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Anna Kendrick reveals the embarrassing moment she realized her joke audition song had accidentally climbed the Billboard charts Alex Cooper: You've been in so many great movies. I want to talk to you about a few of them today. We got to start with Pitch Perfect, obviously. What was...

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191,283 görüntüleme • 1 ay önce •via X (Twitter)

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Will Ospreay has revealed part of the reason behind why Baba O'Riley was chosen for his AEW All In 2026 entrance was because the song was used for an MV Zone tribute video to Bryan Danielson in 2011. "There was a song that we wanted, but we just couldn’t get a licence fee for it. I won’t put it out there because maybe one of these days I will be able to track it down again. I’d like to leave that as a surprise. But it was Mike Mansury that came up with the idea of The Who Baba O’Riley. "I’ll be honest with you, I have a connection with that song because there was a music video from the MV Zone. It was like a kind of little backyard wrestling music video group, and they did a Bryan Danielson tribute to that song, so I have a little bit of a connection to it. "I was just okay, I quite like the idea and The Who is British as well, so that’s kind of cool. But I remember listening to it and on the travels that me and Al (Alex Windsor) did, and I was just like, I don’t know if I feel it. The other song that I wanted got my juices flowing. It was my favourite song. I don’t know if I feel it. It was only when I heard the voiceover and I saw the clips that were all around it. I was like, 'this is perfect. This is it. Don’t change a thing.'" (Source: Chris Van Vliet)
8:51

Will Ospreay has revealed part of the reason behind why Baba O'Riley was chosen for his AEW All In 2026 entrance was because the song was used for an MV Zone tribute video to Bryan Danielson in 2011. "There was a song that we wanted, but we just couldn’t get a licence fee for it. I won’t put it out there because maybe one of these days I will be able to track it down again. I’d like to leave that as a surprise. But it was Mike Mansury that came up with the idea of The Who Baba O’Riley. "I’ll be honest with you, I have a connection with that song because there was a music video from the MV Zone. It was like a kind of little backyard wrestling music video group, and they did a Bryan Danielson tribute to that song, so I have a little bit of a connection to it. "I was just okay, I quite like the idea and The Who is British as well, so that’s kind of cool. But I remember listening to it and on the travels that me and Al (Alex Windsor) did, and I was just like, I don’t know if I feel it. The other song that I wanted got my juices flowing. It was my favourite song. I don’t know if I feel it. It was only when I heard the voiceover and I saw the clips that were all around it. I was like, 'this is perfect. This is it. Don’t change a thing.'" (Source: Chris Van Vliet)

Cultaholic Wrestling

29,644 görüntüleme • 9 gün önce

rosé talking about unreleased song: Q: why didn’t you release the song? and would you ever release it? rosé: i wrote it after the album it’s more like a recent thing. that one i would love to release it. it is one of my favorite ones but and then i only realized that it was such a special song months after. I remember when I wrote it, i was like oh it’s a bit cringe that’s what i thought in the moment so it was obviously too vulnerable at the time and then i heard it again months later when i was completely over that I was like.. oh my god
0:39

rosé talking about unreleased song: Q: why didn’t you release the song? and would you ever release it? rosé: i wrote it after the album it’s more like a recent thing. that one i would love to release it. it is one of my favorite ones but and then i only realized that it was such a special song months after. I remember when I wrote it, i was like oh it’s a bit cringe that’s what i thought in the moment so it was obviously too vulnerable at the time and then i heard it again months later when i was completely over that I was like.. oh my god

rosé pics

51,204 görüntüleme • 7 ay önce

daniela talked about the collab with #YEONJUN ('Let Me Tell You') on her live! 👩🏻 and then i did my collab with yeonjun! of txt! and that was also so cool, that was filmed in thailand. that was also my first time going to thailand! 👩🏻 and that was so cool, he was so nice! he’s so talented and getting to work with him was.. just like an honor, seriously. getting to do a collab on someone’s song is really really cool. i’m very grateful i got to do that ☺️ 👩🏻 and i got to dance with him too! and i think we filmed that at i think at.. i think it was like 2am, i think we wrapped at 3am.. it was pretty crazy 👩🏻 but that was so so awesome! i love the song.. it’s such a catchy song. if you haven’t heard it, it’s called ‘let me tell you’ and it’s so good, it’s so catchy and yeah! i got to feature and that was so dope! i loved doing it, i love it
1:11

daniela talked about the collab with #YEONJUN ('Let Me Tell You') on her live! 👩🏻 and then i did my collab with yeonjun! of txt! and that was also so cool, that was filmed in thailand. that was also my first time going to thailand! 👩🏻 and that was so cool, he was so nice! he’s so talented and getting to work with him was.. just like an honor, seriously. getting to do a collab on someone’s song is really really cool. i’m very grateful i got to do that ☺️ 👩🏻 and i got to dance with him too! and i think we filmed that at i think at.. i think it was like 2am, i think we wrapped at 3am.. it was pretty crazy 👩🏻 but that was so so awesome! i love the song.. it’s such a catchy song. if you haven’t heard it, it’s called ‘let me tell you’ and it’s so good, it’s so catchy and yeah! i got to feature and that was so dope! i loved doing it, i love it

zzn.

264,809 görüntüleme • 9 ay önce

“So originally, Paint by Numbers was like track one of the album. And at that time, the album was very different. It was like sonically sounding very different. It was like very introspective. I think I was really starting to feel like, you know, I think I loved the idea of opening the album with, oh, what a gift it is to be noticed, but it's nothing to do with me. I just loved, I was like so dedicated to that being the opening line. And I felt so like powerful in a lot of ways to be able to acknowledge that it's not really about me, you know. I mean the opening, the whole opening of the song is, oh, what a gift is to be noticed, but it's nothing to do with me. You've got to wonder if there's a reason to believe it's a lifetime of learning to Paint By Numbers and watching colors run.” - Harry about ‘Paint by Numbers’ on Q
1:15

“So originally, Paint by Numbers was like track one of the album. And at that time, the album was very different. It was like sonically sounding very different. It was like very introspective. I think I was really starting to feel like, you know, I think I loved the idea of opening the album with, oh, what a gift it is to be noticed, but it's nothing to do with me. I just loved, I was like so dedicated to that being the opening line. And I felt so like powerful in a lot of ways to be able to acknowledge that it's not really about me, you know. I mean the opening, the whole opening of the song is, oh, what a gift is to be noticed, but it's nothing to do with me. You've got to wonder if there's a reason to believe it's a lifetime of learning to Paint By Numbers and watching colors run.” - Harry about ‘Paint by Numbers’ on Q

HSNews

179,234 görüntüleme • 6 ay önce

Umi answers questions about Wherever U R, pt.2 "So first time I heard it (he sent it to me, it was 12 am in LA), I bawled my eyes out when I heard his verse because I didn't really tell him what parts of the chorus to sing, I just wanted him to do what he felt was right and he doubled the whole hook, added these harmonies and I was up in the car just bawling like this sounds so good! I was just so grateful. It's genuinely a good song, and that's why it's touching and reaching so many people." #Taehyung wanted it to be a single. The team put so much effort into releasing the song on Taehyung's birthday. They did in 2 weeks when the process usually takes a month to 4 months. "Even though everyone else wouldn't drop a song during this time, this song is different, and this song deserves its own special treatment." #UMIxV #V 🫶
7:04

Umi answers questions about Wherever U R, pt.2 "So first time I heard it (he sent it to me, it was 12 am in LA), I bawled my eyes out when I heard his verse because I didn't really tell him what parts of the chorus to sing, I just wanted him to do what he felt was right and he doubled the whole hook, added these harmonies and I was up in the car just bawling like this sounds so good! I was just so grateful. It's genuinely a good song, and that's why it's touching and reaching so many people." #Taehyung wanted it to be a single. The team put so much effort into releasing the song on Taehyung's birthday. They did in 2 weeks when the process usually takes a month to 4 months. "Even though everyone else wouldn't drop a song during this time, this song is different, and this song deserves its own special treatment." #UMIxV #V 🫶

N ᴵ♡ᵁ ᶦᵗ'ˢ ˢᵒ ᵉᵃˢʸ

49,827 görüntüleme • 2 yıl önce

Shakira reveals how she got Burna Boy to feature on the World Cup song "Dai Dai" "Once I had the song, I felt that I really needed a male vocal, a male voice on the song. I don't know, because the World Cup carries a big male energy" "So I was like, 'Who can give me that very masculine voice that I want in this Afrobeats setting?' Because this song is very Afrobeaty. But it also has some Caribbean sounds and a little bit of R&B" "And I've always loved Burna. I've always wanted to do something with him. So I called him. I'm like, 'Hey, are you down to do this?' And he's like, 'Yeah, why not?'" "I was waiting for 20 days for him to send something, and I'm like, 'Okay, maybe he's not going to do it.' But then he came through. He sent his magic, and it was just absolutely perfect" "I was so obsessed with having Burna on this track, and I'm so glad that I got him"
1:12

Shakira reveals how she got Burna Boy to feature on the World Cup song "Dai Dai" "Once I had the song, I felt that I really needed a male vocal, a male voice on the song. I don't know, because the World Cup carries a big male energy" "So I was like, 'Who can give me that very masculine voice that I want in this Afrobeats setting?' Because this song is very Afrobeaty. But it also has some Caribbean sounds and a little bit of R&B" "And I've always loved Burna. I've always wanted to do something with him. So I called him. I'm like, 'Hey, are you down to do this?' And he's like, 'Yeah, why not?'" "I was waiting for 20 days for him to send something, and I'm like, 'Okay, maybe he's not going to do it.' But then he came through. He sent his magic, and it was just absolutely perfect" "I was so obsessed with having Burna on this track, and I'm so glad that I got him"

Buggy

652,921 görüntüleme • 1 ay önce

Blake Edwards on the conditions he laid out before accepting to direct "A Shot in the Dark" (1964): "'A Shot in the Dark' (1964) is nothing like Marcel Archard’s play, that’s for a start. I was asked to save the situation. They had quite a bit of money involved in this project. Peter Sellers was threatening to pull out because he didn’t like the screenplay. He said that the only way he would continue with the project would be if I took it over. I said that the only way I could possibly take it over, under such emergency conditions, would be that I would not be obliged to do anything like Archard’s play because a) I didn’t like it, b) I thought it was not a motion picture and c) I wasn’t ready to make a movie at that point. So they asked me what I wanted to do because the picture had to start in something like four weeks. I said that if they wanted me to save them, I’d have to take something with which I was familiar to begin with. I was familiar with the character of Clouseau. I needed a detective, somebody to solve a murder. I couldn’t throw the whole thing out. I had to use the idea that the maid was accused of killing the chaffeur and this had to be solved. So I thought that Peter Sellers was just the natural thing and that now I was going to try to be as broad with the character as I could be. “How far can I go now in terms of Inspector Clouseau?” I wrote the screenplay and was on the stage in four weeks with it. Fortunately, it turned out to be a reasonably funny movie. It proved something for me—that if a gag is well-designed you can pull it off." (Blake Edwards' interview with Jean-Francois Hauduroy, Cahiers du cinéma, 1966) P.S: On this 62 years ago, "A Shot in the Dark" (1964) premiered in New York City, USA.
1:23

Blake Edwards on the conditions he laid out before accepting to direct "A Shot in the Dark" (1964): "'A Shot in the Dark' (1964) is nothing like Marcel Archard’s play, that’s for a start. I was asked to save the situation. They had quite a bit of money involved in this project. Peter Sellers was threatening to pull out because he didn’t like the screenplay. He said that the only way he would continue with the project would be if I took it over. I said that the only way I could possibly take it over, under such emergency conditions, would be that I would not be obliged to do anything like Archard’s play because a) I didn’t like it, b) I thought it was not a motion picture and c) I wasn’t ready to make a movie at that point. So they asked me what I wanted to do because the picture had to start in something like four weeks. I said that if they wanted me to save them, I’d have to take something with which I was familiar to begin with. I was familiar with the character of Clouseau. I needed a detective, somebody to solve a murder. I couldn’t throw the whole thing out. I had to use the idea that the maid was accused of killing the chaffeur and this had to be solved. So I thought that Peter Sellers was just the natural thing and that now I was going to try to be as broad with the character as I could be. “How far can I go now in terms of Inspector Clouseau?” I wrote the screenplay and was on the stage in four weeks with it. Fortunately, it turned out to be a reasonably funny movie. It proved something for me—that if a gag is well-designed you can pull it off." (Blake Edwards' interview with Jean-Francois Hauduroy, Cahiers du cinéma, 1966) P.S: On this 62 years ago, "A Shot in the Dark" (1964) premiered in New York City, USA.

DepressedBergman

20,460 görüntüleme • 2 ay önce

Jihyo thought on 「Like 1」which was added to the Japan setlist! 🐈‍⬛: I wanted it to be a song that carried a message from us and I also wanted to include something that fans and the general public could relate to when they listened to it. As you go through life there will inevitably come a time when you have to say goodbye It could be parting ways with a friend you’ve had since elementary school or even saying goodbye to a family member there are so many different kinds of goodbyes. I wanted to capture that in the song while conveying the message that we will always be one. I think I wrote the lyrics to be a little sad and emotional but the song itself is so upbeat that we just end up jumping around and having fun. #지효 #JIHYO #ジヒョ
1:15

Jihyo thought on 「Like 1」which was added to the Japan setlist! 🐈‍⬛: I wanted it to be a song that carried a message from us and I also wanted to include something that fans and the general public could relate to when they listened to it. As you go through life there will inevitably come a time when you have to say goodbye It could be parting ways with a friend you’ve had since elementary school or even saying goodbye to a family member there are so many different kinds of goodbyes. I wanted to capture that in the song while conveying the message that we will always be one. I think I wrote the lyrics to be a little sad and emotional but the song itself is so upbeat that we just end up jumping around and having fun. #지효 #JIHYO #ジヒョ

With Hyo 🏧

15,431 görüntüleme • 24 gün önce

🦔 if I were to give a TMI, this song (NALLY-NA) wasn’t originally supposed to be in the album this time. before this- 🦋 it was a group’s song 🦔 as far as I know, three years ago, this song was supposed to be us, TREASURE’s song. but recently, it was developed to be ours (HYUNHAYO) 👤 the other members isn’t upset about it? 🦔 no no, they were fine about it since it was a situation where they had to rap…
0:25

🦔 if I were to give a TMI, this song (NALLY-NA) wasn’t originally supposed to be in the album this time. before this- 🦋 it was a group’s song 🦔 as far as I know, three years ago, this song was supposed to be us, TREASURE’s song. but recently, it was developed to be ours (HYUNHAYO) 👤 the other members isn’t upset about it? 🦔 no no, they were fine about it since it was a situation where they had to rap…

ain

52,253 görüntüleme • 3 ay önce

AOC on a movie that made her cry PabloReports: When’s the last time a piece of art—film, music, whatever—made you cry? AOC: Okay, let me go with the worst time one made me cry. I was on an airplane watching… what is that movie? The one about aliens with a linguist? Arrival. With Amy Adams. I was on a plane. I was literally going to a rally or something like that. This was a while ago. And I was watching Arrival on the plane. I had no idea that it was that emotional. And I don’t even cry like that at movies. On the plane, sobbing, dude. I had to put sunglasses on. Then the movie ends as the plane is landing. They go, “Bing bong,” whatever—seatbelt sign, you can unplug it. So everyone’s standing up, and I’m like… I put the sunglasses on. It was so embarrassing. But really good. Really, really good. Arrival.
1:20

AOC on a movie that made her cry PabloReports: When’s the last time a piece of art—film, music, whatever—made you cry? AOC: Okay, let me go with the worst time one made me cry. I was on an airplane watching… what is that movie? The one about aliens with a linguist? Arrival. With Amy Adams. I was on a plane. I was literally going to a rally or something like that. This was a while ago. And I was watching Arrival on the plane. I had no idea that it was that emotional. And I don’t even cry like that at movies. On the plane, sobbing, dude. I had to put sunglasses on. Then the movie ends as the plane is landing. They go, “Bing bong,” whatever—seatbelt sign, you can unplug it. So everyone’s standing up, and I’m like… I put the sunglasses on. It was so embarrassing. But really good. Really, really good. Arrival.

Acyn

3,430,122 görüntüleme • 2 ay önce

I really, really, really wanted to drop this song last year. When I first put out the snippet, I was so excited - but it was hard to finish it on time because everything was a blur. I was sick and weak and nauseous and tired and my body just wouldn't do what I wanted it to. Even in the snippet video, I wasn't feeling great. I was just trying my best. I adore Chike's voice and I knew it was him that had to be on the song with me. When I asked him to give me a verse, he was so ready to go, but he was out of town. As soon as he came back, he came over to my studio the next day 🥹. I got a lotta respect for him. He didn't know I was pregnant and suffering 😅 Watching this video back now, I can't even understand where the energy came from. When the song was done, I struggled to mix it. Even so, I decided to master it myself. I hate mastering, so I don't know what I thinking. I was so disappointed that I couldn't meet the deadline. Everyone had fallen in love with the song and was asking me to put it out. I didn't have the energy to make content. I don't even remember them recording this video. Given how much I love this song, I'm a little bummed I couldn't give it energy it deserves. But please, know that a lot of love and resilience went into this song. I hope that you can let less be more for this one. I hope you can give it the energy that I couldn't. That I can't. PS: This is a chance for those of you that say I gave up my career for marriage to fight(?) for my uhm...rights? That or stfu. WHERE YOU DEY > Simi ft Chiké out everywhere now 🩵🩵 produced by Niphkeys mixed/mastered by Simi
2:27

I really, really, really wanted to drop this song last year. When I first put out the snippet, I was so excited - but it was hard to finish it on time because everything was a blur. I was sick and weak and nauseous and tired and my body just wouldn't do what I wanted it to. Even in the snippet video, I wasn't feeling great. I was just trying my best. I adore Chike's voice and I knew it was him that had to be on the song with me. When I asked him to give me a verse, he was so ready to go, but he was out of town. As soon as he came back, he came over to my studio the next day 🥹. I got a lotta respect for him. He didn't know I was pregnant and suffering 😅 Watching this video back now, I can't even understand where the energy came from. When the song was done, I struggled to mix it. Even so, I decided to master it myself. I hate mastering, so I don't know what I thinking. I was so disappointed that I couldn't meet the deadline. Everyone had fallen in love with the song and was asking me to put it out. I didn't have the energy to make content. I don't even remember them recording this video. Given how much I love this song, I'm a little bummed I couldn't give it energy it deserves. But please, know that a lot of love and resilience went into this song. I hope that you can let less be more for this one. I hope you can give it the energy that I couldn't. That I can't. PS: This is a chance for those of you that say I gave up my career for marriage to fight(?) for my uhm...rights? That or stfu. WHERE YOU DEY > Simi ft Chiké out everywhere now 🩵🩵 produced by Niphkeys mixed/mastered by Simi

Simi

394,372 görüntüleme • 7 ay önce

Mick Jagger reveals he was never credited for his iconic backing vocals on Carly Simon’s "You're So Vain" because he just did it as a favor for a friend. David Marchese: "When did you realize that some people thought the song was about you?" Mick Jagger: "Why would it be about me when I'm singing on it? It doesn't make sense! But people think that's what it was. I just thought it was a song. It sounds like a good title! It was just a song, I'm just the backing vocalist." David Marchese: "Because she would never reveal who it was about." Mick Jagger: "I never thought to ask. I knew the producer, Richard Perry, and he was in London. He just phoned me up and said, 'Can you do the backing vocals?' And I love doing those sort of things. So, I just went along and did it. I thought it was a great song. And it was a big hit for her. And I was never credited with a feature. These days it'd be Carly Simon featuring Mick Jagger." Mick Jagger: "But you never said to her, 'Hey, who's this song about?'" David Marchese: "Never said! Never asked. I'm louder than her on some of it." Mick Jagger: "I know, in the chorus, yeah."
1:24

Mick Jagger reveals he was never credited for his iconic backing vocals on Carly Simon’s "You're So Vain" because he just did it as a favor for a friend. David Marchese: "When did you realize that some people thought the song was about you?" Mick Jagger: "Why would it be about me when I'm singing on it? It doesn't make sense! But people think that's what it was. I just thought it was a song. It sounds like a good title! It was just a song, I'm just the backing vocalist." David Marchese: "Because she would never reveal who it was about." Mick Jagger: "I never thought to ask. I knew the producer, Richard Perry, and he was in London. He just phoned me up and said, 'Can you do the backing vocals?' And I love doing those sort of things. So, I just went along and did it. I thought it was a great song. And it was a big hit for her. And I was never credited with a feature. These days it'd be Carly Simon featuring Mick Jagger." Mick Jagger: "But you never said to her, 'Hey, who's this song about?'" David Marchese: "Never said! Never asked. I'm louder than her on some of it." Mick Jagger: "I know, in the chorus, yeah."

Chibest

271,186 görüntüleme • 2 ay önce

John Carpenter on how the studio, audience and critics reacted after watching "Big Trouble in Little China" (1986) & the reason for movie's failure: "Carpenter: I thought about writing a book about my experiences in Hollywood being a director, mainly because I was burned out on making movies. But | didn't do it because | thought, “I’m not ready yet. | don't have enough to say yet. I need to make more films and | don’t want to quit yet.” Interviewer: How did Fox executives react when they saw the movie for the first time? Carpenter: Needless to say, they had a few problems with the movie. They sat down with me and we went through the film. They didn’t like that the white hero was such a buffoon, and that he was being shown up by the Asians. They were afraid the audience wouldn't think this guy was brave, so they asked me to cut out the humor and emphasize his bravery, which was impossible to do. Then we got to the preview stage. The audience that saw it really loved it and laughed, so they wanted me to put the humor back in and go back to what it was—they still hated the movie, though. They didn't want Kurt to play it plenty. They wanted him to be an action hero, a real live action hero, not Jack Burton. They wanted him to be more like Rambo or Stallone. They wanted him to play it straight and it wasn't straight. Interviewer: How was the movie perceived by the audience and the critics? Carpenter: Nobody got it. Like I said earlier, timing was never my thing in terms of when my movies come out. This movie was completely and totally misunderstood. The critics and the public thought it was just bad, and there is nothing | can do about that." ("John Carpenter - The Prince of Darkness", Gilles Boulenger, 2001) P.S: On this day, 40 years ago, "Big Trouble in Little China" (1986) was released in the USA.
2:03

John Carpenter on how the studio, audience and critics reacted after watching "Big Trouble in Little China" (1986) & the reason for movie's failure: "Carpenter: I thought about writing a book about my experiences in Hollywood being a director, mainly because I was burned out on making movies. But | didn't do it because | thought, “I’m not ready yet. | don't have enough to say yet. I need to make more films and | don’t want to quit yet.” Interviewer: How did Fox executives react when they saw the movie for the first time? Carpenter: Needless to say, they had a few problems with the movie. They sat down with me and we went through the film. They didn’t like that the white hero was such a buffoon, and that he was being shown up by the Asians. They were afraid the audience wouldn't think this guy was brave, so they asked me to cut out the humor and emphasize his bravery, which was impossible to do. Then we got to the preview stage. The audience that saw it really loved it and laughed, so they wanted me to put the humor back in and go back to what it was—they still hated the movie, though. They didn't want Kurt to play it plenty. They wanted him to be an action hero, a real live action hero, not Jack Burton. They wanted him to be more like Rambo or Stallone. They wanted him to play it straight and it wasn't straight. Interviewer: How was the movie perceived by the audience and the critics? Carpenter: Nobody got it. Like I said earlier, timing was never my thing in terms of when my movies come out. This movie was completely and totally misunderstood. The critics and the public thought it was just bad, and there is nothing | can do about that." ("John Carpenter - The Prince of Darkness", Gilles Boulenger, 2001) P.S: On this day, 40 years ago, "Big Trouble in Little China" (1986) was released in the USA.

DepressedBergman

102,162 görüntüleme • 2 ay önce

"'We Are The Champions' is the most egotistical and arrogant song I've ever written. I was thinking about football when I wrote it. I wanted a participation song, something the fans could latch on to. It was aimed at the masses. I wanted to write something that everyone could sing along to, like a football chant. And at the same time, I thought it would be nice to have a winning song that's meant for everybody. We said We are the champions, but that doesn't mean it's Us: it's for everyone. I can imagine people going to a game and, if their team wins, they can sing it - a winning song for everyone. I thought we'd see how they took it. It worked a treat." - Freddie Mercury 😊🏆
3:30

"'We Are The Champions' is the most egotistical and arrogant song I've ever written. I was thinking about football when I wrote it. I wanted a participation song, something the fans could latch on to. It was aimed at the masses. I wanted to write something that everyone could sing along to, like a football chant. And at the same time, I thought it would be nice to have a winning song that's meant for everybody. We said We are the champions, but that doesn't mean it's Us: it's for everyone. I can imagine people going to a game and, if their team wins, they can sing it - a winning song for everyone. I thought we'd see how they took it. It worked a treat." - Freddie Mercury 😊🏆

ふLady

27,619 görüntüleme • 8 ay önce

I dated a girl once and she was extremely beautiful. She worked for DNA models. She ate a terrible diet that horrified me. She thought she had to. By far the strangest thing about her was that she would listen to the same song for over 4 hours in a row, every day She'd come home exhausted, climb into bed and put on her huge expensive headphones and start playing her song. It was this song. It was no secret, I could always hear it through the headphones. In her music app she only had this song and she put it on a permanent loop. Some days she'd listen to it for 4 hours. Other days for more. Occasionally at the weekends if she really needed to recover in bed, she'd listen for 8 hours or more When I was around her, I'd listen too. Not because I wanted to, but you could always hear it a little from her headphones, in the background. At a certain point, it started to feel normal. At the start, I asked her why she did it and she said "I just love this song, why would I listen to anything else". I really liked her answer. So I didn't challenge it. She said she'd been doing it for years Sometimes I'd pick her up from shoots in the city and the moment she met me she'd ask if she could please put her headphones on and listen to music. Then she'd start. She wouldn't do it in public without me there, because she wanted to stay aware of her surroundings. But if I was there, she could put her headphones on straight away and just trust she was safe. She'd listen to her song and rest on my shoulder and close her eyes as we rode the subway home Throughout our relationship we didn't talk much, really. It was more of a physical thing. Not in a superficial way. Not just lust. I mean that we were both completely satisfied just resting on each other, without speaking. We liked physical contact, or a sense of shared physical beingness. But neither of us needed to talk like most people do and we really savored that about each other I actually really loved it when she put her headphones on and entered her cosy,safe space. It was like she was entering into a little coccoon. With time, I realized it was a kind of recovery protocol and a meditative trance. It anchored a state of rest for her that she desperately needed. She didn't have OCD or any other compulsions. It was just this one thing. This one particular song. It was like a little cave she entered to heal from the stress of the day and burdens of existence. I dated her for 2 years and she did it every single day, up until the end. When I kissed her goodbye on the final day, she had her big headphones hanging around her neck and the song was playing through them. It was the last thing I heard, on the last day I looked into her eyes
3:37

I dated a girl once and she was extremely beautiful. She worked for DNA models. She ate a terrible diet that horrified me. She thought she had to. By far the strangest thing about her was that she would listen to the same song for over 4 hours in a row, every day She'd come home exhausted, climb into bed and put on her huge expensive headphones and start playing her song. It was this song. It was no secret, I could always hear it through the headphones. In her music app she only had this song and she put it on a permanent loop. Some days she'd listen to it for 4 hours. Other days for more. Occasionally at the weekends if she really needed to recover in bed, she'd listen for 8 hours or more When I was around her, I'd listen too. Not because I wanted to, but you could always hear it a little from her headphones, in the background. At a certain point, it started to feel normal. At the start, I asked her why she did it and she said "I just love this song, why would I listen to anything else". I really liked her answer. So I didn't challenge it. She said she'd been doing it for years Sometimes I'd pick her up from shoots in the city and the moment she met me she'd ask if she could please put her headphones on and listen to music. Then she'd start. She wouldn't do it in public without me there, because she wanted to stay aware of her surroundings. But if I was there, she could put her headphones on straight away and just trust she was safe. She'd listen to her song and rest on my shoulder and close her eyes as we rode the subway home Throughout our relationship we didn't talk much, really. It was more of a physical thing. Not in a superficial way. Not just lust. I mean that we were both completely satisfied just resting on each other, without speaking. We liked physical contact, or a sense of shared physical beingness. But neither of us needed to talk like most people do and we really savored that about each other I actually really loved it when she put her headphones on and entered her cosy,safe space. It was like she was entering into a little coccoon. With time, I realized it was a kind of recovery protocol and a meditative trance. It anchored a state of rest for her that she desperately needed. She didn't have OCD or any other compulsions. It was just this one thing. This one particular song. It was like a little cave she entered to heal from the stress of the day and burdens of existence. I dated her for 2 years and she did it every single day, up until the end. When I kissed her goodbye on the final day, she had her big headphones hanging around her neck and the song was playing through them. It was the last thing I heard, on the last day I looked into her eyes

asparagoid

599,752 görüntüleme • 1 ay önce