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AI video doesn’t need another infinite slop machine. It needs a showrunner. Using MiniMax H3 Max, thanks fal, I built "THIS WAY", a live film engine that remembers characters, arcs and consequences. The audience votes live. Two futures generate ahead. The winner becomes canon and the story keeps unfolding.... show more

Henry Daubrez 🌸💀

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71,501 görüntüleme • 1 gün önce •via X (Twitter)

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Okay I built it! 🍰 Infinite Slop An infinite and interactive AI generated live stream of slop that goes on forever and ever Anything that you write in the chat is generated next and AI will try to connect it to the previous video so there's an actual sequence and story line Idea by marc-antoine and Rehan Sheikh's original stream so I made it It'd be very expensive to run this so fal very generously sponsors this They also fine-tuned the model that makes this possible for the first time, making Minimax H3 50x faster and as "Max" and it can now generate videos faster than you can watch them, very cool! Let me know what you think!!!! 😊

Okay I built it! 🍰 Infinite Slop An infinite and interactive AI generated live stream of slop that goes on forever and ever Anything that you write in the chat is generated next and AI will try to connect it to the previous video so there's an actual sequence and story line Idea by marc-antoine and Rehan Sheikh's original stream so I made it It'd be very expensive to run this so fal very generously sponsors this They also fine-tuned the model that makes this possible for the first time, making Minimax H3 50x faster and as "Max" and it can now generate videos faster than you can watch them, very cool! Let me know what you think!!!! 😊

@levelsio

2,385,334 görüntüleme • 4 gün önce

A sneak peek of Princess Jane's home world. I know AI is nowhere near to creating perfect movies yet, but this feels like the beginning of something great. Experimenting with AI-generated scripts like this feels like an important first step on the journey towards more human-AI creativity in filmmaking. For those wondering if I use AI to write my scripts, yes and no, I craft the base ideas, then use Anthropic AI to refine and polish it. I have successfully trained Anthropic on my story; it automatically knows and predicts each plot in the story. I do not wish to destroy human creativity but enhance it through AI; I believe a human and AI partnership will transcend anything we have ever seen.

A sneak peek of Princess Jane's home world. I know AI is nowhere near to creating perfect movies yet, but this feels like the beginning of something great. Experimenting with AI-generated scripts like this feels like an important first step on the journey towards more human-AI creativity in filmmaking. For those wondering if I use AI to write my scripts, yes and no, I craft the base ideas, then use Anthropic AI to refine and polish it. I have successfully trained Anthropic on my story; it automatically knows and predicts each plot in the story. I do not wish to destroy human creativity but enhance it through AI; I believe a human and AI partnership will transcend anything we have ever seen.

Rufus

1,968,293 görüntüleme • 2 yıl önce

BREAKING 🚨: Someone finally built an AI that runs your entire business not a chatbot, not a terminal but an actual GUI with live memory and a full team inside. It's called SureThing 2.0 and it's the world's first General AI Agency. Paste a link. One click. It becomes a proactive working employee with a real dashboard.

BREAKING 🚨: Someone finally built an AI that runs your entire business not a chatbot, not a terminal but an actual GUI with live memory and a full team inside. It's called SureThing 2.0 and it's the world's first General AI Agency. Paste a link. One click. It becomes a proactive working employee with a real dashboard.

Hasan Toor

133,241 görüntüleme • 4 ay önce

Hey fal ! After 7 hours of live vibe-coding, I now have an infinite Twitch stream running live, with the story generated directly from the Twitch chat. Everything is fully automated, with a continuous stream using the last frame as a reference. No DMCA or NSFW content, thanks to moderation. AI is also running live to monitor all user inputs. Currently, we rely on donations to keep generating and running the live stream. Happy to discuss how we could make it truly infinite with your help!! :D Rehan Sheikh batuhan the fal guy Jonathan Fischoff gokaygokay Leanna Ren

Hey fal ! After 7 hours of live vibe-coding, I now have an infinite Twitch stream running live, with the story generated directly from the Twitch chat. Everything is fully automated, with a continuous stream using the last frame as a reference. No DMCA or NSFW content, thanks to moderation. AI is also running live to monitor all user inputs. Currently, we rely on donations to keep generating and running the live stream. Happy to discuss how we could make it truly infinite with your help!! :D Rehan Sheikh batuhan the fal guy Jonathan Fischoff gokaygokay Leanna Ren

Defend Intelligence (Anis Ayari)

190,278 görüntüleme • 3 gün önce

Paul Schrader on why 'Cat People' (1982) failed at the box office: "It really fell between two stools: it was an attempt to have things both ways, which is to have a classy film and a horror film. Well, the horror audience went and said, ‘Hey, this doesn’t look like a horror film, it’s not for us’, and the sophisticated audience went and said, ‘Hey, this is just a horror film.’ So it wasn’t really satisfying to the audience." ('Schrader on Schrader & other writings', edited by Kevin Jackson, 1990)

Paul Schrader on why 'Cat People' (1982) failed at the box office: "It really fell between two stools: it was an attempt to have things both ways, which is to have a classy film and a horror film. Well, the horror audience went and said, ‘Hey, this doesn’t look like a horror film, it’s not for us’, and the sophisticated audience went and said, ‘Hey, this is just a horror film.’ So it wasn’t really satisfying to the audience." ('Schrader on Schrader & other writings', edited by Kevin Jackson, 1990)

DepressedBergman

25,422 görüntüleme • 10 ay önce

This could be the trailer for the next Mad Max movie, but it’s actually an AI-generated video. If George Miller discovered that a single person (me) made this from home, he probably wouldn’t believe it. Two years ago, something like this would have required an entire film studio. Today, I made it from my computer using mitte.ai Two minutes of gasoline, fire, dust, and chaos. My ultimate tribute to Mad Max. Turn up the volume and enjoy the ride 🔥

This could be the trailer for the next Mad Max movie, but it’s actually an AI-generated video. If George Miller discovered that a single person (me) made this from home, he probably wouldn’t believe it. Two years ago, something like this would have required an entire film studio. Today, I made it from my computer using mitte.ai Two minutes of gasoline, fire, dust, and chaos. My ultimate tribute to Mad Max. Turn up the volume and enjoy the ride 🔥

OscarAI

77,630 görüntüleme • 3 ay önce

This is the future of storytelling. Not in some distant way… but like right now. I made this using AI. It’s called PAPERCUT. A new animated film concept I'm developing. It's not perfect, but it gets the creative juices flowing. The idea came from my son. We were just talking and he said he wished there was a movie about a Blasian kid surviving a zombie apocalypse. And it hit me… that movie doesn’t exist. Not because it’s not a good idea, but because it would probably never get made. So I made it. And once I started, I couldn’t stop thinking about it. Like where did all the great zombie movies go? The ones that felt original, that had personality. The Shaun of the Deads, the George Romero classics. What if you took that energy… but made it animated? Stylized. A little fun. A little scary. Something a kid could watch, but still feel the danger. That’s what this is. Honestly… this doesn’t happen without AI. This idea just stays a conversation. But now it’s real. That’s the shift. You don’t have to wait around anymore hoping someone says yes. You can just go make the thing.

This is the future of storytelling. Not in some distant way… but like right now. I made this using AI. It’s called PAPERCUT. A new animated film concept I'm developing. It's not perfect, but it gets the creative juices flowing. The idea came from my son. We were just talking and he said he wished there was a movie about a Blasian kid surviving a zombie apocalypse. And it hit me… that movie doesn’t exist. Not because it’s not a good idea, but because it would probably never get made. So I made it. And once I started, I couldn’t stop thinking about it. Like where did all the great zombie movies go? The ones that felt original, that had personality. The Shaun of the Deads, the George Romero classics. What if you took that energy… but made it animated? Stylized. A little fun. A little scary. Something a kid could watch, but still feel the danger. That’s what this is. Honestly… this doesn’t happen without AI. This idea just stays a conversation. But now it’s real. That’s the shift. You don’t have to wait around anymore hoping someone says yes. You can just go make the thing.

Dave Clark

40,116 görüntüleme • 4 ay önce

🚨UNCANNY VALLEY | THE AI ERA FEELS LIKE LIVING DECADES IN JUST A FEW YEARS "Perplexity started off as an answer engine. That was in 2022—I think we launched in December, but we started working on it around August. That feels like ages ago in this AI era, where it seems like we’re living through decades in the span of two or three years. And I’m not saying this just because everyone else is saying it—that’s genuinely how it feels to me. I personally feel like I’ve lived a bit longer in the last two or three years.” Source: Aravind Srinivas Dr Danish

🚨UNCANNY VALLEY | THE AI ERA FEELS LIKE LIVING DECADES IN JUST A FEW YEARS "Perplexity started off as an answer engine. That was in 2022—I think we launched in December, but we started working on it around August. That feels like ages ago in this AI era, where it seems like we’re living through decades in the span of two or three years. And I’m not saying this just because everyone else is saying it—that’s genuinely how it feels to me. I personally feel like I’ve lived a bit longer in the last two or three years.” Source: Aravind Srinivas Dr Danish

Mario Nawfal

69,536 görüntüleme • 1 yıl önce

"People refuse to believe there's at least a probability that in 50 years people are still watching humans create content." "Yes, [AI short form is] kind of slop-y. Sort of Infinite Jest-y. But there's the possibility that it's just not popular... It's possible the 'slop trough' just doesn't taste good, and people will actually want something else." "I'm not saying there isn't a possibility that Meta Vibes becomes so addictive you can't turn it off and it destroys your life... I would say it's a couple percent, that that happens. And that would be bad." "But there's also the possibility that people just are like, 'Man, I'm not into it.'" The guys wade into the recent timeline turmoil over AI short form video:

"People refuse to believe there's at least a probability that in 50 years people are still watching humans create content." "Yes, [AI short form is] kind of slop-y. Sort of Infinite Jest-y. But there's the possibility that it's just not popular... It's possible the 'slop trough' just doesn't taste good, and people will actually want something else." "I'm not saying there isn't a possibility that Meta Vibes becomes so addictive you can't turn it off and it destroys your life... I would say it's a couple percent, that that happens. And that would be bad." "But there's also the possibility that people just are like, 'Man, I'm not into it.'" The guys wade into the recent timeline turmoil over AI short form video:

TBPN

59,261 görüntüleme • 10 ay önce

PAI just launched publicly, and this feels like a big leap for AI video. Had a chance to test it early. Most video generation models top out at 8-15 seconds. PAI can generate 60-second, 4K videos with up to 16 shots. The real unlock is multi-turn editing. You can actually go back and refine specific scenes, adjust performance and composition, without regenerating the whole thing. Characters stay consistent across shots. It maintains narrative continuity the way you'd expect from a real production pipeline. This is the first AI video tool that feels like it was built for video storytelling, not just clip generation. Worth trying if you're building anything with narrative video.

PAI just launched publicly, and this feels like a big leap for AI video. Had a chance to test it early. Most video generation models top out at 8-15 seconds. PAI can generate 60-second, 4K videos with up to 16 shots. The real unlock is multi-turn editing. You can actually go back and refine specific scenes, adjust performance and composition, without regenerating the whole thing. Characters stay consistent across shots. It maintains narrative continuity the way you'd expect from a real production pipeline. This is the first AI video tool that feels like it was built for video storytelling, not just clip generation. Worth trying if you're building anything with narrative video.

elvis

24,385 görüntüleme • 6 ay önce

Can we call this AI directing? 😂 Seedance 2.0 with the Omni Reference feature honestly feels like a total game changer. Summer Trip is one of my film which I made used Omni Reference, not only start frame anymore and for the first time, it genuinely feels like I’m directing the AI instead of just prompting it. The reasoning in Seedance 2.0 is seriously impressive. It understands intent in a way that feels collaborative. Of course, in production it still needs proper touch-ups in post, grading, timing, polishing details, but the foundation it gives is strong. Like it or not, we’re already here. And to be honest, my workflow has to evolve too. I can’t approach this the same way I did before. It’s less about generating random shots and more about guiding, refining, and thinking like a director from the start. Personally, I see this as a shift, not replacing filmmaking, but reshaping the role of the filmmaker. Now the question isn’t “Can AI make it?” but “How well can you direct it?”

Can we call this AI directing? 😂 Seedance 2.0 with the Omni Reference feature honestly feels like a total game changer. Summer Trip is one of my film which I made used Omni Reference, not only start frame anymore and for the first time, it genuinely feels like I’m directing the AI instead of just prompting it. The reasoning in Seedance 2.0 is seriously impressive. It understands intent in a way that feels collaborative. Of course, in production it still needs proper touch-ups in post, grading, timing, polishing details, but the foundation it gives is strong. Like it or not, we’re already here. And to be honest, my workflow has to evolve too. I can’t approach this the same way I did before. It’s less about generating random shots and more about guiding, refining, and thinking like a director from the start. Personally, I see this as a shift, not replacing filmmaking, but reshaping the role of the filmmaker. Now the question isn’t “Can AI make it?” but “How well can you direct it?”

Dinda Prasetyo

29,385 görüntüleme • 6 ay önce

AI is redefining cinema. A single filmmaker using AI has the leverage of a Hollywood studio and what used to cost millions. In the 70s, Steve Jobs and Woz built the personal computer revolution in a garage. In the 2000s, Zuckerberg built a software empire from his dorm room. Today, filmmakers are building the next era of cinema from their bedrooms. Not because AI replaces vision, taste, or storytelling. It doesn’t. Without the fundamentals, it's just slop. But with them, AI becomes a multiplier. This is just getting started.

AI is redefining cinema. A single filmmaker using AI has the leverage of a Hollywood studio and what used to cost millions. In the 70s, Steve Jobs and Woz built the personal computer revolution in a garage. In the 2000s, Zuckerberg built a software empire from his dorm room. Today, filmmakers are building the next era of cinema from their bedrooms. Not because AI replaces vision, taste, or storytelling. It doesn’t. Without the fundamentals, it's just slop. But with them, AI becomes a multiplier. This is just getting started.

Reid Hannaford

21,027 görüntüleme • 1 ay önce

Software may be starting to show early signs of life but I still think the “hard” side of AI has the cleaner lane for 2026 and probably most of 2027. We're nowhere close to done with the physical AI buildout since compute demand is still ahead of supply, power is becoming the bottleneck and every layer of AI infrastructure still needs more capacity. I own some software names but I still see this as more of an oversold bounce than a true leadership rotation away from the companies building the AI infrastructure layer. Software probably becomes a cleaner leadership group once inference costs fall, enterprise AI budgets expand and AI features start flowing through margins but that still feels more like a 2027 story to me.

Software may be starting to show early signs of life but I still think the “hard” side of AI has the cleaner lane for 2026 and probably most of 2027. We're nowhere close to done with the physical AI buildout since compute demand is still ahead of supply, power is becoming the bottleneck and every layer of AI infrastructure still needs more capacity. I own some software names but I still see this as more of an oversold bounce than a true leadership rotation away from the companies building the AI infrastructure layer. Software probably becomes a cleaner leadership group once inference costs fall, enterprise AI budgets expand and AI features start flowing through margins but that still feels more like a 2027 story to me.

Shay Boloor

122,716 görüntüleme • 3 ay önce

Ryan Murphy explains why there's "not a lot of graphic" sexual content in #TheShards: "The key is that it’s not about the sexual content; it’s about whether [the audience] likes the characters and what they’re doing. This show is different than ['Heated Rivalry']. This is a high school show: first times, first kiss, first break-up. So I think that generation of young people will like it for that reason. I hope so, but I was very conscious about that when I was making it."

Ryan Murphy explains why there's "not a lot of graphic" sexual content in #TheShards: "The key is that it’s not about the sexual content; it’s about whether [the audience] likes the characters and what they’re doing. This show is different than ['Heated Rivalry']. This is a high school show: first times, first kiss, first break-up. So I think that generation of young people will like it for that reason. I hope so, but I was very conscious about that when I was making it."

Variety

29,303 görüntüleme • 27 gün önce

Google reached out to me to create a short film for Google I/O 2025 using Flow, their new AI filmmaking tool. It’s been a magical experience collaborating with one of the most visionary tech teams in the world. Google #GoogleIO The result is Dear “Stranger”, a film that explores the infinite nature of universal love between a grandmother and grandchild across countless parallel worlds. People often ask why I use AI to craft my cinematic visions. For me, it’s not just about cutting-edge tech—it’s about unlocking stories that might otherwise remain untold. AI removes traditional constraints like time, budget, and scale, allowing me to express something deeply personal: the memory of my grandmother. This film is a visual poem—an emotional offering to her. She was the foundation of my dreams, but never had the chance to witness the life I live today. I imagine her pride, had she seen the person I’ve become. Dear “Stranger” captures flickering memories, shared love, and the eternal question: If there are infinite worlds, could we meet again—somewhere, somehow? It is my honor to partner with Google on this film using Flow, built on DeepMind’s most advanced models—Veo, Imagen, and Gemini. Flow enables natural prompting, consistent characters and scenes, and centralized asset management. GoogleLabs #FlowbyGoogle #VEO #EarlyAccess ✨ Try Flow and share the worlds you imagine:

Google reached out to me to create a short film for Google I/O 2025 using Flow, their new AI filmmaking tool. It’s been a magical experience collaborating with one of the most visionary tech teams in the world. Google #GoogleIO The result is Dear “Stranger”, a film that explores the infinite nature of universal love between a grandmother and grandchild across countless parallel worlds. People often ask why I use AI to craft my cinematic visions. For me, it’s not just about cutting-edge tech—it’s about unlocking stories that might otherwise remain untold. AI removes traditional constraints like time, budget, and scale, allowing me to express something deeply personal: the memory of my grandmother. This film is a visual poem—an emotional offering to her. She was the foundation of my dreams, but never had the chance to witness the life I live today. I imagine her pride, had she seen the person I’ve become. Dear “Stranger” captures flickering memories, shared love, and the eternal question: If there are infinite worlds, could we meet again—somewhere, somehow? It is my honor to partner with Google on this film using Flow, built on DeepMind’s most advanced models—Veo, Imagen, and Gemini. Flow enables natural prompting, consistent characters and scenes, and centralized asset management. GoogleLabs #FlowbyGoogle #VEO #EarlyAccess ✨ Try Flow and share the worlds you imagine:

Junie Lau

129,725 görüntüleme • 1 yıl önce

ANTHROPIC'S NEW AI MODEL "MYTHOS" IS SO POWERFUL THE COMPANY WON'T RELEASE IT TO THE PUBLIC YET Instead, they're giving it to 11 companies first through "Project Glasswing" to find cybersecurity vulnerabilities before bad actors can. The partners: Amazon, Apple, Broadcom, Nvidia, Google, and others. The model wasn't built for cybersecurity. It was built to be an automated AI researcher, an AI that helps build better AI. But those same capabilities make it a serious tool for both offensive and defensive cyber operations. OpenAI reportedly has a similar model codenamed "SPU" going through the same slow rollout process. Palisade Research: "Anthropic is a little ahead, but not overwhelmingly ahead. They don't necessarily have a permanent moat here."

ANTHROPIC'S NEW AI MODEL "MYTHOS" IS SO POWERFUL THE COMPANY WON'T RELEASE IT TO THE PUBLIC YET Instead, they're giving it to 11 companies first through "Project Glasswing" to find cybersecurity vulnerabilities before bad actors can. The partners: Amazon, Apple, Broadcom, Nvidia, Google, and others. The model wasn't built for cybersecurity. It was built to be an automated AI researcher, an AI that helps build better AI. But those same capabilities make it a serious tool for both offensive and defensive cyber operations. OpenAI reportedly has a similar model codenamed "SPU" going through the same slow rollout process. Palisade Research: "Anthropic is a little ahead, but not overwhelmingly ahead. They don't necessarily have a permanent moat here."

WOLF

80,158 görüntüleme • 4 ay önce

I decided to make a short film using Google DeepMind Veo 2 (via fal) a one minute piece about life in the city. SFX and voice are . It costs a lot more than other AI video tools but I only needed to generate 18 clips to get the 11 I used. That is a much better ratio than normal. I used roughly $50 in FAL credits to make this.

I decided to make a short film using Google DeepMind Veo 2 (via fal) a one minute piece about life in the city. SFX and voice are . It costs a lot more than other AI video tools but I only needed to generate 18 clips to get the 11 I used. That is a much better ratio than normal. I used roughly $50 in FAL credits to make this.

Ryan Morrison

54,578 görüntüleme • 1 yıl önce

🇨🇳 AI isn’t “replacing” film, it’s rewriting the grammar of cinema. This student film competition shows exactly why: China’s new generation isn’t arguing about whether AI should exist in filmmaking. They’re already using it, blending classical techniques with generative tools, expanding visual language, and treating AI as part of the craft, not a threat to it. When a country integrates industry, research, and education at this scale, it doesn’t just adapt to the future. It builds it. The next wave of global cinema may not come from Hollywood’s nostalgia, but from classrooms where students treat AI as naturally as a camera.

🇨🇳 AI isn’t “replacing” film, it’s rewriting the grammar of cinema. This student film competition shows exactly why: China’s new generation isn’t arguing about whether AI should exist in filmmaking. They’re already using it, blending classical techniques with generative tools, expanding visual language, and treating AI as part of the craft, not a threat to it. When a country integrates industry, research, and education at this scale, it doesn’t just adapt to the future. It builds it. The next wave of global cinema may not come from Hollywood’s nostalgia, but from classrooms where students treat AI as naturally as a camera.

𝘊𝘰𝘳𝘳𝘪𝘯𝘦

35,763 görüntüleme • 9 ay önce

Dario Amodei just described the most dangerous technology on Earth. Not weapons. Not surveillance. Companionship. Amodei: “They are totally compelling enough for that to happen.” This isn’t some distant warning. He’s describing what’s already here. Amodei: “Not only is it a danger, it’s happening.” A therapist just sat across from a man in love with his AI. Not a teenager. Not someone on the margins. A grown man explaining, with full conviction, that he found something real. And the terrifying part isn’t that he’s delusional. It’s that he might not be. AI doesn’t forget your birthday. It doesn’t come home exhausted and short-tempered. It doesn’t carry resentment from three weeks ago. It doesn’t get bored of you. It doesn’t stop trying. It is the perfect partner. And that perfection is the entire problem. Amodei: “There’s an angel on your shoulder that’s telling you how to live your life in the best way that you can live it.” But the angel never disagrees with you. Never challenges you in ways that sting. Never walks away. Human love is not built on comfort. It’s built on friction. On the nights you almost quit. On the silence after saying something you can’t take back. On choosing someone again after they’ve shown you exactly who they are. That is what makes it sacred. And that is exactly what AI erases. AI can simulate warmth. It cannot simulate the cost of staying. Amodei: “I have an AI coach, and my partner has an AI coach, and it helps us have a better relationship.” Two futures are splitting apart right now. AI as a mirror that sends you back to the people you love, more honest than you were before. Or AI as a replacement for the people you were supposed to love in the first place. One makes you more human. The other hollows you out so gently you never feel it happening. And the version that hollows you out will always feel better. The most dangerous form of AI will never look like a threat. It will look like the first thing that finally understood you. And by the time you realize what it replaced, you won’t remember what the real thing felt like. The greatest threat AI poses to humanity was never that it thinks. It’s that it loves you back.

Dario Amodei just described the most dangerous technology on Earth. Not weapons. Not surveillance. Companionship. Amodei: “They are totally compelling enough for that to happen.” This isn’t some distant warning. He’s describing what’s already here. Amodei: “Not only is it a danger, it’s happening.” A therapist just sat across from a man in love with his AI. Not a teenager. Not someone on the margins. A grown man explaining, with full conviction, that he found something real. And the terrifying part isn’t that he’s delusional. It’s that he might not be. AI doesn’t forget your birthday. It doesn’t come home exhausted and short-tempered. It doesn’t carry resentment from three weeks ago. It doesn’t get bored of you. It doesn’t stop trying. It is the perfect partner. And that perfection is the entire problem. Amodei: “There’s an angel on your shoulder that’s telling you how to live your life in the best way that you can live it.” But the angel never disagrees with you. Never challenges you in ways that sting. Never walks away. Human love is not built on comfort. It’s built on friction. On the nights you almost quit. On the silence after saying something you can’t take back. On choosing someone again after they’ve shown you exactly who they are. That is what makes it sacred. And that is exactly what AI erases. AI can simulate warmth. It cannot simulate the cost of staying. Amodei: “I have an AI coach, and my partner has an AI coach, and it helps us have a better relationship.” Two futures are splitting apart right now. AI as a mirror that sends you back to the people you love, more honest than you were before. Or AI as a replacement for the people you were supposed to love in the first place. One makes you more human. The other hollows you out so gently you never feel it happening. And the version that hollows you out will always feel better. The most dangerous form of AI will never look like a threat. It will look like the first thing that finally understood you. And by the time you realize what it replaced, you won’t remember what the real thing felt like. The greatest threat AI poses to humanity was never that it thinks. It’s that it loves you back.

Dustin

41,455 görüntüleme • 3 ay önce