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Always Boring Stuff 😒 Art: 🔞JustCoffee !! COMM CLOSED Coffee: Mr. Saluzzo VA "Weirdo"/SFX and Editing: me #nsfw #comic #comicdub

58,825 Aufrufe • vor 3 Monaten •via X (Twitter)

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Tom Segura has been doing stand-up comedy for ~25 years. He's known for his Netflix specials and a TV show called Bad Thoughts. His stand-up sets are based in stories and simple observations around the world. The guy can look at something you've seen a thousand times but never managed to find the humor in. At one point during the interview I was laughing so hard that I could barely ask the next question. I asked Tom how he finds jokes, develops stories for the stage, what he's learned from Chris Rock, and how to turn ordinary observations into comedy. Timestamps: 0:37 How to find jokes 2:03 Why are comedians always annoyed? 7:19 Say the obvious 11:06 What makes a joke land? 13:11 The 250 rep rule 15:07 Chris Rock 19:33 The 4 types of comedians 21:44 Use the audience's discomfort 24:39 The key to good stage presence 32:00 Mall cops and TSA agents 36:50 How to develop a joke 38:56 Stand-up vs. TV writing 49:11 Finding your way into the story 54:08 Punchlines 55:16 What a set list looks like 58:15 Word choice 59:31 Accents 1:03:50 How to start a show 1:08:01 Writing a book Some things he taught me about being funny: 1) The best mindset to bring on stage is silliness. 2) You must have strong opinions. Indifference kills comedy. You can say "this is the best coffee I've ever had" and make it funny. You can say "this is the worst coffee" and make it funny. But "it's fine, I don't care" is never funny. 3) You can tell the difference between a world-class comic and an amateur one by their relationship with silence. Amateur comics get jittery if a few seconds pass without laughter, whereas seasoned comics use it to their advantage. 4) Good word choice matters more than you'd think. "Yanked" is a funnier word than "pulled." Yiddish words are funny. An easy way to pick up on this is to listen to how naturally funny people describe things. 5) How to find jokes? Talk all the time. Talk and talk, and develop the skill of recognizing when something you've said has legs. I've shared the full episode with Tom Segura below. If you'd rather watch on YouTube, or listen on Apple / Spotify, check out the reply tweets. Tom Segura AKA Mr. Ladybug

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🚨 Rick Harrison (Pawn Stars) with a cool story about Trump. “Donald Trump is the most amazing man on the planet. When Biden was president and my son died, Biden didn't call me, but Trump did. OD'd from fentanyl. I blame Biden and the entire administration. They let that stuff in the country. People have always asked me what's my favorite Trump story. 2018, I was supposed to introduce him at a rally here in Vegas. So, you know, I show up and I go to go backstage. And mind you, Trump wasn't there yet. He was still on the road. Secret Service goes, not on the list. And they threw me into the public at a Trump rally. Oh yeah. And I was getting mobs. We ended up having to leave. You know, I was pissed. I was so pissed that when I dropped my son off at home, you know what, I'm gonna go to the bar. I'm gonna have a drink or two. I'm gonna go calm down. Right as I'm leaving the house, Senator Heller's number pops back up on my phone in my truck. Like I said, he knows my voice. He knows my mouth. So he just goes, Rick, before you say a word, the president would like to talk to you. And Trump gets on the phone and goes, Rick, I just want to say I am sorry. The White House staff works for me. They screwed up. That means it's my fault. I'm sorry. Please come back down to the convention center. It's the president. You have to say yes. Okay. Like, I'm like, yes, sir. I don't know how I'm going to get there because most of the roads are closed around the convention center, but I am on my way right now. So I turn around, grab my son. We're driving down there, I got an odd phone number pops up in my truck. And I go like, Mr. Harrison, I'm the head of the Secret Service in D.C. We have the Las Vegas Under Sheriff and the White House staff. We're all on the phone right here. The big guy says, get you to the convention center. And they go, when you get to Decatur, stop at the light. Whether the light is red or green, flash your headlights. I get there, the light was green. People are honking at me. I just stop, flash my headlights. 8 cop cars come out of nowhere. I get a call, follow us. And my 15-year-old son is going like, Dad, who do you know? He's like, you're the coolest dude. A few people, but this is like extreme. It's just, it's a pretty cool story.”

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Paul Verhoeven on how the failure of 'Showgirls' (1995) affected his career & why he thinks a movie like 'Showgirls' can't be made anymore in Hollywood: "One of the most interesting, or the most terrible, and the most fascinating things to happen with 'Showgirls' (1995) was the reaction to it. I had not at all expected that I would be brutalized by the critics. Critics would say, “I had to leave the theater” because they had to throw up, it was so dirty, decadent — whatever description they gave it. That was astonishing to me. The feeling of total amazement that the film was received with an absolute full spectrum of animosity will never disappear. When my movie 'Spetters' (1980) was released in Holland in 1980, there was a similar reaction. But the big difference was that that movie had a very big audience. Here, all the reviews were terrible, but people didn’t want to see it either. The backlash, and the consequences for me in the Hollywood industry, are certainly not something I will forget. After 'Showgirls', nobody trusted me anymore, other than with the movies that had been working very well, which was the science-fiction stuff. I started with 'RoboCop' (1987) and 'Total Recall' (1990), but I tried to get away from science fiction. Then all the doors that were opened for me were all closed by 'Showgirls'. It made life more one-dimensional as to what I was able to do. That’s why I decided to go back to myself again with something like [WWII movie] 'Black Book' in 2006. I don’t think that it’s a movie that could ever be made anymore. Ever. Because n*d!ty is more taboo than ever in the United States. You see these movies and the s€x scenes are reduced to a couple of dissolves where you see a hand on a back, but there are really no s€x scenes in American movies anymore. There are exceptions, of course. But not many. Yet, 20 years later we’re still talking about the movie. You never see anything like it anymore, something so outrageous but very well filmed: the lighting, the sound effects, everything. There’s a lot of n*d!ty; but it’s not exploitative. It’s not a p0rn0 movie. I think the n*d!ty in 'Showgirls' is not done in what you would call a “dirty” way. For me, the female body is extremely inspiring and beautiful. When I was in high school in Holland, my art teacher said: "The breast of a woman is the most beautiful thing in the world." I never forgot that, and I’ve always felt that way. When I think of the movie, I see all these brilliant colors and of these beautiful movements — of the body and of the camera — and what stands out for me is the elegance. That sounds strange to people when I say this is a very elegant movie, but I think it is. It’s probably the most elegant movie I’ve ever done." ("‘Showgirls’: Paul Verhoeven on the Greatest Stripper Movie Ever Made", Jennifer Wood, Rolling Stone, 2015)

DepressedBergman

540,086 Aufrufe • vor 4 Monaten

I've spent hours and hours thinking about how AI is going to change writing. This is a 90-minute distillation of everything I've learned. Some things I believe: 1. The combination of LLM-driven humor and image generation means that we're about to enter the golden age of memes. 2. The best writers will be fine. Robert Caro and Dostoevsky aren’t about to be disrupted by ChatGPT. 3. What are the different models like? ChatGPT is your friend who makes a lot of good points, but it’s kinda boring, Claude is your hippie friend who loves to get vulnerable but takes the whole “express yourself” thing a little too far, and Grok is your unhinged friend who leans a little too hard into tinfoil hat theories, but is always a trip to jam on ideas with. 4. People who say that AI writing is low-quality aren’t realizing that quality exists along two dimensions: (1) the absolute quality of the writing and (2) how tailored the writing is to your interests at the time. 5. I’ll tell you this: What writers are doing with AI behind closed doors is a long way ahead of what's publicly understood. I don't expect this to change anytime soon because of the social stigma associated with AI-enhanced writing. Because of that, if you want to see the cutting edge, you're gonna have to piece things together through private conversations and group chats. 6. If you want to follow what's happening in AI, remember this quote from William Gibson: “The future is here, it’s just not evenly distributed yet.” You can get a glimpse of the future by looking at how a small percentage of writers are already using AI. 7. I’m bearish on writers who are currently using AI to write for them, and bullish on writers who are currently using AI to write with them. 8. What kinds of writing will continue to be written by humans? Ones that speak to our humanity. People are interested in people. Their stories, their struggles, their emotions, their drama. 9. Almost all utilitarian writing, where the goal is to convey information, not do it beautifully, will be written by AI. 10. In some ways, AI is the end of slop. So many Google search results are slop. LinkedIn posts are slop. The way Twitter got taken over by Threadbois in 2021 was also slop. AI-generated writing is already better than all of those things, so why would you read them now? 11. AI will be tougher on writers than readers. Readers will be exposed to some slop, but the Internet will be good about filtering it out. Writers, though, are now competing against ever-improving LLMs, which are getting better and better by the month. 12. Humans will contribute with unique data or perspectives. The famous Peter Thiel interview question doubles as a good writing prompt: “What very important truth do few people agree with you on?” 13. New technologies breed new kinds of art. Ever notice how flat 13th or 14th century Medieval art looks? And how different that art looks from the Renaissance art created in the 15th and 16th centuries? Technical innovations like the camera obscura and perspective grids are behind this. Similarly profound changes will come to the writing world because of AI (credit to Justin Murphy for the idea here). 14. Satya Nadella says: “The new workflow for me is I think with AI and work with my colleagues.” When it comes to discovering ideas, I've also found that jamming with an LLM is more productive than doing it with most people I know (save for a few giga-brain conversationalists). 15. Thought experiment: Will AI-writing be more like music or chess? With music, we don't care how a song is made. We just want it to be good. With chess, there's a huge market for watching human beings play even though the computers are already better. I think non-fiction writing will go the way of music. People won’t care how it was made. They’ll just care that it’s good. 16. AI has flipped the rules of tech adoption. Seasoned managers usually drag their feet with adopting new technology, but the ones I know love AI, while frontline workers struggle to see the point. My theory is that AI matches how managers already operate. Management has always been a kind of prompt engineering: set a vision, delegate, give feedback, iterate. But LLMs remove the drama that used to come with having a team. No 1-on-1s. No emotional tangles. It's like management without the headache. For frontline employees, things are different. They aren't as accustomed to setting a vision and giving feedback, so LLM prompting is a daunting and unfamiliar kind of work for them. 17. AI editors are already quite good. Sure, they aren’t as good as the world’s best editors, but they’re a fraction of the cost, they’ll instantly give you 80th percentile feedback, and they work 24/7. As a novelist recently said to me: “Paying an editor to review my novel costs me $7,000 and a 4-6 week turnaround time, whereas Claude costs me $1.25 and gets me results a few minutes later.” The edits definitely aren’t as good, but there’s a virtue to speed (and this guy isn’t a chump writer). 18. The way AI-skeptics hate on LLMs while using old models is like driving a ‘92 Honda while hating on a self-driving Tesla. 19. AI-generated fiction makes people very upset. A friend insists it’s like having sex with a robot. Doesn’t matter how good it is. It ain’t human-generated, and there’s something uniquely repulsive about that. I’ve shared the full conversation below. It’s a solo-episode of me riffing on what I’ve learned about AI for ~90 minutes. If you’d rather watch it on YouTube or listen on Apple or Spotify, I’ve shared the links in the reply tweets. And if you have any questions, I’ll be extra active in the replies for this episode.

David Perell

257,480 Aufrufe • vor 1 Jahr

This girl gets some of her flirting advice right, but some is very OFF BASE. This is why you have to take dating advice for men that comes from women with a giant grain of salt 🧂 Some of women’s advice may be useful… but some of it will always be MISLEADING. If you are not already savvy enough to tell the difference, you’ll mix in the bad with the good and not know where you’re tripping up. Break down of what is useful vs. what is MISLEADING: ✅ USEFUL: do not open her with “You’re really pretty/beautiful, I wanted to meet you.” She doesn’t know what to say to that; she has also heard it before so many times you sound like a broken record. You can say pretty much ANYTHING other than this (e.g.: “Hey, how’s it going?” This is 10x better than a generic looks-based compliment). ✅ USEFUL: open her with something relevant to the situation. Situationally relevant openers can work great. For instance: “Think we’ll be in line forever?” if you’re waiting in line, or “The art here sure is interesting huh,” if there’s a weird piece of art. 🆇 MISLEADING: you should not expect a girl to take over on your opener, like this girl did with the “cute/sweet” coffee recommendation opener. Most girls are not outgoing enough that they are going to decide to “have a chat” with you immediately on the open. You are the man; you need to EXPECT to drive at least the first 2 minutes of conversation YOURSELF! ✅ USEFUL: “keep the conversation short, sweet, casual, fun”: all that, yes. The initial conversation needs to be light, playful, and engaging. Tease her within the first 30 seconds (that’s how she knows it’s a FLIRTATION and not a platonic chat). Make an observation about her or two (keep it positive and light). Tap her on the forearm on a joke or a high point. SMILE! You want your presence to be a warm, welcome, & flirtatious one. 🆇 MISLEADING: “worst thing you could possibly do is annoy her with your presence”; I mean, YES, BUT you do not need to be thinking about “I’d better not annoy her” when you are talking to girls. If you do, you will play it too safe, act very boring, get into your head, and become uninteresting and un-fun. Instead, just focus on bringing fun and good energy (not ‘avoiding annoyance’). ✅ USEFUL: what she is calling a ‘non-invasive call to action’ (is this chick a marketer? Because this is marketer speak!) we call a ‘soft close’. Yes, soft close her. Easy one-size-fits-all soft close you can use with any girl (say this on a high point): “We should grab a bite or a drink sometime.” As soon as she says “yes”, you have your green light 🟢 to grab her # 🆇 MISLEADING: “give her your number”… this is the WORST piece of advice in the video; even worse than the “don’t annoy her” bit (which will get you in your head doing things wrong). This girl has a wide face, deep voice, and high confidence, so she’s probably higher testosterone and extroverted. Girls like this are go-getters who will chase down guys on their own and make things happen sometimes (hence the “deciding to have a chat” with a guy when she liked his opener). Most women are NOT extroverted high testosterone women who will take charge and make things happen themselves. Most women are PASSIVE. The average girl who is into you will not text you first if you give her your number. She will just look at it, debate whether to text you, think about what she should text, feel self-conscious about it, feel like she shouldn’t be the first one to text, then you will simply never hear from her. You need to get HER number, so YOU can text, not give her YOURS. 🆇 MISLEADING: “sweet and endearing”, sorry to say it and pop anyone’s bubble, but women do not usually hook up with the “sweet and endearing” guys. They think the stuff these guys do is “cute”, like how little children and pets are “cute”, but they do not find them SEXY. You need to be in the lead, taking CHARGE, leading her through an interaction she enjoys, and setting the pace. Do not be “sweet and endearing.” Anyway, this girl seems really cool and it’s neat that she wants to help guys out. Well-meaning women advising you on dating though are some of the most dangerous because they believe what they are saying and just do not KNOW when the advice they’re giving is counterproductive for a man to actually use vs. productive! (That said, positive encouragement for men to approach & flirt is ALWAYS good! So hat tip to her!)

Girls Chase 🏃‍♀️💨

342,437 Aufrufe • vor 9 Monaten

Technically is dead; long live Technically Some bittersweet news for you all today: after 5 years writing Technically and more than 100 posts about everything from APIs to data warehouses to Facebook DNS hacks, today I am (for the most part) shutting the Technically Substack down… …and replacing it with Technically 2.0, an amazing software product I’ve been working with David Krevitt on for the past 6 months. But first… For a newsletter that started with an innocent tweet while I was bored in Haneda airport, this thing has come pretty far. 70K+ subscribers, yada yada. But you’re here for the story so here it is. It was December 2019, I was traveling before moving to SF to start at Retool, and like I said, I was bored. Late 2019 – what an amazing time to start a newsletter! There weren’t that many of them out there. And then came 2020. Everyone was stuck at home with nothing to do but sign up for more and more Substacks, and talk about them on the internet. Every day, another one of your friends was announcing a newsletter on Twitter. It was the golden era, no doubt, and many people like me combined hard work, a good idea, and the old fashioned “right place right time” streak of luck to build a really nice Substack business. I’ll never forget the day Ben Thompson referenced Technically in Stratechery. I must have gotten 50 texts from friends. Everyone was reading Stratechery at the time…it was like becoming a made man. There was this almost communal vibe in the air with these newsletters. Everyone was reading the same stuff, talking about the same stuff. It was a scene is what it was. But by 2022 things were changing. People were outside again, and had less free time to read newsletters. Interest rates were going up, and people were working more (even in offices). In the paid Substack group chats, most of us were reporting stalling or negative growth, even though we hadn’t changed anything on our end. And with 50% churn rates on these subscriptions, if you weren’t growing you were dying. I’m listening to Neil Young’s “After the Gold Rush” as I write this and it couldn’t be more fitting. Although I imagine Mr. Young himself would disapprove of the whole paid newsletter endeavor. What happened to newsletters? David and I call what’s going on “Substack Fatigue” – people are just tired of reading yet another newsletter, let alone paying for one. Newsletters are just not the thing anymore. There are some fast growing news ones focused on AI, but the same story is going to play out in a few years when everything cools down. Political newsletters are fully investing in video and podcasts. Newsletters are not the thing anymore. We rode a cultural wave and the wave is over. You don’t have to die, but you have to adjust. The wrench in this whole story is that Technically was only (very) part time for me. I’m pretty sure at one point I was generating the most revenue on Substack for someone who wasn’t focusing on their newsletter full time. Which is a sick flex no doubt, but was also a huge problem, because I just didn’t have the time or mental capacity to make the big moves required to reverse the trend. Technically started to slowly lose paid subscribers every month, but I was at peace with that. I was entering a new phase in my life, settling down a bit, enjoying spending time on cooking, cocktails, and music. Approaching 30 and feeling really good about everything. It’s OK for some things to be temporary, and I was content with Technically to continue to be useful to people…just not make as much money. But in the back of my head, I always knew that Technically had a lot more potential, and deserved more than I could give it. That there’s no reason this thing couldn’t be a $1M+/year business. I continue to believe that technical literacy is going to be one of the defining social problems of our era, and the progress in AI only makes this even more critical. It should be way more than a newsletter, it should be how everyone learns what the fuck is going on in this digital world. I needed some help. But I had a bad track record of getting people to work on Technically with me. It’s hard to share custody of your child. And I am extremely particular. I’m not always the easiest to work with. Worked with some contractors here and there, but never found a more long term partner. I’m extremely grateful that David Krevitt reached out to me when he did or this paragraph would end here. Instead, after regaling you with my boring tale for many paragraphs now, I can finally share what we’ve been working on since last year. It’s called Technically 2.0. It’s all of the content you know and love, but built as a piece of software specifically aimed at helping people get more technical. No more newsletter – it’s a learning platform now, complete with reading lists, bookmarks, a dictionary, and guided learning tracks. Our goal was to make a Wikipedia kind of experience: click around to follow your curiosity on whatever software you’re learning about. You can sign up on the Technically site ( You’re going to have to pay for it, but if your experience is anything like that of the other thousands of people who already have, you won’t regret it. Enjoy the soothing sounds of David's voice as he walks you through it in the video below. It’s hard to say goodbye completely to something you’ve been doing every week for 5 years. Any readers with their own long running newsletters will understand the odd, para-social relationship you develop with your audience. So I’m going to keep publishing on Substack a little – monthly roundups of the new stuff we’re publishing on Technically 2.0, plus some good sponsored posts. So while the newsletter might be dead, it is also only just beginning (or something). Hope to see you on the other side, ~ ❤️ Justin

sisyphus bar and grill

29,390 Aufrufe • vor 1 Jahr