your leg presses properly. I can squat 5 plates + Deadlift 6 plates + I’m using 4 and a half plates a side here on this leg press. Full ROM, paused in the bottom, constant tension etc. Causing absolute destruction to the quads. Yet you’ll see some fella with skinny legs repping out 8 plates a side with a 2 inch ROM. Make it make sense.

Francis Melia

194,954 Aufrufe • vor 7 Monaten

Hugh Jackman says Jerry Seinfeld turned down $100,000,000 to do another season of Seinfeld and told him to walk away from Wolverine the same way HUGH: "I had a great chat with Jerry Seinfeld. I sat next to him and I asked him, I said, 'How did you know it was the end?'" HUGH: "We were getting offered whatever money they were getting. It was 100 million he got offered to do another season." HUGH: "He said, 'I believe you leave. Leave when you're not like I'm done.' He says, 'Because if you're done, it will affect your next thing.'" HOWARD: "I was going to say to you, no offense to Jerry Seinfeld. That's the worst advice I ever heard."
1:18

Hugh Jackman says Jerry Seinfeld turned down $100,000,000 to do another season of Seinfeld and told him to walk away from Wolverine the same way HUGH: "I had a great chat with Jerry Seinfeld. I sat next to him and I asked him, I said, 'How did you know it was the end?'" HUGH: "We were getting offered whatever money they were getting. It was 100 million he got offered to do another season." HUGH: "He said, 'I believe you leave. Leave when you're not like I'm done.' He says, 'Because if you're done, it will affect your next thing.'" HOWARD: "I was going to say to you, no offense to Jerry Seinfeld. That's the worst advice I ever heard."

Arslan

1,600,936 Aufrufe • vor 2 Monaten

"I wanna be in a coffeeshop at two in the morning with some other comics." - Jerry Seinfeld when asked where he wanted to be in 10 years, while doing press for "The Seinfeld Chronicles" a four-episode show, under the Late Night and Specials department at NBC. One of the reasons the show was successful is Jerry and Larry were ready to walk away at any moment if they were unable to make the show they wanted to make. They were not going to compromise their artistic integrity.
0:27

"I wanna be in a coffeeshop at two in the morning with some other comics." - Jerry Seinfeld when asked where he wanted to be in 10 years, while doing press for "The Seinfeld Chronicles" a four-episode show, under the Late Night and Specials department at NBC. One of the reasons the show was successful is Jerry and Larry were ready to walk away at any moment if they were unable to make the show they wanted to make. They were not going to compromise their artistic integrity.

This Podcast is Making Me Thirsty Seinfeld Podcast

25,128 Aufrufe • vor 1 Monat

“It’s about 17% of the population…on SSRIs.” “When they were tested and they got approval, there was an assumption that you would use them for maybe a couple of months to stabilize your life.” “Once you get on them, it is very difficult to get off.” “The withdrawal in some cases takes not weeks, not months, but years.” “We have directed [the] FDA now to put on the label protocols for withdrawal and warnings.” “I’m not telling people not to use psychiatric drugs.” RFK Jr. makes clear a few things in this clip: 1. He is not taking away anyone’s psychiatric drugs, despite how the media has portrayed him. 2. HHS is finally recognizing the seriousness of psychiatric drug withdrawal and the need for better informed consent around these drugs. Adam Carolla
1:44

“It’s about 17% of the population…on SSRIs.” “When they were tested and they got approval, there was an assumption that you would use them for maybe a couple of months to stabilize your life.” “Once you get on them, it is very difficult to get off.” “The withdrawal in some cases takes not weeks, not months, but years.” “We have directed [the] FDA now to put on the label protocols for withdrawal and warnings.” “I’m not telling people not to use psychiatric drugs.” RFK Jr. makes clear a few things in this clip: 1. He is not taking away anyone’s psychiatric drugs, despite how the media has portrayed him. 2. HHS is finally recognizing the seriousness of psychiatric drug withdrawal and the need for better informed consent around these drugs. Adam Carolla

Laura Delano

14,076 Aufrufe • vor 3 Monaten

Nashon Kondiwa: The dealer's plate is for licensed dealers. The issue of KD plates is not, for me, a very big conversation. Since I became DG, I have tried to clean up the backlog of plates, which I found to be over 30,000 plates that Kenyans have paid for but have never been printed. As we speak, I have 5000 in three months, and this has impacted the cash flows and delays that we are currently experiencing, though we will sort it out within the next 3 days #CitizenMondayReport
2:29

Nashon Kondiwa: The dealer's plate is for licensed dealers. The issue of KD plates is not, for me, a very big conversation. Since I became DG, I have tried to clean up the backlog of plates, which I found to be over 30,000 plates that Kenyans have paid for but have never been printed. As we speak, I have 5000 in three months, and this has impacted the cash flows and delays that we are currently experiencing, though we will sort it out within the next 3 days #CitizenMondayReport

Citizen TV Kenya

13,893 Aufrufe • vor 2 Monaten

Jerry Seinfeld says he turned down $110,000,000 for one more season of Seinfeld “I could have gotten more than that. The love affair between the people making the show and the audience was so intense. It was so white hot. I had to respect that. I could not go to that point where it starts to age and wither. It doesn't take long” “For example, you go see a comedian. At an hour and 10 minutes, you love the guy. At an hour and 30 minutes, it's like, ‘I thought he was never going to finish.’ And you walk out with a whole different feeling. It's a small amount of too much” “We had this wonderful, intense love affair between the people making the show and the audience, and I wanted it to end with a fireworks burst. It never was bad”
1:10

Jerry Seinfeld says he turned down $110,000,000 for one more season of Seinfeld “I could have gotten more than that. The love affair between the people making the show and the audience was so intense. It was so white hot. I had to respect that. I could not go to that point where it starts to age and wither. It doesn't take long” “For example, you go see a comedian. At an hour and 10 minutes, you love the guy. At an hour and 30 minutes, it's like, ‘I thought he was never going to finish.’ And you walk out with a whole different feeling. It's a small amount of too much” “We had this wonderful, intense love affair between the people making the show and the audience, and I wanted it to end with a fireworks burst. It never was bad”

dank

751,028 Aufrufe • vor 2 Monaten

Bill Maher gets angry as he finally admits how he was FORCED to take the COVID jab to keep his show. ADAM CAROLLA: “Imagine if you had to conform.” MAHER: “I did! I had to conform. I didn’t want the vaccine at all… But I had to have it. I couldn’t have continued my life. They wouldn’t have let me do the show, and I had to do it here [in studio]. I did it in this room!” Maher then took a direct jab at Fauci for pushing COVID shots on people who clearly didn’t need them: “14 and 94 are different. And if you don’t see that, you are not ‘The SciencE,’ people.”
0:48

Bill Maher gets angry as he finally admits how he was FORCED to take the COVID jab to keep his show. ADAM CAROLLA: “Imagine if you had to conform.” MAHER: “I did! I had to conform. I didn’t want the vaccine at all… But I had to have it. I couldn’t have continued my life. They wouldn’t have let me do the show, and I had to do it here [in studio]. I did it in this room!” Maher then took a direct jab at Fauci for pushing COVID shots on people who clearly didn’t need them: “14 and 94 are different. And if you don’t see that, you are not ‘The SciencE,’ people.”

The Vigilant Fox 🦊

1,100,216 Aufrufe • vor 6 Monaten

While I was in Manchester last week, I did the same thing I did in London today in between work meetings. The relatively young-in-service officers (who all look so young, or it's me getting older), are a cohort I have huge respect for. Here is a fact. Policing is not for everyone and many that apply to join do not get to the attestation stage. Some that do, drop out thereafter or do not pass. So, those that get through the training and get on our streets deserve encouragement, mentoring, and support - not ridicule. We all used to be new at something once. It was a real honour to meet those new Metropolitan Police officers as I did those from Greater Manchester Police officers, chat with, and thank them for their work. To those of you; young and not so young in service 😀 - thank you for all that you do to keep us safe all year round. Chin up. 💙
1:04

While I was in Manchester last week, I did the same thing I did in London today in between work meetings. The relatively young-in-service officers (who all look so young, or it's me getting older), are a cohort I have huge respect for. Here is a fact. Policing is not for everyone and many that apply to join do not get to the attestation stage. Some that do, drop out thereafter or do not pass. So, those that get through the training and get on our streets deserve encouragement, mentoring, and support - not ridicule. We all used to be new at something once. It was a real honour to meet those new Metropolitan Police officers as I did those from Greater Manchester Police officers, chat with, and thank them for their work. To those of you; young and not so young in service 😀 - thank you for all that you do to keep us safe all year round. Chin up. 💙

Festus Akinbusoye

19,008 Aufrufe • vor 9 Monaten

🐰 wait, wait. where are the plates? jimin-ssi where are the plates? 🐥 plates? drawer above the fridge, on the right 🐰 do we have red wine? 🐥 yes, we do 🐰 can you bring it? 🐥 i’ll bring it 🐰 where are the scissors? 🐥 leave it to me! domestic, harmonious and instinctive. it’s so domestic that jungkook would ask jimin whenever he needed something, how harmoniously they work together shows just how often they do this, and how second nature it is for jimin to follow jungkook’s requests 🥹
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🐰 wait, wait. where are the plates? jimin-ssi where are the plates? 🐥 plates? drawer above the fridge, on the right 🐰 do we have red wine? 🐥 yes, we do 🐰 can you bring it? 🐥 i’ll bring it 🐰 where are the scissors? 🐥 leave it to me! domestic, harmonious and instinctive. it’s so domestic that jungkook would ask jimin whenever he needed something, how harmoniously they work together shows just how often they do this, and how second nature it is for jimin to follow jungkook’s requests 🥹

☺️💐 shira.

28,686 Aufrufe • vor 7 Monaten

A new cinematic AI piece. "Panopticon - Survivorship" This is my sixth piece in my Midjourney + Magnific.ai + Runway series. I've been on a bit of a creative streak for the past week and loving this new process. I almost gave up on this one, but then finally found a narrative through line. It looks at those who survive a disaster, but it is a contemplation of those who did not survive. We not only zoom in on those who are trying to get to safety, but we zoom in looking for those who may not have survived. We also zoom into elements that may help identify people. It also looks at who is hardest hit by a disaster and it is often people of color and I hope the piece elicits a question of why this is the case and an examination of the dark history it may uncover.
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A new cinematic AI piece. "Panopticon - Survivorship" This is my sixth piece in my Midjourney + Magnific.ai + Runway series. I've been on a bit of a creative streak for the past week and loving this new process. I almost gave up on this one, but then finally found a narrative through line. It looks at those who survive a disaster, but it is a contemplation of those who did not survive. We not only zoom in on those who are trying to get to safety, but we zoom in looking for those who may not have survived. We also zoom into elements that may help identify people. It also looks at who is hardest hit by a disaster and it is often people of color and I hope the piece elicits a question of why this is the case and an examination of the dark history it may uncover.

Chikai

33,485 Aufrufe • vor 2 Jahren