正在加载视频...

视频加载失败

加载此视频时出现问题。这可能是由于临时网络问题，或视频可能不可用。

An extremely complex example of Vector Feathering in César yet crazy fast render! — No detail loss at zoom — It's interactive, and layers follow the mouse, imitating real light — Shadows and highlights have a convincing penumbra — 400+ FPS — Works on old, weak machines

Dmitry Novikov 🇺🇦

32,816 subscribers

30,770 次观看 • 1 年前 •via X (Twitter)

科学技术教育艺术

Anya Rossi• Live Now

Private livecam show

11 条评论

Danilo Cunha 的头像

Danilo Cunha1 年前

@RIVE It's @rive_app. You tagged someone else.

Waldo 的头像

Waldo1 年前

@RIVE The textures are sooooo clean 🤤

Page to Pixel Publishing 的头像

Page to Pixel Publishing1 年前

The Art of Flight is a homage to 80s/90s arcade action shmups with a fresh twist on the genre. Pilot multiple ships at the same time to take on oncoming waves of enemies in this fast paced space shooter. Wishlist on Steam today!

Cyrus Zei 的头像

Cyrus Zei1 年前

@RIVE No way !! Pure magic !!!

Hunter Hastings 的头像

Hunter Hastings1 年前

@RIVE Rive's performance definitely makes it feel in a league of its own

Clancy Boyer 的头像

Clancy Boyer1 年前

@RIVE This is really amazing.

Anthony 的头像

Anthony1 年前

@RIVE Tutorial on how to build a cursor follow interaction???

k_nearest 的头像

k_nearest1 年前

@RIVE impressive

ᴄʜᴀᴏꜱ 的头像

ᴄʜᴀᴏꜱ1 年前

@RIVE I feel like an old, weak machine

Ďiv 的头像

Ďiv1 年前

@RIVE Unbelievably impressive 🔥

Ezaz 的头像

Ezaz1 年前

@RIVE This brought back Mortal Kombat 2 memories 😍

相关视频

the New Aqua button inspired by iPhone 16e entirely made in Rive with Layout + Vector Feathering. — Fluent — Native 120 FPS (on my display) — Dynamic text support — 5KB — Infinite and fast zoom, without detail loss — works everywhere straight away

the New Aqua button inspired by iPhone 16e entirely made in Rive with Layout + Vector Feathering. — Fluent — Native 120 FPS (on my display) — Dynamic text support — 5KB — Infinite and fast zoom, without detail loss — works everywhere straight away

Dimitri Novikov 🇺🇦

17,146 次观看 • 1 年前

Introducing Vector Feathering — a new way to create vector glow and shadow effects. Vector Feathering is a technique we invented at Rive that can soften the edge of vector paths without the typical performance impact of traditional blur effects. (Audio on 🔊)

Introducing Vector Feathering — a new way to create vector glow and shadow effects. Vector Feathering is a technique we invented at Rive that can soften the edge of vector paths without the typical performance impact of traditional blur effects. (Audio on 🔊)

Rive

382,082 次观看 • 1 年前

The icon for Hero Assistant is ENTIRELY made in Rive with an excellent super fast Vector Feathering feature! — Beautiful and clear colour rendering without banding — Very performant — Ready to use in production — Small file size Now, I can easily make this icon fully interactive and reuse it in the app.

The icon for Hero Assistant is ENTIRELY made in Rive with an excellent super fast Vector Feathering feature! — Beautiful and clear colour rendering without banding — Very performant — Ready to use in production — Small file size Now, I can easily make this icon fully interactive and reuse it in the app.

Dimitri Novikov 🇺🇦

13,429 次观看 • 1 年前

A Wanted 3D small teaser, an Fps in the old west! No release date yet, I'm working on it.

A Wanted 3D small teaser, an Fps in the old west! No release date yet, I'm working on it.

Wanted 3D, a retro FPS in the Wild West

150,295 次观看 • 1 年前

Now you have a new one in your gallery : No edit, no crappy 60 fps. And please never post again 60 fps edit of a Dragon Ball animation, it's an insult to the work done on the license even if it's in CGI🥲🙏

Now you have a new one in your gallery : No edit, no crappy 60 fps. And please never post again 60 fps edit of a Dragon Ball animation, it's an insult to the work done on the license even if it's in CGI🥲🙏

Piccolo Damayonnaiz

60,967 次观看 • 8 个月前

It's 2025, and with all the technology available, no one has come close to imitating the real-time interactive environments that Tomonobu Itagaki achieved with DOA 4 in 2005 in fighting games.

It's 2025, and with all the technology available, no one has come close to imitating the real-time interactive environments that Tomonobu Itagaki achieved with DOA 4 in 2005 in fighting games.

LearningTheLaw ✝️

217,996 次观看 • 1 年前

Making a video of a robot doing something once and then posting to the internet is extremely easy. Making something that operates in the real world reliably is hard and unfancy. One example: using fog machines and cold to stress test flying in icing conditions at test site

Making a video of a robot doing something once and then posting to the internet is extremely easy. Making something that operates in the real world reliably is hard and unfancy. One example: using fog machines and cold to stress test flying in icing conditions at test site

Keller Rinaudo Cliffton

422,809 次观看 • 1 年前

I got something crazy for today - custom GI from a plugin in #UE5!! This is super rough and unoptimized sketch, but it's already faster than Lumen, though of course it's muuuch less accurate. Here I'm just imitating Large Scale AO using Global SDFs, no sun light bounces yet.

I got something crazy for today - custom GI from a plugin in #UE5!! This is super rough and unoptimized sketch, but it's already faster than Lumen, though of course it's muuuch less accurate. Here I'm just imitating Large Scale AO using Global SDFs, no sun light bounces yet.

Dmitry Karpukhin

25,602 次观看 • 1 年前

Ok, I've finally managed to render the limits of visible light in 3D (learned a ton). And it's even matches the render by Bruce Lindbloom. But I still have no idea how to align it with other color gamuts 😬

Ok, I've finally managed to render the limits of visible light in 3D (learned a ton). And it's even matches the render by Bruce Lindbloom. But I still have no idea how to align it with other color gamuts 😬

Alexey Ardov

53,748 次观看 • 7 个月前

this is the craziest AI we have now Google’s Genie 3 can generate any interactive 3D world, you can literally walk around in it and interact with things.. example 1: step inside an old painting or a real location and explore it…

this is the craziest AI we have now Google’s Genie 3 can generate any interactive 3D world, you can literally walk around in it and interact with things.. example 1: step inside an old painting or a real location and explore it…

el.cine

238,017 次观看 • 10 个月前

Anduin is one of the most realistic characters we’ve ever created. All elements were high res even at base topology. The cloak I made for example, is over 100k polys and isn’t displaced at render time. Instead we relied on true geometry to have it fully visualized at all times. This helped achieve a highly realistic simulation with no interpretation, animators and lighters knew exactly what they were looking at while working, and it allowed us to capture much more complex folds, tattered edges, and close up detail. Through this workflow we were ultimately able to get extremely close to any part of Anduin, his range of emotion shines through, and is one of the most dense yet realistic characters we’ve ever built for a cinematic.

Anduin is one of the most realistic characters we’ve ever created. All elements were high res even at base topology. The cloak I made for example, is over 100k polys and isn’t displaced at render time. Instead we relied on true geometry to have it fully visualized at all times. This helped achieve a highly realistic simulation with no interpretation, animators and lighters knew exactly what they were looking at while working, and it allowed us to capture much more complex folds, tattered edges, and close up detail. Through this workflow we were ultimately able to get extremely close to any part of Anduin, his range of emotion shines through, and is one of the most dense yet realistic characters we’ve ever built for a cinematic.

Jamir Blanco

148,403 次观看 • 1 年前

Who needs an interactive queue when you have a light and a switch

Who needs an interactive queue when you have a light and a switch

Ethan 💫

31,713 次观看 • 4 个月前

Working on an update to Zoom. No more script UI. Ctrl + Mouse Scroll to smoothly zoom in the #AfterEffects viewport. #cpp

Working on an update to Zoom. No more script UI. Ctrl + Mouse Scroll to smoothly zoom in the #AfterEffects viewport. #cpp

Motion Princess

27,258 次观看 • 3 年前

An old army trick to get rid of anxiety and fear extremely fast:

An old army trick to get rid of anxiety and fear extremely fast:

Art of Life 🦋

708,241 次观看 • 3 个月前

First look at how the fast-forward time of day works in Assassin's Creed Shadows. 🔥 #AssassinsCreedShadows

First look at how the fast-forward time of day works in Assassin's Creed Shadows. 🔥 #AssassinsCreedShadows

Zephryss⛩️

15,575 次观看 • 9 个月前

Designers no longer have an excuse; maintaining your interactive design systems and library with Claude + Storybook is extremely easy and a necessary responsibility of product design teams.

Designers no longer have an excuse; maintaining your interactive design systems and library with Claude + Storybook is extremely easy and a necessary responsibility of product design teams.

Ry

74,817 次观看 • 5 个月前

One of the oldest inhabited cities in the world, Sana'a, Yemen, is a time capsule of Old World architecture and tradition. An example of the most impressive structures in the world that have yet to be surpassed and the beauty of their timelessness.

One of the oldest inhabited cities in the world, Sana'a, Yemen, is a time capsule of Old World architecture and tradition. An example of the most impressive structures in the world that have yet to be surpassed and the beauty of their timelessness.

This is Yemen

61,438 次观看 • 2 年前

Gaussian Splatting is pretty wild. Being able to take dense collections of assets and package them into fast, real-time splats opens up a ton of new possibilities for look-dev, previs, and interactive scenes. For this test, I built a pile of 400 skulls - roughly 40+ million polygons (and over 400 8K texture instances) - rendered out a 600 frame dataset on The Render Network with OTOY OctaneRender and then converted the result into a single splat asset. Now it runs in real-time as one compact Gaussian Splat.

Gaussian Splatting is pretty wild. Being able to take dense collections of assets and package them into fast, real-time splats opens up a ton of new possibilities for look-dev, previs, and interactive scenes. For this test, I built a pile of 400 skulls - roughly 40+ million polygons (and over 400 8K texture instances) - rendered out a 600 frame dataset on The Render Network with OTOY OctaneRender and then converted the result into a single splat asset. Now it runs in real-time as one compact Gaussian Splat.

Spenser Dickerson

46,547 次观看 • 7 个月前