Sensitive content

This media may contain sensitive content.

Loading video...

Video Failed to Load

Go Home

ANOTHA ONE! ☝️ 4K!!! Just released and already selling like crazy. Better check it out sooner rather than later. Ripping ass… as always. Stripping down to bra and panties and blowing up his face! 🍑💨💨💨😉 Find it below ⬇️ Clips4Sale.com #farts #farting #facesitting #braandpanties #sexy #ass #stinky #mouthfarts #nosefarts #girlfarts

41,111 views • 11 months ago •via X (Twitter)

0 Comments

No comments available

Comments from the original post will appear here

Related Videos

Let me know if this FREAKS you guys out too! Chinese Robot Just Ran Faster Than Usain Bolt… Then Face-Planted Into a Wall. 9.39 seconds. A Chinese humanoid robot just smoked Usain Bolt’s world record on a track in Beijing today. Last year the same machine was still jogging it in 21 seconds. One year. That’s how fast this is moving. And how does it finish the race? It doesn’t ease up. It doesn’t celebrate. It just sprints full speed into a giant padded wall and collapses in a heap like it forgot gravity still exists. That right there is the perfect picture of what’s coming. Insanely fast. Ruthlessly focused. And still needs humans to pick it up off the ground… for now. While we’ve spent the last decade arguing over pronouns, drag story hour, and which flag is allowed on the flagpole, China has been quietly building machines that already outrun the greatest sprinter who ever lived. They’re not playing. They’re not debating. They’re shipping. I got two little boys at home. One day these things won’t just be racing each other for medals. They’ll be stacking boxes, carrying rifles, or walking into places where American kids used to go. And if we keep treating this like a cool viral clip instead of a five-alarm fire, we’re going to wake up one morning and find out the race already ended… and we never even laced up. The question isn’t whether the robots can run faster than us. The question is who controls the off switch when they decide humans are the competition. America better find its spine. Real quick.

AmericanPapaBear™

26,314 views • 1 month ago

Wiz Khalifa says he rewrote his second verse for “See You Again” after Paul Walker's death, just one week before Furious 7 was released “It was right when he passed. He was filming for the movie, and they were like, ‘Something happened. We need to do a whole little redirection, and you're going to be a part of that” “So they're like, ‘This is the last scene of the movie. He's in the movie, but we're generating his face on a couple scenes. And this is going to be one of them where it's going to be him riding off into the sunset, but it's going to represent his departure’” “But by the time the movie had come out, it was like a week before the movie came out, they were like, ‘We need to finish the song, and we're going to shoot the video, and we just want you and Charlie Puth on there. Everybody else we don't want, so you need to write another verse.’ So I quickly came in there. I watched the scene, because I already did the first verse just based off what they told me it was going to be like. Then for the second verse, they were like watch the scene and write it based off that” “I watched the scene, wrote my verse real quick, recorded it, we shot the video the next week, and then it comes out with the movie. It's just supposed to be a soundtrack song, but as soon as it got on the radio, it went number one and stayed there for like 12 or 13 weeks. I never knew it was going to do all of that at all” “It's unfortunate that Paul Walker lost his life, and his legacy is always going to live on. I met his family and they loved it. But I think ‘See You Again’ connects because you can tell everybody goes through those losses, and you can feel that in those verses. I've taken losses, and I've personally felt what that feels like. So to be able to channel that through the music, tell his story, help his legacy live on, and also connect with other people who go through similar things, that was my main goal. That's what I knew I could do through my personal experiences, and I'm glad that the world”

dank

39,598 views • 2 months ago

This is one of the greatest displays of the creative process I've seen. John Mayer perfectly demonstrates something that many of my favorite artists all say: You become creative by creating. "You just keep going 'til you get something," Mayer says/sings. "You gotta keep forcing it, forcing it, forcing it…it doesn’t matter [what comes out of your mind/mouth].” Dr. Andrew Huberman talks about how the brain circuits that turn on before those involved in creativity are of the stress system. I've heard him use 3 analogies to explain this. 1) It’s like you have to wade through sewage before you can swim in clear water. 2) It’s like when you try to lift your max on the bench press—it takes time to work up to that weight. 3) It’s like your best creative work is on the other side of a door at the top of a staircase—it takes time and effort to get up the stairs and through that door. In other words, Dr. Huberman says, you become more creative the more you create. Many artists talk similarly about what Mayer refers to in the clip as "ouija boarding" (just sort of spitting out words and sounds). John Legend says his songs start with what he calls “the mumble track.” “It’s just me humming and mumbling nonsense,” he said. Judd Apatow says his movie scripts are all a product of the Down-Up theory: “Get the ideas DOWN then fix them UP.” “Give yourself permission to suck," Judd says. "Anything goes. Just get something down.” Even if it’s nonsense, he says. Keep forcing it, forcing it, forcing it. - - - Before I started writing online, I told Ryan Holiday I was just waiting to know for certain what I wanted to write about. “Just start," he said. "You’re trying to map out the whole 9 innings. Just throw the first pitch…You’re better off starting imperfectly than being paralyzed by the delusion of perfection.” Rather than being paralyzed by the delusion that creativity comes to you, you're better off "forcing it, forcing it, forcing it," as Mayer said. "Go get it from the universe." Follow Billy Oppenheimer for more content like this!

Billy Oppenheimer

2,490,953 views • 3 years ago

The 2016 Breakfast Club interview with Lakeith Stanfield set an early tone that later exploded into a years-long back-and-forth‼️. Stanfield, then rising off "Atlanta", *Straight Outta Compton* (as Snoop), and *Get Out*, came on to talk acting‼️. The hosts asked about his rapping (he has a project/group called The Moors and has released music)‼️. He delivered a dense, wordy freestyle‼️. Charlamagne and the crew were visibly unimpressed—the clip they later posted and referenced captures the awkward “that’s it⁉️” energy and some teasing‼️. Charlamagne later framed it as him trying to steer Stanfield: great actor, terrible rapper, don’t waste time on it‼️. In 2018, when Stanfield posted an “offensive freestyle” with homophobic language and a weak apology, Charlamagne replayed the 2016 moment on *Donkey of the Day* and doubled down on the same point‼️. That moment wasn’t the main feud, but it planted the seed‼️. Stanfield is eccentric, artsy, and doesn’t move like a typical rapper or radio guest‼️. Charlamagne’s show thrives on unfiltered grilling, roasts, and “keeping it real.” Asking an actor to rap on the spot and then dismissing it publicly can feel like a gotcha or public diminishment rather than genuine curiosity‼️. How it escalated⁉️ In 2019 Stanfield posted that platforms like The Breakfast Club, The Shade Room, WorldStar, and Lipstick Alley act as “feeding grounds for negative reinforcement toward BLACK ‘nonconformists’” and “slave mentality museums.” Charlamagne took it personally, gave him *Donkey of the Day*, called him a hypocrite for not going after white media (Hollywood handlers wouldn’t allow it), brought up the old freestyle and other interviews, and told him not to call the author of *Black Privilege* anti-Black‼️. Stanfield responded with the diss track “Automatic,” using Sambo-style imagery of Charlamagne and lines like “Insecure, you afraid, you’s a Charlamagne.”‼️ In 2021, during Daniel Kaluuya’s *Judas and the Black Messiah* interview, Charlamagne asked if Kaluuya looked at Stanfield differently because he played the informant “too well”—implying he was born for the snitch role‼️. Kaluuya shut it down immediately‼️. Stanfield called Charlamagne a “hoe” and later posted a video pointing a gun at his picture‼️. Charlamagne said he “owed him that” jab after the earlier shots‼️. This is not isolated‼️. Charlamagne built his brand as “hip-hop’s Howard Stern”‼️provocative, no-filter, willing to ask the uncomfortable question or roast someone on air‼️. He has history with Birdman (“stop playing with my name”)‼️, Drake (ongoing critiques and responses)‼️, Kanye, Nelly, Mo’Nique, and others who’ve checked him or walked out‼️. Some moments age poorly (past transphobic laughter from guests he didn’t shut down hard enough, Lil Mama interview backlash)‼️. Others are defended as necessary pushback in an industry full of yes-men‼️. He positions it as accountability and entertainment‼️. Critics see it as punching down for clips, personal defensiveness when his platform is criticized, or a style that works better on certain guests than others‼️. Stanfield, being more alternative and media-critical, was always going to clash with that energy‼️. Should media “bring a person down” like that⁉️ Media’s job isn’t to protect feelings, but it also isn’t obligated to manufacture humiliation for content‼️. Asking an actor to rap and then publicly declaring him unimpressive is closer to a bit than journalism‼️. Later personalizing it with *Donkey of the Day* segments, old clips, and snitch-role implications turns it into a running narrative‼️. That’s common in personality-driven radio and YouTube-era media‼️it generates conversation and views—but it can feel like the host using the platform to settle scores or enforce a certain vibe‼️. Black media occupies a complicated space: it can hold artists accountable in ways mainstream outlets won’t, but it can also amplify negativity, gatekeep, or prioritize virality‼️

(st_ides)

32,074 views • 1 month ago