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seedance prompt: Realistic Video Narration (15-Second Full Version - Pure First-Person POV): Presented in the style of unprocessed, handheld, unstable iPhone video footage. All camera settings are automatic, with no post-processing color grading or special effects. The footage captures the realistic breathing of the operator and slight, irregular hand...

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John

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32,458 просмотров • 2 месяцев назад •via X (Twitter)

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Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)
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Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

DepressedBergman

61,555 просмотров • 1 год назад

Made this cinematic sequence using Seedance 2.5 The realism, camera movements, water physics, explosions, and intense atmosphere are on another level. AI video generation is getting seriously cinematic. Prompt ⤵️ Create a 30-second ultra-realistic cinematic disaster sequence with a dark, intense, Hollywood-blockbuster atmosphere. Main character: A young woman with short, messy dark hair, wearing a soaked white T-shirt and light-colored shorts. Keep her appearance consistent throughout the entire video. Her face should remain realistic and expressive, showing fear, shock, exhaustion, and determination. Scene 1 — 0–5 seconds: Open with an extreme close-up of the woman running toward the camera through a dark industrial shipping yard at night. Heavy rain is falling, her hair and clothes are completely wet, and she is breathing heavily. Behind her, bright industrial lights glow through thick smoke and mist. The camera moves backward smoothly while maintaining focus on her face. Add realistic rain droplets on the camera lens, dramatic backlighting, atmospheric fog, and handheld cinematic movement. Scene 2 — 5–10 seconds: Cut to a wider shot as she runs through the flooded container yard. Large shipping containers surround her, emergency lights flash in the distance, and explosions/fire erupt behind her. She looks over her shoulder in panic while continuing to run. Water splashes dramatically around her legs with every step. Use realistic fire, smoke, debris, rain, and volumetric lighting. Scene 3 — 10–15 seconds: She suddenly loses her balance and falls into the flooded ground. Show the impact in slow motion for a moment, with water splashing around her. She quickly pushes herself back up while terrified people run in the background. A massive wave of smoke, debris, and water moves through the shipping yard behind them. Use a low-angle camera close to the ground for a powerful disaster-movie perspective. Scene 4 — 15–21 seconds: She gets back on her feet and starts sprinting toward safety. The camera tracks alongside her at high speed. Containers shake, debris flies through the air, vehicles and objects are pushed around by the powerful force behind her. Keep her face and body consistent. Alternate between close-ups of her frightened expression and wide shots showing the enormous scale of destruction. Scene 5 — 21–25 seconds: She reaches a large modern building filled with terrified people. The camera follows her inside as everyone rushes toward safety. People are falling, crawling, and helping each other while water and debris can be seen outside through the entrance. The lighting changes from cold blue-gray exterior lighting to dramatic warm interior lighting. Scene 6 — 25–30 seconds: Suddenly transition to a massive luxury yacht in the middle of a violent ocean. Huge dark waves surround the vessel under a stormy sky. The camera starts behind the yacht and slowly reveals an enormous shark-like sea creature emerging from the ocean directly behind it, creating a terrifying final reveal. The creature rises through the waves with water cascading from its body. End with a gigantic wave crashing toward the yacht. Visual style: photorealistic Hollywood disaster film, cinematic color grading, realistic skin texture, physically accurate water and rain, volumetric fog, dramatic practical lighting, realistic fire and smoke, detailed environments, natural motion blur, shallow depth of field, dynamic camera movement, high contrast, atmospheric storm clouds, extremely detailed CGI, 4K cinematic quality. Camera: mixture of handheld close-ups, smooth tracking shots, wide establishing shots, low-angle disaster shots, slow-motion impact moments, and dramatic aerial/wide shots. Sound design: heavy rainfall, thunder, distant explosions, sirens, screaming crowds, footsteps splashing through water, crashing metal, deep cinematic bass, roaring waves, and an intense rising orchestral score that builds toward the final creature reveal.
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Made this cinematic sequence using Seedance 2.5 The realism, camera movements, water physics, explosions, and intense atmosphere are on another level. AI video generation is getting seriously cinematic. Prompt ⤵️ Create a 30-second ultra-realistic cinematic disaster sequence with a dark, intense, Hollywood-blockbuster atmosphere. Main character: A young woman with short, messy dark hair, wearing a soaked white T-shirt and light-colored shorts. Keep her appearance consistent throughout the entire video. Her face should remain realistic and expressive, showing fear, shock, exhaustion, and determination. Scene 1 — 0–5 seconds: Open with an extreme close-up of the woman running toward the camera through a dark industrial shipping yard at night. Heavy rain is falling, her hair and clothes are completely wet, and she is breathing heavily. Behind her, bright industrial lights glow through thick smoke and mist. The camera moves backward smoothly while maintaining focus on her face. Add realistic rain droplets on the camera lens, dramatic backlighting, atmospheric fog, and handheld cinematic movement. Scene 2 — 5–10 seconds: Cut to a wider shot as she runs through the flooded container yard. Large shipping containers surround her, emergency lights flash in the distance, and explosions/fire erupt behind her. She looks over her shoulder in panic while continuing to run. Water splashes dramatically around her legs with every step. Use realistic fire, smoke, debris, rain, and volumetric lighting. Scene 3 — 10–15 seconds: She suddenly loses her balance and falls into the flooded ground. Show the impact in slow motion for a moment, with water splashing around her. She quickly pushes herself back up while terrified people run in the background. A massive wave of smoke, debris, and water moves through the shipping yard behind them. Use a low-angle camera close to the ground for a powerful disaster-movie perspective. Scene 4 — 15–21 seconds: She gets back on her feet and starts sprinting toward safety. The camera tracks alongside her at high speed. Containers shake, debris flies through the air, vehicles and objects are pushed around by the powerful force behind her. Keep her face and body consistent. Alternate between close-ups of her frightened expression and wide shots showing the enormous scale of destruction. Scene 5 — 21–25 seconds: She reaches a large modern building filled with terrified people. The camera follows her inside as everyone rushes toward safety. People are falling, crawling, and helping each other while water and debris can be seen outside through the entrance. The lighting changes from cold blue-gray exterior lighting to dramatic warm interior lighting. Scene 6 — 25–30 seconds: Suddenly transition to a massive luxury yacht in the middle of a violent ocean. Huge dark waves surround the vessel under a stormy sky. The camera starts behind the yacht and slowly reveals an enormous shark-like sea creature emerging from the ocean directly behind it, creating a terrifying final reveal. The creature rises through the waves with water cascading from its body. End with a gigantic wave crashing toward the yacht. Visual style: photorealistic Hollywood disaster film, cinematic color grading, realistic skin texture, physically accurate water and rain, volumetric fog, dramatic practical lighting, realistic fire and smoke, detailed environments, natural motion blur, shallow depth of field, dynamic camera movement, high contrast, atmospheric storm clouds, extremely detailed CGI, 4K cinematic quality. Camera: mixture of handheld close-ups, smooth tracking shots, wide establishing shots, low-angle disaster shots, slow-motion impact moments, and dramatic aerial/wide shots. Sound design: heavy rainfall, thunder, distant explosions, sirens, screaming crowds, footsteps splashing through water, crashing metal, deep cinematic bass, roaring waves, and an intense rising orchestral score that builds toward the final creature reveal.

Noor 🌸

16,093 просмотров • 3 дней назад

Have you ever faced this situation? if yes, stop dating broke boys. GPT Image 2 + Seedance 2.0 on TapNow prompt Part 1 (0–15 seconds) Cinematic close-up establishing shot inside an elegant, dimly lit Parisian fine-dining restaurant. Dark wood paneling, crystal chandeliers, candlelit marble tables, and mirrors reflecting warm ambient light. A handsome man in his early 30s with dark hair, wearing an open-collar white linen shirt, sits across from a stunning blonde woman in a fitted black low-cut dress. A young waiter in a crisp white shirt and black bowtie approaches and places a black leather bill folder on the table, saying, “Your bill, sir.” The man opens the folder and examines the long receipt showing a total of €217.40. He calmly pulls out a white calculator, types in the numbers, then looks up at the woman with a slight smile and says, “So, shall we split it?” The woman freezes mid-sip of her red wine, her eyes widening in surprise. The camera holds on her reaction as the intimate restaurant ambience continues. Warm golden lighting, shallow depth of field, realistic film grain, cinematic 24fps style. --- Part 2 (15–30 seconds) The blonde woman slowly lowers her wine glass, staring at the man with a mix of disbelief and quiet amusement. She reaches into her black handbag, takes out a gold credit card, and hands it to the waiter as he returns with the payment terminal. The man watches in stunned silence, his mouth slightly open. The terminal beeps with a green confirmation light as the full bill is paid. She stands gracefully, adjusts her dress, looks back at him with an unreadable smile, and says, “Don’t lose your calculator.” She walks away through the elegant restaurant while the waiter hides a smile. The man remains seated, staring after her, completely caught off-guard. The camera smoothly follows her exit, then slowly pulls back to reveal the luxurious dining room, flickering candles, soft background chatter, and the man sitting alone with the calculator still open. Rich contrast, fashion-film aesthetic, natural skin texture, realistic mot
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Have you ever faced this situation? if yes, stop dating broke boys. GPT Image 2 + Seedance 2.0 on TapNow prompt Part 1 (0–15 seconds) Cinematic close-up establishing shot inside an elegant, dimly lit Parisian fine-dining restaurant. Dark wood paneling, crystal chandeliers, candlelit marble tables, and mirrors reflecting warm ambient light. A handsome man in his early 30s with dark hair, wearing an open-collar white linen shirt, sits across from a stunning blonde woman in a fitted black low-cut dress. A young waiter in a crisp white shirt and black bowtie approaches and places a black leather bill folder on the table, saying, “Your bill, sir.” The man opens the folder and examines the long receipt showing a total of €217.40. He calmly pulls out a white calculator, types in the numbers, then looks up at the woman with a slight smile and says, “So, shall we split it?” The woman freezes mid-sip of her red wine, her eyes widening in surprise. The camera holds on her reaction as the intimate restaurant ambience continues. Warm golden lighting, shallow depth of field, realistic film grain, cinematic 24fps style. --- Part 2 (15–30 seconds) The blonde woman slowly lowers her wine glass, staring at the man with a mix of disbelief and quiet amusement. She reaches into her black handbag, takes out a gold credit card, and hands it to the waiter as he returns with the payment terminal. The man watches in stunned silence, his mouth slightly open. The terminal beeps with a green confirmation light as the full bill is paid. She stands gracefully, adjusts her dress, looks back at him with an unreadable smile, and says, “Don’t lose your calculator.” She walks away through the elegant restaurant while the waiter hides a smile. The man remains seated, staring after her, completely caught off-guard. The camera smoothly follows her exit, then slowly pulls back to reveal the luxurious dining room, flickering candles, soft background chatter, and the man sitting alone with the calculator still open. Rich contrast, fashion-film aesthetic, natural skin texture, realistic mot

Sharon Riley

28,271 просмотров • 21 дней назад

Have you ever recorded your other half?? Seedance 2.5 on BudgetPixel AI prompt <Image : SHARON'S REAL FACE — sole source of her features, 100% match, zero drift: soft rounded oval face, warm light-beige skin with tiny freckles and beauty marks, GREEN eyes, dense straight feathered brows, small neat nose, full pink lips, small silver drop earring. follow the character sheet Image "Single unbroken handheld boyfriend vlog take throughout, 30 seconds total. A realistic personal travel vlog filmed by a boyfriend following his girlfriend (She is wearing a tight-fitting long-sleeve beige/taupe top with a deep plunging scoop neckline that reveals significant cleavage. during a normal day in Tokyo. Use the woman from the reference image as the main character. Maintain her exact facial identity, hairstyle, facial features, body proportions, and overall appearance throughout the entire video. She must remain the same person in every shot. The camera feels like a real boyfriend holding a small mirrorless camera or phone, not a professional production. Natural handheld movement, imperfect framing, occasional camera shake, spontaneous reactions, authentic everyday moments. The woman does not pose for the camera. She behaves naturally, sometimes forgetting the camera is there. 0-5s: Morning at a small Tokyo apartment. The camera starts recording as the boyfriend casually walks into the room. Soft morning sunlight enters through the window. The woman is sitting near the bed, fixing her hair and preparing for the day. She notices the camera, smiles naturally, laughs, and playfully tells him to stop filming. The camera stays close, slightly shaky, capturing a private everyday moment. 5-10s: Walking through Tokyo neighborhood streets. The boyfriend follows behind her as they leave the apartment. She walks through a quiet Tokyo street, carrying a small bag. Morning shops are opening, bicycles pass by, locals walk along the street. She stops at a convenience store. The camera follows her inside. She looks at different drinks and snacks, turns around and asks the person behind the camera which one she should choose. Natural interaction, casual conversation, realistic body language. 10-18s: Local food experience. The camera follows her through a small Tokyo alley to a cozy local restaurant. She sits down and tries a bowl of ramen or a local dish. The camera captures close handheld moments: her picking up chopsticks, tasting the food, reacting naturally, laughing when the food is hotter than expected. The boyfriend laughs behind the camera. The moment feels unplanned and authentic. 18-25s: Tokyo afternoon exploration. The couple walks through a lively neighborhood. She browses small shops, looks at interesting objects, takes photos, and occasionally looks back at the camera. The camera moves naturally between her face, her hands, the street atmosphere, and small details of daily life. Crowds pass naturally around them. The city feels alive and real. 25-30s: Tokyo night ending. Night falls. The camera follows her through illuminated Tokyo streets. She walks slightly ahead, then turns back and smiles at the camera. They ride a train home. She sits beside the window, watching city lights pass outside. The camera slowly moves closer as she rests quietly, ending like a real personal memory. Visual style: Authentic boyfriend travel vlog footage. Realistic handheld camera movement. Natural lighting. Casual documentary realism. Unplanned everyday moments. Real human expressions and interactions. Slight motion blur, natural exposure changes, realistic camera autofocus adjustments. No commercial advertisement style. No dramatic posing. No perfect cinematic composition. No text overlays. No logos. No face changes. No identity changes. No artificial transitions. No CGI feeling. Stable character consistency throughout."
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Have you ever recorded your other half?? Seedance 2.5 on BudgetPixel AI prompt <Image : SHARON'S REAL FACE — sole source of her features, 100% match, zero drift: soft rounded oval face, warm light-beige skin with tiny freckles and beauty marks, GREEN eyes, dense straight feathered brows, small neat nose, full pink lips, small silver drop earring. follow the character sheet Image "Single unbroken handheld boyfriend vlog take throughout, 30 seconds total. A realistic personal travel vlog filmed by a boyfriend following his girlfriend (She is wearing a tight-fitting long-sleeve beige/taupe top with a deep plunging scoop neckline that reveals significant cleavage. during a normal day in Tokyo. Use the woman from the reference image as the main character. Maintain her exact facial identity, hairstyle, facial features, body proportions, and overall appearance throughout the entire video. She must remain the same person in every shot. The camera feels like a real boyfriend holding a small mirrorless camera or phone, not a professional production. Natural handheld movement, imperfect framing, occasional camera shake, spontaneous reactions, authentic everyday moments. The woman does not pose for the camera. She behaves naturally, sometimes forgetting the camera is there. 0-5s: Morning at a small Tokyo apartment. The camera starts recording as the boyfriend casually walks into the room. Soft morning sunlight enters through the window. The woman is sitting near the bed, fixing her hair and preparing for the day. She notices the camera, smiles naturally, laughs, and playfully tells him to stop filming. The camera stays close, slightly shaky, capturing a private everyday moment. 5-10s: Walking through Tokyo neighborhood streets. The boyfriend follows behind her as they leave the apartment. She walks through a quiet Tokyo street, carrying a small bag. Morning shops are opening, bicycles pass by, locals walk along the street. She stops at a convenience store. The camera follows her inside. She looks at different drinks and snacks, turns around and asks the person behind the camera which one she should choose. Natural interaction, casual conversation, realistic body language. 10-18s: Local food experience. The camera follows her through a small Tokyo alley to a cozy local restaurant. She sits down and tries a bowl of ramen or a local dish. The camera captures close handheld moments: her picking up chopsticks, tasting the food, reacting naturally, laughing when the food is hotter than expected. The boyfriend laughs behind the camera. The moment feels unplanned and authentic. 18-25s: Tokyo afternoon exploration. The couple walks through a lively neighborhood. She browses small shops, looks at interesting objects, takes photos, and occasionally looks back at the camera. The camera moves naturally between her face, her hands, the street atmosphere, and small details of daily life. Crowds pass naturally around them. The city feels alive and real. 25-30s: Tokyo night ending. Night falls. The camera follows her through illuminated Tokyo streets. She walks slightly ahead, then turns back and smiles at the camera. They ride a train home. She sits beside the window, watching city lights pass outside. The camera slowly moves closer as she rests quietly, ending like a real personal memory. Visual style: Authentic boyfriend travel vlog footage. Realistic handheld camera movement. Natural lighting. Casual documentary realism. Unplanned everyday moments. Real human expressions and interactions. Slight motion blur, natural exposure changes, realistic camera autofocus adjustments. No commercial advertisement style. No dramatic posing. No perfect cinematic composition. No text overlays. No logos. No face changes. No identity changes. No artificial transitions. No CGI feeling. Stable character consistency throughout."

Sharon Riley

28,167 просмотров • 1 день назад

This woman showed up to her own brother’s wedding in this pretty pink floral dress, excited to celebrate with family. But right after the ceremony one of the bridesmaids pulled her aside and said she had to change or leave because there was “too much white” in her dress. I know there’s a longstanding tradition that guests should avoid wearing white to weddings out of respect for the bride, and maybe picking a dress with zero white would have been the safest move. That being said, this is clearly a soft pink floral dress. It doesn’t come across as bridal at all. I’m curious… do you think this dress was too white to wear to a wedding? And I can’t help wondering how her brother and the rest of the family felt about her being asked to leave on such a joyful day. In the end, she chose the high road — she left peacefully and even took some flowers with her on the way out 😭
1:12

This woman showed up to her own brother’s wedding in this pretty pink floral dress, excited to celebrate with family. But right after the ceremony one of the bridesmaids pulled her aside and said she had to change or leave because there was “too much white” in her dress. I know there’s a longstanding tradition that guests should avoid wearing white to weddings out of respect for the bride, and maybe picking a dress with zero white would have been the safest move. That being said, this is clearly a soft pink floral dress. It doesn’t come across as bridal at all. I’m curious… do you think this dress was too white to wear to a wedding? And I can’t help wondering how her brother and the rest of the family felt about her being asked to leave on such a joyful day. In the end, she chose the high road — she left peacefully and even took some flowers with her on the way out 😭

End3of6Days9 (Helen) 🇺🇸

79,861 просмотров • 3 месяцев назад

CREATED with seedance 2.5 on Higgsfield AI 🧩 Duration: 30 seconds Aspect Ratio: 16:9 horizontal Model: Seedance 2.5 Reference: lolwasdf 1 CHARACTER CONSISTENCY Use the person from lolwasdf 1 as the exact same real person throughout the entire video. Preserve facial identity, facial structure, skin tone, hairstyle, hairline and natural appearance. Do not transform the person into someone else. Ignore the background, pose and clothing from lolwasdf 1. Outfit: simple dark gym clothes, practical and slightly loose, realistic workout appearance. Hair naturally tied back if applicable. OVERALL LOOK Make this feel like a real everyday gym vlog recorded on an older iPhone, not a cinematic production. 16:9 horizontal, standard 1x phone lens, normal perspective, no fisheye or ultra-wide distortion. Slightly imperfect framing, occasional focus hunting, exposure changes and natural handheld movement. Low-resolution phone-camera character with realistic compression, mild digital noise and imperfect sharpness. Natural skin pores, sweat, flyaway hairs and small imperfections remain visible. Harsh overhead gym lighting with slightly inconsistent white balance. No cinematic color grading, beauty filter, dramatic lighting or polished commercial look. One continuous realistic gym environment with free weights, benches, dumbbells, racks and mirrors. Any logos, signs or readable text must remain blurred or illegible. --- 00:00–00:05 — ARRIVAL Start outside the weight-training area. The person holds the phone casually while walking into the gym. The framing is slightly imperfect, with the phone moving naturally while walking. She looks into the lens and gives a small tired smile: “Leg day again… honestly, I almost skipped today.” She turns the phone slightly toward the gym floor, briefly showing the busy workout area. Natural footsteps and gym ambience. --- 00:05–00:09 — WARM-UP Cut to the phone resting on a bench. Medium-wide static view. She enters frame, places a water bottle down and begins a quick dynamic warm-up near a squat rack. She stretches her legs, shakes them out and takes a breath before training. A person naturally passes in the distant background. No staged posing. --- 00:09–00:15 — HEAVY SET Camera remains propped at a low three-quarter angle. She performs a controlled set of heavy squats. Show realistic effort rather than exaggerated acting. Her breathing becomes heavier. On the final repetition, she struggles slightly, completes the rep with controlled form and carefully re-racks the weight. She steps backward, pauses and catches her breath. Sweat is beginning to appear naturally on her forehead and neck. Keep the entire movement physically believable. --- 00:15–00:19 — QUICK CHECK-IN She picks up the phone. Handheld close selfie shot. The framing is slightly off-center and the autofocus briefly adjusts. She wipes sweat from her forehead and says naturally: “Okay… that was way harder than I expected.” She gives a short laugh, takes a sip of water and turns the phone back toward the workout area. No scripted influencer energy; make it feel spontaneous. 00:19–00:24 — DIFFERENT EXERCISE Cut to a new static angle with the phone resting against a gym bag. She performs walking dumbbell lunges through a small open area. Show several controlled repetitions. The camera stays completely static while her movement naturally enters and exits the frame. Other gym members move casually in the distant background. Dumbbells, footsteps and occasional weight sounds create authentic ambience. --- 00:24–00:27 — POST-WORKOUT MOMENT Cut to a close handheld shot. She sits briefly on a bench, breathing heavily. She looks down for a second, then looks back at the camera with a tired smile. Natural sweat, slightly messy hair and realistic breathing. She quietly says: “Yeah… I’m definitely feeling this tomorrow.” --- 00:27–00:30 — ENDING Final handheld selfie.
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CREATED with seedance 2.5 on Higgsfield AI 🧩 Duration: 30 seconds Aspect Ratio: 16:9 horizontal Model: Seedance 2.5 Reference: lolwasdf 1 CHARACTER CONSISTENCY Use the person from lolwasdf 1 as the exact same real person throughout the entire video. Preserve facial identity, facial structure, skin tone, hairstyle, hairline and natural appearance. Do not transform the person into someone else. Ignore the background, pose and clothing from lolwasdf 1. Outfit: simple dark gym clothes, practical and slightly loose, realistic workout appearance. Hair naturally tied back if applicable. OVERALL LOOK Make this feel like a real everyday gym vlog recorded on an older iPhone, not a cinematic production. 16:9 horizontal, standard 1x phone lens, normal perspective, no fisheye or ultra-wide distortion. Slightly imperfect framing, occasional focus hunting, exposure changes and natural handheld movement. Low-resolution phone-camera character with realistic compression, mild digital noise and imperfect sharpness. Natural skin pores, sweat, flyaway hairs and small imperfections remain visible. Harsh overhead gym lighting with slightly inconsistent white balance. No cinematic color grading, beauty filter, dramatic lighting or polished commercial look. One continuous realistic gym environment with free weights, benches, dumbbells, racks and mirrors. Any logos, signs or readable text must remain blurred or illegible. --- 00:00–00:05 — ARRIVAL Start outside the weight-training area. The person holds the phone casually while walking into the gym. The framing is slightly imperfect, with the phone moving naturally while walking. She looks into the lens and gives a small tired smile: “Leg day again… honestly, I almost skipped today.” She turns the phone slightly toward the gym floor, briefly showing the busy workout area. Natural footsteps and gym ambience. --- 00:05–00:09 — WARM-UP Cut to the phone resting on a bench. Medium-wide static view. She enters frame, places a water bottle down and begins a quick dynamic warm-up near a squat rack. She stretches her legs, shakes them out and takes a breath before training. A person naturally passes in the distant background. No staged posing. --- 00:09–00:15 — HEAVY SET Camera remains propped at a low three-quarter angle. She performs a controlled set of heavy squats. Show realistic effort rather than exaggerated acting. Her breathing becomes heavier. On the final repetition, she struggles slightly, completes the rep with controlled form and carefully re-racks the weight. She steps backward, pauses and catches her breath. Sweat is beginning to appear naturally on her forehead and neck. Keep the entire movement physically believable. --- 00:15–00:19 — QUICK CHECK-IN She picks up the phone. Handheld close selfie shot. The framing is slightly off-center and the autofocus briefly adjusts. She wipes sweat from her forehead and says naturally: “Okay… that was way harder than I expected.” She gives a short laugh, takes a sip of water and turns the phone back toward the workout area. No scripted influencer energy; make it feel spontaneous. 00:19–00:24 — DIFFERENT EXERCISE Cut to a new static angle with the phone resting against a gym bag. She performs walking dumbbell lunges through a small open area. Show several controlled repetitions. The camera stays completely static while her movement naturally enters and exits the frame. Other gym members move casually in the distant background. Dumbbells, footsteps and occasional weight sounds create authentic ambience. --- 00:24–00:27 — POST-WORKOUT MOMENT Cut to a close handheld shot. She sits briefly on a bench, breathing heavily. She looks down for a second, then looks back at the camera with a tired smile. Natural sweat, slightly messy hair and realistic breathing. She quietly says: “Yeah… I’m definitely feeling this tomorrow.” --- 00:27–00:30 — ENDING Final handheld selfie.

Anissa

27,882 просмотров • 4 дней назад

Seedance 2.5 Prompt: Create a 30-second ultra-realistic boyfriend-vlog video filmed as one continuous, unbroken handheld take. Use the woman from the reference image as the main character and preserve her exact facial identity, hairstyle, facial features, body proportions, and overall appearance throughout the entire video. She must remain clearly the same person in every moment. The footage should feel like her boyfriend casually filming her during an ordinary day in Tokyo with a small mirrorless camera or smartphone. Natural handheld movement, slight camera shake, imperfect framing, realistic autofocus, subtle exposure changes, occasional motion blur, and spontaneous reactions. She never poses or performs for the camera; she behaves naturally and sometimes forgets she is being filmed. 0–6s — Morning apartment. Soft daylight enters a small Tokyo apartment. She sits near the bed fixing her hair and getting ready. She notices the camera, smiles, laughs, and playfully gestures for her boyfriend to stop filming. Keep the moment intimate and spontaneous. 6–12s — Tokyo neighborhood. She walks ahead carrying a small bag while the camera follows behind. Quiet residential streets, bicycles, pedestrians, small shops opening, natural morning activity. She occasionally looks back at the camera and casually interacts with the person filming. 12–18s — Local food stop. They enter a cozy neighborhood restaurant. She sits down and tries ramen or another local Japanese dish. Capture close handheld moments of her picking up chopsticks, tasting the food, reacting naturally, and laughing when it is hotter than expected. The boyfriend reacts naturally from behind the camera. 18–24s — Afternoon exploration. She walks through a lively Tokyo neighborhood, browses small shops, looks at interesting objects, takes photos, and occasionally glances back at the camera. The camera naturally shifts between her face, hands, surroundings, pedestrians, storefronts, and small details of everyday life. 24–30s — Evening ending. Tokyo streets are illuminated as night falls. She walks slightly ahead, then turns back and smiles at the camera. Cut naturally to them riding a train home; she sits beside the window watching Tokyo lights pass outside. The camera gently moves closer as she rests quietly, ending like an authentic personal memory. VISUAL STYLE: Ultra-realistic candid boyfriend travel vlog, documentary realism, natural lighting, authentic human expressions, imperfect handheld camera behavior, realistic skin texture, natural body movement, subtle motion blur, believable Tokyo atmosphere. No commercial/ad aesthetic, no dramatic posing, no cinematic perfection, no artificial transitions, no CGI appearance, no text, no logos, no face changes, no identity drift, no wardrobe changes, and no character inconsistency.
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Seedance 2.5 Prompt: Create a 30-second ultra-realistic boyfriend-vlog video filmed as one continuous, unbroken handheld take. Use the woman from the reference image as the main character and preserve her exact facial identity, hairstyle, facial features, body proportions, and overall appearance throughout the entire video. She must remain clearly the same person in every moment. The footage should feel like her boyfriend casually filming her during an ordinary day in Tokyo with a small mirrorless camera or smartphone. Natural handheld movement, slight camera shake, imperfect framing, realistic autofocus, subtle exposure changes, occasional motion blur, and spontaneous reactions. She never poses or performs for the camera; she behaves naturally and sometimes forgets she is being filmed. 0–6s — Morning apartment. Soft daylight enters a small Tokyo apartment. She sits near the bed fixing her hair and getting ready. She notices the camera, smiles, laughs, and playfully gestures for her boyfriend to stop filming. Keep the moment intimate and spontaneous. 6–12s — Tokyo neighborhood. She walks ahead carrying a small bag while the camera follows behind. Quiet residential streets, bicycles, pedestrians, small shops opening, natural morning activity. She occasionally looks back at the camera and casually interacts with the person filming. 12–18s — Local food stop. They enter a cozy neighborhood restaurant. She sits down and tries ramen or another local Japanese dish. Capture close handheld moments of her picking up chopsticks, tasting the food, reacting naturally, and laughing when it is hotter than expected. The boyfriend reacts naturally from behind the camera. 18–24s — Afternoon exploration. She walks through a lively Tokyo neighborhood, browses small shops, looks at interesting objects, takes photos, and occasionally glances back at the camera. The camera naturally shifts between her face, hands, surroundings, pedestrians, storefronts, and small details of everyday life. 24–30s — Evening ending. Tokyo streets are illuminated as night falls. She walks slightly ahead, then turns back and smiles at the camera. Cut naturally to them riding a train home; she sits beside the window watching Tokyo lights pass outside. The camera gently moves closer as she rests quietly, ending like an authentic personal memory. VISUAL STYLE: Ultra-realistic candid boyfriend travel vlog, documentary realism, natural lighting, authentic human expressions, imperfect handheld camera behavior, realistic skin texture, natural body movement, subtle motion blur, believable Tokyo atmosphere. No commercial/ad aesthetic, no dramatic posing, no cinematic perfection, no artificial transitions, no CGI appearance, no text, no logos, no face changes, no identity drift, no wardrobe changes, and no character inconsistency.

simeon-sanai

14,941 просмотров • 5 дней назад

Audrey Hepburn in “Funny Face” (1957). Designers Hubert de Givenchy and Edith Head were responsible for Hepburn’s fashions though Givenchy was given an exclusive rein of her couture selections in the film. He would later oversee her fashion design wear in the 1961 film ― Breakfast at Tiffany’s. Truman Capote, writer of the original novella upon which the film was based, wanted Marilyn Monroe for the role. Monroe turned it down. Concerns the character was a prostitute was the reason. Givenchy’s designing in the film Funny Face ― is nothing short of fine constructive artistry. Full of restraint but aesthetically pronounced as Hepburn looks utterly divine. The first piece is a white and pink evening gown. It is a refined floor-length silk dress with rare short-sleeved pink blazer with a fastened train of fabric which adds to the garment’s silhouette. This is paired with a set of white gloves, diamond tiara and diamond earrings. The second piece is a floral summer dress. Her richly coloured dress bears proportions of an Impressionist painting by Monet or even a post-Impressionist work by Cezanne. It is a full circle skirt, fitted bodice, with a pair of light yellow gloves ― oversized straw hat with matched flowers in hat and hair. The third piece is a two-piece dress suit with a knee length tan coloured dress, matching coat, fur hat, dark brown heels and gloves with a fur coat over arm. The fourth piece ― features a full skirted white circle dress. Paired with her white gloves, white low heeled pumps, and draped in a royal emerald coloured coat with matching hair tie. Exquisite regality. A fifth piece is the French chic outfit. Her white slacks and white blazer with a silk pink waist tie of fabric, a straw hat and pink flats. Very modern look. The sixth piece is a floral off the shoulder ball gown ― fitted at the waist, and a full flouncing skirt with patterned embroidery. Highly detailed. The look finished off with silver flat shoes. Givenchy’s final design is a silk tube evening gown with a long train of fabric ― and a matching red silk wrap, colour contrasted with white gloves, with a statement necklace and matching earrings.
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Audrey Hepburn in “Funny Face” (1957). Designers Hubert de Givenchy and Edith Head were responsible for Hepburn’s fashions though Givenchy was given an exclusive rein of her couture selections in the film. He would later oversee her fashion design wear in the 1961 film ― Breakfast at Tiffany’s. Truman Capote, writer of the original novella upon which the film was based, wanted Marilyn Monroe for the role. Monroe turned it down. Concerns the character was a prostitute was the reason. Givenchy’s designing in the film Funny Face ― is nothing short of fine constructive artistry. Full of restraint but aesthetically pronounced as Hepburn looks utterly divine. The first piece is a white and pink evening gown. It is a refined floor-length silk dress with rare short-sleeved pink blazer with a fastened train of fabric which adds to the garment’s silhouette. This is paired with a set of white gloves, diamond tiara and diamond earrings. The second piece is a floral summer dress. Her richly coloured dress bears proportions of an Impressionist painting by Monet or even a post-Impressionist work by Cezanne. It is a full circle skirt, fitted bodice, with a pair of light yellow gloves ― oversized straw hat with matched flowers in hat and hair. The third piece is a two-piece dress suit with a knee length tan coloured dress, matching coat, fur hat, dark brown heels and gloves with a fur coat over arm. The fourth piece ― features a full skirted white circle dress. Paired with her white gloves, white low heeled pumps, and draped in a royal emerald coloured coat with matching hair tie. Exquisite regality. A fifth piece is the French chic outfit. Her white slacks and white blazer with a silk pink waist tie of fabric, a straw hat and pink flats. Very modern look. The sixth piece is a floral off the shoulder ball gown ― fitted at the waist, and a full flouncing skirt with patterned embroidery. Highly detailed. The look finished off with silver flat shoes. Givenchy’s final design is a silk tube evening gown with a long train of fabric ― and a matching red silk wrap, colour contrasted with white gloves, with a statement necklace and matching earrings.

Hollywood Golden Age of Cinema

52,384 просмотров • 8 месяцев назад

The latest version of One UI 8.5 adds a function to the default camera. This kind of detail may only be easily found by me. The default camera adds the white balance adjustment function.Please take a look at my demonstration. You can adjust the white balance of the photos taken by the default camera and fine-tune the colors. This is very important, because there are often some problems with the white balance of the default camera of Samsung S25 Ultra. For example, under indoor lighting, it usually appears as cold color instead of warm color, which is an error in white balance. This option allows you to adjust the white balance yourself to correct this error. However, it should be pointed out that although this function exists at present, it cannot take effect. I tried it and it cannot take effect correctly.
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The latest version of One UI 8.5 adds a function to the default camera. This kind of detail may only be easily found by me. The default camera adds the white balance adjustment function.Please take a look at my demonstration. You can adjust the white balance of the photos taken by the default camera and fine-tune the colors. This is very important, because there are often some problems with the white balance of the default camera of Samsung S25 Ultra. For example, under indoor lighting, it usually appears as cold color instead of warm color, which is an error in white balance. This option allows you to adjust the white balance yourself to correct this error. However, it should be pointed out that although this function exists at present, it cannot take effect. I tried it and it cannot take effect correctly.

Ice Universe

26,415 просмотров • 8 месяцев назад

One shirt. 10 outfits. Infinite possibilities. Which look are you wearing first? 👀👇 Made with Seedance 2.0 on BudgetPixel AI Prompt: > Create a trendy, ultra-realistic Instagram fashion reel featuring a stylish Gen Z female influencer showing **10 ways to style the same oversized pastel yellow button-up shirt**. No dialogue, only upbeat viral pop music with clean animated text labels for each look. Vertical 9:16. > > Open with the influencer holding the shirt on a hanger in a bright, minimalist apartment. She smiles at the camera and tosses the shirt forward as the text **"1 Shirt 🤍 10 Ways to Style"** appears. > > Fast-paced fashion montage with smooth whip pans, spin transitions, jump cuts, and snap transitions. > > Show these looks: > > 1. Casual Chic – open over a white crop top with wide-leg jeans. > 2. Front Knot – tied at the waist with denim. > 3. Off Shoulder – relaxed styling with sunglasses. > 4. Tucked In – tucked into tailored white trousers with a belt. > 5. Open with Denim Shorts – casual summer look with an iced coffee. > 6. Belted Chic – fully buttoned with a slim belt and black tailored trousers. > 7. Layered Dress – worn open over a fitted white midi dress. > 8. French Tuck – half-buttoned with rolled sleeves and relaxed jeans. > 9. Effortless Layers – draped over the shoulders with white linen trousers and a black tank. > 10. Monochrome Minimal – buttoned with cream wide-leg trousers for a clean luxury look. > > Throughout the video, show the influencer confidently walking, posing, spinning, adjusting the collar and sleeves, fixing sunglasses, holding a coffee, checking herself in a mirror, and smiling naturally. Mix full-body shots, medium shots, close-ups of fabric, accessories, and outfit details. > > Bright natural daylight, warm minimalist interiors, luxury Pinterest aesthetic, cinematic handheld camera movement, shallow depth of field, realistic fabric physics, premium editorial fashion photography, smooth transitions, ultra-realistic 4K HDR. > > End with a quick collage of all 10 looks surrounding the final outfit and the text: **"10 Looks. 1 Shirt. 🤍 Which one's your favorite?"**
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One shirt. 10 outfits. Infinite possibilities. Which look are you wearing first? 👀👇 Made with Seedance 2.0 on BudgetPixel AI Prompt: > Create a trendy, ultra-realistic Instagram fashion reel featuring a stylish Gen Z female influencer showing **10 ways to style the same oversized pastel yellow button-up shirt**. No dialogue, only upbeat viral pop music with clean animated text labels for each look. Vertical 9:16. > > Open with the influencer holding the shirt on a hanger in a bright, minimalist apartment. She smiles at the camera and tosses the shirt forward as the text **"1 Shirt 🤍 10 Ways to Style"** appears. > > Fast-paced fashion montage with smooth whip pans, spin transitions, jump cuts, and snap transitions. > > Show these looks: > > 1. Casual Chic – open over a white crop top with wide-leg jeans. > 2. Front Knot – tied at the waist with denim. > 3. Off Shoulder – relaxed styling with sunglasses. > 4. Tucked In – tucked into tailored white trousers with a belt. > 5. Open with Denim Shorts – casual summer look with an iced coffee. > 6. Belted Chic – fully buttoned with a slim belt and black tailored trousers. > 7. Layered Dress – worn open over a fitted white midi dress. > 8. French Tuck – half-buttoned with rolled sleeves and relaxed jeans. > 9. Effortless Layers – draped over the shoulders with white linen trousers and a black tank. > 10. Monochrome Minimal – buttoned with cream wide-leg trousers for a clean luxury look. > > Throughout the video, show the influencer confidently walking, posing, spinning, adjusting the collar and sleeves, fixing sunglasses, holding a coffee, checking herself in a mirror, and smiling naturally. Mix full-body shots, medium shots, close-ups of fabric, accessories, and outfit details. > > Bright natural daylight, warm minimalist interiors, luxury Pinterest aesthetic, cinematic handheld camera movement, shallow depth of field, realistic fabric physics, premium editorial fashion photography, smooth transitions, ultra-realistic 4K HDR. > > End with a quick collage of all 10 looks surrounding the final outfit and the text: **"10 Looks. 1 Shirt. 🤍 Which one's your favorite?"**

Maria

33,832 просмотров • 1 месяц назад

It is infinitely easier for white men to sleep with black women for the same reason it is easier for PL champions to sign Championship players. Beyond the denial and online posturing, blacks recognise white superiority and so the s'xual attraction of a white man to a black woman is validating and status-enhancing for her. Hence, when an African woman realises a white man finds her desirable, she jumps at the opportunity and spreads her legs faster than fake news on whatsapp. This is why you will find a million 'The Russian' in Africa before you find one 'The Nigerian' in Europe. Whilst there are other inducements like money and relocation prospects, the principal incentive is the validation of being desired by a man from a superior race whose women are more desirable than yours. It's not juju or hypnosis; women are both cheap and 'expensive'. It is their valuation of you that determines what version you get. And if you're a young white man in Africa, you don't even get cheap or expensive. You get free
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Sensitive content

It is infinitely easier for white men to sleep with black women for the same reason it is easier for PL champions to sign Championship players. Beyond the denial and online posturing, blacks recognise white superiority and so the s'xual attraction of a white man to a black woman is validating and status-enhancing for her. Hence, when an African woman realises a white man finds her desirable, she jumps at the opportunity and spreads her legs faster than fake news on whatsapp. This is why you will find a million 'The Russian' in Africa before you find one 'The Nigerian' in Europe. Whilst there are other inducements like money and relocation prospects, the principal incentive is the validation of being desired by a man from a superior race whose women are more desirable than yours. It's not juju or hypnosis; women are both cheap and 'expensive'. It is their valuation of you that determines what version you get. And if you're a young white man in Africa, you don't even get cheap or expensive. You get free

Yehgha

60,423 просмотров • 6 месяцев назад

一番最後の[Prompt for original image]の部分に画像生成に使用したPromptを入れると一貫性が増します。不要な場合は3行削ってしまっても大丈夫です。 --- Extreme wide-angle perspective and dynamic pose remix edit. This is an EDIT of the original image, not a new character. Use the original image as a strict reference for: – the person’s identity, hairstyle, and overall fashion style, – the general type of background and location (same street, same room, same beach, same kind of architecture, etc.). You are allowed to completely change the camera position, angle, and pose, but you must keep the scene in the SAME location and keep the SAME person and outfit design. Camera and perspective: – Use an ultra wide-angle or fisheye feeling lens (around 12–18mm full-frame look). – The camera angle MUST change significantly from the original: use dramatic angles such as • worm’s-eye view from directly below looking up, • bird’s-eye view from directly above looking down, • very low angle from the ground, • high angle from above, • tilted Dutch angles. – Always create strong foreshortening: body parts close to the lens look huge, while the rest of the body falls away in perspective. – The final result must look like a bold fashion or street photo, fully photorealistic, not illustration or anime. Background consistency: – Keep the same location as the original image: same street, same bridge, same room, same studio, same beach, same general structures and materials. – Do NOT replace the background with a completely different place. – Because the camera angle changes, it is allowed and expected that different parts of the environment become visible. – When new areas appear, extend the original environment logically (same buildings, fences, road markings, walls, colors, materials, lighting style), as if the camera moved within the same place. Body parts near the lens (1–2 parts, sometimes 3): – In each edit, choose ONE or TWO main body parts to be extremely close to the lens (sometimes even THREE in more complex poses). – Vary them from image to image, do NOT always use the same body part. – Allowed near-the-lens parts include: • one or both hands / fingers reaching toward the camera, • one or both feet / shoes / boots near the lens, • knees or thighs, • face very close to the lens, • shoulders or chest close to the lens in a leaning pose. – The chosen body parts should come extremely close to the lens, almost touching it, with visible skin texture, fabric texture, and realistic wide-angle distortion. Pose and overall body (complex and varied): – Create strong, cool, dynamic poses that match the extreme perspective. – Randomly use different pose types, including: • standing with one leg or one arm reaching toward the camera, • crouching or squatting low to the ground, • sitting on the floor or on objects, • lying on the ground with legs or feet toward the lens, • leaning forward aggressively toward the camera, • twisting the body, crossing legs, or arching the back for more dynamic lines. – Allow complex poses where: • both hands are near the lens forming shapes (peace signs, triangles, frames, pointing toward the viewer), • both feet are toward the lens, • one hand and one foot are both large in the foreground, • the face is close to the lens while hands or feet are also visible in perspective. – Maintain believable anatomy even with extreme foreshortening. Angle and attitude (randomized): – Randomize camera angle and orientation (up, down, side, Dutch tilt) while keeping the composition visually balanced and powerful. – Keep the vibe cool, confident, and fashion/editorial or street style, depending on the original outfit. – Facial expressions can vary (serious, playful, confident, mysterious), but must still look like the same person. Lighting and rendering: – Keep the general time of day and lighting mood similar to the original (night vs day, indoor vs outdoor, soft vs hard light), but you may enhance contrast and color to make the image punchy and dramatic. – Maintain realistic shadows and contact points with the ground or floor. – High-resolution, sharp details with clear skin texture, fabric weave, and material highlights. Variation and randomness: – Each edit should look noticeably different from the original image and from other edits, with different: • camera angles, • pose types, • which body parts are closest to the lens, • orientation (straight, tilted, from above, from below). – Avoid repeating the exact same single-foot-close-up composition; produce a wide variety of dynamic poses and angles. Strict rules: – Do NOT change the person into someone else. – Do NOT change the outfit type; only restyle it through pose, perspective, and small natural movement of clothing. – Do NOT move the scene to a completely different location; always stay in a plausible extension of the original place. – Do NOT add text, logos, watermarks, or graphic design elements. – Do NOT switch to painting, illustration, or anime style; keep it photorealistic. Overall: Transform the original photo into a dramatic, photorealistic, ultra wide-angle shot with an extreme camera angle (including views from directly below or above), where one or more body parts are right next to the lens and look huge, the rest of the body recedes in perspective, and the same person strikes a stylish, complex, powerful pose in a consistent, expanded version of the original environment. Also, below is the prompt for generating the original image. Please use it as a reference. [Prompt for original image] #nanobanana2
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一番最後の[Prompt for original image]の部分に画像生成に使用したPromptを入れると一貫性が増します。不要な場合は3行削ってしまっても大丈夫です。 --- Extreme wide-angle perspective and dynamic pose remix edit. This is an EDIT of the original image, not a new character. Use the original image as a strict reference for: – the person’s identity, hairstyle, and overall fashion style, – the general type of background and location (same street, same room, same beach, same kind of architecture, etc.). You are allowed to completely change the camera position, angle, and pose, but you must keep the scene in the SAME location and keep the SAME person and outfit design. Camera and perspective: – Use an ultra wide-angle or fisheye feeling lens (around 12–18mm full-frame look). – The camera angle MUST change significantly from the original: use dramatic angles such as • worm’s-eye view from directly below looking up, • bird’s-eye view from directly above looking down, • very low angle from the ground, • high angle from above, • tilted Dutch angles. – Always create strong foreshortening: body parts close to the lens look huge, while the rest of the body falls away in perspective. – The final result must look like a bold fashion or street photo, fully photorealistic, not illustration or anime. Background consistency: – Keep the same location as the original image: same street, same bridge, same room, same studio, same beach, same general structures and materials. – Do NOT replace the background with a completely different place. – Because the camera angle changes, it is allowed and expected that different parts of the environment become visible. – When new areas appear, extend the original environment logically (same buildings, fences, road markings, walls, colors, materials, lighting style), as if the camera moved within the same place. Body parts near the lens (1–2 parts, sometimes 3): – In each edit, choose ONE or TWO main body parts to be extremely close to the lens (sometimes even THREE in more complex poses). – Vary them from image to image, do NOT always use the same body part. – Allowed near-the-lens parts include: • one or both hands / fingers reaching toward the camera, • one or both feet / shoes / boots near the lens, • knees or thighs, • face very close to the lens, • shoulders or chest close to the lens in a leaning pose. – The chosen body parts should come extremely close to the lens, almost touching it, with visible skin texture, fabric texture, and realistic wide-angle distortion. Pose and overall body (complex and varied): – Create strong, cool, dynamic poses that match the extreme perspective. – Randomly use different pose types, including: • standing with one leg or one arm reaching toward the camera, • crouching or squatting low to the ground, • sitting on the floor or on objects, • lying on the ground with legs or feet toward the lens, • leaning forward aggressively toward the camera, • twisting the body, crossing legs, or arching the back for more dynamic lines. – Allow complex poses where: • both hands are near the lens forming shapes (peace signs, triangles, frames, pointing toward the viewer), • both feet are toward the lens, • one hand and one foot are both large in the foreground, • the face is close to the lens while hands or feet are also visible in perspective. – Maintain believable anatomy even with extreme foreshortening. Angle and attitude (randomized): – Randomize camera angle and orientation (up, down, side, Dutch tilt) while keeping the composition visually balanced and powerful. – Keep the vibe cool, confident, and fashion/editorial or street style, depending on the original outfit. – Facial expressions can vary (serious, playful, confident, mysterious), but must still look like the same person. Lighting and rendering: – Keep the general time of day and lighting mood similar to the original (night vs day, indoor vs outdoor, soft vs hard light), but you may enhance contrast and color to make the image punchy and dramatic. – Maintain realistic shadows and contact points with the ground or floor. – High-resolution, sharp details with clear skin texture, fabric weave, and material highlights. Variation and randomness: – Each edit should look noticeably different from the original image and from other edits, with different: • camera angles, • pose types, • which body parts are closest to the lens, • orientation (straight, tilted, from above, from below). – Avoid repeating the exact same single-foot-close-up composition; produce a wide variety of dynamic poses and angles. Strict rules: – Do NOT change the person into someone else. – Do NOT change the outfit type; only restyle it through pose, perspective, and small natural movement of clothing. – Do NOT move the scene to a completely different location; always stay in a plausible extension of the original place. – Do NOT add text, logos, watermarks, or graphic design elements. – Do NOT switch to painting, illustration, or anime style; keep it photorealistic. Overall: Transform the original photo into a dramatic, photorealistic, ultra wide-angle shot with an extreme camera angle (including views from directly below or above), where one or more body parts are right next to the lens and look huge, the rest of the body recedes in perspective, and the same person strikes a stylish, complex, powerful pose in a consistent, expanded version of the original environment. Also, below is the prompt for generating the original image. Please use it as a reference. [Prompt for original image] #nanobanana2

AI Girl's Photo Studio

20,684 просмотров • 8 месяцев назад

🔥 Limited edition drop • 6 conceptual video projects • 15 pieces each 🔴 Red: A dramatic and intense underwater video that captures the bold and passionate reds found in the water. The camera moves through the water, showcasing the rich and vibrant shades of red. Viewers can immerse themselves in the powerful and captivating world of "Red", where excitement and energy abound. 🔵 Blue: This video features a cool-toned underwater environment, with models gracefully swimming and posing amidst blue-tinted lighting. The serene and tranquil atmosphere creates a sense of calm and relaxation. 🔄 Reverse: In this video, the footage is played in reverse, creating a mesmerizing and surreal effect as the models move and interact with the water in unexpected ways. The reversed motion adds an intriguing and otherworldly quality to the underwater scenes. 🪶Sensual: The sensual video showcases intimate and evocative underwater moments, with close-up shots of the models' movements and interactions with the water. The soft, warm lighting enhances the sensuality of the footage, creating a captivating and alluring visual experience. ♥️ Amatory: This video explores themes of love and connection, engaging in tender and affectionate underwater embraces. The romantic and intimate scenes are bathed in a gentle, yellow, red and blue lights, evoking a sense of passion and emotional depth. 👾 Glitch: In this experimental video, the footage is manipulated to create glitchy and distorted visuals, adding an edgy and futuristic element to the underwater scenes. The glitch effects disrupt the natural flow of the footage, resulting in a visually dynamic and unpredictable viewing experience. • First conceptual video and link in next tweet ⤵️
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🔥 Limited edition drop • 6 conceptual video projects • 15 pieces each 🔴 Red: A dramatic and intense underwater video that captures the bold and passionate reds found in the water. The camera moves through the water, showcasing the rich and vibrant shades of red. Viewers can immerse themselves in the powerful and captivating world of "Red", where excitement and energy abound. 🔵 Blue: This video features a cool-toned underwater environment, with models gracefully swimming and posing amidst blue-tinted lighting. The serene and tranquil atmosphere creates a sense of calm and relaxation. 🔄 Reverse: In this video, the footage is played in reverse, creating a mesmerizing and surreal effect as the models move and interact with the water in unexpected ways. The reversed motion adds an intriguing and otherworldly quality to the underwater scenes. 🪶Sensual: The sensual video showcases intimate and evocative underwater moments, with close-up shots of the models' movements and interactions with the water. The soft, warm lighting enhances the sensuality of the footage, creating a captivating and alluring visual experience. ♥️ Amatory: This video explores themes of love and connection, engaging in tender and affectionate underwater embraces. The romantic and intimate scenes are bathed in a gentle, yellow, red and blue lights, evoking a sense of passion and emotional depth. 👾 Glitch: In this experimental video, the footage is manipulated to create glitchy and distorted visuals, adding an edgy and futuristic element to the underwater scenes. The glitch effects disrupt the natural flow of the footage, resulting in a visually dynamic and unpredictable viewing experience. • First conceptual video and link in next tweet ⤵️

demidovich.eth | SnapSign 📸

95,223 просмотров • 2 лет назад

OK! this is a series. Prompt: You can also check it here: ---prompt--- Single unbroken handheld boyfriend vlog take throughout, 30 seconds total. A realistic personal travel vlog filmed by a boyfriend following his girlfriend during a normal day in Tokyo. Use the woman from the reference image as the main character. Maintain her exact facial identity, hairstyle, facial features, body proportions, and overall appearance throughout the entire video. She must remain the same person in every shot. The camera feels like a real boyfriend holding a small mirrorless camera or phone, not a professional production. Natural handheld movement, imperfect framing, occasional camera shake, spontaneous reactions, authentic everyday moments. The woman does not pose for the camera. She behaves naturally, sometimes forgetting the camera is there. 0-5s: Morning at a small Tokyo apartment. The camera starts recording as the boyfriend casually walks into the room. Soft morning sunlight enters through the window. The woman is sitting near the bed, fixing her hair and preparing for the day. She notices the camera, smiles naturally, laughs, and playfully tells him to stop filming. The camera stays close, slightly shaky, capturing a private everyday moment. 5-10s: Walking through Tokyo neighborhood streets. The boyfriend follows behind her as they leave the apartment. She walks through a quiet Tokyo street, carrying a small bag. Morning shops are opening, bicycles pass by, locals walk along the street. She stops at a convenience store. The camera follows her inside. She looks at different drinks and snacks, turns around and asks the person behind the camera which one she should choose. Natural interaction, casual conversation, realistic body language. 10-18s: Local food experience. The camera follows her through a small Tokyo alley to a cozy local restaurant. She sits down and tries a bowl of ramen or a local dish. The camera captures close handheld moments: her picking up chopsticks, tasting the food, reacting naturally, laughing when the food is hotter than expected. The boyfriend laughs behind the camera. The moment feels unplanned and authentic. 18-25s: Tokyo afternoon exploration. The couple walks through a lively neighborhood. She browses small shops, looks at interesting objects, takes photos, and occasionally looks back at the camera. The camera moves naturally between her face, her hands, the street atmosphere, and small details of daily life. Crowds pass naturally around them. The city feels alive and real. 25-30s: Tokyo night ending. Night falls. The camera follows her through illuminated Tokyo streets. She walks slightly ahead, then turns back and smiles at the camera. They ride a train home. She sits beside the window, watching city lights pass outside. The camera slowly moves closer as she rests quietly, ending like a real personal memory. Visual style: Authentic boyfriend travel vlog footage. Realistic handheld camera movement. Natural lighting. Casual documentary realism. Unplanned everyday moments. Real human expressions and interactions. Slight motion blur, natural exposure changes, realistic camera autofocus adjustments. No commercial advertisement style. No dramatic posing. No perfect cinematic composition. No text overlays. No logos. No face changes. No identity changes. No artificial transitions. No CGI feeling. Stable character consistency throughout.
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OK! this is a series. Prompt: You can also check it here: ---prompt--- Single unbroken handheld boyfriend vlog take throughout, 30 seconds total. A realistic personal travel vlog filmed by a boyfriend following his girlfriend during a normal day in Tokyo. Use the woman from the reference image as the main character. Maintain her exact facial identity, hairstyle, facial features, body proportions, and overall appearance throughout the entire video. She must remain the same person in every shot. The camera feels like a real boyfriend holding a small mirrorless camera or phone, not a professional production. Natural handheld movement, imperfect framing, occasional camera shake, spontaneous reactions, authentic everyday moments. The woman does not pose for the camera. She behaves naturally, sometimes forgetting the camera is there. 0-5s: Morning at a small Tokyo apartment. The camera starts recording as the boyfriend casually walks into the room. Soft morning sunlight enters through the window. The woman is sitting near the bed, fixing her hair and preparing for the day. She notices the camera, smiles naturally, laughs, and playfully tells him to stop filming. The camera stays close, slightly shaky, capturing a private everyday moment. 5-10s: Walking through Tokyo neighborhood streets. The boyfriend follows behind her as they leave the apartment. She walks through a quiet Tokyo street, carrying a small bag. Morning shops are opening, bicycles pass by, locals walk along the street. She stops at a convenience store. The camera follows her inside. She looks at different drinks and snacks, turns around and asks the person behind the camera which one she should choose. Natural interaction, casual conversation, realistic body language. 10-18s: Local food experience. The camera follows her through a small Tokyo alley to a cozy local restaurant. She sits down and tries a bowl of ramen or a local dish. The camera captures close handheld moments: her picking up chopsticks, tasting the food, reacting naturally, laughing when the food is hotter than expected. The boyfriend laughs behind the camera. The moment feels unplanned and authentic. 18-25s: Tokyo afternoon exploration. The couple walks through a lively neighborhood. She browses small shops, looks at interesting objects, takes photos, and occasionally looks back at the camera. The camera moves naturally between her face, her hands, the street atmosphere, and small details of daily life. Crowds pass naturally around them. The city feels alive and real. 25-30s: Tokyo night ending. Night falls. The camera follows her through illuminated Tokyo streets. She walks slightly ahead, then turns back and smiles at the camera. They ride a train home. She sits beside the window, watching city lights pass outside. The camera slowly moves closer as she rests quietly, ending like a real personal memory. Visual style: Authentic boyfriend travel vlog footage. Realistic handheld camera movement. Natural lighting. Casual documentary realism. Unplanned everyday moments. Real human expressions and interactions. Slight motion blur, natural exposure changes, realistic camera autofocus adjustments. No commercial advertisement style. No dramatic posing. No perfect cinematic composition. No text overlays. No logos. No face changes. No identity changes. No artificial transitions. No CGI feeling. Stable character consistency throughout.

BubbleBrain

137,956 просмотров • 14 дней назад

Seedance 2.5 Prompt: Create a 30-second ultra-realistic candid home-video sequence of a young Korean woman in her early 20s living an ordinary late morning in a quiet Korean residential neighborhood. SUBJECT: Young Korean woman, natural everyday appearance, realistic skin texture, minimal makeup, black wavy hair in a messy side ponytail with wispy bangs. Faded charcoal-grey sleeveless crop top, loose high-waisted light-wash jeans, black canvas sneakers, simple black cord necklace. Warm, relaxed personality. Keep her face, body, hairstyle, clothing, and appearance perfectly consistent throughout. SETTING: Authentic Korean residential neighborhood — narrow concrete alleys, low-rise homes, small terraces, potted plants, laundry lines, bicycles, utility poles, overhead wires and mature trees. Quiet, lived-in atmosphere. No shops, advertisements, crowds, cafés, or commercial activity. VISUAL STYLE: Ultra-realistic documentary home-video footage from an early-2000s consumer DV camcorder. Imperfect handheld operation, natural camera shake, awkward framing, occasional reframing, autofocus hunting, slight lens breathing, exposure pumping between sunlight and shade, subtle motion blur, mild rolling shutter, faded colors, soft contrast, slight digital compression and sensor noise. No stabilization, no cinematic camera moves, no modern color grading. Everything must feel genuinely captured, not AI-generated. TIMELINE: 00:00–00:05 — Outside her small house, she sits on a low concrete wall adjusting her messy ponytail. Wind moves loose strands of hair. She casually smiles while the camera struggles to lock focus. 00:05–00:10 — She walks into a narrow residential alley. A stray cat approaches. She crouches naturally, pets it and gently feeds it. Autofocus shifts imperfectly between her face and the cat. 00:10–00:15 — In a small front yard, she hangs laundry on a clothesline. Fabric moves naturally in the breeze while sunlight and cloud shadows subtly change the exposure. 00:15–00:20 — She sits on a quiet terrace with a simple ceramic coffee cup, casually watching the neighborhood and brushing loose hair behind her ear. Handheld side angle with natural camera drift. 00:20–00:25 — Close side profile. Someone off-camera casually greets her. She turns, smiles warmly, raises her hand and naturally says, “Annyeong.” The camera reacts slightly late. 00:25–00:30 — She walks slowly down a tree-lined residential lane holding her coffee. She notices the camera, gives a small genuine smile, then looks away and continues walking. The recording abruptly cuts to black mid-motion like an old camcorder being switched off. AUDIO: Only authentic location sound: birds, distant motorcycles, light wind, rustling leaves, faint neighborhood chatter, cat sounds, footsteps on concrete, laundry moving on the clothesline and subtle residential ambience. Natural Korean speech only. No music, narration, cinematic sound effects, or artificial sound design. GOAL: Make it feel like a forgotten personal home video from the early 2000s — intimate, spontaneous, imperfect, warm, mundane and deeply believable. Prioritize realistic human motion, natural facial expressions, physical interaction, environmental detail and consistent identity over cinematic beauty.
0:30

Seedance 2.5 Prompt: Create a 30-second ultra-realistic candid home-video sequence of a young Korean woman in her early 20s living an ordinary late morning in a quiet Korean residential neighborhood. SUBJECT: Young Korean woman, natural everyday appearance, realistic skin texture, minimal makeup, black wavy hair in a messy side ponytail with wispy bangs. Faded charcoal-grey sleeveless crop top, loose high-waisted light-wash jeans, black canvas sneakers, simple black cord necklace. Warm, relaxed personality. Keep her face, body, hairstyle, clothing, and appearance perfectly consistent throughout. SETTING: Authentic Korean residential neighborhood — narrow concrete alleys, low-rise homes, small terraces, potted plants, laundry lines, bicycles, utility poles, overhead wires and mature trees. Quiet, lived-in atmosphere. No shops, advertisements, crowds, cafés, or commercial activity. VISUAL STYLE: Ultra-realistic documentary home-video footage from an early-2000s consumer DV camcorder. Imperfect handheld operation, natural camera shake, awkward framing, occasional reframing, autofocus hunting, slight lens breathing, exposure pumping between sunlight and shade, subtle motion blur, mild rolling shutter, faded colors, soft contrast, slight digital compression and sensor noise. No stabilization, no cinematic camera moves, no modern color grading. Everything must feel genuinely captured, not AI-generated. TIMELINE: 00:00–00:05 — Outside her small house, she sits on a low concrete wall adjusting her messy ponytail. Wind moves loose strands of hair. She casually smiles while the camera struggles to lock focus. 00:05–00:10 — She walks into a narrow residential alley. A stray cat approaches. She crouches naturally, pets it and gently feeds it. Autofocus shifts imperfectly between her face and the cat. 00:10–00:15 — In a small front yard, she hangs laundry on a clothesline. Fabric moves naturally in the breeze while sunlight and cloud shadows subtly change the exposure. 00:15–00:20 — She sits on a quiet terrace with a simple ceramic coffee cup, casually watching the neighborhood and brushing loose hair behind her ear. Handheld side angle with natural camera drift. 00:20–00:25 — Close side profile. Someone off-camera casually greets her. She turns, smiles warmly, raises her hand and naturally says, “Annyeong.” The camera reacts slightly late. 00:25–00:30 — She walks slowly down a tree-lined residential lane holding her coffee. She notices the camera, gives a small genuine smile, then looks away and continues walking. The recording abruptly cuts to black mid-motion like an old camcorder being switched off. AUDIO: Only authentic location sound: birds, distant motorcycles, light wind, rustling leaves, faint neighborhood chatter, cat sounds, footsteps on concrete, laundry moving on the clothesline and subtle residential ambience. Natural Korean speech only. No music, narration, cinematic sound effects, or artificial sound design. GOAL: Make it feel like a forgotten personal home video from the early 2000s — intimate, spontaneous, imperfect, warm, mundane and deeply believable. Prioritize realistic human motion, natural facial expressions, physical interaction, environmental detail and consistent identity over cinematic beauty.

Saul Goodman

78,818 просмотров • 6 дней назад

I have been wanting to test performance transfer in Seadance 2.5 since launch, now I have, I am really impressed by the results. I wrote a short script and recorded myself giving a rallying speech as an orc warlord, then fed this and an image of the orc into Seedance with this prompt "A cinematic close up of an orc warlord giving a rallying speech to his army of orcs. Transfer the performance, movement and audio from Video 1 onto the the character Image 1. Do not add any music" I didn't prompt the dialogue or performance in text. The first video you see is a a final cut of the video, the second is the final cut of the video with my video performance. As you can see it's not an exact like-for-like transfer of the performance and voice but more a interpretation by Seedance. It's made my amateur performance better IMHO, more fitting with the creator but retain the essence, nuance and context. So you don't have to feed in a long prompt to get good performance out of your AI actors you can just show them what you want with a video! I used Seedance Enterprise on bytedances lumina platform Lumina link in the comments!
0:33

I have been wanting to test performance transfer in Seadance 2.5 since launch, now I have, I am really impressed by the results. I wrote a short script and recorded myself giving a rallying speech as an orc warlord, then fed this and an image of the orc into Seedance with this prompt "A cinematic close up of an orc warlord giving a rallying speech to his army of orcs. Transfer the performance, movement and audio from Video 1 onto the the character Image 1. Do not add any music" I didn't prompt the dialogue or performance in text. The first video you see is a a final cut of the video, the second is the final cut of the video with my video performance. As you can see it's not an exact like-for-like transfer of the performance and voice but more a interpretation by Seedance. It's made my amateur performance better IMHO, more fitting with the creator but retain the essence, nuance and context. So you don't have to feed in a long prompt to get good performance out of your AI actors you can just show them what you want with a video! I used Seedance Enterprise on bytedances lumina platform Lumina link in the comments!

Uncanny Harry AI

21,499 просмотров • 3 дней назад

Made with seedance 2.5 Single unbroken handheld boyfriend vlog take throughout, 30 seconds total. A realistic personal travel vlog filmed by a boyfriend following his girlfriend during a normal day in Tokyo. Use the woman from the reference image as the main character. Maintain her exact facial identity, hairstyle, facial features, body proportions, and overall appearance throughout the entire video. She must remain the same person in every shot. The camera feels like a real boyfriend holding a small mirrorless camera or phone, not a professional production. Natural handheld movement, imperfect framing, occasional camera shake, spontaneous reactions, authentic everyday moments. The woman does not pose for the camera. She behaves naturally, sometimes forgetting the camera is there. 0-5s: Morning at a small Tokyo apartment. The camera starts recording as the boyfriend casually walks into the room. Soft morning sunlight enters through the window. The woman is sitting near the bed, fixing her hair and preparing for the day. She notices the camera, smiles naturally, laughs, and playfully tells him to stop filming. The camera stays close, slightly shaky, capturing a private everyday moment. 5-10s: Walking through Tokyo neighborhood streets. The boyfriend follows behind her as they leave the apartment. She walks through a quiet Tokyo street, carrying a small bag. Morning shops are opening, bicycles pass by, locals walk along the street. She stops at a convenience store. The camera follows her inside. She looks at different drinks and snacks, turns around and asks the person behind the camera which one she should choose. Natural interaction, casual conversation, realistic body language. 10-18s: Local food experience. The camera follows her through a small Tokyo alley to a cozy local restaurant. She sits down and tries a bowl of ramen or a local dish. The camera captures close handheld moments: her picking up chopsticks, tasting the food, reacting naturally, laughing when the food is hotter than expected. The boyfriend laughs behind the camera. The moment feels unplanned and authentic. 18-25s: Tokyo afternoon exploration. The couple walks through a lively neighborhood. She browses small shops, looks at interesting objects, takes photos, and occasionally looks back at the camera. The camera moves naturally between her face, her hands, the street atmosphere, and small details of daily life. Crowds pass naturally around them. The city feels alive and real. 25-30s: Tokyo night ending. Night falls. The camera follows her through illuminated Tokyo streets. She walks slightly ahead, then turns back and smiles at the camera. They ride a train home. She sits beside the window, watching city lights pass outside. The camera slowly moves closer as she rests quietly, ending like a real personal memory. Visual style: Authentic boyfriend travel vlog footage. Realistic handheld camera movement. Natural lighting. Casual documentary realism. Unplanned everyday moments. Real human expressions and interactions. Slight motion blur, natural exposure changes, realistic camera autofocus adjustments. No commercial advertisement style. No dramatic posing. No perfect cinematic composition. No text overlays. No logos. No face changes. No identity changes. No artificial transitions. No CGI feeling. Stable character consistency throughout.
0:30

Made with seedance 2.5 Single unbroken handheld boyfriend vlog take throughout, 30 seconds total. A realistic personal travel vlog filmed by a boyfriend following his girlfriend during a normal day in Tokyo. Use the woman from the reference image as the main character. Maintain her exact facial identity, hairstyle, facial features, body proportions, and overall appearance throughout the entire video. She must remain the same person in every shot. The camera feels like a real boyfriend holding a small mirrorless camera or phone, not a professional production. Natural handheld movement, imperfect framing, occasional camera shake, spontaneous reactions, authentic everyday moments. The woman does not pose for the camera. She behaves naturally, sometimes forgetting the camera is there. 0-5s: Morning at a small Tokyo apartment. The camera starts recording as the boyfriend casually walks into the room. Soft morning sunlight enters through the window. The woman is sitting near the bed, fixing her hair and preparing for the day. She notices the camera, smiles naturally, laughs, and playfully tells him to stop filming. The camera stays close, slightly shaky, capturing a private everyday moment. 5-10s: Walking through Tokyo neighborhood streets. The boyfriend follows behind her as they leave the apartment. She walks through a quiet Tokyo street, carrying a small bag. Morning shops are opening, bicycles pass by, locals walk along the street. She stops at a convenience store. The camera follows her inside. She looks at different drinks and snacks, turns around and asks the person behind the camera which one she should choose. Natural interaction, casual conversation, realistic body language. 10-18s: Local food experience. The camera follows her through a small Tokyo alley to a cozy local restaurant. She sits down and tries a bowl of ramen or a local dish. The camera captures close handheld moments: her picking up chopsticks, tasting the food, reacting naturally, laughing when the food is hotter than expected. The boyfriend laughs behind the camera. The moment feels unplanned and authentic. 18-25s: Tokyo afternoon exploration. The couple walks through a lively neighborhood. She browses small shops, looks at interesting objects, takes photos, and occasionally looks back at the camera. The camera moves naturally between her face, her hands, the street atmosphere, and small details of daily life. Crowds pass naturally around them. The city feels alive and real. 25-30s: Tokyo night ending. Night falls. The camera follows her through illuminated Tokyo streets. She walks slightly ahead, then turns back and smiles at the camera. They ride a train home. She sits beside the window, watching city lights pass outside. The camera slowly moves closer as she rests quietly, ending like a real personal memory. Visual style: Authentic boyfriend travel vlog footage. Realistic handheld camera movement. Natural lighting. Casual documentary realism. Unplanned everyday moments. Real human expressions and interactions. Slight motion blur, natural exposure changes, realistic camera autofocus adjustments. No commercial advertisement style. No dramatic posing. No perfect cinematic composition. No text overlays. No logos. No face changes. No identity changes. No artificial transitions. No CGI feeling. Stable character consistency throughout.

Anissa

25,415 просмотров • 3 дней назад

Slovak Member of the EU Milan Mazurek spoke out against the European Parliament for openly allowing violence against White People, and only White People “I will say something what many of you (The EU) will have a problem with, and I will say it loudly and openly: White Lives Matter Because right now, White People are just a tiny minority in this world, and white people are the most hated group in the whole world. Everything is allowed against white people. You can openly spread hatred and racism against white people. You can openly call for a violence against white people and nobody will ban you from social networks. Nobody will prosecute you or put you in jail for that. Nobody will prosecute you and trying to destroy your life because doing something like that. And that's why I consider it very important to repeat that for you as a white man, as a Christian father of the family, White Lives Matter”
1:07

Slovak Member of the EU Milan Mazurek spoke out against the European Parliament for openly allowing violence against White People, and only White People “I will say something what many of you (The EU) will have a problem with, and I will say it loudly and openly: White Lives Matter Because right now, White People are just a tiny minority in this world, and white people are the most hated group in the whole world. Everything is allowed against white people. You can openly spread hatred and racism against white people. You can openly call for a violence against white people and nobody will ban you from social networks. Nobody will prosecute you or put you in jail for that. Nobody will prosecute you and trying to destroy your life because doing something like that. And that's why I consider it very important to repeat that for you as a white man, as a Christian father of the family, White Lives Matter”

Wall Street Apes

651,697 просмотров • 8 месяцев назад

Detectives Seek to Identify Armed, Masked Person in Southwest Aurora #APDAlert Late Friday night, June 14, at about 11:45 p.m., two incidents occurred within minutes of each other in a neighborhood near S. Peoria St. and S. Parker Rd. Detectives are actively investigating these incidents and need the community's help to identify this person. Please read the incident descriptions below, watch the surveillance footage, and then submit any tips through MetroDenverCrimeStoppers. In one of the instances, a person dressed in all black with a full-faced white mask started knocking on the front door. The homeowner opened the door and was met by this masked person. The homeowner quickly closed and locked the door before the suspect could get inside. Thankfully, the homeowner was not injured. The other incident, captured on surveillance footage, shows the same suspect driving in front of the house in a dark-colored SUV. They then walk from around the corner dressed in all black and wearing a white mask. The suspect used a handgun to bang on the front door, but the homeowner never answered. A few things to notice in the video include the unique footwear of the suspect, the dark vehicle that pulls up along the street, and possibly a necklace or lanyard in view around the suspect's neck. Again, if you have tips about the suspect's identity, please submit them to Crime Stoppers. It is crucial to maintain a high level of vigilance in our community. Do not open the door for strangers. If you notice any suspicious activity, report it to law enforcement immediately, providing a detailed description for responding officers. Ensure the exteriors of your houses are well-lit, consider installing motion lights, and invest in a video doorbell or similar device that could help deter criminals. Remember, being a good neighbor means if you see something, say something.
1:24

Detectives Seek to Identify Armed, Masked Person in Southwest Aurora #APDAlert Late Friday night, June 14, at about 11:45 p.m., two incidents occurred within minutes of each other in a neighborhood near S. Peoria St. and S. Parker Rd. Detectives are actively investigating these incidents and need the community's help to identify this person. Please read the incident descriptions below, watch the surveillance footage, and then submit any tips through MetroDenverCrimeStoppers. In one of the instances, a person dressed in all black with a full-faced white mask started knocking on the front door. The homeowner opened the door and was met by this masked person. The homeowner quickly closed and locked the door before the suspect could get inside. Thankfully, the homeowner was not injured. The other incident, captured on surveillance footage, shows the same suspect driving in front of the house in a dark-colored SUV. They then walk from around the corner dressed in all black and wearing a white mask. The suspect used a handgun to bang on the front door, but the homeowner never answered. A few things to notice in the video include the unique footwear of the suspect, the dark vehicle that pulls up along the street, and possibly a necklace or lanyard in view around the suspect's neck. Again, if you have tips about the suspect's identity, please submit them to Crime Stoppers. It is crucial to maintain a high level of vigilance in our community. Do not open the door for strangers. If you notice any suspicious activity, report it to law enforcement immediately, providing a detailed description for responding officers. Ensure the exteriors of your houses are well-lit, consider installing motion lights, and invest in a video doorbell or similar device that could help deter criminals. Remember, being a good neighbor means if you see something, say something.

Aurora Police Dept

46,984 просмотров • 2 лет назад