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Attention (2002)

49,272 просмотров • 5 месяцев назад •via X (Twitter)

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On October 29, 2022, NBA Dallas Mavericks star point guard Kyrie Irving exposed the occults that control America and the manipulative tactics of the Mainstream Media. Irving also addressed being accused of promoting antisemitism when he shared the film "Hebrews to Negroes: Wake Up Black America," on his Twitter account and mentioned an alleged claim of ‘God’s true chosen people’ Irving also responded to backlash of him supporting an Alex Jones research of occult societies in America. Pay attention how the media attempted to belittle Irving and make it appear as if they don’t understand him. They do this because they know their brand is respected for being intelligent and if they don’t understand you others will view you as ignorant. Sadly I’ve seen it happen to me. Irving stated: ‘The post was a post from Alex Jones that he did in the early 90s or late 90s about secret societies in America of occults, and it’s true.’ This backlash started on On September 15, 2022 when Kyrie Irving posted “Never Forget - Alex Jones Tried To Warn Us” with Jones claiming back in 2002 that a “New World Order” would release “plagues upon us” on his Instagram story. Irving has been constantly labeled as crazy and delusion by the mainstream media and even the NBA for being outspoken about the way the world functions. it’s a common trend we saw with Michael Jackson, Malcom X and even Donald Trump today.

Dom Lucre | Breaker of Narratives

2,197,544 просмотров • 2 лет назад

In this scene in 'The Pianist' (2002), Adrien Brody's character [Wladyslaw Szpilman] is saved from going to the concentration camp by a Policeman. As per Szpilman's memoir, he ran from the Nazis & escaped. Roman Polanski felt what happened to him in real life would be better suited for the movie than Szpilman's real life incident. Polanski was also saved in a similar manner in Poland during WW 2. However, when Polanski started to run, he was told by a stranger, "Walk, don't run" to not attract any attention from the Nazis. Here is Ronald Harwood, the screenwriter of the film talking about it: "We drank a lot of coffee. In retrospect, I see now that we were not simply finalising a technical document. We were doing that, making it as precise as possible, but trying to ensure that there was no falsehood or bogus emotion in our account of Szpilman’s story. You would be hard pressed to find two less sentimental men than Polanski and me, and any hint of it we both instantly recognised and excised. Polanski did occasionally call his own memories in for details and incidents. There was one in particular. I had accurately copied the moment in the book where a Jewish policeman saves Szpilman from boarding a cattle truck bound for Treblinka. Szpilman describes himself running from the scene. ‘No,’ Polanski said, ‘I’ll tell you what happened to me, it will be better.’ Apparently he too was saved in a similar manner, but when he’d been pushed out of the ghetto, under the barbed wire, and started to run his saviour hissed, ‘Walk, don’t run.’ And so we changed it. In the film, Szpilman walks slowly towards the gate while the Germans herd his family and all the others into trucks. I knew it was a reality I personally could not have invented. Despite the subject matter we laughed a lot, making dreadful jokes in bad taste about Jews, Poles and Germans. It was the only way to get through the harrowing material, I think. A month to the day later we finished. Once back in Paris, he presented me with a gift, an Espresso coffee machine." ("Screenwriters Lecture", Ronald Harwood, BAFTA, 2010) P.S: On this day, 24 years ago, 'The Pianist' (2002) premiered at the Cannes Film Festival, France.

DepressedBergman

38,562 просмотров • 2 месяцев назад

“Seven Nation Army” is one of the most iconic rock songs of the 21st century, created by The White Stripes. It all began in January 2002 during a tour of Australia. During the soundcheck at the Corner Hotel in Melbourne, Jack White played a powerful, simple riff on his semi-acoustic guitar. He memorized it but didn’t think much of it at first. In fact, he played it for an executive at his record label, who told him he could do better. Jack considered saving it for a potential James Bond theme song, but realizing that was unlikely, he decided to use it for The White Stripes. The title “Seven Nation Army” comes from Jack’s childhood: as a kid in Detroit, he misheard the name “The Salvation Army” and called it “Seven Nation Army.” At first, it was just a working title to remember the riff, but it ended up sticking. The lyrics deal with gossip, rumors, and the pressure of fame. Jack said the song came from his frustration at seeing his friends in Detroit badmouthing each other. It tells the story of someone who arrives in a town and hears everyone gossiping about him behind his back. He feels so bad that he leaves, but loneliness brings him back. It is, in part, a reflection on the band’s life at that time: their growing success, media attention, and rumors about their relationship (Jack and Meg White were already divorced, but they continued to pretend to be siblings). They recorded it in 2002 at Toe Rag Studios in London for the album Elephant (2003). It’s a minimalist track: almost everything is based on that legendary riff, with no bass (Jack used an octave pedal to make it sound like one), no traditional chorus (it was an experiment by Jack: “I’m going to make a song without a chorus to see if it works”), and Meg’s raw drumming. It was released as a single in February 2003 and became their biggest hit. It won a Grammy for Best Rock Song. The most surprising thing is its cultural legacy. That riff became a universal anthem: it’s sung in soccer stadiums (it started in Belgium with Club Brugge and spread around the world), at protests, sporting events, and even at weddings. It’s one of those songs that everyone instantly recognizes from just the first few notes.

🎸 Rock History 🎸

524,740 просмотров • 2 месяцев назад

Journalist Suman Chattopadhyay (Chatterjee) has been a rage among Bengali content viewers throughout the West Bengal election campaign. He continues to be one of the most-heard anti-TMC/Mamata Banerjee voices among Bengalis. In this video, he is seen during his younger days interviewing the then-Minister of Transport, Sports and Youth Services of West Bengal, CPI(M)’s Subhas Chakraborty, in the early 2000s. Chatterjee is seen behaving as a regular journalist here. So, why is recalling this 2002 interview important? Recently, Chatterjee said in an interview with a former Anandabazar Patrika colleague that when he rose from the rank of a reporter to that of the editor of the most popular Bengali newspaper, he told the owner, Aveek Sarkar, that toeing the Congress line, which the paper was known for until then — housing a host of journalists who were virtually members of the Congress — wouldn’t keep it ahead in the competition. Those days, Bartaman was breathing down its neck. He averred that the paper must reach out to the ruling communists as well. This interview can be seen in the light of that marketing strategy. At the same time, ABP activated its reporters and stringers in all 23 districts of the state, an outreach that only communist journalists were known for until then. Sarkar agreed to both proposals. A few years after he quit ABP, Bennett, Coleman and Co Ltd invited Chatterjee to head Ei Samay, the Times of India group’s Bengali newspaper. He was considered a competent candidate to make the start-up gain a foothold in a fiercely fought market space. His performance did not disappoint. While Chatterjee had known Mamata Banerjee since the era of Rajiv Gandhi and was aware of her penchant for histrionics, he decided to overlook that trait of hers. He promoted her big-time as the future chief minister of West Bengal while personally disapproving of her antics. These are subtle moves some chief editors make, while posing as neutral commentators, which do not often catch the attention of news consumers. And they can justify their conscious decisions ex post facto. When Chatterjee’s colleague almost accused him of promoting the wrong person for the future, he counter-questioned whether there was any anti-CPM journalist in that epoch who did not have a positive view of Mamata Banerjee:

Surajit Dasgupta

32,973 просмотров • 1 месяц назад