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Anthony Starr says the worst note he's ever received from a director was getting no note at all Host: "What's the worst note a director has ever given you?" "It wasn't quite a note, there's a director in New Zealand Mark Beasley who's lovely, I love him but he's...

504,460 views • 15 days ago •via X (Twitter)

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“one of us” director stefan van de graaff describes kit connor’s talent, humility, and grounded personality: zach randles-friedman: “is there anything that surprised you about kit connor, that whenever you were working with him that you were just like you hadn't, you didn't expect that?” stefan van de graaff: “yeah, this is insane. when we cast kit, it was a week and a half before we filmed, and the film is very dialogue heavy and it's written in free verse, so everything is, it's almost like pseudo kind of faux shakespearean, very performative language by design. and he stepped into this role where he's basically in every single scene and he's basically talking the entire movie.” zach: “yeah.” stefan: “he, i don't recall him missing a line.” zach: “wow.” stefan: “i don't know how he did it. i was just telling people at a, at a screener, a private screener the other night, it was like a superhuman, it was like witnessing a miracle. i don't know how he did it. he would go and he would memorize the next five pages of material the night before and he would come and he wouldn't miss a line. and that's just like, it's not normal, especially not normal for a, a script like this. so that was one thing is that he is insanely gifted. it's not just like he's one of those guys that gets, you know, yes, he's like incredibly handsome and charismatic and all those things, and there's a lot of those that kind of crawl through the ranks on, you know, on the merit of being beautiful. he is not that—or he's also that, let's say. he is also just incredibly talented in a way that i'm like, i, i, i don't know how you did that. he's also a lot taller than you might think.” zach: “how tall is he?” stefan: “he's over six feet.” zach: “oh, i did not, i thought he was like 5’8.” stefan: “no, no, no, he's, he's 6 foot, 6’1 probably. i'm 6’2 and he's, he's, he's not a small guy.” zach: “wow, that does surprise me actually, because he looks so short on tv.” stefan: “yeah, you watch heartstopper and he looks like, i think he just looks small and whatever. he's not, he's and, and then obviously he's gotten very, he's lifted a lot for a number of roles and stuff, and so like, he's big, like he's, he's a, yeah. he's a big guy and is also just incredibly, he is also real people. he is just like, you'll, he has no pretentiousness about him, just humble as can be. he's from like a small kind of borough of london. and he's just, he's just a remarkable person, really calm, really just like even-keeled, steady guy. i don't, i don't think that there's a person who, if they met him, that they couldn't like kit. i think that he's, he's just one of those types of people that you're just like, that's, that's a great person.” zach: “i love it that he's not, i love it that the fame didn't go to his head because i, there's a couple of people that just made it really big and one of them, i think it, i see them how they're acting now with like paparazzi and stuff, and i think that the fame has gone to their head, the way that they're acting now, and it's, it makes me kind of sad.” stefan: “i don't think that will ever happen with kit because i think that he will hide himself before that starts to happen. like he would sooner disappear and like act in one movie every couple of years and you're like, “where did that guy go?” than he would ever start to let that go—i would be shocked if he ever went that way, from what i know of him.” zach: “well he's been out, he's been there long enough, though if that was going to happen, i think it would have happened already too, because he's famous enough.” stefan: “absolutely.” zach: “yeah.” stefan: “and he's so young that it's like, my brain like wasn't fully formed at his age, and so for him to be behaving the way that he is as young as he is, i'm like, ok, well, it, in 10 years from now, you're not going to be any more susceptible to giving into the ego than he is today. so i think that he is like, yeah, he's a, he's a sure bet if, if, if you're gambling on what actor is going to be around for a long time and is going to have just like a really prolific career of incredible pieces of work, i—and i feel like i can say this because it was no genius on my part or anything that got him, we got really lucky to get him—and so i feel like i can comfortably say like almost as like a, as a fly on the wall in the room with him, just being very fortunate to work with him, that like he's, he's going to go really, really far and he deserves every little bit of success.” 🔗:

kit connor updates

27,628 views • 3 months ago

Denzel Washington’s epic monologue towards the end of Training Day was largely improvised on set. Director Antoine Fuqua was so blown away by his performance, he says he thinks he "forgot to yell cut”. He explains… “That’s Denzel. He was just in his zone. I mean, that was one of those moment...people talk about AI. Those are the moments where you go...it's a great tool. It's gonna be a great tool, I think...but the emotion, and the moment that an actor can bring - you can't predict that. That's something that's just inside of Denzel. And when that came out, I was just like - I hope I got it. I just turned to my operator - who was shaking- I looked over at the guy - I was like, “please tell me you got that.” Because that was the take. That was it. There was no other take - I mean, how do you tell an actor like that, that that wasn't good enough? …He walked over to me, and he just had this look in his eyes. I was like, “you good?” He said, “you good?” I said, “Yeah…” Some of that was in the script, but he flipped it the way he did it. "Putting cases on all you." He kind of added some things in there. And then he just went into a whole other zone with the whole King Kong thing- with Pelican Bay - Denzel started that. That was Denzel. That was him, man. He just kind of lit up, and I think I forgot to yell cut. I was just watching it, because everybody started walking away, and I'm just watching him, and then he lights a cigarette - and he's talking - and I'm just watching him. I think at some point he probably looked at me like, you going to cut? And I'm like, “oh yeah, yeah, cut.” He was still in it. That's the thing with Denzel. He was so Alonso…I'm just watching him for a while because I didn't know what else he was going to do. It was just so magical. And then I think he looked up at me and I was like, “Okay, cut, cut.”

Gangster Cinema Central

42,262 views • 2 months ago

That's the largest "tiny puppy" I've ever seen 😮🥰 We got a bond quite early on. He used to follow me around the pen since he was little. We used to play hide and seek. I used to hide behind the wall and run to the other side and he would run after me. But the bigger he got, this big bull coming bouncing after you probably wasn't the best idea. But he loved a little bit of hide and seek. So he's too old now, he doesn't play hide and seek anymore. We just play cuddles instead. I don't even know how cuddles started. You know, one day I was just having a really bad day and he was lying down, he was flat out, and I was just like 'Oh, I just need a cuddle.' And I just talked to him and he just turned his head and cuddled right into me. I was like, 'Oh, he loves cuddles.' And ever since then we've had cuddles every day 💖 He's never been like a proper bull. He's never had any badness in him really. He's just been as quiet as a lamb ever since. I go up to the cows, they kind of keep me sane if you like. He's literally my world. When you go up and he's here peering over the top of the wall with his little ears, just checking to make sure it was me. He just literally is my safe haven. He puts some sense into me and calms me down, chills me out. And I'm like a different person when I walk back out that cowshed. So yeah, he's literally my world. He's semi-retired and he will live his days here. He won't be going anywhere. He's just a big pet bull now. 📹CowGirlSim

Beauty of music and nature 🌺🌺

30,933 views • 4 months ago

Maddy May reveals her ex-husband begged her to shoot a scene with his idol Johnny Sins as a parting fantasy before their split: "He was never a cuck, but he liked his childhood child dream was Johnny Sins." ​"He wanted Johnny Sins to fuck you?" ​"Yes." ​"Before we split, he was like, 'Can you fuck Johnny Sins and send me the video?' I was like, 'For real?' So I messaged Johnny, I was like, 'Hey, I know I don't know you yet, but my ex-husband is one of your biggest fans... and he wants me to fuck you and send it to him.'" ​"And Johnny Sins is like, 'Sure, I'll be there at 5:00.'" ​"He's like, 'I've got delivery on call. I'm here.'" ​"How was the Johnny Sins experience?" ​"He fucked me in positions that I didn't know were possible as a man. There was one... I thought, like, we were literally on top of each other, but he was fucking me and I'm like, 'How?'" ​"While totally flat?" ​"Yes! But it felt good! But he wasn't going up and down, it was like... and I sat there afterwards, I'm like, 'What?'" ​"So it's like missionary, but you're just like pancakes." ​"Yes! But the way he was moving, it was different than just missionary." ​"Did you describe this to your husband the same way you just described it to us?" ​"I just sent him the video. I said, 'Enjoy.'" ​"And so you didn't say like, 'Oh, it was fucking amazing'? Like would that have turned him on?" ​"He asked. He's like, 'So, was it everything that I was hoping it would be?'" ​"Oh, he's a cuck for sure." ​"100%. He's a cuck for Johnny."
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Maddy May reveals her ex-husband begged her to shoot a scene with his idol Johnny Sins as a parting fantasy before their split: "He was never a cuck, but he liked his childhood child dream was Johnny Sins." ​"He wanted Johnny Sins to fuck you?" ​"Yes." ​"Before we split, he was like, 'Can you fuck Johnny Sins and send me the video?' I was like, 'For real?' So I messaged Johnny, I was like, 'Hey, I know I don't know you yet, but my ex-husband is one of your biggest fans... and he wants me to fuck you and send it to him.'" ​"And Johnny Sins is like, 'Sure, I'll be there at 5:00.'" ​"He's like, 'I've got delivery on call. I'm here.'" ​"How was the Johnny Sins experience?" ​"He fucked me in positions that I didn't know were possible as a man. There was one... I thought, like, we were literally on top of each other, but he was fucking me and I'm like, 'How?'" ​"While totally flat?" ​"Yes! But it felt good! But he wasn't going up and down, it was like... and I sat there afterwards, I'm like, 'What?'" ​"So it's like missionary, but you're just like pancakes." ​"Yes! But the way he was moving, it was different than just missionary." ​"Did you describe this to your husband the same way you just described it to us?" ​"I just sent him the video. I said, 'Enjoy.'" ​"And so you didn't say like, 'Oh, it was fucking amazing'? Like would that have turned him on?" ​"He asked. He's like, 'So, was it everything that I was hoping it would be?'" ​"Oh, he's a cuck for sure." ​"100%. He's a cuck for Johnny."

nexa_sama

872,291 views • 3 days ago

🚨 Full Remarks of President Trump on Elon Musk today: "I can't speak more highly about any individual. He's an incredible guy. He's a brilliant guy. He's a wonderful person. I've seen him with his family. I've seen him with a lot of his children. He's got a lot of children. He treats him good. He's He loves His children, but he's a brilliant guy, and he was a tremendous help, both in the campaign and in what he's done with DOGE. And you know what we're talking about, almost $200 million and rising fast, because many of the things that we were looking at are now being found out to be fact. It's terrible. I mean, the fraud, the waste, the abuse, the everything that's happened is just terrible. So I also know that he was treated very unfairly by the I guess he called the public, by some of the public, not by all of it. He makes an incredible car makes everything he does is good, but they took it out on Tesla, and I just thought it was so unfair, because he's trying to help the country, but he has helped the country. I also want him to make sure that he's going to be in great shape, and I know he is. I mean, he's going to be, he's going to do great he loves the country. He didn't need to do this. He did it, and I told him, I said, you know, whenever you're ready, I'd like to keep him for a long time, but whenever you're ready, he's an exceptional that when you see those rockets go up and come back and land in the same gantry, nobody else can do that, but this man. So he's just an incredible person, and he's a friend of mine, and he's a nice person too. He's a very nice person. He really helped the country. Saved us a lot of money. And I heard him say that he'll start easing which is always, he was always, at this time, going to ease out. And when he goes back to Tesla that will be taken care of, it was just, it's artificial. These were sick people that thought they were doing something. He really, he's a great patriot, and he should, really, it should be, it shouldn't be the way that should never have happened to him. And I will tell you right now, he makes a great product. He makes a great product. It's a great car. It's great everything. Starlink is great. What he does is good. He's doing medical things that are amazing. And we have to, at some point, let him go and do that."

DogeDesigner

1,128,626 views • 1 year ago

When making The Departed, Jack Nicholson told Matt Damon, “I never would've made it this far in my career if I wasn't a great fucking writer.” Meaning, he would contribute great ideas to a story through his performance and improvisation. Damon recalls a perfect example of this: “And I'll give you one story - it was my favorite thing that happened on The Departed, was this story about a scene that I was not in, but he (Nicholson) was - it was 1 eighth of a page, and it said Costello - which is the name of his character - ‘Costello executes man kneeling in the marshes.’ Now, most people look at that, and they'll go, ‘All right, it's gonna be one shot - that's gonna be an hour of work, and that's all I'm doing that day, or whatever.’ He looked at that, and he goes, ‘Okay, I can do that, but I think I can make it better.’ And so he's telling me this story. He goes, (in Jack Nicholson’s voice) ‘So what I do is,’… he goes, ‘I come from the Roger Corman School, so I'm not gonna add any time, and I'm not gonna add to your budget. But instead of a man kneeling in the marshes, I make it a woman.’ ...And he goes, ‘So I'm gonna execute a woman, but I'm not gonna be alone. I put Ray (Winston) in the scene with me - and I shoot her in the back of the head like it says in the script. But if you leave the camera rolling, after she falls, I turn to Ray and I say, geez, she fell funny. Now that's a really sinister thing to say. Because it means I do this a lot, and there's a way people fall. And she didn't fall that way.’ And I go, ‘oh yeah, I get it man, I get it.’ ‘Now you could end the scene there, but if you leave the camera rolling, Ray steps forward, and he reveals that he's holding an axe. She's gonna chop her up. Now you could end the scene there.’ He goes, ‘But if you leave the camera rolling, I turn to Ray and say, “wait, I think I wanna fuck her again.”’ And he goes, ‘Now that's a very sinister line.’ I get it, I get it, it's really, really, really disturbing. And he says, Now you could end the scene there, but if you keep the camera rolling, Ray stops and looks at me, and there's a pause. And I go….ah! He goes, ‘And that's a sinister thing to do, “'cause we're making a joke out of this whole thing.” And I go, yeah, I get it, I get it. ‘Now you could end the scene there, but if you leave the camera rolling, Ray says, “Francis, you really oughta see someone.” And so that's what they did. He took this one eighth of a page scene, and he did all of that, and they had two cameras on it, so it could cut back and forth. And what Marty ended up cutting was he shoots her, she falls, he says, “Geez, she fell funny.” And Ray looks at him and says, “Francis, you really oughta see someone.” But he just gave him all of these options, as dark and as sick as you wanna go.” Quote comes from Matt Damon's appearance on the What A Joke Show with Papa and Fortune

Gangster Cinema Central

1,053,344 views • 2 months ago