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Although Rebecca Ferguson possesses a strong singing voice and has a background in music, she explicitly requested not to sing the show-stopping ballad “Never Enough” herself, recognizing that portraying the historically legendary “Swedish Nightingale” required a specific, world-class vocal caliber she felt she lacked. The soaring, powerhouse vocals were...

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🌺 LOVE MUSIC 🎼 AND MOVIES 🎬

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17,290 次观看 • 1 个月前 •via X (Twitter)

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Rita Hayworth performing “Put the Blame on Mame” written by Allan Roberts and Doris Fisher for the film noir Gilda (1946), directed by Charles Vidor. There is a rumour that this film is the only time Rita Hayworth's real singing voice is heard, but that is not true. According to the bonus features from the DVD, Hayworth actually never recorded her own singing voice and was a talented lip-syncher. Anita Ellis dubbed almost all of her singing in this film. Hayworth always wanted to do her own singing, and Columbia Pictures chief Harry Cohn paid for her voice lessons, but she never developed a voice he considered strong enough to be used; Hayworth remained bitter about that for the rest of her life. According to the commentary provided on TCM, although Anita Ellis did voice the big production version of “Put the Blame on Mame”, Rita Hayworth indeed was singing that song when she is strumming the guitar at the bar.
1:58

Rita Hayworth performing “Put the Blame on Mame” written by Allan Roberts and Doris Fisher for the film noir Gilda (1946), directed by Charles Vidor. There is a rumour that this film is the only time Rita Hayworth's real singing voice is heard, but that is not true. According to the bonus features from the DVD, Hayworth actually never recorded her own singing voice and was a talented lip-syncher. Anita Ellis dubbed almost all of her singing in this film. Hayworth always wanted to do her own singing, and Columbia Pictures chief Harry Cohn paid for her voice lessons, but she never developed a voice he considered strong enough to be used; Hayworth remained bitter about that for the rest of her life. According to the commentary provided on TCM, although Anita Ellis did voice the big production version of “Put the Blame on Mame”, Rita Hayworth indeed was singing that song when she is strumming the guitar at the bar.

Hollywood Golden Age of Cinema

27,155 次观看 • 2 个月前

⚘️❤️The Song "Forever Young" and the Heartbreaking Life of Legend Laura Branigan On the night of June 20, 1985, audiences of the legendary television program The Tonight Show Starring Johnny Carson witnessed one of the most memorable musical moments of the 1980s. Stepping onto the stage with a glamorous appearance, singer Laura Branigan delivered a transcendent and deeply moving live performance of the song "Forever Young." This piece was originally a synth-pop track by the German band Alphaville released in 1984. Recognizing the beautiful melody and profound message of the song, Laura Branigan decided to include it in her fourth studio album titled Hold Me, released in 1985. With her powerful, bird-like, yet incredibly poignant vocals, her cover version clothed the song in a new emotional coat and achieved resounding success worldwide. Laura Branigan's connection to "Forever Young" ran so deep that it became the customary and indispensable encore song in all of her worldwide concert tours throughout her later career, creating a sacred space of nostalgia that connected the heart of the talented singer with millions of fans. However, the sudden passing of Laura Branigan in the summer of 2004 was a massive emotional shock, leaving an unfillable void in the hearts of music lovers. Her death occurred completely unexpectedly in her sleep at her home on August 26, 2004, when she was only 52 years old. The cause was determined to be a brain aneurysm, a dangerous condition that had existed silently without being detected beforehand. Her family recalled that she had suffered from severe, persistent headaches for several weeks prior. Yet, believing they were just typical pains from work pressure and everyday stress, she quietly endured them without going to the hospital for a medical checkup. To fully understand the audience's deep sorrow for her, one must look back at the period when she willingly walked away from the stage's spotlight for her family. While at the peak of her game with a string of worldwide chart-topping hits, Laura Branigan suddenly announced a temporary halt to all artistic activities in the mid-1990s. The reason was that her beloved husband, Lawrence Ross Kruteck, was diagnosed with advanced colorectal cancer. For years, she turned down all tour invitations and stayed away from the stage lights to dedicate herself fully to caring for and being an emotional pillar for her husband. Following his passing in 1996, she fell into a long period of reclusive mourning and virtually vanished from the entertainment industry. In the early 2000s, as the pain of her loss gradually eased, Laura Branigan began to find solace in music again and planned a powerful comeback. She returned to live performances, joined the Broadway musical Love, Janis, and actively entered the studio to record brand-new tracks. Music fans at the time were incredibly eager to welcome back the queen of pop-rock. Yet, just as all her musical projects were nearing completion, cruel fate took her life. To this very day, fans still feel a sharp ache in their hearts whenever the melody of "Forever Young" plays, serving as a heartbreaking reminder of a legendary voice that stopped forever at her most radiant youth.
3:51

⚘️❤️The Song "Forever Young" and the Heartbreaking Life of Legend Laura Branigan On the night of June 20, 1985, audiences of the legendary television program The Tonight Show Starring Johnny Carson witnessed one of the most memorable musical moments of the 1980s. Stepping onto the stage with a glamorous appearance, singer Laura Branigan delivered a transcendent and deeply moving live performance of the song "Forever Young." This piece was originally a synth-pop track by the German band Alphaville released in 1984. Recognizing the beautiful melody and profound message of the song, Laura Branigan decided to include it in her fourth studio album titled Hold Me, released in 1985. With her powerful, bird-like, yet incredibly poignant vocals, her cover version clothed the song in a new emotional coat and achieved resounding success worldwide. Laura Branigan's connection to "Forever Young" ran so deep that it became the customary and indispensable encore song in all of her worldwide concert tours throughout her later career, creating a sacred space of nostalgia that connected the heart of the talented singer with millions of fans. However, the sudden passing of Laura Branigan in the summer of 2004 was a massive emotional shock, leaving an unfillable void in the hearts of music lovers. Her death occurred completely unexpectedly in her sleep at her home on August 26, 2004, when she was only 52 years old. The cause was determined to be a brain aneurysm, a dangerous condition that had existed silently without being detected beforehand. Her family recalled that she had suffered from severe, persistent headaches for several weeks prior. Yet, believing they were just typical pains from work pressure and everyday stress, she quietly endured them without going to the hospital for a medical checkup. To fully understand the audience's deep sorrow for her, one must look back at the period when she willingly walked away from the stage's spotlight for her family. While at the peak of her game with a string of worldwide chart-topping hits, Laura Branigan suddenly announced a temporary halt to all artistic activities in the mid-1990s. The reason was that her beloved husband, Lawrence Ross Kruteck, was diagnosed with advanced colorectal cancer. For years, she turned down all tour invitations and stayed away from the stage lights to dedicate herself fully to caring for and being an emotional pillar for her husband. Following his passing in 1996, she fell into a long period of reclusive mourning and virtually vanished from the entertainment industry. In the early 2000s, as the pain of her loss gradually eased, Laura Branigan began to find solace in music again and planned a powerful comeback. She returned to live performances, joined the Broadway musical Love, Janis, and actively entered the studio to record brand-new tracks. Music fans at the time were incredibly eager to welcome back the queen of pop-rock. Yet, just as all her musical projects were nearing completion, cruel fate took her life. To this very day, fans still feel a sharp ache in their hearts whenever the melody of "Forever Young" plays, serving as a heartbreaking reminder of a legendary voice that stopped forever at her most radiant youth.

𝐌𝐮𝐬𝐢𝐜 - 𝐌𝐨𝐯𝐢𝐞 - 𝐀𝐧𝐝 𝐌𝐨𝐫𝐞⭐️❤️

182,969 次观看 • 26 天前

Remembering the great Nina Simone who was born on this day in 1933. Known for creating urgent emotional intensity by singing songs of love, protest, and Black empowerment in a dramatic style, with a rough-edged voice, Simone’s bearing and stage presence earned her the title “the High Priestess of Soul”. Onstage, she incorporated monologs and dialogues with the audience into the program, and often used silence as a musical element. A friend of Langston Hughes, James Baldwin, Lorraine Hansberry, and neighbour of Malcom X, she became involved in the the civil rights movement. She was deeply immersed in movement politics, debates and organizing. Her song “Mississippi Goddamn,” written after the 1963 bombing of 16th Street Baptist Church in Birmingham Alabama, became an anthem of the civil rights movement. Simone and Lorraine Hansberry discussed “Marx, Lenin, and revolution” instead of fashion and men,” and through her music and her political activism, she committed herself to “fighting for a different kind of society,” one founded on equality. Here, she is performing “I Put a Spell On You” live in 1968.
1:30

Remembering the great Nina Simone who was born on this day in 1933. Known for creating urgent emotional intensity by singing songs of love, protest, and Black empowerment in a dramatic style, with a rough-edged voice, Simone’s bearing and stage presence earned her the title “the High Priestess of Soul”. Onstage, she incorporated monologs and dialogues with the audience into the program, and often used silence as a musical element. A friend of Langston Hughes, James Baldwin, Lorraine Hansberry, and neighbour of Malcom X, she became involved in the the civil rights movement. She was deeply immersed in movement politics, debates and organizing. Her song “Mississippi Goddamn,” written after the 1963 bombing of 16th Street Baptist Church in Birmingham Alabama, became an anthem of the civil rights movement. Simone and Lorraine Hansberry discussed “Marx, Lenin, and revolution” instead of fashion and men,” and through her music and her political activism, she committed herself to “fighting for a different kind of society,” one founded on equality. Here, she is performing “I Put a Spell On You” live in 1968.

The Jazz Estate

67,416 次观看 • 2 年前

❤️The relationship between the original artist, Dolly Parton, and the legendary Whitney Houston stands as one of the most beautiful and gracious stories in music history. Far from the envy often seen in the industry, Dolly always held Whitney in the highest regard. She once shared a moving memory of hearing the cover on the radio for the first time; when Whitney’s voice soared, Dolly had to pull her car over immediately and burst into tears, overwhelmed by how the song had been elevated beyond her wildest imagination. For decades, Dolly maintained that Whitney never "stole" the song; rather, the late diva transformed her intimate, personal sentiment into a monumental global anthem. This mutual respect culminated at the 1994 Grammy Awards, where Dolly Parton herself presented the prestigious golden trophy to Whitney Houston. That night, Whitney also made history with her "white dress" performance—widely considered the greatest live vocal performance of all time. Appearing like a goddess in a pristine white mermaid gown atop a raised circular platform, she performed on a minimalist stage that allowed the audience to focus entirely on her soulful gaze and soaring vocals. The performance served as a masterclass in vocal technique, showcasing an artist at the absolute peak of her powers. Whitney opened with a breathtaking, nearly 45-second a cappella section, demonstrating flawless pitch control as she seamlessly locked in with the instrumentation that followed. During the climax, she employed open-throat technique and Gospel-style melisma to unleash rich, bright, and powerful belted notes. The most powerful moment occurred when the music suddenly paused for a few seconds, giving way to a massive E-flat (Eb5) note on the words "And I..." With boundless breath support and natural vibrato, that magnificent sustained note swept through the auditorium like a tidal wave of sound, leaving even the seasoned stars in the audience awestruck. Her performance at the 1994 Grammys was a perfect blend of dazzling beauty, consummate vocal technique, and heartfelt emotion. When Whitney passed away suddenly in 2012, Dolly Parton bade her farewell with a tearful tribute, affirming that she would always love her. The profound, soulful connection between the songwriter and the singer transformed "I Will Always Love You" into an immortal legend—a musical sanctuary that the world continues to revere with awe to this day. ------------------------------
2:20

❤️The relationship between the original artist, Dolly Parton, and the legendary Whitney Houston stands as one of the most beautiful and gracious stories in music history. Far from the envy often seen in the industry, Dolly always held Whitney in the highest regard. She once shared a moving memory of hearing the cover on the radio for the first time; when Whitney’s voice soared, Dolly had to pull her car over immediately and burst into tears, overwhelmed by how the song had been elevated beyond her wildest imagination. For decades, Dolly maintained that Whitney never "stole" the song; rather, the late diva transformed her intimate, personal sentiment into a monumental global anthem. This mutual respect culminated at the 1994 Grammy Awards, where Dolly Parton herself presented the prestigious golden trophy to Whitney Houston. That night, Whitney also made history with her "white dress" performance—widely considered the greatest live vocal performance of all time. Appearing like a goddess in a pristine white mermaid gown atop a raised circular platform, she performed on a minimalist stage that allowed the audience to focus entirely on her soulful gaze and soaring vocals. The performance served as a masterclass in vocal technique, showcasing an artist at the absolute peak of her powers. Whitney opened with a breathtaking, nearly 45-second a cappella section, demonstrating flawless pitch control as she seamlessly locked in with the instrumentation that followed. During the climax, she employed open-throat technique and Gospel-style melisma to unleash rich, bright, and powerful belted notes. The most powerful moment occurred when the music suddenly paused for a few seconds, giving way to a massive E-flat (Eb5) note on the words "And I..." With boundless breath support and natural vibrato, that magnificent sustained note swept through the auditorium like a tidal wave of sound, leaving even the seasoned stars in the audience awestruck. Her performance at the 1994 Grammys was a perfect blend of dazzling beauty, consummate vocal technique, and heartfelt emotion. When Whitney passed away suddenly in 2012, Dolly Parton bade her farewell with a tearful tribute, affirming that she would always love her. The profound, soulful connection between the songwriter and the singer transformed "I Will Always Love You" into an immortal legend—a musical sanctuary that the world continues to revere with awe to this day. ------------------------------

𝐌𝐮𝐬𝐢𝐜 - 𝐌𝐨𝐯𝐢𝐞 - 𝐀𝐧𝐝 𝐌𝐨𝐫𝐞⭐️❤️

81,482 次观看 • 17 天前

"Jolene's" Magnificent Plea: Dolly Parton’s Transcendent Night on the Letterman Stage Dolly Parton’s live performance of "Jolene" on the *Late Show with David Letterman* on April 4, 1995, has gone down in history as one of the finest live acts ever staged in the Ed Sullivan Theater. At the age of 49, the legendary singer delivered not only a musical masterpiece but also a flawless embodiment of the song's protagonist—a wife pouring out her heart—all while exuding a truly magnificent presence. Stepping onto the stage, Dolly Parton immediately commanded attention in a form-fitting, sequined white gown that accentuated her famous hourglass figure, complemented by her iconic, voluminous blonde hair. Without relying on modern vocal processing, she showcased her raw, pristine, and incredibly sharp vocal prowess. Dolly’s voice soared—clear yet tinged with a palpable, choked-back emotion. Despite the song’s fast, driving tempo, she maintained perfect breath control and pitch, fully conveying the insecurity and desperate pleading directed at "Jolene." The performance’s brilliance was further elevated by the superb accompaniment of the traditional band. A key emotional highlight was the pedal steel guitar ringing out during the musical transitions; that signature, melancholic, and sustained sound—a staple of country music—blended with Dolly’s vocals like a quiet sob, holding the audience spellbound. As the song concluded, the Ed Sullivan Theater erupted in thunderous applause. Host David Letterman himself stepped onto the stage, visibly excited and full of praise for the sheer caliber of this living legend. Channeling the jealousy of her youth into her music, Dolly Parton transformed marital insecurity into an enduring legacy that shone brilliantly before millions of television viewers.
3:26

"Jolene's" Magnificent Plea: Dolly Parton’s Transcendent Night on the Letterman Stage Dolly Parton’s live performance of "Jolene" on the *Late Show with David Letterman* on April 4, 1995, has gone down in history as one of the finest live acts ever staged in the Ed Sullivan Theater. At the age of 49, the legendary singer delivered not only a musical masterpiece but also a flawless embodiment of the song's protagonist—a wife pouring out her heart—all while exuding a truly magnificent presence. Stepping onto the stage, Dolly Parton immediately commanded attention in a form-fitting, sequined white gown that accentuated her famous hourglass figure, complemented by her iconic, voluminous blonde hair. Without relying on modern vocal processing, she showcased her raw, pristine, and incredibly sharp vocal prowess. Dolly’s voice soared—clear yet tinged with a palpable, choked-back emotion. Despite the song’s fast, driving tempo, she maintained perfect breath control and pitch, fully conveying the insecurity and desperate pleading directed at "Jolene." The performance’s brilliance was further elevated by the superb accompaniment of the traditional band. A key emotional highlight was the pedal steel guitar ringing out during the musical transitions; that signature, melancholic, and sustained sound—a staple of country music—blended with Dolly’s vocals like a quiet sob, holding the audience spellbound. As the song concluded, the Ed Sullivan Theater erupted in thunderous applause. Host David Letterman himself stepped onto the stage, visibly excited and full of praise for the sheer caliber of this living legend. Channeling the jealousy of her youth into her music, Dolly Parton transformed marital insecurity into an enduring legacy that shone brilliantly before millions of television viewers.

𝐌𝐮𝐬𝐢𝐜 - 𝐌𝐨𝐯𝐢𝐞 - 𝐀𝐧𝐝 𝐌𝐨𝐫𝐞⭐️❤️

207,479 次观看 • 18 天前

Online Video Alleges Unfair Treatment and Accusations of Mistreatment on Chinese Singing Show "#SingChina" A recently surfaced video has shed light on allegations made by the late pop diva #CoCoLee, who passed away last month. In the video, CoCo Lee accused the popular Chinese singing competition program "Sing! China" of #unfair treatment and differential treatment of contestants during the show's recording. This clip, which emerged online, followed the release of a voice recording attributed to CoCo Lee, where she recounted #mistreatment and #humiliation on stage during her appearance on the show. According to the voice recording, CoCo Lee claimed that despite suffering from unbearable leg pain, the show's organizers asked her team member to leave her behind on stage, depriving her of crucial support, a situation contrary to the rehearsal. This allegedly led to her falling down on stage. Public opinion holds that the underlying cause of this alleged mistreatment is that CoCo spoke out candidly on the show, disclosing certain truths that may have offended the program. This revelation has ignited a debate over the integrity and fairness of Sing! China, prompting questions about the treatment of contestants and the program's #unscrupulousness.
1:58

Online Video Alleges Unfair Treatment and Accusations of Mistreatment on Chinese Singing Show "#SingChina" A recently surfaced video has shed light on allegations made by the late pop diva #CoCoLee, who passed away last month. In the video, CoCo Lee accused the popular Chinese singing competition program "Sing! China" of #unfair treatment and differential treatment of contestants during the show's recording. This clip, which emerged online, followed the release of a voice recording attributed to CoCo Lee, where she recounted #mistreatment and #humiliation on stage during her appearance on the show. According to the voice recording, CoCo Lee claimed that despite suffering from unbearable leg pain, the show's organizers asked her team member to leave her behind on stage, depriving her of crucial support, a situation contrary to the rehearsal. This allegedly led to her falling down on stage. Public opinion holds that the underlying cause of this alleged mistreatment is that CoCo spoke out candidly on the show, disclosing certain truths that may have offended the program. This revelation has ignited a debate over the integrity and fairness of Sing! China, prompting questions about the treatment of contestants and the program's #unscrupulousness.

HKeye

14,203 次观看 • 3 年前

At just 17 years old, Mia Morris delivered one of the most memorable auditions on America's Got Talent with an original song that showcased her exceptional talent. Her audition quickly became a fan favorite, celebrated for its authenticity and emotional storytelling. By performing a song she wrote herself, Mia Morris demonstrated that true artistry comes from expressing something personal, making her audition one of the standout moments of the season. Not only did she impress with her powerful vocals, but she also proved herself to be a gifted songwriter and multi-instrumentalist. Her performance combined heartfelt lyrics, captivating stage presence, and genuine originality, making it impossible to look away. Mia's confidence, creativity, and musical versatility immediately caught the judges' attention, earning enthusiastic praise and a standing ovation from the audience
1:48

At just 17 years old, Mia Morris delivered one of the most memorable auditions on America's Got Talent with an original song that showcased her exceptional talent. Her audition quickly became a fan favorite, celebrated for its authenticity and emotional storytelling. By performing a song she wrote herself, Mia Morris demonstrated that true artistry comes from expressing something personal, making her audition one of the standout moments of the season. Not only did she impress with her powerful vocals, but she also proved herself to be a gifted songwriter and multi-instrumentalist. Her performance combined heartfelt lyrics, captivating stage presence, and genuine originality, making it impossible to look away. Mia's confidence, creativity, and musical versatility immediately caught the judges' attention, earning enthusiastic praise and a standing ovation from the audience

Aubrielle Dean

1,205,771 次观看 • 1 个月前

Celine Dion is one of the most powerful and celebrated vocalists in music history, renowned for her extraordinary vocal range, emotional intensity, and ability to transform ballads into timeless classics. She rose to global fame in the 1990s with hits like "The Power of Love" and "Because You Loved Me," before creating her most iconic moment with "My Heart Will Go On," the Grammy-winning theme song from Titanic, which became one of the best-selling singles of all time. She continued her illustrious career with hits like "It's All Coming Back to Me Now" and "A New Day Has Come," showcasing her versatility across pop, contemporary, and cinematic ballad genres. Famous for her soaring vocals, dramatic delivery, and captivating stage presence, Celine Dion has become synonymous with emotionally impactful and impactful performances. Her ability to convey profound emotions through powerful vocal control has created a legacy few artists can match. Reaching the top of the charts, Celine Dion remains one of the most outstanding and beloved voices in music history, continuing to inspire generations of artists worldwide.
1:00

Celine Dion is one of the most powerful and celebrated vocalists in music history, renowned for her extraordinary vocal range, emotional intensity, and ability to transform ballads into timeless classics. She rose to global fame in the 1990s with hits like "The Power of Love" and "Because You Loved Me," before creating her most iconic moment with "My Heart Will Go On," the Grammy-winning theme song from Titanic, which became one of the best-selling singles of all time. She continued her illustrious career with hits like "It's All Coming Back to Me Now" and "A New Day Has Come," showcasing her versatility across pop, contemporary, and cinematic ballad genres. Famous for her soaring vocals, dramatic delivery, and captivating stage presence, Celine Dion has become synonymous with emotionally impactful and impactful performances. Her ability to convey profound emotions through powerful vocal control has created a legacy few artists can match. Reaching the top of the charts, Celine Dion remains one of the most outstanding and beloved voices in music history, continuing to inspire generations of artists worldwide.

💖🌼Music, Kindness, and Inspiring Stories

32,500 次观看 • 1 个月前

On this day, Christina Aguilera released “I Turn to You”, a powerhouse ballad that helped cement her as one of the strongest vocalists of her generation 🎤✨ Originally written by Diane Warren and first recorded by All-4-One, Christina’s version was recorded for her self-titled debut album. The track was produced by Guy Roche and gave her the perfect stage to showcase those signature soaring vocals and emotional depth early in her career. The song became a major hit, climbing into the top 5 on the Billboard Hot 100 and dominating adult contemporary radio, proving she wasn’t just a teen pop star, but a serious vocalist with staying power. Following its success, Christina continued her chart domination with hits like “Genie in a Bottle” and “What a Girl Wants,” quickly evolving from pop newcomer to Grammy-winning powerhouse. “I Turn to You” played a key role in shaping her reputation as *the* voice of her era, a label that would carry through her career as she took on more soulful, bold, and experimental music. #ChristinaAguilera #OnThisDay #ITurnToYou #Xtina
0:46

On this day, Christina Aguilera released “I Turn to You”, a powerhouse ballad that helped cement her as one of the strongest vocalists of her generation 🎤✨ Originally written by Diane Warren and first recorded by All-4-One, Christina’s version was recorded for her self-titled debut album. The track was produced by Guy Roche and gave her the perfect stage to showcase those signature soaring vocals and emotional depth early in her career. The song became a major hit, climbing into the top 5 on the Billboard Hot 100 and dominating adult contemporary radio, proving she wasn’t just a teen pop star, but a serious vocalist with staying power. Following its success, Christina continued her chart domination with hits like “Genie in a Bottle” and “What a Girl Wants,” quickly evolving from pop newcomer to Grammy-winning powerhouse. “I Turn to You” played a key role in shaping her reputation as *the* voice of her era, a label that would carry through her career as she took on more soulful, bold, and experimental music. #ChristinaAguilera #OnThisDay #ITurnToYou #Xtina

98.1 CHFI

15,881 次观看 • 5 个月前

Remembering the great Ella Fitzgerald who was born on this day in 1917. Sometimes referred to as the “First Lady of Song” and “Queen of Jazz”, she was known for her purity of tone, impeccable diction, phrasing, timing, intonation and a “horn-like” improvisational ability, particularly in her scat singing. As a child, Fitzgerald wanted to be a dancer, but when she panicked at an amateur contest in 1934 at New York City’s Apollo Theatre and sang in a style influenced by the jazz vocalist Connee Boswell instead, she won first prize. During her long career Fitzgerald recorded more than 100 albums of several kinds of music. In addition to winning many Grammy awards for her recordings, Fitzgerald was honored with lifetime achievement awards by the National Academy of Recording Arts and Sciences and the Kennedy Center for the Performing Arts. Here, she is performing “Them There Eyes” with Tommy Flanagan on piano and Roy Eldridge on trumpet live in France, 1964.
2:12

Remembering the great Ella Fitzgerald who was born on this day in 1917. Sometimes referred to as the “First Lady of Song” and “Queen of Jazz”, she was known for her purity of tone, impeccable diction, phrasing, timing, intonation and a “horn-like” improvisational ability, particularly in her scat singing. As a child, Fitzgerald wanted to be a dancer, but when she panicked at an amateur contest in 1934 at New York City’s Apollo Theatre and sang in a style influenced by the jazz vocalist Connee Boswell instead, she won first prize. During her long career Fitzgerald recorded more than 100 albums of several kinds of music. In addition to winning many Grammy awards for her recordings, Fitzgerald was honored with lifetime achievement awards by the National Academy of Recording Arts and Sciences and the Kennedy Center for the Performing Arts. Here, she is performing “Them There Eyes” with Tommy Flanagan on piano and Roy Eldridge on trumpet live in France, 1964.

The Jazz Estate

17,560 次观看 • 4 个月前

The passing of Asha Bhosleji feels like the fading of one of the great soundtracks of my generation. She and her sister Lata Mangeshkarji were not just singers, they were the voices of India itself. Lataji will always remain the benchmark of perfection. But to my generation, Ashaji was something equally powerful: she was possibility. Often seen as the ‘other’ voice in the same family, she refused to be defined by comparison. Instead, she carved out her own space with a style that was bold, experimental. From cabaret to ghazals, from folk to pop, she expanded what was acceptable, not just in music, but in how a woman could live, choose, and express herself. In doing so, she didn’t just sing differently. She lived differently.. I personally took inspiration from her and learned from her courage to be a non-conformist and go ‘off-road.’ No matter where you are now, Ashaji, I know you will be breaking boundaries… Om shanti 🙏🏽
0:48

The passing of Asha Bhosleji feels like the fading of one of the great soundtracks of my generation. She and her sister Lata Mangeshkarji were not just singers, they were the voices of India itself. Lataji will always remain the benchmark of perfection. But to my generation, Ashaji was something equally powerful: she was possibility. Often seen as the ‘other’ voice in the same family, she refused to be defined by comparison. Instead, she carved out her own space with a style that was bold, experimental. From cabaret to ghazals, from folk to pop, she expanded what was acceptable, not just in music, but in how a woman could live, choose, and express herself. In doing so, she didn’t just sing differently. She lived differently.. I personally took inspiration from her and learned from her courage to be a non-conformist and go ‘off-road.’ No matter where you are now, Ashaji, I know you will be breaking boundaries… Om shanti 🙏🏽

anand mahindra

78,187 次观看 • 5 个月前

“Silver Springs” was written by Stevie Nicks during the sessions for Fleetwood Mac’s album Rumours. Originally intended for the album, it was ultimately left off due to the time limitations of vinyl records and instead appeared as the B-side to "Go Your Own Way." Despite never being a major hit upon its original release, the song became one of the band's most beloved deep cuts. Widely interpreted as Stevie Nicks' emotional response to her breakup with Lindsey Buckingham, "Silver Springs" gained legendary status after the band's 1997 live reunion performance for The Dance. During the song's climactic finale, Nicks and Buckingham locked eyes while singing the deeply personal lyrics, creating one of the most unforgettable moments in rock history. The live version earned a Grammy nomination for Best Pop Performance by a Duo or Group with Vocal, and the song was finally released as a single in 1998, reaching the Top 40 in the UK.
3:21

“Silver Springs” was written by Stevie Nicks during the sessions for Fleetwood Mac’s album Rumours. Originally intended for the album, it was ultimately left off due to the time limitations of vinyl records and instead appeared as the B-side to "Go Your Own Way." Despite never being a major hit upon its original release, the song became one of the band's most beloved deep cuts. Widely interpreted as Stevie Nicks' emotional response to her breakup with Lindsey Buckingham, "Silver Springs" gained legendary status after the band's 1997 live reunion performance for The Dance. During the song's climactic finale, Nicks and Buckingham locked eyes while singing the deeply personal lyrics, creating one of the most unforgettable moments in rock history. The live version earned a Grammy nomination for Best Pop Performance by a Duo or Group with Vocal, and the song was finally released as a single in 1998, reaching the Top 40 in the UK.

Ladytron Fan Account

32,784 次观看 • 14 天前

“Sunday Bloody Sunday” is from U2’s 1983 album War. Inspired by the violence of Bloody Sunday, the song is a powerful plea for peace rather than a political anthem, with Bono repeatedly declaring "This is not a rebel song." Although it was never a major chart hit, it became one of U2's signature songs and a staple of the band's live performances. The version performed at Red Rocks Amphitheatre on 5 June 1983 is widely regarded as one of the greatest live performances by U2. Promoters came close to canceling the show due to a freezing rainstorm, but the harsh weather instead created a dramatic, cinematic backdrop that elevated the concert into a legendary performance. Bono's iconic image waving a white flag during the song became one of the defining moments of the MTV era.
4:36

“Sunday Bloody Sunday” is from U2’s 1983 album War. Inspired by the violence of Bloody Sunday, the song is a powerful plea for peace rather than a political anthem, with Bono repeatedly declaring "This is not a rebel song." Although it was never a major chart hit, it became one of U2's signature songs and a staple of the band's live performances. The version performed at Red Rocks Amphitheatre on 5 June 1983 is widely regarded as one of the greatest live performances by U2. Promoters came close to canceling the show due to a freezing rainstorm, but the harsh weather instead created a dramatic, cinematic backdrop that elevated the concert into a legendary performance. Bono's iconic image waving a white flag during the song became one of the defining moments of the MTV era.

Ladytron Fan Account

18,115 次观看 • 16 天前

She belonged there.❤️❤️ Ella Langley stepped onto the Grand Ole Opry stage with her red guitar, dressed in black, her hair styled in a high bun with short bangs framing her face. Her appearance was effortless. Then she began to sing, and suddenly the entire auditorium transformed. That's what captivated me. The Grand Ole Opry isn't just any ordinary stage. It holds nearly a century of country music history, from the legends who built the genre to the new artists trying to find their place. The Opry itself calls it “the greatest stage in country music,” and Ella has become part of that new generation through their NextStage program. But watching her perform there, I didn't get the feeling that she was asking permission to be a part of that history. She looked completely at ease. And perhaps that has more to do with the guitar than anything else. There's something wonderfully classic about seeing a young country artist stand under the spotlight with a guitar in hand and simply sing. No need for elaborate choreography. No need for a grand performance to explain why we should pay attention. Her voice speaks volumes. She immerses herself in the song instead of just performing around it. You can see the focus on her face, how she flows with the rhythm, how the guitar becomes a part of her body, not just a prop she casually holds. That kind of performance is easily underestimated because it doesn't look complicated. But simplicity is hard when people are watching. The Opry Theatre has spent decades bringing superstars, legends, and rising artists together on the same stage. Ella had appeared there many times, including alongside big names in country music, long before she became one of the genre's fastest-rising young stars. And now, she seems to have reached an interesting turning point in her career. She doesn't look like someone trying to be the next version of someone else. She looks like Ella Langley. Perhaps that's why the black outfit, the red guitar, the messy bangs, and the completely immersed expression in the song fit together so perfectly. No outfit separates the artist from the music. You get the feeling that if you removed the famous stage, the spotlights, and the audience, she would still be there with her guitar, singing in the same way. That's the enduring beauty of country music. Not just the outward beauty. But the authenticity. And for a young artist standing in one of the most important spaces in country music, that might be the biggest compliment: She doesn't look like the future of country music. She looks like she's already a part of it. ❤️
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She belonged there.❤️❤️ Ella Langley stepped onto the Grand Ole Opry stage with her red guitar, dressed in black, her hair styled in a high bun with short bangs framing her face. Her appearance was effortless. Then she began to sing, and suddenly the entire auditorium transformed. That's what captivated me. The Grand Ole Opry isn't just any ordinary stage. It holds nearly a century of country music history, from the legends who built the genre to the new artists trying to find their place. The Opry itself calls it “the greatest stage in country music,” and Ella has become part of that new generation through their NextStage program. But watching her perform there, I didn't get the feeling that she was asking permission to be a part of that history. She looked completely at ease. And perhaps that has more to do with the guitar than anything else. There's something wonderfully classic about seeing a young country artist stand under the spotlight with a guitar in hand and simply sing. No need for elaborate choreography. No need for a grand performance to explain why we should pay attention. Her voice speaks volumes. She immerses herself in the song instead of just performing around it. You can see the focus on her face, how she flows with the rhythm, how the guitar becomes a part of her body, not just a prop she casually holds. That kind of performance is easily underestimated because it doesn't look complicated. But simplicity is hard when people are watching. The Opry Theatre has spent decades bringing superstars, legends, and rising artists together on the same stage. Ella had appeared there many times, including alongside big names in country music, long before she became one of the genre's fastest-rising young stars. And now, she seems to have reached an interesting turning point in her career. She doesn't look like someone trying to be the next version of someone else. She looks like Ella Langley. Perhaps that's why the black outfit, the red guitar, the messy bangs, and the completely immersed expression in the song fit together so perfectly. No outfit separates the artist from the music. You get the feeling that if you removed the famous stage, the spotlights, and the audience, she would still be there with her guitar, singing in the same way. That's the enduring beauty of country music. Not just the outward beauty. But the authenticity. And for a young artist standing in one of the most important spaces in country music, that might be the biggest compliment: She doesn't look like the future of country music. She looks like she's already a part of it. ❤️

Music over time🎻

107,431 次观看 • 11 天前

Nick Knight shares how Lady Gaga contributed to Showstudio’s Box Set, which features an original piece written by Gaga and a previously unpublished outtake from the Born This Way photoshoot: “Back in 2022 I decided to create a Boxset for SHOWstudio and the very first person I asked to create something to put in the Boxset was the brilliant Lady Gaga. She simply is an incredible talent, and to work with her is always totally thrilling! In part because of her beauty and her total mastery over her own image, in part because she pours everything into her performance in front of the camera, uses every fibre of her being to push herself (and myself ) to create the best images we can possibly make and in part because she is a very lovely and completely unique person. When it came to the Boxset she told me she wanted to write a sonnet to me to be titled “ A Sonnet for A Knight”. I was enormously flattered. Just like her visual performances, she also pushed herself to the limit to get this sonnet to sound perfect, working tirelessly to be certain the lambic pentameter was exact. For those who don’t know poetry and verse, the lambic pentameter is a rhythmic pattern in poetry where each line has ten syllables, arranged in five pairs of an unstressed syllable followed by a stressed one mimicking a heartbeat and creating a natural, musical flow, famously used by Shakespeare in his plays and sonnets. It forms the backbone of English verse. She wrote a poem where the rhythm of the words mimics a heartbeat…… How beautiful. Thank you Gaga. To this I added one of the previously unpublished pictures from our Born This Way session. Later that year she recited the sonnet in her Chromatica Ball performances. Starting with a gentle instruction to her audience of; “everybody quiet…””
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Nick Knight shares how Lady Gaga contributed to Showstudio’s Box Set, which features an original piece written by Gaga and a previously unpublished outtake from the Born This Way photoshoot: “Back in 2022 I decided to create a Boxset for SHOWstudio and the very first person I asked to create something to put in the Boxset was the brilliant Lady Gaga. She simply is an incredible talent, and to work with her is always totally thrilling! In part because of her beauty and her total mastery over her own image, in part because she pours everything into her performance in front of the camera, uses every fibre of her being to push herself (and myself ) to create the best images we can possibly make and in part because she is a very lovely and completely unique person. When it came to the Boxset she told me she wanted to write a sonnet to me to be titled “ A Sonnet for A Knight”. I was enormously flattered. Just like her visual performances, she also pushed herself to the limit to get this sonnet to sound perfect, working tirelessly to be certain the lambic pentameter was exact. For those who don’t know poetry and verse, the lambic pentameter is a rhythmic pattern in poetry where each line has ten syllables, arranged in five pairs of an unstressed syllable followed by a stressed one mimicking a heartbeat and creating a natural, musical flow, famously used by Shakespeare in his plays and sonnets. It forms the backbone of English verse. She wrote a poem where the rhythm of the words mimics a heartbeat…… How beautiful. Thank you Gaga. To this I added one of the previously unpublished pictures from our Born This Way session. Later that year she recited the sonnet in her Chromatica Ball performances. Starting with a gentle instruction to her audience of; “everybody quiet…””

Gaga Daily

51,999 次观看 • 9 个月前

Hazel Dorothy Scott was an internationally known jazz and classical pianist and singer; she also performed as herself in several films. She was prominent as a jazz singer throughout the 1930s and 1940s. In 1950, she became the 1st woman of color to have her own TV show, The Hazel Scott Show, featuring a variety of entertainment. To evade the political persecution of artists in the McCarthy era, Scott moved to Paris in the late 1950s and performed in France, not returning to the United States until 1967. Born in Port of Spain, Hazel was taken at the age of four by her mother to New York. Recognized early as a musical prodigy, Scott was given scholarships from the age of eight to study at the Juilliard School. She began performing in a jazz band in her teens and was performing on radio at age 16. On October 2, 1981, Hazel Scott died of cancer at Mount Sinai Medical Center in New York City. She was 61 years old, and survived by her son Adam Clayton Powell III. She was buried at Flushing Cemetery in Queens, New York, near other musicians such as Louis Armstrong, Johnny Hodges, and Dizzy Gillespie. LEGACY: 🎹Scott was best-known internationally as a performer of jazz. 🎤She was also accomplished in politics, leading the way for African Americans in entertainment and film; and was successful in dramatic acting and classical music. 🎹She was noted for her swinging style, performing at the Milford Plaza Hotel in her last months.
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Hazel Dorothy Scott was an internationally known jazz and classical pianist and singer; she also performed as herself in several films. She was prominent as a jazz singer throughout the 1930s and 1940s. In 1950, she became the 1st woman of color to have her own TV show, The Hazel Scott Show, featuring a variety of entertainment. To evade the political persecution of artists in the McCarthy era, Scott moved to Paris in the late 1950s and performed in France, not returning to the United States until 1967. Born in Port of Spain, Hazel was taken at the age of four by her mother to New York. Recognized early as a musical prodigy, Scott was given scholarships from the age of eight to study at the Juilliard School. She began performing in a jazz band in her teens and was performing on radio at age 16. On October 2, 1981, Hazel Scott died of cancer at Mount Sinai Medical Center in New York City. She was 61 years old, and survived by her son Adam Clayton Powell III. She was buried at Flushing Cemetery in Queens, New York, near other musicians such as Louis Armstrong, Johnny Hodges, and Dizzy Gillespie. LEGACY: 🎹Scott was best-known internationally as a performer of jazz. 🎤She was also accomplished in politics, leading the way for African Americans in entertainment and film; and was successful in dramatic acting and classical music. 🎹She was noted for her swinging style, performing at the Milford Plaza Hotel in her last months.

AFRICAN & BLACK HISTORY

399,053 次观看 • 3 年前

Singing two controlled vocalized notes at the same time! German singer Anna-Maria Hefele stunned the world with a viral video showcasing polyphonic overtone singing, a vocal technique that lets her sing two notes at once. By skillfully shaping her mouth, tongue, and throat, she amplifies harmonics above a base pitch, producing clear, flute-like tones. Trained at the Mozarteum University in Salzburg, Hefele has since performed worldwide, blending art, science, and education. Her unique voice has been studied through MRI imaging and praised for its precision and beauty. Through concerts, workshops, and research, she continues to expand the boundaries of what the human voice can do.
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Singing two controlled vocalized notes at the same time! German singer Anna-Maria Hefele stunned the world with a viral video showcasing polyphonic overtone singing, a vocal technique that lets her sing two notes at once. By skillfully shaping her mouth, tongue, and throat, she amplifies harmonics above a base pitch, producing clear, flute-like tones. Trained at the Mozarteum University in Salzburg, Hefele has since performed worldwide, blending art, science, and education. Her unique voice has been studied through MRI imaging and praised for its precision and beauty. Through concerts, workshops, and research, she continues to expand the boundaries of what the human voice can do.

Brian Roemmele

901,326 次观看 • 9 个月前