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ANIMATION TIMING a Thread 🧵 by “F” #Animation timing is an EXTREMELY tricky, specialized art form all its own, and VERY few people are actually, truly “great” at it. The scene below from the first #FairlyOddParents movie “Abra-Catastrophe” was storyboarded, designed, directed, written and TIMED by me. It looks...

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John "F" Fountain

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58,632 просмотров • 7 месяцев назад •via X (Twitter)

Искусство#Animation#FairlyOddParents
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Scarlett Johansson says Colin Jost looked different when the timing was finally right "I think he's a very cute guy, but the other times that I was there, I was in a relationship and I wasn't like, 'Oh, he's cute.'" "Then this time, the timing was right." "He looked different to me because I was available. It was just... the timing has to be right." "I've definitely been in relationships where the timing was not right." "Sometimes it's a good person, but the timing is off. And it's important to recognize that too."
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Scarlett Johansson says Colin Jost looked different when the timing was finally right "I think he's a very cute guy, but the other times that I was there, I was in a relationship and I wasn't like, 'Oh, he's cute.'" "Then this time, the timing was right." "He looked different to me because I was available. It was just... the timing has to be right." "I've definitely been in relationships where the timing was not right." "Sometimes it's a good person, but the timing is off. And it's important to recognize that too."

Chuks

251,081 просмотров • 7 дней назад

🐯: "why did i hesitantly grab the award in AAA?" 🐯: it was because the song that was playing suddenly ended so i missed the timing to get the award 🐯: so i was thinking on what should i do 🐯: and the person before me was already about to start their speech 🐯: so i was debating in my mind if i should grab the award quickly or wait for it to be my turn to speak to grab it 🐯: but then someone from the front told me to go quickly grab it so i quickly grabbed the award like that. 🐯: i always wonder why this always happens to me but as long it was fun and made people laugh for a moment, im happy
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🐯: "why did i hesitantly grab the award in AAA?" 🐯: it was because the song that was playing suddenly ended so i missed the timing to get the award 🐯: so i was thinking on what should i do 🐯: and the person before me was already about to start their speech 🐯: so i was debating in my mind if i should grab the award quickly or wait for it to be my turn to speak to grab it 🐯: but then someone from the front told me to go quickly grab it so i quickly grabbed the award like that. 🐯: i always wonder why this always happens to me but as long it was fun and made people laugh for a moment, im happy

chaewon archive

25,888 просмотров • 7 месяцев назад

So this is the “peaceful change” BJP was meant to bring to Bengal and this is the choice that was made by you Bengal. It doesn’t look like a new beginning; it looks like the beginning of the end.
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So this is the “peaceful change” BJP was meant to bring to Bengal and this is the choice that was made by you Bengal. It doesn’t look like a new beginning; it looks like the beginning of the end.

Anika M

12,528 просмотров • 3 месяцев назад

Timing is everything, isn’t it? And sometimes being in the right place at the right time feels well, timely, or even predetermined. With wildlife photography, it’s all about being in the right place at the right time. The more you know about your subject, the better because it increases your chances of being where you need to be when you need to be there. There is also an element of just letting go and taking what is given to you. It’s always best to have no expectations at all when it comes to wildlife. On this morning, everything did fall perfectly into place, and I was able to capture this dreamy scene of a beautiful Dalmatian pelican and its reflection on smooth water as it came in for a landing. Oh yeah, the glorious snow-capped mountains in the back were definitely a treat too. The days prior to this, that mountain range was hidden by clouds. I didn’t even know it was there. 🤪
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Timing is everything, isn’t it? And sometimes being in the right place at the right time feels well, timely, or even predetermined. With wildlife photography, it’s all about being in the right place at the right time. The more you know about your subject, the better because it increases your chances of being where you need to be when you need to be there. There is also an element of just letting go and taking what is given to you. It’s always best to have no expectations at all when it comes to wildlife. On this morning, everything did fall perfectly into place, and I was able to capture this dreamy scene of a beautiful Dalmatian pelican and its reflection on smooth water as it came in for a landing. Oh yeah, the glorious snow-capped mountains in the back were definitely a treat too. The days prior to this, that mountain range was hidden by clouds. I didn’t even know it was there. 🤪

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This actually made me cry this morning.! These people have taken a wild goose. They are carry it by its wings and are just going to kill it and eat it. I go to the lakes near me to feed the wolf geece and ducks, they are so tame and come up to you…. There would have been a fight in that lift if I was there wtf is going on in this country. I thought we were meant to be civil in this country
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This actually made me cry this morning.! These people have taken a wild goose. They are carry it by its wings and are just going to kill it and eat it. I go to the lakes near me to feed the wolf geece and ducks, they are so tame and come up to you…. There would have been a fight in that lift if I was there wtf is going on in this country. I thought we were meant to be civil in this country

leilani dowding 🌸🚜 ☮️

205,819 просмотров • 1 год назад

mc: during wlgyt, a poster with chungseob's back reveal and i ask staff who was that but they didn't answer me. they didn't tell us until the end even we ask who is the actor behind it but no answer, it is bcs it's was a spoiler that needs a tight security? seonho: the director talk to me during our last team dinner that they made something like an album or something "i didn't include chungseob because i was afraid it would be a spoiler," he said. mc: your first appearance was during the closet scene right? and i was like oh? i know that actor is let me find it later but still i didn't recognize you. seonho: back then, it took almost 4 hours each time just to get the makeup and styling done. they had to attach each strand of hair one by one. so we put an incredible amount of time and effort into it and in a way, i was actually happy that people didn't recognize me. mc: and during the time that you asked permission for marriage you made a cute scene like- jungie: abonim~ mc: i heard that there's a lot of adlibs. seonho: it was bcs the director instructed me where to where to walk as other actors need to be seen on camera angles, so ofc the actors need to be on angle and while having their scene i came in while thinking 'i need to be close to my father in law while smiling' and then i started to walk towards them so i did the slapstick to fill in the gaps.. just like we do during rehearsal and the good thing about this is we filmed when IU said the "omonim~" first and i remember it to clearly and do it the same.
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mc: during wlgyt, a poster with chungseob's back reveal and i ask staff who was that but they didn't answer me. they didn't tell us until the end even we ask who is the actor behind it but no answer, it is bcs it's was a spoiler that needs a tight security? seonho: the director talk to me during our last team dinner that they made something like an album or something "i didn't include chungseob because i was afraid it would be a spoiler," he said. mc: your first appearance was during the closet scene right? and i was like oh? i know that actor is let me find it later but still i didn't recognize you. seonho: back then, it took almost 4 hours each time just to get the makeup and styling done. they had to attach each strand of hair one by one. so we put an incredible amount of time and effort into it and in a way, i was actually happy that people didn't recognize me. mc: and during the time that you asked permission for marriage you made a cute scene like- jungie: abonim~ mc: i heard that there's a lot of adlibs. seonho: it was bcs the director instructed me where to where to walk as other actors need to be seen on camera angles, so ofc the actors need to be on angle and while having their scene i came in while thinking 'i need to be close to my father in law while smiling' and then i started to walk towards them so i did the slapstick to fill in the gaps.. just like we do during rehearsal and the good thing about this is we filmed when IU said the "omonim~" first and i remember it to clearly and do it the same.

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‘it is.’ was released 10 years ago today. The album to me was meant to talk about what everything is. It just ‘is’. Whether you do it or don’t. So why not do it? “You are a human being, so ‘be’.” Things will continue to change around me as well as within me. All I can do is try to be what I want to be more and more everyday. And continue to send out my communications through music. I’m grateful to everyone that has received and/or will receive the messages in the future. Thank you to all who have supported and will support in the future — love y’all.
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‘it is.’ was released 10 years ago today. The album to me was meant to talk about what everything is. It just ‘is’. Whether you do it or don’t. So why not do it? “You are a human being, so ‘be’.” Things will continue to change around me as well as within me. All I can do is try to be what I want to be more and more everyday. And continue to send out my communications through music. I’m grateful to everyone that has received and/or will receive the messages in the future. Thank you to all who have supported and will support in the future — love y’all.

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In light of the names Anneke Lucas mentioned, like the former Canadian prime minister who is dead now, but is the father of the current one. It is being shared all over the internet now. Canadian accounts are posting this, and it is getting lots of attention. This is also a wake-up call for Canada. A lot of people in Canada are commenting on social media that they are shocked by this guy being named. But actually he was already mentioned by Cathy O'Brien in 1995, as being involved in these networks! See the video below. So there is corroboration between these witnesses. A lot of these former and now deceased prime ministers she mentions were, at that time that she was in it in the 70s, involved in this. Also the Belgian one that Anneke names, and was also named by other witnesses. Which tells us, like these witnesses say, this was a global network. So the truth was already out there a bit, but it is coming out more for a bigger public. We will have more revelations coming out in 2025 about these dark dealing that have been going on at the highest levels, I'm sure. This is going to be a shock for a lot of people that are new to this information, because it is reaching a bigger public. Some will choose not to believe it, do no research, and look no further. But a lot more people will wake up to this, it is unstoppable. Of course, we have to check in with our own vibration. If it gets too heavy, take some time out and go for a walk in nature. Whilst revelations are important for the truth to come out, and confronting hard information is part of that, we have to check with our selves how this information is affecting us, and sometimes we need a time off. It is always most important to maintain a healthy balance between checking in with this information and our own peace of mind. #Epstein #PBDpodcast
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In light of the names Anneke Lucas mentioned, like the former Canadian prime minister who is dead now, but is the father of the current one. It is being shared all over the internet now. Canadian accounts are posting this, and it is getting lots of attention. This is also a wake-up call for Canada. A lot of people in Canada are commenting on social media that they are shocked by this guy being named. But actually he was already mentioned by Cathy O'Brien in 1995, as being involved in these networks! See the video below. So there is corroboration between these witnesses. A lot of these former and now deceased prime ministers she mentions were, at that time that she was in it in the 70s, involved in this. Also the Belgian one that Anneke names, and was also named by other witnesses. Which tells us, like these witnesses say, this was a global network. So the truth was already out there a bit, but it is coming out more for a bigger public. We will have more revelations coming out in 2025 about these dark dealing that have been going on at the highest levels, I'm sure. This is going to be a shock for a lot of people that are new to this information, because it is reaching a bigger public. Some will choose not to believe it, do no research, and look no further. But a lot more people will wake up to this, it is unstoppable. Of course, we have to check in with our own vibration. If it gets too heavy, take some time out and go for a walk in nature. Whilst revelations are important for the truth to come out, and confronting hard information is part of that, we have to check with our selves how this information is affecting us, and sometimes we need a time off. It is always most important to maintain a healthy balance between checking in with this information and our own peace of mind. #Epstein #PBDpodcast

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Kinzinger: To me, it was very personal, very, very difficult for my family and me. And so you see some of that in the film. But most importantly, what this is, is a warning to America. You’ll see this in the film again — we lay out a very compelling case against Trump. But it shows, again, that what I did wasn’t courageous — it was just my job. There is, though, an intense cost to that. You see that cost laid out in this film, and it shows why, when people say, “Why don’t other Republicans speak out?” — this brings home that there is a cost to doing so. And we need to, frankly, elect and hire people who are willing to do tough things
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Kinzinger: To me, it was very personal, very, very difficult for my family and me. And so you see some of that in the film. But most importantly, what this is, is a warning to America. You’ll see this in the film again — we lay out a very compelling case against Trump. But it shows, again, that what I did wasn’t courageous — it was just my job. There is, though, an intense cost to that. You see that cost laid out in this film, and it shows why, when people say, “Why don’t other Republicans speak out?” — this brings home that there is a cost to doing so. And we need to, frankly, elect and hire people who are willing to do tough things

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Leigh-Anne opens up about why she left her label and went independent: “I’ve been in a group for so long, if I’m gonna do this [solo], I’m gonna do it on my terms. There was a moment where it was just a battle, and I’m like, ‘I don’t need this anymore. I need to be able to have complete creative control.’ I had a song and there was so much back and forth with it… and it was like, ‘Why’s there now ten versions of this song? You’ve literally just taken all of the essence…’ I was like, ‘I can’t’. I wanna be able to go and write a song and not have to send it to somebody and be like, ‘Do you like this song?’ Because I like it, so it’s coming out!”
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Leigh-Anne opens up about why she left her label and went independent: “I’ve been in a group for so long, if I’m gonna do this [solo], I’m gonna do it on my terms. There was a moment where it was just a battle, and I’m like, ‘I don’t need this anymore. I need to be able to have complete creative control.’ I had a song and there was so much back and forth with it… and it was like, ‘Why’s there now ten versions of this song? You’ve literally just taken all of the essence…’ I was like, ‘I can’t’. I wanna be able to go and write a song and not have to send it to somebody and be like, ‘Do you like this song?’ Because I like it, so it’s coming out!”

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Elon Musk: I found school to be quite painful and very boring. In South Africa, it was very violent. Peter Diamandis: “My son Dax wanted to know, what was it like for you in middle school and high school?” Elon: “Well, I found school to be quite painful, and it was very boring. And in South Africa, it was very violent. It was like that book Ender's Game, but in survival IRL. In this game IRL, it was like, but not as fun.” Peter Diamandis: “Do you think most successful people have had a lot of hardship early in life? Do you need to have that level of hardship?” Elon Musk: “Probably need a little bit of hardship, I suppose. And then it is always tricky. Like, what are you supposed to do with your kids? It is not easy to create artificial adversity, because if you love your kids, you don't want to do that. I had a lot of adversity. Probably it was good, probably, you know, helped someone, I suppose. What doesn't kill you makes you stronger type of thing. At least I didn't lose a limb.” Source: Moonshots with Peter Diamandis, January 6, 2026.
1:23

Elon Musk: I found school to be quite painful and very boring. In South Africa, it was very violent. Peter Diamandis: “My son Dax wanted to know, what was it like for you in middle school and high school?” Elon: “Well, I found school to be quite painful, and it was very boring. And in South Africa, it was very violent. It was like that book Ender's Game, but in survival IRL. In this game IRL, it was like, but not as fun.” Peter Diamandis: “Do you think most successful people have had a lot of hardship early in life? Do you need to have that level of hardship?” Elon Musk: “Probably need a little bit of hardship, I suppose. And then it is always tricky. Like, what are you supposed to do with your kids? It is not easy to create artificial adversity, because if you love your kids, you don't want to do that. I had a lot of adversity. Probably it was good, probably, you know, helped someone, I suppose. What doesn't kill you makes you stronger type of thing. At least I didn't lose a limb.” Source: Moonshots with Peter Diamandis, January 6, 2026.

ELON CLIPS

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Samuel L. Jackson explains how he landed the role of Jules in Pulp Fiction, and what it was like seeing the film for the first time on the big screen: “Pulp Fiction and I came together in a very strange kind of way. I remember auditioning for Quentin for Reservoir Dogs in New York (for the role of of Detective Jim Holdaway, Mr. Orange’s police contact). And apparently I didn't get that role. But I was at Sundance the year that he screened it for the first time. I was sitting there and I watched that movie - I was awed by it. I mean, there were people running up the aisles when Michael Madsen was cutting the cop's ear off. People were going, "Oh my God, this is horrible!" All these “auteurs” were running out of the theatre. I was like, "This is good. This is happening. This is different." So after the film, I walked up to Quentin and said, "This film's amazing, man. It's great." And he looked at me and said, "Hey! How'd you like the guy who got your part?" And I was amazed that he even remembered who I was - but he remembered me. A year or so later, I got a phone call saying Quentin Tarantino wants to have dinner with you, because he'd seen Jungle Fever and he liked that Gator character. When we had dinner, we were sitting there talking. We started talking about Hong Kong films and cartoons and foreign movies and obscure things that we watched, horror movies. We found out we liked the same kind of stuff. And he told me he was writing this thing, and he was writing this part with me in mind. He was going to send it to me. I went off to do another film. I was in the backwoods of Virginia somewhere doing a film, and the script came. A little plain brown wrapper from Jersey Films. And Jersey's got these gangster images on the logo. And it said, "If you show this script to anybody, two guys named Ernie and Luigi will come and break both of your legs." Whatever. I went, "Yeah, right." So I sat down and read it. Boom. I read this thing. It's like, "Oh my God. This is awesome." And then I said to myself, "Nobody writes a script this good. There's no way that this script is as good as I thought it was." I closed it. I opened it again. I read it immediately. Okay. This is great - If whoever produces this film lets him shoot exactly what I just read, if they stay away from it, they don't try to edit any of this stuff out - this is going to be a great film. It's going to be kind of audience-specific, because I like that kind of stuff. I have friends that I knew would like it. It was a generational kind of film. I never thought it would cross over and do all this stuff. We shot it. We had a great time doing it. And the first time I actually saw the film was at the Cannes Film Festival. That night, it screened, and I was sitting there watching the film. The audience was loving this movie, loving it. About halfway through, I realized there were subtitles at the bottom of it. So I said, "Hey, these people are reading it, and they're getting it. This might be special. This really might be something special." And actually, by the time it was over, there were tears running down my face. I was just so pleased that I was part of that particular film… I never felt that satisfied, and that kind of full about a performance and about being part of something as I was in that particular moment.” Quote comes from an Interview with the American Film Institute 2010
6:40

Samuel L. Jackson explains how he landed the role of Jules in Pulp Fiction, and what it was like seeing the film for the first time on the big screen: “Pulp Fiction and I came together in a very strange kind of way. I remember auditioning for Quentin for Reservoir Dogs in New York (for the role of of Detective Jim Holdaway, Mr. Orange’s police contact). And apparently I didn't get that role. But I was at Sundance the year that he screened it for the first time. I was sitting there and I watched that movie - I was awed by it. I mean, there were people running up the aisles when Michael Madsen was cutting the cop's ear off. People were going, "Oh my God, this is horrible!" All these “auteurs” were running out of the theatre. I was like, "This is good. This is happening. This is different." So after the film, I walked up to Quentin and said, "This film's amazing, man. It's great." And he looked at me and said, "Hey! How'd you like the guy who got your part?" And I was amazed that he even remembered who I was - but he remembered me. A year or so later, I got a phone call saying Quentin Tarantino wants to have dinner with you, because he'd seen Jungle Fever and he liked that Gator character. When we had dinner, we were sitting there talking. We started talking about Hong Kong films and cartoons and foreign movies and obscure things that we watched, horror movies. We found out we liked the same kind of stuff. And he told me he was writing this thing, and he was writing this part with me in mind. He was going to send it to me. I went off to do another film. I was in the backwoods of Virginia somewhere doing a film, and the script came. A little plain brown wrapper from Jersey Films. And Jersey's got these gangster images on the logo. And it said, "If you show this script to anybody, two guys named Ernie and Luigi will come and break both of your legs." Whatever. I went, "Yeah, right." So I sat down and read it. Boom. I read this thing. It's like, "Oh my God. This is awesome." And then I said to myself, "Nobody writes a script this good. There's no way that this script is as good as I thought it was." I closed it. I opened it again. I read it immediately. Okay. This is great - If whoever produces this film lets him shoot exactly what I just read, if they stay away from it, they don't try to edit any of this stuff out - this is going to be a great film. It's going to be kind of audience-specific, because I like that kind of stuff. I have friends that I knew would like it. It was a generational kind of film. I never thought it would cross over and do all this stuff. We shot it. We had a great time doing it. And the first time I actually saw the film was at the Cannes Film Festival. That night, it screened, and I was sitting there watching the film. The audience was loving this movie, loving it. About halfway through, I realized there were subtitles at the bottom of it. So I said, "Hey, these people are reading it, and they're getting it. This might be special. This really might be something special." And actually, by the time it was over, there were tears running down my face. I was just so pleased that I was part of that particular film… I never felt that satisfied, and that kind of full about a performance and about being part of something as I was in that particular moment.” Quote comes from an Interview with the American Film Institute 2010

Gangster Cinema Central

85,366 просмотров • 1 месяц назад

Remote Viewer Warns of a Terrifying Coordinated Attack on a Major US City?! Remote Viewer, Daz Smith, looked at April world events and what he got back is potentially concerning... "...So it was large structures, weirdly higher than any of containership. I shouldn't have looked at that a bit more detail, but I didn't. Maybe I just thought it was appropriate, moved it to one side, but definitely large structures." "And it felt like the structures were on fire. So I, you know, asked the question why here? And I felt like there was a ground based attack, that was going to happen in, in, in this city location. And it felt like it was like a bomb attack. And I had, like, this very strong visual of a, white truck or van that might be involved, which I tried to draw here. So the, you know, they had these kind of, modern looking van in front of a, multi-level structure, almost like this, like the entranceway or something of the structure." "So it felt like it was a kinetic event, of lots of explosive energy. It was very loud. There was wide dispersal. Definitely had a terror attack feel. It feels like it was a driven vehicle parts and then detonated, as an act of retaliation. The vehicle fills, larger than a car. Felt very van like, possibly white, possibly have branding on it as well." "...It was strategically positioned, in front of an important structure. The whole thing felt very US based. Just not that weird kind of U.S filled me, getting targets. And I also have a dang tang feel to this as well, so it felt like it was in a large U.S urban city, which gave me the idea of New York. Because maybe because I've been to New York and, you know, just had that, but definitely had an East Coast feel to this..." "...it was definitely driven, implanted..." "...it felt like it was in planning. So they were planning or rehearsing for a future event, which is, you know, what we're looking for, a month ahead. And I had a weird I had a well here, weirdly, of Holy Cross... it starts with fear and panic, and it's like they're just implanting a message.... Trying to timeline this site here. You know, again, this is all very experimental..."
2:09

Remote Viewer Warns of a Terrifying Coordinated Attack on a Major US City?! Remote Viewer, Daz Smith, looked at April world events and what he got back is potentially concerning... "...So it was large structures, weirdly higher than any of containership. I shouldn't have looked at that a bit more detail, but I didn't. Maybe I just thought it was appropriate, moved it to one side, but definitely large structures." "And it felt like the structures were on fire. So I, you know, asked the question why here? And I felt like there was a ground based attack, that was going to happen in, in, in this city location. And it felt like it was like a bomb attack. And I had, like, this very strong visual of a, white truck or van that might be involved, which I tried to draw here. So the, you know, they had these kind of, modern looking van in front of a, multi-level structure, almost like this, like the entranceway or something of the structure." "So it felt like it was a kinetic event, of lots of explosive energy. It was very loud. There was wide dispersal. Definitely had a terror attack feel. It feels like it was a driven vehicle parts and then detonated, as an act of retaliation. The vehicle fills, larger than a car. Felt very van like, possibly white, possibly have branding on it as well." "...It was strategically positioned, in front of an important structure. The whole thing felt very US based. Just not that weird kind of U.S filled me, getting targets. And I also have a dang tang feel to this as well, so it felt like it was in a large U.S urban city, which gave me the idea of New York. Because maybe because I've been to New York and, you know, just had that, but definitely had an East Coast feel to this..." "...it was definitely driven, implanted..." "...it felt like it was in planning. So they were planning or rehearsing for a future event, which is, you know, what we're looking for, a month ahead. And I had a weird I had a well here, weirdly, of Holy Cross... it starts with fear and panic, and it's like they're just implanting a message.... Trying to timeline this site here. You know, again, this is all very experimental..."

Future Forecasting Group

14,822 просмотров • 4 месяцев назад

🇺🇸🇨🇱Truck Talk🇨🇱🇺🇸 I Told you PDJT Already had a deal and it was already done. But there still was going to be some more stuff get blown up. All part of the plan/show. DON’T BE A PANICAN. Everything is planned and being carried out step by step by the plan. This was all decided long ago. I told you it was going to be like this and it has. So stop worrying about it and stand in your peace. God has got it. 1000% The Military has always been the way. They are in control completely so do listen to the naysayers and the doomers. Why because they are full of S*it. Be the lighthouse God has prepared you to be. More to come. Capt Capt Kyle
8:05

🇺🇸🇨🇱Truck Talk🇨🇱🇺🇸 I Told you PDJT Already had a deal and it was already done. But there still was going to be some more stuff get blown up. All part of the plan/show. DON’T BE A PANICAN. Everything is planned and being carried out step by step by the plan. This was all decided long ago. I told you it was going to be like this and it has. So stop worrying about it and stand in your peace. God has got it. 1000% The Military has always been the way. They are in control completely so do listen to the naysayers and the doomers. Why because they are full of S*it. Be the lighthouse God has prepared you to be. More to come. Capt Capt Kyle

Capt Kyle

12,026 просмотров • 1 месяц назад

🦋: I have to be honest that I really love the love scenes in this series, because I had the chance to design the scenes myself many times. For some of the moments and timings for the kisses, we didn’t always follow the director’s (instructions), we’d do a lot of additional improvisation. 🧸: 😘😘😘 🦋: the director also bought into it, she’d be like ‘ah, this is great’ things like that. So I feel that the art created (acting) truly has my emotions and thoughts in there. : very deep, so you gave more than what was set out, right? 🦋: that’s right. I’m someone who doesn’t like to be constrained within boundaries. For me, acting in a drama or series is an art form, where I want it to sometimes be outside the box. 🧸: she’s very artistic/creative, no matter what it is, she’ll lead with artistic vibes (basically someone who’s creative/imaginative and thinks outside the box). #ลีน่าหมิว #LenaMiu
0:52

🦋: I have to be honest that I really love the love scenes in this series, because I had the chance to design the scenes myself many times. For some of the moments and timings for the kisses, we didn’t always follow the director’s (instructions), we’d do a lot of additional improvisation. 🧸: 😘😘😘 🦋: the director also bought into it, she’d be like ‘ah, this is great’ things like that. So I feel that the art created (acting) truly has my emotions and thoughts in there. : very deep, so you gave more than what was set out, right? 🦋: that’s right. I’m someone who doesn’t like to be constrained within boundaries. For me, acting in a drama or series is an art form, where I want it to sometimes be outside the box. 🧸: she’s very artistic/creative, no matter what it is, she’ll lead with artistic vibes (basically someone who’s creative/imaginative and thinks outside the box). #ลีน่าหมิว #LenaMiu

Shez.

65,113 просмотров • 8 месяцев назад

“Rwanda has gone through many difficulties. And at a personal level, by the way, my family, we became refugees when I was four years old and stayed in a refugee camp for slightly over two decades. Then later on of course the history lessons of our own tragic 1994 Genocide because of the division that was there. The lessons from that, and which shaped me or informed me and many others, it’s not just me there are many others; in a situation like that, every individual in a way you have to make personal even, or informed decisions. Either you give up and break and that’s the end of you, or you make the choice of saying, I am going to stand up to this, I am going to give it a fight that I have in me, to survive and maybe to make progress. At a personnel level that happened. I, at some point, and I know it’s not just me it’s many in our country, we’re faced with individual choices; do you give up and die or do you die fighting? And those of us who made a choice of the latter, that is how these choices [came to be]. Today I am President, I never thought, I never even lived or thought to be President, when it came I embraced it but it’s not what I was fighting for, in our struggle, I was fighting for my rights to my country, I was asking myself questions and that’s what many other Rwandans, girls and boys, men and women, were asking themselves. Those who stood up and fought for that. Later on, when you are in a place like mine and you have a responsibility, again it helps to keep reflecting; would you be the same person to make the same mistakes that people made that made you a refugee or led to loss of lives of so many, and so on and so forth, or you really want to do your best as humanely possible to feel satisfied that you are doing the right thing for yourself but also putting yourself in the shoes of many others. Are they able to stand up to these challenges the way it should happen, maybe the challenges should be minimized as much as possible? It’s what goes on in the minds, at least it does in my mind whenever I am going about my responsibilities. I am a good student of history.” President Kagame on Rwanda’s history and how it shaped him and his generation | Milken Asia Summit #MIGlobal
3:57

“Rwanda has gone through many difficulties. And at a personal level, by the way, my family, we became refugees when I was four years old and stayed in a refugee camp for slightly over two decades. Then later on of course the history lessons of our own tragic 1994 Genocide because of the division that was there. The lessons from that, and which shaped me or informed me and many others, it’s not just me there are many others; in a situation like that, every individual in a way you have to make personal even, or informed decisions. Either you give up and break and that’s the end of you, or you make the choice of saying, I am going to stand up to this, I am going to give it a fight that I have in me, to survive and maybe to make progress. At a personnel level that happened. I, at some point, and I know it’s not just me it’s many in our country, we’re faced with individual choices; do you give up and die or do you die fighting? And those of us who made a choice of the latter, that is how these choices [came to be]. Today I am President, I never thought, I never even lived or thought to be President, when it came I embraced it but it’s not what I was fighting for, in our struggle, I was fighting for my rights to my country, I was asking myself questions and that’s what many other Rwandans, girls and boys, men and women, were asking themselves. Those who stood up and fought for that. Later on, when you are in a place like mine and you have a responsibility, again it helps to keep reflecting; would you be the same person to make the same mistakes that people made that made you a refugee or led to loss of lives of so many, and so on and so forth, or you really want to do your best as humanely possible to feel satisfied that you are doing the right thing for yourself but also putting yourself in the shoes of many others. Are they able to stand up to these challenges the way it should happen, maybe the challenges should be minimized as much as possible? It’s what goes on in the minds, at least it does in my mind whenever I am going about my responsibilities. I am a good student of history.” President Kagame on Rwanda’s history and how it shaped him and his generation | Milken Asia Summit #MIGlobal

Presidency | Rwanda

64,020 просмотров • 1 год назад

On this day, 52 years ago, John Cassavetes' "The Ki!!ing of a Chinese Bookie" (1974) was released in the USA. John Cassavetes explaining why he made the movie: "'A Woman Under the Influence' (1974) was the first picture I’ve had anything to do with that wasn’t made out of plain, simple feeling, but rather out of a real desire to do something in my profession. It was extremely frightening for me not to come to work out of enthusiasm and instead put myself up as something of a craftsman. Earlier films such as 'Shadows' (1958) and 'Husbands' (1970) grew out of personal experiences reaching all the way back to my childhood days. They were expressions of my innermost feelings, and now that I’ve dealt with all that, I feel obligated to view life in other terms. I want to explore other areas of human and artistic experience. I made 'The Ki!!ing of a Chinese Bookie' (1976) as an intellectual experiment– not because I am in love with it. I enjoy a more intellectual and less emotionally demanding view than in my previous work. If I can make, out of certain intellectual ideas, films that are complex in their nature, then I’m entering into new ground. And that is certainly something I look forward to. It is a film that has little to do with me and with how I feel about life. It’s interesting to me to see how other people live in our society, to look at them and ask myself, ‘Why do they do it? And how do they do it?’ Without trying to explain. The fun and challenge of the film was to imagine a self-contained world different from the one I live in: to move into it and live in it." ("Cassavetes on Cassavetes", edited by Ray Carney, 2001)
1:52

On this day, 52 years ago, John Cassavetes' "The Ki!!ing of a Chinese Bookie" (1974) was released in the USA. John Cassavetes explaining why he made the movie: "'A Woman Under the Influence' (1974) was the first picture I’ve had anything to do with that wasn’t made out of plain, simple feeling, but rather out of a real desire to do something in my profession. It was extremely frightening for me not to come to work out of enthusiasm and instead put myself up as something of a craftsman. Earlier films such as 'Shadows' (1958) and 'Husbands' (1970) grew out of personal experiences reaching all the way back to my childhood days. They were expressions of my innermost feelings, and now that I’ve dealt with all that, I feel obligated to view life in other terms. I want to explore other areas of human and artistic experience. I made 'The Ki!!ing of a Chinese Bookie' (1976) as an intellectual experiment– not because I am in love with it. I enjoy a more intellectual and less emotionally demanding view than in my previous work. If I can make, out of certain intellectual ideas, films that are complex in their nature, then I’m entering into new ground. And that is certainly something I look forward to. It is a film that has little to do with me and with how I feel about life. It’s interesting to me to see how other people live in our society, to look at them and ask myself, ‘Why do they do it? And how do they do it?’ Without trying to explain. The fun and challenge of the film was to imagine a self-contained world different from the one I live in: to move into it and live in it." ("Cassavetes on Cassavetes", edited by Ray Carney, 2001)

DepressedBergman

86,531 просмотров • 5 месяцев назад

Farewell to International Space Station! This is truly a special place, special mission, and special team that makes it happen. It is a bittersweet departure today – I have a keen awareness that I may never be back here, and even if I was, it would be at a different time with a different crew. This chapter is over. Spaceflight has always been a life goal, and it has turned into a life-fulfilling endeavor – but not for the reasons I thought growing up. When I was young, I pictured the launch, the incredible ball of fire and the acceleration, the spacewalks (how could you not wonder what it’s like to be in that suit?), and I was fascinated by the shuttles, capsules, and stations. But as I complete this second mission living and working in space, what draws me to this job is the people. Experiences like this are amazing, but the relationships we build that make it possible are the “why.” Every day, this mission depends on people from all over the world, of different nationalities, races, religions, and cultures. It depends on government and commercial entities, it depends on all political parties, and it depends on commitment to an unchanged goal over many years and decades. It depends on people dedicated to being part of something bigger than themselves, whose names may never be known but who wake up every day to make the world a better place and to be part of something they will be proud to tell their grandkids about. History will look kindly upon them. Humans have always had a propensity to explore … across lands and oceans, up mountains, and into the sky. We as a species will never stop wondering what else is out there, and what it would be like to go. But then, in the words of TS Elliot, “…at the end of all our exploring, will be to arrive where we started, and know the place for the first time.” Crew-10 is on its way home.
0:55

Farewell to International Space Station! This is truly a special place, special mission, and special team that makes it happen. It is a bittersweet departure today – I have a keen awareness that I may never be back here, and even if I was, it would be at a different time with a different crew. This chapter is over. Spaceflight has always been a life goal, and it has turned into a life-fulfilling endeavor – but not for the reasons I thought growing up. When I was young, I pictured the launch, the incredible ball of fire and the acceleration, the spacewalks (how could you not wonder what it’s like to be in that suit?), and I was fascinated by the shuttles, capsules, and stations. But as I complete this second mission living and working in space, what draws me to this job is the people. Experiences like this are amazing, but the relationships we build that make it possible are the “why.” Every day, this mission depends on people from all over the world, of different nationalities, races, religions, and cultures. It depends on government and commercial entities, it depends on all political parties, and it depends on commitment to an unchanged goal over many years and decades. It depends on people dedicated to being part of something bigger than themselves, whose names may never be known but who wake up every day to make the world a better place and to be part of something they will be proud to tell their grandkids about. History will look kindly upon them. Humans have always had a propensity to explore … across lands and oceans, up mountains, and into the sky. We as a species will never stop wondering what else is out there, and what it would be like to go. But then, in the words of TS Elliot, “…at the end of all our exploring, will be to arrive where we started, and know the place for the first time.” Crew-10 is on its way home.

COL Anne McClain

69,039 просмотров • 1 год назад

“What I think SPX is, is a wake-up call. And I think for the normie, the average person, it literally is best described as being the next Bitcoin, because that's literally what it is. Bitcoin was a wake-up call to show people that value is subjective. And SPX is the next iteration of that. And once you get enough people to understand that the value of the dollar is subjective. It only has value because people believe in it. Bitcoin only has value because people believe in it. SPX has value because people believe in it. And the next step is Well, it's not just money that is subjective in value. It is literally everything is subjective. The entire universe is this subjective entity that is created from our own consciousness. And that's what Like, the purpose of this vehicle, yes, it's going to make a lot of people a lot of money, but the point of that is to wake people up to the fact that the entire universe is this subjective entity. It is not just this, like, empirical machine with interlocking gears and like this orderly machine that proceeds from just like the sum of its parts like no like we are literally the universe creating the universe and that's what spx is meant to wake people up to.” — Crypto Maxi 💹🧲
1:36

“What I think SPX is, is a wake-up call. And I think for the normie, the average person, it literally is best described as being the next Bitcoin, because that's literally what it is. Bitcoin was a wake-up call to show people that value is subjective. And SPX is the next iteration of that. And once you get enough people to understand that the value of the dollar is subjective. It only has value because people believe in it. Bitcoin only has value because people believe in it. SPX has value because people believe in it. And the next step is Well, it's not just money that is subjective in value. It is literally everything is subjective. The entire universe is this subjective entity that is created from our own consciousness. And that's what Like, the purpose of this vehicle, yes, it's going to make a lot of people a lot of money, but the point of that is to wake people up to the fact that the entire universe is this subjective entity. It is not just this, like, empirical machine with interlocking gears and like this orderly machine that proceeds from just like the sum of its parts like no like we are literally the universe creating the universe and that's what spx is meant to wake people up to.” — Crypto Maxi 💹🧲

Tanz Cho 💹🧲

12,238 просмотров • 22 дней назад

"'In the Mood for Love' (2000) is a story about two people, and it could easily have been very boring. But instead of treating it as a love story, I decided to approach it like a thriller, like a suspense movie." --- Wong Kar-wai Full Excerpt: "The only thing that I try to make very clear when I start a film is the genre that I want to place it in. As a kid, I grew up watching genre movies, and I was fascinated by all the different genres, such as Westerns, ghost stories, swashbucklers … So I try to make each of my films in a different genre. And I think that’s part of what has made them so original. "In the Mood for Love" (2000), for example, is a story about two people, and it could easily have been very boring. But instead of treating it as a love story, I decided to approach it like a thriller, like a suspense movie. These two people start out as victims, and then they start to investigate, to try to understand how things happened. This is the way I structured this film, with very short scenes and an attempt to create constant tension. That’s probably what made it so surprising to the audience, which was expecting a classic love story." ("Moviemakers' Masterclass", Laurent Tirard, 2002)
1:26

"'In the Mood for Love' (2000) is a story about two people, and it could easily have been very boring. But instead of treating it as a love story, I decided to approach it like a thriller, like a suspense movie." --- Wong Kar-wai Full Excerpt: "The only thing that I try to make very clear when I start a film is the genre that I want to place it in. As a kid, I grew up watching genre movies, and I was fascinated by all the different genres, such as Westerns, ghost stories, swashbucklers … So I try to make each of my films in a different genre. And I think that’s part of what has made them so original. "In the Mood for Love" (2000), for example, is a story about two people, and it could easily have been very boring. But instead of treating it as a love story, I decided to approach it like a thriller, like a suspense movie. These two people start out as victims, and then they start to investigate, to try to understand how things happened. This is the way I structured this film, with very short scenes and an attempt to create constant tension. That’s probably what made it so surprising to the audience, which was expecting a classic love story." ("Moviemakers' Masterclass", Laurent Tirard, 2002)

DepressedBergman

37,208 просмотров • 5 месяцев назад