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Arnold Schwarzenegger explains the income-property filter that made him a millionaire before movies. He did not start with a franchise check or a Hollywood payday. "I had $26,000 ... in cash in the bank." "I was looking around like a fanatic for an apartment building." "Before I ever buy...

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Real Estate Property Manager says property taxes are so high in New York City, even after raising rents to $3,200 per month he only nets $500 of profit off each unit “I finished the building, I got the tax bill, $26,000. Here I am 5 years later, it's $40,000 a building Three families. So I had to raise the rents to $3,200 because I have an apartment and a half just for the taxes and the water bill. The other apartment and a half, remember it's 3, pays the mortgage and pays the insurance I net 500 on each brand new building. That's not business. No, it's a disaster.” “I'll give you one more. I got a building that I first started in Bay Ridge, 20 family house. All right. I renovated it. I fixed it up and I made it still affordable. When I first bought the building, it was $32,000. Five years later, it's $78,000” Property taxes are out of control and driving up rent prices
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Real Estate Property Manager says property taxes are so high in New York City, even after raising rents to $3,200 per month he only nets $500 of profit off each unit “I finished the building, I got the tax bill, $26,000. Here I am 5 years later, it's $40,000 a building Three families. So I had to raise the rents to $3,200 because I have an apartment and a half just for the taxes and the water bill. The other apartment and a half, remember it's 3, pays the mortgage and pays the insurance I net 500 on each brand new building. That's not business. No, it's a disaster.” “I'll give you one more. I got a building that I first started in Bay Ridge, 20 family house. All right. I renovated it. I fixed it up and I made it still affordable. When I first bought the building, it was $32,000. Five years later, it's $78,000” Property taxes are out of control and driving up rent prices

Wall Street Apes

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Arnold Schwarzenegger reveals he demanded a helicopter-mounted machine gun for Predator specifically to out-do Stallone's Rambo weapon Arnold: “We ended up kind of like, 'You killed 28 people in the movie. I killed 32.' I got to top that.” Arnold: “It was not the body count, and then it was kind of like, 'Well, what was your body fat?' You know, I was down to 7%. So I said, 'I was down to 10%.' So it became a competition with the body.” Arnold: “'Well Arnold, you can never hold that.' I said, 'We'll figure out a way. Don't worry about it. I got to have a bigger gun, a bigger machine gun than Sly used in Rambo.'” Arnold: “So then he killed, you know, 80 people, and I had to kill 87 people. And you got sucked into it too, because the difference between Rambo 1 and 2 and 3 and 4, you got bigger guns, bigger body count, the whole thing.”
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Arnold Schwarzenegger reveals he demanded a helicopter-mounted machine gun for Predator specifically to out-do Stallone's Rambo weapon Arnold: “We ended up kind of like, 'You killed 28 people in the movie. I killed 32.' I got to top that.” Arnold: “It was not the body count, and then it was kind of like, 'Well, what was your body fat?' You know, I was down to 7%. So I said, 'I was down to 10%.' So it became a competition with the body.” Arnold: “'Well Arnold, you can never hold that.' I said, 'We'll figure out a way. Don't worry about it. I got to have a bigger gun, a bigger machine gun than Sly used in Rambo.'” Arnold: “So then he killed, you know, 80 people, and I had to kill 87 people. And you got sucked into it too, because the difference between Rambo 1 and 2 and 3 and 4, you got bigger guns, bigger body count, the whole thing.”

Zeus

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Arnold Schwarzenegger admits he tricked Stallone into taking a bad movie so he could catch up, 'I felt like the only way was if he had a stumble' Host: “One of my favorite stories about you guys was Stop! Or My Mom Will Shoot.” Host: “Because you knew it was a bad script and acted like you wanted it. You got suckered in.” Stallone: “Yeah, so he played me. Yes, he did. He did, and I'm stuck with that forever.” Arnold: “So then I called Roger Spottiswoode, who was the director, who just did the James Bond movie.” Stallone: “You talked to my director? Yeah. Oh my god.” Arnold: “So I was of course absolutely in heaven because I said I felt like the only way that I could catch up with him is if he has a stumble.” Arnold: “Sure enough, the movie came out, it was a disaster.” Arnold: “And everyone was writing, 'What a day. The heydays are over for Sly.' So I said, 'Well, okay, this is now a moment for me to catch up.'”
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Arnold Schwarzenegger admits he tricked Stallone into taking a bad movie so he could catch up, 'I felt like the only way was if he had a stumble' Host: “One of my favorite stories about you guys was Stop! Or My Mom Will Shoot.” Host: “Because you knew it was a bad script and acted like you wanted it. You got suckered in.” Stallone: “Yeah, so he played me. Yes, he did. He did, and I'm stuck with that forever.” Arnold: “So then I called Roger Spottiswoode, who was the director, who just did the James Bond movie.” Stallone: “You talked to my director? Yeah. Oh my god.” Arnold: “So I was of course absolutely in heaven because I said I felt like the only way that I could catch up with him is if he has a stumble.” Arnold: “Sure enough, the movie came out, it was a disaster.” Arnold: “And everyone was writing, 'What a day. The heydays are over for Sly.' So I said, 'Well, okay, this is now a moment for me to catch up.'”

Zeus

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Richard Donner on why he made 'Superman' (1978) & the movie's connection to François Truffaut's 'Jules & Jim' (1962): "I certainly didn’t know it when we were making 'Superman' (1978) [that it would have a profound impact on millions of people around the world]. I was just trying to make the best movie I could make. I think it was during the first showing I attended — not the opening, but a regular screening in a theater, in New York. I watched the audience experience that movie and I was very moved, very excited. Before I came on board, the script was kind of a parody of a parody, It had been really well written by three or four really good writers, but they had been directed by a couple of Hungarians [producers Alexander and Ilya Salkind] who saw it as a comic book rather than a piece of history. Their script didn’t have any respect for what the character stood for, since I was a little kid. Tom Mankiewicz and I had known each other for years, and we’d always talked about working together, so I presented him with the problem, I asked him to bring a sense of reality, or verisimilitude, to the story. I wanted to be able to prove that a man could fly. Tom rewrote the entire script. Years before, there had been a French film called 'Jules and Jim' (1962, Truffaut), a great film. Two guys fall in love with the same woman. That’s what Superman was: two guys in love with the same woman. It happened to be that the two guys were the same guy, but not in the woman’s eyes. I asked Tom ‘How do we make that into a love story?’ He just fell right into it." I was trying to let the audience know that they were not looking at a comic book, or what had been done with Superman over the ages. This was the true story of Superman. In my eyes, when I was a kid, he was real. And he was in Tom’s eyes, too. We decided that’s the way we wanted the movie to be." (Richard Donner's interview with Michael P Coleman, 2020)
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Richard Donner on why he made 'Superman' (1978) & the movie's connection to François Truffaut's 'Jules & Jim' (1962): "I certainly didn’t know it when we were making 'Superman' (1978) [that it would have a profound impact on millions of people around the world]. I was just trying to make the best movie I could make. I think it was during the first showing I attended — not the opening, but a regular screening in a theater, in New York. I watched the audience experience that movie and I was very moved, very excited. Before I came on board, the script was kind of a parody of a parody, It had been really well written by three or four really good writers, but they had been directed by a couple of Hungarians [producers Alexander and Ilya Salkind] who saw it as a comic book rather than a piece of history. Their script didn’t have any respect for what the character stood for, since I was a little kid. Tom Mankiewicz and I had known each other for years, and we’d always talked about working together, so I presented him with the problem, I asked him to bring a sense of reality, or verisimilitude, to the story. I wanted to be able to prove that a man could fly. Tom rewrote the entire script. Years before, there had been a French film called 'Jules and Jim' (1962, Truffaut), a great film. Two guys fall in love with the same woman. That’s what Superman was: two guys in love with the same woman. It happened to be that the two guys were the same guy, but not in the woman’s eyes. I asked Tom ‘How do we make that into a love story?’ He just fell right into it." I was trying to let the audience know that they were not looking at a comic book, or what had been done with Superman over the ages. This was the true story of Superman. In my eyes, when I was a kid, he was real. And he was in Tom’s eyes, too. We decided that’s the way we wanted the movie to be." (Richard Donner's interview with Michael P Coleman, 2020)

DepressedBergman

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Amjad Masad's first "business meeting" was getting caught hacking his own university: Before he built anything, Amjad was stuck. He was five, almost six years into a degree that should have taken three or four, watching everyone around him move on. "All my friends were graduating... And I feel like life is passing me by." The drive was already there. It just had no outlet. "I had all these big dreams and ambitions. I wanted to build companies, make a lot of money, all of that. But I was stuck." The thing standing between him and graduation wasn't his ability. He passed his classes, and did well in math and computer science. It was an attendance rule. Miss too many classes in a row and you'd be disqualified. A bureaucratic problem, not an intellectual one. So he treated it like an engineer, not a student: "I thought, okay, I'm going to hack into the school and change my grades." He spent two to three weeks in his parents' basement building the solution. Writing scripts, running network scans, probing the systems until he was in. He didn't cover his tracks and disappear. He told the school he had something to show them, walked into a room full of deans, and pitched: "I pulled out the whiteboard and explained all the different problems, all the systems they had and how I hacked into it and really pulled out all the stops and all the charisma to kind of try to impress them. And they were really impressed." That's the move. He turned a liability into a demonstration. The deans had stayed up all night trying to figure out what went wrong, and here was the one person who could explain it, selling them on his competence in the process. He almost overplayed it, assuming the presentation alone had settled things and reaching for the door: "Wait, where are you going? We've got to deal with you. You just hacked into the school. We can't let you go." What turned it around was a decision-maker who could tell the difference between a vandal and a builder. The university president didn't see a crime to punish; he saw talent to manage. "You have a great talent, great power, but with power comes responsibility." And then he made the offer that, in hindsight, looks a lot like Amjad Masad first job: "We're going to let you go, but you're going to have to spend the summer working for the university trying to fix the vulnerabilities and the security issues." The business lesson is in that final trade. Amjad created value the wrong way then proved he could create it the right way, and got hired to do exactly that. The skill that broke the system became the skill that secured it.
2:11

Amjad Masad's first "business meeting" was getting caught hacking his own university: Before he built anything, Amjad was stuck. He was five, almost six years into a degree that should have taken three or four, watching everyone around him move on. "All my friends were graduating... And I feel like life is passing me by." The drive was already there. It just had no outlet. "I had all these big dreams and ambitions. I wanted to build companies, make a lot of money, all of that. But I was stuck." The thing standing between him and graduation wasn't his ability. He passed his classes, and did well in math and computer science. It was an attendance rule. Miss too many classes in a row and you'd be disqualified. A bureaucratic problem, not an intellectual one. So he treated it like an engineer, not a student: "I thought, okay, I'm going to hack into the school and change my grades." He spent two to three weeks in his parents' basement building the solution. Writing scripts, running network scans, probing the systems until he was in. He didn't cover his tracks and disappear. He told the school he had something to show them, walked into a room full of deans, and pitched: "I pulled out the whiteboard and explained all the different problems, all the systems they had and how I hacked into it and really pulled out all the stops and all the charisma to kind of try to impress them. And they were really impressed." That's the move. He turned a liability into a demonstration. The deans had stayed up all night trying to figure out what went wrong, and here was the one person who could explain it, selling them on his competence in the process. He almost overplayed it, assuming the presentation alone had settled things and reaching for the door: "Wait, where are you going? We've got to deal with you. You just hacked into the school. We can't let you go." What turned it around was a decision-maker who could tell the difference between a vandal and a builder. The university president didn't see a crime to punish; he saw talent to manage. "You have a great talent, great power, but with power comes responsibility." And then he made the offer that, in hindsight, looks a lot like Amjad Masad first job: "We're going to let you go, but you're going to have to spend the summer working for the university trying to fix the vulnerabilities and the security issues." The business lesson is in that final trade. Amjad created value the wrong way then proved he could create it the right way, and got hired to do exactly that. The skill that broke the system became the skill that secured it.

Business Nerd

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Republican Steve Hilton just had a legendary moment after his historic performance in California’s governor primary. He told a crowd of his supporters a story about Arnold Schwarzenegger — and by the end the whole place erupted into “U-S-A!” chants. HILTON: “I remember when I became an American citizen, that certain governor, you may remember, he said, congratulations.” “He made a very nice video. He said, but Steve, you got...the wrong jacket. You got the wrong jacket!” “And I made a pledge that day that one day I would get the jacket that Arnold told me to get on my road to being governor of California.” “And here it is. I am a proud American!” [Opens his jacket] “There’s the jacket!” “And I am a very proud Californian, a very proud...a very proud Californian tonight.” “Arnold, that was for you!” [Crowd breaks out into U-S-A! chants] Hilton is bringing the energy and the fight to California.
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Republican Steve Hilton just had a legendary moment after his historic performance in California’s governor primary. He told a crowd of his supporters a story about Arnold Schwarzenegger — and by the end the whole place erupted into “U-S-A!” chants. HILTON: “I remember when I became an American citizen, that certain governor, you may remember, he said, congratulations.” “He made a very nice video. He said, but Steve, you got...the wrong jacket. You got the wrong jacket!” “And I made a pledge that day that one day I would get the jacket that Arnold told me to get on my road to being governor of California.” “And here it is. I am a proud American!” [Opens his jacket] “There’s the jacket!” “And I am a very proud Californian, a very proud...a very proud Californian tonight.” “Arnold, that was for you!” [Crowd breaks out into U-S-A! chants] Hilton is bringing the energy and the fight to California.

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Mitch Johnson was asked why it was so difficult for Victor Wembanyama to get involved offensively in the first half, and what changed in the second half: "We've had that conversation before, and I understand the discourse around it. I think it's a little bit of all of it. I have to make sure that there's environments that the ball finds him. I think he's got to make sure that he can't rely on that to get shots, as well. There were times, I think, when he was open on rolls or around the paint and his teammates got to get him the ball. I think it's a combination of all that. Four shots in a half on this stage is not acceptable."
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Mitch Johnson was asked why it was so difficult for Victor Wembanyama to get involved offensively in the first half, and what changed in the second half: "We've had that conversation before, and I understand the discourse around it. I think it's a little bit of all of it. I have to make sure that there's environments that the ball finds him. I think he's got to make sure that he can't rely on that to get shots, as well. There were times, I think, when he was open on rolls or around the paint and his teammates got to get him the ball. I think it's a combination of all that. Four shots in a half on this stage is not acceptable."

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Paul George says he bought a Ferrari on eBay for $120,000 after signing his first big contract “I just made my deal, and I was still trying to be cheap at the same time. This is how cheap I was though. My ass went on eBay to look up Ferraris” “I bought a Ferrari F430, all black. It was low mileage. The dude was actually a cool. He owned a ton of cars. He had a huge car collection. He was like, ‘I'll sell it to you.’ He was a fan, so I got it for the low” “I loved it because it was that thing that symbolized you made it. For me as a kid, it was a Ferrari. I don't care if I got $100,000 in the bank. If I got a Ferrari in the garage, I'm lit. I made it.” “Ironic enough, every deal that I signed, I went and got a different Ferrari. I think I ended up paying like $120,000. I met him. I introduced him to my financial partner and let them do the transaction”
1:59

Paul George says he bought a Ferrari on eBay for $120,000 after signing his first big contract “I just made my deal, and I was still trying to be cheap at the same time. This is how cheap I was though. My ass went on eBay to look up Ferraris” “I bought a Ferrari F430, all black. It was low mileage. The dude was actually a cool. He owned a ton of cars. He had a huge car collection. He was like, ‘I'll sell it to you.’ He was a fan, so I got it for the low” “I loved it because it was that thing that symbolized you made it. For me as a kid, it was a Ferrari. I don't care if I got $100,000 in the bank. If I got a Ferrari in the garage, I'm lit. I made it.” “Ironic enough, every deal that I signed, I went and got a different Ferrari. I think I ended up paying like $120,000. I met him. I introduced him to my financial partner and let them do the transaction”

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Jeff Bezos: “word-of-mouth is more powerful than it has ever been before” In this 2012 interview, Bezos argues this development has dramatic implications for business strategy: “In the past, if you were making a product, the right business strategy was to put 70% of your attention, energy, and dollars into marketing the product and 30% into building a great product. So you could win with a mediocre product if you were a good enough marketer. And I think that is getting harder to do.” He continues: “The right way to respond to this if you’re a company is to say, I’m going to put the vast majority of my energy, attention, and dollars into building a great product or service. And put a smaller amount into shouting about it (marketing). Because I know if I build a great product or service, my customers will tell each other.”
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Jeff Bezos: “word-of-mouth is more powerful than it has ever been before” In this 2012 interview, Bezos argues this development has dramatic implications for business strategy: “In the past, if you were making a product, the right business strategy was to put 70% of your attention, energy, and dollars into marketing the product and 30% into building a great product. So you could win with a mediocre product if you were a good enough marketer. And I think that is getting harder to do.” He continues: “The right way to respond to this if you’re a company is to say, I’m going to put the vast majority of my energy, attention, and dollars into building a great product or service. And put a smaller amount into shouting about it (marketing). Because I know if I build a great product or service, my customers will tell each other.”

Startup Archive

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Bradley Cooper says he was ready to quit acting before The Hangover changed his career “I was going to quit. I remember I was doing a play, and I was like, ‘It's just not happening.’ I really wanted to be an actor. I loved it so much. I was making a living, which was a miracle. For the first three years, I was like, ‘This is amazing.’ Then I was like I just want to be three days on a movie, then you’re not, and then you're gone” “I wasn't really getting any other roles that were substantial. I met with Todd Phillips six months before for The Hangover, and then it was gone. The truth is, I think they had a cast, but the budget was too high. They said if you make it with a smaller budget, we'll do the movie” “Then I was doing a play in Williamstown called The Understudy by Theresa Rebeck. I remember I got an email from Todd Phillips, and I was like, ‘Whoa, how'd he get my email?’ He was like, ‘Let's do this, bitches’” “Then we went from there and started shooting. We went to Vegas that fall. I never would have gotten Limitless if I wasn't part of The Hangover. That changed everything”
1:17

Bradley Cooper says he was ready to quit acting before The Hangover changed his career “I was going to quit. I remember I was doing a play, and I was like, ‘It's just not happening.’ I really wanted to be an actor. I loved it so much. I was making a living, which was a miracle. For the first three years, I was like, ‘This is amazing.’ Then I was like I just want to be three days on a movie, then you’re not, and then you're gone” “I wasn't really getting any other roles that were substantial. I met with Todd Phillips six months before for The Hangover, and then it was gone. The truth is, I think they had a cast, but the budget was too high. They said if you make it with a smaller budget, we'll do the movie” “Then I was doing a play in Williamstown called The Understudy by Theresa Rebeck. I remember I got an email from Todd Phillips, and I was like, ‘Whoa, how'd he get my email?’ He was like, ‘Let's do this, bitches’” “Then we went from there and started shooting. We went to Vegas that fall. I never would have gotten Limitless if I wasn't part of The Hangover. That changed everything”

dank

323,138 Aufrufe • vor 1 Monat

Nick explains how he turned $1,900 into $1,000,000 on Bored Apes in 2021 "I had like 30 grand in cash that I could put into the NFT space. I bought one of the shitty ones, a MeBit, that was like $12,000. Just fucking burned basically. Then I got an Art Block that did well and then I got a Bored Ape for $400. Then by the time the floor went to like $1,500 I bought another one." "I remember telling my girlfriend at the time, I lied to her about buying it. Instead of $440 I told her I got it for $400 because I felt guilty about spending this much money on an NFT." "There were people on the timeline that I was following that were big NFT people. Pranksy was one of them. He bought like 250 of them and basically set the floor. Him and Jimmy.eth were the two people that kind of built that entire thing. They controlled the supply by buying all of it. And they were just whales and I saw them tweeting about it." "I'd gone on a research thing over the past three or four months diving into this and was like okay these people know what they're talking about. I'm going to follow them into this. If you're early enough you see the patterns. Historically all of my money in my life has come from being a first or second wave to a trend. You end up seeing these people doing interesting things and you just get in."
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Nick explains how he turned $1,900 into $1,000,000 on Bored Apes in 2021 "I had like 30 grand in cash that I could put into the NFT space. I bought one of the shitty ones, a MeBit, that was like $12,000. Just fucking burned basically. Then I got an Art Block that did well and then I got a Bored Ape for $400. Then by the time the floor went to like $1,500 I bought another one." "I remember telling my girlfriend at the time, I lied to her about buying it. Instead of $440 I told her I got it for $400 because I felt guilty about spending this much money on an NFT." "There were people on the timeline that I was following that were big NFT people. Pranksy was one of them. He bought like 250 of them and basically set the floor. Him and Jimmy.eth were the two people that kind of built that entire thing. They controlled the supply by buying all of it. And they were just whales and I saw them tweeting about it." "I'd gone on a research thing over the past three or four months diving into this and was like okay these people know what they're talking about. I'm going to follow them into this. If you're early enough you see the patterns. Historically all of my money in my life has come from being a first or second wave to a trend. You end up seeing these people doing interesting things and you just get in."

Kai

128,131 Aufrufe • vor 2 Monaten

“Some years ago, my family pressured me to build my own house, saying that a man at my level should have moved beyond renting an apartment. But I refused. Instead, I rented an apartment in the most expensive estate in the state. I chose to invest the hundreds of millions I could have spent building a big mansion into a business that would generate more value. Some people use their own hands to bury capital by building houses—money they could have used to start or expand a business. Put your money where it multiplies, not where it sleeps.” — Chidomere
2:25

“Some years ago, my family pressured me to build my own house, saying that a man at my level should have moved beyond renting an apartment. But I refused. Instead, I rented an apartment in the most expensive estate in the state. I chose to invest the hundreds of millions I could have spent building a big mansion into a business that would generate more value. Some people use their own hands to bury capital by building houses—money they could have used to start or expand a business. Put your money where it multiplies, not where it sleeps.” — Chidomere

CHUKS 🍥

417,008 Aufrufe • vor 16 Tagen

Apple CEO Tim Cook: "I saw in Steve [Jobs] something I had never seen in a CEO before. He had a passion for product that was so unique and refreshing." "I was taken in the first meeting with him and I wanted to throw caution to the wind and join [Apple] despite the condition of the company."
0:26

Apple CEO Tim Cook: "I saw in Steve [Jobs] something I had never seen in a CEO before. He had a passion for product that was so unique and refreshing." "I was taken in the first meeting with him and I wanted to throw caution to the wind and join [Apple] despite the condition of the company."

Kevin Carpenter

221,245 Aufrufe • vor 5 Monaten

"Play Misty for Me" (1971) was the directorial debut for Clint Eastwood & the first scene he decided to direct in the movie was Don Siegel's cameo in the bar. As a joke, Eastwood made Don Siegel do 11 takes, then told the cameraman to put the film in the camera. When Clint Eastwood was asked why he chose this particular scene as the first, he said, "Actually, it just worked out that way. I tell everybody I did it that way because it was my first day on the set, and I wanted some body to be more nervous than I was, but actually I just started with that sequence because I wanted to start with something moderate, not too rough. We had three days scheduled for it, since it was Don’s first acting job, but we did it in a little over a day. He was very nervous during the first few takes, but by the second morning, he was an old pro." (Clint Eastwood's interview with Stuart M. Kaminsky, 1971 & IMDb) P.S: On this day, 55 years ago, "Play Misty for Me" (1971) premiered in El Paso, Texas, USA.
1:46

"Play Misty for Me" (1971) was the directorial debut for Clint Eastwood & the first scene he decided to direct in the movie was Don Siegel's cameo in the bar. As a joke, Eastwood made Don Siegel do 11 takes, then told the cameraman to put the film in the camera. When Clint Eastwood was asked why he chose this particular scene as the first, he said, "Actually, it just worked out that way. I tell everybody I did it that way because it was my first day on the set, and I wanted some body to be more nervous than I was, but actually I just started with that sequence because I wanted to start with something moderate, not too rough. We had three days scheduled for it, since it was Don’s first acting job, but we did it in a little over a day. He was very nervous during the first few takes, but by the second morning, he was an old pro." (Clint Eastwood's interview with Stuart M. Kaminsky, 1971 & IMDb) P.S: On this day, 55 years ago, "Play Misty for Me" (1971) premiered in El Paso, Texas, USA.

DepressedBergman

18,547 Aufrufe • vor 21 Tagen

NEW: Arnold Schwarzenegger goes off script on The View—tells migrants to stop committing crimes and “respect America.” RARE W for Schwarzenegger. The ultra-liberal panel on The View was left distressed after Arnold was asked about the violent LA riots. That’s when he dropped the hammer: “The key thing at the same time, we got to do things legal. That is the most important thing.” “You got to do things legal, and those people that are doing illegal things in America and they’re the foreigners, they are not smart, because, when you come to America, you’re a guest and you have to behave like a guest.” “Like when I go to someone’s house and I’m a guest, then I will do everything I can to keep things clean and to make my bed and to do everything that is the right thing to do rather than committing a crime of being abusive or something like that, so that doesn’t really work in this country.” Sunny Hostin panicked as she was herd interjecting, before literally placing her hand on Arnold to cut him off. But he kept preaching: “So I think the important thing is when you become an immigrant, you think about, okay, I go to America because I’m going to use America for the great opportunities America has in education, in jobs, creating a family, all of those kind of things.” “Then you have to think about, okay, if I get all of those things from America, then I have to give something back.” “You have a responsibility as an immigrant to give back to America and to pay back to America and go and do something for your community for no money whatsoever.” “Give something back to after school programs, Special Olympics, or whatever it is, make this country a better place.” [Audience erupts into applause] The hosts were stunned. And for once, Schwarzenegger got it exactly right.
1:16

NEW: Arnold Schwarzenegger goes off script on The View—tells migrants to stop committing crimes and “respect America.” RARE W for Schwarzenegger. The ultra-liberal panel on The View was left distressed after Arnold was asked about the violent LA riots. That’s when he dropped the hammer: “The key thing at the same time, we got to do things legal. That is the most important thing.” “You got to do things legal, and those people that are doing illegal things in America and they’re the foreigners, they are not smart, because, when you come to America, you’re a guest and you have to behave like a guest.” “Like when I go to someone’s house and I’m a guest, then I will do everything I can to keep things clean and to make my bed and to do everything that is the right thing to do rather than committing a crime of being abusive or something like that, so that doesn’t really work in this country.” Sunny Hostin panicked as she was herd interjecting, before literally placing her hand on Arnold to cut him off. But he kept preaching: “So I think the important thing is when you become an immigrant, you think about, okay, I go to America because I’m going to use America for the great opportunities America has in education, in jobs, creating a family, all of those kind of things.” “Then you have to think about, okay, if I get all of those things from America, then I have to give something back.” “You have a responsibility as an immigrant to give back to America and to pay back to America and go and do something for your community for no money whatsoever.” “Give something back to after school programs, Special Olympics, or whatever it is, make this country a better place.” [Audience erupts into applause] The hosts were stunned. And for once, Schwarzenegger got it exactly right.

The Vigilant Fox 🦊

616,941 Aufrufe • vor 1 Jahr

UCC 'pastor' explains that Jesus wasn't actually born of a virgin because: "The word 'virgin' in the first century had more to do with a woman who made decisions independent of a spouse. That's the way I like to think of it, that Jesus was born to an independent woman."
0:45

UCC 'pastor' explains that Jesus wasn't actually born of a virgin because: "The word 'virgin' in the first century had more to do with a woman who made decisions independent of a spouse. That's the way I like to think of it, that Jesus was born to an independent woman."

Woke Preacher Clips

217,016 Aufrufe • vor 8 Monaten

Arnold Schwarzenegger just pledged that he will “always support” RFK Jr. “No matter if I believe in everything that he does or not—I will always support him.” “When I ran as a Republican and a Democrat like Bobby Kennedy helped me, I said to myself that I should always be there for him.” “He was a Democrat and he called me during my campaign for Governor and said to me, Arnold, I have someone that will help you with the environment, because he was an environmentalist.” “He sent me this guy, Terry Tamminen. And Terry Tamminen educated me about the environment.” “We set up environmental goals that we all follow through on, including reducing pollution by 25% in California—no other state was able to do that in America—and to create more renewable energy and a million solar roofs and a green building initiative, and on and on.” “But it was all because of Bobby Kennedy.” h/t End Tribalism in Politics Arnold Schwarzenegger Robert F. Kennedy Jr
1:20

Arnold Schwarzenegger just pledged that he will “always support” RFK Jr. “No matter if I believe in everything that he does or not—I will always support him.” “When I ran as a Republican and a Democrat like Bobby Kennedy helped me, I said to myself that I should always be there for him.” “He was a Democrat and he called me during my campaign for Governor and said to me, Arnold, I have someone that will help you with the environment, because he was an environmentalist.” “He sent me this guy, Terry Tamminen. And Terry Tamminen educated me about the environment.” “We set up environmental goals that we all follow through on, including reducing pollution by 25% in California—no other state was able to do that in America—and to create more renewable energy and a million solar roofs and a green building initiative, and on and on.” “But it was all because of Bobby Kennedy.” h/t End Tribalism in Politics Arnold Schwarzenegger Robert F. Kennedy Jr

Holden Culotta

310,718 Aufrufe • vor 1 Jahr

Charlie Sheen reveals his best guess is he contracted HIV during sexual experimentation with men and says he didn't have it before that specific window “Probably in that pocket of time with the experimentation with the thing, and I don't really ever say that in the book or the doc, but there's a reason in the book that it does fall into that as far as the chronology goes into that specific window into that moment.” “What gives you the confidence that it happened then?” “Cuz I didn't have it before that and then found out I had it right after that.” “But never identified the person that you actually got it from.” “No. Because it's at that point that much partying, trying to actually pin that on, and the only reason to do that would have been just as a responsible thing for others. I think the barge had moved far enough down the river at that point that it was about, oh, let's get this thing under control, you know.”
1:05

Charlie Sheen reveals his best guess is he contracted HIV during sexual experimentation with men and says he didn't have it before that specific window “Probably in that pocket of time with the experimentation with the thing, and I don't really ever say that in the book or the doc, but there's a reason in the book that it does fall into that as far as the chronology goes into that specific window into that moment.” “What gives you the confidence that it happened then?” “Cuz I didn't have it before that and then found out I had it right after that.” “But never identified the person that you actually got it from.” “No. Because it's at that point that much partying, trying to actually pin that on, and the only reason to do that would have been just as a responsible thing for others. I think the barge had moved far enough down the river at that point that it was about, oh, let's get this thing under control, you know.”

Hribi

166,332 Aufrufe • vor 2 Monaten

I don’t know; many people are stupid about this. Most mainstream sitcoms and dramas had a dramatic conceit that the people in them were living in a house, apartment, or whatever about one or two standard deviations of wealth higher than where they would actually be, in order to facilitate a decent drama. A thousand-square-foot rancher with two or three kids in the same room and two realistically burned-out working-class parents (rather than one comically burned out Al Bundy) is not a very good sitcom either to write or to film. I remember a few of the shows playing on this dramatic conceit later. “Sex and the City” famously has a big excuse for why Carrie is in an apartment way too big for her income, and “Friends” does something similar with Monica’s apartment. But for the most part, “The Simpsons” or “Married... with Children” expect you to understand that the house is somewhat extravagant, or at least enlarged and cleaned up for television. I mean, just look at it. The Simpsons’ house is not literally a McMansion, but it is clearly huge for a one-income working-class cartoon family, and about 10 or 20 years before that kind of oversized suburban house became a standard cultural image. Now that I think about it, even “The Simpsons” plays on this:
2:10

I don’t know; many people are stupid about this. Most mainstream sitcoms and dramas had a dramatic conceit that the people in them were living in a house, apartment, or whatever about one or two standard deviations of wealth higher than where they would actually be, in order to facilitate a decent drama. A thousand-square-foot rancher with two or three kids in the same room and two realistically burned-out working-class parents (rather than one comically burned out Al Bundy) is not a very good sitcom either to write or to film. I remember a few of the shows playing on this dramatic conceit later. “Sex and the City” famously has a big excuse for why Carrie is in an apartment way too big for her income, and “Friends” does something similar with Monica’s apartment. But for the most part, “The Simpsons” or “Married... with Children” expect you to understand that the house is somewhat extravagant, or at least enlarged and cleaned up for television. I mean, just look at it. The Simpsons’ house is not literally a McMansion, but it is clearly huge for a one-income working-class cartoon family, and about 10 or 20 years before that kind of oversized suburban house became a standard cultural image. Now that I think about it, even “The Simpsons” plays on this:

CTrefugees

123,821 Aufrufe • vor 3 Monaten