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Another fun custom done! Our fan wanted the unedited version again and let us clip it for everyone else to enjoy too. 🫶🥰 I am soooo proud of how long I was able to take that double fisting, as it’s the biggest I’ve ever stretched 🥵🤤 Full video out...

21,757 Aufrufe • vor 4 Tagen •via X (Twitter)

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Without the love of Christ, I would have committed suicide after losing $10M in months... here's the story I didn't talk about this in the first video, because it's honestly too painful, but there was one day I almost ended my life, even while believing God is real. I yelled at him and told him I hated the world he created while I was driving to find a cliff to jump from. I'm not married, I don't have kids, that $10M portfolio was what I was building with my life. I had three siblings working for me and I had to let all three go, leaving over half my family jobless. So it felt like I had lost everything, let everyone I cared for down, and life was meaningless. But Jesus showed me his love like I never had felt before in one of my weakest moments, the desire to kill myself went away COMPLETELY in a split second and I broke down in tears. The feeling was like being hugged by all my loved ones at once. My old Christian missionary parents told me later that they had started praying for me at that exact moment, "The LORD is near to the brokenhearted and saves the crushed in spirit." I now know that this is only the beginning. My faith was once a largely intellectual faith, now it is also visceral, raw, emotional, and I am full of the joy of my salvation in an indescribable way, even despite my circumstances. If I wanted to take my own life on my own, but Jesus saved me, the rest of my life belongs to Him in every way. I started crying even now as I write this, thinking back on that day. How hopeless I felt before I felt the presence and love of Jesus. No I won't be perfect going forward, but my Savior is perfect and his power is made perfect in our weakness. To everyone in the comments, of course I know I made MANY mistakes and was trying to rush to $1B way too fast. I was full of greed and serving mainly money. And I'm sorry if anyone lost money following my posts. However, I am certain that even my wandering has all been a part of God's plan. And if it is part of God's plan that I ever recover my worldly wealth (for my actual wealth is greater now than it has EVER been) and I reach a number like $10M again, it is His, not mine. And I will not share it or promote my own glory anymore. Because it's not my money to promote myself with, everything I have is God's to use on what's close to His heart. If I have food and clothing and a place to sleep most nights, AND the love of Christ is in me (the engine that now drives everything), I'm truly content. I'm done using my X and YouTube accounts to promote myself, my worldly opinions and my own glory. Lord Jesus, help me from now on to glorify your name alone, for you alone are worthy. Amen. Love you all. And no problem if you want to unfollow, I understand that. "For the word of the cross is folly to those who are perishing, but to us who are being saved it is the power of God." ❤️

Jacob Browatzke ✝️

81,904 Aufrufe • vor 1 Monat

CLIP 1 ​When I talk about this 30th anniversary, I wrote about my feelings in a note for my new album, SHOOTING MY LOVE. Looking back, there have been so many things that have happened since I was a child—when I first started this career and thought of this as such a special kind of life—to now, when that life has become so natural that it feels like breathing, and has come to make up such a big part of who I am. ​It’s been such a long journey, and I feel like I’ve finally reached a really wonderful moment in my life. For my 30th anniversary, I feel like I’ve reached a time when I can do something special—not just something I want to do on my own, but something that you can all enjoy and celebrate together with me. ​It feels like I’ve arrived at a future that is even better than the one I imagined when I was young… Actually, I have to sing after this, so I can’t cry. Really. If I cry, my throat will close up. That’s why, even while watching the congratulatory video earlier, I was trying my best to hold back my emotions, thinking that I could always watch it by myself later. ​I’m so grateful that I’ve arrived at a future that is even better than the one I imagined as a child. I honestly never imagined this. When I had my very first fan meeting, the ‘Binkan Tour,’ I only sang three songs. I truly never imagined that, just a few years later, I would be here celebrating a day like this in the form of a concert. And I never acted with the expectation of receiving awards. The things I once thought would happen ‘someday’ have been given to me in a way that is far more wonderful than the future I had imagined. So, right now, I’m just incredibly grateful. ​CLIP 2 ​I sincerely want to thank everyone who stayed until the very end and shared this time with me. Even though there were so many other performances happening over the weekend, and even though a fireworks festival was drawing a crowd of one million people, you still chose to come and see me. Thank you for making the time for me. And thank you as well to everyone watching this video. ​How long will I be able to continue being together with BINGOs? When we started BINGO 1st generation, I began it with such a happy heart. But around the time of the 3rd generation, I found myself wondering quite often, ‘How long will I be able to continue this?’ And when we were preparing for BINGO 4th generation this time, I also honestly wondered, ‘When would be the right time for all of us to say goodbye while we’re still happy together?’ Because, you know, I’m getting older, day by day and year by year. ​Even so, I want to tell all of you how incredibly grateful I am for the love you always send my way. Thinking of all of you, whenever I felt myself becoming a little complacent, I wanted to make sure I would never feel ashamed in front of you. So I pushed myself even harder. That was the kind of year I had, with those moments continuing day after day. I’ve always worked hard, but this year, as I celebrated my 30th anniversary, I was especially grateful to be able to share two projects with you because you wanted to celebrate this milestone with me. And I’ll continue preparing and working hard throughout the rest of this year so that I can share two projects with you next year as well. ​This universe that we created together, this world called ‘Euniverse’—that may be how this fan concert got its title, but my world will continue to expand. I hope you’ll continue dreaming that dream with me. Nothing more and nothing less—I just hope you’ll keep the same feelings you have now for a long, long time. ​And finally, Mom, Dad, and Oppa, thank you. Ever since I began living a life that was different from everyone else’s, from when I was a child, it was my family who became the foundation that allowed me to grow up well. Thank you so much for coming today. I hope everyone finishes this year well, and let’s meet again next year with happy hearts. Promise me. 🤙

박친놈

15,669 Aufrufe • vor 7 Tagen

Junkyu being open about his burnout and how he overcame that phase is something that truly amazed me. His beautiful words that encourage everyone why pacing yourself actually matters 🥺🤍 🐨: I actually went through myself a burnout recently… was it in 2025? It’s not that I started to hate music, but when it came to making music, to working on it, I hit burnout. I really did. Nothing felt fun anymore, and no matter what I did, I just couldn’t move forward. No matter what—seriously, no matter what. 🐨: I work on music on my Mac, right? and I didn’t turn it on for a whole year. A year? Maybe even a year and a half? Since sometime in late 2024? It’s not that I chose not to turn it on—I couldn’t. That thought kept coming to me, “Even if I turn it on, nothing will come out” or maybe, “Even if I turn it on, I won’t get anywhere close to what I want”. My interest just… how should I say it… completely dropped. So I couldn’t turn it on. I was scared—scared that I’d have to face that feeling again. So I kept my distance from it. 🐨: But this time, starting in Korea and then going on tour, meeting TEUMEs a lot as we move through 2025 and into 2026, without even realizing it, I felt refreshed. Like I’d been aired out and I thought, “Huh? should I try again?”, “I kind of want to do it again”. “I want to go back to when I really enjoyed this”. “I want to try again—the thing I loved back then. So I finally made up my mind and turned it on. and when I did… it had been so long that I got chills. I’d forgotten everything—the details, the keys, everything. “How did I even do this before?”, “What values did I use?” I’d forgotten it all. 🐨: I completely panicked. I thought, “Oh… is this how it ends?”, “Is this how I lose the thing I love?” I was honestly really scared. And then another thought came to me “turn a crisis into an opportunity”. Maybe this is a chance for me to find something else I love. Maybe I should let it go. I was almost halfway in a state of giving up. But somehow, my body followed through anyway. My hands kept moving—on their own. Somehow, I knew what to do, how to do it. and naturally, without stopping, the flow didn’t break. So maybe I want to stay with music for a really long time in my life. And I think this process of slowing myself down a bit was part of that. Looking back now, the pace had been way too fast, and I couldn’t control myself. I’d pushed myself to the limit of what I could create, and after that, there was nothing left. 🐨: At that point, I was kind of cruel to myself. I blamed myself for everything… It’s a really bad habit, I think, but it just happens reflexively. So I was really hard on myself. That’s when I realized I needed to take a step back, give myself some distance, and look at things over a longer period of time. Yeah… if you just move at your own pace—not faster, not slower—you can do something for a long time. So I think if you want to spend your life with something you really love—whatever it is—you can’t go too fast. If your passion just burns up too quickly, it can cause problems. That’s why pacing yourself matters. If you manage your pace, you can live your life alongside the things you love for a long, long time. I really felt it this time. And because of that, I was so happy. Being able to do what I love again brought back so many memories, and it felt like I’d returned to those days when I used to enjoy it so purely. That made me incredibly happy.

ᯓ★

43,569 Aufrufe • vor 7 Monaten

#リチャアヤ Happy Qixi! On this traditional Chinese festival, my friend and I have prepared this fan video, and we hope you enjoy it. BGM: ALONE to ALONE (feat. lasah)-sasakure.UK Illustrations: torimomo Video: Mist Since Mist-sensei's account ran into some issues, I'm relaying and attaching both of our creative notes here. Mist: The initial storyboards for this fan-made video were drawn by me, and I had been thinking about how to present it ever since the first season of the anime ended. The BD novel also gave me a lot of inspiration afterward. Before formally starting this project, I kept asking myself over and over: "Is my interpretation good enough?" "Will our understanding conflict with the original novel?" What changed my mind and gave me encouragement was precisely what Dumas said in the FGO×FSF collab—if your creation can bring people true joy and emotion, then even if it is "Fake," it still has value in existing. So, in a sense, wouldn't fan-made derivative works based on Narita-sensei's "Fake" original all count as "Fake of Fake"? In this year of 2026, I witnessed with my own eyes the novel I had followed for ten years finally receive an anime adaptation. I also came to know a warm and passionate community of fellow fans who speak different languages. And it is precisely because of this that I was able to meet torimomo-sensei and other friends. Sometimes I wonder—are these the friendships that could only bloom and bear fruit after ten years of waiting? And in the novel, Richard and Ayaka have likewise been by each other's side for ten years, and are now about to welcome the final chapter of their story. In my eyes, the two of them were once lonely children of the stars, but after a long passage of time, those two stars welcomed their Fate in Snowfield. No matter how many times I revisit their first meeting, it stirs in me much the same emotion. Allright! At that moment, I thought: "I've finally found the courage to take this first step into creating derivative works for Fake. Come on—now that my skills have matured enough, let me pour my heart and talent into them!" This is a fan work created together by torimomo-sensei and me, dedicated to Fate/strange Fake and to our beloved Richaya. Although it is likewise only "Fake," if this fan video can bring "True" emotions to friends who love Richaya—then, for me, that would be an incomparable honor. Torimomo: From first receiving the storyboards and drawing a few pages on and off, to finally mustering all my energy and drawing in earnest from the beginning of July—during this past month and a half, almost all of my thoughts, energy, and passion were poured into the illustrations for this PV. It was only partway through drawing that I realized, "Wait, it seems Mist's storyboards weren't meant to be fully colored after all..." (laughs). But since I had already come this far, and both the art style and rhythm had already become second nature, I decided to see it through to the end according to my own interpretation. I also changed quite a few of the storyboards along the way, and I am truly grateful to Mist for being so accepting of these modifications and creative liberties. To me, Richaya is a beam of light. I love the relationship between them, bound by the pull of fate; I love how they encourage and support each other; and I also love the perfect amount of negative space in Fate/strange Fake. It is precisely because of that negative space that different people can give rise to different imaginations and expectations—and that, in itself, is the greatest joy of derivative creation. I have so many imaginings of Richaya born from the wish that "they can be happy." Ever since I met Richaya this year, I have been drawing without pause. I don't hold back from pouring every image and story I can think of that suits them into my art. And it was precisely because of this that I was able to form a connection with Mist—through exchange after exchange of inspiration, each of us went on to create even more wonderful works about Richaya. This animated PV is one of them. For me, simply being able to see it through to the end was already more than enough to make me happy. And after Mist-sensei's post-production polish and editing, it ultimately came together as such a complete video. I'm truly satisfied. Lastly, thank you to everyone who was willing to take the time to watch this video through to the end.

torimomo

14,160 Aufrufe • vor 27 Tagen

🚨😱😱😱🤯🤯🤯🤬🤬 ABSOLUTELY DISGUSTED AND SHOCKED TO MY CORE!!! I just watched Leslie Manookian from Health Freedom Defense Fund drop this bombshell and I am literally shaking with rage and horror!!! 😡 💥 How DARE the Supreme Court deny this petition and let the Ninth Circuit’s disgusting ruling stand?!?! This is pure EVIL. The government can now FORCE any medical intervention on YOU — vaccines, shots, whatever they want — with ZERO evidence it even works, no real judicial review, nothing!!! Just because some bureaucrat “believes” it might help “public health”??? 🤢🤮 This is the DEATH of bodily autonomy and the Constitution all in one sickening blow!!! Full transcript from Leslie Manookian in the video: “This means that the Ninth Circuit’s egregious ruling—that it doesn’t matter whether a shot stops transmission or infection, all that matters is that a state official could have believed a shot would help individual members of the public—will stand. And it’s now precedent in the largest circuit in the United States. But this is the most important thing for us to all take away: the system is not going to protect us. It’s up to us, the people … to refuse to ever obey a mandate from authority again. They’re already stirring the pot of fear about the supposed African disease … and this new one from the cruise ships. This is what’s coming, folks. What is going to protect us … is us as individuals standing up, linking arms with our friends and our neighbors, and saying no, we refuse to comply. We will never again obey your civil liberty-violating mandates. And we have to fight state by state to pass laws that protect our rights and freedoms. Because the federal government’s not going to do it.” Where is the outrage?! This ruling spits in the face of every American who fought for freedom during the covid nightmare. They’re basically handing tyrants a blank check to experiment on us again and again. Leslie is 100% right — the system is NOT going to protect us. It’s broken, corrupted, and captured by Big Pharma interests. The same people who lied to us before are already stirring the pot of fear about some “African disease” and cruise ship nonsense. They’re prepping the next round of mandates while we sleep!!! 😭🔥 This makes me want to SCREAM. I am so absolutely disgusted I can barely type. Our children, our families, our bodies — they’re treating us like cattle for the state machine. No more “my body my choice” when it suits them? This is tyranny disguised as “public health” and it’s the most repulsive betrayal I’ve ever seen from the highest court in the land. But we are NOT powerless!!! Leslie nailed it — WE must refuse to comply. NEVER AGAIN will we bow to their experimental jabs or liberty-violating mandates, no matter what phony “emergency” they cook up next. Link arms with your neighbors, your friends, your communities and say NO! Fight state by state for Medical Freedom Acts like Idaho’s that ban these mandates once and for all. This video has me fired up and heartbroken at the same time. America, wake the hell up before it’s too late!!! Share this everywhere. Tag everyone you know. The fight is HERE and it’s NOW. We the people will protect our own freedoms because the system just proved it won’t. I am beyond disgusted. This is a national disgrace. 😤💔🚨 #NoMoreMandates #BodilyAutonomy #MedicalFreedom #ResistTyranny #SCOTUSBetrayal #HealthFreedom #NeverAgain 🔥

The Dr. Margaret Show

16,494 Aufrufe • vor 3 Monaten

"What NewJeans Wanted to Say" [Full transcript translated to English] 240911 19:00 KST Hyein: Some of you might be surprised by this sudden meeting, but we wanted to share our thoughts and opinions about the recent events, so we prepared this session. First, I want to explain one of the reasons we decided to do this live. It's been hard to see many people who have worked with us continue to suffer from unfair demands and pressure even after our CEO was dismissed. It was frustrating to just stand by and watch these situations unfold, and we were very worried about our future as a group of five. Honestly, while preparing for this live, we were naturally concerned about the reactions we might receive afterward. We were also worried that people might mistakenly think that our CEO instructed us to do this, but I want to clarify that this live was prepared because we five members genuinely wanted to express our thoughts. We received help from directors we trust for things we couldn't prepare ourselves, like setting up the shoot and finding a location. It didn’t feel right for us to stay silent when everyone, including our Bunnies, has been stepping up to support us. Moreover, this is not just a matter of leaving it to the adults because it directly affects the lives of us five members. Since we're the ones going through this, we felt that it would be healthier to speak up ourselves than to do nothing, so we mustered the courage to do so. The main point of what we want to say today is directed towards HYBE. We've already had meetings with the current management to express our opinions, but after seeing what happened afterward, it feels like our concerns weren't clearly conveyed. It seemed like communication was blocked, so we felt that preparing this live was the only way to properly share our thoughts and feelings. Minji: I’m sure that today’s announcement has shocked many of the staff as well, as they were not aware of it, and I imagine everyone watching is quite surprised too. We’ve thought a lot about where to begin, but since the purpose is to express our intentions, we’ll try to explain as clearly as possible. Of course, due to contractual issues, we can’t share everything, but we’ll be as honest as we can. After it was decided that we would debut as NewJeans, our members spent a lot of time getting to know Min Hee-jin Daepyonim, both as a group and individually. At first, I had reservations and a certain fear towards the adults we were working with, but Daepyonim was the first person to approach us in a way that allowed us to open up, which was initially awkward but eventually built trust. From before our debut until now, we’ve been aware of various issues related to our debut schedule and other matters. However, working with Daepyonim made us feel good, and I believe that’s why we were able to debut successfully and continue our activities until now. Danielle: Naturally, we all want to continue working with Daepyonim. Even before debuting as NewJeans and through all of the time that we spent together with Min Hee-jin Daepyonim, all of us felt that the music we wanted to make and the kind of world we wanted to build together, our vision, was similar in so many ways. With Min Hee-jin Daepyonim, we were able to prepare each and every task with sincere hearts, and I believe it shows in our work. Putting our sincere effort into something is only possible because of the people that we're working with have trust in each other and have that same vision. Min Hee-jin Daepyonim is not only the person that produces our music, but someone who makes NewJeans who we are. She discusses even the smallest details with us and explains them in ways that we can understand clearly. NewJeans has a distinct colour and tone, and this was created with Min Hee-jin Daepyonim. She is integral to NewJeans’ identity, and we all feel that she is irreplaceable. Haerin: However, even after our debut, there have been many unfair and incomprehensible incidents that you might not know about, and these incidents have only increased over time. As some of you may know, recently, videos from our trainee days and private records, such as medical information, were leaked. When I first saw that, I was really shocked. It was hard to understand how our company, which is supposed to protect us, failed to manage and allowed such information to be leaked. Naturally, this situation has made us worry that other strange or false information about us might spread in the future. Although we, along with our parents and Min Hee-jin Daepyonim, have raised concerns about this to HYBE, they haven’t resolved the issue, nor have they taken any proactive measures. Then, in the midst of all this, our CEO was dismissed, and we’re left wondering whom we can trust and rely on. We’ve come to the conclusion that if we don’t speak out about this now, no one will know what we’re going through. After much discussion among ourselves, we finally decided to take this step. Hanni: Something happened to me recently. The 4th floor of the HYBE building is where we get our hair and makeup done, so a lot of other artists and staff come and go there. One day, I was waiting alone in the hallway, and some staff from another team passed by. We greeted each other, but when they came back out a bit later, I heard one of their managers say, “Ignore her,” right in front of me. I could hear and see everything clearly. Even now, I still don’t understand why I had to go through that. Minji: When I heard about what Hanni experienced, I was really shocked. How could a manager from another team tell their members to ignore one of us, and say it so loudly that Hanni could hear it? Such unimaginable words and behavior were directed at us, yet there was no apology, nor did they even acknowledge their wrongdoing. Of course, I’m worried about how many more similar incidents might occur in the future and whether we’ll be subtly ostracized without anyone there to protect us. Hanni: I hope no one else has to go through something like that, but since it’s already happened once, I can’t help but feel scared that other members might experience the same thing. I spoke to the new CEO about it, but since I didn’t have evidence and it was considered too late, they seemed to brush it off, making me feel like there’s no one left to protect us. It really felt like the concern for us was gone, and even though I was being honest, it made me feel like I was suddenly being treated as a liar. Before, Min Hee-jin, our previous CEO, used to take care of us a lot. But now, while the new people say they’ll help, it’s just been months of excuses... excuses... excuses... They keep saying that it’s something they can’t resolve. But this is something that I personally went through and experienced, yet they are trying to dismiss it as if it’s my fault. I’m worried and scared about what might happen next. Minji: Of course, I’m worried about our future, but what’s most frightening is that the work we’ve already created is being compromised. Seeing the people who have poured their lives into creating our work being treated this way makes it hard to understand how this could be happening. The new management said they would separate producing and management, but we’ve always worked differently from other labels, and we thought that our way was a good one. Now, Daepyonim can no longer approve all matters, and we’re left wondering how we’re supposed to continue working as we did before. The recent statement from the new management also didn’t make sense to me. If they really didn’t intend to interfere with our producing, then the recent incident with Director Shin Woo-seok should never have happened, and it should have been handled differently. We are the ones directly involved with the copyrights and likeness rights of our content, yet they’re making decisions without our consent. In their statement, they kept saying they were acting to protect us and prevent our anxiety, but why do they keep insisting on this when they haven’t considered our wishes? We don’t want any more unnecessary issues to arise, and we want them to show respect and consideration for Daepyonim and all the directors who have worked with us. The things they’re doing right now are not in our best interest at all. Hanni: Something we all find very important, something that plays a very important role in our team's colour and image is our media content and creative production. Despite saying that they would leave all the creative production to our now former CEO, Min Hee-jin, through official statements that I think a lot of you might have already read or seen, and also during our personal meetings, they infringed our content. Content that not only we worked really hard on, but also our staff who spent endless hours to produce and release them solely for our fans. And if they had any understanding about what type of team we are, and the type of content that we create, they would have thought more deeply for crossing the line that they set for themselves. Because of this incident, we realized that there's not much we can do to prevent these type of issues. Personally, the way that ADOR used to run was the business management and creative production was not separated and was factors that played and worked in harmony with each other. That's how it worked and it was perfectly fine. It was our way of working and it was our CEO's way of producing NewJeans' content, which a lot of you were able to enjoy and appreciate. But now that she's no longer CEO, these factors that should have continued to work together in harmony are now being seen as two different areas of work. Minji: Besides this, there are many other incidents we’ve experienced that are beyond my understanding—things that are frightening and uncomfortable. These incidents naturally make us question whether HYBE really cares about NewJeans, and there are clear signs of this. However, it’s hard to discuss everything today because we’re not sure how far things could escalate. We just hope you can understand a little of what’s been on our minds and why we chose to speak out in this way. Danielle: As I mentioned earlier, our dream was to perform the music we want to make with Daepyonim, and we were working very hard toward that goal. But now, we can’t do that, and the plans we’ve made might not come to fruition. As Hanni unnie said earlier, just like that, the content that we released solely for our fans, for our bunnies, was instantly erased. And I truly can't understand why anyone would do this to a group, or just anyone in general. We were just working hard for the present, so what did we do wrong? A week after Daepyonim was dismissed, we found out that we could no longer work with the director we’ve been working with all this time, and we’re extremely anxious because we don’t know what will happen to the staff who have always worked hard for us. If they really care about us, they should stop saying that they prioritize the artists and instead let us do the music we love in an environment where we can be genuinely happy. Is that really so hard to do? It’s hard to fully express what’s in my heart, but in the end, the five of us just want to continue our activities with Min Hee-jin Daepyonim, as we have done so far. Haerin: Personally, I want to continue working with the people around us who have helped me grow mentally and made me feel alive. However, I can't understand, nor do I think I should have to understand, why external forces are constantly obstructing and hindering us. I absolutely cannot comprehend what is truly in our best interest or what is supposed to help us grow. And I feel so sorry and heartbroken that our Bunnies, who found comfort in us and shared joyful memories with us, have to go through this ordeal and worry about things they shouldn't have to. We almost lost the work that symbolizes the relationship between NewJeans and Bunnies, and we don't want to lose anything else. I refuse to conform to or follow the values of the society those people belong to, and because I believe that direction is not the right one, I will not choose to go that way. Hyein: We found out about the CEO's dismissal through the news on the very day it happened. It was so sudden and unimaginable for all of us, and honestly, it was really difficult for us to process. As artists under HYBE, the company's unilateral notification made it clear to us that they don't respect us at all. In the midst of this confusion, we heard through our manager that the new CEO wanted to meet with us. From the very first action taken by the newly appointed Juyoung, it was clear that there was no consideration for us. He claimed to care for us, to prioritize NewJeans, but looking at everything that has happened, it's evident that his words were just that—empty words. HYBE’s actions, like publishing articles that painted us in a bad light just a week before our comeback, make us question how any of this is supposed to be in our best interest. Minji: It's already been half a year of unnecessary and exhausting discussions about us and NewJeans, and even as a third party, it must be tiring. As the ones directly involved, it’s incredibly uncomfortable for us. We still have music we want to make and goals we want to achieve together, but as things stand now, it’s heartbreaking to think that we might lose not only the work we’ve created so far but also the identity of our team. That’s what makes us feel so helpless. We held this live stream to express our feelings because we sincerely want this tiresome conflict to end. Hanni: Like how we have our own and individual thoughts and feelings, we have the choice to choose how we will react to each situation, and we are not going to follow HYBE's every order blindly. We are more than well aware that this is getting in the way of our work, and that we should be treated much, much better than how we are right now. And it's very hard to believe that they are truly sincere about wanting to help us continue, to be able to continue to work with our Daepyonim, Min Hee-jin Daepyonim. Despite her being in the midst of all this current legal conflict, she's expected to plan and creatively produce our future endeavours in just only two months, which I personally think makes no sense at all. We don't want to hear all the empty words of how they're going to help us continue to work with Min Hee-jin, Daepyonim. And all we want is this legal conflict to be resolved and have our working environment returned back to normal the way it was before. Hyein: The way HYBE is operating right now feels dishonest and wrong to us. Please, stop interfering. Reinstating our CEO and returning us to the original ADOR environment we had before, with familiar people, not strangers, would make things right. We’re not asking for special treatment; we just want everyone to do their jobs well in their respective places. We’ll do our best in our roles too. We sincerely hope our request is heard. Danielle: From a human perspective, I hope you stop harassing our CEO, Min Hee-jin. Honestly, she seems so pitiful, and HYBE just comes across as an inhumane company. What can we possibly learn from a company like this? So, I really hope you stop bothering our CEO. Minji: What we want is the original ADOR, where CEO Min Hee-jin leads both management and production. The reason we're making this request is because it's a way to coexist peacefully without conflict with HYBE. If our message has been conveyed properly, we hope Chairman Bang and HYBE make a wise decision to restore ADOR to its original state by the 25th. Thank you for listening to us. NewJeans: Thank you. #NewJeans_Never_Die #NeverForget

1tokki

19,445 Aufrufe • vor 10 Monaten

p.s: a long read but worth. love it every time taynew talk about their relationship dynamic, can literally sit all day long hearing the whole thing ♡ 💬 Did Hin told Te beforehand about cheek-to-cheek or Tay just got attacked by Hin? 🐳 No discussion before, Hin just did it. You guys must be know my personality and Hin’s personality well already. I’m the type who— how do I say it, I have to think before doing. Here’s the thing, I just took Enneagram course. Before, it was just self-taught and I knew my type, but after meeting this guru and got to dive in deeply, turns out I’m actually the type I never thought of before. As well as New. These Enneagram types are truly something we should study super deeply because it can shift depends on wings and arrows point that show in stress or relaxed situation, but finding our real true type is so difficult to find. I got Type 5, which the knowledge type, I’d feel less secure when I think my knowledge is not enough. I’ve always thought I was Type 9, the peacemaker, turns out I’m Type 5. So what I’m trying to say is, we have completely different personalities, New is the jumper one. He doesn’t like doing lot of practice, you know, doing the same thing over and over. He’s that, “Don’t put too much thought into it, just do it.” which actually can be a good side of him at some point. He won’t think much and let his instinct works. I’d say that both of our personalities got its own good and bad side. New can use his intuition, more realistic, you know, he can be a thing the way he wanted it to be—I can’t find the right words. But that’s not how I am, I tend to use my head too much, which actually can be an obstacle for my profession at some points. I won’t be able to jump when at one point I have to jump, because I’m too afraid of my unpreparedness and feel less secured. My head needs it to be structured about what to do for me to have a courage to do it. Instead, New will be like, “Like this and this, ok let’s do it.” As I said, these two personalities has its own good and bad side to be working in this industry. Thus, in growing up we have to adapt and pick each other good side to fulfill what we lack of. I have to learn how to jump, New has to learn how to be more structured and secured. I have to learn to think less, because after thinking much, in the end it never really give good results anyway. Every single time, I always do it better during practice than the real performance because I think too much. This is such a really bad side for someone who uses their head too much. For New, he always do it better in the real performance than practice, every single time. But “Faak Jai” is maybe the first performance I think I did it (better on real day). At that time, I tried to think the way New did, to focus on the present, and I’m proud of myself to can actually do it. It’s probably my first time ever since working in this industry to actually feel that kind of feeling. So about the cheek-to-cheek, yeah I think this is the perfect dynamics of TayNew, how I’m the overthinker one, while Hin always doing things not under control. Like, it’s a mix of well-prepared and spontaneity in both of us together. For example, if it’s New alone, it won’t look that smooth and look that well-prepared. On the other hand, if it’s me alone, there won’t gonna be such a magic moment that comes spontaneously. New fill things up and make things more perfect. If it were two people with the same personality like me, it’d be too rigid. This is the good side of having a work partner with different personality as us.

deeコ

22,979 Aufrufe • vor 6 Monaten

A guy sold his watch company for $100,000,000. Years later, he was “lonelier than ever and deeply depressed.” His life was stress-free, “really cushy,” and he could play video games whenever he wanted. But when he sold his company, he lost something more valuable than money: “the hunt.” Dr. Andrew Huberman explains: “Some guy made a [$100 million], and a couple weeks later he said, ‘I don’t know what’s going on, but I feel like I’m depressed.’” “And I just said, ‘That’s dopamine.’ He got the reward, and what he misses is the hunt.” “You have to stay in the hunt. This is like the WILL TO LIVE is the HUNT FOR NEW THINGS.” Below is the post from the guy who discovered that money and unlimited comfort actually didn’t make him happy. It’s a fascinating case study. Well worth reading: “I sold my company MVMT a few years ago for a lot of money and thought all my problems would be solved. I made my life really cushy and comfortable. I optimized for being as stress free as possible. I play video games when I want, I wake up when I want and really have no reason to get out of bed if I don’t want to. I always thought this was the dream and that I’d be happy forever… until I wasn’t. I realize I’m in an incredibly unique situation and wanted to share some things I’ve learned and am still working through. “I’m new to this subreddit but it looks like a lot of you feel as I do and did when trying to find a career. I don’t necessarily have any deep passions or skill sets that translate into a career. I started my ecommerce company solely out of the desire to make money. I’m an introvert and being behind a computer felt comfortable. The unhealthy desire for ego and money gave me motivation and fulfillment to build the company. I had no experience aside from the willingness to try and fail and try again. I had an unhealthy relationship with myself and my values in life were not true to who I was. It allowed me to be successful but still I was unhappy. My money and ego were the driving forces. After selling the company, I realized the only way to get the same highs would have been to start a bigger company and make more money. (Also known as the hedonic treadmill) But those were external motivations. I now only cared about authentic motivations, things I wanted to work on if money and ego weren’t the driving forces. “Fast forward to now, I’ve been separated from the company for 2 years. I’m 31, single and never have to work again. I’ve also been lonelier than ever and deeply depressed. I really believe that we need purpose in our lives to be happy. For some that might be raising a family and for others that’s a career. For a lot of us on this subreddit I don’t think we’re looking solely for money. I think we want a career that has deeper meaning to us. The last couple years I’ve really been working on what my personal values are and what makes me tick. It’s really helped me align with what I care about and trying to find a career that aligns with those values. We’ll never love 100% of our job, I think that’s important to remember. I’d recommend taking a Myers-Briggs personality test. It’s helped realign me with some old hobbies and thought patterns. “If you don’t know what you’re passionate about, think back to when you were a kid. What did you gravitate towards. Even if you never took it to the next level. It’s literally never too late. What did you enjoy being bad at? “Last piece of advice that I struggle with still is failing. We need to just start. Fuck it, even if it’s the wrong direction and we fail or realize we don’t like what we’re doing. There are lessons in everything. We can plan and analyze forever but there are lessons that are unknown until you start moving forward. You cannot live without struggle and pain. We either choose our struggle and pain or it will find us through depression and loneliness. “I have more to say but I’ll save it for another post. “TLDR: “1.) Money past a certain point won’t make you happier, in fact it will make you feel lonelier “2.) Find your values, what makes you tick “3.) F*ck it, just start and fail. There are lessons everywhere.”

The Vigilant Fox 🦊

153,339 Aufrufe • vor 3 Monaten

Min Hee-jin (NewJeans Producer) NHK Music Interview 🔗 “Meticulously planned debut ‘Attention’” 🧢: When I was preparing to launch NewJeans, I really struggled with deciding what our first piece of content should be. I thought about it for a long time and considered many possibilities. It was a project that came with high expectations, and for me personally, it was also my first opportunity to prove myself. So how I presented it mattered enormously. Even down to the smallest details… like the impression the very first released photo might give, or what kind of impact we could make at launch. I thought hard about what kind of content would be the most effective… should it be a video or a photo? What time of day would be most effective to release it? I consider things like that very carefully. For example, the way a person experiences content at night versus during the day can feel quite different emotionally. So I even thought about those subtle aspects. Eventually, the conclusion I reached was: “Let’s make the most of our situation.” At the time, the members hadn’t been revealed, and no one knew how many of them there were or what kind of group this would be. So I wanted to maximize that curiosity. You know how the more something is concealed, the more curious people become? I wanted to build that curiosity to a peak and then release everything all at once. That’s why we decided not to release a teaser and instead go straight into a full music video. (This was actually inspired by Hyein suggesting we skip teasers.) I didn’t think still images or photos would be enough to fully convey the feeling I wanted to express. I felt that video and music together would evoke the emotional response I was looking for because people experience things synesthetically. When sound, image, and feeling come together, the emotional impact is stronger. I believed the best way to present the members’ images was through music and a moving picture… that’s why we led with a music video. In the debut music video, “Attention,” there’s a scene where the members act out a little drama. I paid very close attention to that moment and created music that would fit it precisely. For me, I don’t just make content… I design the entire process of how it should be shown for the greatest effect. And I believe that’s incredibly important. That first feeling someone gets when they encounter something… that emotion, that spark… is so important to me. I’m very detail-oriented, but I also value fun deeply. So rather than just releasing content, I want to enjoy the process leading up to it. Even when we released our second album, since we shot the entire music video across the country, the sequence of how we released the videos was critical for me. It’s hard to explain all this simply in an interview, but maybe some people noticed: the first content we released that time was actually a teaser for the last track, “ASAP,” and then we followed that with the full music video for “New Jeans,” which was the first track. That order was a carefully calculated strategy. It was designed to guide the audience’s emotional journey. Seeing the audience react just as I had hoped—that whole process was honestly so fun and thrilling for me. I think I really enjoy that kind of thing. ——— “How 'Ditto' was born” 🧢: People often praise the music of NewJeans, and I hear a lot of talk about genres. But actually, I don’t feel bound by genre at all. I love a wide variety of music. I’m not the type to insist on only one particular genre. What I love are songs that blend genres cleverly… those are my personal favorites. So going forward, my focus is not on genre but on whether something feels fresh and whether it can create an emotional moment. I don’t want to define what kind of music we make. And I think you have to experience the flow of the times to really understand what’s meaningful in a given moment. For instance, the song “Ditto” was chosen because it delivered emotion. It matched perfectly with the winter album concept I had envisioned, both in terms of timing and mood. When I hear a song, I tend to trust my gut. I have a pretty strong intuition for which songs will resonate. It’s not about objectively predicting what will be a “hit,” but about whether a song moves your heart… you can just feel it. Of course, my own taste plays a big role. But I think that’s actually my strength as a producer, not as a composer. When I hear a song, I can immediately picture the visual… what kind of story, what kind of vibe it could carry. That allows me to work faster. For example, when expressing something like school uniforms, there are so many possible variations. But I always like to start from the basics… what’s the original idea of a school uniform? I try to return to that. So with “Ditto,” I wanted to tap into something primal… the pure, basic feeling of liking someone. That kind of emotion is universal. Everyone has it; it’s wired into us. When I saw Director Shin Woo-seok’s interpretation of it, I thought, “Yes, that’s it.” That’s the kind of complete interpretation I look for. I believe the completion of a project comes from every person involved thinking about their part down to the final detail… the maximum quality they can bring out. My role is to unify and refine all of that. I draw out the essence of each person’s creativity, trimming away anything unnecessary. So the final product is something that’s polished and high-quality, just the way I envisioned it. That’s my working style. So it’s not like I’m fixated on retro or stuck in a particular style. I don’t think human taste has changed all that much. Things people liked in the past are the same things we like now. It’s just the form of expression that changes with time. I don’t feel bound by “past” or “present.” I don’t even think in those boundaries. To me, it’s all just good taste. You know how kids sometimes have their own little treasure boxes when they’re young? I think my work is kind of like that. I want to make things that never feel dated—that are timelessly enjoyable. ——— “Dance Expression and 'Hype Boy'” 🧢: I had a vision of what kind of girl group I wanted to create. That’s why I chose a song like “Hype Boy.” And to bring out that feeling, we created four different versions of the music video. Every choice had a purpose, everything was designed to maximize the experience of the song. “Hype Boy” is such a unique song. It has this strange, piercing melody that gives people chills in a good way. To emphasize that tingling feeling, I had to break away from the standard K-pop choreography format… you know, the kind where everyone is in perfect formation, doing synchronized moves. But our songs don’t suit that kind of choreography. Our dances are much harder. They require the body to move very naturally with the groove of the melody and beat. So I think our members are incredible. It’s not easy to express naturalness with your body, and you have to really enjoy it to make it look effortless. But they pulled it off so well. They’re still young, but they’re so talented. And through it all, I wanted to avoid making them look like they were performing just for business. I wanted them to show the pure joy and bright spirit that’s natural for people their age… genuine, carefree, radiant. ——— “The difference between NewJeans and conventional K-POP” 🧢: Ah, for me, it’s all about naturalness. And honestly, naturalness isn’t something you can produce or direct into existence. It comes from how I interact with the NewJeans members on a daily basis… what kind of environment they practice in, how they live and work. There are so many things that don’t appear on camera, but those unseen aspects have to be in place in order for true naturalness to come through. That’s why I wanted to create that kind of environment for the girls. And also, I wanted to shape my own working environment in that way too. Only then can something truly natural, something unforced and not overly stimulating, really come out. To begin with, I don’t believe anyone can be completely natural in front of a camera or under the gaze of others. It’s human nature to become self-conscious. That’s why I think naturalness is our strength, but it can’t be our concept. If you try to turn “naturalness” into a concept, it actually becomes incredibly artificial. So why do I place so much importance on naturalness? It’s because the girls are still so young. While other kids their age are going through school and having a wide range of life experiences, these members are living very different lives. Before they officially debuted, I told them, “This is like studying together with me.” Our standard contract is seven years, which is about the same length as going through high school and college in Korea: three years of high school and four years of university. So I told them, “We’re going to school together. We’re learning together.” And in that sense, I want to be a good teacher to them. They’re also surrounded by an incredibly professional team, people they’d never meet even in a traditional school setting. I’ve never really liked the word idol. These days, that word is used more like a job title, something manufactured by the industry, and it’s far from its original meaning. To me, the term idol feels misplaced. It doesn’t really reflect who these artists are or what they represent. And I’m not the kind of person who clings to labels or terminology. In fact, what I really want is to break the stereotypes and preconceptions that come with the idol industry. I want us to show people something different… to challenge those assumptions and redefine what this can look like. That’s the kind of mindset I have. ——— “Isn't it difficult for the members to express "naturalness"?” 🧢: There were a lot of things I considered when forming the group. First and foremost, I think it was important that the members shared a similar vibe… like how I prefer working with staff who align with my taste. It’s important for the crew to be on the same wavelength. And by that, I mean more than just getting along… it also extends to shared values. Of course, people won’t all share identical values, but when we’re facing in a similar direction, everything becomes easier. It’s also just more efficient to work with people who have overlapping tastes. Now, when it comes to our members, they each have their own individual tastes, but those preferences are still in development. Just like we all went through as kids, they’re still growing, still discovering themselves. They’re not in a finished state. So we didn’t cast them based on some complete or polished version of themselves. It wasn’t like, “This person is fully formed, let’s pick her.” It was more like, “Ah, she has potential, there’s something there.” That sense of a spark… those were the kinds of subtleties I paid attention to. I didn’t cast anyone just because they were pretty or could sing well. I don’t work like that. I really value those finer, more delicate aspects. Even the design of the light stick wasn’t something that came from a long strategic planning session… it was actually a spontaneous idea. I didn’t sit down and think, “Let’s make a light stick like this.” NewJeans didn’t have a fixed logo, but I felt we still needed a unifying symbol. So one night, just before going to sleep, I kept thinking about it. Right before dozing off, I started sketching and it turned into a rabbit’s face. When I drew it out, the shape just continued and turned into a bunny. To me, the NewJeans members are like little bunnies… playful, innocent. Their visuals also resemble rabbits in a way. And rabbits symbolize abundance. That made me think: “Ah, maybe our fans will multiply like rabbits. That would be great.” So that bunny face became both a symbol for the members and the fans. The image came to me all at once, and I imagined a venue completely filled with bunny light sticks. That vision led to the creation of the light stick itself. Since I always prioritize fun in everything I do, the next idea that came to mind was making the light stick customizable. I thought, “Wouldn’t it be great if fans could personalize their bunny?” That way, each rabbit would represent a different person’s character. So we included accessories, allowing everyone to customize their own bunny. It’s symbolic of all these different bunnies coming together and enjoying a good time as one. Our light stick has a big head, so when it’s used in a concert hall, it lights up in heart shapes that are very visible. That was the image I really wanted. And that bunny face… it’s also a heart. It represents both the face of NewJeans and our hearts. It’s the love we’re showing to our fans, and the love we want to receive in return. Every time I see it, I feel deeply moved. It’s very emotional for me because it’s a perfect realization of what I envisioned. As someone with a background in creative direction, there’s nothing more satisfying than seeing an idea materialize exactly the way you imagined it. That kind of work holds deep meaning for me. ⸻ 🧢: Looking back, I think in 2023 we were able to achieve almost everything we had hoped for. I’m so incredibly grateful for that. Of course, this is an ongoing challenge… and the better things go, the more pressure there is. That’s why I always try to return to my original mindset. Just like I tell the members, I try to remind myself of the beginning and keep things fun. Back then, when we were first putting out content, planning the music, and working on visuals, I felt this thrill… this rush of excitement. I don’t want to forget that feeling. So I try hard to engrave that emotion into every album we release. I’m constantly working to rediscover the joy in all of it. So for 2024, I hope everyone can look forward to us with fresh anticipation. And even if we come out with something completely new, I hope people will receive it warmly and with excitement. That’s really my deepest wish. 🙏

1tokki

17,635 Aufrufe • vor 1 Jahr

Full ending speech, not 100% accurate PERTHSANTA CHEQUERED FLAG 🎸: "Bring them out, bring that couple out! That couple right in the center!” 🐻: “Ohhh, so cute kitty! 🍅?: “Come on, Perth, give us a pose, just pose a little bit, Perth!” 🤍: “There's a wooden prop, you know!” 🖤: "But seriously, I have to say thank you as always. Thank you so much to all of my friends. Joining GMMTV really feels like being part of a real family, like we are truly brothers and sisters. Every single time we are together, everyone always supports one another. Thank you for loving each other so, so much. And thank you so much to the executives. Thank you so much to P'Tha for always believing in us and trusting us this whole time. Thank you to P'X, P'Eko, and everyone who always listens to us and makes us happy. Thank you so, so much from the bottom of my heart. And most importantly, I have to thank all the fans so much for supporting us so well. Like we always say, you work hard to take such good care of us/raise us. Thank you so much to all the Mae-Maes (moms/fans). I love you, Mae-Maes.” 🖤: “Ah, and also... I'm getting a bit shy too..." 🤍 Giggles ?: "We won't tease, we won't tease! Go ahead!" 🖤: "Thank you Ta, so much. Like, how many years has it been? These past two years working together, I have been so, so happy. (Shy and giggles) Don’t do this to me. I am so glad and I truly feel so safe and comforted with you. I'm just incredibly happy, and I feel like we share so many things in common.” 🖤 Getting emotional 🖤: “Whenever I look at you, I feel at peace. You can always be the comfort zone where my eyes can rest. I love you so much." 🤍: “Love you so much too, phi.” ?: "Even though my face looks fierce, I love you too, krub" 🤍: "I want to thank all the P's, friends, and N's so much, all 23 people here. I am so incredibly happy to have everyone, seriously. If I didn't have everyone here today, I might not have even had the strength to go up on stage, P'. I'm so glad that everyone kept coming over to comfort me, coming over to ask how I was doing. It feels like I've gained an incredibly good family. It's so amazing. I feel like I'm one of the luckiest people alive. Thank you so much to all the P's, and thank you to the executives, P'Tha, P'X, P'Eko for giving PerthSanta the opportunity to perform at LOL this year. I'm so happy I got to do the kind of show I've wanted to do for a long time. And most importantly, I want to thank every single fan. Thank you for constantly cheering for us and screaming to give us strength. If you weren't here enjoying it with us, we wouldn't have been able to make this show so perfect. Thank you so much, everyone. Can you please make some loud noise for yourselves one more time?" 🤍: "And also... krub... thank you so much to P’Perth. Thank you so much, P'Perth, krub. To be honest, at the beginning of this year, I didn't even know what I was going to do, P'. But once I got to talk to you, once we unlocked so many things together, I felt like, 'Hey, our paths really align.' And I feel so incredibly comforted and safe to have you right by my side. Love you, bro. I love you so, so much. That's about it, thank you." 🖤: “So shy, so shy…” PERTHSANTA CHEQUERED FLAG #LOLFanFest2026D3 #PerthSanta #เพิร์ธแซนต้า

ɾαɱσɳα ❥・•🖤🤍

41,891 Aufrufe • vor 3 Monaten

🦕💬 • 260611 [01:03 AM KST] 41 voice notes transcripted/translated in order: hi how did you like made by riize? you’re asking if i ate dinner? i didn’t eat. i ate lunch kind of late, but i ate a hearty lunch. i also wanted to do a live as i finished work, but while wondering if i should do a live or not, something new to do popped up. and while i was doing it, it got too late. so i'll do a live later. go knicks! lately, the NBA's a hot topic lately. knicks. crazy. i don't know, you know... basketball that well, but i remember growing up they were sort of *the team* that people, yk cheered on. but i don't remember anyone saying that they were doing great, or anything. but apparently they're in the finals rn and they're doing rly well, so also can't forget the world cup. world cup season rn, so... just sports season.. sports season, crazy, yeah? [singing dyd] how is it? riize's challenge. easy, right? do it lots, please~ these days, a lot of short-form [videos] are coming up, as you've probably seen. I thought it might be fun if everyone did that together... what do you think? live... there's a way to turn it on, but even if i turned it on, i'm not sure if i could do it well. i don't have confidence rn so i'm talking like this wa, but there's only 4 days left for our comeback.. only 4 days left... how is it? are you guys looking forward to it? are u guys excited? we're going to ulsan the 15th, and wonbin hyung, said he's buying us lunch... not really. but it's our first time going to ulsan all together. we'll have our comeback there. i think it'll be fun. also, the 15th we're doing a comeback live.. we've been doing it every comeback... and at the live stream we'll be high school students.. but it could honestly be university students too.. or really just do it without a concept, but i think it'll be fun... just... it'll be fun... so, while doing that we'll talk about the comeback whatever happens i want us all to just create fun memories together, and since it’s summer, how about you all enjoy summer together with riize... how does that feel? how's this pfp? i like it ㅎㅎ engddongi, eng, engddon ah, right. also with taro hyung, we'll appear at salon drip... i also think that will be fun when it comes out. the recording was also fun, with doyeon nuna.. please watch it ah... you guys can hear the dryer? i won't tell you who's clothes it's drying, it's a secret~ since you could look at this as something im trying out instead of doing a live stream i won't be able to do it super often or every single day, but I think it wouldn't be bad to use this feature again sometime what do you think? ah, but languages are difficult it's not easy to unify into just one language now, but on the other hand, it's really fun. somehow, this chat room..? is that right? realizing that this place is totally global and international is in a way pretty cool. haha anyway, after a long time i rode a bike again.. there was a lot of sunlight... sunlight.. did lots of photosynthesis but what was a real mistake was first of all the bicycle didnt have a basket, and I didnt wear a comfortable backpack. i came out carrying a somewhat awkward/uncomfortable bag, so i really messed up on top of that the bicycle was incredibly heavy, but then the battery completely died... so I almost cried. without even realizing it I had gone so far away so I suffered a bit. that’s the story i also have the feeling i bruised my butt a bit... ㅎㅎ but that will also become a funny memory, right? how's riizing summer vacation? i think there were really a lot of funny moments... sungchan hyung was so funny... sungchan hyung said somewhere he hasn't eaten ramyeon in a year ㅎㅎ and sungchan hyung honestly isn't the type to eat ramen alone, he's on the not eating it side... but he's always like 'one bite, one bite'... so if we put all that together, wouldn't it be a plate of ramen?ㅎㅎ for me, at the beginning of our debut, it was a bit... you know how while filming content, i ended up grilling meat and all? but now, grilling meat... well, i don't think it's that bad also, back when we went to japan to shoot our album jacket photos and the trailer, we visited a lot of vinyl (LP) shops... and that was actually the first time in my life buying an LP with my own money when i was young i went to la to play, and then there was this famous 'amoeba music' store. i looked around and everything, but honestly back then i really wasn't that much interested in LPs. so i bought things like a lot of stickers and used them to decorate my laptop. somehow, after that time, [it was like] I truly spent time in a vinyl shop? but visiting now that I'm a bit older, it was so much fun there are so many songs I don’t know, and tons of songs that aren't even famous so back then in japan, duran duran is a really famous band, but I bought duran duran's Notorious LP and then I also bought Barry Finnertys,, barrynims NY City LP. what was so surprising was that as soon as I listened to the LP, the sound and quality were so good that I was like, 'wow, what is this?' but when I looked it up on the internet, it only had like 3,000 views on YouTube? I think it was 3,000, so because it was so good, I bought it. and after that yesterday too while wandering around here and there, i happened to walk into a cafe and they had LPs there too so yesterday, I bought one or two ㅎㅎ lp's no mater how you look it they have a vibe... its true that nowadays you can just look up and listen to everything on your phone, but another good thing about it (lps) is that I think it’s really great for finding songs you don't know so when going to the lp shop you get to learn a lot of new songs that you didn't know before. even if you don't go with the sole purpose of buying an LP, it's just... really great for discovering things... should I say? a riize lp would also be good... back then, during boom boom bass, we even went there and did all that stuff with our LP too... how was the video editing? back then when i went to school when doing things like presentations, together with other students we would edit videos.. i did lowkey find that kind of stuff pretty fun though because it was pretty much my first time [doing that] since back during those days... but really i think it was fun like... yeah.. i want to try to do it again when i was young i did draw. i drew for fun but it had been such a long time since i last properly sat down and tried to draw something properly with a pencil.. i think it's been such a long time i'm probably the worst at drawing in my family? ㅎㅎ my dad's good, my mom's also good.. my grandpa also draws reaññu well. but it was fun drawing again, so i also want to try that again... why is there so many things i want to do? really why is it? and above all, i want to work really hard on music so that someday i can show you even more. now, like from the trailer to the full version that was uploaded to our site... those kinds of things are a bit different from just being a song, though.. now everyone, let's try meditating together with me sorry.. anyways.. i have to leave in a couple hours actually, so.. time to hit the hay, yeehaw i can't fall asleep right away ㅎㅎ this.. seems like it might be a bit difficult to interpret/translate.. (yes anton, it is,,,) next time it might be better to just turn on a live stream instead ㅎㅎ sorry wow... sleep is really not coming... [1 video] [1 picture] ok jinja gn

🧼

37,315 Aufrufe • vor 3 Monaten

SHE'S DONE!!! Mario Kart 64 for the Sega Dreamcast is officially ready for public consumption, so here's a full 6+ minute video of gameplay, captured straight from my actual DC! Jnmartin has done it again! The footage you are watching shows every GP course in the game, including multiplayer footage as well. Yes, you can also save and load ghost files from the VMU! As this is our first release, I'm sure you will run into a minor bug here or there, especially given neither one of us could stress test 4 player very effectively using our hands and feet to drive... So be sure to open tickets for any minor issues you find... assuming you're playing on REAL HARDWARE. I can already tell you right now, emulators are having issues with this one! This was my first time getting to directly contribute to a jnmartin N64 port, and it was an absolute honor for me to be involved with his incredible work. There is nobody else who I have ever met with the cross-architecture knowledge of BOTH the Sega Dreamcast and Nintendo 64, combined with the raw grit, tenacity, and attention to detail required to pull this off and do the source material justice. Not only did I get to take my SH4ZAM library for DC math gainz out for a ride with MK64, but I also brought some new routines back from MK64 so everyone can use them! Finally, I got to be involved in laying the foundation for future jnmartin N64 ports, now that we have an optimized, accelerated audio and video back-end for various libultra functionality, including Fast3D. You can already see how much this has benefited future work based on how quickly jnmartin was able to get StarFox 64 up and running on DC... The man doesn't sleep, no. lol. I just wanted to thank everyone so much for the continued enthusiasm and support behind these ports. The support for our work and the Sega Dreamcast means the world to us! Thanks for helping to keep the dream alive! For instructions on how to build yourself a burnable CDI image or a DreamShell ISO for either your DC's SD card or IDE drive, please follow the README on the repository: NOTE: Windows users will need DreamSDK to build. My last-minute build fixes for DreamSDK are in this WIP branch here, which will probably be merged into the main branch tomorrow when jnmartin wakes up:

Falco Girgis

63,561 Aufrufe • vor 1 Jahr

“Nobody was open” Caleb Williams had a throwing window to TE #84 Colston Loveland in the back of the end zone. Williams was looking right at him. Williams cocked his arm, but hesitated and “thought better of it.” Plus, he had a backside target #2 D.J. Moore in the end zone jumping around wide open on the opposite side of the field, but Williams never has seen the whole field well… Of course, nobody will focus on how the moment was too big for him and how he hesitated instead of taking the shot with the No. 1 seed in the NFC hanging in the balance. Instead, they’ll just make more excuses for him. Too harsh? No, I don’t believe it is. Some athletes want the ball in their hand in the biggest moment of their careers, and others do not. The problem with Williams is that he wanted to keep the ball in his hand, once again, way too long. I got 8.11 seconds when I put a stopwatch to it. That might be the longest he’s ever held it. It’s the longest I’ve ever seen him hold it and I studied every snap he ever took at USC and have watched many of his games with the Bears since. Ben Johnson has done a GREAT job hiding Williams behind the No. 3 rushing attack in the NFL (149.1 yards per game Team Rankings) and with YAC receivers who have accounted for about half of his “passing yardage” this season, but in the end, who players really are comes out in the big moments. In the end, the overwhelming urge for Williams to play hero ball again and do something more than just take what was there cost him and his team. Whether it was selfishness and/or fear of missing Loveland and not trusting his 57.9% arm, or a combination of both can be debated, but what can’t be debated is this right here embodies why Caleb Williams is NOT IT in Chicago, ironically in the city where another athlete lived to take the shot. Yes, Caleb Williams is a bust. Outside of all the glamorized “dink and dunk,” short little passes and sporadic highlights that misrepresent his full body of work, it’s once again confirmed that he is a bust, just like I wrote 107 days before the Bears selected him in this pre-draft scouting report: That doesn’t make me happy by the way, I just wish prospects could get fair valuations based on what they actually show in college as projections so that their NFL careers could be framed with realistic expectations and they would have their very best chance to succeed, which is one of my main goals in what I do. With Williams, the bar was set way too high, which this play confirmed, yet again. All-22 video:

FIRST ROUND MOCK

24,667 Aufrufe • vor 8 Monaten

Day 6: What a glorious morning in the USA. We've only been in this beautiful country for 6 days and we absolutely love it. It's been a long time since I've seen my wife this happy and hopeful. The overwhelming kindness and real concern and care our community extends towards us pushes us upwards and pushes us forward. Today started slow after our meeting with our resettlement agency was rescheduled 1hr later. As updated previously someone from Spangler Restoration did come assess the mold and we're expecting a full clean by tomorrow. Will follow up, but will keep the mold updates separate from now on because it will not get us down or beat us down nor distract us from all the wonderful aspects of our journey. That said we'll give them hell should they stutter or falter. We will also conduct our own testing with a 5 minute mold test and sample kit that will get sent to a lab proudly gifted to us by American patriots who bought it for us in our Amazon wish list. We met with the resettlement agency and they went over information and asked us how we are doing and how the last 5 days have been. They are too keeping an eye on the mold issue and are also waiting for the next update from management. They explained our documentation and informed us again that we entered approved to work immediately. We have work authorization from day 1. However, some employers are too cautious employing illegals and as such people with our documentation face challenges getting employed before and EAD card and SSN card has been issued. We'll have to see them tomorrow again. This if for signing of consent forms apply as proxy for SSN etc. I informed the agency that I've applied with Rides for Refugees who could potentially hook us up with a donated vehicle which would make the world of difference to be able to travel with my son to appointments. There is still a big journey lying ahead for us. More medical assessments and SSA visits etc. My body is aching from the physical labor after doing the fibre trenches yesterday. I can hardly walk. 😂 I overdid It while shadowing with the ride along yesterday. Apparently it takes about 2 weeks to get work fit. If they contract me I will take the offer immediately and I'll start with training after two weeks of digging fibre trenches. I'm coming from journalism and web hosting office jobs into the sun and I'm totally game for it. Anything to start earning dollars and it's an industry I want to get into. So it's win win and I can't be more grateful for this opportunity. Back in South Africa I would've never have had this opportunity. I can't wait to find out if and when I start. One of you kind people gifted me work boots and cargo pants from ma Amazon wish list. So I'm ready on day one. And another wonderful person on X I'm forever grateful for, gifted me peace of mind, for when I have to go off to work leaving my wife and baby behind, we now have a ring doorbell camera installed this evening letting both of us know of any trouble or visitors while healing our angst and worry, PTSD, we undoubtedly brought with us from South Africa. We have also received the gifted Air purifier this afternoon and it's already doing wonders in our single bedroom where Nova sleeps with us, where it will help ease the odors, it's affects, albeit temporarily, and will help us have a proper rest during the night for the first time until the specialists clean the HVAC. I will be posting pictures and thanking individuals who opened their hearts. I will never forget what your doing for us, for my family, for my son. I have sacrificed my son's past, his Afrikaner culture and to a degree his Afrikaans language for a future in which he can reach his full potential, he will grow up American and we all including my family will fight to protect American values and the future of this great nation, & I am and will always be a proud Amerikaner dad. Thank everyone of you, members of my community, God bless all of us. 🇺🇸🙏

Amerikaner Rising 🇺🇸

20,460 Aufrufe • vor 2 Monaten

Some Big Numbers To Get Excited About Regular readers will know I often write of frustration at not moving fast enough. This mission I am on is really hard and sometimes it can seem impossibly big when I am down in the weeds dealing with dog issues on a daily basis. I have to say though that writing this tonight and looking through some numbers I feel for the first time that I am starting to make some large scale progress… A Second Island 🌴🥥 I live and help the dogs on the island of Koh Samui. There is an island of equal size called Koh Phangan just across the water. You probably have heard of it as the home of the world famous Full Moon Party. They have a similar problem with street dogs. Since the the 1st May I have starting funding a wonderful foundation called PACS to sterilise dogs there. They are starting with 50 this month. This is going to stop 1000s of future puppies. A big step. 90,000 Meals Served in 2023 So Far 🥘👨‍🍳 The cooking never stops. The dogs are all starting to benefit from a consistent and healthy meal per day. All the food is prepared in a central kitchen and handed out to volunteers to feed their dogs. With 5000 meals served per week around the island it blows my mind that soon we will serve the 100,000th wholesome plate of food in 2023. It wasn’t that long ago I was driving around on my moped with a 10kg bag of dry food feeding a paltry 20 dogs per day on my own. 7 Puppies Re-Homed 🐶🏠 In the last couple of weeks there have been 25-30 puppies show up. It can be incredibly tough to find them homes but thanks to a great Thai lady I have been able to get 7 into their forever homes around the country. It has involved a lot of vet visits, 1000kms of travel and lots of expense but that is 7 dogs who have a future now who wouldn’t have made it otherwise. 2 Miracles For Lady 🙏😊 The first miracle for Lady was the fact that she got off the street and was able to start walking a little again despite her two broken hips. We’ve been getting her a lot of treatment and she is thriving. Her 2nd miracle was when a lovely newly retired gentleman called Jamie spotted her and offered Lady a forever home to live out her life right here on the island. Nobody usually wants old and sick dogs so this incredibly selfless act is the huge slice of luck that Lady deserved after all the suffering she has endured. The Best Day Of Tina’s Life 🐕🥰 Tina was used for breeding puppies. We all saw the horrendous state she was in when she was rescued. Last week she was well enough to be sterilised so as she never has to have another puppy in her life again. It might seem like a small footnote in the bigger scheme of things but it was a moment of closure for this wonderful lady who has suffered so much. She can now just focus on being a dog for for the first time in her life and sharing all the love she has to give. Tina was the 521st dog I have sterilised since starting. King Whacker Of Scotland 🏴󠁧󠁢󠁳󠁣󠁴󠁿✈️ Whacker is a very special dog who was one of the first arrivals back in November. Someone had tried to kill him with a pick axe. After recovering he turned into a true gent and is the big boss at the land. I promised he would never have to go back on the streets and this week after a process to find him the right home he got the news that he will be heading to Glasgow. Long live Whacker, the King of Scotland. 125 Dogs To Be Sterilised In May ✂️🐕 I spoke about how abstract sterilising can be for many people to understand but it is what will save the most dogs from suffering. In all of 2022 I was able to do 302 dogs. In the month of May alone I have a minimum target to fund 125. In June I hope to take that to 250 dogs for the month. Not easy and very expensive but I’m putting the groundwork in place to scale this up. Nothing is more important. Little Rodney was in getting the snip last week as one of the dogs this month. 7 European Dogs 🇪🇺🛫 By the end of June there will be 7 dogs who have traveled to Europe. Lottie, Hope, King Whacker, Rodney and Moritz will join Little Squeak and Peaches who just arrived in Germany. I can’t explain how hard it is to figure all this stuff out and get the processes in place. I’m focusing on Europe now as it is the easiest for travel and paperwork but the rest of the world will happen soon too. It’s only 7 dogs but seeing them in their homes or about to travel makes me so happy and proud for them all. Progress The suffering I see on a daily basis for street dogs means that I am never really happy with the speed and progress of my mission. I just want to help them all immediately but that isn’t possible. Having said that, reading this update and knowing what else is coming in the pipeline makes me feel that I am making genuine progress. Between food, funding sterilisations, medical care and re-homing dogs I can genuinely now say I’m helping 100s of dogs per month but also stopping the suffering of 1000s in the future. As I always say I could never do any of this without the online support and good wishes of everybody on the mission with me. I don’t feel like I am alone doing this. My role is to make sure I don’t waste all the support and ensure I think of ways to move faster and execute accordingly. A lot done, a lore more to do. Big Love Niall P.S You can always support by donating here...

Niall Harbison

193,838 Aufrufe • vor 3 Jahren

"What NewJeans Wanted to Say" [Full transcript translated to English] 🐹: Some of you might be surprised by this sudden meeting, but we wanted to share our thoughts and opinions about the recent events, so we prepared this session. First, I want to explain one of the reasons we decided to do this live. It's been hard to see many people who have worked with us continue to suffer from unfair demands and pressure even after our CEO was dismissed. It was frustrating to just stand by and watch these situations unfold, and we were very worried about our future as a group of five. Honestly, while preparing for this live, we were naturally concerned about the reactions we might receive afterward. We were also worried that people might mistakenly think that our CEO instructed us to do this, but I want to clarify that this live was prepared because we five members genuinely wanted to express our thoughts. We received help from directors we trust for things we couldn't prepare ourselves, like setting up the shoot and finding a location. It didn’t feel right for us to stay silent when everyone, including our Bunnies, has been stepping up to support us. Moreover, this is not just a matter of leaving it to the adults because it directly affects the lives of us five members. Since we're the ones going through this, we felt that it would be healthier to speak up ourselves than to do nothing, so we mustered the courage to do so. The main point of what we want to say today is directed towards HYBE. We've already had meetings with the current management to express our opinions, but after seeing what happened afterward, it feels like our concerns weren't clearly conveyed. It seemed like communication was blocked, so we felt that preparing this live was the only way to properly share our thoughts and feelings. 🐻: I’m sure that today’s announcement has shocked many of the staff as well, as they were not aware of it, and I imagine everyone watching is quite surprised too. We’ve thought a lot about where to begin, but since the purpose is to express our intentions, we’ll try to explain as clearly as possible. Of course, due to contractual issues, we can’t share everything, but we’ll be as honest as we can. After it was decided that we would debut as NewJeans, our members spent a lot of time getting to know Min Heejin Daepyonim, both as a group and individually. At first, I had reservations and a certain fear towards the adults we were working with, but Daepyonim was the first person to approach us in a way that allowed us to open up, which was initially awkward but eventually built trust. From before our debut until now, we’ve been aware of various issues related to our debut schedule and other matters. However, working with Daepyonim made us feel good, and I believe that’s why we were able to debut successfully and continue our activities until now. This has been today’s news story. 🐶: Naturally, we all want to continue working with Daepyonim. Even before debuting as NewJeans and through all of the time that we spent together with Min Heejin Daepyonim, all of us felt that the music we wanted to make and the kind of world we wanted to build together, our vision, was similar in so many ways. With Min Heejin Daepyonim, we were able to prepare each and every task with sincere hearts, and I believe it shows in our work. Putting our sincere effort into something is only possible because of the people that we're working with have trust in each other and have that same vision. Min Heejin Daepyonim is not only the person that produces our music, but someone who makes NewJeans who we are. She discusses even the smallest details with us and explains them in ways that we can understand clearly. NewJeans has a distinct colour and tone, and this was created with Min Heejin Daepyonim. She is integral to NewJeans’ identity, and we all feel that she is irreplaceable. 🐱: However, even after our debut, there have been many unfair and incomprehensible incidents that you might not know about, and these incidents have only increased over time. As some of you may know, recently, videos from our trainee days and private records, such as medical information, were leaked. When I first saw that, I was really shocked. It was hard to understand how our company, which is supposed to protect us, failed to manage and allowed such information to be leaked. Naturally, this situation has made us worry that other strange or false information about us might spread in the future. Although we, along with our parents and Min Heejin Daepyonim, have raised concerns about this to HYBE, they haven’t resolved the issue, nor have they taken any proactive measures. Then, in the midst of all this, our CEO was dismissed, and we’re left wondering whom we can trust and rely on. We’ve come to the conclusion that if we don’t speak out about this now, no one will know what we’re going through. After much discussion among ourselves, we finally decided to take this step. 🐰: Something happened to me recently. The 4th floor of the HYBE building is where we get our hair and makeup done, so a lot of other artists and staff come and go there. One day, I was waiting alone in the hallway, and some staff from another team passed by. We greeted each other, but when they came back out a bit later, I heard one of their managers say, “Ignore her,” right in front of me. I could hear and see everything clearly. Even now, I still don’t understand why I had to go through that. 🐻: When I heard about what Hanni experienced, I was really shocked. How could a manager from another team tell their members to ignore one of us, and say it so loudly that Hanni could hear it? Such unimaginable words and behavior were directed at us, yet there was no apology, nor did they even acknowledge their wrongdoing. Of course, I’m worried about our future, but what’s most frightening is that the work we’ve already created is being compromised. Seeing the people who have poured their lives into creating our work being treated this way makes it hard to understand how this could be happening. The new management said they would separate producing and management, but we’ve always worked differently from other labels, and we thought that our way was a good one. Now, Daepyonim can no longer approve all matters, and we’re left wondering how we’re supposed to continue working as we did before. The recent statement from the new management also didn’t make sense to me. If they really didn’t intend to interfere with our producing, then the recent incident with Director Shin Woo-seok should never have happened, and it should have been handled differently. We are the ones directly involved with the copyrights and likeness rights of our content, yet they’re making decisions without our consent. In their statement, they kept saying they were acting to protect us and prevent our anxiety, but why do they keep insisting on this when they haven’t considered our wishes? We don’t want any more unnecessary issues to arise, and we want them to show respect and consideration for Daepyonim and all the directors who have worked with us. The things they’re doing right now are not in our best interest at all. 🐰: Something we all find very important, something that plays a very important role in our team's colour and image is our media content and creative production. Despite saying that they would leave all the creative production to our now former CEO, Min Heejin, through official statements that I think a lot of you might have already read or seen, and also during our personal meetings, they infringed our content. Content that not only we worked really hard on, but also our staff who spent endless hours to produce and release them solely for our fans. And if they had any understanding about what type of team we are, and the type of content that we create, they would have thought more deeply for crossing the line that they set for themselves. Because of this incident, we realized that there's not much we can do to prevent these type of issues. Personally, the way that ADOR used to run was the business management and creative production was not separated and was factors that played and worked in harmony with each other. That's how it worked and it was perfectly fine. It was our way of working and it was our CEO's way of producing NewJeans' content, which a lot of you were able to enjoy and appreciate. But now that she's no longer CEO, these factors that should have continued to work together in harmony are now being seen as two different areas of work. 🐻: Besides this, there are many other incidents we’ve experienced that are beyond my understanding—things that are frightening and uncomfortable. These incidents naturally make us question whether HYBE really cares about NewJeans, and there are clear signs of this. However, it’s hard to discuss everything today because we’re not sure how far things could escalate. We just hope you can understand a little of what’s been on our minds and why we chose to speak out in this way. 🐶: As I mentioned earlier, our dream was to perform the music we want to make with Daepyonim, and we were working very hard toward that goal. But now, we can’t do that, and the plans we’ve made might not come to fruition. As Hanni unnie said earlier, just like that, the content that we released solely for our fans, for our bunnies, was instantly erased. And I truly can't understand why anyone would do this to a group, or just anyone in general. We were just working hard for the present, so what did we do wrong? A week after Daepyonim was dismissed, we found out that we could no longer work with the director we’ve been working with all this time, and we’re extremely anxious because we don’t know what will happen to the staff who have always worked hard for us. If they really care about us, they should stop saying that they prioritize the artists and instead let us do the music we love in an environment where we can be genuinely happy. Is that really so hard to do? It’s hard to fully express what’s in my heart, but in the end, the five of us just want to continue our activities with Min Heejin Daepyonim, as we have done so far. 🐱: Personally, I want to continue working with the people around us who have helped me grow mentally and made me feel alive. However, I can't understand, nor do I think I should have to understand, why external forces are constantly obstructing and hindering us. I absolutely cannot comprehend what is truly in our best interest or what is supposed to help us grow. And I feel so sorry and heartbroken that our Bunnies, who found comfort in us and shared joyful memories with us, have to go through this ordeal and worry about things they shouldn't have to. We almost lost the work that symbolizes the relationship between NewJeans and Bunnies, and we don't want to lose anything else. I refuse to conform to or follow the values of the society those people belong to, and because I believe that direction is not the right one, I will not choose to go that way. 🐹: We found out about the CEO's dismissal through the news on the very day it happened. It was so sudden and unimaginable for all of us, and honestly, it was really difficult for us to process. As artists under HYBE, the company's unilateral notification made it clear to us that they don't respect us at all. In the midst of this confusion, we heard through our manager that the new CEO wanted to meet with us. From the very first action taken by the newly appointed Juyoung, it was clear that there was no consideration for us. He claimed to care for us, to prioritize NewJeans, but looking at everything that has happened, it's evident that his words were just that—empty words. HYBE’s actions, like publishing articles that painted us in a bad light just a week before our comeback, make us question how any of this is supposed to be in our best interest. 🐻: It's already been half a year of unnecessary and exhausting discussions about us and NewJeans, and even as a third party, it must be tiring. As the ones directly involved, it’s incredibly uncomfortable for us. We still have music we want to make and goals we want to achieve together, but as things stand now, it’s heartbreaking to think that we might lose not only the work we’ve created so far but also the identity of our team. That’s what makes us feel so helpless. We held this live stream to express our feelings because we sincerely want this tiresome conflict to end. 🐰: Like how we have our own and individual thoughts and feelings, we have the choice to choose how we will react to each situation, and we are not going to follow Hybe's every order blindly. We are more than well aware that this is getting in the way of our work, and that we should be treated much, much better than how we are right now. And it's very hard to believe that they are truly sincere about wanting to help us continue, to be able to continue to work with our Daepyonim, Min Heejin Daepyonim. Despite her being in the midst of all this current legal conflict, she's expected to plan and creatively produce our future endeavours in just only two months, which I personally think makes no sense at all. We don't want to hear all the empty words of how they're going to help us continue to work with Min Heejin, Daepyonim. And all we want is this legal conflict to be resolved and have our working environment returned back to normal the way it was before. 🐹: The way HYBE is operating right now feels dishonest and wrong to us. Please, stop interfering. Reinstating our CEO and returning us to the original ADOR environment we had before, with familiar people, not strangers, would make things right. We’re not asking for special treatment; we just want everyone to do their jobs well in their respective places. We’ll do our best in our roles too. We sincerely hope our request is heard. 🐶: From a human perspective, I hope you stop harassing our CEO, Min Hee Jin. Honestly, she seems so pitiful, and HYBE just comes across as an inhumane company. What can we possibly learn from a company like this? So, I really hope you stop bothering our CEO. 🐻: What we want is the original ADOR, where CEO Min Hee Jin leads both management and production. The reason we're making this request is because it's a way to coexist peacefully without conflict with HYBE. If our message has been conveyed properly, we hope Chairman Bang and HYBE make a wise decision to restore ADOR to its original state by the 25th. Thank you for listening to us. #하이브어도어_뉴진스지우기_작작해 #HYBE_STOP_SABOTAGING_NEWJEANS #HYBEによるNewJeansへの妨害に抗議します #NEWJEANS_NEVER_DIE

1tokki

3,764,283 Aufrufe • vor 2 Jahren