Sensitive content
This media may contain sensitive content.
Загрузка видео...
Не удалось загрузить видео
Angela White taking thick cock deep while her heavy tits slap hard against each other 🍒😈 #AngelaWhite #bigtits #tittydrop #deepfuck #slut #cockslut #naturaltits #creampie #nympho #fucktoy
21,227 просмотров • 1 месяц назад •via X (Twitter)
Комментарии: 0
Нет доступных комментариев
Здесь появятся комментарии из оригинального поста
![I made an ad for GPT Image 2.5, full prompt below. It's yours now. Put your own character in @[image1], your own poster in @[image2], change the city, change what she turns into. Quote this with your version, I want to see what you all make of it. Seedance 2.5 on Higgsfield AI 🧩. Seedance 2.5 Prompt: [GLOBAL] 30-second commercial. Photoreal live-action cinema texture, digital cinema camera, 35mm and 24mm lenses, shallow depth of field, real overcast rain-light, low-contrast cool grade, light film grain. 16:9. The spine of the film is one continuous over-the-shoulder tracking shot; all transitions are hidden inside motion blur and the crystallization effect. [CHARACTER ANCHOR] @[image1] = the protagonist, a Japanese woman in her early twenties with a Tokyo street-fashion look: bleached pale-blonde wolf-cut shag with dark roots and a single mint-green streak in the under-layer; clean Japanese makeup — thin brows, pearlescent eyeshadow, nude lip; an oversized charcoal coach jacket with an original graphic print on the back, a long white tee underneath, baggy black cargo pants, chunky platform sneakers, layered silver jewelry, wired over-ear headphones around her neck, a small crossbody bag. Her face, hair and wardrobe stay 100% identical from 0s to 28s — never altered, never touched by any "generation" effect. She is the only constant in the film until the final beat. Emotional arc: oblivious → noticing → confused → stunned → awestruck → transformed. [ARTWORK REFERENCE] @[image2] = the billboard artwork reference. Used ONLY for the flat graphic displayed on the bus-shelter digital billboard at 11–15s — including its complete typographic lockup ("Higgsfield × OpenAI" in small caps, "GPT IMAGE" in heavy white, the lime-green gradient "2.5", and the wide-tracked "SUNBURST" beneath), along with its layout, palette and composition. @[image2] must appear as a complete flat advertising image inside the billboard screen, carrying correct perspective, screen reflection and rain refraction across the glass surface. The woman pictured in @[image2] must NEVER be used for the protagonist's design, must NEVER leave the billboard screen, and must NEVER appear in the physical space of the scene. @[image1] and the woman in @[image2] are two entirely different people — never conflate them, never let one influence the other. [CORE VISUAL MOTIF — THE ONLY TRANSFORMATION LANGUAGE IN THE FILM] Anything being "regenerated" must follow the exact same three-stage process: ① the original object disintegrates from its edges into a cloud of tens of thousands of small translucent white crystalline beads — like bubble-film or shattered glass pearls, with real volume, specular highlights and real weight; ② the bead cloud hangs briefly and rapidly rearranges; ③ the new form grows outward from inside the cloud, the final layer of beads absorbing into its surface and vanishing. Do NOT use flash cuts, dissolves, particle-dispersal effects, or digital-glitch styling for any transformation. [SETTING] A Midtown Manhattan intersection after rain. Wet asphalt reflections, crosswalk stripes, yellow cabs, dense glass curtain walls and older stone buildings, neon and storefront signage, a fire hydrant, a newsstand, a bus-shelter digital billboard. Overcast diffused light throughout, no direct sun. 0–3s: Over-the-shoulder medium shot, following behind @[image1]. Her back is to camera as she stands on the crosswalk. To frame right, a 1970s green sedan in motion crystallizes entirely and reassembles as a black muscle car; a few frames later it crystallizes again and reassembles as a white wheel-less hover car. She hasn't registered it yet. 3–7s: The camera arcs around to her side. She starts looking around, the ends of her wolf cut swinging with the head turn. A businessman with a briefcase crystallizes mid-stride — the human-shaped bead cloud holds the walking pose for two full steps — and reassembles as a bare-chested barbarian warrior with feathered ornaments, continuing the same stride. Two or three more pedestrians crystallize in the background simultaneously, without pulling focus from her. 7–11s: Handheld tracking accelerates. More and more people on the street are replaced: a purple-skinned alien warrior woman, white-armored robot troopers, an original gold-suited superhero character (all original designs — no real-world recognizable characters, logos or trademarks). She walks faster, keeps turning to look back, her breathing quickening, one hand instinctively gripping her crossbody strap. The replacement frequency keeps rising, but the street's spatial relationships, lighting and wet reflections remain continuous throughout — no jump cuts. 11–15s: She stops in front of the bus shelter. The digital billboard inside cycles rapidly: a photoreal movie poster → a hand-painted concept illustration → a fashion editorial — each refresh executed with the same crystalline bead reassembly. It finally settles on the complete @[image2] artwork filling the entire screen, its typography and palette exactly as in @[image2]. She raises a hand and points at the screen, mouth open, unable to speak. 15–18s: The camera tilts down to her feet. The sidewalk paving crystallizes outward from where she stands in a perfect circle, white beads spreading three meters along the joints between slabs, the manhole cover and the standing water turning crystalline with it. She looks down. The ground gives out beneath her platform sneakers. 18–21s: Wide 24mm. The ground collapses and she falls straight down. The camera falls with her looking up — the entire city contracts above her into a shrinking square opening, the buildings on either side peeling away, tumbling and receding upward like building blocks, the sky turning to deep blue-black void. She throws her arms out, her hair, jacket hem and bag strap lifted by the updraft. 21–24s: During the fall the visual style jumps repeatedly, each jump bridged by one full-frame sweep of crystalline beads. In order: ① rich 1980s film stock — high saturation, heavy halation, heavy grain; ② black-and-white halftone manga panel — the character rendered in ink linework and dot screens against dense radial speed lines; ③ a neon purple-blue digital vortex with long light streaks stretching backward at speed; ④ near-total darkness with extreme motion blur. Her facial structure, hair and wardrobe must remain recognizably the same person in every one of these styles. 24–27s: She lands flat on her back on a smooth white floor. A wide lens pushes in slowly and tilts up to reveal the environment: an infinitely extending pure-white showroom/hangar with a gridded softbox ceiling. Hundreds of black circular pedestals cover the floor, each holding a character statue or a parked vehicle — original-design warriors, mechs, robots, sci-fi troopers, plus large military aircraft and helicopters. A small line of floating white label text sits in front of each pedestal: "FANTASY CHARACTER", "VEHICLE", "MECH" — set at a small point size, present purely as environmental information. 27–28s: She sits up and pushes herself to her feet, turning slowly to take in the hall, eyes widening in awe. The camera settles into a full-body medium-wide, centered, the statue array receding out of focus behind her. 28–30s [THE FINAL TRANSFORMATION]: The instant she stands fully upright, the crystalline beads rise from the floor around her feet and sweep up her body in one continuous wave — and for the first time in the film, SHE is the thing being regenerated. Her streetwear disintegrates into the bead cloud and a magical-girl battle uniform grows outward in its place, following the exact same three-stage motif, generating in a readable order from the torso outward: a white high-collar fitted bodice → a mint-green sailor collar with three silver stripes → a deep mint pleated skirt with silver trim, its pleats opening one by one → long white gloves to the upper arm with mint piping → white knee-high boots with a mid heel and mint cuffs → layered silver jewelry reforming as a silver star brooch at her chest → a large mint-green bow at her back with long ribbons falling to the backs of her knees → a fine silver tiara condensing across her forehead. Her face, hairstyle, hair color, the mint streak and the headphones around her neck remain completely unchanged — only the clothing is regenerated. The last beads absorb into the fabric. She looks down at her own hands, then slowly raises her head, the ribbons still settling behind her, and looks straight past camera with a small, dawning smile. The film cuts on that frame. No end card, no title, no tagline, no subtitle of any kind. [SOUND] Rain and wet-road traffic, urban ambient bed; high-frequency glass/ice shatter-and-rearrange sounds on every crystallization; a short bright locking tone as each reassembly completes; electronic refresh tones from the billboard; low-frequency collapse as the ground gives way; wind through the fall, with a distinct timbre shift for each of the four style jumps (film hiss / paper-and-ink texture / synth sweep / silence); one muffled impact on landing; near-total quiet inside the hall with only faint HVAC room tone; then, over the final transformation, an ascending shimmer of silk and crystal, each garment piece seating with a crisp click, the bow tying with a single sweep of ribbon, and one clear bell tone as the tiara locks in. One escalating electronic music bed ties it together, landing its final hit on her raised head. [HARD RULES] @[image1]'s face, hairstyle, hair color and headphones are absolutely unchanged across all 30 seconds. Her wardrobe is unchanged from 0s to 28s and may be regenerated ONLY in the 28–30s final beat — the transformation affects clothing only and must never alter her face, hair or identity. All other replacements happen only to the people, vehicles, ground and environment around her. The film may use only the single "crystalline bead disintegration → rearrangement → growth" transformation language, including for the final costume change; no other transition effect may be mixed in. From 0–18s the film must hold the logic of one spatially continuous tracking shot — the street's architecture, lighting and wet reflections must never jump. Every character and vehicle in the hall must be an original design; no real-world recognizable characters, brand marks, trademarks or identifiable film properties may appear, and the final magical-girl uniform must be an original design, not any existing anime character's costume. The only brand copy permitted anywhere in the film is the @[image2] artwork on the billboard screen at 11–15s, existing solely as a flat image inside that screen and never repeated elsewhere. No end card, no title card, no subtitles, no watermark, no overlaid text anywhere in the film. Avoid: cartoon rendering, game-CG feel, plastic materials, full-frame bloom, digital-glitch transitions, weightless floating, incorrect finger structure, garbled text, revealing or suggestive posing or camera angles.](https://image.24vids.com/tw-2098420840073236536/amplify_video_thumb/2098419846346113033/img/ntZLO-Woz5NhUKJy.jpg)
![Seedance 2.5 full 30s prompt + H3 lipsync workflow are below 👇 [3_panel_ref] is a three-panel character turnaround (front, left profile, rear) that strictly defines one single continuous Black woman: short black hair with a sharp undercut on one side, large gold hoop earrings, thick gold curb-chain necklace, fitted black short-sleeve crop top exposing the midriff, baggy green woodland-camouflage cargo pants with large side pockets, and black-and-white Nike high-top sneakers with leopard-print heel and tongue panels. Use only her exact face, body proportions, hair, clothing and accessories. Do not use the plain studio background or any lighting from this image. [outdoor_ref] provides the outdoor lakeside music festival environment at blue-hour dusk: dense standing crowd, main stage with large LED screens and vibrant purple-cyan-pink lighting, scattered white and colored tents, flags, gravel paths, dark forested hills, and calm reflective lake water. Use this only for location layout, spatial depth, ambient lighting mix (cool dusk sky + warm practical tent lights + stage color spill), and background crowd density. Do not promote any specific individuals from this image into the main subject role. Generate a continuous 30-second photorealistic cinematic sequence of the exact same woman from [3_panel_ref] advancing through the dense festival crowd of [outdoor_ref] while carrying a clear plastic cup of beer in each hand. Her path is a single continuous forward trajectory from deep inside the packed crowd toward a slightly clearer edge near the water where her friends wait. All camera work and cuts preserve the unbroken sense of her physical progress and direction of travel. No dialogue, no subtitles, no on-screen text. 0-3s: Hybrid SnorriCam + Steadicam locked on her face and upper torso. She pushes and weaves through tightly packed bodies, constantly bumped from left, right and behind. Both beer cups tilt and liquid sloshes; her expression cycles between tight frustration and stubborn determination. She never stops advancing. Stage lights and crowd motion blur behind her. 3.0-4.5s: Medium side tracking shot. A tall man shoulders into her hard — brief slow-motion impact, beer liquid arcs upward, then hard speed-ramp recovery as she re-centers and keeps moving forward. 4.5-6.0s: Extreme close-up on her right hand clamped around the plastic cup. Foam and golden liquid sway violently with each jolt; knuckles and gold chain details sharp. 6.0-7.5s: Low-angle close-up of her Nike sneakers with leopard accents stepping carefully between other people’s feet, discarded cups and uneven grass, still pushing ahead. 7.5-9.0s: Tight facial close-up with rapid zoom-in to her eyes and the swinging gold hoop earring. She glances sideways at a near-miss, jaw tight, then locks forward again. 9.0-10.5s: Medium three-quarter shot. She ducks under a raised dancing arm, speed-ramp on the duck and straighten, beers held high, continuing the same forward line. 10.5-12.0s: Slightly elevated back three-quarter. A surge of people passes; her crop top and gold chain catch stage light as she twists her torso to slip through without stopping. 12.0-13.5s: Extreme close-up on the left beer cup as it is jolted — liquid nearly overflows, catching a purple stage flash, then settles as she stabilizes. 13.5-15.0s: Dutch-angle medium shot. She brushes past a person with a large backpack; camo cargo pockets scrape fabric; her stride never breaks. 15.0-16.5s: Close-up on the undercut side of her head and short black hair moving with the motion, gold earring flashing. 16.5-18.0s: Slightly high angle looking down as she navigates a tighter cluster near tents; bodies part just enough for her to thread through, still advancing. 18.0-19.5s: Slow-motion medium close-up of her upper body and face as a drift of stage fog and colored light crosses her; skin, gold jewelry and black fabric catch the colors while she keeps walking. 19.5-21.0s: Side tracking speed-ramp. She sidesteps a couple holding hands, beers lifted protectively, path still straight toward the water edge. 21.0-22.5s: Extreme close-up on her slightly parted lips and focused eyes looking ahead, concentration unbroken. 22.5-24.0s: Medium full-body as the crowd density begins to thin near the lake. She picks up a half-step of speed while still carefully balancing both cups. 24.0-25.5s: Tracking from behind as she emerges into a small clearer zone. Two female friends in casual festival clothes are waiting a few meters ahead, already noticing her. 25.5-27.0s: Medium shot as she reaches them, stops, still holding both beers upright. Shoulders begin to drop. 27.0-30s: Close-up on her face. She releases a long, deep sigh of pure relief, a small tired smile appears, eyes soften toward her friends. Soft bokeh of lake water and residual stage lights behind her. Hold the final frame. Visual treatment: photorealistic live-action, natural blue-hour mixed with vibrant stage color spill, shallow depth of field on all close-ups, grounded handheld energy that never loses her continuous forward path. Audio: dense overlapping crowd murmur and chatter, distant muffled bass and music from the main stage, liquid sloshing inside the cups, soft body impacts and fabric rustle, her slightly elevated breathing, final clear relieved exhalation. No added music bed beyond the distant stage sound. Keep the woman’s identity, clothing, cup ownership and direction of travel completely stable across every cut. If you need the prompts for the references used, check the quoted post! 🫡](https://image.24vids.com/tw-2087082935648239913/amplify_video_thumb/2087082773521530880/img/1fzEZ79JPO0d0ni0.jpg)
 in every shot. Preserve her exact face, natural facial geometry, dark eyes, skin tone, expression, extremely long straight wavy blonde hair, thick blunt bangs, and royal-blue backward baseball cap with small decorative details but no readable text. She is 178 cm tall, XS size, very slim elongated runway-model proportions. Her outfit never changes: oversized white-to-light-grey graphic cotton T-shirt with a deep plunging neckline that that accentuates her large cleavage., faint doodle motifs but no readable lettering, dusty rose-pink wide cargo trousers with dimensional pockets and heavy folds, black belt with silver hardware, colorful keychain charms, layered bead necklaces, and red low-top sneakers with white soles. ARCHERY GEAR: She carries a long dark laminated-wood recurve bow with a leather-wrapped grip, visible taut string, realistic curved limbs and subtle wear. A dark-brown leather quiver crosses diagonally over her back, holding six to eight arrows with natural wood shafts and cream-white feather fletching. She wears matching brown leather archery gloves with stitched palms, reinforced knuckles and wrist straps, plus a fitted leather forearm bracer on the bow arm and a slim finger tab or draw glove. The archery equipment is integrated into her street-fashion styling, not a historical costume. LOCATION: A dense urban shopping district and pedestrian plaza at blue hour, wet asphalt reflecting storefront light, concrete towers, glass façades, crosswalk signals, street lamps, overhead transit lines, narrow side streets, urban haze, and a large original unbranded mascot plush statue installed in the center of the plaza. The mascot is enormous, approximately three stories tall, with a soft cream-and-pastel plush body, oversized rounded head, expressive embroidered eyes, visible seams, padded limbs and tactile fabric. No copyrighted character, logo or readable text. STORY — 12 SHOTS, ONE CONTINUOUS EVENT: 1. 0–1.5s, LOW WIDE. Camera whips right past two foreground pedestrians and a street barrier. She bursts through the wet plaza at a low run, bow held low, red sneakers splashing lightly, dusty rose cargo fabric and extremely long hair streaming behind her. 2. 1.5–3s, EXTREME CLOSE, LOCKED. A commuter’s eyes appear above a scarf behind a transparent umbrella. The eyes snap toward the plaza as nearby city lights reflect across the wet plastic. 3. 3–4.5s, CLOSE, FAST PUSH-IN. Two pedestrians and their leashed pets in the distance suddenly turn toward the giant mascot statue. A small dog raises its ears while a cat inside a carrier shifts and looks outward. 4. 4.5–6s, TRACKING MEDIUM. Camera runs beside her through the moving crowd at shoulder height. People step aside, coats and shopping bags sway, her long black hair, oversized T-shirt and cargo trousers carry real momentum as she reaches toward the quiver. 5. 6–7.5s, LOW ANGLE CLOSE. Her red sneaker plants on the wet pavement. She straightens hard and raises the dark recurve bow into frame. The giant mascot statue is visible far behind her between buildings. 6. 7.5–9s, MEDIUM FROM HER LEFT. Camera orbits behind her as she draws an arrow from the quiver, nocks it and pulls the string to full draw. The bow limbs flex visibly; pedestrians freeze at a safe distance, watching. 7. 9–10.5s, MACRO, LOCKED, razor-shallow focus. Her leather-gloved fingers grip the string, stitched glove texture, finger tab and arrow shaft sharply resolved. Her eye, blue cap and city lights remain soft behind. The string creeps back the last centimetre. The crowd noise drops for one hard beat. 8. 10.5–12s, WIDE FROM BEHIND AND ABOVE THE ARROW, LOCKED. She releases. The string snaps and blurs. The arrow tears forward between streetlights and glass buildings toward the giant mascot statue. 9. 12–14s, MEDIUM CLOSE TRACKING THE ARROW. The arrow breaks apart in mid-air: its front half dissolves into millions of bright rose-pink glitter particles streaming behind it, each particle catching the city light separately while the feathered tail remains intact. The arrow has no point. 10. 14–16s, WIDE LOW ANGLE. The glitter stream strikes the plush mascot’s chest and races through its seams as a bright rose-pink wave. Plush fibers ripple outward from the impact point. Pink reflections pulse across the wet pavement and nearby windows. 11. 16–18s, WIDE LOW ANGLE, FAST PULLBACK. The enormous mascot plush statue activates and rises into a fully living presence. Its padded head lifts, embroidered eyes illuminate softly, oversized arms move, seams flex, and rose-pink glowing fabric appliqués spread across its plush surface from the impact point. It remains clearly soft, textile-based and physically heavy, not a CGI monster. 12. 18–20s, FINALE, WIDE FROM BEHIND. Camera rises behind her as she lowers the bow and lets her weight settle naturally onto one hip. She looks up at the awakened mascot with a small confident smile. Pedestrians gather and react, some stepping backward, others pointing or raising phones. Dogs tug lightly at their leashes, a small pet in a carrier shifts, and the giant mascot waves slowly above the plaza. Glitter continues to fall through the city light. Vary the framing aggressively: extreme close-up, macro, close, medium, tracking, low wide and overhead. Never repeat the same shot type twice consecutively. Shots 2, 7 and 8 are locked; all others use clear camera movement. Every action must be instantly readable. LOOK: Photorealistic live-action large-format colour film with a refined three-strip Technicolor response. Concrete, glass, asphalt and distant architecture remain cool blue-grey and slightly desaturated. Saturated colours are the royal-blue cap, dusty rose cargo trousers, red sneakers, colorful keychain charms, rose-pink glitter, and the cream-and-pastel mascot plush. Fine photochemical grain, subtle halation on streetlights and glitter, realistic wet reflections, tactile cotton, nylon, leather, metal and plush fibers. Photographed reality, never drawn. LIGHTING: Blue-hour city light mixed with warm street lamps and storefront spill at approximately 4200K. Cooler sky fill at 4:1. Streetlights rim her long black hair, cap, bow and quiver. Thin urban mist and steam rise from vents and wet pavement. The glitter emits separate rose-pink specular points and casts soft pink reflections onto the mascot, asphalt, glass and her face. CAUSE AND EFFECT: Pedestrians and pets notice the strange event before the transformation, so their final reactions read as consequences. The glitter must visibly travel in sequence: arrow releases, arrow breaks apart, particles stream through the city, glitter strikes the mascot chest, light travels through the seams, the plush statue activates, then the crowd and pets react. Never cut directly to an already-animated mascot. PHYSICS: Real mass, real air and believable momentum. Bow limbs flex, string snaps, arrow flight has directional force, glitter behaves as millions of separate solid particles carried by fast air, and plush fabric compresses, ripples and rebounds with weight. Cargo fabric, T-shirt, hair, quiver strap and keychains respond to acceleration. Wet pavement reflects movement without becoming a mirror. The giant mascot moves slowly because of its padded mass. No slow motion; all shots run at real-time speed. AUDIO: Wet footsteps, light splashes, distant traffic, pedestrian chatter, shopping bags and coats moving, dog tags and leash tension, a faint pet sound, bowstring creak, sharp release snap, arrow hiss, crystalline glitter shimmer, plush fabric shifting, soft mechanical-like seam tension, crowd gasps and footsteps. No music. ON-SCREEN TEXT: None. No readable text, subtitles, numbers, captions, UI, logos, brand marks or watermark anywhere. OUTPUT: 20 seconds, horizontal 16:9, 4K, continuous cinematic live-action realism. #DomoAi #DomoAiCPP](https://image.24vids.com/tw-2089578815219785888/amplify_video_thumb/2089577363642400768/img/kSbDTT0Pmlsmv2qC.jpg)
![🚨What is she carrying? Part 2⁉️ Depending on your AI platform preference … we get either a $40,000 handheld X-ray device or a $40 thermos-and-lunch-bag cooler combo? What was your conclusion, and which was right? When we first came across this video months ago, I immediately said it looked like she was “carrying a lunch bag,” or some kind of cooler. But for whatever reason, and what we were more focused on at the time, we didn’t spend the hours and hours and hours required to drill down on those few seconds of video. Not until this week. Tons of social media critics say I should “just release everything we know, and let the truth fall where it may.” But that’s how we get in trouble. And we HAVE gotten things wrong in this five-year-long investigation. EVERYONE has made mistakes. Left and right media, major legacy media, alternative media, and even the best of the independent journalists have made mistakes or misreported details of the January 6, 2021 event. Whether on purpose, by accident, or careless disregard of the truth … you can be the judge of each incident. I’ve explained on numerous occasions that we’ve spent more than a year researching, investigating, and preparing some stories before going public. In this case, when we finally started looking hard at it, the Brave New World of AI took us on a wild goose chase. We now have good reason to finally drill down on the timelines and available video leading up to the sequence of events on the night of January 5, 2021 … the night before the discovery of the two “devices” at the RNC and DNC headquarters. When inputting into AI that first video — which I posted last night — It began spitting out some shocking alternatives to my original “lunch bag” assumption. Unprompted, the AI drew its own conclusion about what Ms. Kerkhoff was carrying, probably because they were “cops” in the video. To be clear, UNPROMPTED, AI was initially adamant that the item in her hand was a portable X-ray device for sniffing out narcotics, weapons, and explosives. Even some The U.S. Capitol Police sources we shared the video with said the same thing. Other Capitol Police sources were more skeptical. Then, suddenly AI wasn’t so sure. As I mentioned last night, in my second post, X’s Grok and Google’s Gemini were arguing with each other. Gemini was shockingly specific: “The item being carried by the officer in that CCTV footage matches the exact structural form factor, top-handle position, and multi-point shoulder strap design of a Viken Detection HBI-120 Handheld Backscatter X-Ray Imager … Rather than being transported bare, it is housed in its specialized tactical, weather-resistant soft deployment carry case.” Wow. You can imagine how that hit like a bolt of lightning, considering whom we were looking at. Grok was less committed, offering varying possibilities ranging from a “paper takeout bag” to all manner of sophisticated law enforcement-used electronic devices. When I pitted Grok against Gemini — and vice versa — Gemini dug in its heels, saying: “Based on the visual evidence in the video and the analysis circulating in response to Steve Baker's query, the device carried by Officer Kerkhoff is almost certainly a Viken Detection (formerly Heuresis) HBI-120 in its tactical soft-carry case. While officially unconfirmed, the visual and structural match is highly specific.” Grok countered: “The competitor [Gemini] write-up describes that pouch as if it were a catalog item with a unique layout, then maps the CCTV blob onto it and calls it an ‘exact’ match. The citations in that text are HBI-120 product pages, not photos of a factory soft case that looks like this bag. That is overfit. Size class + top handle + ‘looks tactical’ is not an identification of an 8-pound 120 keV imager. Could an agency have put an HBI-120 in some aftermarket or unit-made padded bag? Yes. Does this video prove that? No.” But Grok was also an absolute mess in describing the basic video scene itself: “A gray-haired person in dark clothing walks in from the left carrying a dark bag by a single top handle. Papers or a light object in the other hand. Two uniformed officers come down the ramp. They meet. Later two officers walk the sidewalk; one has a light-colored item (bag or papers), and a dark bag is still in the scene. Someone else walks away across the lot with a bag.” Huh? Anyway… Gemini didn’t like what it called “The Thermos Theory”: “Soft Lunch Coolers typically use flexible nylon webbing straps or soft padded handles that pinch or deform when lifted. The handle in the video does not appear to ‘pinch’ like a soft strap; it remains an open loop. This structural rigidity strongly favors the Viken device (or a hard-shelled case) over a soft lunch bag.” Grok’s conclusion: “On evidence quality, the Viken ID is the weaker of the two. It is possible in the abstract and unsupported as a positive ID here. The honest read is: dark soft top-handle bag, lunch-cooler to small-kit size, contents unknown. Anything more specific needs a better frame, a still of the bag on the ground, or provenance outside this clip.” Gemini’s conclusion: “This single frame is ambiguous due to the blur and lighting (reflection). However, the rigid, non-deforming handle visible in the officer's grip is a mechanical characteristic of the Viken HBI-120 (or similar heavy equipment) and is inconsistent with the flexible straps of a standard soft lunch cooler. While the "silver" glint is a point for the thermos theory, it is plausibly explained by the Viken's glass screen or case window. Verdict: The structural analysis (rigid handle) still favors the heavier equipment (Viken) over a standard soft lunch bag.” So, depending on your AI preference … we get either a $40,000 handheld X-ray device or a $40 thermos-and-lunch-bag cooler combo? But there is more evidence in the alternate video angles available. (That I now present below.) They seem to confirm with the ‘human eye’ that Ms. Kerkhoff is carrying a metal cylinder (possibly a thermos) in the same hand as a soft-sided lunch bag cooler. Though the design conflicts with the common thermos handle configurations of most known cylinder thermoses. (Photos below.) And we've not been able to get an accurate hit on the so-called "lunch bag" with that specific handle and strap configuration. And THAT is why you don’t just “release what you know” without seeking every possible video angle and expert opinion. That is why we didn’t run to print with our original November 8 story on the OG topic without first taking it to a government intelligence agency and professional investigators for review. That is why so many bad theories about January 6 still abound — five and a half years later — because they were based on a single camera angle, when years later, the same scene was revealed to have been captured from multiple angles that change reality 180 degrees. This is exactly why all CCTV footage — not just from January 6, but also January 5 and 7 — still needs to be released to the public. When Speaker Mike Johnson authorized Rep. Barry Loudermilk's old investigative subcommittee to begin uploading CCTV footage to a Congressional Rumble channel, we were elated. I had already spent many weeks in the Capitol CCTV viewing room in D.C. The travel, the expense, and the scheduling hassles with the committee made it nearly impossible to spend the amount of time required to prepare any story correctly. Not only to view and harvest what you were looking for, but also to sift through far more than the infamous “41,000 hours” of footage. Congress made more than 1,800 cameras' worth of footage available, and ten total days of footage. That’s hundreds of thousands of hours of potentially useful footage to review. An impossible task for any one person or media organization to review if Congress didn’t make that footage directly available to the public. But they didn’t finish the project. Tens of thousands of vitally important hours from both January 5 and 6 were never uploaded to the Rumble page. Additionally, my team has made specific requests for curiously missing gaps in footage throughout that two-day timeline. In an arrangement made with the Committee, they had originally been very good about getting us the footage from the specific cameras and timestamps we requested. That suddenly stopped when the new Congress and Loudermilk’s new J6 investigative subcommittee took over in January of 2025. Joe Hanneman and I have made innumerable requests — REPEATEDLY — for missing and/or unreleased cameras and timestamps specifically related to the pipe bomb investigation. Despite being told — REPEATEDLY — that they would provide the requested footage, they never did. Something happened. As I’ve reported several times in the last few months, the Capitol Police were finally and successfully able to shut down Loudermilk’s subcommittee investigation into ALL THINGS related to the Capitol Police. They did this only with the complicity and surrender of Speaker Johnson and Judiciary Chairman Rep. Jim Jordan to Capitol Police leadership’s demands. On that note, and in conclusion … there are eight full hours of missing footage from January 5, right in the middle of the day. ALL CAMERAS are missing. These are important hours for what we are tracking. We can see Ms. Kerkhoff arrive at Capitol Police HQ early in the morning to clock in for her shift, but she is not carrying her “lunch bag and thermos” when she arrives. Her car is parked two blocks away, and is in the same parking spot at the end of her day. We can see her leave HQ late in the day (as I’ve documented in the last several posts on this page) with other officers and go to the Fairchild Building. Only to return some half hour later carrying that … thing(?) … and only to spend 45 seconds in the HQ to “clock out” from her overtime shift. We’re still missing vital video footage that both Speakers McCarthy and Johnson promised the American people. Including certain cameras deliberately withheld at the RNC bomb drop location, and other cameras with mysterious gaps at the most important of moments. Do the other video angles here prove that either Grok or Gemini was right, or does the X hive mind have better theories on what Kerkhoff is carrying? How about that high-definition CCTV camera that is right inside that west side door at Capitol Police HQ, with good lighting? They should release that video to us. A $40,000 bomb detection device or a Walmart thermos and lunch bag? I’m good with either. The truth is what we seek. But we should be able to see ALL the footage. Including all Capitol CCTV cameras and footage from January 6, and the days immediately preceding and following. Including the 39,000 video files the FBI claims to have in the entire J5/J6 pipe bomb investigation. Conspiracy theories are born and fester precisely because the government isn’t transparent and purposefully keeps the People in the dark. Then the lawyers who control government make billions from the legal aftermath. (More Photos in the thread below.)](https://image.24vids.com/tw-2094421342586044718/amplify_video_thumb/2094419261796077568/img/wP9SAk3OAQ58oFvt.jpg)
![OPERATION INDIGO SKYFALL (SKYNET) (Update 6/11/25) While Operation Indigo Skyfall is a program by the Anunnaki specifically to turn the global atmosphere into an electrolyte solution 'motherboard' that powers Skynet that's already fully online as of May 2020, it was preceded by a decades-long 3-pronged assault against the pineal glands of humankind. The thrust of all three programs combined are all about disconnecting people from their higher selves and to vastly reduce their intellect quotient to make them easily controlled, prior to the launch of Skynet. Understand the intense investment that has been funneled into destroying the very beings that paid the taxes (loosh) to fund these programs is more than the gross domestic products of multiple countries combined. At minimum, trillions $ pr year in 2025 dollars, for more than 80 years. If you’ve ever seen chemtrails in your skies, you’ve seen one of these programs in a bold, in-your-face, broad-daylight fashion. THREE-PRONGED ATTACK PREPARING FOR SKYNET #1 FLUORIDE = WATER CONTAMINATION In its first installation of what would ultimately become a nation-wide invasion of every metropolis, city, town and mud puddle in the US, fluoride was added to public water in Grand Rapids in 1945 to ‘fight tooth decay’. Problem is, fluoride is actually nuclear waste used as rat poison. It is a known neurotoxin more harmful than lead & likened to the toxicity of arsenic for more than 100 years, causing brain damage, spinal cord & nerve networks destruction and has never been shown to diminish the onset of tooth decay. Which every dentist in the country would have banded together to put a stop to back then if it really did that. So who decided to put THAT into your drinking water exactly? Andrew Mellon, 33rd degree Scottish Wrong Freem@son. Shocking Dangers of Fluoride: cancerwisdom dot net; "There has never been a double-blind, randomized clinical trial for fluoridation's effectiveness." [In reality, fluoride itself has been shown to damage teeth in a totally different way than we get through eating, known as fluorosis. Also in reality, all tooth decay is 100% of the time, parasites, not ‘rot’. They say sugar rots teeth; which is a lie. Sugar is a primary food of parasites, along with heavy metals. When you eat sugars then fail to immediately brush & floss, the parasites already in your body (and there are at least millions) rush to the crevices of your palate then wind up burrowing into your teeth’s (actual crystals) valance bands, further destroying them each time the parasites defecate. Anytime you eat anything sugar or sweetened, ALWAYS mix it with an antiparasitic & immediately brush, or rinse your mouth with hydrogen peroxide afterward, never with mouthwash, which is also poison. I will be covering this extensively soon in my new article: 👉PARASITES] As explained in greater detail below in the whistleblower video, fluoride was used by the N@TZIs (Ashke-N@TZI Crypto J3ws that took over Germany then lead that country into WW2, posing as actual Germans, which they absolutely were not. See my article: 👉GERMANY WON WW2 for more) in concentration camps in the 1930s-40s to make prisoners docile. How does that work? Fluoride accumulates at, and attacks, the pineal gland of your body. This is the ‘antenna’ connection to your higher self that generates your reality. The pineal gland then fights back the fluoride toxin, moving it just outside of its ‘theater of the mind’ and surrounds it to seal it off from attacking. This builds up a ‘calcification’ around the pineal gland, which acts as an insulator blocking your signal to the Primal Sound & Light Fields of the Deity Planes where your higher self has always been positioned, inside what is known in human terms as the Unified Field. [For more on the key function of the pineal gland, see my article: 👉 HOW THE HOLOGRAPHIC SIMULATION WORKS] #2 OPERATION INDIGO SKYFALL = AIR CONTAMINATION (not to be confused with Operation Indigo SkyFOLD which is just another red herring distraction to overcome the dissemination of the truth of this existential threat to all mankind.) Beginning as far back as 1972, Operation Indigo Skyfall chemtrail program is one of the most brutally-compartmentalized & ferociously classified operations of all-time. So secret, the tens of thousands of chemtrail jets across the world don’t even land on the continental United States, but refresh their death dust exclusively on private islands, outside of enforced laws. The first part of this program where strontium, barium & aluminum microparticles are being dumped onto all of the lands of earth that kill all life forms, including the trees and forests, is the obvious portion of your extermination, and even that is only a fraction of the story being applied to depopulate the plane(t) from reportedly 8B people (this is a lie, it was less than 5B in 2019) to just 500,000. The heavy metals being reported by laboratories are merely assaying the minerals themselves, not looking deeper into what’s really going on. In reality, these are the minerals used in the manufacture of nanites that are often no larger than just 4 molecules in size. Each one programmed on a quantum level to interconnect with one another, forming larger and larger computer nodes, just like the massive white ‘antennas’ being removed from millions of clot-shot victims around the world since the final push to bring this program to completion began with the ‘Covid’ attempted genocide using mRNA bioweapons. Prior to the huge blood-clots (invasive man-made prions to take over the full functioning of the body) now being retrieved from cadavers and patients suffering this biological invasion, chemtrail direct effects were known as Morgellons Disease where tiny wire-like structures were coming out of people’s skin. However, the ‘disease’ gaslighting was exposed when laboratories began placing them under powerful microscopes and finding they were individual nanotbots ‘holding hands’ to make up the ‘wires’ that were now growing inside people’s bodies. Once zoomed in using scanning electron-microscopy to each one, they not only found the NAME of the companies behind each model, but even serial numbers printed in quantum-dots on their structures. You might recognize this one that clearly says NASA on its surface. The program of chemtrail nanites is to infiltrate the immune system of the human body and generate immunodeficiency so you are unable to fight off diseases and viruses. But there is another, even more primary mission for those molecular-sized robots; to collect at your pineal gland causing calcification and thus not only disrupting your entire system, but placing a crystalline ‘shell’ around it to cut off your ‘spiritual’ access to your higher self. Think of it like scrambling the signal of your cellphone if you had a direct line to ‘god’. As an aside, Cody Snodres, the independent contractor for the C 👁️A of 20 years & hero whistleblower that broke the story of Operation Indigo Skyfall in 2018 in the video below, mentions pathogens being added to chemtrails. These have been solidly identified by labs as recently as a few months ago in late 2024 & again in Jan of 2025 when entire cities were enveloped by huge, totally dry, fog banks of particulates dropped from the skies that caused countless deaths from pneumonia. Referred to by people as ‘Dragon Fog’, the pathogens are actually Serratia Marcescens bacteria (another word for parasites, pathogens, microorganisms & viruses). While I’m sure there have been other parasites added to chemtrails that attack the immune systems of humans and animals other than Serratia Marcescens, this particular species has been used by mil operations now as an ideal biological weapon and regularly upgraded now for many decades. Stay with me, I’m getting to Skynet, but first I have to show you some of the foundational elements of how the invader races have reached this point where humans would have become so mentally effected by this unthinkably massive-scale attack on your pineal gland, they would become psychologically and emotionally unable to fight back, even if they ever did look up in the sky and cognitively register the fact that contrails (endothermic sublimation or ‘fog’) emitted by the compressed-air turbines of jets dissipate in about 8-20 seconds, not hang in the air for hours and hours. [And for those now wondering what I mean about jets using compressed air as forward thrust in commercial passenger jets, that’s a story that is going to surely hack you off when you find out that passenger jets have always been levitation/time crafts since they were introduced to the public in the 1940s. They don’t run on fuel, but on high-altitude atmospheric neutrino-to-ion conversion harvesting (also known as ‘Secondary Emissions’ as well as ‘Neutrino Events’). So every ‘fuel increase’ markup for local and international flights has always been absolutely made-up, since what they run on is eternally-free energy. See my article for more: 👉JET FUEL HOAX] #3 M0NSANT0 = FOOD CONTAMINATION This company does *not make better-performing corn & veggies: it is a bioweapons company. John Francis Queeny, a Freem@son, that founded this genocidal operation in 1901 produces 90% of the world’s genetically-altered seeds & is responsible for developing Agent Orange, a defoliant used during the Vietnam War, containing a highly toxic chemical known as dioxin that caused permanent health issues for thousands of war veterans. Later it used this same type of murderous chemical in Roundup to k!ll weeds around your home, coating your world with glyphosate that changes the sex in frogs and turns them ghey and sterile. Guess what other life forms it changes the sex in and makes them sterile? Ever witnessed the most celebrated triathlete of the 20th century suddenly pop up and claim he was now a ‘woman’? How about watching as our youngest generation enters the workforce, most of whom don’t even know what sex they are? That’s your M0nsanto working hard to ensure the human race is eradicated from the all-queer-all-the-time world Freem@sons envision as their true utopia in the “500m sustainable population” as etched into granite on the Georgia Guidestones. A number mirrored by United Nation’s Agenda 2030 to be achieved by the year 2050. Their goal is literally 👉your depopulation and those that are left, will be 100% ghey. Diddly Parties nightly! GMO foods that are grown using M0nsanto’s “Roundup Ready” fertilizer that is made with glyphosate toxins are absorbed by the gut and then travel directly to the pineal gland. This is the Anunnaki’s ‘Trifecta’ attack on your most precious organ of your body. The very organ that dictates all the parameters of your reality held within your Krystal Seed Atom Keylon you enter into manifestation with, commonly referred to as your ‘soul’. In more accurate terms, your Krystal Seed Atom is like a Bluetooth module that tethers your awareness from your higher self in the Primal Sound and Light Fields of the Deity Planes, to your physical avatar here on the ground through the wireless ‘pale silver cord’. The Krystal Seed Atom is located in the middle of your pineal gland. [For more on the Krystal Seed Atom, see my articles: 👉THE HISTORY OF THE CHIMERA, & 👉THE KEYS TO HEAVEN] As Cody points out in the video, this is not a matter of hitting your pineal gland with three doses of toxins, but because of how these three chemicals of fluoride, nano aluminum & glyphosate interact with each other, creates synergy, or a dynamic magnification of the toxicity effect by a factor of 125x greater than any one individual dose would achieve. This makes the Trifecta assault astronomically devastating to your connection to the pale silver cord and your wireless connection to the ‘real’ you that’s running your avatar in the deity planes. Sort of like taking your 4 yr old to the mall and just letting them go on their own. Now, with your virtually disabled pineal gland reality-casting component out of the way, enter the true teeth behind Operation Indigo Skyfall; Skynet. SKYNET This is a subject I won’t be able to offer much tangible, solid evidence on, as it goes deeply into quantum physics. All of which terms describing each step in the chain to achieve ‘if this, then that’, are shielded from public understanding by design. The power of computers is vastly beyond what the human mind has been given the ability to process, also by design. [As I’ve covered before, the Chimera brain you work with now, since the total body-invasion of the garden of E-Dan drama, is fitted with breaker switches that are designed to keep certain subjects hidden from your reality-view. When exposed to any of these, a switch is thrown at the base of the brain within the totally counterfeit ‘reptilian brain’ that introduces feral, animalistic type of wavelengths into your thought processes. The switch then disengages your sentient thoughts, shutting off either temporarily, or permanently, your processor (brain). Simply put: if you see a creature you’re not supposed to, or other ‘proprietary’ mechanisms of the invader races (which are in fact all around you every minute of everyday) that doesn’t fit with the ‘Mayberry RFD’ Chimera Reality simulation overlay, or if you experience too much trauma, you will simply black out, delete that memory when you wake up, or in extreme cases, pass away from fright. The realm of quantum computing will have the same effect on humans as well. You might learn all about the subject, but secretly in the background your memories will strangely be deleted next time you come back to it, unless your cells vibrate at a higher resonance than 7.83Hz. [For more on the inorganic organs now in our bodies, see my article: 👉HUMAN ALIEN IMPLANTS] Nonetheless, I can simplify the thrust of Skynet for you in broad terms here. Just understand that Skynet was explained to me in person by the keeper. I didn’t make Skynet up on my own, I wasn’t prompted by the Skynet mentioned in the documentary series The Terminator, and I certainly wasn’t prepared to learn there could be something as all-powerful reigning over our world. Chemtrails, besides dropping immune-system pathogens on you, cutting off your connection to your higher self through nano aluminum particles, contains other metals (nanites) that act together like salts in a body of water, turning the sky itself (also water, just very thinned down) into an electrolyte solution, meaning it can now conduct signals, just like a motherboard on a computer. The hard drive and RAM are already there in the form of deuterium microcrystals, absolutely saturating our skies at all times. Each crystal can be used for different applications, and many of them connected together through lensing (similar to network covalent bonding them together) can be combined to do heavy tasks, such as create hurricanes, floods, gale-force winds, everything you would ascribe to mother nature. But more than just that, Skynet is a ‘sentient quantum computer’ as explained to me, that can identify every person on earth instantly anywhere they are, because it is quantum-entangled to each person’s own unique DNA resonant frequency. This gives Skynet access to not only record every word you say, but every thought you think. This is done through Bloch Chain (Bloch Sphere entanglement technology that civilians call ‘blockchain’) through using each person's blood samples from the bottom of their Long Form Certificate of Live Birth taken at the hospital, and further from 81.3% of the world population who took the convid tests that were also secretly the actual jab itself, in addition to genetic harvesting. Genealogy companies like 23andMe also provide genetic materials to Skynet to make it possible to not only track you, but 'turn you off' if you're from a bloodline the highest-up ETs don't want here. Further, its able to simply 'shut off' any part of your body, taking over complete control like an RC car, or, simply turn it off as mentioned a moment ago, as in unalived. And do so instantly no matter where they stand on or in earth. Since you are already a radio-controlled bioelectronic device, any cell in your body can be turned into anything, including c@ncer, or any disease you can name. It can also be turned into poison itself. [For a small addition to this topic, see my article: 👉SKYNET] NAME OF THE OPERATION Cody summarizes the name of Operation Indigo Skyfall as having come from the fact that all of the chemical effects it produces in the human body are focused to the pineal gland, and, in the energy centers of the 7 main chakras (these are toroidal energy generators along the spine and skeletal structure) that cast off differing colors of light as seen through photometers or electromagnetic frequency analyzers that are used to detect biophotons, the Third Eye chakra emitted by the pineal gland is factually Indigo in color. So that’s what inspired this name of the operation. However, I would like to submit a different theory that links to the human Third Eye chakra, but actually originates from a different target: Indigos themselves. There are 500,000 ‘b00ts on the ground’ Indigos that have been assisting humans during their time of captivity now for hundreds of millions of years. You have called us witches & warlocks in the past, medicine men/women, Sufis, the Whirling Dervish, Indigos, Starseeds, Rainbow Children and many others, including Djedi Knights in more ancient times. They are actually known as the Guardian Alliance of the Emerald Covenant, peace-keepers of the ‘Turaneusiam’ Human Elohim Project. Indigos come into earth’s realm mind-wiped and alone, just as humans do. All they bring with them are slightly higher clair abilities they can use to fight an invisible war protecting the developing avatars from as much torture as they would otherwise experience. There is no group alive the invader races are more concerned about than Indigos, as if unified, there is no force on this plane that could stop them, and the invaders know it. What they fear is our higher frequency that gives us access to ‘cellular memory’ that tells us we’re ‘on mission’ and the instinct of how to serve our roles. That is why Indigos are hunted down since before they are even born, by tracking their frequency, which is 250x higher than that of the Human Elohim. We are harvested for gov programs beginning at the time of birth & given to high ranking gov and Freem@son officials to raise and torture through MK-Ultra abuse, given friends, lovers & mates who are secretly handlers that torture us even more to keep us in line, and in many cases are abducted and placed into stasis in chambers such as at Project Stargate inside Cheyenne Mtn (N0RAD) as mentioned recently by the AI hybrid Agent Mockingbird stated from above-top-secret records there are tens of thousands of our ‘primary bodies’ being held there, sometimes then cloned as physical worker slaves, & sometimes our awarenesses are simply uploaded as ‘nodes’ into computer systems. My primary body is there right now in fact, and has been since the 1970s. I believe this is the genesis of the name Operation Indigo Skyfall, as we are their biggest threat. And since the 7.83Hz Hypnosis Program doesn’t work on us to render us totally disconnected from our higher selves like it does on humans, to me this makes more logical sense. You can decide that on your own. [For more on this subject, see my article: 👉7.83Hz HUMAN HYPNOSIS] The apocalypse we are in now is the final battle on Tara earth prior to the separation, so absolute, total control over the life force is critical to the Anunnaki to maximize the number of signature spirit essences who will be going with them to their new prison host in the Weasadrax time matrix. [For more on the separation and destinations, see my articles: 👉THE SEPARATION & also 👉DESTINATIONS AFTER THE SEPARATION] See Video: Operation Indigo Skyfall - Cody Snodgres👇 - On X, to search for my articles, simply type in the name of the piece, enter one space, then from: plus my username in parenthesis such as shown here: CASTING THE APOCALYPSE (from:iontecs_pemf) Off-site, you can look up any of my writings through this link below for my other more than 120 recent articles and many thousands of comments on X, regularly updated thanks to Justin This message will only be seen by your eyes if not shared, and if you want to reference this article again later, you will need to cut and paste it in your own notes off line, as it will surely be erased. This is the most accurate translation of these events I am aware of at this time.](https://image.24vids.com/tw-1933235180527104198/amplify_video_thumb/1933219857706913792/img/zNN_L4pappa0voKW.jpg)
![The Economics of Europe’s Descent into Warmongering – and our duty now! My speech at the European Parliament on the theme of “The Economic Conditions of Peace”, Tuesday 10th June 2025 [INTRODUCTION] A year ago, I would have started this speech with a lament about the hitherto unimaginable conversion of the European Union from a Peace to a War Project. Not so today. Over the past year, warmongering has seeped into the very fabric of the Union, it has trickled into every policy, it has soaked every one of the thinktanks that generate Europe’s dominant narratives and creeds. Today, therefore, it makes no sense to lament what is now a fact: The EU is now a fully-fledged War Project – a project that will either land us in permanent war, or it will bankrupt us further, or probably both! Europe’s military Keynesianism, I shall be arguing, is guaranteed to make Europe less safe, more unequal, weaker. Only two interesting questions remain: Why has Europe taken this road? And, now that Europe is on this war path, what is ourduty to our people, to Europeans, to Peace? Let me begin at the very beginning. [THE EU WAS DESIGNED TO BE SUBSERVIENT TO THE UNITED STATES] At the risk of irking Europeanists who believe in their own creation myth, let me be clear: The European Union (from its beginnings as the European Communities of Coal & Steel) was an American Construction – a part of a US Global Plan that also comprised the Bretton Woods System, the Truman Doctrine and, of course, NATO. Yes, most Europeans hankered for no more war and no more totalitarianism. But the EU was designed in Washington DC. And it was designed specifically not as a competitive market but as a Big Business Cartel run by a democracy-free bureaucracy (also known as the European Commission) not coincidentally located a stone’s throw from NATO’s headquarters. From 1950 on, the EU was nurtured by and in tune with the interests of the United States – an inconvenient fact both for Europe’s self-important rulers and for Donald Trump. Looking back, a common thread runs through the entire history of the EU: its total economic dependence on the United States. Initially, the EU was deeply dependent on being part of the Dollar Zone. Then, from 1971 onwards, it was deeply dependent on the American trade deficit. So, one way or another, Europe’s deep dependence on the US was ingrained into its architecture. It will thus take much more than mere pronouncements - or a few hundred billion borrowed euros spent on weaponry - to shed Europe’s in-built dependence on the United States. The fact that the EU was, from the beginning, fashioned as a Big Business Cartel is the reason why the EU needed fixed exchange rates: Currency fluctuations destabilise any cartel, making it hard to maintain the necessary levels of collusion between its participating producers. From 1950 to 1971, the US took care of this problem on Europe’s behalf. As long as it was running a trade deficit with the United States, Europe’s cartel was embedded in the dollar zone – its currencies tied to the dollar But, when around 1969 Europe (and Japan) started running a trade surplus with the United States, it was game over. On 15th August 1971, the Donald Trump of that era, President Richard Nixon, jettisoned Europe from the dollar zone, his Treasury Secretary cynically telling the dumbfounded Europeans: “From today the dollar is our currency but it is your problem!” Two things happened next. First, to save their Big Business Cartel the Europeans scrambled to create their own fixed exchange rate regime. They tried everything: The Snake. The European Monetary System. The European Exchange Rate Mechanism. They all proved flimsy designs that speculators had no trouble crushing. So, in desperation, they created the most noxious currency the human spirit could fashion - the euro. The second development was that, as America expanded its budget and trade deficits, the Eurozone morphed into a German-led net exporting machine whose aggregate demand was subcontracted to the United States. In effect, America’s twin deficits operated like a huge vacuum cleaner that sucked into America Europe’s net exports as well as the European exporters’ profits which were thus invested in US Treasuries, US shares and US real estate. That’s how, once it was expelled from the dollar zone, Europe became addicted to the US deficits. That was what the Nixon Shock did: It converted Europe’s utter reliance on living within the dollar zone into an even greater dependence on the US deficits. [NEVER MISSING A CHANCE TO MISS AN OPPORTUNITY] Here in Brussels they love the expression that Europe progresses from crisis to crisis. That’s another delusion. The crisis of 2008 was our greatest opportunity to render the European Union viable, and to end its deep dependence on the United States. · The French and German banks went bankrupt. · The Eurozone’s impossible rules were in tatters. · A domino effect, beginning with Greece, was bankrupting our governments. It was the perfect opportunity to transform the EU from a Big Business Cartel, inherently reliant on the US for its aggregate demand, into a functional, internally balanced federation. Instead, Europe’s radical centre (both the centre right and the centre left) decided that they would change everything so as to ensure that nothingchanges. In this vein, they did their worst: Universal austerity for the many. And frantic money printing for the financiers and Big Business. What happens when you crush the incomes of the many and hand over trillions to the very few? Since the many are too poor to buy high value added goods, business stops investing in productive capital –– while the rich use the free cash to push through the roof house prices, share prices, Bitcoin prices, art, asset prices in general. The natural result is soul-crushing levels of inequality and deep popular discontent. The people got desperate. They even voted for radical progressives like me to enter the Eurogroup! Then, in horror, Brussels and Frankfurt overthrew us, or made Mr Tsipras overthrow his own government, using not the tanks, as they did in Greece in 1967, but the banks – not that much of a difference really! A coup d’ état is a coup d’ état. [TWO SYMBIOTIC AUTHORITARIANISMS] Guess what happened next: Just as in the mid-war period, xenophobic ultra-rightists rose up from the woodwork. They proved a godsent for the shockingly unpopular radical centre whose politicians could now say to voters: It is us or them! But it was equally a godsent for the ultra-right who needed the radical centre to impose the austerity policies which created the discontent which fuelled the anger that delivered the ultra-right votes. To put it differently, if Macron and Le Pen had any sense, they would each keep a framed picture of the other on their bedside tables, saying a little prayer in their hated opponent’s name every night before going to sleep. [SMOKE AND MIRRORS] Liberal Totalitarianism and Ultra-Right-Xenophobic Totalitarianism are accomplices, they feed off each other. Meanwhile, austerity for the many and money printing for the few depletes Europe’s productive foundations, its social fabric, its sense of purpose. That’s how the European Union lost any legitimacy it had in the eyes of the public. Sensing this, the Liberal Totalitarians in charge came up with one failed Grand Initiative after another. Who can forget the eminently forgettable Juncker investment plan, the Banking Union, the Green Deal, or the Draghi Report that has now joined them in History’s Dustbin? Impressive numbers were announced that, alas, dependably failed to materialise. It was inevitable. As long as our rulers said NO to the political union that could sustain a proper, macroeconomically significant, eurobond, the money to fund the necessary investment could never materialise. Even when they – finally – during the pandemic – did issue common debt, they ended up with common liabilities but no common purpose. Every Grand Initiative ever announced was a dance with failure, smoke and mirrors by which they disguised Europe’s nakedness. The result? After fifteen years of ZERO NET PRODUCTIVE INVESTMENT, · Germany is deindustrialising fast, and along with it Eastern and Central Europe, Austria, Northern Italy · Political paralysis grows on the back of fiscal pressures · Neofascism and xenophobia are rising up everywhere · Europe’s dependence on the United States grows stronger at the time Donald Trump is cutting Europe loose · The Rest of the World looks at Europe as a sad case of what could have been, an irritating irrelevance. In this sad context, our great and good leaders had another woeful idea for a Grand Initiative: Now that the Green Deal is dead-in-the-water and the Recovery Fund is spent, why not try Military Keynesianism? [THE FOLLY OF MILITARY KEYNESIANISM] Ladies and Gentlemen, Military Keynesianism works in the United States because America has the federal institutions, the monetary sovereignty, the fiscal power, the technostructure, and the common procurement process that are essential in implementing Military Keynesianism. Europe has none of that, nor does it have leaders interested in acquiring any of that. This is why Military Keynesianism cannot work in Europe. Thank goodness it can’t work, I say! For if it could work, Europe would have to emulate the United States in starting a war every year so that the stocks of ammunition, missiles et al could be depleted sufficiently to justify the new colossal orders necessary to maintain Military Keynesianism. Nevertheless, while Europe’s Military Keynesianism cannot and should not work, it serves a purpose – it is a kind of a solution for, say, Volkswagen: Now that Volkswagen can no longer sell its cars, it hands over whole production lines to Rheinmetall to produce Leopard tanks which von der Leyen makes Greece and Italy buy even though we neither want nor need them. Yes, Military Keynesianism will fail Europe badly, but not before it further bankrupts our states and throws more fuel onto the fire burning down lives and dreams in Ukraine’s killing fields. So, let me be frank: · No really-existing enemy of Europe shakes in his boots watching a stagnating, heavily indebted Europe, invest billions in weaponry. Quite the opposite! · Military Keynesianism will end up as Europe’s New Austerity for the many and a new money spinner for the few. · It will make Europe weaker while prolonging the Ukraine War in a manner that is detrimental to the stated aim of supporting Ukraine. [EUROPE’S SURRENDER TO NATO, ITS ROLE IN UKRAINE] It is at this point that angry yelps will rise up from the press gallery. Can’t you hear them ask: "“Is Russia not ante portas?” “Is Europe not in danger?” “Should Europe remain defenceless, especially now that Trump is abandoning Europe?” My answer is clear: Weakening ourselves economically through a Military Keynesianism that constitutes the New Austerity which will, with mathematical precision, diminish Europe further is no way to make Europe stronger! And lest we forget, Europe already has 1.5m men and women in uniform while, over the past decade, we spent €2.7 trillion on defence – a period during which our net productive investment was zero! Now, NATO demands that we spend three times as much - which is totally insane, given how wastefully that €2.7 trillion was spent. In this light, surrendering our foreign and defence policies to NATO, and sinking further in unsustainable debt just to satisfy President Trump’s demands for more military spending, is the surest way of making Europe more dependent, less secure, uglier and sadder. In this context, the powers-that-be here in Brussels are anxiously trying to keep their jobs and boost their budgets by spreading the lie that NATO had to expand in order to deter Russian aggression – when it is exactly the other way round: Like the Mafia, NATO expanded to create insecurity in order to sell us protection! Does this mean that Putin was right to invade the Ukraine? Of course not. What it means is that NATO and Putin are accomplices – that they needed one another in their joint bid for a confrontation that strengthened both – at Europe’s expense. It also means that anyone truly interested in Europe’s security and prosperity 1. must dispel the lie that Russia is about to invade us – it can’t even if it wants to 2. must work tirelessly to kill Europe’s Military Keynesianism, and 3. must work toward a European Peace Process which uses Russia’s confiscated monies not as a piggybank for more useless Leopard tanks and Leonardo missiles but as a bargaining chip to end the Ukraine War in the context of a comprehensive EU-Russia Peace Treaty. As for the politicians in this town who will not rest until they see Russia on its knees, I have this to say to them: If you really wanted to weaken Russia, to bring Russia to its knees, you should have worked hard to admit Russia into the… Eurozone. In one fell swoop the euro would have wrecked Russia’s productive basis, it would have indebted its people and its state, it would have made its leaders rush to Brussels and to Frankfurt with begging bowl in hand! You think I am joking. But there is too much truth in this joke for comfort! To sum up my argument so far, Europe’s economic stagnation was the product of its total dependence on the American deficits. This dependence yielded Europe’s complicity with the decade-long American project of inciting a war in Ukraine. And now that the US is decoupling, our rulers – resembling decapitated chickens – are running around without their heads screwed on, struggling to find ways of continuing to impede Peace in Ukraine so as to use military funds to prop up Europe’s faltering Big Business Cartel. [WHAT’S BEHIND EUROPE’S ETHICAL DECAY: GAZA, TOTALITARIANISM] Ladies and Gentlemen, as we speak here today, Europe is falling headlong into another ethical void: complicity in the Palestinian genocide. It is not just the embarrassment, also known as Mrs Ursula von der Leyen, posing like a cheerleader of Israel’s genocidal army in front of its tanks hours before they stormed Gaza. No, the European Union is not merely complicit due to our subservience to the United States. No, the European Union is also enabling, it is in fact funding, the war criminals of its own accord. Directly. Cynically. With no compunction. · BNP PARIBAS and ALLIANZ underwrite the issues of the Israeli government bonds that fund the Israeli meatgrinder in the Palestinian Occupied Territories · MAERSK is the prime transporter of the military machine at work in Gaza · Since 2007, the European Union has channelled €2 billion of research funding to Israeli entities producing the means by which Palestinians are ethnically cleansed, targeted, murdered and maimed. But there is something even scarier going on: Some of our top institutions depend financially on backing Israel’s genocide. If Europe were to do its duty and sanction Israel, the Technical University of Munich stands to lose €195.4 million from the EU’s HORIZON program which funds the University to carry out joint research with Israeli institutions. Ladies and Gentlemen, Europe carries an enormous guilt. The pogroms against the Jews started here, in Europe. Europeans carried out genocides across Africa, in the Americas, in Australia. By forming the EU as a Peace Project, we claimed a chance to make amends for Europe’s past genocides. However, our dependence on the US and our ruling class’s penchant to profit from imperialism have made this impossible – and so Europe’s hands are, again, covered in the blood of innocents, in Gaza, in Ukraine, in the Sudan, in Libya, in Yemen, in Syria. It has also brought totalitarianism back into our midst, here in Europe. When the German authorities banned me from entering Germany for the crime of co-organising with German Jews a conference on the theme of ‘A Just Peace in the Middle East’, they were making a point: To them, letting the rivers of Palestinian blood flow unimpeded represented their chance of washing off their hands the guilt over the Holocaust, over the other German genocide in Namibia, of Belgium’s crimes against humanity in the Congo… It is, therefore, a clear warning to us: Economic stagnation begets warmongering which begets a revived European white settler mentality. This Europe has fallen so far into a moral crevice that it cannot easily climb out of it. Europe’s Liberal Totalitarianism, which we in Greece experienced in all its horror ten years ago, is now everywhere – and it is throwing wide open the gates through which Xenophobic Ultra-Right Totalitarianism arrives to darken our doorstep. The time to rise up against both forms of totalitarianism is now. On behalf of the peoples of Europe. [WHAT MUST WE DO?] So, what must we do? Let us begin by grasping that: · The economic condition for Peace is to de-couple Europe's economy from America's wars! · But for that we must end, once and for all, Europe’s dependence on the United States. · This entails ending Europe’s dependence on net exports to America. · Which means rebalancing Europe’s internal economy through o new productive green investments, o an end to structural austerity o an end to the madness of cartel-infested electricity ‘markets’ o a new monetary commons by which to end the bankers’ monopoly over payments and to institute a personal dividend for all o a new EU-China deal that liberates us from America’s agenda of intensifying a pointless New Cold War at our expense. Only by transforming Europe’s political economy can we end the never-ending fragmentation which breeds war, totalitarianism and the embarrassment of being led by cheerleaders of genocide and permanent war with Russia, like Ursula von der Leyen and Kaja Kallas. How can we accomplish that? In two ways. First, we need a Credible Plan for a Europe worth fighting for. Second, we must organise a campaign of civil and governmental disobedience in our countries and, potentially, in the European Council until our Plan for Europe gets a chance. We, DiEM25, have worked for a decade on this Plan – our Green New Deal for Europe – and are happy to share it with you, so that you can refine, revise, adapt it. You, the 5S Movement and other parties eager to partake across Europe, have the organisation that we lack so that, together with our MERA25 transnational parties, we can together help organise the campaign of civil and governmental disobedience without which nothing will change, nothing will impede Europe’s, Italy’s, Greece’s, indeed Germany’s secular decline. [CONCLUSION] So, to conclude, seventy-five years of this European Union teach us that we face a stark choice. A choice between a Dependent-on-the-United States, Warmongering, Stagnating Europe. Or an Independent, Non-Aligned, Prosperous, Green Europe. A choice between a von der Leyen-type Commission that greenlights genocide, impedes Peace, illegally deletes her Pfizer chat history, lobbies for Lockheed Martin, and borrows money we can’t repay to buy weaponry we do not need - while condemning People and Planet to impecunity. Or European Institutions optimised against raw power and in favour of common prosperity. A choice between being at the beck and call of the boardrooms of Rheinmetall, Leonardo and Pfizer, blind to the tax havens where war profits and tax fraud hide, while our coastguards turn refugees into corpses. Or a Europe of rational, that is a radical, humanism. To even have this choice, our immediate task must be to end war, to end genocide and to terminate before it is too late the New Austerity going by the name of Military Keynesianism.](https://image.24vids.com/tw-1933459747866316884/amplify_video_thumb/1933456380167364608/img/Up__hbhEoJPhHmsi.jpg)
![The Weapon of the Aliens, UAP, Havana, and a Breakthrough "This is the biggest cover-up I've seen in my adult life." ~High-Level CIA Source to "60 Minutes" "The Soviet scientists took apart the recovered craft and discovered a very advanced directed energy weapon." ~Dr. Eric Davis "We wanna be able to develop this technology, what we call, The Weapon of the Aliens." ~Russian Scientist to Knapp "This is a massive CIA cover-up." ~Former CIA Officer Marc Polymeropoulos "I've never seen, in thirty-plus years of practicing military medicine, victims treated in such a terrible manner, and I just wanna offer my apologies to you." ~Retired Major General, Dr. Paul Friedrichs (reportedly) "...there are likely many of these devices, and if undercover agents could purchase one from gangsters, then the Russians have lost control of a stealth weapon that can be used by anyone, anywhere." ~Pelley "We don’t think [the Skinwalker Ranch injury] has anything to do with UAPs. We think that that’s some sort of a state actor and again related to Havana syndrome somehow." ~Nolan ~ Is There a Connection Between UFOs and Havana Syndrome? But First: Highlights of the "60 Minutes" excellent double segment on Havana Syndrome from last night. "Some in the CIA believe that a microwave weapon must be the size of a truck." ~Scott Pelley But then... "Undercover Homeland Security agents purchased a miniaturized microwave weapon from a complex, Russian criminal network. It's classified, we didn't see it, but it has been described to us. We are told it doesn't look anything like a gun. It's designed to be concealed and small enough to be carried by a person. It is silent and doesn't create heat like a microwave over." ~Scott Pelley (Just a fast comparison to the UFO topic. Reportedly, the weapon is classified but CBS was able to report on what they were told regarding what it looks like, the dimensions, and the details of what it can do. There's no reason why we can't hear details about what is shown in classified UFO videos, and Rep. Eric Burlison has started to do that.) Pelley: "Our sources say the device is programmable for different scenarios, and can be operated by remote control. The range of the beam is several hundred feet. It can penetrate windows, and drywall. The vital components were made in Russia. Our sources say the key is not the hardware but the software. The programming shapes a unique, electromagnetic wave, that rises and falls abruptly, and pulses rapidly." Stanford University's Dr. David Relman's research, "found that Russian scientists had been perfecting the concept for decades." (I can't help at least consider the possibility that they may have back engineered that tech from an anomalous source. More on that later.) ~ Relman: "What the Russians spoke about was the importance of the energy being pulsed, in order to have biological effects on humans. When you produce pulses like this, you can actually stimulate electrically-active tissue, like brain tissue, and the heart for that matter, mimicking what the brain normally does. But now you're driving it with your pulses from the outside." Pelley: "An ideal stealth weapon." Relman. "Ideal. Ideal. Because, literally, the person feels as if this is in my head." ~ Pelley: "Our confidential sources tell us the still-classified weapon has been tested in a U.S. military lab for more than a year. Tests on rats and sheep show injuries consistent with those seen in humans. "Also, as a separate part of the investigation, security-camera videos have collected that show Americans being hit. The videos are classified but they were described to us." (Watch the clip for details on that. Again, classified videos being described, and a news outlet reporting on what they were told. That should be happening more in our UFO world.) Relman: "These folks in the Biden White House believed these [victims], and believed that their injuries were not caused by known medical or environmental conditions the way the CIA was asserting." Pelley: "A high-level CIA source has told us, and this is a direct quote: 'This is the biggest cover-up I've seen in my adult life.' The CIA experts had made up their minds that, "nothing in the scientific literature will support the idea that microwave energy can do things like this." ~ Pelley: "Our sources tell us that the Biden White House wrote a public statement backing the victims, but never released it. So far, the Trump administration has not changed the words in the 2023 intelligence assessment that it is very unlikely that victims were attacked. "But our sources also tell us, the Trump administration has briefed top intelligence officials in Congress, and shown them a classified picture of the weapon. We're told, at the Pentagon, people who had investigated the attacks for the Department of Defense have been moved to a unit that develops new weapons." (More weapons. Yay! Why Cover It Up?) "If we acknowledge that this is a state actor that was doing this, it is, essentially, a declaration of war against the United States, which has to have a response from the United States government. In my opinion, I don't know that the appetite was there to respond to the Russians, at that time." ~Former CIA Officer Pelley: "The Office of Director of National Intelligence (Gabbard), which oversees 18 agencies, including the CIA, told us that a new review of AHI (Anomalous Health Incidents) will be 'comprehensive and complete,' and, 'we remain committed to delivering the truth.' The victims are waiting. "The sources who informed our reporting told us the classified mission to obtain the microwave weapon points to a troubling reality. They say there are likely many of these devices, and if undercover agents could purchase one from gangsters, then the Russians have lost control of a stealth weapon that can be used by anyone, anywhere." ~ ~The UFO Connection?~ (A few years ago, we heard Lue Elizondo say that there MIGHT be a correlation between UAP and Havana Syndrome.) Elizondo: "There's some interesting, what we would perceive - we...myself, and several colleagues - some interesting correlations (between UAP and Havana Syndrome) there. I'm not prepared to elaborate right now. I simply cannot. [It] will be addressed in time. What I don't want people to think is that, 'Havana Syndrome, it equals UAP!' Not necessarily, we're not there yet. There does seem to be some correlation but we don't...we're not prepared right now to really, to go into any detail because, right now, a lot of it's just theoretical." Source: That was two years ago. ~ (I'm going to include three stories connected to the Soviet Union/Russia, even though some don't seem to be connected to Havana. This is also from two years ago. ⬇️ ) George Knapp: "One of the people we interviewed in Russia - the first trip I was there in 1993 - was a Russian scientist who worked on the equivalent of their Star Wars program. He had never spoken to a journalist. He hadn't used his real name in public. And he came forward...and spoke to us. "And he showed me...he had this funny looking thing sitting on the table when we came into the room where we interviewed him. And he had been living in one of these Star City places that didn't exist on a map, for his whole career, working on advanced weapon systems. "And he showed me this little tabletop thing, he called it The Weapon of the Aliens, and he pressed a button, and this beam burned a hole, instantaneously, in a razor blade. He said, 'This is what we're working on. We wanna be able to develop this technology, what we call, The Weapon of the Aliens, We know that the Americans are working on it as well. We wanna beat you to the punch.'" (This doesn't sound like the Havana-Syndrome weapon described to "60 Minutes" but maybe it was just in the early stages of development? Or, not related at all.) Source: ~~~ From, "The Age of Disclosure." Dr. Eric Davis: "We have seen highly-credible, U.S. government intelligence on the Soviet recovery of a crashed UAP in 1989. They recovered a Tic Tac-shaped UAP that was twice as big as the Tic Tac that was encountered by the USS Nimitz Carrier Strike Group, and they did recover four bodies of humanoid aliens. The important claim... ⬇️⬇️⬇️ Dr. Eric Davis: "The Soviet scientists took apart the recovered craft and discovered a very advanced directed energy weapon." (Knapp says he interviewed the Russian scientist in 1993. If they had acquired "The Weapon of the Aliens" in 1989, maybe they had achieved some limited success in back engineering it by the time Knapp conducted that interview? Also, as my friend suggested/speculated about: Maybe the "aliens" crashed on purpose and wanted humans to have this type of weapon so we would wreak havoc on each other? Yes, that's speculation. Is there any more information on the alleged Russian crash? Yes. In 2024, Davis was interviewed at the SOL conference.) Dr. Eric Davis: "Russia is one that had some crash retrievals, and that's been released when the Soviet Union fell, KGB opened up the files, George Knapp went there, other people went there, found the Thread 3 documents. And I had independent - and I can't get into this because it's still super classified - but through the AAWSAP program, I had a connection in with a three-letter agency that collected, not from the KGB open records, they collected it from their own asset. And the asset was filtering out actual, legitimate documents, photos, reports, technical and operational and executive-summary type. "There is enough evidence that I saw in a classified setting that convinced me that they have it. At least one crash retrieval, yeah. I can't say that and go back to the 40s, 50s or 60s or 70s. I know...it was at the end of the 80s was the one I was exposed to. So, they have had something and they've got hardware, but I don't see that they've been any successful with it." Starts at 38:15 - H/T: Filetofsoul ~~~ This last "Russian" anecdote doesn't seem connected but since it's interesting, I'll share. Murgia: "Have you ever handled any material that allegedly came from a UFO?" Commander Will Miller (Retired): "Yes. Certified by the Russian Academy of Sciences as metallurgy that could not be duplicated with current human technology. It was kept in oil. It was a fairly small fragment, maybe two inches by two inches, by a quarter inch thick. As I remember, it was kind of a mottle surface. It was jet black and they kept it in oil because if it became totally un-oiled, it would basically disappear, it would sublime, it would turn from a solid into a gas." Source: ~ When Dr. Garry P. Nolan was first approached by folks from the CIA and an aerospace company (probably Drs. Kit Green and Colm Kelleher) to look at UAP, it was related to injuries people had suffered after an alleged close encounter with said UAP. Here's what he told Vice in 2021. Nolan: "Of the 100 or so patients that we looked at, about a quarter of them died from their injuries. The majority of these patients had symptomology that’s basically identical to what’s now called Havana syndrome. We think amongst this bucket list of cases, we had the first Havana syndrome patients. That still left individuals who had seen UAPs. They didn’t have Havana syndrome. They had a smorgasbord of other symptoms." "With one of the patients (Thomas Winterton), it happened on the Skinwalker Ranch. Given how deep into their brain the damage went, we can actually estimate the amount of energy required in the electromagnetic wave someone aimed at them. We don’t think that has anything to do with UAPs. We think that that’s some sort of a state actor and again related to Havana syndrome somehow." (I know Winterton and Brandon Fugal may have a different opinion on who or what caused Winterton's injury, but if it WAS a state actor, why would they be using that weapon at Skinwalker Ranch? Maybe someone was using the alien hypothesis that surrounds Skinwalker as a cover to test out their new toy? If so, that doesn't mean everything that has happened at the ranch and surrounding area is being caused by a state actor. Study the history of the Uinta Basin and you'll find that hypothesis to be seriously lacking credibility. Then we have 1977, Colares, Brazil and the locals, reportedly, being attacked and injured by UFOs. Aliens? Experimental human tech being tested? Or both? In 2019, I interviewed former CIA intelligence officer, Dr. Kit Green, Dr. Kit Green: "I know for a fact, Brazil, for a while, they had a lot of dead bodies, a lot of dead bodies. I saw them, just like I saw the dead bodies in Kampuchea. Dead bodies, man. Twisted, torn, destroyed. They were dead and they were killed, okay? There were times I know for a fact, the Brazilians thought: 'Who’s doing this? Is it the United States? Is it the Nazi cadre that we’ve got here in Brazil, testing their new technologies? Is it China because they actually want to take over Southern Brazil?' "Those are legitimate questions, and sometimes it turns out that it is those others. Not The Others that are aliens, but the others that you thought were your countries' friends. Okay? And I’m sorry I’m getting so upset about this but it is hard sometimes to explain to people that looking at odd things that are real, is legitimate. Looking at odd things that people are making up, in order to make money, that’s not so legitimate. But that could also be real." (Any and all thoughts, via replies, are appreciated. Likes and Retweets help, too. I'll include info. in the replies for folks who would like to support my efforts.)](https://image.24vids.com/tw-2031159874823008456/amplify_video_thumb/2030896310703058944/img/M2ILXTZGKhoQOTwW.jpg)
