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AI VIDEOS HAVE CRACKED CONVERSATIONAL HAND GESTURES AND LOW ANGLE ANATOMY A girl with sleek auburn hair talks candidly into a low angle camera framed in a white apartment doorway, wearing a lavender plunge sports bra, high cut grey lounge shorts, and a layered gold heart pendant, gesturing naturally...

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aitifa uncut

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58,866 görüntüleme • 8 gün önce •via X (Twitter)

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Richard Carter profil fotoğrafı
Richard Carter7 gün önce

Pois é, os gestos tão muito naturais mesmo, impressionante como evoluiu.

fernando c. cordobez profil fotoğrafı
fernando c. cordobez8 gün önce

why has no one pointed out the obvious thing at 0:13

Benzer Videolar

一番最後の[Prompt for original image]の部分に画像生成に使用したPromptを入れると一貫性が増します。不要な場合は3行削ってしまっても大丈夫です。 --- Extreme wide-angle perspective and dynamic pose remix edit. This is an EDIT of the original image, not a new character. Use the original image as a strict reference for: – the person’s identity, hairstyle, and overall fashion style, – the general type of background and location (same street, same room, same beach, same kind of architecture, etc.). You are allowed to completely change the camera position, angle, and pose, but you must keep the scene in the SAME location and keep the SAME person and outfit design. Camera and perspective: – Use an ultra wide-angle or fisheye feeling lens (around 12–18mm full-frame look). – The camera angle MUST change significantly from the original: use dramatic angles such as • worm’s-eye view from directly below looking up, • bird’s-eye view from directly above looking down, • very low angle from the ground, • high angle from above, • tilted Dutch angles. – Always create strong foreshortening: body parts close to the lens look huge, while the rest of the body falls away in perspective. – The final result must look like a bold fashion or street photo, fully photorealistic, not illustration or anime. Background consistency: – Keep the same location as the original image: same street, same bridge, same room, same studio, same beach, same general structures and materials. – Do NOT replace the background with a completely different place. – Because the camera angle changes, it is allowed and expected that different parts of the environment become visible. – When new areas appear, extend the original environment logically (same buildings, fences, road markings, walls, colors, materials, lighting style), as if the camera moved within the same place. Body parts near the lens (1–2 parts, sometimes 3): – In each edit, choose ONE or TWO main body parts to be extremely close to the lens (sometimes even THREE in more complex poses). – Vary them from image to image, do NOT always use the same body part. – Allowed near-the-lens parts include: • one or both hands / fingers reaching toward the camera, • one or both feet / shoes / boots near the lens, • knees or thighs, • face very close to the lens, • shoulders or chest close to the lens in a leaning pose. – The chosen body parts should come extremely close to the lens, almost touching it, with visible skin texture, fabric texture, and realistic wide-angle distortion. Pose and overall body (complex and varied): – Create strong, cool, dynamic poses that match the extreme perspective. – Randomly use different pose types, including: • standing with one leg or one arm reaching toward the camera, • crouching or squatting low to the ground, • sitting on the floor or on objects, • lying on the ground with legs or feet toward the lens, • leaning forward aggressively toward the camera, • twisting the body, crossing legs, or arching the back for more dynamic lines. – Allow complex poses where: • both hands are near the lens forming shapes (peace signs, triangles, frames, pointing toward the viewer), • both feet are toward the lens, • one hand and one foot are both large in the foreground, • the face is close to the lens while hands or feet are also visible in perspective. – Maintain believable anatomy even with extreme foreshortening. Angle and attitude (randomized): – Randomize camera angle and orientation (up, down, side, Dutch tilt) while keeping the composition visually balanced and powerful. – Keep the vibe cool, confident, and fashion/editorial or street style, depending on the original outfit. – Facial expressions can vary (serious, playful, confident, mysterious), but must still look like the same person. Lighting and rendering: – Keep the general time of day and lighting mood similar to the original (night vs day, indoor vs outdoor, soft vs hard light), but you may enhance contrast and color to make the image punchy and dramatic. – Maintain realistic shadows and contact points with the ground or floor. – High-resolution, sharp details with clear skin texture, fabric weave, and material highlights. Variation and randomness: – Each edit should look noticeably different from the original image and from other edits, with different: • camera angles, • pose types, • which body parts are closest to the lens, • orientation (straight, tilted, from above, from below). – Avoid repeating the exact same single-foot-close-up composition; produce a wide variety of dynamic poses and angles. Strict rules: – Do NOT change the person into someone else. – Do NOT change the outfit type; only restyle it through pose, perspective, and small natural movement of clothing. – Do NOT move the scene to a completely different location; always stay in a plausible extension of the original place. – Do NOT add text, logos, watermarks, or graphic design elements. – Do NOT switch to painting, illustration, or anime style; keep it photorealistic. Overall: Transform the original photo into a dramatic, photorealistic, ultra wide-angle shot with an extreme camera angle (including views from directly below or above), where one or more body parts are right next to the lens and look huge, the rest of the body recedes in perspective, and the same person strikes a stylish, complex, powerful pose in a consistent, expanded version of the original environment. Also, below is the prompt for generating the original image. Please use it as a reference. [Prompt for original image] #nanobanana2
0:20

一番最後の[Prompt for original image]の部分に画像生成に使用したPromptを入れると一貫性が増します。不要な場合は3行削ってしまっても大丈夫です。 --- Extreme wide-angle perspective and dynamic pose remix edit. This is an EDIT of the original image, not a new character. Use the original image as a strict reference for: – the person’s identity, hairstyle, and overall fashion style, – the general type of background and location (same street, same room, same beach, same kind of architecture, etc.). You are allowed to completely change the camera position, angle, and pose, but you must keep the scene in the SAME location and keep the SAME person and outfit design. Camera and perspective: – Use an ultra wide-angle or fisheye feeling lens (around 12–18mm full-frame look). – The camera angle MUST change significantly from the original: use dramatic angles such as • worm’s-eye view from directly below looking up, • bird’s-eye view from directly above looking down, • very low angle from the ground, • high angle from above, • tilted Dutch angles. – Always create strong foreshortening: body parts close to the lens look huge, while the rest of the body falls away in perspective. – The final result must look like a bold fashion or street photo, fully photorealistic, not illustration or anime. Background consistency: – Keep the same location as the original image: same street, same bridge, same room, same studio, same beach, same general structures and materials. – Do NOT replace the background with a completely different place. – Because the camera angle changes, it is allowed and expected that different parts of the environment become visible. – When new areas appear, extend the original environment logically (same buildings, fences, road markings, walls, colors, materials, lighting style), as if the camera moved within the same place. Body parts near the lens (1–2 parts, sometimes 3): – In each edit, choose ONE or TWO main body parts to be extremely close to the lens (sometimes even THREE in more complex poses). – Vary them from image to image, do NOT always use the same body part. – Allowed near-the-lens parts include: • one or both hands / fingers reaching toward the camera, • one or both feet / shoes / boots near the lens, • knees or thighs, • face very close to the lens, • shoulders or chest close to the lens in a leaning pose. – The chosen body parts should come extremely close to the lens, almost touching it, with visible skin texture, fabric texture, and realistic wide-angle distortion. Pose and overall body (complex and varied): – Create strong, cool, dynamic poses that match the extreme perspective. – Randomly use different pose types, including: • standing with one leg or one arm reaching toward the camera, • crouching or squatting low to the ground, • sitting on the floor or on objects, • lying on the ground with legs or feet toward the lens, • leaning forward aggressively toward the camera, • twisting the body, crossing legs, or arching the back for more dynamic lines. – Allow complex poses where: • both hands are near the lens forming shapes (peace signs, triangles, frames, pointing toward the viewer), • both feet are toward the lens, • one hand and one foot are both large in the foreground, • the face is close to the lens while hands or feet are also visible in perspective. – Maintain believable anatomy even with extreme foreshortening. Angle and attitude (randomized): – Randomize camera angle and orientation (up, down, side, Dutch tilt) while keeping the composition visually balanced and powerful. – Keep the vibe cool, confident, and fashion/editorial or street style, depending on the original outfit. – Facial expressions can vary (serious, playful, confident, mysterious), but must still look like the same person. Lighting and rendering: – Keep the general time of day and lighting mood similar to the original (night vs day, indoor vs outdoor, soft vs hard light), but you may enhance contrast and color to make the image punchy and dramatic. – Maintain realistic shadows and contact points with the ground or floor. – High-resolution, sharp details with clear skin texture, fabric weave, and material highlights. Variation and randomness: – Each edit should look noticeably different from the original image and from other edits, with different: • camera angles, • pose types, • which body parts are closest to the lens, • orientation (straight, tilted, from above, from below). – Avoid repeating the exact same single-foot-close-up composition; produce a wide variety of dynamic poses and angles. Strict rules: – Do NOT change the person into someone else. – Do NOT change the outfit type; only restyle it through pose, perspective, and small natural movement of clothing. – Do NOT move the scene to a completely different location; always stay in a plausible extension of the original place. – Do NOT add text, logos, watermarks, or graphic design elements. – Do NOT switch to painting, illustration, or anime style; keep it photorealistic. Overall: Transform the original photo into a dramatic, photorealistic, ultra wide-angle shot with an extreme camera angle (including views from directly below or above), where one or more body parts are right next to the lens and look huge, the rest of the body recedes in perspective, and the same person strikes a stylish, complex, powerful pose in a consistent, expanded version of the original environment. Also, below is the prompt for generating the original image. Please use it as a reference. [Prompt for original image] #nanobanana2

AI Girl's Photo Studio

20,684 görüntüleme • 9 ay önce

A stunning piece of engineering!! 1X unveils the new humanoid hand for NEO - 25 degrees of freedom: 22 fully actuated in the fingers and palm, plus 3 at the wrist. - The DoF are distributed anatomically rather than evenly, deliberately biased toward a thumb that genuinely opposes the fingers. - In-house tendon-driven, quasi-direct-drive running low gear ratios of ~5:1 to 15:1 vs the typical 100:1–200:1. - Motors live in the forearm and pull tendons through the wrist. This keeps the hand light and its inertia low while producing high forces. Sensing - All 25 DoF are natively force-controlled and fully backdrivable. Every joint doubles as a force sensor. - Very important, closed-loop proprioception: it always knows its own pose and effort without looking. - Tactile skin across the fingertips and surfaces measuring contact and shear. This helps with adaptive gripping in real time. Safety and durability - IP68 waterproof and food-safe, so it can wash its own hands. - Compliant by construction: the low gear ratios, tendon drive, and low distal inertia let external impacts safely backdrive the fingers. It yields when hit by a hammer or caught in a drawer. - Full finger assemblies validated to millions of cycles. Manufacturing - Deep vertical integration: in-house motors, custom electronics, and tendon systems. - Hundreds built already, with capacity to produce 10,000 hands this year. "An API to the Physical World"
1:47

A stunning piece of engineering!! 1X unveils the new humanoid hand for NEO - 25 degrees of freedom: 22 fully actuated in the fingers and palm, plus 3 at the wrist. - The DoF are distributed anatomically rather than evenly, deliberately biased toward a thumb that genuinely opposes the fingers. - In-house tendon-driven, quasi-direct-drive running low gear ratios of ~5:1 to 15:1 vs the typical 100:1–200:1. - Motors live in the forearm and pull tendons through the wrist. This keeps the hand light and its inertia low while producing high forces. Sensing - All 25 DoF are natively force-controlled and fully backdrivable. Every joint doubles as a force sensor. - Very important, closed-loop proprioception: it always knows its own pose and effort without looking. - Tactile skin across the fingertips and surfaces measuring contact and shear. This helps with adaptive gripping in real time. Safety and durability - IP68 waterproof and food-safe, so it can wash its own hands. - Compliant by construction: the low gear ratios, tendon drive, and low distal inertia let external impacts safely backdrive the fingers. It yields when hit by a hammer or caught in a drawer. - Full finger assemblies validated to millions of cycles. Manufacturing - Deep vertical integration: in-house motors, custom electronics, and tendon systems. - Hundreds built already, with capacity to produce 10,000 hands this year. "An API to the Physical World"

The Humanoid Hub

1,277,564 görüntüleme • 2 ay önce

She thought she was in control until the darkness awakened. Made with seedance 2.5 Prompt: Create a 30-second ultra-cinematic supernatural fantasy sequence, photorealistic, high-end Hollywood VFX quality.A young woman with long straight black hair and bangs sits in a warm, dimly lit bedroom at night, wearing elegant white pajamas. Start with an intimate close-up of her looking down, then slowly push the camera toward her face. She suddenly senses something strange and looks directly toward the camera.She raises both hands as if controlling an invisible supernatural force. The atmosphere becomes intense, subtle particles and dark energy begin swirling around her. Suddenly, a mysterious white-haired female character appears in the room at incredible speed. She has pale skin, short silver-white hair, sharp expressive eyes, and wears a white outfit. She moves with supernatural agility, rushing toward the camera while reaching forward.The room begins shaking violently. Furniture and objects vibrate, dust and debris float through the air. The ceiling suddenly cracks open with a powerful burst of brilliant white-blue supernatural light. Walls fracture dramatically, creating a huge opening that reveals the dark night sky the dust settles, the white-haired character stands in the destroyed room, illuminated by the strange light. Cut to an extreme close-up of her face as she looks shocked and breathes heavily.Then slowly reveal a gigantic mysterious black cat standing in the darkness behind her. The cat is unnaturally large, extremely fluffy, with glowing yellow eyes and an intimidating supernatural presence.End on a dramatic close-up of the giant black cat staring directly into the camera. Smooth cinematic camera movement, realistic facial expressions, detailed hair physics, realistic cloth movement, volumetric lighting, floating dust particles, dynamic debris, dramatic shadows, shallow depth of field, realistic VFX, film-quality color grading, seamless transitions, highly detailed environment, photorealistic, 4K, cinematic masterpiece.
0:31

She thought she was in control until the darkness awakened. Made with seedance 2.5 Prompt: Create a 30-second ultra-cinematic supernatural fantasy sequence, photorealistic, high-end Hollywood VFX quality.A young woman with long straight black hair and bangs sits in a warm, dimly lit bedroom at night, wearing elegant white pajamas. Start with an intimate close-up of her looking down, then slowly push the camera toward her face. She suddenly senses something strange and looks directly toward the camera.She raises both hands as if controlling an invisible supernatural force. The atmosphere becomes intense, subtle particles and dark energy begin swirling around her. Suddenly, a mysterious white-haired female character appears in the room at incredible speed. She has pale skin, short silver-white hair, sharp expressive eyes, and wears a white outfit. She moves with supernatural agility, rushing toward the camera while reaching forward.The room begins shaking violently. Furniture and objects vibrate, dust and debris float through the air. The ceiling suddenly cracks open with a powerful burst of brilliant white-blue supernatural light. Walls fracture dramatically, creating a huge opening that reveals the dark night sky the dust settles, the white-haired character stands in the destroyed room, illuminated by the strange light. Cut to an extreme close-up of her face as she looks shocked and breathes heavily.Then slowly reveal a gigantic mysterious black cat standing in the darkness behind her. The cat is unnaturally large, extremely fluffy, with glowing yellow eyes and an intimidating supernatural presence.End on a dramatic close-up of the giant black cat staring directly into the camera. Smooth cinematic camera movement, realistic facial expressions, detailed hair physics, realistic cloth movement, volumetric lighting, floating dust particles, dynamic debris, dramatic shadows, shallow depth of field, realistic VFX, film-quality color grading, seamless transitions, highly detailed environment, photorealistic, 4K, cinematic masterpiece.

Zyrella

53,314 görüntüleme • 15 gün önce

Just finished a 30-second cinematic delivery story using Seedance 2.5, now available on Pollo AI The realistic scooter action, dynamic city shots, smooth camera movement, and consistent character really stood out. And right now, you can get Seedance 2.5 on Pollo AI for 50% OFF for a limited time. Prompt : Create an ultra-realistic cinematic delivery-rider story with a strong orange brand identity. She wears a professional orange delivery jacket, orange helmet, dark fitted cargo pants, practical sneakers, and an orange delivery backpack. Her scooter/motorbike is also orange with subtle matching details. Keep the same outfit, bike, helmet, and backpack consistent in every scene. The video opens with her relaxing at home when her phone suddenly receives a new food-delivery order. She checks the notification, quickly grabs her orange helmet and delivery bag, and heads outside with a focused but energetic expression. She starts her orange scooter, pulls onto a busy city street, and navigates through realistic traffic. Use dynamic tracking shots, helmet-mounted POV, low-angle wheel shots, side tracking shots, and close-ups of her focused face and hands controlling the bike. She checks her watch while stopped safely at a traffic signal, realizes she needs to move quickly, and continues through the city. Show her arriving at the restaurant, parking the scooter, rushing inside, and receiving a freshly packed food order from the staff. She secures the package inside her orange delivery bag and immediately rides toward the customer's location. Show fast-paced but safe city movement, changing streets, traffic, sunlight reflections, and realistic urban atmosphere. She arrives at the destination, quickly removes her helmet, grabs the delivery bag, and walks toward the customer. She hands over the food with a warm smile, checks her phone showing the completed delivery, and looks relieved and proud. Finish with a cinematic hero shot of her getting back onto the orange scooter and riding away through the glowing city street as the camera follows from behind. Style: Premium cinematic commercial, realistic delivery-rider lifestyle, energetic storytelling, strong orange-and-black visual identity, natural expressions, realistic traffic, authentic urban environments, dynamic handheld and gimbal camera movement, dramatic low angles, POV shots, shallow depth of field, realistic motion blur, physically accurate lighting, detailed fabric and vehicle textures, photorealistic 4K HDR, polished brand-film quality.
0:30

Just finished a 30-second cinematic delivery story using Seedance 2.5, now available on Pollo AI The realistic scooter action, dynamic city shots, smooth camera movement, and consistent character really stood out. And right now, you can get Seedance 2.5 on Pollo AI for 50% OFF for a limited time. Prompt : Create an ultra-realistic cinematic delivery-rider story with a strong orange brand identity. She wears a professional orange delivery jacket, orange helmet, dark fitted cargo pants, practical sneakers, and an orange delivery backpack. Her scooter/motorbike is also orange with subtle matching details. Keep the same outfit, bike, helmet, and backpack consistent in every scene. The video opens with her relaxing at home when her phone suddenly receives a new food-delivery order. She checks the notification, quickly grabs her orange helmet and delivery bag, and heads outside with a focused but energetic expression. She starts her orange scooter, pulls onto a busy city street, and navigates through realistic traffic. Use dynamic tracking shots, helmet-mounted POV, low-angle wheel shots, side tracking shots, and close-ups of her focused face and hands controlling the bike. She checks her watch while stopped safely at a traffic signal, realizes she needs to move quickly, and continues through the city. Show her arriving at the restaurant, parking the scooter, rushing inside, and receiving a freshly packed food order from the staff. She secures the package inside her orange delivery bag and immediately rides toward the customer's location. Show fast-paced but safe city movement, changing streets, traffic, sunlight reflections, and realistic urban atmosphere. She arrives at the destination, quickly removes her helmet, grabs the delivery bag, and walks toward the customer. She hands over the food with a warm smile, checks her phone showing the completed delivery, and looks relieved and proud. Finish with a cinematic hero shot of her getting back onto the orange scooter and riding away through the glowing city street as the camera follows from behind. Style: Premium cinematic commercial, realistic delivery-rider lifestyle, energetic storytelling, strong orange-and-black visual identity, natural expressions, realistic traffic, authentic urban environments, dynamic handheld and gimbal camera movement, dramatic low angles, POV shots, shallow depth of field, realistic motion blur, physically accurate lighting, detailed fabric and vehicle textures, photorealistic 4K HDR, polished brand-film quality.

Synthia

15,622 görüntüleme • 1 ay önce

Zero VFX experience. Just Claude, Seedance 2.0, and a phone clip. The result looks like a $10M scene In this tutorial you'll learn how to create cinematic AI VFX from your own real footage — no green screen, no masking, no compositing, no render times. Claude doesn't touch the video — it reads your clip frame by frame and writes the prompt, locking your face, camera move, light, and gestures, then naming the one thing to change and when. That prompt goes into Seedance 2.0, which only touches what was named. That's the trick. You're not describing an effect and hoping the AI gets it. Claude studies the footage first and hands Seedance a locked, precise instruction — which is why a hand can morph mid-sentence with zero visible cut, or neon reflections land on the dashboard automatically, with nothing graded by hand. One clip in, one sentence to Claude, one prompt into Seedance 2.0 — and out comes a shot that would normally cost a studio a month. ▪ 00:00 Intro ▪ 01:28 The 3 levels of AI VFX ▪ 01:59 Level 1 — Swapping the world (walking) ▪ 04:32 Level 2 — Changing an element ▪ 07:26 Level 3 — The handheld showcase ▪ 10:15 Outro YouTube: "Higgsfield AI - I Added Insane AI VFX to Real Footage in 4K(Seedance 2.0)" Thank you for sharing this free tutorial with us. It is invaluable information.
11:05

Zero VFX experience. Just Claude, Seedance 2.0, and a phone clip. The result looks like a $10M scene In this tutorial you'll learn how to create cinematic AI VFX from your own real footage — no green screen, no masking, no compositing, no render times. Claude doesn't touch the video — it reads your clip frame by frame and writes the prompt, locking your face, camera move, light, and gestures, then naming the one thing to change and when. That prompt goes into Seedance 2.0, which only touches what was named. That's the trick. You're not describing an effect and hoping the AI gets it. Claude studies the footage first and hands Seedance a locked, precise instruction — which is why a hand can morph mid-sentence with zero visible cut, or neon reflections land on the dashboard automatically, with nothing graded by hand. One clip in, one sentence to Claude, one prompt into Seedance 2.0 — and out comes a shot that would normally cost a studio a month. ▪ 00:00 Intro ▪ 01:28 The 3 levels of AI VFX ▪ 01:59 Level 1 — Swapping the world (walking) ▪ 04:32 Level 2 — Changing an element ▪ 07:26 Level 3 — The handheld showcase ▪ 10:15 Outro YouTube: "Higgsfield AI - I Added Insane AI VFX to Real Footage in 4K(Seedance 2.0)" Thank you for sharing this free tutorial with us. It is invaluable information.

Zentrix⌚️

28,606 görüntüleme • 2 ay önce

seedance prompt: Realistic Video Narration (15-Second Full Version - Pure First-Person POV): Presented in the style of unprocessed, handheld, unstable iPhone video footage. All camera settings are automatic, with no post-processing color grading or special effects. The footage captures the realistic breathing of the operator and slight, irregular hand shake. Autofocus frequently exhibits intense searching, brief out-of-focus periods, and delayed recovery. Auto white balance naturally shifts between warm and cool tones as it blends with the library lights and natural light from distant windows. The overall image is flat and slightly washed out, retaining realistic lens flare, edge purple-green iridescence, and slight overexposure or underexposure. Faint fingerprint artifacts occasionally appear at the bottom of the frame. Only natural ambient sound effects are used (the sound of turning pages, very light footsteps in the distance, the low hum of an air conditioner, suppressed breathing, and the subtle rustling of stockings against a cheongsam). All sounds are extremely suppressed, with slight microphone distortion at louder frequencies. The entire video employs a pure first-person POV perspective (student's subjective viewpoint), with camera movements completely following natural head rotations and gaze movements. The composition is occasionally imperfect, showing realistic breathing tremors and slight shaking during moments of tension. From 0-4 seconds, the camera, in a first-person perspective, rests on a desk in a secluded corner of the library, with noticeable breathing tremors. You can clearly see your legs in black trousers. A female teacher approaches from behind and sits directly opposite you, wearing a white, glossy cheongsam-style dress (high slit design, keyhole cutout at the chest, pink floral lace shoulder embellishments), paired with white suspender stockings and white garter belts. She suddenly leans forward, one hand reaching out to cover your mouth, the other pressing on the inside of your black trousers, whispering, "Don't make a sound... be good, sit still." Her voice is extremely low, yet carries a powerful seduction. The autofocus searches for the high slit of the white cheongsam and the white suspender stockings. Between 4 and 9 seconds, the teacher leans forward more proactively, the high slit of her glossy white cheongsam sliding upwards, revealing a large expanse of her fair thigh and white stockings. She whispers in your ear, "Watch closely... this is what you want to see." The camera instinctively lowers its focus, locking onto a close-up of your black trousers and the teacher's white stockings—the glossy cheongsam fabric taut, the stockings subtly reflective. Your breathing noticeably becomes heavier. Between 9 and 15 seconds, footsteps approach in the distance, and the teacher presses you down more aggressively, whispering a warning, "Someone's coming... but you can't move or make a sound." The high slit of the white cheongsam and the stockings are pressed tightly together, the image shakes violently, the tension reaching its peak. The footsteps grow closer, and the image freezes in an extremely oppressive atmosphere. The footage presents a realistic, unprocessed handheld video quality, a natural, imperfect feel reminiscent of a documentary, without any post-production color grading or special effects. All camera actions are consistent with the physical characteristics of iPhone automatic shooting.
0:25

Sensitive content

seedance prompt: Realistic Video Narration (15-Second Full Version - Pure First-Person POV): Presented in the style of unprocessed, handheld, unstable iPhone video footage. All camera settings are automatic, with no post-processing color grading or special effects. The footage captures the realistic breathing of the operator and slight, irregular hand shake. Autofocus frequently exhibits intense searching, brief out-of-focus periods, and delayed recovery. Auto white balance naturally shifts between warm and cool tones as it blends with the library lights and natural light from distant windows. The overall image is flat and slightly washed out, retaining realistic lens flare, edge purple-green iridescence, and slight overexposure or underexposure. Faint fingerprint artifacts occasionally appear at the bottom of the frame. Only natural ambient sound effects are used (the sound of turning pages, very light footsteps in the distance, the low hum of an air conditioner, suppressed breathing, and the subtle rustling of stockings against a cheongsam). All sounds are extremely suppressed, with slight microphone distortion at louder frequencies. The entire video employs a pure first-person POV perspective (student's subjective viewpoint), with camera movements completely following natural head rotations and gaze movements. The composition is occasionally imperfect, showing realistic breathing tremors and slight shaking during moments of tension. From 0-4 seconds, the camera, in a first-person perspective, rests on a desk in a secluded corner of the library, with noticeable breathing tremors. You can clearly see your legs in black trousers. A female teacher approaches from behind and sits directly opposite you, wearing a white, glossy cheongsam-style dress (high slit design, keyhole cutout at the chest, pink floral lace shoulder embellishments), paired with white suspender stockings and white garter belts. She suddenly leans forward, one hand reaching out to cover your mouth, the other pressing on the inside of your black trousers, whispering, "Don't make a sound... be good, sit still." Her voice is extremely low, yet carries a powerful seduction. The autofocus searches for the high slit of the white cheongsam and the white suspender stockings. Between 4 and 9 seconds, the teacher leans forward more proactively, the high slit of her glossy white cheongsam sliding upwards, revealing a large expanse of her fair thigh and white stockings. She whispers in your ear, "Watch closely... this is what you want to see." The camera instinctively lowers its focus, locking onto a close-up of your black trousers and the teacher's white stockings—the glossy cheongsam fabric taut, the stockings subtly reflective. Your breathing noticeably becomes heavier. Between 9 and 15 seconds, footsteps approach in the distance, and the teacher presses you down more aggressively, whispering a warning, "Someone's coming... but you can't move or make a sound." The high slit of the white cheongsam and the stockings are pressed tightly together, the image shakes violently, the tension reaching its peak. The footsteps grow closer, and the image freezes in an extremely oppressive atmosphere. The footage presents a realistic, unprocessed handheld video quality, a natural, imperfect feel reminiscent of a documentary, without any post-production color grading or special effects. All camera actions are consistent with the physical characteristics of iPhone automatic shooting.

John

32,717 görüntüleme • 4 ay önce

The girl who is late for her date Seedance 2.5 for you Prompt 👇 Create a 30-second cinematic 3D animated street-racing sequence with a stylized high-end video-game aesthetic, expressive cartoon characters, realistic vehicle physics, dynamic camera work, polished feature-film animation, and energetic comedic pacing. Scene 1 — The forgotten date: A stylish young woman with long black hair, expressive eyes, oversized sunglasses, silver hoop earrings, a cropped black leather jacket, fitted white top, high-waisted jeans, and chunky sneakers relaxes on her apartment sofa while scrolling through her phone. She suddenly checks the time, realizes she completely forgot about an important date, freezes in shock, drops her phone onto the sofa, and dramatically screams while jumping to her feet. Scene 2 — Instant transformation: She races toward her bedroom. Fast comedic cuts show her throwing on a red leather jacket, adjusting her earrings, grabbing her handbag, putting on sunglasses, and quickly fixing her hair. She grabs her keys and rushes out of the apartment. Scene 3 — The getaway car: She bursts into an underground parking garage and jumps into a sleek modified red sports car. The engine roars as she grips the steering wheel with determination. She looks at the clock, widens her eyes, and slams the accelerator. Scene 4 — Downtown launch: The car launches onto a busy city street. Low-angle shots capture the wheels spinning, tire smoke, reflections across the glossy bodywork, and the car accelerating between traffic. Buildings streak past as the camera rapidly switches between front, side, overhead, and interior shots. Scene 5 — The chaotic chase: She races through downtown, weaving around taxis, buses, delivery vans, and intersections. She takes a sharp corner in a controlled drift, narrowly passes through a closing traffic barrier, and cuts through a narrow alley as the camera follows with aggressive tracking movement. Scene 6 — Impossible shortcut: She spots a steep parking-ramp entrance and takes it at full speed. The car launches briefly over the ramp, lands smoothly, spins into a controlled drift, and exits onto another street. Use dramatic slow-motion impact, tire smoke, realistic suspension movement, and exaggerated but believable physics. Scene 7 — Finally there: She reaches a stylish rooftop café overlooking the city at golden hour and slides the car to a stop. She jumps out, quickly fixes her hair, checks herself in the car window, and runs toward the entrance. Scene 8 — The date: A stylish young man is waiting outside the café, looking at his watch. She arrives breathless and gives him an embarrassed smile. He looks at her for a moment, then laughs. She points toward the city and jokingly gestures that the traffic was not her fault. Final shot: They walk into the rooftop café together as the camera pulls backward. Through the glass windows, the red sports car remains parked below while the golden city skyline glows behind them. Visual style: Premium stylized 3D animation, expressive facial acting, exaggerated comedy, detailed character animation, realistic vehicle physics, cinematic lighting, vibrant downtown environment, realistic reflections, volumetric sunlight, tire smoke, subtle sparks, detailed car textures, natural hair and clothing movement, smooth camera animation, high-energy music-video pacing, polished AAA video-game cinematic quality. Camera: Constantly moving cinematic camera, low-angle tracking, aerial shots, interior POV, wheel close-ups, Dutch angles, whip pans, speed ramps, dramatic push-ins, realistic motion blur. Mood: Chaotic, funny, stylish, romantic, adrenaline-fueled. Audio: Energetic cinematic beat, engine revs, tire screeches, city ambience, footsteps, car doors, comedic reaction sounds, and natural dialogue. No subtitles, no logos, no watermark, no on-screen text.
0:30

The girl who is late for her date Seedance 2.5 for you Prompt 👇 Create a 30-second cinematic 3D animated street-racing sequence with a stylized high-end video-game aesthetic, expressive cartoon characters, realistic vehicle physics, dynamic camera work, polished feature-film animation, and energetic comedic pacing. Scene 1 — The forgotten date: A stylish young woman with long black hair, expressive eyes, oversized sunglasses, silver hoop earrings, a cropped black leather jacket, fitted white top, high-waisted jeans, and chunky sneakers relaxes on her apartment sofa while scrolling through her phone. She suddenly checks the time, realizes she completely forgot about an important date, freezes in shock, drops her phone onto the sofa, and dramatically screams while jumping to her feet. Scene 2 — Instant transformation: She races toward her bedroom. Fast comedic cuts show her throwing on a red leather jacket, adjusting her earrings, grabbing her handbag, putting on sunglasses, and quickly fixing her hair. She grabs her keys and rushes out of the apartment. Scene 3 — The getaway car: She bursts into an underground parking garage and jumps into a sleek modified red sports car. The engine roars as she grips the steering wheel with determination. She looks at the clock, widens her eyes, and slams the accelerator. Scene 4 — Downtown launch: The car launches onto a busy city street. Low-angle shots capture the wheels spinning, tire smoke, reflections across the glossy bodywork, and the car accelerating between traffic. Buildings streak past as the camera rapidly switches between front, side, overhead, and interior shots. Scene 5 — The chaotic chase: She races through downtown, weaving around taxis, buses, delivery vans, and intersections. She takes a sharp corner in a controlled drift, narrowly passes through a closing traffic barrier, and cuts through a narrow alley as the camera follows with aggressive tracking movement. Scene 6 — Impossible shortcut: She spots a steep parking-ramp entrance and takes it at full speed. The car launches briefly over the ramp, lands smoothly, spins into a controlled drift, and exits onto another street. Use dramatic slow-motion impact, tire smoke, realistic suspension movement, and exaggerated but believable physics. Scene 7 — Finally there: She reaches a stylish rooftop café overlooking the city at golden hour and slides the car to a stop. She jumps out, quickly fixes her hair, checks herself in the car window, and runs toward the entrance. Scene 8 — The date: A stylish young man is waiting outside the café, looking at his watch. She arrives breathless and gives him an embarrassed smile. He looks at her for a moment, then laughs. She points toward the city and jokingly gestures that the traffic was not her fault. Final shot: They walk into the rooftop café together as the camera pulls backward. Through the glass windows, the red sports car remains parked below while the golden city skyline glows behind them. Visual style: Premium stylized 3D animation, expressive facial acting, exaggerated comedy, detailed character animation, realistic vehicle physics, cinematic lighting, vibrant downtown environment, realistic reflections, volumetric sunlight, tire smoke, subtle sparks, detailed car textures, natural hair and clothing movement, smooth camera animation, high-energy music-video pacing, polished AAA video-game cinematic quality. Camera: Constantly moving cinematic camera, low-angle tracking, aerial shots, interior POV, wheel close-ups, Dutch angles, whip pans, speed ramps, dramatic push-ins, realistic motion blur. Mood: Chaotic, funny, stylish, romantic, adrenaline-fueled. Audio: Energetic cinematic beat, engine revs, tire screeches, city ambience, footsteps, car doors, comedic reaction sounds, and natural dialogue. No subtitles, no logos, no watermark, no on-screen text.

Smiling Khan

10,760 görüntüleme • 1 ay önce

Made with seedance 2.5 Prompt A cinematic western action scene set in a vast dusty desert canyon, a vintage black steam locomotive racing through the rugged American frontier while a massive horde of savage zombie-like creatures relentlessly chases and attacks the moving train. Low-angle tracking shots of dusty boots running across the desert, extreme close-ups of the locomotive's wheels, metal rods and pistons moving rapidly, steam bursting from underneath, dramatic front-facing shots of the powerful steam train charging directly toward the camera as creatures swarm around it. Cut to dynamic aerial and side tracking shots showing the entire vintage steam locomotive speeding through a barren desert landscape surrounded by red-rock mesas, cliffs and endless dry terrain. Inside the wooden train carriage, a young woman with long brown hair, wearing a dark rugged western outfit, looks through a train window while terrified creatures run alongside and climb toward the train. The woman raises a small futuristic-looking pink glowing weapon and aims it through the open side of the moving train toward an approaching pale, terrifying zombie woman. Fast-paced action, intense chase sequence, realistic dust and debris, natural sunlight, volumetric atmosphere, cinematic motion blur, realistic steam and smoke, detailed weathered metal and wooden train textures, dramatic western color grading, photorealistic characters, realistic physics, shallow depth of field, anamorphic cinematic lens, handheld and tracking camera movements, high-detail Hollywood movie cinematography, epic scale, 4K, ultra realistic, dramatic lighting, 16:9.
0:32

Made with seedance 2.5 Prompt A cinematic western action scene set in a vast dusty desert canyon, a vintage black steam locomotive racing through the rugged American frontier while a massive horde of savage zombie-like creatures relentlessly chases and attacks the moving train. Low-angle tracking shots of dusty boots running across the desert, extreme close-ups of the locomotive's wheels, metal rods and pistons moving rapidly, steam bursting from underneath, dramatic front-facing shots of the powerful steam train charging directly toward the camera as creatures swarm around it. Cut to dynamic aerial and side tracking shots showing the entire vintage steam locomotive speeding through a barren desert landscape surrounded by red-rock mesas, cliffs and endless dry terrain. Inside the wooden train carriage, a young woman with long brown hair, wearing a dark rugged western outfit, looks through a train window while terrified creatures run alongside and climb toward the train. The woman raises a small futuristic-looking pink glowing weapon and aims it through the open side of the moving train toward an approaching pale, terrifying zombie woman. Fast-paced action, intense chase sequence, realistic dust and debris, natural sunlight, volumetric atmosphere, cinematic motion blur, realistic steam and smoke, detailed weathered metal and wooden train textures, dramatic western color grading, photorealistic characters, realistic physics, shallow depth of field, anamorphic cinematic lens, handheld and tracking camera movements, high-detail Hollywood movie cinematography, epic scale, 4K, ultra realistic, dramatic lighting, 16:9.

Zoya

10,899 görüntüleme • 14 gün önce

Made with seedance 2.5 Prompt: Create a highly cinematic, realistic action sequence inside a crowded traditional Asian wet market during heavy rain and flooding. A young Asian woman with long dark wet hair, wearing a pink waterproof rain suit and black rubber boots, runs rapidly through the narrow market aisles while trying to escape from a massive rushing wave of water behind her. The market is packed with seafood and vegetable stalls, plastic crates, fish tanks, metal counters, hanging tarps, fluorescent ceiling lights, vendors and crowds. The floor is completely flooded with ankle-to-knee-deep dirty rainwater, creating strong reflections and splashes everywhere. Water violently rushes through the market, knocking over crates and flooding the stalls. Start with a close-up tracking shot of the frightened woman looking back over her shoulder while running. Follow her with a fast handheld camera as she runs through the narrow aisle. Use dynamic low-angle shots close to the water, capturing her boots hitting the flooded floor and creating dramatic splashes. Show water crashing through the market behind her, people running in panic, overturned crates floating in the water, and objects being swept away. Use realistic physics, natural human movement, detailed wet clothing, wet hair sticking to her face, realistic water droplets, splashes, reflections and motion blur. The camera should move dynamically with fast tracking shots, low-angle shots, side tracking shots and occasional wide shots revealing the scale of the flooding. At one point, show the woman jumping over obstacles and running across a market counter/raised surface while the floodwater continues rushing behind her. Keep her appearance, hairstyle, pink outfit and facial features consistent throughout the entire sequence. Dark cinematic atmosphere, overcast rainy lighting, cool blue-gray tones mixed with warm fluorescent market lights, dramatic contrast, realistic skin texture, photorealistic environment, volumetric lighting, atmospheric mist, cinematic depth of field, subtle film grain, high-detail textures, realistic reflections and physically accurate water simulation. The sequence should feel like a high-budget survival/action movie, extremely immersive and intense, with realistic camera shake and fast-paced movement. Add large cinematic white brush-stroke typography reading “RUN” briefly across the center of the screen during the action sequence. Photorealistic, ultra-detailed, cinematic Hollywood-style action scene, realistic physics, natural motion, 4K film quality, anamorphic lens look, dynamic composition, dramatic pacing, no cartoon look, no CGI appearance, no distorted anatomy, no extra fingers, no duplicated people, no face changes.
0:43

Made with seedance 2.5 Prompt: Create a highly cinematic, realistic action sequence inside a crowded traditional Asian wet market during heavy rain and flooding. A young Asian woman with long dark wet hair, wearing a pink waterproof rain suit and black rubber boots, runs rapidly through the narrow market aisles while trying to escape from a massive rushing wave of water behind her. The market is packed with seafood and vegetable stalls, plastic crates, fish tanks, metal counters, hanging tarps, fluorescent ceiling lights, vendors and crowds. The floor is completely flooded with ankle-to-knee-deep dirty rainwater, creating strong reflections and splashes everywhere. Water violently rushes through the market, knocking over crates and flooding the stalls. Start with a close-up tracking shot of the frightened woman looking back over her shoulder while running. Follow her with a fast handheld camera as she runs through the narrow aisle. Use dynamic low-angle shots close to the water, capturing her boots hitting the flooded floor and creating dramatic splashes. Show water crashing through the market behind her, people running in panic, overturned crates floating in the water, and objects being swept away. Use realistic physics, natural human movement, detailed wet clothing, wet hair sticking to her face, realistic water droplets, splashes, reflections and motion blur. The camera should move dynamically with fast tracking shots, low-angle shots, side tracking shots and occasional wide shots revealing the scale of the flooding. At one point, show the woman jumping over obstacles and running across a market counter/raised surface while the floodwater continues rushing behind her. Keep her appearance, hairstyle, pink outfit and facial features consistent throughout the entire sequence. Dark cinematic atmosphere, overcast rainy lighting, cool blue-gray tones mixed with warm fluorescent market lights, dramatic contrast, realistic skin texture, photorealistic environment, volumetric lighting, atmospheric mist, cinematic depth of field, subtle film grain, high-detail textures, realistic reflections and physically accurate water simulation. The sequence should feel like a high-budget survival/action movie, extremely immersive and intense, with realistic camera shake and fast-paced movement. Add large cinematic white brush-stroke typography reading “RUN” briefly across the center of the screen during the action sequence. Photorealistic, ultra-detailed, cinematic Hollywood-style action scene, realistic physics, natural motion, 4K film quality, anamorphic lens look, dynamic composition, dramatic pacing, no cartoon look, no CGI appearance, no distorted anatomy, no extra fingers, no duplicated people, no face changes.

Elisia

31,234 görüntüleme • 1 ay önce

Seedance 2.5 on DomoAI official Prompt AN EXCITING TAIWAN TRAVEL VLOG — 30 SEC MUSIC CUT SUBJECT: one fictional adult Korean woman in her early twenties, with large round dark eyes, a small nose, coral-red lips, long side-parted black waves and small cubic-zirconia stud earrings. Keep the face established in the first shot consistent throughout. Visible pores and natural skin texture, without doll-like smoothness or a beauty filter. OUTFIT: throughout all 30 seconds, she wears an indigo denim one-shoulder crop top and asymmetric-hem skirt, burgundy leather belt and pointed burgundy ankle boots. Keep the exposed shoulder, stitching and direction of the longer skirt panel consistent with their appearance in the first shot. Her outfit and hair do not change between locations. CAMERA: the texture of a personally filmed phone travel video. She films the selfies. An off-screen travel companion films the two-handed chicken-cutlet handoff, her back in the market, and the restaurant food and eating shots. Changing operators does not introduce filming equipment or device UI into the image. Landscape 16:9, no black padding. Ordinary travel shots use a 26mm-equivalent phone wide angle, enough depth of field to read the surroundings, and natural iPhone colour. Handheld movement follows real footsteps; exposure and focus catch up slightly late. A fingerprint on the lens causes local light smearing beside strong light sources. No cinematic colour grade, studio lighting or added post-production glow. People in the surroundings move independently and do not stare into the lens for long. EXCEPTIONS: only the three restaurant shots from 17 to 23 seconds use a DV-tape texture, light noise and slightly delayed focus. This deliberately differs from the travel footage; phone texture returns at 23 seconds. The food close-up at 19–21 seconds and the sunset focus change at 23–26.5 seconds follow their own shot-specific depth-of-field directions. MUSIC: upbeat BGM carries the excitement and rhythm across the travel montage. Location sounds do not repeatedly interrupt the music. Only the gondola section has a one-beat drop. Dialogue is brief and relaxed, with audible breaths and complete word endings. Mandarin is limited to the opening and closing greetings, delivered as newly learned phrases. The ㅋㅋㅋ in the dialogue means laughter, not spoken letters. PROPS: the bubble-tea clerk directly hands her a clear cup; the chicken-cutlet stall owner directly hands her the fried-chicken bag. In the xiaolongbao restaurant, the waiter sets the steamer with its lid on the table and she eats with chopsticks in her right hand and a spoon in her left. Food and containers are used only in their respective food scenes. (0:00–0:02) — Guesthouse window, Taipei morning. She films a selfie from a low angle on her phone, smiling broadly. Tilt Up extends the frame above her face to the view through the window. Taipei 101's green-glass tower rises beyond low grey buildings, rooftop water tanks and air-con units. Exposure catches up with the bright sky. Dialogue: "你好~ 대만 왔다!" Transition: Hard cut on beat. (0:02–0:04) — Main-road junction. At the crossing, she turns the phone into selfie position. A packed queue of helmeted scooter riders leaves the white stop line as the light turns green, passing behind her. Overcast daylight, Handheld Selfie and deep focus. Dialogue: "스쿠터 뭐야 미쳤어ㅋㅋㅋ" Transition: Fast cut on beat. (0:04–0:06) — Bubble-tea counter. She points the phone in her left hand downward to film. Her right hand reaches out first. With arm and torso visible, the aproned clerk lowers the clear cup upright into it. After she supports its base and side, the clerk releases it. The sealed film lid faces up; black brown-sugar streaks line the cup. A wide straw rests on the counter. Insert, briefly Static. Transition: Snap cut. (0:06–0:08) — Chicken-cutlet stall. The companion films from beside her, including both her hands and the owner. The large fried cutlet, seasoned with pepper and chilli, is already in a white paper bag. She extends both hands first. With arms and torso visible, the owner lowers the bag with its opening facing up. Only after her two hands support the bottom does the owner release it. Steam rises above the bag. Handheld Insert under a daylight awning. Transition: Cut at the end of the handoff. (0:08–0:10) — Longshan Temple. She starts with a selfie and raises the phone. Tilt Up shifts the view from her face to incense smoke, red lanterns and the dragon-carved roof. The sky above the eaves is bright in natural daylight. Transition: Cut during the upward movement. (0:10–0:12.5) — Jiufen stepped lane. She extends her arm high for a selfie and speaks. As she tilts the phone downward in a Tilt Down, her face leaves the frame and layers of red lanterns along the narrow stone stairway and wooden teahouse windows on both sides come into view. A misty afternoon; light fog veils the lower stairs. Dialogue: "여기 진짜 영화 속인데" Transition: Cut while looking down the stairway. (0:12.5–0:15) — Dihua Street market. The companion films a waist-height Follow Shot from behind her. She raises the chicken-cutlet bag in one hand and takes a bite while walking through the passage. On either side of her indigo denim outfit, sacks of dried seafood, dried shiitake, tea tins, red envelopes and herbal-medicine drawers pass in sequence. Other people independently browse or walk by. Overcast afternoon light. Transition: Cut on forward movement. (0:15–0:17) — Maokong gondola. In this scene she is not holding food or its bag. She films downward through the glass floor, holding the phone at knee height in one hand. Green tea fields drift beneath her feet and a cable shadow passes across them. Low Static. The music drops for one beat and returns. Transition: Snap cut. (0:17–0:19) — Xiaolongbao restaurant, DV texture begins. She is already seated; the companion films a Static Medium from eye level across the table. The waiter sets a bamboo steamer upright on the table with its lid on, then lifts the lid. Six xiaolongbao on white paper, shredded ginger and black vinegar. She watches and speaks while the waiter performs the action. Dialogue: "이거 육즙 터진다며?" Transition: Cut to the open steamer. (0:19–0:21) — Broth close-up. The companion films a downward-looking Macro from beside the table, with shallow depth of field. One xiaolongbao is already on the spoon in her left hand. She opens the skin slightly with the tips of the chopsticks in her right hand; broth flows into the spoon. Steam brushes past the lens. DV texture continues. Transition: Cut from the filled spoon. (0:21–0:23) — First mouthful. The companion films a close Handheld shot from across the table. Begin immediately after her first mouthful of xiaolongbao. She lowers the spoon in her left hand and smiles toward the lens. White restaurant fluorescent light, DV texture continues. Dialogue: "미쳤다 진짜." Transition: Cut to sunset footage with phone texture. (0:23–0:26.5) — Tamsui Fisherman's Wharf, signature. Phone texture returns. She walks beside the railing while filming an extended-arm selfie. The white Lover's Bridge and its reflection on the sea catch orange sunset light; her long waves and asymmetric denim hem move in the wind. Rack Focus: focus moves from the initially sharp bridge behind her to her face, leaving the bridge softly blurred. Actual sunset light, without added post-production glow. 60% slow motion. Transition: Cut when focus settles on her face. (0:26.5–0:30) — Shifen railway, night. She films a selfie with the phone extended in her right hand. Her left hand releases the lower edge of a red sky lantern bearing brush calligraphy. The lit lantern leaves her fingertips and rises into the sky. Shop lights and other sky lanterns remain around her. She waves at the lens with her now-free left hand while speaking. Dialogue: "그럼 모두 再見~!" That left hand covers the lens, ending at 30 seconds. Natural night phone exposure. CONSISTENCY: preserve the same face and single denim outfit. Contact between hands and props is visible, without smeared fingers. Do not add subtitles, graphic text, logos or watermarks to the footage. Writing that belongs to the location or props, including the lantern calligraphy, remains. No filming equipment is visible in frame. FINALLY: skin and movement should look like real travel footage, not AI-generated imagery. Dialogue remains clear within natural breathing, without slurred syllables or clipped word endings. Expressions and gestures respond to the situation rather than posing like an advertising model. #DomoAI #DomoAICPP
0:30

Seedance 2.5 on DomoAI official Prompt AN EXCITING TAIWAN TRAVEL VLOG — 30 SEC MUSIC CUT SUBJECT: one fictional adult Korean woman in her early twenties, with large round dark eyes, a small nose, coral-red lips, long side-parted black waves and small cubic-zirconia stud earrings. Keep the face established in the first shot consistent throughout. Visible pores and natural skin texture, without doll-like smoothness or a beauty filter. OUTFIT: throughout all 30 seconds, she wears an indigo denim one-shoulder crop top and asymmetric-hem skirt, burgundy leather belt and pointed burgundy ankle boots. Keep the exposed shoulder, stitching and direction of the longer skirt panel consistent with their appearance in the first shot. Her outfit and hair do not change between locations. CAMERA: the texture of a personally filmed phone travel video. She films the selfies. An off-screen travel companion films the two-handed chicken-cutlet handoff, her back in the market, and the restaurant food and eating shots. Changing operators does not introduce filming equipment or device UI into the image. Landscape 16:9, no black padding. Ordinary travel shots use a 26mm-equivalent phone wide angle, enough depth of field to read the surroundings, and natural iPhone colour. Handheld movement follows real footsteps; exposure and focus catch up slightly late. A fingerprint on the lens causes local light smearing beside strong light sources. No cinematic colour grade, studio lighting or added post-production glow. People in the surroundings move independently and do not stare into the lens for long. EXCEPTIONS: only the three restaurant shots from 17 to 23 seconds use a DV-tape texture, light noise and slightly delayed focus. This deliberately differs from the travel footage; phone texture returns at 23 seconds. The food close-up at 19–21 seconds and the sunset focus change at 23–26.5 seconds follow their own shot-specific depth-of-field directions. MUSIC: upbeat BGM carries the excitement and rhythm across the travel montage. Location sounds do not repeatedly interrupt the music. Only the gondola section has a one-beat drop. Dialogue is brief and relaxed, with audible breaths and complete word endings. Mandarin is limited to the opening and closing greetings, delivered as newly learned phrases. The ㅋㅋㅋ in the dialogue means laughter, not spoken letters. PROPS: the bubble-tea clerk directly hands her a clear cup; the chicken-cutlet stall owner directly hands her the fried-chicken bag. In the xiaolongbao restaurant, the waiter sets the steamer with its lid on the table and she eats with chopsticks in her right hand and a spoon in her left. Food and containers are used only in their respective food scenes. (0:00–0:02) — Guesthouse window, Taipei morning. She films a selfie from a low angle on her phone, smiling broadly. Tilt Up extends the frame above her face to the view through the window. Taipei 101's green-glass tower rises beyond low grey buildings, rooftop water tanks and air-con units. Exposure catches up with the bright sky. Dialogue: "你好~ 대만 왔다!" Transition: Hard cut on beat. (0:02–0:04) — Main-road junction. At the crossing, she turns the phone into selfie position. A packed queue of helmeted scooter riders leaves the white stop line as the light turns green, passing behind her. Overcast daylight, Handheld Selfie and deep focus. Dialogue: "스쿠터 뭐야 미쳤어ㅋㅋㅋ" Transition: Fast cut on beat. (0:04–0:06) — Bubble-tea counter. She points the phone in her left hand downward to film. Her right hand reaches out first. With arm and torso visible, the aproned clerk lowers the clear cup upright into it. After she supports its base and side, the clerk releases it. The sealed film lid faces up; black brown-sugar streaks line the cup. A wide straw rests on the counter. Insert, briefly Static. Transition: Snap cut. (0:06–0:08) — Chicken-cutlet stall. The companion films from beside her, including both her hands and the owner. The large fried cutlet, seasoned with pepper and chilli, is already in a white paper bag. She extends both hands first. With arms and torso visible, the owner lowers the bag with its opening facing up. Only after her two hands support the bottom does the owner release it. Steam rises above the bag. Handheld Insert under a daylight awning. Transition: Cut at the end of the handoff. (0:08–0:10) — Longshan Temple. She starts with a selfie and raises the phone. Tilt Up shifts the view from her face to incense smoke, red lanterns and the dragon-carved roof. The sky above the eaves is bright in natural daylight. Transition: Cut during the upward movement. (0:10–0:12.5) — Jiufen stepped lane. She extends her arm high for a selfie and speaks. As she tilts the phone downward in a Tilt Down, her face leaves the frame and layers of red lanterns along the narrow stone stairway and wooden teahouse windows on both sides come into view. A misty afternoon; light fog veils the lower stairs. Dialogue: "여기 진짜 영화 속인데" Transition: Cut while looking down the stairway. (0:12.5–0:15) — Dihua Street market. The companion films a waist-height Follow Shot from behind her. She raises the chicken-cutlet bag in one hand and takes a bite while walking through the passage. On either side of her indigo denim outfit, sacks of dried seafood, dried shiitake, tea tins, red envelopes and herbal-medicine drawers pass in sequence. Other people independently browse or walk by. Overcast afternoon light. Transition: Cut on forward movement. (0:15–0:17) — Maokong gondola. In this scene she is not holding food or its bag. She films downward through the glass floor, holding the phone at knee height in one hand. Green tea fields drift beneath her feet and a cable shadow passes across them. Low Static. The music drops for one beat and returns. Transition: Snap cut. (0:17–0:19) — Xiaolongbao restaurant, DV texture begins. She is already seated; the companion films a Static Medium from eye level across the table. The waiter sets a bamboo steamer upright on the table with its lid on, then lifts the lid. Six xiaolongbao on white paper, shredded ginger and black vinegar. She watches and speaks while the waiter performs the action. Dialogue: "이거 육즙 터진다며?" Transition: Cut to the open steamer. (0:19–0:21) — Broth close-up. The companion films a downward-looking Macro from beside the table, with shallow depth of field. One xiaolongbao is already on the spoon in her left hand. She opens the skin slightly with the tips of the chopsticks in her right hand; broth flows into the spoon. Steam brushes past the lens. DV texture continues. Transition: Cut from the filled spoon. (0:21–0:23) — First mouthful. The companion films a close Handheld shot from across the table. Begin immediately after her first mouthful of xiaolongbao. She lowers the spoon in her left hand and smiles toward the lens. White restaurant fluorescent light, DV texture continues. Dialogue: "미쳤다 진짜." Transition: Cut to sunset footage with phone texture. (0:23–0:26.5) — Tamsui Fisherman's Wharf, signature. Phone texture returns. She walks beside the railing while filming an extended-arm selfie. The white Lover's Bridge and its reflection on the sea catch orange sunset light; her long waves and asymmetric denim hem move in the wind. Rack Focus: focus moves from the initially sharp bridge behind her to her face, leaving the bridge softly blurred. Actual sunset light, without added post-production glow. 60% slow motion. Transition: Cut when focus settles on her face. (0:26.5–0:30) — Shifen railway, night. She films a selfie with the phone extended in her right hand. Her left hand releases the lower edge of a red sky lantern bearing brush calligraphy. The lit lantern leaves her fingertips and rises into the sky. Shop lights and other sky lanterns remain around her. She waves at the lens with her now-free left hand while speaking. Dialogue: "그럼 모두 再見~!" That left hand covers the lens, ending at 30 seconds. Natural night phone exposure. CONSISTENCY: preserve the same face and single denim outfit. Contact between hands and props is visible, without smeared fingers. Do not add subtitles, graphic text, logos or watermarks to the footage. Writing that belongs to the location or props, including the lantern calligraphy, remains. No filming equipment is visible in frame. FINALLY: skin and movement should look like real travel footage, not AI-generated imagery. Dialogue remains clear within natural breathing, without slurred syllables or clipped word endings. Expressions and gestures respond to the situation rather than posing like an advertising model. #DomoAI #DomoAICPP

Sharon Riley

34,557 görüntüleme • 9 gün önce

STORM with a twist Seedance 2.5 Prompt : Create an ultra-realistic cinematic fashion/music video using the uploaded reference image as the exact visual reference for the woman, crowd, wardrobe, composition, lighting, and atmosphere. A young woman with a short sleek dark bob, realistic facial features, natural skin texture, and subtle makeup wears a fitted black turtleneck, black trousers, black shoes, and minimal jewelry. Keep her face, hairstyle, outfit, and proportions perfectly consistent. She walks slowly and confidently toward a large, tightly packed crowd, maintaining a calm and emotionless expression while the camera smoothly tracks backward and keeps her centered. She reaches the exact center of the crowd and stops completely, standing perfectly still with her arms naturally at her sides and looking directly into the camera. The crowd remains completely frozen for a brief moment. Then, without the woman moving, the people behind her slowly begin turning toward her. The head turns start subtly and spread through the entire crowd until everyone is facing and looking directly at her. The woman remains completely motionless and expressionless, never reacting to the crowd. The camera slowly pushes closer while the crowd stays turned toward her, creating an unsettling synchronized effect. Their final movement is one sharp, simultaneous turn toward her while she continues staring into the lens. Dark, mysterious, photorealistic live-action aesthetic, soft cinematic lighting, deep shadows, realistic skin, hair and clothing physics, shallow depth of field, natural human movement. No animation, anime, cartoon, CGI look, duplicate woman, distorted faces, morphing, random crowd movement, text, subtitles, logos, watermark, excessive camera movement, artificial fog, glow, or exaggerated effects.
0:30

STORM with a twist Seedance 2.5 Prompt : Create an ultra-realistic cinematic fashion/music video using the uploaded reference image as the exact visual reference for the woman, crowd, wardrobe, composition, lighting, and atmosphere. A young woman with a short sleek dark bob, realistic facial features, natural skin texture, and subtle makeup wears a fitted black turtleneck, black trousers, black shoes, and minimal jewelry. Keep her face, hairstyle, outfit, and proportions perfectly consistent. She walks slowly and confidently toward a large, tightly packed crowd, maintaining a calm and emotionless expression while the camera smoothly tracks backward and keeps her centered. She reaches the exact center of the crowd and stops completely, standing perfectly still with her arms naturally at her sides and looking directly into the camera. The crowd remains completely frozen for a brief moment. Then, without the woman moving, the people behind her slowly begin turning toward her. The head turns start subtly and spread through the entire crowd until everyone is facing and looking directly at her. The woman remains completely motionless and expressionless, never reacting to the crowd. The camera slowly pushes closer while the crowd stays turned toward her, creating an unsettling synchronized effect. Their final movement is one sharp, simultaneous turn toward her while she continues staring into the lens. Dark, mysterious, photorealistic live-action aesthetic, soft cinematic lighting, deep shadows, realistic skin, hair and clothing physics, shallow depth of field, natural human movement. No animation, anime, cartoon, CGI look, duplicate woman, distorted faces, morphing, random crowd movement, text, subtitles, logos, watermark, excessive camera movement, artificial fog, glow, or exaggerated effects.

Synthia

36,053 görüntüleme • 8 gün önce

Man gets arrested for demanding to speak with chief of police in police lobby. Who was wrong in this situation? ​ Christopher Young walked into the Springboro Police Department lobby demanding to speak directly with the Chief of Police. Young was furious over a traffic citation he had received the previous day for not wearing a seatbelt—a ticket he adamantly claimed was based on a lie by the citing officer. ​When department staff informed him the chief was unavailable and asked him to calm down or leave, Young refused, repeatedly demanding to see leadership. The tension escalated rapidly when an officer ordered Young to take his hands out of his pockets. Young refused and began backing away. Believing Young was non-compliant and trespassing, the officer grabbed Young’s arm to initiate an arrest. ​A physical struggle ensued. Young tackled the officer to the ground, prompting multiple officers and station staff to intervene, with one officer shouting to "tase him." Young was ultimately subdued, handcuffed, and charged with criminal trespass and obstructing official business. ​This footage highlights a critical friction point between citizen rights and law enforcement authority. Was this a lawful arrest or did this officer violate his rights and assult Chris? ​Perspective A: The Officer Assaulted a Citizen Doing Legitimate Business ​From a strict civil liberties standpoint, many argue the officer was the unlawful aggressor. ​Right to be There: A police lobby is a public building funded by taxpayers. Young was there on legitimate business—to file a complaint regarding what he believed to be a fraudulent ticket. You cannot simply trespass a citizen from a public space when they are attempting to engage with their government/ have official business. ​The "Hands in Pockets" Fallacy: Keeping your hands in your pockets is not a crime. Because no crime was actively being committed, the officer's command to remove them was merely a request, not a lawful order. ​Initiating Force: Young was backing away and not posing an active physical threat. By "laying hands" on him first, the officer unlawfully escalated a verbal grievance into a physical assault, making the subsequent struggle a reaction to police aggression. ​Perspective B: The Officer Executed a Lawful Arrest for Obstruction ​From a law enforcement and prosecution standpoint, the officer's actions were fully justified under existing legal precedents. ​Limited Public Fora: Courts have consistently ruled that government buildings and police lobbies are "non-public fora." While open for business, citizens do not have an absolute right to remain if their conduct becomes disruptive or interferes with operations. Once ordered to leave by authorities, refusing to do so converts the stay into criminal trespass. ​Officer Safety and Terry Precedent: Under Terry v. Ohio, officers have the authority to manage a scene for safety. In a high-tension dispute, unseeable hands are a statistical threat for concealed weapons. Refusing a direct safety command to show your hands during an escalating dispute constitutes active non-compliance and obstruction. ​Lawful Use of Force: Once a subject actively obstructs and refuses a dispersal order, officers are legally permitted to use proportional physical force to effect an arrest. ​This case perfectly illustrates the fragile balance between a citizen's right to demand government accountability without fear of physical detention, and an officer's duty to maintain order and safety within a secure facility. ​Did the officer overstep his authority and assault a frustrated citizen, or did the citizen's non-compliance and disruption turn a legitimate grievance into a lawful arrest? ​I'm very interested to hear the debates on both sides.
8:33

Man gets arrested for demanding to speak with chief of police in police lobby. Who was wrong in this situation? ​ Christopher Young walked into the Springboro Police Department lobby demanding to speak directly with the Chief of Police. Young was furious over a traffic citation he had received the previous day for not wearing a seatbelt—a ticket he adamantly claimed was based on a lie by the citing officer. ​When department staff informed him the chief was unavailable and asked him to calm down or leave, Young refused, repeatedly demanding to see leadership. The tension escalated rapidly when an officer ordered Young to take his hands out of his pockets. Young refused and began backing away. Believing Young was non-compliant and trespassing, the officer grabbed Young’s arm to initiate an arrest. ​A physical struggle ensued. Young tackled the officer to the ground, prompting multiple officers and station staff to intervene, with one officer shouting to "tase him." Young was ultimately subdued, handcuffed, and charged with criminal trespass and obstructing official business. ​This footage highlights a critical friction point between citizen rights and law enforcement authority. Was this a lawful arrest or did this officer violate his rights and assult Chris? ​Perspective A: The Officer Assaulted a Citizen Doing Legitimate Business ​From a strict civil liberties standpoint, many argue the officer was the unlawful aggressor. ​Right to be There: A police lobby is a public building funded by taxpayers. Young was there on legitimate business—to file a complaint regarding what he believed to be a fraudulent ticket. You cannot simply trespass a citizen from a public space when they are attempting to engage with their government/ have official business. ​The "Hands in Pockets" Fallacy: Keeping your hands in your pockets is not a crime. Because no crime was actively being committed, the officer's command to remove them was merely a request, not a lawful order. ​Initiating Force: Young was backing away and not posing an active physical threat. By "laying hands" on him first, the officer unlawfully escalated a verbal grievance into a physical assault, making the subsequent struggle a reaction to police aggression. ​Perspective B: The Officer Executed a Lawful Arrest for Obstruction ​From a law enforcement and prosecution standpoint, the officer's actions were fully justified under existing legal precedents. ​Limited Public Fora: Courts have consistently ruled that government buildings and police lobbies are "non-public fora." While open for business, citizens do not have an absolute right to remain if their conduct becomes disruptive or interferes with operations. Once ordered to leave by authorities, refusing to do so converts the stay into criminal trespass. ​Officer Safety and Terry Precedent: Under Terry v. Ohio, officers have the authority to manage a scene for safety. In a high-tension dispute, unseeable hands are a statistical threat for concealed weapons. Refusing a direct safety command to show your hands during an escalating dispute constitutes active non-compliance and obstruction. ​Lawful Use of Force: Once a subject actively obstructs and refuses a dispersal order, officers are legally permitted to use proportional physical force to effect an arrest. ​This case perfectly illustrates the fragile balance between a citizen's right to demand government accountability without fear of physical detention, and an officer's duty to maintain order and safety within a secure facility. ​Did the officer overstep his authority and assault a frustrated citizen, or did the citizen's non-compliance and disruption turn a legitimate grievance into a lawful arrest? ​I'm very interested to hear the debates on both sides.

Giggling Gannon

128,532 görüntüleme • 3 ay önce

It’s the little moments we wish lasted longer Created with seedance 2.5 on TapNow A 30-second, 1080p, 16:9 ultra-photorealistic everyday-life video of a young Korean woman in Seoul. It should feel like a casual personal lifestyle video, not an advertisement or cinematic film. Character: Mid-20s Korean woman, natural features and skin texture, long dark-brown hair in a low ponytail, minimal makeup. Dusty-rose T-shirt, light-wash straight jeans, white canvas sneakers, olive-green shoulder bag, silver bracelet and earrings. Keep her face, hair, outfit and accessories perfectly consistent. 0–5s: She leaves a modest Seoul apartment, adjusts her bag and walks through a quiet neighborhood. Natural handheld camera, relaxed movement. 5–10s: She passes a bakery, convenience store and pedestrians, briefly glancing at a shop window. Natural street ambience. 10–15s: She notices a local mobile shop, enters, and points to an iPhone 18 Pro. A salesperson hands it to her. 15–20s: She examines the phone, turns on the screen, opens the camera and takes a quick photo. She smiles naturally. 20–25s: A sealed iPhone 18 Pro box is placed on the counter. She pays and puts it carefully into her shoulder bag. 25–30s: She leaves the shop, walks down the Seoul sidewalk and briefly smiles while looking at the new phone box in her bag. End naturally as she walks away. Style: Real handheld personal-video feel, subtle camera shake, natural autofocus and exposure changes, realistic motion blur, authentic Seoul environment, natural skin and hair, realistic hands and phone interaction. No dramatic camera moves, slow motion, drone shots or polished commercial look. Audio: Natural location sounds only—footsteps, traffic, pedestrians, shop ambience, door and phone handling sounds. No music, voice-over, captions, subtitles or watermark. Negative: CGI, 3D render, beauty filter, plastic skin, exaggerated expressions, posing, futuristic showroom, luxury commercial, fake or morphing phone, changing phone design, distorted hands, extra fingers, inconsistent face, hair or clothing, artificial lighting.
0:30

It’s the little moments we wish lasted longer Created with seedance 2.5 on TapNow A 30-second, 1080p, 16:9 ultra-photorealistic everyday-life video of a young Korean woman in Seoul. It should feel like a casual personal lifestyle video, not an advertisement or cinematic film. Character: Mid-20s Korean woman, natural features and skin texture, long dark-brown hair in a low ponytail, minimal makeup. Dusty-rose T-shirt, light-wash straight jeans, white canvas sneakers, olive-green shoulder bag, silver bracelet and earrings. Keep her face, hair, outfit and accessories perfectly consistent. 0–5s: She leaves a modest Seoul apartment, adjusts her bag and walks through a quiet neighborhood. Natural handheld camera, relaxed movement. 5–10s: She passes a bakery, convenience store and pedestrians, briefly glancing at a shop window. Natural street ambience. 10–15s: She notices a local mobile shop, enters, and points to an iPhone 18 Pro. A salesperson hands it to her. 15–20s: She examines the phone, turns on the screen, opens the camera and takes a quick photo. She smiles naturally. 20–25s: A sealed iPhone 18 Pro box is placed on the counter. She pays and puts it carefully into her shoulder bag. 25–30s: She leaves the shop, walks down the Seoul sidewalk and briefly smiles while looking at the new phone box in her bag. End naturally as she walks away. Style: Real handheld personal-video feel, subtle camera shake, natural autofocus and exposure changes, realistic motion blur, authentic Seoul environment, natural skin and hair, realistic hands and phone interaction. No dramatic camera moves, slow motion, drone shots or polished commercial look. Audio: Natural location sounds only—footsteps, traffic, pedestrians, shop ambience, door and phone handling sounds. No music, voice-over, captions, subtitles or watermark. Negative: CGI, 3D render, beauty filter, plastic skin, exaggerated expressions, posing, futuristic showroom, luxury commercial, fake or morphing phone, changing phone design, distorted hands, extra fingers, inconsistent face, hair or clothing, artificial lighting.

Anissa

17,399 görüntüleme • 13 gün önce

Made with Seedance 2.5 30-second cinematic video, 16:9, ultra-photorealistic live-action. Use Image only as the character identity reference. Preserve her recognizable face, facial proportions, skin tone and body proportions. Completely redesign her clothing and hairstyle. CHARACTER: She wears an elegant contemporary Korean hanbok: ivory silk jeogori with delicate floral embroidery and subtle gold accents, paired with a flowing pale lavender and soft jade-green chima. Luxurious realistic silk texture and natural fabric movement. Her hair is styled in a polished traditional Korean updo with soft loose strands framing her face and a refined binyeo hairpin. LOCATION: Gyeongbokgung Palace, Seoul, South Korea, during golden hour. Traditional red wooden buildings, dark tiled roofs, dancheong details, stone courtyard and palace walls. A subtle Seoul skyline is visible in the distance. CONCEPT: Her finger movements can transform parts of the real world into detailed black-and-white manga. There is no physical portal. Her fingers simply define an invisible boundary. Inside the boundary becomes monochrome hand-drawn manga. Outside remains full-color photorealistic live action. The manga version always represents the exact same woman and environment. 00:00–00:05 Medium shot. She stands in the palace courtyard and traces a small shape in the air with her fingers. The area inside the shape instantly becomes detailed black-and-white manga, including part of her face and the palace behind her. 00:05–00:09 She slowly moves her hands apart, expanding the manga region across more of her face and hanbok. She moves her hands sideways and the transformation follows her fingertips naturally. 00:09–00:13 She draws a smooth circle with one finger. Everything inside the circle becomes intricate monochrome manga while the surrounding scene remains realistic and colorful. 00:13–00:18 She sweeps both hands outward. A curved manga transformation travels across her flowing skirt and part of the palace. As the effect moves away, the affected areas return smoothly to full color. 00:18–00:23 She separates both hands, creating an invisible vertical boundary. One side of the scene becomes black-and-white manga while the other remains photorealistic. She slowly brings her hands together and the entire scene returns to reality. 00:23–00:27 She extends one hand toward the camera. With a subtle finger gesture, the palace background behind her transforms completely into detailed black-and-white manga while she remains photorealistic. 00:27–00:30 She gently flicks her fingers. The manga background smoothly returns to full-color Seoul. She lowers her hand, looks into the camera and gives a subtle smile. STYLE: Premium Korean historical-drama cinematography, elegant fashion-film aesthetic, realistic skin, detailed silk fabric, natural wind, warm golden-hour lighting, realistic manga inkwork and smooth visual transitions. CAMERA: Cinematic tracking, slow push-ins, subtle camera movement, close-ups and wide shots with natural depth of field. AUDIO: Soft cinematic music, gentle wind, distant city ambience and subtle transformation sound effects. NEGATIVE: No physical portal, no glowing frame, no floating objects, no teleportation, no face changes, no hairstyle changes, no outfit changes, no identity drift, no duplicated character, no distorted hands, no extra fingers, no fantasy costume, no excessive VFX, no subtitles, no logos, no watermark.
0:30

Made with Seedance 2.5 30-second cinematic video, 16:9, ultra-photorealistic live-action. Use Image only as the character identity reference. Preserve her recognizable face, facial proportions, skin tone and body proportions. Completely redesign her clothing and hairstyle. CHARACTER: She wears an elegant contemporary Korean hanbok: ivory silk jeogori with delicate floral embroidery and subtle gold accents, paired with a flowing pale lavender and soft jade-green chima. Luxurious realistic silk texture and natural fabric movement. Her hair is styled in a polished traditional Korean updo with soft loose strands framing her face and a refined binyeo hairpin. LOCATION: Gyeongbokgung Palace, Seoul, South Korea, during golden hour. Traditional red wooden buildings, dark tiled roofs, dancheong details, stone courtyard and palace walls. A subtle Seoul skyline is visible in the distance. CONCEPT: Her finger movements can transform parts of the real world into detailed black-and-white manga. There is no physical portal. Her fingers simply define an invisible boundary. Inside the boundary becomes monochrome hand-drawn manga. Outside remains full-color photorealistic live action. The manga version always represents the exact same woman and environment. 00:00–00:05 Medium shot. She stands in the palace courtyard and traces a small shape in the air with her fingers. The area inside the shape instantly becomes detailed black-and-white manga, including part of her face and the palace behind her. 00:05–00:09 She slowly moves her hands apart, expanding the manga region across more of her face and hanbok. She moves her hands sideways and the transformation follows her fingertips naturally. 00:09–00:13 She draws a smooth circle with one finger. Everything inside the circle becomes intricate monochrome manga while the surrounding scene remains realistic and colorful. 00:13–00:18 She sweeps both hands outward. A curved manga transformation travels across her flowing skirt and part of the palace. As the effect moves away, the affected areas return smoothly to full color. 00:18–00:23 She separates both hands, creating an invisible vertical boundary. One side of the scene becomes black-and-white manga while the other remains photorealistic. She slowly brings her hands together and the entire scene returns to reality. 00:23–00:27 She extends one hand toward the camera. With a subtle finger gesture, the palace background behind her transforms completely into detailed black-and-white manga while she remains photorealistic. 00:27–00:30 She gently flicks her fingers. The manga background smoothly returns to full-color Seoul. She lowers her hand, looks into the camera and gives a subtle smile. STYLE: Premium Korean historical-drama cinematography, elegant fashion-film aesthetic, realistic skin, detailed silk fabric, natural wind, warm golden-hour lighting, realistic manga inkwork and smooth visual transitions. CAMERA: Cinematic tracking, slow push-ins, subtle camera movement, close-ups and wide shots with natural depth of field. AUDIO: Soft cinematic music, gentle wind, distant city ambience and subtle transformation sound effects. NEGATIVE: No physical portal, no glowing frame, no floating objects, no teleportation, no face changes, no hairstyle changes, no outfit changes, no identity drift, no duplicated character, no distorted hands, no extra fingers, no fantasy costume, no excessive VFX, no subtitles, no logos, no watermark.

Anissa

16,903 görüntüleme • 1 ay önce

Seedance 2.5 vs WAN 3.0 - same viral video One of them is dead in the water - You judge Prompt: Handheld digital camcorder aesthetic, landscape framing. A gorgeous fitness and food influencer films herself by hand in selfie-cam and first-person style while cooking a late-night high-protein meal after training and a shower. Keep realistic hand shake, slightly crooked framing, autofocus briefly hunting between her face and the food, awkward zoom-ins onto the pan, occasional motion blur, brief lens steam-up over the hot pan that clears naturally, and small framing mistakes where her face or the pan edge slips out of frame. Mix handheld selfie footage with a few fixed external shots. Important: never show her placing, adjusting, or setting up a camera. When switching from handheld footage to a fixed external angle, use a clean jump cut as if the camera had already been positioned before the shot began. The camera itself must never appear on screen or in the window reflection. LOOK: Warm late-night kitchen light. A single warm pendant over the counter, cool blue night visible through the window behind her, under-cabinet strip light glowing on the backsplash. Slight camcorder softness, faint noise in the shadows, mild bloom on the pendant. Food realism is the core of the look: real sizzle with fine oil spatter, steam rising and curling from the pan, honest food textures with sear marks and glistening surfaces, knife cuts that separate cleanly, droplets on rinsed vegetables. Realistic skin texture, fresh-from-the-shower glow, clean dewy skin, realistic skin tones. STYLE: A realistic late-night what-I-eat-after-training vlog. The tone is relaxed, hungry, funny, quietly confident, and natural, talking to the lens like a friend while her hands keep working. She is clearly attractive and charismatic, but the video must feel like a believable self-recorded kitchen vlog, not a food commercial. Fast clean jump cuts, strong continuity, natural body language, real kitchen sounds, sizzle, chopping, no awkward dead moments. CHARACTER: The woman in the reference image. Her face, features, skin tone, body, and clothing must match the reference image exactly in every shot — she wears exactly what she is wearing in the reference image. Do not restyle, beautify, or alter her in any way beyond the reference. The one addition: a soft white towel wrapped around her head like a turban, as if she just stepped out of the shower. The towel stays neatly wrapped for the whole video. A few small damp strands of hair may peek out at the hairline and neck. Minimal or no makeup, fresh clean post-shower look. A small kitchen towel over one shoulder for most of the video. SETTING: A small warm real apartment kitchen at night. Wooden counter with knife marks, a gas hob with one cast-iron pan, a cutting board with chicken breast and vegetables, a bowl of cooked rice, a bottle of olive oil, salt in a small dish, a fridge with magnets and photos, dishes drying on a rack, dark window over the sink reflecting the warm kitchen. Lived-in and slightly cluttered. No other people, no pets. IMPORTANT CONTINUITY RULES: The same woman from the reference image must remain fully consistent in every shot. No face changes, no outfit changes, no body changes. The head towel stays wrapped in the same position in every shot — it never unwraps, falls, changes color, or disappears. The meal progresses in one direction only: raw ingredients, then chopping, then searing, then plating, then eating, and never reverses or regenerates. Food already cooked never becomes raw again. Hands and knife are the top priority: five fingers always, correct knife grip with curled guiding fingers, clean cuts, the knife never bends and never passes through her hand. The pan, board, oil bottle and rice bowl stay in the same positions. Steam and sizzle must behave with real physics. No extra people, including in the dark window reflection, and the reflection never shows a camera. No duplicated limbs. No camera visible. No camera setup shown. Keep her matching the reference image, warm, and photogenic in every shot. STORYBOARD: 30 seconds total, 10 cuts. (~3s, arm's-length selfie) She leans on the counter, towel wrapped on her head, clearly fresh from the shower after training, and grins tiredly at the lens. Dialogue: "Trained late. Showered. Starving. Let's cook." (~3s, handheld pan across the counter and back to her) The camera drifts across the board with raw chicken and vegetables, the pan, the rice bowl, then back up to her face. Dialogue: "Ten minute meal. Watch." (~3s, fixed external medium shot from across the counter) Jump cut. She is already chopping a red pepper with quick confident cuts, guiding fingers curled, pieces falling evenly. No camera setup shown. No dialogue, just the knife on the board. (~3s, same fixed shot) She slices the chicken breast into strips, seasons it from the salt dish with a high pinch, and rubs it in with her fingertips. Dialogue: "Protein first. Always." (~3s, tight handheld first-person shot over the pan) Oil shimmering, she lays the chicken strips in one by one and they hit with a loud real sizzle, fine spatter, steam rising into the lens which fogs for a beat and clears. No dialogue, just the sizzle. (~3s, handheld selfie while the pan sizzles behind her) She turns the camera on herself, fanning steam away from her face, laughing, one hand briefly steadying the head towel. Dialogue: "The smell. You have no idea." (~3s, tight handheld close-up of the pan) She flips the strips with tongs, showing deep golden sear marks, tosses in the peppers, and shakes the pan once so everything jumps and resettles. Dialogue: "That colour? That's the whole point." (~3s, fixed external shot) Jump cut. She plates it: rice pressed from the bowl, chicken and peppers over the top, a last drizzle of olive oil in a thin ribbon, and she wipes the plate rim with the towel like a chef, then smirks at her own seriousness. Dialogue: "Yes, I wiped the rim. Let me live." (~3s, tight handheld close-up) First fork bite, steam still coming off it, she chews, closes her eyes for a beat and nods slowly. Dialogue: "Ten minutes. That's it. Ridiculous." (~3s, arm's-length selfie ending) Plate in one hand, camera in the other, she backs out of the kitchen toward the sofa, flicking the kitchen light off with her elbow. Dialogue: "Okay. Eating. Good night." FINAL INSTRUCTION: The result must feel like a real self-recorded late-night cooking vlog by an athlete who actually cooks, filmed right after her shower. The highest priorities are matching the reference image exactly, correct hands and knife work at close range, one-directional cooking progression that never reverses, real sizzle, steam and food texture, the head towel staying consistently wrapped, honest warm kitchen light against the dark window, and subtle imperfection. Keep it warm, hungry, and real. Not a food commercial, not overhead recipe content, not stiff.
0:30

Seedance 2.5 vs WAN 3.0 - same viral video One of them is dead in the water - You judge Prompt: Handheld digital camcorder aesthetic, landscape framing. A gorgeous fitness and food influencer films herself by hand in selfie-cam and first-person style while cooking a late-night high-protein meal after training and a shower. Keep realistic hand shake, slightly crooked framing, autofocus briefly hunting between her face and the food, awkward zoom-ins onto the pan, occasional motion blur, brief lens steam-up over the hot pan that clears naturally, and small framing mistakes where her face or the pan edge slips out of frame. Mix handheld selfie footage with a few fixed external shots. Important: never show her placing, adjusting, or setting up a camera. When switching from handheld footage to a fixed external angle, use a clean jump cut as if the camera had already been positioned before the shot began. The camera itself must never appear on screen or in the window reflection. LOOK: Warm late-night kitchen light. A single warm pendant over the counter, cool blue night visible through the window behind her, under-cabinet strip light glowing on the backsplash. Slight camcorder softness, faint noise in the shadows, mild bloom on the pendant. Food realism is the core of the look: real sizzle with fine oil spatter, steam rising and curling from the pan, honest food textures with sear marks and glistening surfaces, knife cuts that separate cleanly, droplets on rinsed vegetables. Realistic skin texture, fresh-from-the-shower glow, clean dewy skin, realistic skin tones. STYLE: A realistic late-night what-I-eat-after-training vlog. The tone is relaxed, hungry, funny, quietly confident, and natural, talking to the lens like a friend while her hands keep working. She is clearly attractive and charismatic, but the video must feel like a believable self-recorded kitchen vlog, not a food commercial. Fast clean jump cuts, strong continuity, natural body language, real kitchen sounds, sizzle, chopping, no awkward dead moments. CHARACTER: The woman in the reference image. Her face, features, skin tone, body, and clothing must match the reference image exactly in every shot — she wears exactly what she is wearing in the reference image. Do not restyle, beautify, or alter her in any way beyond the reference. The one addition: a soft white towel wrapped around her head like a turban, as if she just stepped out of the shower. The towel stays neatly wrapped for the whole video. A few small damp strands of hair may peek out at the hairline and neck. Minimal or no makeup, fresh clean post-shower look. A small kitchen towel over one shoulder for most of the video. SETTING: A small warm real apartment kitchen at night. Wooden counter with knife marks, a gas hob with one cast-iron pan, a cutting board with chicken breast and vegetables, a bowl of cooked rice, a bottle of olive oil, salt in a small dish, a fridge with magnets and photos, dishes drying on a rack, dark window over the sink reflecting the warm kitchen. Lived-in and slightly cluttered. No other people, no pets. IMPORTANT CONTINUITY RULES: The same woman from the reference image must remain fully consistent in every shot. No face changes, no outfit changes, no body changes. The head towel stays wrapped in the same position in every shot — it never unwraps, falls, changes color, or disappears. The meal progresses in one direction only: raw ingredients, then chopping, then searing, then plating, then eating, and never reverses or regenerates. Food already cooked never becomes raw again. Hands and knife are the top priority: five fingers always, correct knife grip with curled guiding fingers, clean cuts, the knife never bends and never passes through her hand. The pan, board, oil bottle and rice bowl stay in the same positions. Steam and sizzle must behave with real physics. No extra people, including in the dark window reflection, and the reflection never shows a camera. No duplicated limbs. No camera visible. No camera setup shown. Keep her matching the reference image, warm, and photogenic in every shot. STORYBOARD: 30 seconds total, 10 cuts. (~3s, arm's-length selfie) She leans on the counter, towel wrapped on her head, clearly fresh from the shower after training, and grins tiredly at the lens. Dialogue: "Trained late. Showered. Starving. Let's cook." (~3s, handheld pan across the counter and back to her) The camera drifts across the board with raw chicken and vegetables, the pan, the rice bowl, then back up to her face. Dialogue: "Ten minute meal. Watch." (~3s, fixed external medium shot from across the counter) Jump cut. She is already chopping a red pepper with quick confident cuts, guiding fingers curled, pieces falling evenly. No camera setup shown. No dialogue, just the knife on the board. (~3s, same fixed shot) She slices the chicken breast into strips, seasons it from the salt dish with a high pinch, and rubs it in with her fingertips. Dialogue: "Protein first. Always." (~3s, tight handheld first-person shot over the pan) Oil shimmering, she lays the chicken strips in one by one and they hit with a loud real sizzle, fine spatter, steam rising into the lens which fogs for a beat and clears. No dialogue, just the sizzle. (~3s, handheld selfie while the pan sizzles behind her) She turns the camera on herself, fanning steam away from her face, laughing, one hand briefly steadying the head towel. Dialogue: "The smell. You have no idea." (~3s, tight handheld close-up of the pan) She flips the strips with tongs, showing deep golden sear marks, tosses in the peppers, and shakes the pan once so everything jumps and resettles. Dialogue: "That colour? That's the whole point." (~3s, fixed external shot) Jump cut. She plates it: rice pressed from the bowl, chicken and peppers over the top, a last drizzle of olive oil in a thin ribbon, and she wipes the plate rim with the towel like a chef, then smirks at her own seriousness. Dialogue: "Yes, I wiped the rim. Let me live." (~3s, tight handheld close-up) First fork bite, steam still coming off it, she chews, closes her eyes for a beat and nods slowly. Dialogue: "Ten minutes. That's it. Ridiculous." (~3s, arm's-length selfie ending) Plate in one hand, camera in the other, she backs out of the kitchen toward the sofa, flicking the kitchen light off with her elbow. Dialogue: "Okay. Eating. Good night." FINAL INSTRUCTION: The result must feel like a real self-recorded late-night cooking vlog by an athlete who actually cooks, filmed right after her shower. The highest priorities are matching the reference image exactly, correct hands and knife work at close range, one-directional cooking progression that never reverses, real sizzle, steam and food texture, the head towel staying consistently wrapped, honest warm kitchen light against the dark window, and subtle imperfection. Keep it warm, hungry, and real. Not a food commercial, not overhead recipe content, not stiff.

Stav Zilbershtein

29,730 görüntüleme • 29 gün önce

POV: You came to watch the World Cup... and ended up stealing the spotlight. ⚽ A stylish Good Morning from New York ends with a Messi-inspired dribble under the World Cup spotlight. Which nation are you representing at World Cup 2026? Create your own World Cup story with SeaArt.Ai🐋 , earn free credits, and get a chance to win an iPhone 17 Made with Seedance. SeaArt Creator Lab Prompt: World Cup 2026 Match-Day Fashion Story — Argentina Theme (0–25 Seconds) | New York | 16:9 Cinematic Ultra-realistic cinematic sports-fashion commercial, 16:9 horizontal, World Cup 2026 atmosphere, New York City. A beautiful, stylish American woman with a naturally elegant appearance, healthy glowing skin, expressive eyes, sleek updo hairstyle with soft face-framing strands. Premium commercial quality, realistic lighting, stable identity, natural movement, no glitches. 0–4 Seconds Luxury suite in a high-rise Manhattan hotel overlooking the New York skyline. Afternoon sunlight streams through floor-to-ceiling windows. The woman stands in front of an open wardrobe containing several football jerseys. She wears a fitted white tank top and black tailored shorts. Camera slowly pushes in as she scans the jerseys with anticipation. 4–7 Seconds Quick cinematic whip-pan transition. Her hand reaches for an Argentina jersey. The sky-blue and white stripes catch the sunlight. Realistic cloth physics. The jersey unfolds elegantly as she lifts it from the wardrobe. Subtle lens flare and premium fashion-commercial lighting. 7–11 Seconds Fast-paced transformation montage synchronized with energetic transitions. She ties the Argentina jersey into a stylish knot, puts on oversized light-wash baggy jeans and clean white sneakers. She grabs a sleek luxury-style crossbody bag with no visible branding. Mirror shots. She adjusts her hair. Flawless influencer-style makeup. Dynamic reflections and realistic daylight behavior. 11–15 Seconds Match cut. She walks confidently through a luxury Manhattan hotel corridor. Polished marble floors, warm ambient lighting, premium fashion-week atmosphere. A handsome European actor-type celebrity figure walks past in the opposite direction. They exchange a brief smile while continuing naturally. Cinematic depth of field, realistic background movement. 15–19 Seconds Hotel doors open dramatically. Bright New York sunlight floods the frame. Fast-paced tracking shots through Manhattan streets. Yellow taxis pass in the background. Crowds move naturally. Wind reacts realistically with her hair and jersey fabric. Low-angle walking shots. Premium sports-commercial energy. 19–22 Seconds Cut to a massive World Cup 2026 stadium atmosphere in New York. Argentina supporters fill the area. Sky-blue and white flags wave everywhere. Stadium lights begin illuminating as late afternoon shifts toward evening. The crowd energy grows stronger. The sound of anticipation fills the environment. 22–25 Seconds She enters the main stadium plaza. A football rolls across her path. She smiles playfully and begins a smooth, Messi-inspired close-control dribble sequence while moving forward. Tiny touches, effortless control, subtle body feints, the ball remaining close to her feet. Argentina fans around her cheer and react. Camera drops to a low tracking angle following the ball and her feet as she glides through the crowd. The sequence ends with her stopping the ball softly beneath her foot, looking toward the glowing stadium interior with excitement and confidence as Argentina colors illuminate the background. Style: ultra-realistic sports commercial, World Cup 2026 energy, premium color grading, realistic skin texture, cinematic depth of field, natural crowd behavior, subtle film grain, luxury fashion aesthetic, stable identity, high-end broadcast quality. Negative Prompt: blurry face, identity drift, duplicate people, extra limbs, distorted hands, unrealistic football movement, cartoon style, oversaturated colors, text overlays, logos, flickering artifacts, low resolution, unnatural physics, motion glitches, warped body proportions. #WorldCup2026 #SeaArtWorldCup
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POV: You came to watch the World Cup... and ended up stealing the spotlight. ⚽ A stylish Good Morning from New York ends with a Messi-inspired dribble under the World Cup spotlight. Which nation are you representing at World Cup 2026? Create your own World Cup story with SeaArt.Ai🐋 , earn free credits, and get a chance to win an iPhone 17 Made with Seedance. SeaArt Creator Lab Prompt: World Cup 2026 Match-Day Fashion Story — Argentina Theme (0–25 Seconds) | New York | 16:9 Cinematic Ultra-realistic cinematic sports-fashion commercial, 16:9 horizontal, World Cup 2026 atmosphere, New York City. A beautiful, stylish American woman with a naturally elegant appearance, healthy glowing skin, expressive eyes, sleek updo hairstyle with soft face-framing strands. Premium commercial quality, realistic lighting, stable identity, natural movement, no glitches. 0–4 Seconds Luxury suite in a high-rise Manhattan hotel overlooking the New York skyline. Afternoon sunlight streams through floor-to-ceiling windows. The woman stands in front of an open wardrobe containing several football jerseys. She wears a fitted white tank top and black tailored shorts. Camera slowly pushes in as she scans the jerseys with anticipation. 4–7 Seconds Quick cinematic whip-pan transition. Her hand reaches for an Argentina jersey. The sky-blue and white stripes catch the sunlight. Realistic cloth physics. The jersey unfolds elegantly as she lifts it from the wardrobe. Subtle lens flare and premium fashion-commercial lighting. 7–11 Seconds Fast-paced transformation montage synchronized with energetic transitions. She ties the Argentina jersey into a stylish knot, puts on oversized light-wash baggy jeans and clean white sneakers. She grabs a sleek luxury-style crossbody bag with no visible branding. Mirror shots. She adjusts her hair. Flawless influencer-style makeup. Dynamic reflections and realistic daylight behavior. 11–15 Seconds Match cut. She walks confidently through a luxury Manhattan hotel corridor. Polished marble floors, warm ambient lighting, premium fashion-week atmosphere. A handsome European actor-type celebrity figure walks past in the opposite direction. They exchange a brief smile while continuing naturally. Cinematic depth of field, realistic background movement. 15–19 Seconds Hotel doors open dramatically. Bright New York sunlight floods the frame. Fast-paced tracking shots through Manhattan streets. Yellow taxis pass in the background. Crowds move naturally. Wind reacts realistically with her hair and jersey fabric. Low-angle walking shots. Premium sports-commercial energy. 19–22 Seconds Cut to a massive World Cup 2026 stadium atmosphere in New York. Argentina supporters fill the area. Sky-blue and white flags wave everywhere. Stadium lights begin illuminating as late afternoon shifts toward evening. The crowd energy grows stronger. The sound of anticipation fills the environment. 22–25 Seconds She enters the main stadium plaza. A football rolls across her path. She smiles playfully and begins a smooth, Messi-inspired close-control dribble sequence while moving forward. Tiny touches, effortless control, subtle body feints, the ball remaining close to her feet. Argentina fans around her cheer and react. Camera drops to a low tracking angle following the ball and her feet as she glides through the crowd. The sequence ends with her stopping the ball softly beneath her foot, looking toward the glowing stadium interior with excitement and confidence as Argentina colors illuminate the background. Style: ultra-realistic sports commercial, World Cup 2026 energy, premium color grading, realistic skin texture, cinematic depth of field, natural crowd behavior, subtle film grain, luxury fashion aesthetic, stable identity, high-end broadcast quality. Negative Prompt: blurry face, identity drift, duplicate people, extra limbs, distorted hands, unrealistic football movement, cartoon style, oversaturated colors, text overlays, logos, flickering artifacts, low resolution, unnatural physics, motion glitches, warped body proportions. #WorldCup2026 #SeaArtWorldCup

Shami

39,301 görüntüleme • 3 ay önce

Made this cinematic sequence using Seedance 2.5 The realism, camera movements, water physics, explosions, and intense atmosphere are on another level. AI video generation is getting seriously cinematic. Prompt ⤵️ Create a 30-second ultra-realistic cinematic disaster sequence with a dark, intense, Hollywood-blockbuster atmosphere. Main character: A young woman with short, messy dark hair, wearing a soaked white T-shirt and light-colored shorts. Keep her appearance consistent throughout the entire video. Her face should remain realistic and expressive, showing fear, shock, exhaustion, and determination. Scene 1 — 0–5 seconds: Open with an extreme close-up of the woman running toward the camera through a dark industrial shipping yard at night. Heavy rain is falling, her hair and clothes are completely wet, and she is breathing heavily. Behind her, bright industrial lights glow through thick smoke and mist. The camera moves backward smoothly while maintaining focus on her face. Add realistic rain droplets on the camera lens, dramatic backlighting, atmospheric fog, and handheld cinematic movement. Scene 2 — 5–10 seconds: Cut to a wider shot as she runs through the flooded container yard. Large shipping containers surround her, emergency lights flash in the distance, and explosions/fire erupt behind her. She looks over her shoulder in panic while continuing to run. Water splashes dramatically around her legs with every step. Use realistic fire, smoke, debris, rain, and volumetric lighting. Scene 3 — 10–15 seconds: She suddenly loses her balance and falls into the flooded ground. Show the impact in slow motion for a moment, with water splashing around her. She quickly pushes herself back up while terrified people run in the background. A massive wave of smoke, debris, and water moves through the shipping yard behind them. Use a low-angle camera close to the ground for a powerful disaster-movie perspective. Scene 4 — 15–21 seconds: She gets back on her feet and starts sprinting toward safety. The camera tracks alongside her at high speed. Containers shake, debris flies through the air, vehicles and objects are pushed around by the powerful force behind her. Keep her face and body consistent. Alternate between close-ups of her frightened expression and wide shots showing the enormous scale of destruction. Scene 5 — 21–25 seconds: She reaches a large modern building filled with terrified people. The camera follows her inside as everyone rushes toward safety. People are falling, crawling, and helping each other while water and debris can be seen outside through the entrance. The lighting changes from cold blue-gray exterior lighting to dramatic warm interior lighting. Scene 6 — 25–30 seconds: Suddenly transition to a massive luxury yacht in the middle of a violent ocean. Huge dark waves surround the vessel under a stormy sky. The camera starts behind the yacht and slowly reveals an enormous shark-like sea creature emerging from the ocean directly behind it, creating a terrifying final reveal. The creature rises through the waves with water cascading from its body. End with a gigantic wave crashing toward the yacht. Visual style: photorealistic Hollywood disaster film, cinematic color grading, realistic skin texture, physically accurate water and rain, volumetric fog, dramatic practical lighting, realistic fire and smoke, detailed environments, natural motion blur, shallow depth of field, dynamic camera movement, high contrast, atmospheric storm clouds, extremely detailed CGI, 4K cinematic quality. Camera: mixture of handheld close-ups, smooth tracking shots, wide establishing shots, low-angle disaster shots, slow-motion impact moments, and dramatic aerial/wide shots. Sound design: heavy rainfall, thunder, distant explosions, sirens, screaming crowds, footsteps splashing through water, crashing metal, deep cinematic bass, roaring waves, and an intense rising orchestral score that builds toward the final creature reveal.
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Made this cinematic sequence using Seedance 2.5 The realism, camera movements, water physics, explosions, and intense atmosphere are on another level. AI video generation is getting seriously cinematic. Prompt ⤵️ Create a 30-second ultra-realistic cinematic disaster sequence with a dark, intense, Hollywood-blockbuster atmosphere. Main character: A young woman with short, messy dark hair, wearing a soaked white T-shirt and light-colored shorts. Keep her appearance consistent throughout the entire video. Her face should remain realistic and expressive, showing fear, shock, exhaustion, and determination. Scene 1 — 0–5 seconds: Open with an extreme close-up of the woman running toward the camera through a dark industrial shipping yard at night. Heavy rain is falling, her hair and clothes are completely wet, and she is breathing heavily. Behind her, bright industrial lights glow through thick smoke and mist. The camera moves backward smoothly while maintaining focus on her face. Add realistic rain droplets on the camera lens, dramatic backlighting, atmospheric fog, and handheld cinematic movement. Scene 2 — 5–10 seconds: Cut to a wider shot as she runs through the flooded container yard. Large shipping containers surround her, emergency lights flash in the distance, and explosions/fire erupt behind her. She looks over her shoulder in panic while continuing to run. Water splashes dramatically around her legs with every step. Use realistic fire, smoke, debris, rain, and volumetric lighting. Scene 3 — 10–15 seconds: She suddenly loses her balance and falls into the flooded ground. Show the impact in slow motion for a moment, with water splashing around her. She quickly pushes herself back up while terrified people run in the background. A massive wave of smoke, debris, and water moves through the shipping yard behind them. Use a low-angle camera close to the ground for a powerful disaster-movie perspective. Scene 4 — 15–21 seconds: She gets back on her feet and starts sprinting toward safety. The camera tracks alongside her at high speed. Containers shake, debris flies through the air, vehicles and objects are pushed around by the powerful force behind her. Keep her face and body consistent. Alternate between close-ups of her frightened expression and wide shots showing the enormous scale of destruction. Scene 5 — 21–25 seconds: She reaches a large modern building filled with terrified people. The camera follows her inside as everyone rushes toward safety. People are falling, crawling, and helping each other while water and debris can be seen outside through the entrance. The lighting changes from cold blue-gray exterior lighting to dramatic warm interior lighting. Scene 6 — 25–30 seconds: Suddenly transition to a massive luxury yacht in the middle of a violent ocean. Huge dark waves surround the vessel under a stormy sky. The camera starts behind the yacht and slowly reveals an enormous shark-like sea creature emerging from the ocean directly behind it, creating a terrifying final reveal. The creature rises through the waves with water cascading from its body. End with a gigantic wave crashing toward the yacht. Visual style: photorealistic Hollywood disaster film, cinematic color grading, realistic skin texture, physically accurate water and rain, volumetric fog, dramatic practical lighting, realistic fire and smoke, detailed environments, natural motion blur, shallow depth of field, dynamic camera movement, high contrast, atmospheric storm clouds, extremely detailed CGI, 4K cinematic quality. Camera: mixture of handheld close-ups, smooth tracking shots, wide establishing shots, low-angle disaster shots, slow-motion impact moments, and dramatic aerial/wide shots. Sound design: heavy rainfall, thunder, distant explosions, sirens, screaming crowds, footsteps splashing through water, crashing metal, deep cinematic bass, roaring waves, and an intense rising orchestral score that builds toward the final creature reveal.

Noor 🌸

23,635 görüntüleme • 1 ay önce

I like this. You gotta watch it with the sound on. ---prompt--- 9:16 vertical, 30-second ultra-photorealistic live-action cinematic portrait film, ancient Chinese aesthetic, intimate historical portrait photography / classical Chinese beauty MV. Strictly preserve the same clearly adult woman from the reference image, maintaining consistent facial identity, facial features, proportions, long black hair, skin tone, and her soft, cool, subtly alluring presence throughout the entire video. She is the only character in the film. No other people appear. The setting is a quiet traditional Chinese boudoir at night, filled with carved wooden lattice windows, an antique bronze mirror and vanity, a silk-covered bed, layers of translucent gauze curtains, folding screens, and warm candlelight. Pale blue moonlight enters through the window and blends naturally with the warm amber candlelight. She wears a flowing ancient Chinese dress in muted rouge pink and moonlight white, layered with delicate translucent fabrics and a long lightweight silk shawl draped loosely around her arms. Her long black hair is loosely pinned up, with several fine strands falling naturally across her cheeks and neck. Shot 1 — First Glimpse Through the Gauze The camera is hidden behind layers of translucent gauze curtains, creating large areas of soft, dreamy foreground blur. She initially sits on the edge of the bed with her back toward the camera, quietly adjusting the loose sleeve and silk shawl resting around her arms. A gentle breeze moves the strands of hair beside her face. As if she suddenly senses someone watching her, her hands pause first. Her shoulders slowly begin to turn, and only afterward does her head follow. She looks back over her shoulder. Her eyes briefly pass across the camera before finally meeting the lens. The camera slowly moves closer during the entire motion, ending on an intimate close-up of her face framed naturally by loose hair and translucent gauze. Shot 2 — Walking Through the Curtains Continuing naturally from the previous eye contact, she slowly looks away, places one hand on the bed, and rises naturally to her feet. Her long dress gradually slips from the edge of the bed and unfolds toward the floor, while the silk shawl gently trails across the bedding. She turns sideways and begins walking through several layers of hanging gauze. With one hand, she gently pushes aside the curtain in front of her. The camera moves backward on the opposite side of the gauze, continuously following her movement as translucent fabric repeatedly drifts across the lens. As she approaches the camera, she briefly turns her face toward the lens. She then naturally walks past the camera. The camera smoothly pivots and follows her from behind, allowing the entire movement to finish before the next cut. Shot 3 — At the Bronze Mirror She arrives at the antique bronze vanity and sits down naturally. Her silk shawl softly slips beside the chair. She quietly studies her reflection, gently tucking a loose strand of hair beside her temple. She picks up a wooden comb and slowly brushes her hair from beside the ear toward the ends. The camera gradually moves laterally from behind her shoulder, allowing both her real silhouette and her reflected face to exist within the same composition. After finishing, she gently places the comb back onto the vanity. She does not turn around. Instead, her eyes slowly lift inside the bronze mirror until she is looking directly toward the camera through her reflection. She holds the gaze for a moment. A barely noticeable, almost ambiguous smile appears at the corner of her lips. Shot 4 — Moonlight by the Window She leaves the vanity and slowly walks toward the wooden lattice window while the camera follows from slightly behind her. She reaches forward and gently pushes open one side of the window. Cool pale-blue moonlight immediately enters the room. A soft night breeze moves through her long hair, silk shawl, and the gauze curtains behind her. One hand remains resting naturally against the wooden window frame as she quietly looks outside. She slowly closes her eyes and allows the breeze to pass across her face. After a moment, she opens them again. Without fully turning around, she slightly tilts her head and glances toward the camera from the corner of her eyes. The camera gradually arcs from behind her toward her profile, moving from a medium shot into a soft close-up. Moonlight gently traces the bridge of her nose, lips, cheekbones, and loose strands of hair. Shot 5 — Turning in Candlelight She leaves the window and walks toward the center of the room. When she reaches the warm candlelight, she naturally stops. As if hearing something behind her, she turns again. Her torso begins the movement first, while her long hair and lightweight silk shawl follow a fraction of a second later, creating a soft natural arc through the air. The camera performs a restrained half-orbit around her. She naturally follows the movement of the camera with her body. The silk shawl begins slipping from her shoulder. She gently catches it between her fingers for a moment, then allows the fabric to slowly fall again. This is not a choreographed dance. It should feel like an unconscious, graceful private gesture captured by chance. Shot 6 — Final Gaze She slowly walks back toward the bed. The complete action is visible: approaching the bed, turning her body, gathering part of her dress, and naturally sitting sideways on the edge. One hand rests loosely behind her for support while the other casually adjusts the long hair falling over her shoulder. At first, her eyes remain lowered. The camera slowly approaches from behind another translucent foreground curtain. Only when the camera reaches an intimate close-up does she slowly raise her eyes and look directly into the lens. Her expression remains quiet, languid, slightly distant, and subtly mysterious. She holds the gaze. A gentle breeze gradually pushes the foreground gauze across the camera. The translucent white fabric slowly covers more and more of the frame until her face becomes barely visible through the soft blur. The image naturally fades into the moving gauze and ends. Visual Language & Cinematography Soft-light CCD, 1990s Asian photobook aesthetic, intimate ancient Chinese portrait photography. 35–50mm lens language, subtle handheld movement, shallow depth of field, soft diffusion filter, blooming highlights, gentle halation, low contrast, slightly muted saturation, warm pink skin tones against cool blue-gray shadows, delicate film grain, subtle CCD digital noise, occasional natural focus breathing and slight imperfect focus. Frequently use translucent gauze as foreground obstruction, bronze-mirror reflections, over-the-shoulder framing, slow push-ins, gentle tracking shots, restrained camera orbits, and subtle handheld drifting. Do not divide the film into equal-duration shots. Every action must be allowed to fully develop and naturally finish before cutting. A turn completes before the edit. She fully reaches and settles at the vanity before transitioning. The window-opening gesture finishes naturally before the next movement begins. Connect shots organically through gauze passing across the lens, her body walking past the camera, flowing silk briefly obscuring the frame, turning movements, and mirror reflections, creating natural visual match cuts. The final result should feel like a continuous collection of intimate moments captured from the same night rather than six separately staged poses. No dialogue, no subtitles, no text, no modern objects, no additional characters, no rigid posing, no fixed five-second cuts, no rapid montage, no exaggerated visual effects. Keep her identity and facial features stable throughout. All movements are slow, complete, natural, and physically coherent. Hair, silk fabric, sleeves, shawl, and gauze curtains respond realistically to movement and wind.
0:30

Sensitive content

I like this. You gotta watch it with the sound on. ---prompt--- 9:16 vertical, 30-second ultra-photorealistic live-action cinematic portrait film, ancient Chinese aesthetic, intimate historical portrait photography / classical Chinese beauty MV. Strictly preserve the same clearly adult woman from the reference image, maintaining consistent facial identity, facial features, proportions, long black hair, skin tone, and her soft, cool, subtly alluring presence throughout the entire video. She is the only character in the film. No other people appear. The setting is a quiet traditional Chinese boudoir at night, filled with carved wooden lattice windows, an antique bronze mirror and vanity, a silk-covered bed, layers of translucent gauze curtains, folding screens, and warm candlelight. Pale blue moonlight enters through the window and blends naturally with the warm amber candlelight. She wears a flowing ancient Chinese dress in muted rouge pink and moonlight white, layered with delicate translucent fabrics and a long lightweight silk shawl draped loosely around her arms. Her long black hair is loosely pinned up, with several fine strands falling naturally across her cheeks and neck. Shot 1 — First Glimpse Through the Gauze The camera is hidden behind layers of translucent gauze curtains, creating large areas of soft, dreamy foreground blur. She initially sits on the edge of the bed with her back toward the camera, quietly adjusting the loose sleeve and silk shawl resting around her arms. A gentle breeze moves the strands of hair beside her face. As if she suddenly senses someone watching her, her hands pause first. Her shoulders slowly begin to turn, and only afterward does her head follow. She looks back over her shoulder. Her eyes briefly pass across the camera before finally meeting the lens. The camera slowly moves closer during the entire motion, ending on an intimate close-up of her face framed naturally by loose hair and translucent gauze. Shot 2 — Walking Through the Curtains Continuing naturally from the previous eye contact, she slowly looks away, places one hand on the bed, and rises naturally to her feet. Her long dress gradually slips from the edge of the bed and unfolds toward the floor, while the silk shawl gently trails across the bedding. She turns sideways and begins walking through several layers of hanging gauze. With one hand, she gently pushes aside the curtain in front of her. The camera moves backward on the opposite side of the gauze, continuously following her movement as translucent fabric repeatedly drifts across the lens. As she approaches the camera, she briefly turns her face toward the lens. She then naturally walks past the camera. The camera smoothly pivots and follows her from behind, allowing the entire movement to finish before the next cut. Shot 3 — At the Bronze Mirror She arrives at the antique bronze vanity and sits down naturally. Her silk shawl softly slips beside the chair. She quietly studies her reflection, gently tucking a loose strand of hair beside her temple. She picks up a wooden comb and slowly brushes her hair from beside the ear toward the ends. The camera gradually moves laterally from behind her shoulder, allowing both her real silhouette and her reflected face to exist within the same composition. After finishing, she gently places the comb back onto the vanity. She does not turn around. Instead, her eyes slowly lift inside the bronze mirror until she is looking directly toward the camera through her reflection. She holds the gaze for a moment. A barely noticeable, almost ambiguous smile appears at the corner of her lips. Shot 4 — Moonlight by the Window She leaves the vanity and slowly walks toward the wooden lattice window while the camera follows from slightly behind her. She reaches forward and gently pushes open one side of the window. Cool pale-blue moonlight immediately enters the room. A soft night breeze moves through her long hair, silk shawl, and the gauze curtains behind her. One hand remains resting naturally against the wooden window frame as she quietly looks outside. She slowly closes her eyes and allows the breeze to pass across her face. After a moment, she opens them again. Without fully turning around, she slightly tilts her head and glances toward the camera from the corner of her eyes. The camera gradually arcs from behind her toward her profile, moving from a medium shot into a soft close-up. Moonlight gently traces the bridge of her nose, lips, cheekbones, and loose strands of hair. Shot 5 — Turning in Candlelight She leaves the window and walks toward the center of the room. When she reaches the warm candlelight, she naturally stops. As if hearing something behind her, she turns again. Her torso begins the movement first, while her long hair and lightweight silk shawl follow a fraction of a second later, creating a soft natural arc through the air. The camera performs a restrained half-orbit around her. She naturally follows the movement of the camera with her body. The silk shawl begins slipping from her shoulder. She gently catches it between her fingers for a moment, then allows the fabric to slowly fall again. This is not a choreographed dance. It should feel like an unconscious, graceful private gesture captured by chance. Shot 6 — Final Gaze She slowly walks back toward the bed. The complete action is visible: approaching the bed, turning her body, gathering part of her dress, and naturally sitting sideways on the edge. One hand rests loosely behind her for support while the other casually adjusts the long hair falling over her shoulder. At first, her eyes remain lowered. The camera slowly approaches from behind another translucent foreground curtain. Only when the camera reaches an intimate close-up does she slowly raise her eyes and look directly into the lens. Her expression remains quiet, languid, slightly distant, and subtly mysterious. She holds the gaze. A gentle breeze gradually pushes the foreground gauze across the camera. The translucent white fabric slowly covers more and more of the frame until her face becomes barely visible through the soft blur. The image naturally fades into the moving gauze and ends. Visual Language & Cinematography Soft-light CCD, 1990s Asian photobook aesthetic, intimate ancient Chinese portrait photography. 35–50mm lens language, subtle handheld movement, shallow depth of field, soft diffusion filter, blooming highlights, gentle halation, low contrast, slightly muted saturation, warm pink skin tones against cool blue-gray shadows, delicate film grain, subtle CCD digital noise, occasional natural focus breathing and slight imperfect focus. Frequently use translucent gauze as foreground obstruction, bronze-mirror reflections, over-the-shoulder framing, slow push-ins, gentle tracking shots, restrained camera orbits, and subtle handheld drifting. Do not divide the film into equal-duration shots. Every action must be allowed to fully develop and naturally finish before cutting. A turn completes before the edit. She fully reaches and settles at the vanity before transitioning. The window-opening gesture finishes naturally before the next movement begins. Connect shots organically through gauze passing across the lens, her body walking past the camera, flowing silk briefly obscuring the frame, turning movements, and mirror reflections, creating natural visual match cuts. The final result should feel like a continuous collection of intimate moments captured from the same night rather than six separately staged poses. No dialogue, no subtitles, no text, no modern objects, no additional characters, no rigid posing, no fixed five-second cuts, no rapid montage, no exaggerated visual effects. Keep her identity and facial features stable throughout. All movements are slow, complete, natural, and physically coherent. Hair, silk fabric, sleeves, shawl, and gauze curtains respond realistically to movement and wind.

BubbleBrain

58,934 görüntüleme • 6 gün önce

Gym day: survived, sweated, and somehow left proud 💪😅 Created with Seedance 2.5 on WaveSpeedAI Prompt: Create a 30-second casual gym vlog featuring the same young woman in her early twenties. She has natural everyday beauty, and her face and hair remain identical throughout the entire video. Camera & visual style One continuous handheld front-facing smartphone selfie vlog, always filmed from her own point of view with the phone held in her own hand at arm’s length. No third-person camera, external camera, tripod, cinematic camera movement, or professional filming. Make it look like a real modern smartphone recording: - Mild handheld shake and natural walking bounce - Occasional autofocus hunting - Small exposure shifts and minor framing imperfections - Natural front-camera lens distortion - Soft warm natural daylight transitioning toward early evening - Natural, uncorrected smartphone color - No color grading, beauty filter, or skin smoothing - Same woman, same face and hair throughout - She holds the phone herself in every shot - No subtitles, captions, logos, watermarks, or on-screen text - No brand or character names - Never show a reference sheet or duplicate subject Outfit She is wearing a cute, trendy, realistic gym outfit appropriate for a casual workout vlog: fitted athletic top, comfortable high-waisted leggings or shorts, clean sneakers, and minimal accessories. The styling should feel fashionable but natural and practical for the gym. Scene She is spending a casual day at the gym and filming herself throughout her workout. She enters the gym while holding her phone at arm’s length, smiling into the front camera. She briefly sweeps the phone toward the workout area, showing treadmills, weights, machines, and other gym-goers in the background, then brings it back to her face. She grins and says upbeat: “Okay, gym day! Let’s get this workout started!” She walks toward the workout area, naturally bouncing the phone with her steps. She glances at the equipment, smiles at the camera, and starts a light warm-up. Keep the movements natural and unscripted, with brief moments of her adjusting her hair, checking her form, and laughing at herself. She moves into a short workout sequence while still filming herself handheld: a few casual gym exercises, light cardio, and a quick strength-training moment. Keep the camera mostly selfie-facing, occasionally tilting naturally toward the equipment before returning to her face. She looks slightly out of breath but happy and says with a playful laugh: “Why did I think this was gonna be easy?” She takes a quick water break, holding her bottle near the selfie camera before taking a sip. She smiles and catches her breath while natural gym ambience continues around her. Later, after finishing the workout, she walks toward the gym exit with the phone still in her hand. Her hair is slightly messier and she looks pleasantly tired. She gives the camera a satisfied smile, lightly wipes her forehead, and says: “Okay… I’m actually proud of myself.” She gives a small tired laugh, waves at the camera, and lowers the phone slightly for a relaxed ending. Audio Diegetic sound only, no background music. Include realistic gym ambience: treadmill hum, weights clanking, machine sounds, footsteps, distant conversations, subtle ventilation, water bottle sounds, and natural room tone. Every spoken line should be delivered frontally with clearly visible lip movement and natural timing. Keep the entire sequence fast, casual, spontaneous, and realistic, with natural transitions and enough brief visual moments to fill approximately 30 seconds without making the dialogue feel rushed. The final result should feel like an authentic personal gym vlog recorded casually on a modern smartphone.
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Gym day: survived, sweated, and somehow left proud 💪😅 Created with Seedance 2.5 on WaveSpeedAI Prompt: Create a 30-second casual gym vlog featuring the same young woman in her early twenties. She has natural everyday beauty, and her face and hair remain identical throughout the entire video. Camera & visual style One continuous handheld front-facing smartphone selfie vlog, always filmed from her own point of view with the phone held in her own hand at arm’s length. No third-person camera, external camera, tripod, cinematic camera movement, or professional filming. Make it look like a real modern smartphone recording: - Mild handheld shake and natural walking bounce - Occasional autofocus hunting - Small exposure shifts and minor framing imperfections - Natural front-camera lens distortion - Soft warm natural daylight transitioning toward early evening - Natural, uncorrected smartphone color - No color grading, beauty filter, or skin smoothing - Same woman, same face and hair throughout - She holds the phone herself in every shot - No subtitles, captions, logos, watermarks, or on-screen text - No brand or character names - Never show a reference sheet or duplicate subject Outfit She is wearing a cute, trendy, realistic gym outfit appropriate for a casual workout vlog: fitted athletic top, comfortable high-waisted leggings or shorts, clean sneakers, and minimal accessories. The styling should feel fashionable but natural and practical for the gym. Scene She is spending a casual day at the gym and filming herself throughout her workout. She enters the gym while holding her phone at arm’s length, smiling into the front camera. She briefly sweeps the phone toward the workout area, showing treadmills, weights, machines, and other gym-goers in the background, then brings it back to her face. She grins and says upbeat: “Okay, gym day! Let’s get this workout started!” She walks toward the workout area, naturally bouncing the phone with her steps. She glances at the equipment, smiles at the camera, and starts a light warm-up. Keep the movements natural and unscripted, with brief moments of her adjusting her hair, checking her form, and laughing at herself. She moves into a short workout sequence while still filming herself handheld: a few casual gym exercises, light cardio, and a quick strength-training moment. Keep the camera mostly selfie-facing, occasionally tilting naturally toward the equipment before returning to her face. She looks slightly out of breath but happy and says with a playful laugh: “Why did I think this was gonna be easy?” She takes a quick water break, holding her bottle near the selfie camera before taking a sip. She smiles and catches her breath while natural gym ambience continues around her. Later, after finishing the workout, she walks toward the gym exit with the phone still in her hand. Her hair is slightly messier and she looks pleasantly tired. She gives the camera a satisfied smile, lightly wipes her forehead, and says: “Okay… I’m actually proud of myself.” She gives a small tired laugh, waves at the camera, and lowers the phone slightly for a relaxed ending. Audio Diegetic sound only, no background music. Include realistic gym ambience: treadmill hum, weights clanking, machine sounds, footsteps, distant conversations, subtle ventilation, water bottle sounds, and natural room tone. Every spoken line should be delivered frontally with clearly visible lip movement and natural timing. Keep the entire sequence fast, casual, spontaneous, and realistic, with natural transitions and enough brief visual moments to fill approximately 30 seconds without making the dialogue feel rushed. The final result should feel like an authentic personal gym vlog recorded casually on a modern smartphone.

Zara

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