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Technically is dead; long live Technically Some bittersweet news for you all today: after 5 years writing Technically and more than 100 posts about everything from APIs to data warehouses to Facebook DNS hacks, today I am (for the most part) shutting the Technically Substack down… …and replacing it...

29,390 views • 1 year ago •via X (Twitter)

11 Comments

Ben Thompson's profile picture
Ben Thompson1 year ago

Great run. You did a great job

sisyphus bar and grill's profile picture
sisyphus bar and grill1 year ago

🫡

Nikhil Krishnan's profile picture
Nikhil Krishnan1 year ago

end of an era - I used a lot of your stuff as inspiration excited for the next era for you

sisyphus bar and grill's profile picture
sisyphus bar and grill1 year ago

😘 I firmly believe that the newsletter era is dead. You either move into community and courses (like you did), build an app, become a YouTube channel, or die

Shweta's profile picture
Shweta1 year ago

Tech twitter always had a natural love for newsletters but yours was one of the greats. Going to miss your substack but excited for your next phase!

sisyphus bar and grill's profile picture
sisyphus bar and grill1 year ago

🥲

Joshua's profile picture
Joshua1 year ago

Can you dm me when u start a restaurant I’ll invest

sisyphus bar and grill's profile picture
sisyphus bar and grill1 year ago

oh so you want to lose some money

gaut's profile picture
gaut1 year ago

looks good send it

Karan Shastri's profile picture
Karan Shastri1 year ago

technically was my go to resource to understand how complex products work and why they exist. Thanks for all the writing, excited for 2.0

sisyphus bar and grill's profile picture
sisyphus bar and grill1 year ago

Appreciate that -- DM me your email and I'll set you up

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Arjun Khemani

86,790 views • 1 year ago

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💬

688,012 views • 3 months ago

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RedWave Press

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19,128 views • 9 months ago

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64,020 views • 1 year ago

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20,842 views • 1 year ago

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69,039 views • 11 months ago

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sim

86,907 views • 11 months ago

Samuel L. Jackson explains how he landed the role of Jules in Pulp Fiction, and what it was like seeing the film for the first time on the big screen: “Pulp Fiction and I came together in a very strange kind of way. I remember auditioning for Quentin for Reservoir Dogs in New York (for the role of of Detective Jim Holdaway, Mr. Orange’s police contact). And apparently I didn't get that role. But I was at Sundance the year that he screened it for the first time. I was sitting there and I watched that movie - I was awed by it. I mean, there were people running up the aisles when Michael Madsen was cutting the cop's ear off. People were going, "Oh my God, this is horrible!" All these “auteurs” were running out of the theatre. I was like, "This is good. This is happening. This is different." So after the film, I walked up to Quentin and said, "This film's amazing, man. It's great." And he looked at me and said, "Hey! How'd you like the guy who got your part?" And I was amazed that he even remembered who I was - but he remembered me. A year or so later, I got a phone call saying Quentin Tarantino wants to have dinner with you, because he'd seen Jungle Fever and he liked that Gator character. When we had dinner, we were sitting there talking. We started talking about Hong Kong films and cartoons and foreign movies and obscure things that we watched, horror movies. We found out we liked the same kind of stuff. And he told me he was writing this thing, and he was writing this part with me in mind. He was going to send it to me. I went off to do another film. I was in the backwoods of Virginia somewhere doing a film, and the script came. A little plain brown wrapper from Jersey Films. And Jersey's got these gangster images on the logo. And it said, "If you show this script to anybody, two guys named Ernie and Luigi will come and break both of your legs." Whatever. I went, "Yeah, right." So I sat down and read it. Boom. I read this thing. It's like, "Oh my God. This is awesome." And then I said to myself, "Nobody writes a script this good. There's no way that this script is as good as I thought it was." I closed it. I opened it again. I read it immediately. Okay. This is great - If whoever produces this film lets him shoot exactly what I just read, if they stay away from it, they don't try to edit any of this stuff out - this is going to be a great film. It's going to be kind of audience-specific, because I like that kind of stuff. I have friends that I knew would like it. It was a generational kind of film. I never thought it would cross over and do all this stuff. We shot it. We had a great time doing it. And the first time I actually saw the film was at the Cannes Film Festival. That night, it screened, and I was sitting there watching the film. The audience was loving this movie, loving it. About halfway through, I realized there were subtitles at the bottom of it. So I said, "Hey, these people are reading it, and they're getting it. This might be special. This really might be something special." And actually, by the time it was over, there were tears running down my face. I was just so pleased that I was part of that particular film… I never felt that satisfied, and that kind of full about a performance and about being part of something as I was in that particular moment.” Quote comes from an Interview with the American Film Institute 2010

Gangster Cinema Central

84,711 views • 8 days ago

So yeah, after watching it yesterday for the 5th #ChristmasDay in a row, there is no denial: Patty Jenkins’s #WonderWoman1984 became my Post-Covid #Christmas movie staple. I think I’ll never forget the preview night when it came out, with the film in theatres during just a short evening, because of the announcement that, from that night or, depending on the city, on the following day which was supposed to be its opening day, all theatres would be closed for the following 6 months in the U.K. The rush to get to the nearest theatre still open that evening when the lockdown announcement came, we had to go all the way from London to Maidenhead to be able to watch it on that THU, as the preview screenings that evening in London were being canceled… I was so excited for that film for over 2 years, and somehow I knew that would be the one and only opportunity to see it in theatres. And I was so damn right! I think I never understood, till that point, how much movies, movie theatres and the moviegoing experience were important to me. They’ve always been there as part of my life, I’ve always taken them for granted. Until, all of sudden, they weren’t. And for a moment, #WW84 would be the last blockbuster we would see in a movie theatre, for a long while. That day for me was like our last, desperate way to hold on to the old normal pre-Covid. And in a way, in my mind, I was saying good bye to those Pre-Covid times without even knowing it. When theatres reopened again, 6 months later, things never got back to where they were. On top of a period already challenging as it as, my mother passed away within that bleak period, 2 weeks before theatres reopened. While some say ironically or mockingly that we went through a Great Reset, to me it was a literal reset. A forced one I was never consulted about nor agreed with. But life goes on, and we had to move on with it - but never losing that hope deep inside that, one day, we would have that life pre-Covid back. And that’s how #WonderWoman1984 deeply connected with me, I believe even more on the following Christmas in 2021, when things got scarily more relatable after that tough year. The film had all the messages I needed just on the right time. All the social unrest, forced division and global turmoil that followed from 2021 onwards, mixed with that longing desire to have back a life and the people that I would never have again, it felt like that film was predicting what we were about to go through in the following years, while offering its perspective on how to - and how not to - deal with most of these phantoms. And every time I rewatch it, I appreciate it a bit more. All those beautiful, powerful messages still stand and they feel even more meaningful now than they already were back in DEC 2020. They remind me of what we used to be as society, but also remind me of what we still can be, depending on the path we decide to take. And I know, I know - on this app, that movie means different things for different people, or even it might be the case it feels meaningless for some. I totally understand, respect and appreciate the diversity of opinions around it, and I see where they are coming from. I’ll never fight about your own views about the movie or your experience with it. That’s the magic of the movies after all, resonate differently with different people, as a collective but diverse experience. But to me it has a deeper meaning, and I love revisiting it time and time again. Until next Christmas!

Luiz Fernando

11,494 views • 6 months ago

I sold my McLaren today. No, I’m not getting a new one. This one was harder than the Lambo. Because this one… meant more to me. I bought it after I sold my company. A reward. A symbol. A statement to myself (and to the world). That I had made it. That I was free. And for a while, it was true. I felt 10 years of striving crystallized in that moment. The carbon fiber. The absurd acceleration. The way it turned heads. Supercars gave me something when I needed it. A reminder that all the sacrifice hadn’t been for nothing. That I could bend reality, that the kid from nowhere really did it. My friend Kevin Dahlstrom says that everything you own owns a piece of you. And he’s right. Eventually, the car stopped feeling like freedom… and started feeling like weight. Not because anything was wrong with it. But because I changed. I don’t need a machine to remind me who I am anymore. I don’t need a loud engine to feel powerful. I don’t need a parked symbol of identity to feel alive. Letting go of the McLaren isn’t about minimalism. It’s not about virtue signaling. It’s about alignment. Buying it was a gift to honor the past. Selling it is a gift to honor what’s unfolding. To go all in on what’s next. To reclaim the parts of me that were still quietly performing. To free up space. Not in the garage, but in my soul. I don’t regret buying it. It served me well. And driving it for the last time today was bittersweet. I still love cars. Maybe I’ll buy another one someday, in another season. This isn’t about cars. It never was. It’s about who I’m becoming. And what I no longer need to carry with me to be free.

Mike Brown

160,382 views • 1 year ago

Sir Lewis Hamilton reflecting on the break after Singapore, and speaking on his experience with horses throughout his life: "Good afternoon, everyone. I was at the factory, and then headed out here. Had some work in LA, and then I came here. But yesterday, I rode a horse for the first time. So it was an unbelievable experience." "But when I was younger, there used to be a horse that was in a field nearby, just a shy horse. And it was this beautiful horse. It was just on its own every day. So I'd go and stop, and it would come over to me, and I'd spend time [with it]. And then when I'd start walking home, I'd start to notice my allergies started kicking off. And then my breathing, I'd struggle to breathe. And I'd really, really struggle. And I didn't know that I had asthma." "Then I was, I happened to be around another horse another time, and I had an asthma attack. And it was a really scary experience, because I didn't have an inhaler or anything. So anyways, I stayed away from horses since that day. That was when I was probably like 14 or something. And I went through this desensitization program, because my allergies were crazy, particularly for hay fever in the UK. And I didn't think anything of it. I hadn't thought about it. And I did a shoot at the beginning of this year with a horse for the Time 100 magazine. And I took medication, antihistamine. But I was able to be around this horse, no problems. So yesterday, I did a shoot with a horse for Plus 44. And I was like, can I ride it? And I got on. And it was just, wow. It was an amazing experience." "The horse started moving. And it started to gallop. And I didn't know what to do in that moment. So I panicked a little bit. But it was beautiful. So I'm really, really excited about this next phase of my life, where I'm going to be around horses more and really get into riding." - F1 2025 USGP -

sim 🇧🇷🇲🇽🇸🇳🇫🇷🇭🇹

279,565 views • 8 months ago

Angelina Jolie Has Finally Woken Up To The Fact The United Nations & Governments Are Run By Heartless Criminals There’s No Accountability For Crimes “If There’s A Business Interest Involved” “That is the biggest that is the most disheartening thing of I think we we or I thought at least even 20 years ago when I started to work internationally that there was this I in my head, some weird idea of good guys. You know? Some idea of those whether it be certain countries or certain people's maybe it was this holdover from World War 2 and this thought that this was, like so that the lines were clear and that there was going to be these human rights goals laid out and that there would be things stood up for, and that if these things weren't done, there would be pushback, and these were the and I really thought that's what it was. I even thought that's what the United Nations was… And I thought, okay. There's a there's some lines in the sand. There's some understanding. We're gonna grow and fight for improvements in these areas. And and to watch to watch and understand more and more how it's just simply that's not what it is. That's not the world. The world is not these are human rights. It is these are human rights sometimes for these people, maybe sometimes for these people, never for these people. Yeah. It's food aid, 6% for these people, 50% for these people, it's justice for these people, but not these people. Accountability for this crime, but not that crime if there's business interest. And this is truly the ugly state of of so much of the world that we are just becoming more and more aware of for just about every I mean, I don't know any countries that are are clean of it and, um, and willing to hold a line really consistently hand on behalf of the of human rights and laws”

Wall Street Apes

658,682 views • 2 years ago

I'm pleased to hear that worship at IHOPKC will continue. Here are a few PERSONAL reflections on why: My relationship with Lord was forever changed by the devotion and maturity of the worship in the GPR. The road that led me to IHOPKC about 8 years ago was sovereign, so I have always cherished it. The Lord brought me there to drink, to heal, to learn as he has done with thousands of others. Every time I visited something new was awoken (or maybe unlocked) deep inside me. It was sacred. Physically being in the GPR washed me with the word in a way that wasn't happening back at my home church. I had the luxury of coming and going, but I eventually saw behind the curtain. I saw how hard the day to day was for those who lived and served there. I learned of dreams that people put on hold to "keep the fire burning". I remember even feeling slightly guilty when I encouraged people to care for themselves and take a season off from the GPR to pursue passions. I learned of the financial pressures and didn't always agree with what felt like a "God's got it" approach to oversight. But I also wasn't surprised by those costs. They weren't unique based on what I have seen in the Church. Following Jesus is hard. We are broken. And demons are assigned to sabotage the prayer movement and prophetic voices. As time went on, I found myself desiring for others outside the IHOPKC bubble to experience how the worship in the GPR was different. That manifested in a few ways... One of them was a short film I directed and produced a few years ago when I was part of Arrowhead Music. (see below) The night we shot this film, the GPR had been temporarily moved to another sanctuary on the missions base, which gave an opportunity for Laura to worship alone. It felt providential and holy to me. When the film was later released, we were told that playlist editors at YouTube had it on repeat in their corporate offices in New York City. Spotify selected the title track "Shalom" to be featured as the top song on their worship playlist. Most people at IHOP didn't even know and it wasn't celebrated amongst the community like I thought it should have been. BUT to me, it proved that the worship cultivated at IHOPKC (though no more or less important than anyone else's worship) was distinct and could serve as a model. I still believe that. The abuse allegations and crisis around broader issues at IHOPKC were heartbreaking, no matter how you look at it. This is not a commentary on those issues. I understand why many decided to leave in the past 8 months, but no one will ever be able to convince me that what you will see in this film is in some way wrong. For those that are in disagreement that the House of Prayer still stands, I encourage you to trust the Lord to flush out any remaining impurities. Raise your concerns if you must, but do it biblically. I’m sharing this film, "THE SECRET PLACE", in hopes that it will serve as a reminder of the goodness and beauty that comes out of the prayer room. Join me in praying for our brothers and sisters who have decided to stay and continue to serve. Pray for the ministry to be fully funded, healthy, vibrant, and more fruitful then ever before! #ihopkc 🙏

Eric Volz

13,120 views • 1 year ago