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Bad ventilation can make your thinking scores drop by half. That's what a Harvard study found looking at indoor air quality and carbon dioxide levels. Same brain, worse air, worse thinking. This video shows us three rooms, each modeled system by system in Revit before construction starts. A mechanical...

11,201 Aufrufe • vor 25 Tagen •via X (Twitter)

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The moisture question always comes up when I post pics of my indoor pools on my new builds. Step by step below on how I control it. We create a room where moisture can’t escape into other areas of the home while also having a mechanical system in place to pull the moisture out of the air so mildew/mold don’t ever develop in the pool room itself. In the STR space, investors are trying to stand out. Pools rent. Indoor pools rent even better. You can swim in the winter or summer. 1) Pool is always built on lowest floor inside (generally basement structure) 2) Concrete block wall for basement with very little wood frame 3) Densglass (kind of like a moisture resistant drywall) attached to concrete block 4) Special stucco just like you see on exterior of homes sprayed onto Densglass. The stucco is dyed to color of my choice. 5) Industrial grade dehumidifier (I use Santa Fe or Watchdog Brand). The humidity pulled from air is pumped back into the pool system near the mechanical room or outside. 6) Mini split for the pool room. Main floor HVAC covers the sleeping rooms, bathroom of basement and is always separated from pool room. You don’t want chlorinated air running through a main HVAC system. I look at having to replace the minisplit & dehumidifier about every 4 to 5 yrs because of the chlorinated air that goes through them. 7) Exhaust Fan leading to exterior which also pulls humid air out of the room as a supplemental support for the dehumidifier. When overhead lights are turned on, we have it so the exhaust fan kicks on as well. That’s it. We create a “bubble”, where no moisture gets into the other areas of home and the humid air gets pulled from the pool room.

BowTiedBroke

71,927 Aufrufe • vor 1 Monat

A GIRL BENT OVER A MECHANICAL BULL WITH A SIGN BEHIND HER THAT SAYS "BODIES: 1000+" WHILE MEN LINE UP BEHIND HER ONE BY ONE — THIS VIDEO DID 22 MILLION VIEWS AND IT'S A RODEO EVENT PROMO. Thread. Alright so look at this setup. She's at some kind of barn event. Hay bales, warehouse walls, mechanical bull. She's leaning over the machine with both hands on it, bent at the waist. Behind her there's a black sign with her photo that reads "Phillips' Glory. Size: S. Age: 24. Bodies: 1000+." And one by one, men walk up from behind her, shake her hand, and move on. That's the event. That's also not what 22 million people see when they watch this video. Here's what makes this the most efficiently suggestive setup I've ever seen on this platform. Every element is innocent by itself. A girl at a rodeo event. A stats board like you'd see for a bull. A handshake line. But the position she's in, the angle the men approach from, and the word "bodies" on the sign turn an event promo into something your brain can only read one way. She's bent over. They come from behind. The sign counts to 1000. Your brain did the math before you finished the first frame. "Bodies: 1000+" is the line doing all the heavy lifting. In rodeo it means bulls ridden. On the internet it means something else entirely and the person who wrote that sign knew exactly which audience would read which definition. The rodeo crowd sees a champion. The internet sees a body count. Both share the video. Neither audience knows they're sharing it for a completely different reason. She never stands up. Not once in 17 seconds. She stays bent over the bull the entire time while men approach, interact, and leave. The position is the format. If she was standing next to the bull this would be a meet-and-greet with 50K views. Bent over it with men approaching from behind it's a video that broke 20 million because your brain cannot overwrite what the geometry is telling it regardless of the context. The hay bales in the background are the final touch. They say "this is a barn, this is a rodeo, this is agriculture." And they're right. But a girl bent over in a barn while men line up behind her is also the opening scene of something that has nothing to do with agriculture and the hay bales are in both versions. The setting didn't change the read. The read hijacked the setting.

framexin

46,958 Aufrufe • vor 1 Monat

Two girls, arms overhead all day, plastering a ceiling in perfect sync and it makes them around $12,000 a month between them, mostly from filming it. Anyone who's done overhead work knows it's the worst position in the trade — arms up, neck back, shoulders burning inside ten minutes. Most people tap out. These two do it for hours, side by side, matching each other's pace like they share a brain. That's the thing you can't look away from: not just that it's two women on a ceiling, but that they're in rhythm doing the part everyone else dreads. Here's why the pair matters more than people think. A solo worker is a clip you watch once. Two people moving in sync — no talking, just anticipating each other — is a relationship, and relationships are what turn a viewer into a follower. You're not watching a task get done. You're watching a partnership work, and that pulls people back for the next one. The money runs three ways off one phone. Their calendar stays booked because homeowners watch the finish and hire them at full rate, zero ad spend — the video sells the work. Tool and material brands pay $3 - 5k a post to get their gear in genuinely skilled hands. And views, often 5-10 million a clip, stack payouts on a phone one of them wedges on a bucket. Neither of them edits. They film the shift, hand it to AI, it grabs the tightest synced stretch, cuts it to the beat, captions, schedules. They're onto the next room before it posts. The reframe for anyone doing hard work: the part of your job that's physically brutal — the part you assume nobody wants to see — is exactly what people respect watching. Struggle that looks effortless is magnetic. Doing it in sync with someone else doubles it. Do you work with someone you're so in sync with you barely need words? Drop it below — I'm breaking the best ones down next.

Rich

23,632 Aufrufe • vor 1 Monat

There is a room in Málaga that was built to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.

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