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After a great opening, Punjab Kings lost 3 consecutive wickets & from their Shreyas Iyer stablize the inning 1st with 28 off 1st 20 balls & then blasted by scoring 43 runs off 36 balls. If Agarkar doesn't select Shreyas Iyer over Sky, then shame on him!!

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Rajiv

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47,025 views • 4 months ago •via X (Twitter)

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This guy said a SUV with DHS tags pulled up next to him in Chicago & looked into his vehicle as if they were profiling him & then took off like a bat out of hell on the shoulder with their lights on,but they didn’t seem to be after anyone! They do y seem to abide by road rules!
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This guy said a SUV with DHS tags pulled up next to him in Chicago & looked into his vehicle as if they were profiling him & then took off like a bat out of hell on the shoulder with their lights on,but they didn’t seem to be after anyone! They do y seem to abide by road rules!

Suzie rizzio

211,723 views • 10 months ago

🚨 YUVRAJ SINGH OPENS UP ABOUT THE WORST PERFORMANCE OF HIS CAREER , AND THE COMEBACK THAT PROVED EVERYONE WRONG. 💔 Yuvraj recalled scoring just 11 off 21 balls in a T20 World Cup final, calling it the worst performance of his career. The criticism was brutal. Even someone close to him told him, “Hat ja baat nahi karni tujhse Tere wajah se haar gaye” “India ki naak katva di.” 💔 After returning home, Yuvraj looked at the two bats on his wall one from the six-sixes match and the other from the 2011 World Cup, where he was Player of the Tournament. He placed his India cap on top of them, thinking his journey was over. Then Sachin Tendulkar told him:🗣️ “One match cannot define your life or your career.” Yuvraj returned to domestic cricket, fought his way back into the ODI team after three years, and then smashed 150 against England his highest ODI score at that time. 🔥🇮🇳 From being called “finished” to producing the biggest ODI score of his career. What do you learn from Yuvraj Singh's story? ❤️🏏
0:11

🚨 YUVRAJ SINGH OPENS UP ABOUT THE WORST PERFORMANCE OF HIS CAREER , AND THE COMEBACK THAT PROVED EVERYONE WRONG. 💔 Yuvraj recalled scoring just 11 off 21 balls in a T20 World Cup final, calling it the worst performance of his career. The criticism was brutal. Even someone close to him told him, “Hat ja baat nahi karni tujhse Tere wajah se haar gaye” “India ki naak katva di.” 💔 After returning home, Yuvraj looked at the two bats on his wall one from the six-sixes match and the other from the 2011 World Cup, where he was Player of the Tournament. He placed his India cap on top of them, thinking his journey was over. Then Sachin Tendulkar told him:🗣️ “One match cannot define your life or your career.” Yuvraj returned to domestic cricket, fought his way back into the ODI team after three years, and then smashed 150 against England his highest ODI score at that time. 🔥🇮🇳 From being called “finished” to producing the biggest ODI score of his career. What do you learn from Yuvraj Singh's story? ❤️🏏

Cricketplusmeme 🇮🇳🚩

21,620 views • 1 month ago

Ambulance Runs Over Man Before Speeding Off Leading to His Death. Family Demands Justice. A West Virginia man died after a Kanawha County ambulance struck him and kept going in the early morning hours of April 16th, according to authorities and surveillance footage obtained by ABC 8. According to the Kanawha County Sheriff’s Office, two female EMS workers with the Kanawha County first noticed a suspicious person near their detachment around 2 a.m. They thought the man, later identified as Lucas, was armed with a knife and wearing what looked like a bathrobe but turned out to be a trench coat. Worried for their safety, they left the area. As the ambulance traveled along Lucas allegedly ran out from beside a building and leaped onto the hood while still believed to be armed. The crew sped off and Lucas fell off the vehicle. They then called Metro 911. Deputies located Lucas in critical condition on U.S. Route 119. Radio traffic picked up by dispatchers captured the crew reporting screams coming from under the ambulance at one point. Dispatchers told them to stop, but the vehicle kept moving for nearly two miles before it finally pulled over. The sheriff’s office says the incident remains under active investigation. The two EMS workers are on administrative leave. The Kanawha County Emergency Ambulance Authority said it will carry out an internal review once the sheriff’s office and prosecutors finish their work. Kanawha County Prosecuting Attorney Debra Rusnak noted that a thorough investigation is underway with the medical examiner’s office involved.
0:14

Ambulance Runs Over Man Before Speeding Off Leading to His Death. Family Demands Justice. A West Virginia man died after a Kanawha County ambulance struck him and kept going in the early morning hours of April 16th, according to authorities and surveillance footage obtained by ABC 8. According to the Kanawha County Sheriff’s Office, two female EMS workers with the Kanawha County first noticed a suspicious person near their detachment around 2 a.m. They thought the man, later identified as Lucas, was armed with a knife and wearing what looked like a bathrobe but turned out to be a trench coat. Worried for their safety, they left the area. As the ambulance traveled along Lucas allegedly ran out from beside a building and leaped onto the hood while still believed to be armed. The crew sped off and Lucas fell off the vehicle. They then called Metro 911. Deputies located Lucas in critical condition on U.S. Route 119. Radio traffic picked up by dispatchers captured the crew reporting screams coming from under the ambulance at one point. Dispatchers told them to stop, but the vehicle kept moving for nearly two miles before it finally pulled over. The sheriff’s office says the incident remains under active investigation. The two EMS workers are on administrative leave. The Kanawha County Emergency Ambulance Authority said it will carry out an internal review once the sheriff’s office and prosecutors finish their work. Kanawha County Prosecuting Attorney Debra Rusnak noted that a thorough investigation is underway with the medical examiner’s office involved.

Robbie Harvey

20,877 views • 4 months ago

Pete Alonso was sitting at his locker in the Orioles' clubhouse during media availability postgame, ready to address getting picked off to end the 8th inning and noting that he felt "awful." "I over-anticipated contact in the zone. For me, I kind of had a pretty big primary lead with 2 outs. There's multiple things I wanted to do. "I wanted to be able to get to 2nd if there was a ball hit to the infield, beat the throw, and then also, too, if there's a ball hit in the outfield -- either in the gap or down the line -- I would give myself the best chance to score. "So it was kind of my momentum, I was anticipating contact, but they did a -- I mean, it was a hell of a throw. It was a hell of a throw, great tag. Great play by them to take advantage of the situation. "But yeah, I definitely overcommitted too much on getting my momentum going to try and get to 2nd if there was a ball in the infield or score if there was a ball in the gap. "So yeah, it's really tough to kind of take ourselves out of the inning like that from just playing too far over my skis, so to speak. I feel awful."
0:10

Pete Alonso was sitting at his locker in the Orioles' clubhouse during media availability postgame, ready to address getting picked off to end the 8th inning and noting that he felt "awful." "I over-anticipated contact in the zone. For me, I kind of had a pretty big primary lead with 2 outs. There's multiple things I wanted to do. "I wanted to be able to get to 2nd if there was a ball hit to the infield, beat the throw, and then also, too, if there's a ball hit in the outfield -- either in the gap or down the line -- I would give myself the best chance to score. "So it was kind of my momentum, I was anticipating contact, but they did a -- I mean, it was a hell of a throw. It was a hell of a throw, great tag. Great play by them to take advantage of the situation. "But yeah, I definitely overcommitted too much on getting my momentum going to try and get to 2nd if there was a ball in the infield or score if there was a ball in the gap. "So yeah, it's really tough to kind of take ourselves out of the inning like that from just playing too far over my skis, so to speak. I feel awful."

Jake Rill

247,378 views • 3 months ago

My experience as a Defenders fan going to STL America's Center & The Dome for an away game. This was a solo trip, did not bring my family on this one. The St. Louis Battlehawks home games truly are one of the special environments for United Football League. I’ve been to 4 AWAY games for DC Defenders over the last 12 months and the environment for this one was fired up! They definitely should NOT move STL to a soccer stadium if they keep showing out like they did yesterday. I got to my hotel at 1AM on game day after a late flight from the west coast. I woke up 6 hours later, walked towards the stadium and randomly caught the STL player walk-ins. Then, I walked over to the tailgate and met up with The Bottom Line and enjoyed some mimosas and breakfast burritos with Ed Ploeger and his gang. Thanks for the hospitality! I was able to get him a signed Sam Kidd jersey as a thanks for all he does for the UFL community! After the tailgate, got in for gate drop at 0930, and went straight down to the field. I was able to say hi to a few players and talk with Steven McCrane as his son was nailing 50+ yard field goals with ease. Chatted up and made peace with a few STL fans around me. Once the game started, they had the place LOUD, and my watch kept alerting me that my hearing was getting damaged 🤣 . Being there for the first ever 4 point field goal by Matt McCrane made the travel worth it. After the home fans had a few rounds of beers, the heckling began (which was expected), but I had to pop about 6 beach balls/🎈 as I became the 🎯 for drunk fans as the only DC fan in the section. I tossed the balls back a few times until I immediately got hit with about 3 balls in a row. So that part was a bit of a let down, as I was just trying to enjoy a game. The halftime show was great. Overall, the game experience itself left something to be desired with the penalties and getting harassed by fans who were clearly recording trying to get rage bait engagement on 🎥. Probably won’t be going back to a STL game again, but I’m glad got to check it out! Pregame/Tailgate: 5/5 Halftime: 5/5 Game experience: 3/5 Getting to/from stadium: 5/5
0:29

My experience as a Defenders fan going to STL America's Center & The Dome for an away game. This was a solo trip, did not bring my family on this one. The St. Louis Battlehawks home games truly are one of the special environments for United Football League. I’ve been to 4 AWAY games for DC Defenders over the last 12 months and the environment for this one was fired up! They definitely should NOT move STL to a soccer stadium if they keep showing out like they did yesterday. I got to my hotel at 1AM on game day after a late flight from the west coast. I woke up 6 hours later, walked towards the stadium and randomly caught the STL player walk-ins. Then, I walked over to the tailgate and met up with The Bottom Line and enjoyed some mimosas and breakfast burritos with Ed Ploeger and his gang. Thanks for the hospitality! I was able to get him a signed Sam Kidd jersey as a thanks for all he does for the UFL community! After the tailgate, got in for gate drop at 0930, and went straight down to the field. I was able to say hi to a few players and talk with Steven McCrane as his son was nailing 50+ yard field goals with ease. Chatted up and made peace with a few STL fans around me. Once the game started, they had the place LOUD, and my watch kept alerting me that my hearing was getting damaged 🤣 . Being there for the first ever 4 point field goal by Matt McCrane made the travel worth it. After the home fans had a few rounds of beers, the heckling began (which was expected), but I had to pop about 6 beach balls/🎈 as I became the 🎯 for drunk fans as the only DC fan in the section. I tossed the balls back a few times until I immediately got hit with about 3 balls in a row. So that part was a bit of a let down, as I was just trying to enjoy a game. The halftime show was great. Overall, the game experience itself left something to be desired with the penalties and getting harassed by fans who were clearly recording trying to get rage bait engagement on 🎥. Probably won’t be going back to a STL game again, but I’m glad got to check it out! Pregame/Tailgate: 5/5 Halftime: 5/5 Game experience: 3/5 Getting to/from stadium: 5/5

UFL T1SDALE

17,534 views • 5 months ago

THIS ENTIRE CINEMATIC ACTION SHOT WAS GENERATED WITH AI. AND YOU CAN SEE EXACTLY HOW IT WAS MADE. Higgsfield has just open-sourced its Originals, giving creators full access to the workflow behind some of its best productions. For every project you can inspect: → the complete prompt → every image and audio reference → the exact generation settings, including model, quality and resolution This scene combines a continuous one-take camera move, large-scale naval combat, realistic explosions, character consistency and cinematic pacing, all driven by a single prompt. Nothing is hidden. You can study it, copy it, recreate it or use it as the starting point for your own projects. Full prompt: "SCENE CONTEXT One continuous shot. The camera faces down the wrecked, burning deck toward the BOW of the ship — and Eduardo, blown off the raised STERN DECK behind the camera by a blast, comes FLYING IN from ABOVE AND BEHIND — leaping off the second level, sailing in over the lens on a forward arc, through raining seawater — slams onto the MAIN deck one level below, AHEAD of the camera, and rolls through a tumbling somersault, momentum carrying him toward the bow. Two crewmen flee past him — one leaps overboard. Eduardo fights his way toward the bow under incoming fire: an explosion bursts on his LEFT — he dodges away and is knocked down; he struggles back to his feet — a second explosion on his RIGHT — he ducks and shields behind debris; then he breaks into a sprint for the bow — the camera sweeps around ahead of him and settles OFF THE BOW, FRONTAL: he leaps over the bow rail TOWARD the camera, the ship filling the background behind him — and THE INSTANT he clears the rail, a COLOSSAL explosion consumes the ship behind him: the blast wall catches him MID-AIR and he VANISHES inside it — he never escapes. The cloud overtakes the camera; the frame floods to 100% smoke and dust. The shot ENDS inside the dust: no transition, no reveal — it holds to the end. ACTIVE REFERENCES >> — lean pirate captain, dark curly hair falling free from under a dusty mustard-yellow cloth bandana, a small white shark tooth pinned to the front of the bandana above his temple, thin moustache, gold hoop earrings, cream linen shirt under a worn brown leather waistcoat, cloth sash and leather belts. 100% matches the reference; the man fighting down the deck toward the bow. >> — Eduardo's galleon: pale square sails, tall wooden sterncastle. 100% matches the reference; controls the ship's exterior — sails, masts, rigging and hull; already battle-damaged in this shot — burst bulwark, smoldering rigging, debris on the deck. >> — the deck of the same galleon seen FROM THE RAISED STERN DECK LOOKING FORWARD TOWARD THE BOW: the great wheel and brass compass binnacle in the near foreground, an ornate lantern post, a carved balustrade, a staircase descending to the long MAIN deck — weathered planking, small cannons along both rails, black gratings, coiled ropes, the mainmast amidships, the forecastle and bow in the far depth, open sea on both sides. 100% matches the reference; controls the full on-deck geography, set dressing AND the shot's base viewing direction — from the stern toward the bow. >> — calm bright sea, glittering sun path, hazy horizon. Controls water and sky atmosphere only. >> — weathered pirate crewmen (bandanas, rough shirts, vests). 100% match the reference; TWO of them appear early in the shot, fleeing — one leaps overboard. LOCATION MAP The deck of >> aboard >> on >> — the raised stern deck (wheel, binnacle, balustrade) at the BACK, the staircase down, the long main deck with cannons, gratings and the mainmast running FORWARD to the distant BOW, exactly as on the reference — the main deck now a wrecked corridor of splintered planks, fallen spars, torn rigging and small fires. The camera sits at the forward edge of the raised stern deck, just past the wheel, LOOKING FORWARD along the whole deck toward the bow — the reference's own vantage; the wheel and binnacle may edge the near foreground. The bow rail and bowsprit are the destination, background-center, open sea beyond them. Sea and smoke beyond the broken side rails; seawater from near-miss columns rains down over the deck in the opening. FIRST FRAME / BLOCKING First frame: deck level, MS, camera facing down the wrecked deck toward the BOW in the background-center — the view of >>: from the stern-deck edge the long main deck runs away to the bow and bowsprit against open sea and sky, cannons along both rails, the mainmast mid-depth, smoke streaming across the frame, small fires burning left and right, seawater spray falling across the deck like rain, the deck listing, loose gear sliding; the wheel and binnacle just behind/beside the camera, edging the near foreground. Eduardo is NOT in the first frame; within the first half second he comes off that second level behind the camera — his body sweeping in OVER the lens from above and behind, boots crossing the top of the frame, flying FORWARD and DOWN one deck-height into the depth of the shot toward the bow. FORMAT MODE One continuous shot — the camera does not cut on its own. The shot ENDS inside the dust whiteout; there is NO location change and NO reveal after it. PHASE 1 — the landing and the gauntlet: >> comes FLYING IN from ABOVE AND BEHIND the camera — blown off the stern deck by a blast, his body sweeping in over the lens and arcing DOWN-AND-FORWARD one full deck-height onto the main deck below, arms out in front of him, back to camera — falling THROUGH a curtain of seawater raining down from a collapsed near-miss column; he SLAMS onto the wet MAIN-deck planks in the depth of the frame and rolls through a hard tumbling somersault AWAY from the lens, toward the bow, water bursting off him and the boards, scattering debris, coming up to a crouch facing the bow, soaked and shaken. TWO crewmen of >> bolt past him in panic — one sprints aft past the camera, the other vaults the side rail and LEAPS OVERBOARD, legs kicking. Eduardo starts working down the deck toward the bow, camera following behind. An incoming round EXPLODES on his LEFT — a burst of flame, planks and spray — he flinches away to the right and is knocked off his feet onto the deck. He struggles up, heavy and unsteady, one hand pushing off a fallen spar — and a second round EXPLODES on his RIGHT — he ducks hard, shielding his head behind a broken mast stump, debris raining over him. PHASE 2 — the sprint, the frontal jump, the blast, the dust: he shoves off and breaks into a desperate sprint at 12 km/h for the bow — and as he runs, the camera SWEEPS AROUND him in one continuous arc, ending positioned OFF THE BOW, out over the open water, FACING BACK at the ship: now Eduardo sprints STRAIGHT AT THE CAMERA, the burning ship towering behind him. He plants one boot on the bow rail and LEAPS OVERBOARD TOWARD THE CAMERA — body launching up and out over the water, frontal, face and reaching arms filling the frame — and THE INSTANT he clears the rail, mid-air, the ENTIRE SHIP EXPLODES behind him in full view: a colossal white flash silhouetting his flying body for two frames, the whole vessel going up in one blast — and the expanding wall of flame-lit smoke and debris CATCHES HIM IN THE AIR from behind, swallowing his silhouette whole before he can fall clear — he VANISHES inside the explosion, never escaping it — and the cloud overtakes the lens, the dust filling 100% of the frame. The dust churns, a deep orange glow pulsing inside it and fading. HOLD inside the full dust to the last frame — the generation ENDS here, inside the dust. He never reaches the water; the blast takes him mid-air. OPTICS 47° neutral through the landing, the gauntlet and the jump. No drift. Focus rides Eduardo throughout; in the final dust the frame is pure particulate with no fixed plane. CAMERA Handheld chase behind him for the entire shot, deck level, always looking TOWARD THE BOW — footstep energy visible, jolted by each explosion; in phase 2 it accelerates after his sprint, then arcs around him in one unbroken move and settles off the bow over the water, FRONTAL to Eduardo — he runs and leaps straight into the lens with the ship in the background of his jump. The final blast is the WHOLE SHIP exploding behind his airborne body — a colossal flash, then the wall of smoke bursting forward, swallowing him mid-air and then the lens — the camera stays buried, holding inside the churning dust until the end. ACTION Strict order of events: flying entry from above through falling seawater → hard landing roll (somersault over one shoulder, forward momentum carrying the roll toward the bow, ending in a crouch) → two crewmen flee past, one over the side → left explosion → dodge right → knocked down → a hard, clumsy struggle back to his feet → right explosion → duck and shield behind the mast stump → shove off → full sprint to the bow, camera arcing around to meet him head-on → one boot on the rail → LEAP overboard straight toward the camera → THE INSTANT he clears the rail, the ENTIRE SHIP EXPLODES behind him → the blast wall catches him MID-AIR and swallows him whole → the cloud overtakes the camera → dust to 100% → hold in the dust → END. He never escapes and never reaches the water. Each explosion visibly moves his body: the first throws him down, the second folds him behind cover. PERFORMANCE During the gauntlet: jaw clenched, eyes fixed forward, water streaming off his face after the landing. The fleeing crewmen are pure panic — arms pumping, one glance back, the vault over the rail desperate. In the final sprint: full commitment, arms reaching for the rail, eyes wide — in the jump: full commitment, arms reaching at the lens, eyes wide — and mid-air the world behind him turns white: his flying silhouette swallowed by the blast, reaching hands the last thing visible. PHYSICS The flying entry has true ballistic momentum: he arrives on an arc from above, and the landing roll absorbs it — impact compresses the body, the somersault carries the leftover energy, no weightless float. Falling seawater has real weight — it rains in heavy drops and sheets, splashing off planks, soaking cloth so it clings and darkens. The listing deck tilts his movement; debris has weight and stops his foot when hit. The two deck explosions throw real shockwaves — planks lift, flame flashes then roll into smoke, and Eduardo's falls carry true body weight, hard contact with the deck, no bounce. The overboard crewman drops with real gravity. The final whole-ship explosion obeys mass: the shockwave arrives first — cloth and hair snap flat, the deck bucks under his planted boot — then the fireball's light, then the wall of smoke and debris, heavy pieces falling short, fine dust travelling farthest and swallowing the frame. Dust churns with internal motion, dense, filling every corner of the frame. LIGHTING High sea daylight 5600K, hardened by fire-glow accents from the deck fires and smoke shadow sweeping the deck; falling water catches the sun as bright streaks; each of the two explosions throws a brief warm flash from its side of the frame. The final whole-ship blast: two frames of white-hot overexposure flooding from behind, then deep fire-orange glow inside the rolling dust, fading toward neutral grey-brown as the frame holds and ends. AUDIO Phase 1: a whistling whoosh as he drops in, heavy water raining on planks, a THUD and clatter of the landing roll, grunt, ragged breath; panicked boots of the fleeing crewmen, a yell and a distant splash as one goes over the side; then BOOM left, ringing ears, his grunt as he hits the deck; scrabbling boots; BOOM right, debris pattering down over him. Phase 2: sprinting boots hammering the deck, the wooden knock of his boot on the bow rail, half a beat of pure wind as he hangs in the air — then ONE colossal BOOM as the whole ship goes up behind him, the deepest sound of the film, cracking timber and folding masts inside the roar, everything collapsing into a muffled ring, sound buried with the picture — the ring and the churn of dust holding to the last frame. No music. STYLE Photoreal live-action, fine film grain, real pyrotechnic and particulate language, one unbroken take, 8K master. POSITIVE LOCKS One continuous shot; the camera stays at deck level, behind Eduardo, always looking TOWARD THE BOW. The shot OPENS with Eduardo NOT in frame; he flies in from ABOVE AND BEHIND the camera, over the lens, on a forward arc toward the bow, through falling seawater, and lands in a tumbling roll ahead of the camera — he does not walk into frame and never appears standing before the landing. Exactly TWO fleeing crewmen: one runs aft, one leaps overboard — they appear only in the opening beat. The deck explosions land in strict order after his landing: first LEFT of him (he dodges and falls), then RIGHT of him (he ducks behind cover), then the final blast — the ENTIRE SHIP exploding the INSTANT he clears the bow rail — three explosions total, no more. The jump is FRONTAL: the camera faces Eduardo from off the bow, he leaps toward the lens with the exploding ship behind him in frame. HE NEVER ESCAPES: the blast wall catches him MID-AIR and he vanishes inside the explosion before he can fall clear — no water contact, no landing, no survival beat; the dust swallows him and then the lens. The deck matches >> throughout the run — the shot holds the reference's vantage: from the stern deck forward to the bow, wheel and binnacle at the near edge of frame, never ahead of him; sails, masts and hull match >>. The dust reaches 100% frame coverage and the shot ENDS inside the dust: the frame stays fully dust-filled to the last frame, no clearing, no new location, no reveal. Eduardo's head: mustard-yellow bandana with the small white shark tooth at the front, hair loose." Made with Seedance 2.0 on Higgsfield AI. Full open-sourced prompts & assets below 👇
0:15

THIS ENTIRE CINEMATIC ACTION SHOT WAS GENERATED WITH AI. AND YOU CAN SEE EXACTLY HOW IT WAS MADE. Higgsfield has just open-sourced its Originals, giving creators full access to the workflow behind some of its best productions. For every project you can inspect: → the complete prompt → every image and audio reference → the exact generation settings, including model, quality and resolution This scene combines a continuous one-take camera move, large-scale naval combat, realistic explosions, character consistency and cinematic pacing, all driven by a single prompt. Nothing is hidden. You can study it, copy it, recreate it or use it as the starting point for your own projects. Full prompt: "SCENE CONTEXT One continuous shot. The camera faces down the wrecked, burning deck toward the BOW of the ship — and Eduardo, blown off the raised STERN DECK behind the camera by a blast, comes FLYING IN from ABOVE AND BEHIND — leaping off the second level, sailing in over the lens on a forward arc, through raining seawater — slams onto the MAIN deck one level below, AHEAD of the camera, and rolls through a tumbling somersault, momentum carrying him toward the bow. Two crewmen flee past him — one leaps overboard. Eduardo fights his way toward the bow under incoming fire: an explosion bursts on his LEFT — he dodges away and is knocked down; he struggles back to his feet — a second explosion on his RIGHT — he ducks and shields behind debris; then he breaks into a sprint for the bow — the camera sweeps around ahead of him and settles OFF THE BOW, FRONTAL: he leaps over the bow rail TOWARD the camera, the ship filling the background behind him — and THE INSTANT he clears the rail, a COLOSSAL explosion consumes the ship behind him: the blast wall catches him MID-AIR and he VANISHES inside it — he never escapes. The cloud overtakes the camera; the frame floods to 100% smoke and dust. The shot ENDS inside the dust: no transition, no reveal — it holds to the end. ACTIVE REFERENCES >> — lean pirate captain, dark curly hair falling free from under a dusty mustard-yellow cloth bandana, a small white shark tooth pinned to the front of the bandana above his temple, thin moustache, gold hoop earrings, cream linen shirt under a worn brown leather waistcoat, cloth sash and leather belts. 100% matches the reference; the man fighting down the deck toward the bow. >> — Eduardo's galleon: pale square sails, tall wooden sterncastle. 100% matches the reference; controls the ship's exterior — sails, masts, rigging and hull; already battle-damaged in this shot — burst bulwark, smoldering rigging, debris on the deck. >> — the deck of the same galleon seen FROM THE RAISED STERN DECK LOOKING FORWARD TOWARD THE BOW: the great wheel and brass compass binnacle in the near foreground, an ornate lantern post, a carved balustrade, a staircase descending to the long MAIN deck — weathered planking, small cannons along both rails, black gratings, coiled ropes, the mainmast amidships, the forecastle and bow in the far depth, open sea on both sides. 100% matches the reference; controls the full on-deck geography, set dressing AND the shot's base viewing direction — from the stern toward the bow. >> — calm bright sea, glittering sun path, hazy horizon. Controls water and sky atmosphere only. >> — weathered pirate crewmen (bandanas, rough shirts, vests). 100% match the reference; TWO of them appear early in the shot, fleeing — one leaps overboard. LOCATION MAP The deck of >> aboard >> on >> — the raised stern deck (wheel, binnacle, balustrade) at the BACK, the staircase down, the long main deck with cannons, gratings and the mainmast running FORWARD to the distant BOW, exactly as on the reference — the main deck now a wrecked corridor of splintered planks, fallen spars, torn rigging and small fires. The camera sits at the forward edge of the raised stern deck, just past the wheel, LOOKING FORWARD along the whole deck toward the bow — the reference's own vantage; the wheel and binnacle may edge the near foreground. The bow rail and bowsprit are the destination, background-center, open sea beyond them. Sea and smoke beyond the broken side rails; seawater from near-miss columns rains down over the deck in the opening. FIRST FRAME / BLOCKING First frame: deck level, MS, camera facing down the wrecked deck toward the BOW in the background-center — the view of >>: from the stern-deck edge the long main deck runs away to the bow and bowsprit against open sea and sky, cannons along both rails, the mainmast mid-depth, smoke streaming across the frame, small fires burning left and right, seawater spray falling across the deck like rain, the deck listing, loose gear sliding; the wheel and binnacle just behind/beside the camera, edging the near foreground. Eduardo is NOT in the first frame; within the first half second he comes off that second level behind the camera — his body sweeping in OVER the lens from above and behind, boots crossing the top of the frame, flying FORWARD and DOWN one deck-height into the depth of the shot toward the bow. FORMAT MODE One continuous shot — the camera does not cut on its own. The shot ENDS inside the dust whiteout; there is NO location change and NO reveal after it. PHASE 1 — the landing and the gauntlet: >> comes FLYING IN from ABOVE AND BEHIND the camera — blown off the stern deck by a blast, his body sweeping in over the lens and arcing DOWN-AND-FORWARD one full deck-height onto the main deck below, arms out in front of him, back to camera — falling THROUGH a curtain of seawater raining down from a collapsed near-miss column; he SLAMS onto the wet MAIN-deck planks in the depth of the frame and rolls through a hard tumbling somersault AWAY from the lens, toward the bow, water bursting off him and the boards, scattering debris, coming up to a crouch facing the bow, soaked and shaken. TWO crewmen of >> bolt past him in panic — one sprints aft past the camera, the other vaults the side rail and LEAPS OVERBOARD, legs kicking. Eduardo starts working down the deck toward the bow, camera following behind. An incoming round EXPLODES on his LEFT — a burst of flame, planks and spray — he flinches away to the right and is knocked off his feet onto the deck. He struggles up, heavy and unsteady, one hand pushing off a fallen spar — and a second round EXPLODES on his RIGHT — he ducks hard, shielding his head behind a broken mast stump, debris raining over him. PHASE 2 — the sprint, the frontal jump, the blast, the dust: he shoves off and breaks into a desperate sprint at 12 km/h for the bow — and as he runs, the camera SWEEPS AROUND him in one continuous arc, ending positioned OFF THE BOW, out over the open water, FACING BACK at the ship: now Eduardo sprints STRAIGHT AT THE CAMERA, the burning ship towering behind him. He plants one boot on the bow rail and LEAPS OVERBOARD TOWARD THE CAMERA — body launching up and out over the water, frontal, face and reaching arms filling the frame — and THE INSTANT he clears the rail, mid-air, the ENTIRE SHIP EXPLODES behind him in full view: a colossal white flash silhouetting his flying body for two frames, the whole vessel going up in one blast — and the expanding wall of flame-lit smoke and debris CATCHES HIM IN THE AIR from behind, swallowing his silhouette whole before he can fall clear — he VANISHES inside the explosion, never escaping it — and the cloud overtakes the lens, the dust filling 100% of the frame. The dust churns, a deep orange glow pulsing inside it and fading. HOLD inside the full dust to the last frame — the generation ENDS here, inside the dust. He never reaches the water; the blast takes him mid-air. OPTICS 47° neutral through the landing, the gauntlet and the jump. No drift. Focus rides Eduardo throughout; in the final dust the frame is pure particulate with no fixed plane. CAMERA Handheld chase behind him for the entire shot, deck level, always looking TOWARD THE BOW — footstep energy visible, jolted by each explosion; in phase 2 it accelerates after his sprint, then arcs around him in one unbroken move and settles off the bow over the water, FRONTAL to Eduardo — he runs and leaps straight into the lens with the ship in the background of his jump. The final blast is the WHOLE SHIP exploding behind his airborne body — a colossal flash, then the wall of smoke bursting forward, swallowing him mid-air and then the lens — the camera stays buried, holding inside the churning dust until the end. ACTION Strict order of events: flying entry from above through falling seawater → hard landing roll (somersault over one shoulder, forward momentum carrying the roll toward the bow, ending in a crouch) → two crewmen flee past, one over the side → left explosion → dodge right → knocked down → a hard, clumsy struggle back to his feet → right explosion → duck and shield behind the mast stump → shove off → full sprint to the bow, camera arcing around to meet him head-on → one boot on the rail → LEAP overboard straight toward the camera → THE INSTANT he clears the rail, the ENTIRE SHIP EXPLODES behind him → the blast wall catches him MID-AIR and swallows him whole → the cloud overtakes the camera → dust to 100% → hold in the dust → END. He never escapes and never reaches the water. Each explosion visibly moves his body: the first throws him down, the second folds him behind cover. PERFORMANCE During the gauntlet: jaw clenched, eyes fixed forward, water streaming off his face after the landing. The fleeing crewmen are pure panic — arms pumping, one glance back, the vault over the rail desperate. In the final sprint: full commitment, arms reaching for the rail, eyes wide — in the jump: full commitment, arms reaching at the lens, eyes wide — and mid-air the world behind him turns white: his flying silhouette swallowed by the blast, reaching hands the last thing visible. PHYSICS The flying entry has true ballistic momentum: he arrives on an arc from above, and the landing roll absorbs it — impact compresses the body, the somersault carries the leftover energy, no weightless float. Falling seawater has real weight — it rains in heavy drops and sheets, splashing off planks, soaking cloth so it clings and darkens. The listing deck tilts his movement; debris has weight and stops his foot when hit. The two deck explosions throw real shockwaves — planks lift, flame flashes then roll into smoke, and Eduardo's falls carry true body weight, hard contact with the deck, no bounce. The overboard crewman drops with real gravity. The final whole-ship explosion obeys mass: the shockwave arrives first — cloth and hair snap flat, the deck bucks under his planted boot — then the fireball's light, then the wall of smoke and debris, heavy pieces falling short, fine dust travelling farthest and swallowing the frame. Dust churns with internal motion, dense, filling every corner of the frame. LIGHTING High sea daylight 5600K, hardened by fire-glow accents from the deck fires and smoke shadow sweeping the deck; falling water catches the sun as bright streaks; each of the two explosions throws a brief warm flash from its side of the frame. The final whole-ship blast: two frames of white-hot overexposure flooding from behind, then deep fire-orange glow inside the rolling dust, fading toward neutral grey-brown as the frame holds and ends. AUDIO Phase 1: a whistling whoosh as he drops in, heavy water raining on planks, a THUD and clatter of the landing roll, grunt, ragged breath; panicked boots of the fleeing crewmen, a yell and a distant splash as one goes over the side; then BOOM left, ringing ears, his grunt as he hits the deck; scrabbling boots; BOOM right, debris pattering down over him. Phase 2: sprinting boots hammering the deck, the wooden knock of his boot on the bow rail, half a beat of pure wind as he hangs in the air — then ONE colossal BOOM as the whole ship goes up behind him, the deepest sound of the film, cracking timber and folding masts inside the roar, everything collapsing into a muffled ring, sound buried with the picture — the ring and the churn of dust holding to the last frame. No music. STYLE Photoreal live-action, fine film grain, real pyrotechnic and particulate language, one unbroken take, 8K master. POSITIVE LOCKS One continuous shot; the camera stays at deck level, behind Eduardo, always looking TOWARD THE BOW. The shot OPENS with Eduardo NOT in frame; he flies in from ABOVE AND BEHIND the camera, over the lens, on a forward arc toward the bow, through falling seawater, and lands in a tumbling roll ahead of the camera — he does not walk into frame and never appears standing before the landing. Exactly TWO fleeing crewmen: one runs aft, one leaps overboard — they appear only in the opening beat. The deck explosions land in strict order after his landing: first LEFT of him (he dodges and falls), then RIGHT of him (he ducks behind cover), then the final blast — the ENTIRE SHIP exploding the INSTANT he clears the bow rail — three explosions total, no more. The jump is FRONTAL: the camera faces Eduardo from off the bow, he leaps toward the lens with the exploding ship behind him in frame. HE NEVER ESCAPES: the blast wall catches him MID-AIR and he vanishes inside the explosion before he can fall clear — no water contact, no landing, no survival beat; the dust swallows him and then the lens. The deck matches >> throughout the run — the shot holds the reference's vantage: from the stern deck forward to the bow, wheel and binnacle at the near edge of frame, never ahead of him; sails, masts and hull match >>. The dust reaches 100% frame coverage and the shot ENDS inside the dust: the frame stays fully dust-filled to the last frame, no clearing, no new location, no reveal. Eduardo's head: mustard-yellow bandana with the small white shark tooth at the front, hair loose." Made with Seedance 2.0 on Higgsfield AI. Full open-sourced prompts & assets below 👇

roman

106,768 views • 1 month ago

‼️AUGUST 12, 2026 — AMERICA, LOOK UP‼️ Before dawn, SIX PLANETS stretch across the sky: Jupiter • Mercury • Mars • Uranus • Saturn • Neptune Then, in daylight, the Moon passes before the Sun and a TOTAL SOLAR ECLIPSE casts its shadow across the Earth. And when darkness returns, the heavens ignite as the PERSEID METEOR SHOWER reaches its peak beneath a NEW MOON. A PLANETARY PARADE. A DARKENED SUN. A SKY FILLED WITH FORTIFYING FIRE. ONE EXTRAORDINARY DAY. “And let them be for signs, and for seasons, and for days, and years.” —Genesis 1:14 Then comes the count: 40 DAYS. Throughout Scripture, 40 days mark testing, judgment, cleansing, repentance and preparation: Genesis 7:12, Exodus 34:28, Jonah 3:4, Matthew 4:2, Acts 1:3 At sunset on September 11, ROSH HASHANAH begins—opening the TEN DAYS OF AWE. At sunset on September 20, YOM KIPPUR begins. And on September 21—exactly 40 days after August 12—the DAY OF ATONEMENT is observed. On that solemn day, America—counting from July 4, 1776—will be: 🇺🇸 250 years, 2 months and 📅 days old 🇺🇸 91,389 days old 🇺🇸 13,055 weeks and 4 days old 🇺🇸 3,002 months and 📅 days old America’s founders appealed to “the Supreme Judge of the world” and declared their reliance upon “the protection of Divine Providence.” Now, in America’s 250th year, the heavens present a breathtaking sequence: ALIGNMENT. DARK TO LIGHT. FORTIFIED BY FIRE. FORTY DAYS. THE 10 DAYS OF AWE. THE DAY OF ATONEMENT. This is NOT a declaration of prophecy or an attempt to set dates. It is a call to examine ourselves. A call to humble ourselves. A call to pray. A call to seek His face. A call to turn from wickedness. A call to return to truth. “If My people, which are called by My name, shall humble themselves, and pray, and seek My face, and turn from their wicked ways…” —2 Chronicles 7:14 “The heavens declare the glory of God; and the firmament sheweth His handywork.” —Psalm 19:1 AMERICA—REMEMBER WHO YOU ARE. AWAKEN. The heavens Above, The appointed season Before and The choice is WITHIN us. LOOK UP: Genesis 1:14 • Joel 2:31 • Luke 21:25–28 We decode. We witness. We shine light. #America250 #Eclipse2026 #Perseids #PlanetParade #DaysOfAwe #YomKippur
0:15

‼️AUGUST 12, 2026 — AMERICA, LOOK UP‼️ Before dawn, SIX PLANETS stretch across the sky: Jupiter • Mercury • Mars • Uranus • Saturn • Neptune Then, in daylight, the Moon passes before the Sun and a TOTAL SOLAR ECLIPSE casts its shadow across the Earth. And when darkness returns, the heavens ignite as the PERSEID METEOR SHOWER reaches its peak beneath a NEW MOON. A PLANETARY PARADE. A DARKENED SUN. A SKY FILLED WITH FORTIFYING FIRE. ONE EXTRAORDINARY DAY. “And let them be for signs, and for seasons, and for days, and years.” —Genesis 1:14 Then comes the count: 40 DAYS. Throughout Scripture, 40 days mark testing, judgment, cleansing, repentance and preparation: Genesis 7:12, Exodus 34:28, Jonah 3:4, Matthew 4:2, Acts 1:3 At sunset on September 11, ROSH HASHANAH begins—opening the TEN DAYS OF AWE. At sunset on September 20, YOM KIPPUR begins. And on September 21—exactly 40 days after August 12—the DAY OF ATONEMENT is observed. On that solemn day, America—counting from July 4, 1776—will be: 🇺🇸 250 years, 2 months and 📅 days old 🇺🇸 91,389 days old 🇺🇸 13,055 weeks and 4 days old 🇺🇸 3,002 months and 📅 days old America’s founders appealed to “the Supreme Judge of the world” and declared their reliance upon “the protection of Divine Providence.” Now, in America’s 250th year, the heavens present a breathtaking sequence: ALIGNMENT. DARK TO LIGHT. FORTIFIED BY FIRE. FORTY DAYS. THE 10 DAYS OF AWE. THE DAY OF ATONEMENT. This is NOT a declaration of prophecy or an attempt to set dates. It is a call to examine ourselves. A call to humble ourselves. A call to pray. A call to seek His face. A call to turn from wickedness. A call to return to truth. “If My people, which are called by My name, shall humble themselves, and pray, and seek My face, and turn from their wicked ways…” —2 Chronicles 7:14 “The heavens declare the glory of God; and the firmament sheweth His handywork.” —Psalm 19:1 AMERICA—REMEMBER WHO YOU ARE. AWAKEN. The heavens Above, The appointed season Before and The choice is WITHIN us. LOOK UP: Genesis 1:14 • Joel 2:31 • Luke 21:25–28 We decode. We witness. We shine light. #America250 #Eclipse2026 #Perseids #PlanetParade #DaysOfAwe #YomKippur

Grasshopper

70,292 views • 26 days ago

🚨 WARNING: HUGE MARKET CRASH IS COMING TODAY... Tech just broke. Asia already fell. Asian stock markets lost over $1,200,000,000,000 in just one day: South Korea lost ₩800,000,000,000,000. Japan lost $170,000,000,000. Shanghai and Shenzhen lost $240,000,000,000. Hang Seng lost $130,000,000,000. Korean KOSPI crashed -9.99%, and trading was halted. The U.S market is going to be next. This didn't start in America. It never does. Asian markets moved first. They always do. The session closes before Wall Street opens. By the time US traders are reading the morning headlines the damage is already done on the other side of the world. Tech followed. The names everyone said were untouchable. The companies holding a third of the entire S&P 500 together. They started cracking quietly at first, then all at once. This is how it always begins. Not with a US headline, not with a Fed announcement, not with a single catalyst anyone can point to cleanly. It starts at the edges. Asia first, then European tech, then the US names that were supposed to be different. By the time it reaches American markets the move is already in motion. The question stops being if and starts being how far. Here's what the US market is actually sitting on right now. Eight stocks making up 35% of the index. All of them in tech. All of them already showing cracks. All of them priced for a world where nothing goes wrong. Something went wrong. When the leading indices in Asia sell off and global tech follows in the same session that's not noise. That's the leading indicator the US market has been ignoring for weeks. The rotation out of risk is already happening everywhere except Wall Street. That changes at open. Smart money doesn't wait for confirmation, they're already positioned. Retail will read about it tomorrow morning and wonder why nobody warned them. This is the warning. This sounds SCARY, but I will keep you updated on everything here When I rotate money, I will post my moves here so my FOLLOWERS can SAVE their money Follow me and turn NOTIFICATIONS ON, as I will share my strategy soon Many will regret not following me earlier...
0:14

🚨 WARNING: HUGE MARKET CRASH IS COMING TODAY... Tech just broke. Asia already fell. Asian stock markets lost over $1,200,000,000,000 in just one day: South Korea lost ₩800,000,000,000,000. Japan lost $170,000,000,000. Shanghai and Shenzhen lost $240,000,000,000. Hang Seng lost $130,000,000,000. Korean KOSPI crashed -9.99%, and trading was halted. The U.S market is going to be next. This didn't start in America. It never does. Asian markets moved first. They always do. The session closes before Wall Street opens. By the time US traders are reading the morning headlines the damage is already done on the other side of the world. Tech followed. The names everyone said were untouchable. The companies holding a third of the entire S&P 500 together. They started cracking quietly at first, then all at once. This is how it always begins. Not with a US headline, not with a Fed announcement, not with a single catalyst anyone can point to cleanly. It starts at the edges. Asia first, then European tech, then the US names that were supposed to be different. By the time it reaches American markets the move is already in motion. The question stops being if and starts being how far. Here's what the US market is actually sitting on right now. Eight stocks making up 35% of the index. All of them in tech. All of them already showing cracks. All of them priced for a world where nothing goes wrong. Something went wrong. When the leading indices in Asia sell off and global tech follows in the same session that's not noise. That's the leading indicator the US market has been ignoring for weeks. The rotation out of risk is already happening everywhere except Wall Street. That changes at open. Smart money doesn't wait for confirmation, they're already positioned. Retail will read about it tomorrow morning and wonder why nobody warned them. This is the warning. This sounds SCARY, but I will keep you updated on everything here When I rotate money, I will post my moves here so my FOLLOWERS can SAVE their money Follow me and turn NOTIFICATIONS ON, as I will share my strategy soon Many will regret not following me earlier...

ᴛʀᴀᴄᴇʀ

186,524 views • 2 months ago

Several months ago I read an article entitled "Fart walks save lives" and ever since I've been a fan of a post-prandial stroll... It is so good for the digestion and general health; it gets the blood circulating, burns calories and let's you talk through the day with your other half....(farting is optional). So tonight, after a home-cooked meal, I persuaded james to come along the river for a 40 minute walk- and-talk. It was pitch black on the towpath and we saw only 3 other people, all wearing earpods . On the way back we heard, " help! Help!"... and at first thought it was one of the many rowing coaches you hear on The Thames - even after dark. But then I saw a bicycle on its side and shouted after the voice. 20 ft below us, in the water, was a bloke who had come off his bike and fallen headlong down the banking. He had flattened some of the bushes and trees but was still very difficult to see amongst the thick foliage. James scrambled down as far as safely possible to get a better look. The chap was still in his bike helmet, waist deep in the water and thick mud but unable to get any grip at all on the sheer brick wall. James got back up and found his very long bike lock which he then dangled down to try and pull him up - while I nervously said, " please don't get pulled in too.." (eventually James said, " yes I heard you the first 3 times..."). He was too far down to pull up but was pleading with us not to call 999..."it's just so embarrassing " he said.... He sounded like he was in his 50s, well-spoken and very fed up with himself! I stayed talking to him while James ran to get a longer rope and torch from home (but also gave me the nod to call 999). I was worried that our friend might let go or try to climb out and lose his grip if he knew the lifeguard was coming so I kept him talking and asked if there was anyone else I could ring for him. He rather ruefully said no. James appeared back sprinting with the rope. But seconds after speaking to 999, the Chiswick Lifeboat appeared heroically through the dark. They scooped our water-logged Bradley wiggins up and took him down to Kew and off to hospital to get checked over. We walked his bike back to our house and hope to reunite them soon. The moral to the story is that you should never flop on the sofa after dinner when you could walk round the block. Because that article was right - fart walks do save lives! Great job Chiswick Lifeboat
0:11

Several months ago I read an article entitled "Fart walks save lives" and ever since I've been a fan of a post-prandial stroll... It is so good for the digestion and general health; it gets the blood circulating, burns calories and let's you talk through the day with your other half....(farting is optional). So tonight, after a home-cooked meal, I persuaded james to come along the river for a 40 minute walk- and-talk. It was pitch black on the towpath and we saw only 3 other people, all wearing earpods . On the way back we heard, " help! Help!"... and at first thought it was one of the many rowing coaches you hear on The Thames - even after dark. But then I saw a bicycle on its side and shouted after the voice. 20 ft below us, in the water, was a bloke who had come off his bike and fallen headlong down the banking. He had flattened some of the bushes and trees but was still very difficult to see amongst the thick foliage. James scrambled down as far as safely possible to get a better look. The chap was still in his bike helmet, waist deep in the water and thick mud but unable to get any grip at all on the sheer brick wall. James got back up and found his very long bike lock which he then dangled down to try and pull him up - while I nervously said, " please don't get pulled in too.." (eventually James said, " yes I heard you the first 3 times..."). He was too far down to pull up but was pleading with us not to call 999..."it's just so embarrassing " he said.... He sounded like he was in his 50s, well-spoken and very fed up with himself! I stayed talking to him while James ran to get a longer rope and torch from home (but also gave me the nod to call 999). I was worried that our friend might let go or try to climb out and lose his grip if he knew the lifeguard was coming so I kept him talking and asked if there was anyone else I could ring for him. He rather ruefully said no. James appeared back sprinting with the rope. But seconds after speaking to 999, the Chiswick Lifeboat appeared heroically through the dark. They scooped our water-logged Bradley wiggins up and took him down to Kew and off to hospital to get checked over. We walked his bike back to our house and hope to reunite them soon. The moral to the story is that you should never flop on the sofa after dinner when you could walk round the block. Because that article was right - fart walks do save lives! Great job Chiswick Lifeboat

Bev Turner

73,561 views • 12 days ago

Around 8:55 am on Boxing Day 26th December 2025, as I was coming back from my night duty, I saw this car doing like 80-90 miles/hr on a 60 mile/hr road. Temperature was 1 degree Celsius and roads were icy. I was worried because that road has loads of bends and it was crazy to see someone speeding like that on that road. Not up to 3 minutes, this chap approaching a bend suddenly went on his brakes, then lost control as the car started skidding. To our left is a hill, and beyond this hill is a river. This guy climbed that hill with speed. He drove on it for like 5 seconds while trying to re-establish control of the car, then the car came down and he struggled for another 3 seconds and then regained control, he sped off and continued driving. By this time, I had slowed down and was observing what was happening as I was just behind him. The broken parts of his car littered the road but this dude continued driving and speeding. This got me worried, he had a near death experience, every normal person would stop, park and soak in whatever that happened, and most especially, see his car and the damage done. This guy continued speeding like a mad man. I couldn’t call police because I was driving and not allowed to touch my phone, but I was dead worried this dude might be driving a stolen car ( because how do you smash your car in this economy and not park to even see the damage?). The tyre might be damaged and if he continues speeding like that, can have a tyre burst and crash into on coming vehicle. So I made up my mind to follow him. I started flashing lights, he noticed and slowed down, then I went close but he sped off again. I followed him again and continued flashing lights. I was just policing him until he parked and I double crossed him and had a go at him. I sha called the police and passed his details to him. So I’m posting the plate number in case someone stole your car, definitely must be this guy!! Contact police, they have the details and the area the incident took place.
0:12

Around 8:55 am on Boxing Day 26th December 2025, as I was coming back from my night duty, I saw this car doing like 80-90 miles/hr on a 60 mile/hr road. Temperature was 1 degree Celsius and roads were icy. I was worried because that road has loads of bends and it was crazy to see someone speeding like that on that road. Not up to 3 minutes, this chap approaching a bend suddenly went on his brakes, then lost control as the car started skidding. To our left is a hill, and beyond this hill is a river. This guy climbed that hill with speed. He drove on it for like 5 seconds while trying to re-establish control of the car, then the car came down and he struggled for another 3 seconds and then regained control, he sped off and continued driving. By this time, I had slowed down and was observing what was happening as I was just behind him. The broken parts of his car littered the road but this dude continued driving and speeding. This got me worried, he had a near death experience, every normal person would stop, park and soak in whatever that happened, and most especially, see his car and the damage done. This guy continued speeding like a mad man. I couldn’t call police because I was driving and not allowed to touch my phone, but I was dead worried this dude might be driving a stolen car ( because how do you smash your car in this economy and not park to even see the damage?). The tyre might be damaged and if he continues speeding like that, can have a tyre burst and crash into on coming vehicle. So I made up my mind to follow him. I started flashing lights, he noticed and slowed down, then I went close but he sped off again. I followed him again and continued flashing lights. I was just policing him until he parked and I double crossed him and had a go at him. I sha called the police and passed his details to him. So I’m posting the plate number in case someone stole your car, definitely must be this guy!! Contact police, they have the details and the area the incident took place.

Donpir

757,329 views • 8 months ago

The Man Who Gave Away Patagonia Doug Tompkins sold his stake in The North Face for $50,000.  He used the money to co-found Esprit. Then he sold that too, and did something almost no one does with a fortune: he disappeared. He moved to the tip of South America in 1990 with a theory most businessmen would find absurd. He believed the best thing a rich man could do was buy wilderness before someone else destroyed it, then hand it back to the country it belonged to. Together with his wife Kris, a former CEO of Patagonia clothing, they bought and conserved more than 2 million acres across Chile and Argentina. For context: that is roughly the size of Connecticut and Rhode Island combined. Most of it had been degraded farmland. Overgrazed, stripped, exhausted. The Valle Chacabuco ranch alone had been one of South America’s largest sheep operations. They bought it in 2004 for $10 million, then spent another $55 million over 20 years restoring the grasslands.  Pumas returned. Guanacos returned. The land remembered what it was. The Chileans were not immediately grateful. Many locals saw it as a land grab. An American buying millions of acres and telling them to change their way of life. Some accused him of planning to split the country in two. Others claimed he was building a nuclear waste site. He kept buying land anyway. The deal his wife finalized in his name after his death became the largest-ever private land donation to a country. Over 1 million acres handed directly to Chile, triggering government protections on another 9 million. Five new national parks. Three expanded. A conservation corridor stretching 1,250 miles. He died on December 8, 2015, in a kayaking accident on a Patagonian lake, surrounded by friends including Yvon Chouinard. He had called what he was doing “paying rent for his time on the planet.” There is a certain kind of person who builds something great and then builds something greater by walking away from it. Tompkins is the rarest version: he walked away from two fortunes, bought a wilderness, and gave it to strangers. The land is still there. The sheep are gone. If this kind of story is what you read on weekends, you might belong here. Gandalv / Gandalv
0:10

The Man Who Gave Away Patagonia Doug Tompkins sold his stake in The North Face for $50,000.  He used the money to co-found Esprit. Then he sold that too, and did something almost no one does with a fortune: he disappeared. He moved to the tip of South America in 1990 with a theory most businessmen would find absurd. He believed the best thing a rich man could do was buy wilderness before someone else destroyed it, then hand it back to the country it belonged to. Together with his wife Kris, a former CEO of Patagonia clothing, they bought and conserved more than 2 million acres across Chile and Argentina. For context: that is roughly the size of Connecticut and Rhode Island combined. Most of it had been degraded farmland. Overgrazed, stripped, exhausted. The Valle Chacabuco ranch alone had been one of South America’s largest sheep operations. They bought it in 2004 for $10 million, then spent another $55 million over 20 years restoring the grasslands.  Pumas returned. Guanacos returned. The land remembered what it was. The Chileans were not immediately grateful. Many locals saw it as a land grab. An American buying millions of acres and telling them to change their way of life. Some accused him of planning to split the country in two. Others claimed he was building a nuclear waste site. He kept buying land anyway. The deal his wife finalized in his name after his death became the largest-ever private land donation to a country. Over 1 million acres handed directly to Chile, triggering government protections on another 9 million. Five new national parks. Three expanded. A conservation corridor stretching 1,250 miles. He died on December 8, 2015, in a kayaking accident on a Patagonian lake, surrounded by friends including Yvon Chouinard. He had called what he was doing “paying rent for his time on the planet.” There is a certain kind of person who builds something great and then builds something greater by walking away from it. Tompkins is the rarest version: he walked away from two fortunes, bought a wilderness, and gave it to strangers. The land is still there. The sheep are gone. If this kind of story is what you read on weekends, you might belong here. Gandalv / Gandalv

Gandalv

147,100 views • 4 months ago

Sometimes, the first hello becomes the best part of the journey.✨ My submission into the contest by FansAI based on the theme “AI Cartoon: warm & animated” PROMPT: In a quiet little town in Seoul, a shy little boy named Minho moved into a small apartment with his mother. Everything felt new to him , the streets, the people, and especially his new school. On Monday morning, Minho wore his tiny yellow backpack and nervously walked into the classroom. His hands trembled a little as the teacher smiled warmly. “Class,” the teacher said, “this is Minho. He just moved here. Please make him feel welcome.” The students looked at him curiously. “Now,” the teacher continued, “who would like Minho to sit beside them?” The classroom became very quiet. One by one, the children looked away. Some pretended to be busy. Others hugged their desks tightly, not wanting a new student beside them. Minho lowered his head sadly. But then, A small hand slowly rose into the air. It belonged to a sweet little girl with soft pigtails and a bright smile. “You can sit with me,” she said gently. Her name was Hana. Minho’s eyes widened in surprise. The teacher smiled, and Minho quietly carried his bag to the empty seat beside her. During lunch break, Minho sat alone again, opening his lunchbox silently. But Hana scooted closer and placed half of her rice balls onto his tray. “My mom makes too many,” she giggled. Minho smiled for the very first time that day. After school, Hana walked home with him under the warm orange sunset. Soon, they began doing homework together every afternoon. Hana helped Minho with difficult words, while Minho drew funny little cartoons that made her laugh. Later, they would run to the park near their homes. They chased butterflies, fed pigeons, and played on the swings until the sky turned pink. Day by day, Minho stopped feeling lonely. And before they even realized it, the shy new boy and the kind little girl had become the best of friends. 🌸 #FansAI #FansAIOpenCall
0:15

Sometimes, the first hello becomes the best part of the journey.✨ My submission into the contest by FansAI based on the theme “AI Cartoon: warm & animated” PROMPT: In a quiet little town in Seoul, a shy little boy named Minho moved into a small apartment with his mother. Everything felt new to him , the streets, the people, and especially his new school. On Monday morning, Minho wore his tiny yellow backpack and nervously walked into the classroom. His hands trembled a little as the teacher smiled warmly. “Class,” the teacher said, “this is Minho. He just moved here. Please make him feel welcome.” The students looked at him curiously. “Now,” the teacher continued, “who would like Minho to sit beside them?” The classroom became very quiet. One by one, the children looked away. Some pretended to be busy. Others hugged their desks tightly, not wanting a new student beside them. Minho lowered his head sadly. But then, A small hand slowly rose into the air. It belonged to a sweet little girl with soft pigtails and a bright smile. “You can sit with me,” she said gently. Her name was Hana. Minho’s eyes widened in surprise. The teacher smiled, and Minho quietly carried his bag to the empty seat beside her. During lunch break, Minho sat alone again, opening his lunchbox silently. But Hana scooted closer and placed half of her rice balls onto his tray. “My mom makes too many,” she giggled. Minho smiled for the very first time that day. After school, Hana walked home with him under the warm orange sunset. Soon, they began doing homework together every afternoon. Hana helped Minho with difficult words, while Minho drew funny little cartoons that made her laugh. Later, they would run to the park near their homes. They chased butterflies, fed pigeons, and played on the swings until the sky turned pink. Day by day, Minho stopped feeling lonely. And before they even realized it, the shy new boy and the kind little girl had become the best of friends. 🌸 #FansAI #FansAIOpenCall

Soulful Ai

13,751 views • 3 months ago

The Issa thread PART 1: The Ronaldinho Scam Let's first take a look at Parsa Abbasie’s Career Timeline Beginning as “sphex” he would scam people for Fortnite gift cards on streams. This is where he found his love of ripping people off and later used this name to transition to grifting SMMA and dropshipping courses. He made a big step up in his career after this, finding a way to get hired by Andrew Tate / Andrew Tate. This was huge for him and is what his entire brand was built on prior to crypto. He used to grift on money twitter as a sales and marketing aficionado before he made the shift into crypto scamming. The hook he had was that he was claimed to be Tate’s “top sales guy” when in reality he was probably just Tate’s bottom. He began working for Tate at a time when a majority of Andrew’s income was from trafficking Eastern European women under the age of 18 and forcing them to do sex acts on webcams. So we can see he had a very strong moral base to work off of. When he could no longer make monopoly money off his fake job he used the “G” boyfriend connections he made through his time with Tate to begin his crypto career. Let's take a look at the Pencil Neck Cabal (all pics will be in thread): Sam Patel - Seen pictured alone on a boat with him in the video below (sus) and one of his day ones and closest partner in crime Harry.XBT - You can watch 2 of his cringe tiktoks below, one of which alludes to a $240M crypto as you can see the crew renting cars and flexing their money acquired through stolen funds as well Louie H - He is the blonde guy you can see in the videos above and also goes by Hermes. Seems to have enemies based off the tweet below. Attaching his instagram as well as a pic of his LinkedIn below Jayden Mellor - Big piece of the puzzle. Another day 1 and his father Will Mellor would NOT want the world to know his son has affiliations with Issa. Will is a big deal in the UK, he’s a popular actor from line of duty, works in media, etc. More on Will Mellor - Issa and his goon squad’s scams go all the way back to 2023 when his speciality was HARD RUGGING presales. They would sign up KOLs with large amounts of supply and HARD rug them instantly, ask cheatcoiner.eth about it as he had fell victim before. There were too many of these instances to count, but they all shrinks into comparison to their greatest masterpiece: The Ronaldinho launch on BNB. Depicted below you can see the sussy squad driving around with Ronaldinho and taking pics with him as if he’s some circus animal. They got their practice rounds in prior then executed a swift and VIOLENT rug with Ronaldinho. Ronaldinho post launching the coin: The coin peaked at $400m FDV and is now sitting at near zero. Let that sink in. If you visit Issa's (now privated) twitter, you will see him gloating about his experience in the markets and dropping platitudes nobody asked for. He acts as if he's a market wizard when the reality of the matter is that he's a thief. And now he spends his days at Jumeriah Beach Residence (JBR) in Dubai whilst racing around rented cars and flexing rented watches off the money he stole from YOU.
0:10

The Issa thread PART 1: The Ronaldinho Scam Let's first take a look at Parsa Abbasie’s Career Timeline Beginning as “sphex” he would scam people for Fortnite gift cards on streams. This is where he found his love of ripping people off and later used this name to transition to grifting SMMA and dropshipping courses. He made a big step up in his career after this, finding a way to get hired by Andrew Tate / Andrew Tate. This was huge for him and is what his entire brand was built on prior to crypto. He used to grift on money twitter as a sales and marketing aficionado before he made the shift into crypto scamming. The hook he had was that he was claimed to be Tate’s “top sales guy” when in reality he was probably just Tate’s bottom. He began working for Tate at a time when a majority of Andrew’s income was from trafficking Eastern European women under the age of 18 and forcing them to do sex acts on webcams. So we can see he had a very strong moral base to work off of. When he could no longer make monopoly money off his fake job he used the “G” boyfriend connections he made through his time with Tate to begin his crypto career. Let's take a look at the Pencil Neck Cabal (all pics will be in thread): Sam Patel - Seen pictured alone on a boat with him in the video below (sus) and one of his day ones and closest partner in crime Harry.XBT - You can watch 2 of his cringe tiktoks below, one of which alludes to a $240M crypto as you can see the crew renting cars and flexing their money acquired through stolen funds as well Louie H - He is the blonde guy you can see in the videos above and also goes by Hermes. Seems to have enemies based off the tweet below. Attaching his instagram as well as a pic of his LinkedIn below Jayden Mellor - Big piece of the puzzle. Another day 1 and his father Will Mellor would NOT want the world to know his son has affiliations with Issa. Will is a big deal in the UK, he’s a popular actor from line of duty, works in media, etc. More on Will Mellor - Issa and his goon squad’s scams go all the way back to 2023 when his speciality was HARD RUGGING presales. They would sign up KOLs with large amounts of supply and HARD rug them instantly, ask cheatcoiner.eth about it as he had fell victim before. There were too many of these instances to count, but they all shrinks into comparison to their greatest masterpiece: The Ronaldinho launch on BNB. Depicted below you can see the sussy squad driving around with Ronaldinho and taking pics with him as if he’s some circus animal. They got their practice rounds in prior then executed a swift and VIOLENT rug with Ronaldinho. Ronaldinho post launching the coin: The coin peaked at $400m FDV and is now sitting at near zero. Let that sink in. If you visit Issa's (now privated) twitter, you will see him gloating about his experience in the markets and dropping platitudes nobody asked for. He acts as if he's a market wizard when the reality of the matter is that he's a thief. And now he spends his days at Jumeriah Beach Residence (JBR) in Dubai whilst racing around rented cars and flexing rented watches off the money he stole from YOU.

Rosa Parks 🇺🇸

274,390 views • 8 months ago

🚨Islamization of America... Terrorist group CAIR and their allies are celebrating another win. Rochester Public Schools just added the Islamic "sacrifice death holiday," Eid al-Adha, to the 2027–28 calendar. No school on May 5, 2028. All because Muslim student attendance collapses on the day they ritually slaughter animals to celebrate death and blood. Rochester, Minnesota was once a proud, cohesive American Midwest city built around the Mayo Clinic, with safe streets, strong families, and a calendar rooted in our own heritage. That city is being erased. After decades of refugee resettlement flooding the area with Muslim populations, especially Somalis, public schools are now forced to cancel classes for a holiday centered on animal sacrifice. Throats are slit. Blood is drained. Animals are killed in the name of Allah. American kids get the day off so the new demographic majority doesn’t have to show up. This is submission. They started by demanding halal meat, ritually slaughtered while facing Mecca, in school cafeterias. Now they’ve graduated to demanding the entire school calendar bend to their death holiday. Public schools exist to educate American children, not to validate foreign religious rituals involving ritual killing or to prioritize imported populations over the founding culture that built this country. Rochester’s story is every city’s future if we keep importing incompatible cultures and then surrendering our institutions to their demands. CAIR calls this progress. Americans should call it what it is: conquest by demographic change and incremental Sharia.
0:14

🚨Islamization of America... Terrorist group CAIR and their allies are celebrating another win. Rochester Public Schools just added the Islamic "sacrifice death holiday," Eid al-Adha, to the 2027–28 calendar. No school on May 5, 2028. All because Muslim student attendance collapses on the day they ritually slaughter animals to celebrate death and blood. Rochester, Minnesota was once a proud, cohesive American Midwest city built around the Mayo Clinic, with safe streets, strong families, and a calendar rooted in our own heritage. That city is being erased. After decades of refugee resettlement flooding the area with Muslim populations, especially Somalis, public schools are now forced to cancel classes for a holiday centered on animal sacrifice. Throats are slit. Blood is drained. Animals are killed in the name of Allah. American kids get the day off so the new demographic majority doesn’t have to show up. This is submission. They started by demanding halal meat, ritually slaughtered while facing Mecca, in school cafeterias. Now they’ve graduated to demanding the entire school calendar bend to their death holiday. Public schools exist to educate American children, not to validate foreign religious rituals involving ritual killing or to prioritize imported populations over the founding culture that built this country. Rochester’s story is every city’s future if we keep importing incompatible cultures and then surrendering our institutions to their demands. CAIR calls this progress. Americans should call it what it is: conquest by demographic change and incremental Sharia.

Amy Mek

43,053 views • 2 months ago

Seedance 2.0 Takeshi's Castle (Roller Game version) prompt 🎎 Authentic 1980s Japanese television game show broadcast footage, realistic recreation of original Takeshi's Castle ENG camera footage, natural handheld camera with subtle shake and tracking, broadcast video noise, analog grain, limited dynamic range and color saturation of the era, slight color bleeding on highlights, chaotic energetic atmosphere of the original show. No reference images provided. Generate the entire scene from the text description. 0-3s: [Wide handheld tracking shot from the side] A determined young Japanese male contestant in his mid-20s, short black hair, wearing a bright orange tracksuit with white stripes, white sneakers and a white headband, sprints confidently from the wooden starting platform onto the first of several large spinning cylindrical logs floating over a murky pond. He runs with pumping arms and focused expression as the log begins to rotate slowly beneath his feet, causing his body to wobble slightly. Water ripples and splashes lightly around the base of the logs. 3-6s: [Dynamic medium tracking shot moving alongside] He leaps to the second spinning log at a slightly higher level, landing with bent knees to absorb the impact. The faster-rotating drum spins his feet out from under him; he flails his arms dramatically to regain balance, torso leaning left then right, face shifting from concentration to surprise. The log's wet surface glistens as he struggles to stay upright. 6-9s: [Closer side profile action shot with motion blur] Pushing forward to the third log, his right foot slips on the spinning wet wood. He lurches forward violently, arms windmilling, body twisting as he tries to recover by crouching low. His left leg dips into the water creating a splash, but he pulls it out and continues with desperate momentum, the rotating cylinder throwing off his rhythm. 9-12s: [Dynamic tracking shot from a three-quarter angle] He attempts a running jump to the next log but the combined spin and his forward speed causes him to lose all balance. His body tilts backward sharply, legs kicking in the air, arms reaching out for nothing as he begins to fall off the side of the log. 12-15s: [Impact focused shot with water dynamics] The contestant falls backward off the spinning log into the pond with a huge explosive splash, water shooting up around his body. He submerges briefly, then resurfaces gasping and flailing, completely soaked, as the logs continue their relentless spinning in the background. His expression is one of shocked defeat mixed with the show's signature comedic failure. High fidelity recreation of 1980s analog broadcast video, visible natural grain and broadcast noise, realistic motion characteristics of old ENG cameras, coherent but slightly imperfect physics and movement as seen in original Takeshi's Castle episodes, era-accurate color response and limited dynamic range, stable character with the natural imperfections of analog footage, no modern digital sharpness or artifacts.
0:15

Seedance 2.0 Takeshi's Castle (Roller Game version) prompt 🎎 Authentic 1980s Japanese television game show broadcast footage, realistic recreation of original Takeshi's Castle ENG camera footage, natural handheld camera with subtle shake and tracking, broadcast video noise, analog grain, limited dynamic range and color saturation of the era, slight color bleeding on highlights, chaotic energetic atmosphere of the original show. No reference images provided. Generate the entire scene from the text description. 0-3s: [Wide handheld tracking shot from the side] A determined young Japanese male contestant in his mid-20s, short black hair, wearing a bright orange tracksuit with white stripes, white sneakers and a white headband, sprints confidently from the wooden starting platform onto the first of several large spinning cylindrical logs floating over a murky pond. He runs with pumping arms and focused expression as the log begins to rotate slowly beneath his feet, causing his body to wobble slightly. Water ripples and splashes lightly around the base of the logs. 3-6s: [Dynamic medium tracking shot moving alongside] He leaps to the second spinning log at a slightly higher level, landing with bent knees to absorb the impact. The faster-rotating drum spins his feet out from under him; he flails his arms dramatically to regain balance, torso leaning left then right, face shifting from concentration to surprise. The log's wet surface glistens as he struggles to stay upright. 6-9s: [Closer side profile action shot with motion blur] Pushing forward to the third log, his right foot slips on the spinning wet wood. He lurches forward violently, arms windmilling, body twisting as he tries to recover by crouching low. His left leg dips into the water creating a splash, but he pulls it out and continues with desperate momentum, the rotating cylinder throwing off his rhythm. 9-12s: [Dynamic tracking shot from a three-quarter angle] He attempts a running jump to the next log but the combined spin and his forward speed causes him to lose all balance. His body tilts backward sharply, legs kicking in the air, arms reaching out for nothing as he begins to fall off the side of the log. 12-15s: [Impact focused shot with water dynamics] The contestant falls backward off the spinning log into the pond with a huge explosive splash, water shooting up around his body. He submerges briefly, then resurfaces gasping and flailing, completely soaked, as the logs continue their relentless spinning in the background. His expression is one of shocked defeat mixed with the show's signature comedic failure. High fidelity recreation of 1980s analog broadcast video, visible natural grain and broadcast noise, realistic motion characteristics of old ENG cameras, coherent but slightly imperfect physics and movement as seen in original Takeshi's Castle episodes, era-accurate color response and limited dynamic range, stable character with the natural imperfections of analog footage, no modern digital sharpness or artifacts.

TechHalla

137,503 views • 2 months ago

I watched so you did not have to and here is the breakdown!!!! Nearly 2 hours. Plenty of nostalgia. Plenty of vibes. Lots of feelings. But when the net was wide open for actual clarification? Dead air. Total time Chris Albert spoke 1,501 seconds Which is 25 min and 1 sec. So on an almost 2 hour show, he spoke for about 25 minutes total. Roughly 21% of the entire show The remaining time was largely filled by the hosts themselves frequently cutting him off, reframing questions, finishing answers for him, or moving the conversation along before he ever had to sit in discomfort or explain anything fully. 0 minutes of that time addressed the major unresolved timeline and movement issues Oddly missing from this fact-based discussion No explanation for how Colin got home 20 min AFTER Chris that night, despite a four-minute head start No explanation for why Chris’s wife that went to 34 Fairview with donuts for brian Jr. pulled behind a car that was not there only an hour earlier with no explanation then, turned around, came back to get him, returned again, stayed 30 min, then left, all on the morning John was found. No mention of parents allegedly coordinating to quietly clean up a house-destroying party involving minors in which his son was one No discussion of repeated allegations of Colin being removed from bars for underage drinking. We were told this channel is about facts, not opinion. So we treated it like a data exercise. We timed everything Chris talked about, so you didn’t have to. Here’s how nearly two hours were spent 2 min saying they tried to “let the court system play out,” while explaining his New Year’s Day Twitter Space tour and condemning Sean McCabe’s comments 37 sec on moving to Canton in 1974 35 sec explaining it’s normal to work in the town you grew up in (we agree) 35 sec on Canton no longer being blue-collar and now very expensive 44 sec reminiscing about red paint stains in his childhood garage was misrepresented by the defense 1 min on town politics 15 sec explaining what a Select Board is 50 sec on handling public comment and being a “First Amendment guy… to a degree” 38 sec announcing he’s not running again 25 sec on how he keeps his cool during public comment 15 sec on pineapple pizza 52 sec explaining Colin was 17 when John died and can’t play college football with his cousin 45 sec expressing loss for how his family has been treated 10 sec referencing a blogger saying “horrible things” about Colin 26 sec blaming the media for selling and sensationalizing a story 20 sec saying he’s mind-boggled 48 sec explaining why the term “McAlberts” is dehumanizing 28 sec criticizing Yannetti’s performance was upsetting to him while stating John was his friend 42 sec explaining the fence-straddling photo was a joke 1:50 on “Nebbercracker” and a childhood yard incident 10 sec about his wife bringing donuts to a nephew for his birthday was not weird 32 sec blaming Karen for making his family look like villains 1 min on selling his house and convincing his brother to sell 24 sec saying Nebbercracker was the best part of the trial 1:12 on knowing Michael Proctor but not really knowing him 10 sec saying he was never alone with Proctor 11 sec correcting the “pin it on the girl” claim (which we agree with) 1 min praising Jillian Daniels as a great family supporter and defender 1 min explaining early lack of support made him sad 15 sec thanking the hosts 31 sec discussing starting a “Defend the Truth” media page 30 sec saying both sides were horrible and doxxed people 24 sec on feeling isolated at first 33 sec minimizing the Proctor gift as “just gratitude for solving a murder in one day” 28 sec saying he’s still friends with the O’Keefes and they eat at his pizza shop 38 sec saying Mr. O’Keefe sits with him for long periods of time 43 sec lamenting being made into villains 30 sec saying the case took years off his parents’ lives 35 sec thanking supporters and saying “the truth is on our side”
0:15

I watched so you did not have to and here is the breakdown!!!! Nearly 2 hours. Plenty of nostalgia. Plenty of vibes. Lots of feelings. But when the net was wide open for actual clarification? Dead air. Total time Chris Albert spoke 1,501 seconds Which is 25 min and 1 sec. So on an almost 2 hour show, he spoke for about 25 minutes total. Roughly 21% of the entire show The remaining time was largely filled by the hosts themselves frequently cutting him off, reframing questions, finishing answers for him, or moving the conversation along before he ever had to sit in discomfort or explain anything fully. 0 minutes of that time addressed the major unresolved timeline and movement issues Oddly missing from this fact-based discussion No explanation for how Colin got home 20 min AFTER Chris that night, despite a four-minute head start No explanation for why Chris’s wife that went to 34 Fairview with donuts for brian Jr. pulled behind a car that was not there only an hour earlier with no explanation then, turned around, came back to get him, returned again, stayed 30 min, then left, all on the morning John was found. No mention of parents allegedly coordinating to quietly clean up a house-destroying party involving minors in which his son was one No discussion of repeated allegations of Colin being removed from bars for underage drinking. We were told this channel is about facts, not opinion. So we treated it like a data exercise. We timed everything Chris talked about, so you didn’t have to. Here’s how nearly two hours were spent 2 min saying they tried to “let the court system play out,” while explaining his New Year’s Day Twitter Space tour and condemning Sean McCabe’s comments 37 sec on moving to Canton in 1974 35 sec explaining it’s normal to work in the town you grew up in (we agree) 35 sec on Canton no longer being blue-collar and now very expensive 44 sec reminiscing about red paint stains in his childhood garage was misrepresented by the defense 1 min on town politics 15 sec explaining what a Select Board is 50 sec on handling public comment and being a “First Amendment guy… to a degree” 38 sec announcing he’s not running again 25 sec on how he keeps his cool during public comment 15 sec on pineapple pizza 52 sec explaining Colin was 17 when John died and can’t play college football with his cousin 45 sec expressing loss for how his family has been treated 10 sec referencing a blogger saying “horrible things” about Colin 26 sec blaming the media for selling and sensationalizing a story 20 sec saying he’s mind-boggled 48 sec explaining why the term “McAlberts” is dehumanizing 28 sec criticizing Yannetti’s performance was upsetting to him while stating John was his friend 42 sec explaining the fence-straddling photo was a joke 1:50 on “Nebbercracker” and a childhood yard incident 10 sec about his wife bringing donuts to a nephew for his birthday was not weird 32 sec blaming Karen for making his family look like villains 1 min on selling his house and convincing his brother to sell 24 sec saying Nebbercracker was the best part of the trial 1:12 on knowing Michael Proctor but not really knowing him 10 sec saying he was never alone with Proctor 11 sec correcting the “pin it on the girl” claim (which we agree with) 1 min praising Jillian Daniels as a great family supporter and defender 1 min explaining early lack of support made him sad 15 sec thanking the hosts 31 sec discussing starting a “Defend the Truth” media page 30 sec saying both sides were horrible and doxxed people 24 sec on feeling isolated at first 33 sec minimizing the Proctor gift as “just gratitude for solving a murder in one day” 28 sec saying he’s still friends with the O’Keefes and they eat at his pizza shop 38 sec saying Mr. O’Keefe sits with him for long periods of time 43 sec lamenting being made into villains 30 sec saying the case took years off his parents’ lives 35 sec thanking supporters and saying “the truth is on our side”

Dixie Normus

17,063 views • 7 months ago

MY 2025 WRAP (I HAVE A SWEET OFFER AT THE END) I've been seeing the 2025 wraps of some folks since I came on X about 6 hours ago And I felt like my 2025 was a waste, nothing to show Not until I actually sat to reflect on my 2025 and some memories started playing back Turns out that the level I want to get to had blinded me from seeing how far I've come And soooooo here's my 2025 wrap: ★ I didn't start the year 'completely' broke, rather I was having a very heavy measure of anxiety and optimism that nearly made me depressed ★ Paid for more web3 knowledge; Nirvana: KOINOPHOBIA organised by Xeusthegreat (♟,♟) ★ Started taking memecoin trading more seriously. Did 114x on a single token under the mentorship of MrKrabb and I've been progressing since then ★ Erected a borehole in my home town, and also got a generator set for it making my family house the 1st with a private borehole ★ Lost my 1st romantic relationship out of my own ignorance ★ Spent money enough to get my first car on helping people. A thing of joy, 0 regrets ★ Got a small circle of people I could work and have fun with ★ Helped about 5 people make their first $1k at least ★ Found love again ❤️ ★ Furnished my apartment some more, upgraded my renewable energy and upgraded my workspace too Many to say but a few........ AND FOR 2026, MY GOALS ARE: ☆ Get closer to God. Reestablish my relationship with Him. ☆ Expand my horizon; move to a bigger apartment, read more self-improvement books, make more fruitful connections ☆ Build a successful lifelong business with my small circle ☆ Make $100k from memecoin trading ☆ Be of more value to family and friends and as many outsiders that my capacity can carry ☆ Build and attain greater heights with my lover ❤️ ☆ Start documenting my journey here on X The rest are classified! IF YOU'VE READ THIS FAR, PLEASE COMMENT AND TELL ME JUST ONE THING YOU'RE EXCITED FOR 2025 AND TELL ME YOUR "ULTIMATE GOAL" FOR 2026 SO THAT I'LL CHECK BACK BY 31ST DECEMBER 2026 Please like and retweet too. I'll be on the comment section👇 ANY COMMENT WITH JUST 1 LIKE AFTER 12 HOURS GETS TO JOIN MY SMALL CIRCLE Godspeed!
0:10

MY 2025 WRAP (I HAVE A SWEET OFFER AT THE END) I've been seeing the 2025 wraps of some folks since I came on X about 6 hours ago And I felt like my 2025 was a waste, nothing to show Not until I actually sat to reflect on my 2025 and some memories started playing back Turns out that the level I want to get to had blinded me from seeing how far I've come And soooooo here's my 2025 wrap: ★ I didn't start the year 'completely' broke, rather I was having a very heavy measure of anxiety and optimism that nearly made me depressed ★ Paid for more web3 knowledge; Nirvana: KOINOPHOBIA organised by Xeusthegreat (♟,♟) ★ Started taking memecoin trading more seriously. Did 114x on a single token under the mentorship of MrKrabb and I've been progressing since then ★ Erected a borehole in my home town, and also got a generator set for it making my family house the 1st with a private borehole ★ Lost my 1st romantic relationship out of my own ignorance ★ Spent money enough to get my first car on helping people. A thing of joy, 0 regrets ★ Got a small circle of people I could work and have fun with ★ Helped about 5 people make their first $1k at least ★ Found love again ❤️ ★ Furnished my apartment some more, upgraded my renewable energy and upgraded my workspace too Many to say but a few........ AND FOR 2026, MY GOALS ARE: ☆ Get closer to God. Reestablish my relationship with Him. ☆ Expand my horizon; move to a bigger apartment, read more self-improvement books, make more fruitful connections ☆ Build a successful lifelong business with my small circle ☆ Make $100k from memecoin trading ☆ Be of more value to family and friends and as many outsiders that my capacity can carry ☆ Build and attain greater heights with my lover ❤️ ☆ Start documenting my journey here on X The rest are classified! IF YOU'VE READ THIS FAR, PLEASE COMMENT AND TELL ME JUST ONE THING YOU'RE EXCITED FOR 2025 AND TELL ME YOUR "ULTIMATE GOAL" FOR 2026 SO THAT I'LL CHECK BACK BY 31ST DECEMBER 2026 Please like and retweet too. I'll be on the comment section👇 ANY COMMENT WITH JUST 1 LIKE AFTER 12 HOURS GETS TO JOIN MY SMALL CIRCLE Godspeed!

₿Ɛ$TMA₦

12,121 views • 8 months ago